"Duomo" Quotes from Famous Books
 ... advanced on lines based upon the older traditions. The character of its design, although not of a strictly imitative kind, was distinctly based on a classical ideal. Imitations followed, mingling, as in the case of the Duomo, Gothic and classic elements, often with fine effect. It is quite possible to believe that, had this intermarriage of the two schools continued to bear fruit, some vertebrate style might have resulted from the union, partaking of the nature of both parents; but the hope ...
— Wood-Carving - Design and Workmanship • George Jack
... feel ourselves mixed up with them all. Names historically immortal are made to us familiar presences and voices. Its nobles and its craftsmen alike become to us as friends or foes. Its very buildings—the Duomo and the Campanile, and many another—rise in their stateliness and their grace before those who have never been privileged to see them, clear and vivid as the rude northern houses that ...
— The Ethics of George Eliot's Works • John Crombie Brown
... {36} roots. These are mostly among the Drosidae[16] and other humble tribes, loving the ground; and, in their babyhood, liking to live quite down in it. A baby crocus has literally its own little dome—domus, or duomo—within which in early spring it lives a delicate convent life of its own, quite free from all worldly care and dangers, exceedingly ignorant of things in general, but itself brightly golden and perfectly formed before it is brought out. These subterranean palaces and ...
— Proserpina, Volume 1 - Studies Of Wayside Flowers • John Ruskin
... city of Pola, and in towns in its territory, some of the land having been sold, with Urban III.'s permission, between 1185 and 1187. There was a chapel of S. Apollinare and a house with their belongings near the Porta del Duomo, and three towers, the country possessions being spread over eleven places. At this time Engelbert III., Count of Goerz, stole it, and held it for some time, notwithstanding an appeal to the Popes Celestine III. and Innocent III. In 1213 the archbishop ...
— The Shores of the Adriatic - The Austrian Side, The Kuestenlande, Istria, and Dalmatia • F. Hamilton Jackson
... not live longer at Milan without mentioning the Duomo, first in all Europe of the Gothic race; whose solemn sadness and gloomy dignity make it a most magnificent cathedral; while the rich treasures it conceals below ...
— Observations and Reflections Made in the Course of a Journey through France, Italy, and Germany, Vol. I • Hester Lynch Piozzi
... very different styles of devotion. There were some dozen of old women on the floor, whom the mixed motive of saying their prayers and picking up a chance alms seemed to have drawn thither. From the Duomo we went to the King's palace. We walked through a suit of splendid apartments, though not quite accordant in their style of ornament and comfort with our English ideas. The floor and roof were of rich and beautiful mosaics; the ...
— Pilgrimage from the Alps to the Tiber - Or The Influence of Romanism on Trade, Justice, and Knowledge • James Aitken Wylie
... Duccio, in the Duomo at Siena. Taddeo Gaddi, Rinnucini Chapel. Titian, Mr. Roger's Collection. Rembrandt, Queen's Gallery. Barroccio. An altar piece which came to England with the Duke of Lucca's paintings, but I cannot say where it is now; it is well known ...
— Notes & Queries, No. 53. Saturday, November 2, 1850 • Various
... of marble equal to one and a half times the cubical contents of the Duomo at Florence, or about 450,000 cubic yards, was thrown down at Carrara by one blast, and two hours after, another equal mass, which had been loosened by the explosion, fell of itself. Zolfanelli, La ...
— The Earth as Modified by Human Action • George P. Marsh
... chain. The stream at one's feet rushes at a leap some two hundred feet down, and is bordered with pines and beeches, struggling through a ruined world of clefts and boulders. I never saw anything so much resembling some of the Circles described by Dante. From Simplon we made for Duomo d'Ossola; having broken out, as through the mouth of a mine, into green and fertile valleys full of vines and chestnuts, and white villages,—in short, into ...
— The Life of John Sterling • Thomas Carlyle
... bishops, twenty-six dukes, forty-seven earls, and sixteen lord mayors. The Company is specially proud of three illustrious members—Sir John Hawkwood, a great leader of Italian Condottieri, who fought for the Dukes of Milan, and was buried with honour in the Duomo at Florence; Sir Ralph Blackwell, the supposed founder of Blackwell Hall, and one of Hawkwood's companions at arms; and Sir William Fitzwilliam, Lord High Admiral to Henry VIII., and Earl of Southampton. He left to the Merchant Taylors his best standing cup, "in friendly remembrance ...
— Old and New London - Volume I • Walter Thornbury
... measure be estimated by the comparative area taken up by the walls, pillars, and other points of support. This area amounts to seventeen per cent., and compares favourably with St. Peter's at Rome, which is more than half as much again, as well as with St. Sophia and the Duomo at Florence. On the other hand many of our Gothic cathedrals require only ten per cent.[70] Wren would have said that they lack stability, and that he had calculated accurately on the minimum of massiveness requisite for security; and besides this, they have ...
— Bell's Cathedrals: The Cathedral Church of St. Paul - An Account of the Old and New Buildings with a Short Historical Sketch • Arthur Dimock
... effect, but there is a difference in dimensions,—to the disadvantage of the native edifice, as the reader may see in the plate prefixed to Dr. Bigelow's "Technology." The dome itself looks light and airy compared to St. Peter's or the Duomo of Florence, not only absolutely, but comparatively. The colonnade on which it rests divides the honors with it. It does not brood over the city, as those two others over their subject towns. Michel Angelo's forehead repeats itself in the dome of St. ...
— Atlantic Monthly, Volume 8, Issue 45, July, 1861 • Various
... Bacon, Galileo, and Paracelsus in their searchings into nature. His the beauty that allured Fra Angelica and Raphael and Leonardo da Vinci, that inspired the genius of Michelangelo, that shone before the eyes of Murillo, and that gave the power that raised the marvels of the world, the Duomo of Milan, the San Marco of Venice, the Cathedral of Florence. His the melody that breathed in the masses of Mozart, the sonatas of Beethoven, the oratorios of Handel, the fugues of Bach, the austere splendour of Brahms. His the Presence that cheered the solitary mystics, the hunted occultists, ...
— Esoteric Christianity, or The Lesser Mysteries • Annie Besant
... many things in his early youth under his master Pietro da Perugia,[1] receiving a third of all that was earned, he was summoned to Siena by Cardinal Francesco Piccolomini to paint the library made by Pope Pius II in the Duomo of that city. It is true, indeed, that the sketches and cartoons for all the scenes that he painted there were by the hand of Raffaello da Urbino, then a youth, who had been his companion and fellow-disciple under the same Pietro, whose manner the said Raffaello had mastered ...
— Lives of the Most Eminent Painters Sculptors and Architects - Vol. 04 (of 10), Filippino Lippi to Domenico Puligo • Giorgio Vasari
... The piazza was so crowded that the people overflowed into all the streets around. In every door and window there was nothing to be seen but heads ranged one above the other; the terraces were covered with people, and curious spectators were observed an the roof of the Duomo and on the ...
— Celebrated Crimes, Complete • Alexandre Dumas, Pere
... And be your death, for aught I know, If once they find you saved their foe. 70 Now, you must bring me food and drink, And also paper, pen and ink, And carry safe what I shall write To Padua, which you'll reach at night Before the duomo shuts; go in, 75 And wait till Tenebrae begin; Walk to the third confessional, Between the pillar and the wall, And kneeling whisper, Whence comes peace? Say it a second time, then cease; 80 And if the voice inside returns, From ...
— The Ontario High School Reader • A.E. Marty
... the wind chill. Spring comes tardily to the high mountain town, and a light powdering of snow still lay on the topmost slope of Monte Subasio. Before going into the church they turned up the street that leads to the Duomo and the temple of Minerva. Assisi seemed deserted—a city of ghosts. Not a soul in the street, not a light in the windows. On either hand, houses built of a marvellous red stone or marble, which seemed still to hold and radiate ...
— The Testing of Diana Mallory • Mrs. Humphry Ward
... Chetif and the Mont de la Saxe form a gigantic portal not unworthy of the pile that lies beyond. For Mont Blanc resembles a vast cathedral; its countless spires are scattered over a mass like that of the Duomo at Milan, rising into one tower at the end. By night the glaciers glitter in the steady moon; domes, pinnacles, and buttresses stand clear of clouds. Needles of every height and most fantastic shapes rise from the central ridge, some ...
— Sketches and Studies in Italy and Greece • John Addington Symonds
... Duomo, the Palazzo Vecchio, the Logia di Lanzi, and then I stood for a long time on the banks of the Arno. Again and again I let my eyes rest on the magnificent ancient Florence, whose round cupolas and towers were drawn in soft lines against the blue, cloudless sky. I watched its splendid bridges ...
— Venus in Furs • Leopold von Sacher-Masoch
... city was seen to our left reposing in sunshine in the wide vale of the Arno. The Duomo and the Campanile were the most conspicuous objects. At half-past four we entered Florence and obtained rooms at the Leone Bianco ...
— Samuel F. B. Morse, His Letters and Journals - In Two Volumes, Volume I. • Samuel F. B. Morse
... we have the spirit of northern Gothic affecting details of the southern;—obliquity of square, in magnificently shafted Romanesque. At Monza, on the other hand, the levelled square is the characteristic figure of the entire decoration of the facade of the Duomo, eminently giving it southern character; but the details are derived almost entirely from the northern Gothic. Here then we have southern spirit and northern detail. Of the cruciform outline of ...
— The Stones of Venice, Volume I (of 3) • John Ruskin
... that Bulldog gave himself to poetry, but having once varied his usual country holiday by a visit to Italy, he ever afterwards declared at dinner-table that Muirtown reminded him of Florence as you saw that city from Fiesole, with the ancient kirk of St. John rising instead of the Duomo, and the Tay instead of the Arno. He admitted that Florence had the advantage in her cathedral, but he stoutly insisted that the Arno was but a poor, shrunken river compared with his own; for wherever Bulldog may have ...
— Young Barbarians • Ian Maclaren
... over to Santa Croce by way of the Duomo, and through Piazza Signoria, Uncle," said Margery. "I am never tired of ...
— Barbara's Heritage - Young Americans Among the Old Italian Masters • Deristhe L. Hoyt
... foreground to a prospect of considerable extent. The front of the house is turned toward Belcaro and the mountains between Grosseto and Volterra. Sideways its windows command the brown bulk of San Domenico, and the Duomo, set like a marble coronet upon the forehead of the town. When we arrived there one October afternoon the sun was setting amid flying clouds and watery yellow spaces of pure sky, with a wind blowing soft and humid from the ...
— New Italian sketches • John Addington Symonds
... have not spoken, such as the Christ that is in the Church of the Minerva, a St. Matthew in Florence; when he began it he designed to carve all the twelve Apostles to be placed near twelve pilasters in the Duomo. His cartoons for several works of paintings, and of designs for buildings, both public and private, are infinite in number; and, lastly, for a bridge to span the Grand Canal of Venice, of a new shape and style of which the like was never seen; ...
— Michael Angelo Buonarroti • Charles Holroyd
... consumed so many fresh tomatoes that I had a giddiness in the back of my head, and ate no more tomatoes for some years. But the place I best liked was the great open square of the Palazzo Vecchio, with the statues of David and of Perseus under the Loggia dei Lanzi, a retreat from sun and rain; and the Duomo and Giotto's Campanile, hard by. The pavements of Florence, smooth as the surface of stone canals, were most soothing and comfortable after the relentless, sharp cobble-stones of Rome; the low houses that bordered them seemed ...
— Hawthorne and His Circle • Julian Hawthorne
... of steel. Hat in hand, the Duke of Nona rode back with his guest to the garlanded gates. There, a fluttered choir, all virgins and all white, strewed flowers; from that point to the Piazza Grande one song came leaping on the heels of another. On the steps of the Duomo were the clergy in brocade, a mitred bishop half smothered under his cope in their midst. The two Dukes dismounted, and hand in hand entered the church; the organ pealed; the choir burst out with the chant, Ecce, Rex tuus venit; and then (seeing Cesare had once been a Cardinal), Ecce Sacerdos ...
— Little Novels of Italy • Maurice Henry Hewlett
... are here, with spires twice as high as those which soar above the minster of Cologne. Fantastic gargoyles stretch out from the parapets. A hundred flying buttresses connect them with the mountain side. From any one of them as many shafts shoot heavenward as statues rise from the Duomo of Milan; and each of these great canon shrines, instead of stained glass windows, has walls, roof, dome, and pinnacles, one mass of variegated color. The awful grandeur of these temples, sculptured by the Deity, ...
— John L. Stoddard's Lectures, Vol. 10 (of 10) - Southern California; Grand Canon of the Colorado River; Yellowstone National Park • John L. Stoddard
... adventure and no excitement except what belongs to the trial of new artistic processes, the struggle with new artistic difficulties, the solution of purely artistic problems, fills the first seventy years of the fifteenth century. After producing many works in marble for the Duomo and the Campanile of Florence, which place him among the foremost masters of the sculpture of his age, he became desirous to realise the spirit and manner of that sculpture, in a humbler material, to unite its science, ...
— The Renaissance: Studies in Art and Poetry • Walter Horatio Pater
... French school are to be found along the Corso in Rome, the Toledo in Naples, in the Galleria Vittorio Emanuel and the Piazza del Duomo in Milan, and in the arcades surrounding the Piazza de San Marco in ...
— All About Coffee • William H. Ukers
... that I know," said Orso, "is Pisa, where I was at school for some time. But I can not think, without admiration, of the Campo-Santo, the Duomo, and the Leaning Tower—especially of the Campo-Santo. Do you remember Orcagna's 'Death'? I think I could draw every line of it—it is so ...
— Columba • Prosper Merimee
... surprised at my placing in your educational series, as a type of original Italian sculpture, the pulpit by Niccola Pisano in the Duomo of Siena. I would rather, had it been possible, have given the pulpit by Giovanni Pisano in the Duomo of Pisa; but that pulpit is dispersed in fragments through the upper galleries of the Duomo, and the cloister of the Campo Santo; and the casts of its fragments now put together at Kensington are ...
— The Crown of Wild Olive • John Ruskin
... and now sent his journal to his aunt. Every sentence was instinct with love. There were enchanting descriptions of Venice, and fascinating appreciations of the great works of Venetian art; there were most wonderful pages full of the Duomo at Milan, and again of Florence; he described the Apennines, and how they differed from the Alps, and how in some village like Chiavari happiness lay all around ...
— The Collection of Antiquities • Honore de Balzac
... cathedral, we saw an English ecclesiastic in a stringed, sub-shovel hat. He had a young lady with him, presumably a daughter or niece. He eyed us with much the same incurious curiosity as that with which we eyed him. We passed them and went inside the duomo. How far less impressive is the interior (indeed I had almost said also the exterior) than that of San Domenico! Nothing ...
— The Note-Books of Samuel Butler • Samuel Butler
... St. Michael! if you put in the one scale all the lucre I have gotten in my life, set in the other, if it please you, the noble foundations whereby I have so splendidly shown my piety. Forget not the Duomo of Santa Maria Novella, to which I contributed a good third; nor my Hospital beyond the walls, that I built entirely out of ...
— The Well of Saint Clare • Anatole France
... decade of the thirteenth century, was living in the Sestiere di Porta del Duomo, and working busily in wood and stone, the stalwart parent of a vigorous progeny. It was his great-grandson, Ardingo—a famous athlete in the giostre and a soldier of renown—who first of his family ...
— The Tragedies of the Medici • Edgcumbe Staley
... under a trellis of vines from which hung an electric light. Peppino waited on me as, according to his account, he used to do in London, and entertained me with reminiscences of his life there. He had attended divine service at St. Paul's, which he called il Duomo di Londra, and had found it a more reverent function, though less emotional, than Mass at home. He was enthusiastic about the river Thames, the orators in Hyde Park and the shiny soldiers riding in ...
— Diversions in Sicily • H. Festing Jones
... float in it. This was the hour for the Cathedral; therefore, leaving Leonardo and his fresco for the to-morrow, I conducted my uncomplaining ward forth, and through that big arcade of which the people are so proud, to the Duomo. Poor Jr. showed few signs of life as we stood before that immenseness; he said patiently that it resembled the postals, and followed me inside ...
— The Beautiful Lady • Booth Tarkington
... the car is an interesting ceremony, and thousands of people come from far and near to see it. Two yoke of pure white Tuscan oxen are chosen to pull the car into the Piazza del Duomo for the burning; and proud is that peasant whose oxen are chosen for ...
— Rafael in Italy - A Geographical Reader • Etta Blaisdell McDonald
... the Duomo first by moonlight," said Mr. Barrymore, after we had sat still, gazing up for some moments, with even the car motionless and silent. "To-morrow morning you can come again for the detail, and spend as much time as you like ...
— My Friend the Chauffeur • C. N. Williamson and A. M. Williamson
... a large contributor to the recently completed facade of the Duomo in Florence, and to many other benevolent and pietistic good works. He had been tutor in the Russian Boutourlin family, and when acting in that capacity had been taken, by reason of his geological acquirements, to see some copper mines in the Volterra district, which ...
— What I Remember, Volume 2 • Thomas Adolphus Trollope
... driven through Florence; he saw the Venus de' Medici, and he saw the Seggiolia; he looked up from the side of the Duomo to the top of the Campanile, and he walked round the back of the cathedral itself; he tried to inspect the doors of the Baptistry, and declared that the "David" was very fine. Then he went back to the hotel, dined with Mrs Arabin, and ...
— The Last Chronicle of Barset • Anthony Trollope
... mislead the eye in following the lines of the building". Another[121] has its apse covered with those gilt spangles and clouds and cherubs which were the eighteenth century's ideal of impressive religious art. The Duomo, which should have been one of the mosf interesting of all the monuments of Ravenna, was almost entirely rebuilt in the last century, and is now scarcely worth visiting. Still, enough remains in the un-restored ...
— Theodoric the Goth - Barbarian Champion of Civilisation • Thomas Hodgkin
... the whole sky for its margin! Look here—the front of the church of San Michele of Lucca,—white marble with green serpentine for ink; or here,—the steps of the Giant's Stair, with lead for ink; or here,—the floor of the Pisan Duomo, with porphyry for ink. Such cutting, filled in with color or with black, branches into all sorts of developments,—Florentine mosaic on the one hand, niello on the other, ...
— Ariadne Florentina - Six Lectures on Wood and Metal Engraving • John Ruskin
... d'eglise, et que Raphael a faits si divinement au bas de la vierge au donataire, et de la madone qui gele a Dresde, les delicieuses filles d'Orcagna, dans l'eglise de San-Michele a Florence, les choeurs celestes du tombeau de Saint Sebald a Nuremberg, quelques vierges du Duomo de Milan, les peuplades de cent cathedrales gothiques, tout le peuple des figures qui brisent leur forme pour venir a vous, artistes comprehensifs, toutes ces angeliques filles incorporelles accoururent autour du lit de Massimilla, et ...
— Memoirs of My Dead Life • George Moore
... pleasure in certain frescoes by Ghirlandaio in the choir of that very church; but it appeared from one of the little books that these frescoes were as naught. I had much admired Santa Croce and had thought the Duomo a very noble affair; but I had now the most positive assurance I knew nothing about them. After a while, if it was only ill-humour that was needed for doing honour to the city of the Medici, I felt that I had ...
— Italian Hours • Henry James
... I took la bella to the Duomo and Annunciata, to the Cafe, to the Opera, to the village Festa, to the Public Garden, to the Day Theatre, to the Marionetti. The pretty little one was charmed with all she saw. She learnt Italian - heavens! miraculously! Was mistress quite forgetful of that dream? I asked ...
— To be Read at Dusk • Charles Dickens
... You may chase him while he runs about the wharves and stumbles over the ropes, but you will never catch him. He runs before you, zigzagging over the cobbles, up the sunny street, into the narrow house; out again, running now towards the Duomo, hiding in the porch of San Stefano, where the weavers held their meetings; back again along the wharves; surely he is hiding behind that mooring-post! But you look, and he is not there—nothing but ...
— Christopher Columbus, Complete • Filson Young
... from Odcombe in Somerset should be seeing them. He can never get over it. Here am I, Odcombian Tom, face to face with Amiens Cathedral, with the tombs of the kings at Saint Denis, at Fountaine Beleau cheek by jowl with Henri IV., crossing in a litter the "stupendious" Mont Cenis, pacing the Duomo of Milan, disputing with a Turk in Lyons, with a Jew in Padua, to the detriment of their religions, "swimming" in a gondola on the Grand Canal: here I am, and now what about it? There is always an imported flavour of Odcombe about it. He brings it with him and sprinkles it like ...
— In a Green Shade - A Country Commentary • Maurice Hewlett
... too much chocolate for your voice. I know you are the friend of the Signora Laura, the widow of Giacomo Piaveni, shot—shot on Annunciation Day. The Virgin bless him! I know the turning of every street from your house near the Duomo to the signora's. You go nowhere else, except to the maestro's. And it's something to spy upon you. But think of your Beppo who spies upon me! And your little mother, the lady most excellent, is down in Baveno, and she is always near you when you make an expedition. ...
— The Shaving of Shagpat • George Meredith
... hardly be doubted by anyone who has experienced the transition from the scorching reverberation of the white-hot marble front, to the cool depth of shade within, and whose beauty will not be soon forgotten by those who have seen the narrow lights of the Pisan duomo announce by their redder burning, not like transparent casements, but like characters of fire searing the western wall, the ...
— On the Old Road Vol. 1 (of 2) - A Collection of Miscellaneous Essays and Articles on Art and Literature • John Ruskin
... realism, but done with great skill, humanity, even tenderness, in the meeting and talk of the young harlotry on the steps of the Duomo near the fountain. When we think of this piece of bold, clear, impressionist reality cast into the midst of the proprieties of literature in 1841, it is impossible not to wonder and smile. The girls are excellently drawn and varied from each other. Browning's pity gathers round them, ...
— The Poetry Of Robert Browning • Stopford A. Brooke
... water-spout," said Aldous; "the first rain in Northern Italy for four months—worse luck! 'Rain at Reggio, rain at Parma.—At Lodi rain, Piacenza rain!'—that might about stand for my diary, except for one radiant day when my aunt, Betty Macdonald, and I descended on Milan, and climbed the Duomo." ...
— Marcella • Mrs. Humphry Ward
... season of this same year Savonarola preached for the first time in the cathedral or Duomo {44} of Florence. "The people got up in the middle of the night to get places for the sermon, and came to the door of the cathedral, waiting outside till it should be opened, making no account of any inconvenience, neither of the cold nor the wind, nor of standing in the winter with their ...
— Heroes of Modern Europe • Alice Birkhead
... loving embrace of mountains lay the city, divided by the Arno as by a line of rosy crystal barred by the graceful arches of its bridges. Amid the crowd of palaces and spires and towers rose central and conspicuous the great Duomo, just crowned with that magnificent dome which was then considered a novelty and a marvel in architecture, and which Michel Angelo looked longingly back upon when he was going to Rome to build that more wondrous orb of Saint Peter's. White and stately ...
— Atlantic Monthly, Vol. 9, No. 52, February, 1862 • Various
... dome of St. Paul's in London, built by the English architect, Sir Christopher Wren. Architecturally the most interesting of the domes was Brunelleschi's, built for the Florence Cathedral in the fifteenth century, known throughout the world by the Italian name for Cathedral, the Duomo. ...
— The City of Domes • John D. Barry
... the orange trees, and Pisa and the Capello de Terisa and the Mona Lisa—Oh, Jack, take me away from all this, take me to the Riviera, among the contadini, where we can stand together with my head on your shoulder just as we did in the Duomo at Milano, or on the piaggia at Verona. Take me to Corfu, to the Campo Santo, to Civita Vecchia, to ...
— Behind the Beyond - and Other Contributions to Human Knowledge • Stephen Leacock
... architecture, built of other elements and standing under sterner skies, it should have been as precious to man, as sacred and as intangible as the Piazza di San Marco at Venice, the Signoria at Florence or the Piazza del Duomo at Pisa. It constituted a peerless specimen of art, which at all times wrung a cry of admiration from the most indifferent, an ornament which men hoped was imperishable, one of those things of beauty which, in the words of the poet, are ...
— The Wrack of the Storm • Maurice Maeterlinck
... is, the Opera del Duomo, or permanent establishment for attending to the fabric of ...
— The Autobiography of Benvenuto Cellini • Benvenuto Cellini
... young, and magnifique, And rich in rubles, diamonds, cash, and credit, Who did not limit much his bills per week, Yet stared at this a little, though he paid it (His Maggior Duomo, a smart, subtle Greek, Before him summ'd the awful scroll and read it); But doubtless as the air, though seldom sunny, Is free, ...
— Don Juan • Lord Byron
... finished the chapel of the Sacrament, and before the new commission was given by Nicholas V., Fra Angelico—by means of Don Francesco di Barone of Perugia, a Benedictine monk and celebrated master of glass painting—entered into negotiation with the Operai and Consuls of the Duomo at Orvieto, to paint the chapel of the Madonna di San Brizio. But before he accepted the commission he gave them to understand that he could only go to Orvieto in the months of June, July and August, when he did not wish ...
— Fra Angelico • J. B. Supino
... certain legates, the republic of Pisa, and, finally, the signory and council of Florence, from 1378 until the death of Sir John on March 17, 1394. At his death he was entombed with great ceremony in the Duomo. For years prior he had held the office of Captain General with ...
— Chit-Chat; Nirvana; The Searchlight • Mathew Joseph Holt
... there in his time, but that was more than a hundred years before. The slips and dock had long been abandoned, as Smollett is careful to point out in his manuscript notes, now in the British Museum. He also explains with superfluous caution that the Duomo of Pisa is not entirely Gothic. Once arrived in the capital of Tuscany, after admitting that Florence is a noble city, our traveller is anxious to avoid the hackneyed ecstasies and threadbare commonplaces, derived in those ...
— Travels Through France and Italy • Tobias Smollett
... sacred associations. It was situate in an old palazzo built by Vasari, within sight of the Leaning Tower and the Duomo. There, in absolute seclusion, they wrote and planned. Once and again they made a pilgrimage to the Lanfranchi Palace "to walk in the footsteps of Byron and Shelley": occasionally they went to Vespers in the Duomo, and listened, rapt, to the music wandering ...
— Life of Robert Browning • William Sharp
... too, that Italy, and above all the little hill-town in which the scene was laid, was a vivid personal memory, not a vague region of fancy like his Sardinia or Lebanon. Asolo, with its walls and turret, its bishop's palace and duomo, and girls sitting on the steps, its upland farms among the cherry orchards, its beetles sparkling along the dust, its "warm slow yellow moonlit nights" of May, and "glaring pomps" of June,—Asolo, with ...
— Robert Browning • C. H. Herford
... their clutch, And be your death, for aught I know, If once they find you saved their foe. 70 Now, you must bring me food and drink, And also paper, pen and ink, And carry safe what I shall write To Padua, which you'll reach at night Before the duomo shuts; go in, And wait till Tenebrae begin; Walk to the third confessional, Between the pillar and the wall, And kneeling whisper, Whence comes peace? Say it a second time, then cease; 80 And if the voice inside returns, From Christ and Freedom; what ...
— Dramatic Romances • Robert Browning
... in a speech (curt Tuscan, Expurgate and sober, with scarcely an "issimo,") To end now our half-told tale of Cambuscan, 275 And turn the bell-tower's alt to altissimo: And find as the beak of a young beccaccia The Campanile, the Duomo's fit ally, Shall soar up in gold full fifty braccia, Completing Florence, as Florence, ...
— Selections from the Poems and Plays of Robert Browning • Robert Browning
... architect, born in Florence, bred a goldsmith, studied at Rome; returned to his native city, built the Duomo of the Cathedral, the Pitti Palace, and the churches of San Lorenzo and Spirito ...
— The Nuttall Encyclopaedia - Being a Concise and Comprehensive Dictionary of General Knowledge • Edited by Rev. James Wood
... in describing the details of this composition, because it will be useful as a key to many others of the early Tuscan school, both in sculpture and painting; for example, the fine bas-relief by Nanni over the south door of the Duomo at Florence, represents St. Thomas in the same manner kneeling outside the aureole and receiving the girdle; but the entombment below is omitted. These sculptures were executed at the time when the enthusiasm ...
— Legends of the Madonna • Mrs. Jameson
... evening, they met Mr. Glascock close to the Duomo, under the shade of the Campanile. He had come out as they had done, to see by moonlight that loveliest of all works made by man's hands. They were with the minister, but Mr. Glascock came up and shook ...
— He Knew He Was Right • Anthony Trollope
... or form for their objects, seeming unknown to him. Then returning to Florence, he painted Dante, about the year 1300,[9] the 35th year of Dante's life, the 24th of his own; and designed the facade of the Duomo, on the death of its former architect, Arnolfo. Some six years afterwards he went to Padua, there painting the chapel which is the subject of our present study, and many other churches. Thence south again to Assisi, where he painted half the walls and vaults of the great convent that stretches ...
— Giotto and his works in Padua • John Ruskin
... that in your Italian wanderings you did not go to Prato. These groups of children dancing and blowing horns are very cleverly copied from Donatello's famous pulpit in the duomo. The design is carried on from the chairs to the footboard of the bed; but in their midst upon the footboard is let in this oval, easel-picture, painted on wood. It is faded, and the garlands have withered in so many hundred years, as well they might; but I can feel the dead color ...
— The Grey Room • Eden Phillpotts
... the middle stages, and the end would not become excellent and of a marvellous beauty. Duccio, then, painter of Siena and much esteemed, deserved to carry off the palm from those who came many years after him, since in the pavement of the Duomo of Siena he made a beginning in marble for the inlaid work of the figures in chiaroscuro, wherein to-day modern craftsmen have made the marvels that are seen in them. He applied himself to the imitation ...
— Lives of the Most Eminent Painters Sculptors and Architects - Vol 2, Berna to Michelozzo Michelozzi • Giorgio Vasari
... into the Duomo late on Christmas Eve, and find the time-stained alabasters and dark aisles lit up with five hundreds of wax candles over seven feet high. The massive silver lamps suspended across the choir have the inner lamps all ablaze, as is also the graceful Byzantine ...
— Christmas: Its Origin and Associations - Together with Its Historical Events and Festive Celebrations During Nineteen Centuries • William Francis Dawson
... October the journeying closed at Pisa. Rooms were taken for six months in the great Collegio Ferdinando, close to the Duomo and the Leaning Tower, rooms not quite the warmest in aspect. Mrs Jameson pronounced the invalid not improved but transformed. The repose of the city, asleep, as Dickens described it, in the sun and the secluded life—a perpetual tete-a-tete, but one so happy—suited both the wedded friends; ...
— Robert Browning • Edward Dowden
... him, and sighed to myself as I read it. Eleanor was miserable. The Sicilians were dirty. The Duomo of Palermo did not come up to her expectations. The Mobray-Robertsons, with whom she travelled, quarrelled with their food. They had never even heard of Theocritus. She had a cold in her head, and was utterly at a loss to explain my attitude. Therefore she was ...
— Simon the Jester • William J. Locke
... him, for here, in January of 1491, under the presidency of Lorenzo de' Medici, called the Magnificent, the foremost artists of the day were gathered to consider the decoration of the facade of the Florentine Duomo; and here Perugino was present, beside such masters as Domenico Ghirlandajo, Cosimo Rosselli, Andrea della Robbia, Botticelli, Baldovinetti, Pollajuolo—a long list of names now world-famed in the story of art. From Florence, ...
— Perugino • Selwyn Brinton
... civilized when Britain was a den of thieves. While in feudal England Edward I. was summoning his barons to repress the rising of William Wallace, in Florence, already a great commercial town, Arnolfo di Cambio had received the sublime orders of the Signoria to construct for the Duomo 'the most sumptuous edifice that human invention could desire or human labour execute,' and had carried out those orders with consummate skill. While Edward III. was dreaming of his lawless filibustering expeditions into France, Ciotto was encrusting the face of ...
— Science in Arcady • Grant Allen
... out of the brightly lit Galleria Vittorio Emanuele into the darkened Piazza del Duomo I stopped under the arcade and stood looking up at the shadowy darkness of that great pinnacled barn, that marble bride-cake, which is, I suppose, the last southward ...
— War and the Future • H. G. Wells
... and the same was effected from two strings of similar length and size, the one having four times the tension of the other. Belonging to the same cycle of invention-anecdotes are Galileo's discovery of the pendulum by the lustre of the Pisan Duomo; and the kettle-lid, the falling apple and the copper hook which inspired Watt, Newton ...
— The Book of the Thousand Nights and a Night, Volume 10 • Richard F. Burton
... . For Pisa, we both like it extremely. The city is full of beauty and repose,—and the purple mountains gloriously seem to beckon us on deeper into the vine land. We have rooms close to the Duomo, and leaning down on the great Collegio built by Facini. Three excellent bed-rooms and a sitting-room matted and carpeted, looking comfortable even for England. For the last fortnight, except the last few sunny days, we have had rain; but the climate ...
— Life and Letters of Robert Browning • Mrs. Sutherland Orr
... wandered, look you), and then he had performed the last office. One had fled to tell the Medici. Giuliano was wild with grief; 'twas as if he had killed her instead of the Spring-ague—but then, people said he loved her well! And our Lorenzo had bid them swing the great bell of the Duomo—Sandro had heard it perhaps?—and there was to be a public procession, and a Requiem sung at Santa Croce before they took her back to Genoa to lie with her fathers. Eh! Bacchus! She was fair and Giuliano ...
— Earthwork Out Of Tuscany • Maurice Hewlett |
