"Umbrian" Quotes from Famous Books
 ... there are a score of churches and palaces, each with its priceless Perugino, and drawings and designs by his pupil Raphael in his lovely "first manner," which has so much of the Eden-like innocence of his master; and the Academy of Fine Arts, where one may study the Umbrian school at leisure; and last, but not least, the Sala del Cambio, or Hall of Exchange, where Perugino may be seen in his glory. It is not a hall of imposing size, so that nothing interferes with the impression of the frescoes which gaze upon you from every side as you enter. Or no; they do not ...
— Lippincott's Magazine of Popular Literature and Science Vol. XV., No. 85. January, 1875. • Various
... on between Latin and its Italic kinsmen is revealed to us now and then by a Latin inscription, into which Oscan or Umbrian forms have crept.[3] The struggle had come to an end by the beginning of our era. A few Oscan inscriptions are found scratched on the walls of Pompeii after the first earthquake, in 63 A.D., but they are late ...
— The Common People of Ancient Rome - Studies of Roman Life and Literature • Frank Frost Abbott
... seems due to the impulse of Michel Angelo, and, through him, to the example of Signorelli. From the celestial horseman and bounding avenging angels of Raphael's Heliodorus, to the St. Sebastian of Sodoma, with delicate limbs and exquisite head, rich with tendril-like locks against the brown Umbrian sunset; from the Madonna of Andrea del Sarto seated, with the head and drapery of a Niobe, on the sack of flour in the Annunziata cloister, to the voluptuous goddess, with purple mantle half concealing her body of golden white, who leans against the sculptured fountain ...
— The Contemporary Review, Volume 36, September 1879 • Various
... observe in such work as that of Masaccio in the Brancacci chapel at Florence just the same characteristic interest in the appearance and the varieties of human life as we find in the work of Boccaccio and Chaucer, and in the succession of the great Tuscan and Umbrian and Venetian painters and sculptors the same transformation of the bare reality of life by the magic of the imaginative sense of beauty and of passion as in the great drama. It is not, I think, merely fanciful to say that the real counterpart of the English ...
— The Unity of Civilization • Various
... the craze for bibelots and bric-a-brac reached the point of madness. The drawing-rooms of the nobility and the upper middle classes were crammed with curios; every lady must needs cover the cushions of her sofas and chairs with some piece of church vestment, and put her roses into an Umbrian ointment pot, or a chalcedony jar. The sale-rooms were the favourite meeting-places, and every sale crowded. It was the fashion for the ladies when they dropped in anywhere for tea in the afternoon, to enter with some ...
— The Child of Pleasure • Gabriele D'Annunzio
... interpretation of the Italian Renaissance, a veritable forest of wrought-iron candle-trees burned dimly into a scene of Pinturicchio table, tapestry-surmounted wedding-chest, brave and hideous with pastiglia work, the inevitable camp-chair of Savonarola, an Umbrian-walnut chair with lyre-shaped front, bust of Dante Alighieri in Florentine cap and ear-muffs, a Sienese mirror of the soul, sixteenth-century suit of cap-a-pie armor on gold-and-black plinth, Venetian credence with wrought-iron locks. The voiceless and invoiced immobility ...
— Humoresque - A Laugh On Life With A Tear Behind It • Fannie Hurst
... saw it now, exiled and restrained within a city house, a new longing came upon her for her Umbrian home. Even the imperious winds which sometimes in the winter swept up the wide valley, and leaped over the walls of Assisi and shrieked in the streets, were better than the Roman Aquilo which during these last days had been biting into the very corners of the house. And how often, under the ...
— Roads from Rome • Anne C. E. Allinson
... been preserved, but from those few we are assured that he studied in Florence, from which school alone he could have appropriated the noble manner impressed on all his works; and that those who perceive an Umbrian influence in his art, are very far ...
— Fra Angelico • J. B. Supino
... seria agit et praecepta pleno effundit penu, ad quae componere vitarn oporteat; in sententiis quanta gravitas, orationis quanta vis, quam probe et meditate cum hominum ingenia moresque novisse omnia testantur." We feel sure that our Umbrian fun-maker would strut in public and laugh in private, could he hear such an encomium of his lofty moral aims. For it is our ultimate purpose to prove that fun-maker Plautus was primarily and well-nigh ...
— The Dramatic Values in Plautus • Wilton Wallace Blancke
... jerkins and jewelled caps, the veriest assemblage of harmless young dandies, pretty and insipid; we can scarcely believe that these mild beardless striplings, tight-waisted and well-curled like girls of sixteen, are the terrible Umbrian brigand condottieri—Gianpaolos, Simonettos, Vitellozzos, and Astorres—whose abominable deeds fill the pages of the chronicles of Matarazzo, of Frolliere, of Monaldeschi. Nowhere among the portraits of Renaissance monsters do we meet with anything like those Roman ...
— Euphorion - Being Studies of the Antique and the Mediaeval in the - Renaissance - Vol. I • Vernon Lee
... salon he slipped under the door the despatch with a note, which ended, "I know that we shall see each other again, somewhere, somehow!" and from the piazza he sent back an armful of great white fleur-de-lys. Later that morning, while Vickers was staring at the vintage in the Umbrian Valley and thinking of the woman all white and bronze with the gray eyes, Mrs. Conry was reading his note. A bitter smile curved her lips, as she gathered up the white flowers and laid them on ...
— Together • Robert Herrick (1868-1938) |
