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Raisonne   Listen
adjective
Raisonne  adj.  Arranged systematically, or according to classes or subjects; as, a catalogue raisonné. See under Catalogue.






Collaborative International Dictionary of English 0.48








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"Raisonne" Quotes from Famous Books



... pile of building; a truly imperial residence—but neither the furniture nor the objects of art, whether connected with sculpture or painting, are deserving of anything in the shape of a catalogue raisonne. I saw the chamber where young Bonaparte frequently passes the day; and brandishes his flag staff, and beats upon his drum. He is a soldier (as they tell me) every inch of him; and rides out, through the streets of Vienna, ...
— Seeing Europe with Famous Authors, Volume V (of X) • Various

... cited. For Boucher de Perthes, see his Antiquites Celtiques et Antediluviennes, Paris, 1847-'64, vol. iii, pp. 526 et seq. For sundry extravagances of Boucher de Perthes, see Reinach, Description raisonne du Musee de St.-Germain-en-Laye, Paris, 1889, vol. i, pp. 16 et seq. For the mixture of sound and absurd results in Boucher's work, see Cartailhac as above, p. 19. Boucher had published in 1838 a work entitled De la Creation, but it seems to have dropped dead ...
— History of the Warfare of Science with Theology in Christendom • Andrew Dickson White

... A Catalague Raisonne of the Works of the most eminent Dutch, Flemish, and French Painters, ... to which is added a Brief Notice of the Scholars and Imitators of the Great Masters of the above schools. By John Smith. London, 1829-42. 9 ...
— How to Form a Library, 2nd ed • H. B. Wheatley

... Chouquet, in his "Catalogue Raisonne" of the instruments at the Paris Conservatoire, mentions two ...
— The Violin - Its Famous Makers and Their Imitators • George Hart

... out of seven examples, two are of more than usual excellence, and well represent his earlier and later manners. The Afternoon Landscape with a White Horse (No. 226 in Room XIII), which Smith (in his Catalogue Raisonne), characterizes as possessing unusual freedom of pencilling, and powerful effect, dates from the transition from the early to the middle period, and is a very effective picture, as well as being very characteristic. The Horse ...
— Six Centuries of Painting • Randall Davies



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