"William Blake" Quotes from Famous Books
 ... tells us how the preface was written—the first part, I take it, by William Godwin—but what Lamb himself thought of the pictures; which I reproduce in the large edition. It is customary to attribute the designs to Mulready and the engraving to William Blake. ...
— Books for Children - The Works of Charles and Mary Lamb, Vol. 3 • Charles and Mary Lamb
... discusses Mr Kipling's works are sometimes far astray, simply because they have not realised that Mr Kipling is as utterly a man of letters as Mr Henry James, that he lives as completely the life of fancy and meditation as William Blake or Francis Thompson. Mr Kipling does not write tales out of the mere fullness of his life in many continents and his talk with all kinds of men. He is not to be understood as a man singular only in his experience, unloading anecdotes from a ...
— Rudyard Kipling • John Palmer
... people who have only seen specimens on "papier verge." Every collector of the old French vignettes, should possess himself of the "Guide de l'amateur," by M. Henry Cohen (Rouquette, Paris, 1880). Among English illustrated books, various tastes prefer the imaginative works of William Blake, the etchings of Cruikshank, and the woodcuts of Bewick. The whole of the last chapter of this sketch is devoted, by Mr. Austin Dobson, to the topic of English illustrated books. Here it may be said, in passing, that an early copy of William Blake's "Songs of Innocence," written, illustrated, ...
— The Library • Andrew Lang
... This morning the Captain went up to York, and at last agreed with a Doctor who had been in the employ of Capt Cunningham, Com'r of one of the Privateer Sloops that came in the day before. His name is William Blake. He is a young gentleman, and well recommended by the Gen'l of York. At 6 P.M. the Captain returned on board, and brought with him a chest of medicines, a Doctor's box which cost 90L York currency; also ...
— Atlantic Monthly, Volume 8, No. 47, September, 1861 • Various
... so, and, when the fact was authoritatively announced by science, every profound poetic mind must have felt a thrill of pleasure. Or the nebular hypothesis of the solar system,—it seems the conception of some inspired madman, like William Blake, rather than the cool conclusion of reason, and to carry its own justification, as great power always does. Indeed, our interest in astronomy and geology is essentially a poetic one,— the love of the marvelous, of the sublime, and of grand harmonies. The scientific conception of the sun is ...
— Birds and Poets • John Burroughs
... of the last century. It was the habit of the eighteenth century to judge poetry by its form alone; the nineteenth judged it by the spirit which inspired it, by that which, as De Quincey puts it, was "incarnated" in a work of art. William Blake literally believed that there was a real world of the imagination which was opened up to the artist in his visions, and that was why he said: "Learn to see through, not with, the eye." Coleridge, too, asserted the primacy ...
— Personality in Literature • Rolfe Arnold Scott-James
... Haddingtonshire. His sole work was The Grave, a poem in blank verse extending to 767 lines of very various merit, in some passages rising to great sublimity, and in others sinking to commonplace. It was illustrated by William Blake (q.v.) B.'s s., Robert, was a very distinguished Scottish judge and Lord President of the Court of Session; and his successor in his ministerial charge was Home, the author ...
— A Short Biographical Dictionary of English Literature • John W. Cousin
... faith which does not conflict with the revelation of Jesus; but to those who have found Him the Way to the Father, His consciousness of God is decisive. In the margin of his copy of Bacon's Essays, William Blake wrote opposite some statement of that worldly-wiseman, "This is certain: if what Bacon says is true, what Christ says is false." A loyal Christian must set every opinion he meets as clearly in the light of his Lord's mind, ...
— Some Christian Convictions - A Practical Restatement in Terms of Present-Day Thinking • Henry Sloane Coffin
... perforce to lift their branches vertically. Divested of leaves, the bare grey limbs of these seem strangely restless. These trees, reaching so eagerly upward, have an odd resemblance to the weird figures of horror in which William Blake delighted—arms, hands, hair, all stretch intensely to the zenith. They seem to be straining away from the spot to which they are rooted. It is a Laocoon grouping, a wordless concentrated struggle for the sunlight, and disagreeably impressive. ...
— Certain Personal Matters • H. G. Wells |
