"Titian" Quotes from Famous Books
 ... afterwards at Cambridge, Massachusetts, where he died on the 9th of July 1843. He was elected an associate of the Royal Academy in 1819. In colour and the management of light and shade Allston closely imitated the Venetian school, and he has hence been styled the "American Titian.'' Many of his pictures have Biblical subjects, and Allston himself had a profoundly religious nature. His first considerable painting, "The Dead Man Revived,'' executed shortly after his second visit to England, and now at the Pennsylvania Academy ...
— Project Gutenberg Encyclopedia
... drunkards and the vagrants of their neighborhoods, living by a little work and by the contemptuous charity of the settlers. In them the proud spirit of their race was broken; they suffered insult and outrage from their conquerors without resisting; a small white Titian might knock a stalwart Indian down with his fist, and the Indian would not attempt to revenge himself. For a while, the settlers feared the lingering red men, but they soon learned to despise them, and it was ...
— Stories Of Ohio - 1897 • William Dean Howells
... young man, by Canova. It is of white marble: considered to be the original. Denon has a similar head, by the same artist. I am not sure if I do not prefer Mr. Craufurd's. Of paintings, on this floor, the head of Francis I. by Titian—(which may be called rather a finished sketch, and which is retouched in parts) is a very desirable performance; but it is inferior to the same head, by the same artist, in the Louvre. Here is a charming portrait of a Lady in the time of Louis XV., who chose to lead the life of a Religieuse: ...
— A Bibliographical, Antiquarian and Picturesque Tour in France and Germany, Volume Two • Thomas Frognall Dibdin
... gentlemen like your uncle in bond when they reach Italy," Watkins mused, as if bored in advance. "The antichitas get after them, like—like confidence-men in an American city, and the same old story is the result; they find, in some mysterious fashion, a wonderful Titian, a forgotten Giorgione, cheap at cinque mille lire. Then it's all up with them. His pictures are probably decalcomanias, you know, just colored prints pasted over board. Why, we know every picture ...
— Literary Love-Letters and Other Stories • Robert Herrick
... systems,—between drawing and color, between the patient phlegm and honest stiffness of the old Dutch masters and the dazzling warmth and abounding joy of the Italians. You have tried to follow, at one and the same time, Hans Holbein and Titian; Albrecht Durier and Paul Veronese. Well, well! it was a glorious ambition, but what is the result? You have neither the stern attraction of severity nor the deceptive magic of the chiaroscuro. See! at this place the rich, clear color of Titian has forced out the skeleton outline of Albrecht ...
— The Hidden Masterpiece • Honore de Balzac
... the road to Masson's old studio. It was strangely changed. On the walls were tapestry, a few good etchings, and some amazing pictures—a Rousseau, a Corot, a really superb old Crome, a Whistler, and a piece which my host claimed (and I believe) to be a Titian. The room was furnished with comfortable English smoking-room chairs, some American rockers, and an elaborate business table; spirits and soda-water (with the mark of Schweppe, no less) stood ready on a butler's tray, and in one corner, behind a half-drawn curtain, ...
— The Wrecker • Robert Louis Stevenson and Lloyd Osbourne
... round. It is like one of the old palaces at Rome, the Borghese or Colonna, that we used to admire so much, with vast halls opening into one another, hangings of tapestry and Cordovan leather, marble statues and old paintings—family portraits by Titian and Velasquez, one or two Murillos, and—but I cannot write a catalogue. You must come to see us and the pictures. I am not sure which you will like the best. Francisco is very good to me, and so are all his friends. His sister and her husband ...
— Lippincott's Magazine of Popular Literature and Science, Vol. 15, - No. 86, February, 1875 • Various
... Here Titian, the great artist, painted the portrait of the exiled queen that has come down to us. Here she lived for years, sad in her memories of the past, but happy in her helpfulness of others until, on her way to visit her brother Giorgio in Venice, she was stricken with ...
— Historic Girls • E. S. Brooks
... his fellow-countrymen in their stand on the Piave by contributing "Monna Lisa." Some such words as these would serve: "Why is she smiling that satisfied smile?" "Because she has bought a nice little packet of War Bonds and thus insured a comfortable old age." At the same time TITIAN could help to save his Venice by lending the "Venus" from the Uffizi. "Why is this lady so naked?" "Because she neglected to invest in War Bonds, and thus had nothing with which to buy clothes later on." Or, if a French or English picture were preferred, ...
— Punch, or the London Charivari, Vol. 153, Dec. 12, 1917 • Various
... by the effect of the black—it was just THAT note which brought the rest together. "Ah, one may learn to paint at fifty! There's Titian..." and so, having found the right tint, up he looked and saw to his horror a cloud ...
— Jacob's Room • Virginia Woolf
... so gray and quiet, that as I now hold it by this Dutch landscape, with the vermilion jacket, you would fancy Hogarth's had no color in it at all, and that the Dutchman was half-way to becoming a Titian; whereas Hogarth's is a consummate piece of the most perfect colorist school, which Titian could not beat, in its way; and the Dutchman could no more paint half an inch of it than he could summon a rainbow ...
— Ariadne Florentina - Six Lectures on Wood and Metal Engraving • John Ruskin
... excellence from school to school, and clear from doubt the pedigrees of powers which they cannot re-establish, and of virtues no more to be revived: the scholar is early acquainted with every department of the Impossible, and expresses in proper terms his sense of the deficiencies of Titian and the errors of Michael Angelo: the metaphysician weaves from field to field his analogies of gossamer, which shake and glitter fairly in the sun, but must be torn asunder by the first plow that passes: geometry measures out, ...
— On the Old Road Vol. 1 (of 2) - A Collection of Miscellaneous Essays and Articles on Art and Literature • John Ruskin
... sketch by El Greco in his bedroom. It was a Christ done in strange tints, in a strained design, possessing a wild color and a disordered energy: a picture executed in the painter's second manner when he had been tormented by the necessity of avoiding imitation of Titian. ...
— Against The Grain • Joris-Karl Huysmans
... rode close behind the King, and one or the other of them was constantly engaged in conversation with him. Giustiniano had one of those dark, grave, handsome countenances familiarized to us by the portraits of Titian and Tintoretto, and even the King's jests failed in making him smile. He was apparelled entirely in black velvet, with a cloak bordered with the costly fur of the black fox. All his followers were similarly attired. The sombre Venetian presented a striking contrast to his vivacious companion, ...
— The Star-Chamber, Volume 1 - An Historical Romance • W. Harrison Ainsworth
... the Cabinet from the South when Attorney-General Bates handed in his resignation, and President Lincoln had a great deal of trouble in making a selection. Finally Titian F. Coffey consented to fill the vacant place for a time, and did so until the appointment ...
— Lincoln's Yarns and Stories • Alexander K. McClure
... because they had but three or four colours, and knew not how to paint with oil: besides, which of all your old fusty Grecians would you put upon a footing with the divine Raphael, the most excellent Michael Angelo, Bona Roti, the graceful Guido, the bewitching Titian, and above all others, the sublime Rubens, the—." He would have proceeded with a long catalogue of names which he had got by heart for the purpose, without retaining the least idea of their several qualifications, ...
— The Adventures of Peregrine Pickle, Volume I • Tobias Smollett
... which she tests her majestic allure with cold satisfaction. He looks as though his task were becoming burdensome enough. The picture is painted flattery. Later an 'expert' in the Rococo period baptized the lady with the name of Venus. The furs of the despot in which Titian's fair model wrapped herself, probably more for fear of a cold than out of modesty, have become a symbol of the tyranny and cruelty that constitute ...
— Venus in Furs • Leopold von Sacher-Masoch
... reached the Tiber and was near the Sublician Bridge before there was time to destroy it; and if he had crossed it the city would have been lost. Then a noble Roman, called Horatius Codes, of the Lucerian tribe, with two friends—Sp. Lartius, a Ramnian, and T. Herminius, a Titian—posted themselves at the far end of the bridge, and defended the passage against all the Etruscan host, while the Romans were cutting it off behind them. When it was all but destroyed, his two friends retreated across the bridge, and Horatius was left alone to bear the ...
— The Great Events by Famous Historians, Vol. 1 • Various
... the picture is painted, all is over. Faces are the best part of a picture; but even faces are not what we chiefly remember in what interests us most.—But it may be asked then, Is there anything better than Claude Lorraine's landscapes, than Titian's portraits, than Raphael's cartoons, or the Greek statues? Of the two first I shall say nothing, as they are evidently picturesque, rather than imaginative. Raphael's cartoons are certainly the finest comments that ever ...
— Lectures on the English Poets - Delivered at the Surrey Institution • William Hazlitt
... one owned a Raphael or a Titian!" said Mr. Vertrees, finishing the implication, not in words, but with a wave of his hand. "Go on, Mary. None of the rest of them came in? You didn't meet Mr. Sheridan or—" He paused and adjusted a lump of coal in the fire delicately with the poker. ...
— The Turmoil - A Novel • Booth Tarkington
... by somebody at somebody else's wedding-breakfast, - and to the chapel, where they admired the ingenuity of the sparrows and other birds that built about Rysbrach's monumental mountain of marble to the memory of the Duke and Duchess of Marlborough; - and then to the so-called "Titian room" (shade of mighty Titian, forgive the insult!) where they saw the Loves of the Gods represented in the most unloveable manner, and where a flunkey lounged lazily at the door, and, in spite of Mr. Bouncer's expostulatory "chaff," ...
— The Adventures of Mr. Verdant Green • Cuthbert Bede
... professions or because some kind ancestor had laid by enough money for his children and grandchildren. The ministers were both excellent men; but Dr. Leslie was the only man who looked far ahead or saw much or cared much for true success. In Titian's great Venetian picture of the Presentation of the Virgin, while the little maiden goes soberly up the steps of the temple, in the busy crowd beneath only one man is possessed by the thought that something wonderful is happening, and lifts his head, forgetting the buyers and sellers and gossipers, ...
— A Country Doctor and Selected Stories and Sketches • Sarah Orne Jewett
... glorious red, Amarilly. The color the vulgar jeer at, and artists like your friend and twin, Derry, rave over. You're what is called 'Titian-haired,'" ...
— Amarilly of Clothes-line Alley • Belle K. Maniates
... at my paintings; let me show you my late purchases. Observe this sweet Madonna, by Murillo! I prefer it to the one in the Munich Gallery. It may not boast Titian's glow of colour, or Raphael's grandeur of design,—in delicate angelic beauty, it may yield to the delightful efforts of Guido's or Correggio's pencil,—but surely no human conception can ever have more touchingly portrayed the beauteous resigned mother. The infant, too! how inimitably blended ...
— A Love Story • A Bushman
... or eminent lawyers or clergymen, the House of Lords is unattainable. Brown may reach the highest range of artistic excellence, he may achieve world-wide fame as an architect, his canvas may glow with the marvellous coloring of Titian or repeat the rare and delicate grace of Correggio, the triumphs of his chisel may reflect honor upon England and his age; the inventive genius of Jones, painfully elaborating, through long and suffering years ...
— Atlantic Monthly, Vol. 12, August, 1863, No. 70 - A Magazine of Literature, Art, and Politics • Various
... its beginning with the nineteenth century, epochs as diverse in character as the Venice of 1400 and the Paris of 1800. In him died the last great painter whose art was moulded by the instincts and traditions that made Titian and Veronese, and the greatest artist whose eyes have opened on the, to him, uncongenial and freezing life of the nineteenth century. In our time we have a new ideal, a new and maybe a higher development ...
— The Atlantic Monthly, Vol. 12, No. 74, December, 1863 • Various
... say how. But the rest of the picture was such a perplexity to me that I could think of nothing better than to send for Mr. Laroy Sunderland to call one day when I was out, and knock up Raphael to draw the princess, and Salvator Rosa, the clouds, and Titian to see to the sky and light. When I came in again, the completed whole met me as ...
— The Continental Monthly, Vol. 6, No 3, September 1864 - Devoted To Literature And National Policy • Various
... a friend of mine—there, talking with the Titian-haired lady in the exotic gown. Now, he is coming over ...
— Walking-Stick Papers • Robert Cortes Holliday
... Paul Veronese (what an impudence to talk so to a man who has just purchased a real Titian!) does not quite disprove my theory. You like the picture because you like the verses you once made upon it: you associate the picture (naturally enough) with them: and so shall I in future, because I like the verses too. But then ...
— Letters of Edward FitzGerald - in two volumes, Vol. 1 • Edward FitzGerald
... an erroneous notion that Hawthorne found the chief material for his work in old New England traditions. There are some half-dozen sketches of this sort, but they are more formally written than the others, and remind one of those portraits by Titian which were painted from other portraits,—better than the originals, but not equal to those which he painted ...
— The Life and Genius of Nathaniel Hawthorne • Frank Preston Stearns
... material, representing Bacchus crushing ripe clusters into the receptacles, that now contained a bottle of Ruedesheim, and a crystal claret jug. In tempting proximity rose a Sevres epergne of green and gold, whose weight was upborne by a lovely figure, evidently modelled in imitation of Titian's Lavinia; and the crowning basket was heaped with purple and amber grapes, crimson-cheeked luscious peaches, and golden pears sun-flushed into ...
— Infelice • Augusta Jane Evans Wilson
... elbows with men of all nations, heard travellers' tales of all lands, and at dawn slipped along the canals in gondolas (not black in those days, but painted and hung with silk), saluting the morning with songs; and the red-haired ladies of Venice whom centuries later Titian loved to paint, went trailing up and down the marble steps of their palaces, with all the brocades of Persia on their backs and all the perfumes of Arabia to sweeten their ...
— Medieval People • Eileen Edna Power
... Or Titian's little maiden on the stair White as her own sweet lily and as tall, Or Mona Lisa smiling through her hair,— Ah! somehow life is bigger after all Than any painted angel, could we see The God that is within ...
— Poems • Oscar Wilde
... believe. Little by little she dominated him until he ran heavily in debt. She even managed the uncle when the nephew failed—she was a shrewd little brat—small and tense as wire, with big brown eyes and hair that was sometimes golden and sometimes a dry Titian red, according to her choice. Once, when she left him for two days, Garron threatened ...
— A Village of Vagabonds • F. Berkeley Smith
... always making themselves into ideals and expecting women to follow them," said she. "You are all selfish. Tell me now honestly, would you not sell yourself and me and all New York, like Faust in the opera, if you could paint one picture like Titian?" ...
— Esther • Henry Adams
... the features I must refer my New Zealander to the pictures of the old Italian masters—of which I trust he may retain a handsome collection;—for only on the canvases of Signori Raffaello Sanzio d'Urbino, Titian, and the pupils who emulated them, will he find that exquisite harmony, that purity of form and tender softness of outline, which I beheld that summer evening in the features ...
— Henry Dunbar - A Novel • M. E. Braddon
... all that pleas'd my ravish'd eye, Her beauty should supply the place; Bold Raphael's strokes, and Titian's dye, Should but in vain presume to ...
— Pamela, or Virtue Rewarded • Samuel Richardson
... inferior to his master's. Certainly at this time his work is very Flemish in character, and apparently it was not till he had been to Venice, Mantua, and Rome that the influence of Italy and the Italian masters may be really found in his work. A disciple of Titian almost from his youth, it is the work of that master which gradually emancipates him from Flemish barbarism, from a too serious occupation with detail, the over-emphasis of northern work, the mere boisterousness, without any real distinction, that too often spoils Rubens for ...
— Florence and Northern Tuscany with Genoa • Edward Hutton
... first led into the picture-gallery by the chancellor (although Duke George cared little about such matters), where there was a costly collection of paintings by Perugino, Raphael, Titian, Bellini, &c.—item, statues, vases, coins, and medals, all of which his Grace had brought lately from Italy. Here also there was a large book, covered with crimson velvet, lying open, in which his Grace the Duke had written down many extracts from ...
— Sidonia The Sorceress V2 • William Mienhold
... truth be told, Fanny Brawne is a fairly good-looking young woman, blue-eyed and long-nosed, her hair arranged with curls and ribbons over her brow: she has a curious but striking resemblance to the draped figure in Titian's "Sacred and Profane Love": and for the rest, she is by no means poetic or sentimental, but a voluminous reader, whose strong point is an extraordinary knowledge of the history of costume. She accepts the homage of Keats, much as she accepts the fact of their tacit betrothal, and the ...
— A Day with Keats • May (Clarissa Gillington) Byron
... cloak, with a broad-brimmed hat drawn closely over his brows, it was impossible to distinguish further of the priest's figure and features beyond the circumstance of his height, which was remarkable, until he had reached the carriage window, when, raising his hat, he disclosed a head that Titian might have painted, and which, arising from the dark drapery, looked not unlike the visage of some grave and saturnine Venetian. There was a venerable expanse of forehead, thinly scattered with hair, towering over black pent-house-like brows, which, in their turn, shadowed keen penetrating ...
— Rookwood • William Harrison Ainsworth
... imposing spectacular effect. Amid the applauding multitudes of Parisians a long procession of triumphal cars slowly wended its way, loaded with famous pictures, securely packed, but each bearing its title in monumental inscription. THE TRANSFIGURATION, by RAPHAEL: THE CHRIST, by TITIAN, etc. Then followed the heavy rumbling of massive cars groaning under the weight of sculptures, these too inscribed: THE APOLLO BELVEDERE: THE LAOCOON, etc. Other chariots loaded with trunks containing famous books, precious manuscripts, captured flags, trophies ...
— The Story of Paris • Thomas Okey
... lives, every soul of it that can, on other people's labor. Briefly, the constant duty of every man to his fellows is to ascertain his own powers and special gifts; and to strengthen them for the help of others. Do you think Titian would have helped the world better by denying himself, and not painting; or Casella by denying himself, and not singing! The real virtue is to be ready to sing the moment people ask us; as he was, even in purgatory. The very word "virtue" means not "conduct" ...
— The Ethics of the Dust • John Ruskin
... door and carried the key with him; but after some search, I have found another that will open it. Come in, Edna. Now look at that large painting hanging over the sarcophagus. It is a copy of Titian's 'Christ Crowned with Thorns,' the original of which is in a Milan church, I believe. While St. Elmo was last abroad, he was in Genoa one afternoon when a boat was capsized. Being a fine swimmer, he sprang into the water where several persons were struggling, and saved the lives of two little ...
— St. Elmo • Augusta J. Evans
... of which was worth more than the whole lineage of the owner of the palace. Is not Art a wonderful thing? A Venetian noble might be a fribble or an assassin, a scoundrel, or a dolt, worthless, or worse than worthless; yet he might have sat to Titian, and his portrait may be inestimable,—a few inches of painted canvas a thousand times more valuable than a man with his veins and muscles, brain, will, heart, ...
— Zicci, Complete • Edward Bulwer-Lytton
... grandmother, if she was on a visit at the time) to sew an egg up in it; and when the egg was boiled it came out all over the pattern of the calico. My boy's brother once had a calico-egg that seemed to my boy a more beautiful piece of color than any Titian he has seen since; it was kept in a bureau-drawer till nobody could stand the smell. But most Easter eggs never outlasted Easter Day. As soon as the fellows were done breakfast they ran out of the ...
— A Boy's Town • W. D. Howells
... 'Cenacolo' of Leonardo before it was spoiled by restoration. It must be admitted that the results of this method of interpreting the art of making presents were not always happy. The idea which I formed of Venice, from a drawing by Titian which is supposed to have the lagoon in the background, was certainly far less accurate than what I have since derived from ordinary photographs. We could no longer keep count in the family (when my great-aunt tried to frame an indictment of my ...
— Swann's Way - (vol. 1 of Remembrance of Things Past) • Marcel Proust
... little far-fetched and not a little grotesque and absurd. What there is in either of the two Spanish monarchs to liken him to the Knight of La Mancha it is difficult to see. Those who have looked upon that wonderful equestrian picture of Titian's in the Museo at Madrid, with its weird, weary, far-off expression, are irresistibly led to think of Don Quixote; but the converse is by no means so clear that on looking at Don Quixote we are tempted ...
— The Great Events by Famous Historians, Vol. 1-20 • Various
... in Titian's Venus and Adonis, the heated cheek, the lips that kiss each eye that gazes on them, the desiring glance, the golden hair—sunbeams moulded into features—this face answered me. Juno's wide back and mesial groove, is any thing so lovely as the back ? Cythereals poised hips unveiled ...
— The Story of My Heart • Richard Jefferies
... beaten me to it. I do not refer solely to that rich yellow-and-violet, springtime bourgeoning which turns California into one huge Botticelli background of flower colors and sheens. I do not refer to that heavy purple-and-gold, autumn fruitage, which changes it to a theme for Titian and Veronese. I am thinking particularly of those surprising phenomena left over from pre-historic eras; the "big" trees—the sequoia gigantea, which really belong to the early fairy-tales of H. G. Wells, and to those other trees, not so big but still giants—the ...
— The Native Son • Inez Haynes Irwin
... Dividends of fame, Forego the smiles of literary houris— Mid-Lothian's trump, and Fife's shrill note of praise, And all the Carse of Gowrie's, When thou might'st have thy statue in Cromarty— Or see thy image on Italian trays, Betwixt Queen Caroline and Buonaparte, Be painted by the Titian of R.A's, Or vie in signboards with the Royal Guelph! P'rhaps have thy bust set cheek by jowl with Homer's, P'rhaps send out plaster proxies of thyself To other Englands with Australian roamers— Mayhap, in Literary Owhyhee Displace the native wooden gods, or be The china-Lar ...
— The Poetical Works of Thomas Hood • Thomas Hood
... clothes), for which, nevertheless, I expect to be much exclaimed against, as our actresses have always thought proper to dress her in white satin. I have arrayed her in black (the only habit of the noble Venetian ladies) and gold, in a dress that looks like one of Titian's pictures. ...
— Records of Later Life • Frances Anne Kemble
... magnificent works of art, and their furniture and decorations are rich and beautiful in the extreme. They are usually on view from ten till three, on payment of a small fee to the keeper. In each saloon you find catalogues of the pictures, amongst which the works of Rubens, Titian, Correggio, ...
— Fair Italy, the Riviera and Monte Carlo • W. Cope Devereux
... adopted the old English spelling of Michael Angelo's name, feeling that no orthographical accuracy can outweigh the associations implied in that familiar title. Michael Angelo has a place among the highest with Homer and Titian, with Virgil and Petrarch, with Raphael and Paul; nor do I imagine that any alteration for the better would be effected by substituting for these time-honoured names Homeros and Tiziano, Vergilius and Petrarca, ...
— Sonnets • Michael Angelo Buonarroti & Tommaso Campanella
... the pastures. Subsequently, when it appeared that there was then no readily available English version of the Roman agronomists, this translation was made, in the spirit of old Piero Vettori, the kindly Florentine scholar, whose portrait was painted by Titian and whose monument may still be seen in the Church of Santo Spirito: in the preface of his edition of Varro he says that he undertook the work, not for the purpose of displaying his learning, but to aid others in the study of an excellent author. Victorius was justified by his scholarship and the ...
— Roman Farm Management - The Treatises Of Cato And Varro • Marcus Porcius Cato
... Titian, it seemed to him that he might drive to Victoria Street; Harding's work must be over ...
— Sister Teresa • George Moore
... picture. Titian's Queen of Cyprus, or any party of that kind; but for flesh and blood I like humility—a woman who knows she is human, and not infallible, and only just a little better than you or me. When I choose a wife, she will be no such example of cultivated ...
— Phantom Fortune, A Novel • M. E. Braddon
... Lawrence, like those of ancient statuary, are always smaller than life, to give them an aristocratic, high-bred air, and the bodies are larger. The expression of countenance, too, was benignity itself,—just such as Titian would have been delighted with,—calm, clear, passionless, without a prevailing characteristic of any strength. "Felix trembled," they say. Whatever Felix may have done, I do not believe that Lord Eldon would have trembled till he had put on his ...
— The Atlantic Monthly, Volume 18, No. 106, August, 1866 • Various
... Johnson comfort and luxury that he had not expected, an abundance of all that the wilderness furnished, mingled with importations from Europe. He slept in a fine bed, he looked into more books, he saw on the walls reproductions of Titian and Watteau, and also pictures of race horses that had made themselves famous at Newmarket, he wrote letters to Albany on good paper, he could seal them with either black or red wax, and there were musical instruments upon one or two of which ...
— The Shadow of the North - A Story of Old New York and a Lost Campaign • Joseph A. Altsheler
... the Old-Man-of-the-Sea on the shoulders of our youth; he has become an obsession to the critic, a weapon to the pedant, a nuisance to the man of genius. True, he has painted great pictures in a superb, romantic fashion; he is the Titian of dramatic art: but is there to be no Rembrandt, no Balzac, no greater Tolstoi in English letters? I want to liberate Englishmen so far as I can from the tyranny of Shakespeare's greatness. For the new time ...
— The Man Shakespeare • Frank Harris
... "O you Titian-haired star!" cried Hippy, clasping his hands in mock admiration. "You are the rarest jewel in the casket. Words fail to ...
— Grace Harlowe's Junior Year at High School - Or, Fast Friends in the Sororities • Jessie Graham Flower
... while yet the light that shone in them was crescent. That the world should know Marlowe and Giorgione, Raphael and Mozart, only by the products of their early manhood, is indeed a cause for lamentation, when we remember what the long lives of a Bach and Titian, a Michelangelo and Goethe, held in reserve for their maturity and age. It is of no use to persuade ourselves, as some have done, that we possess the best work of men untimely slain. Had Sophocles been cut off in his prime, before the composition of "Oedipus"; ...
— Percy Bysshe Shelley • John Addington Symonds
... containing many other fine works of art. Here we may see forty examples by the hand of Murillo, sixty-four from Velasquez, sixty by Rubens, twenty-five from Paul Veronese, thirty-four by Tintoretto, and many by Andrea del Sarto, Titian, Vandyke, and others of similar artistic fame. It is believed that Murillo appears at his best in this collection. Being a native of Seville, he is seen, as it were, at home; and artists declare that ...
— Foot-prints of Travel - or, Journeyings in Many Lands • Maturin M. Ballou
... "it is this! You have halted between two manners. You have hesitated between drawing and color, between the dogged attention to detail, the stiff precision of the German masters and the dazzling glow, the joyous exuberance of Italian painters. You have set yourself to imitate Hans Holbein and Titian, Albrecht Durer and Paul Veronese in a single picture. A magnificent ambition truly, but what has come of it? Your work has neither the severe charm of a dry execution nor the magical illusion of ...
— The Unknown Masterpiece - 1845 • Honore De Balzac
... great painter Titian must have thought, Charlie; for he has painted him playing with a white rabbit,—not such a pretty ...
— The Seaboard Parish Volume 1 • George MacDonald
... brilliantly they are touched,' as you would with Rembrandt; nor 'How gracefully they are neglected,' as you would with Gainsborough; nor 'How exquisitely they are shaded,' as you would with Lionardo; nor 'How grandly they are composed,' as you would with Titian. You say only, 'Erasmus is surely there; and what a pleasant sight!' You don't think of Holbein at all. He has not even put in the minutest letter H, that I can see, to remind you of him. Drops his H's, I regret to say, often ...
— Ariadne Florentina - Six Lectures on Wood and Metal Engraving • John Ruskin
... Dehra had declined promptly to the Prince in person. He had made it lover-like, and not through the diplomatic channels. After that the Titian Foreign Office took a hand, and the poor girl's ...
— The Colonel of the Red Huzzars • John Reed Scott
... to Ann Veronica, but the young man in the orange tie went on to declare that it was quite possible to be sincerely in love with two people at the same time, although perhaps on different planes with each individual, and deceiving them both. But that brought Mrs. Goopes down on him with the lesson Titian teaches so beautifully in his "Sacred and Profane Love," and became quite eloquent upon the impossibility of any deception in ...
— Ann Veronica • H. G. Wells
... the colors are, how poor and faint This palette of weak words with which I paint! Here sit my friends; if I could fix them so As to my eyes they seem, my page would glow Like a queen's missal, warm as if the brush Of Titian or Velasquez brought the flush Of life into their features. Ay de mi! If syllables were pigments, you should see Such breathing portraitures as never man Found in the Pitti ...
— The Poetical Works of Oliver Wendell Holmes, Complete • Oliver Wendell Holmes, Sr.
... three afternoon dresses, the grey you gave me, the sage-greeny aesthetic one, and the peacock-blue with the satin box-pleats. It's a charming dress, the peacock-blue; it looks as if it might have stepped straight out of a genuine Titian. It came home from Miss Wells's this morning. Wait five minutes, like a dear boy, and I'll run and put it on and let ...
— Philistia • Grant Allen
... the productions of the fortunate American, and scarcely could a Raphael or a Titian have been more respected or honored. It was his own genius that had raised him and ...
— The Duke's Prize - A Story of Art and Heart in Florence • Maturin Murray
... immediately I fancied myself standing before a multitude of spectators, and thousands of eyes looking upon me at once: for all before me appeared so like men and women, that I almost forgot they were pictures. Raphael's pictures stood in one row, Titian's in another, Guido Rheni's in a third. One part of the wall was peopled by Hannabal Carrache, another by Correggio, and another by Rubens. To be short, there was not a great master among the dead who had not contributed to the embellishment of this side of the gallery. ...
— Essays and Tales • Joseph Addison
... pointing out that the autumn landscape was taken from the background of Titian (Lord Ellesmere's 'Ages of Man') Tennyson struck out the passage. If this was the reason he must have been in an unusually scrupulous mood. See ...
— The Early Poems of Alfred Lord Tennyson • Tennyson
... knew that "Puss" was she of the tumbled red locks, "the tall Renaissance figure with the Titian hair." ...
— Absalom's Hair • Bjornstjerne Bjornson
... Colonel Rudolph Musgrave's), as the older inhabitants of Lichfield will volubly attest, was always a person who did peculiar things. The list of her eccentricities is far too lengthy here to be enumerated; but she began it by being born with red hair—Titian reds and auburns were undiscovered euphemisms in those days—and, in Lichfield, this is not regarded as precisely a lady-like thing to do; and she ended it, as far as Lichfield was concerned, by eloping with what Lichfield in its horror could only describe, with ...
— The Rivet in Grandfather's Neck - A Comedy of Limitations • James Branch Cabell
... itself could not refuse him the award. But at the last moment the Supreme Judge interfered. The Emperor, He said, had been sent into the world at a peculiar time, for a peculiar purpose, and was not to be tried by the ordinary rules. Titian has painted the scene: Charles kneeling before the Throne, with the consciousness, as became him, of human infirmities, written upon his countenance, yet neither afraid nor abject, relying in absolute faith that the Judge of all mankind would ...
— Caesar: A Sketch • James Anthony Froude
... the four years' residence in Italy, when he fell under the spell of Titian. This was the period of the series of splendid portraits of noble Italian families which are to this day the pride of Genoa. Here too belong those lovely Madonna pictures which brought back for a time the ...
— Van Dyck - A Collection Of Fifteen Pictures And A Portrait Of The - Painter With Introduction And Interpretation • Estelle M. Hurll
... of the wise, Most airy of the fanciful, most keen Of satirists!—thy thoughts, like butterflies, Still near the sweetest scented flowers have been With Titian's colors thou canst sunset paint, With Raphael's dignity, celestial love; With Hogarth's pencil, each deceit and feint ...
— Memoirs of Margaret Fuller Ossoli, Vol. I • Margaret Fuller Ossoli
... genius and hale old man, Charles Willson Peale, to whom we have already referred, had many children, and he christened them with most distinguished names, so that, in the end, he could boast himself the father of Raphael, Rembrandt, Rubens and Titian. Alas that the name does not make the man! Only one of them, Rembrandt, achieved any distinction in art, and that but a faint and far-off reflection of the master whose ...
— American Men of Mind • Burton E. Stevenson
... splendid career, which terminated only with his life.—And yet I doubt if the example of Poussin has, on the whole, been favorable to the progress of French art. Horace Walpole, in his summary of the excellencies and defects of great painters, observed with much justice, that "Titian wanted to have seen the antique; Poussin to have seen Titian." The observation referred principally to the defective coloring, which is admitted to exist in the greater part of the works of the painter of Andelys. But Poussin, considered as a model ...
— Account of a Tour in Normandy, Vol. II. (of 2) • Dawson Turner
... the Greeks; The Art of the Romans; Chardin; Donatello; Florentine Sculptors of the Renaissance; George Romney; Ghirlandaio; Lawrence; Michelangelo; Raphael; Rembrandt's Etchings; Rubens; Tintoretto; Titian; Turner's Sketches and ...
— More Science From an Easy Chair • Sir E. Ray (Edwin Ray) Lankester
... McFadden, a Titian, profusely toothed, muscular, and President of the Hair Dressers' Union of ...
— Police!!! • Robert W. Chambers
... meditating his Perseus, Ghiberti is carving the Baptistery doors at the same time that Donatello is rearing his marbles on the bridges of the Arno; and whilst the city of the Medici is staking masterpieces against that of Leo X and Julius II, Titian and Paul Veronese are rendering the home of Doges illustrious. Saint Mark's ...
— Bohemians of the Latin Quarter • Henry Murger
... overthrown that iron-bound money-box, called Nucingen, had appeared to him as one of those who are unique in their generation. It is not certain that Titian's mistress, or Leonardo da Vinci's Monna Lisa, or Raphael's Fornarina were as beautiful as this exquisite Esther, in whom not the most practised eye of the most experienced Parisian could have detected the faintest trace of the ordinary courtesan. ...
— Scenes from a Courtesan's Life • Honore de Balzac
... sometimes the matter itself will defeat the artist. Of every author's works one will be the best, and one will be the worst. The colours are not equally pleasing, nor the attitudes equally graceful, in all the pictures of Titian or Reynolds. ...
— The Works of Samuel Johnson in Nine Volumes - Volume V: Miscellaneous Pieces • Samuel Johnson
... and two conspicuous dimples, almost atoned for it. The brown hair was brushed and waved and its consequent state of new glossiness was a very distinct improvement on the former elf locks. In the sunshine it took tones of warm burnt sienna, like the hair of the Madonna in certain of Titian's great pictures. Lessons, alack! were uphill work. Rona was naturally bright, but some subjects she had never touched before, and in others she was hopelessly backward. The general feeling in the school was that "The Cuckoo", as they nicknamed her, was an experiment, and ...
— For the Sake of the School • Angela Brazil
... Hunt and his wife of Utica. Judge Hunt had recently been appointed a Justice of the Supreme Court, and I immediately renewed my associations of former days with his family. Next door to the Hunts lived Mr. and Mrs. Titian J. Coffey, the former of whom had accompanied ex-Governor Andrew G. Curtin of Pennsylvania upon his mission to Russia; and the adjoining residence, the old "Hill house," was the home of Mr. and Mrs. James C. Kennedy, the latter of whom was Miss Julia Rathbone of Albany. Their hospitality was ...
— As I Remember - Recollections of American Society during the Nineteenth Century • Marian Gouverneur
... and at sight of the new costume she cried, "Shade of Titian, what a picture!" During dinner she mentioned that she had met Mr. Drake, who had said that the Prince was likely to be present at the production, having asked for ...
— The Christian - A Story • Hall Caine
... and dressing gown tottering along his gallery, pointing to his pictures, and exclaiming, "Must I quit all these?" He saw Brienne, and seized him: "Look," exclaimed he, "look at that Correggio! this Venus of Titian! that incomparable Deluge of Caracci! Ah! my friend, I must quit all these. Farewell, dear pictures, that I loved so dearly, and that cost me so much!" His friend surprised him slumbering in his chair at another time, and murmuring, "Gueriaud ...
— The Mirror of Literature, Amusement, and Instruction - Volume 17, No. 477, Saturday, February 19, 1831 • Various
... The hat and mustache of her disguise were gone and her beautiful Titian hair was spread out on the water as it carried her now this way, now that, while she struck out with all her strength to keep afloat. I did not stop to think how or why she was there. I swung over the bridge rail, stripping off my coat, ready to dive. On she came with the swift current ...
— The Romance of Elaine • Arthur B. Reeve
... the Supreme Power often breaks spontaneously into the language of personality. In the exquisite sense of deliverance from sharp trouble,—when the trouble itself seems more than justified by the heightened gladness, as in Titian's Assumption the face of the Virgin Mother shines in the welcome of that heaven to which the way has led through all earthly and motherly sorrow,—in such emergence, the heart utters again the very words of the Psalmist: "I ...
— The Chief End of Man • George S. Merriam
... of the kind of reading in which the little Brontes were interested; but their desire for knowledge must have been excited in many directions, for I find a "list of painters whose works I wish to see," drawn up by Charlotte Bronte when she was scarcely thirteen: "Guido Reni, Julio Romano Titian, Raphael, Michael Angelo, Coreggio, Annibal Carracci, Leonardo da Vinci, Fra Bartolomeo, Carlo Cignani, Vandyke, ...
— Stories of Achievement, Volume IV (of 6) - Authors and Journalists • Various
... assistant in a beauty parlour, and cashier in a business men's restaurant, Truletta Burrows had acquired a certain chicness enabling her to twist a remnant of chiffon or straw into a creation and wear it in impressive contrast with her baby-blue eyes and Titian-red hair. In the majority of cases where a girl has neither family nor finances she must seek a business situation in order to win a husband. Trudy went after her game in ...
— The Gorgeous Girl • Nalbro Bartley
... Correggio's 'Madonna,' and had marvelled at the wondrous blue of her robe—a blue so deep and intense that I used to think one might scrape away the paint till a hole was bored in the canvas and yet not reach the end of that fathomless azure tint; I had studied the warm hues of Titian; I had felt ready to float away in the air with the marvellous 'Angel of the Annunciation'—and with all these thoughts in me, how could I content myself with the ordinary aspiration of modern artists? I grew absorbed in one subject—Colour. I noted how lifeless and ...
— A Romance of Two Worlds • Marie Corelli
... out and pieced together parts taken from Correggio, Raphael, Titian and other great artists. If Michael Angelo is the AEschylos of artists, and Raphael the Sophocl[^e]s, the Carracci may be called the Euripid[^e]s of painters. I know not why in England the name is spelt with ...
— Character Sketches of Romance, Fiction and the Drama - A Revised American Edition of the Reader's Handbook, Vol. 3 • E. Cobham Brewer
... the way to those of a similar kind which have been made in our own day." The artist was a fine colourist, well skilled in perspective, and in the management of light, insomuch that his drawings did not look "like things feigned, but rather as the living reality." Vasari relates that he conducted Titian to see certain works of Peruzzi, of which the illusion was most complete. The greater artist "could by no means be persuaded that they were simply painted, and remained in astonishment, when, on changing his point of view, he perceived that they were so." Dying in ...
— A Book of the Play - Studies and Illustrations of Histrionic Story, Life, and Character • Dutton Cook
... the absurd became the possible! All that was axiomatic has become chimerical. All that was false has become living fact. What! the most brilliant concourse of men! the most magnificent movements of ideas! the most formidable sequence of events! a thing that no Titian could have controlled, that no Hercules could have turned aside,—the human flood in full course, the French wave sweeping onward, civilization, progress, intelligence, revolution, liberty,—he stopped it all one fine ...
— Napoleon the Little • Victor Hugo
... the whole. God has endowed you with wonderful talent. The fruit and flowers in that foreground must have cost you much labor, for indeed you seem to have faithfully followed the injunction of Titian, 'Study the effect of light and shade on a bunch of grapes.' That luscious amber cluster lying near the poppies is tantalizingly suggestive of Rhineland, and of the vines that garland the hills ...
— Vashti - or, Until Death Us Do Part • Augusta J. Evans Wilson
... end of his cane. All his pleasant dreams had burst like soap-bubbles. Had they not always done so? There would be no jaunts with Kitty, no pleasant little excursions, no little suppers after the performance. And what's a Michelangelo or a Titian when ...
— The Lure of the Mask • Harold MacGrath
... narrow street which steep descends, Whose building to the slimy shore extends; {325} Here Arundel's fam'd structure rear'd its frame, The street alone retains the empty name; Where Titian's glowing paint the canvass warm'd, And Raphael's fair design, with judgment, charm'd, Now hangs the bellman's song, and pasted here The colour'd prints of Overton appear."—Trivia, book ...
— Notes and Queries, Number 78, April 26, 1851 • Various
... Spanish dominion and the Catholic faith, they had only one school of painting. The Dutch artists painted like the Belgians; they studied in Belgium, Germany, and Italy. Heemskerk imitated Michelangelo; Bloemaert copied Correggio; De Moor followed Titian; to mention a few instances. They were pedantic disciples who united with all the affectations of the Italian style a certain German coarseness, and the outcome was a bastard style inferior to the earlier schools—childish, stiff, and crude in color, with no sense of light and ...
— Holland, v. 1 (of 2) • Edmondo de Amicis
... your thirties. Another five years of this; and you will be the apologist of every infamy that wears a Liberal or Catholic mask. You, too, will speak of the portraits of Vecelli and the Assumption of Allegri, and declare that Democracy refuses to lackey-label these honest citizens as Titian and Correggio. Even that colossal fragment of your ruined honesty that still stupendously dismisses Beethoven as "some rubbish about a piano" will give way to remarks about "a graceful second subject in the relative minor." Nothing can save you now except ...
— Gilbert Keith Chesterton • Maisie Ward
... Titian was six years old when Raphael was born, and he continued to live and work for fifty-six years ...
— Little Journeys to the Homes of the Great, Volume 6 - Subtitle: Little Journeys to the Homes of Eminent Artists • Elbert Hubbard
... to scare the birds. That garland of ivy, the aesthetic value of which is so great in the later imagery of Dionysus and his descendants, the leaves of which, floating from his hair, become so noble in the hands of Titian and Tintoret, was actually worn on the head for coolness; his earliest and most sacred images were wrought in the wood of the vine. The people of the vineyard had their feast, the little or country Dionysia, which still lived on, side by side with the greater ceremonies of ...
— Greek Studies: A Series of Essays • Walter Horatio Pater
... lips, perhaps even on her cheeks, as she did in bygone days, laughing, to set herself off, in spite of me. This woman who tries to keep a good likeness of herself through passing time, to be fixed upon herself, who paints herself, she is, to that extent like what Rembrandt the profound and Titian the bold and exquisite did—make enduring, and save! But this time, a few tears have washed away the ...
— Light • Henri Barbusse
... Dixon's heart at the thought of Ruth Lawton's vivid Titian-haired beauty being forever stilled in the grip of that eery living death. He and Ruth had loved each other ever since they had ...
— Astounding Stories, May, 1931 • Various
... to possess, and which he would possess, were it not for a fear of Mrs. Sanders and a tender love of the little Sanderses. There is young Smooch,—he who smashed the Fly-Gallery in "The Mahlstick" newspaper, and was not for a moment taken in by the new Titian. There is Crosshatch, who has the marvellous etching by Rembrandt, of which there are only three copies in the world, and which he will not sell,—no, Sir,—not to the British Museum. There is Mr. Brevier Lead, who has in my time successively ...
— Atlantic Monthly, Volume 3, Issue 15, January, 1859 • Various
... glad to be in Rome again. Venice is beautiful, but it does not inspire me. It has no associations for me. What do I care for the Doges, or for Titian's fat, golden-haired women with their sore eyes—Caterina Cornaro and the rest. Rome is a crystal in which I seem to see faces of dear women, women who lived and loved and saw the sun set behind that rampart of low hills—Virginia, the Greek slave Acte, Agnes, ...
— Olive in Italy • Moray Dalton
... background received two different treatments in the hands of artists who have the highest claims on our respect. Some, following the older painters as they were followed by Raphael and Albert Durer, bring the surface of the figure abruptly against its background. Others, like Murillo and Titian, melt the one into the other, so that no pencil could trace the absolute limit of either. Curiously enough, though for very obvious reasons, the Daguerreotype seems to favour one method, the Calotype the other. Yet, two Calotypes, in which the outlines are quite undefined, coalesce in the Stereoscope, ...
— Notes and Queries, Number 20, March 16, 1850 • Various
... Australian skins. Its appearance excited great interest and curiosity, but its true habitat was unknown until some time after, when it was announced by Mr. Strickland before the British Association at York, that Mr. Titian Peale, of the United States Exploring Expedition, had discovered a new bird allied to the dodo, which he proposed to name Didunculus Strigirostris. From the specimen in Sir William Jardine's possession the bird was figured by Mr. Gould in his Birds of Australia, and its distinctive ...
— The Call Of The South - 1908 • Louis Becke
... Joseph had made the Descoings pose for his magnificent painting of a young courtesan taken by an old woman to a Doge of Venice. This picture, one of the masterpieces of modern painting, was mistaken by Gros himself for a Titian, and it paved the way for the recognition which the younger artists gave to Joseph's talent in the ...
— The Two Brothers • Honore de Balzac
... TITIAN, another painter of Venice. His works have always been popular with the men. They are exhibited in all European galleries, and cause consternation among clergymen and school teachers. T. certainly could ...
— Who Was Who: 5000 B. C. to Date - Biographical Dictionary of the Famous and Those Who Wanted to Be • Anonymous
... what about? About the blond tint used by Venetian painters! Yes, about the "Venetian blond." That little serpent of a Gelis was telling Jeanne the secret of the dye with which, according to the best authorities, the women of Titian and of Veronese tinted their hair. And Mademoiselle Jeanne was expressing her opinion very prettily about the honey tint and the golden tint. I understood that that scamp of a Vecellio was responsible—that they had been bending over the ...
— The Crime of Sylvestre Bonnard • Anatole France
... Hallam to the Pyrenees, we can trace little evidence in his poetry of the journeys which he made. But we can see from his letters that he was kindled by the beauty of Italian cities and their treasures. In every picture-gallery which he visited he showed his preference for Titian and the rich colour of the Venetian painters. He refused to be bound by the conventional English taste for Alpine scenery, and broke out into abuse of the discoloured water in the Grindelwald glacier—'a filthy thing, and looking as if a thousand London seasons ...
— Victorian Worthies - Sixteen Biographies • George Henry Blore
... to-day at an auction of pictures with Pratt,(14) and laid out two pound five shillings for a picture of Titian, and if it were a Titian it would be worth twice as many pounds. If I am cheated, I'll part with it to Lord Masham: if it be a bargain, I'll keep it to myself. That's my conscience. But I made Pratt buy several pictures for Lord Masham. Pratt is a great virtuoso that ...
— The Journal to Stella • Jonathan Swift
... Adonis glows, See fairest Bristol more than Venus shows; View well the valu'd piece, how nice each part; Yet nature's hand surpasses Titian's art! Such had his Venus and Adonis been, The standard beauty had from thence been seen! Whose arbitrary laws had fix'd the doom To Hervey's form, and Bristol's ...
— The Lives of the Poets of Great Britain and Ireland (1753) - Vol. IV • Theophilus Cibber
... Madrid there is a picture, painted by Titian, representing the Genius of Spain coming to the delivery of the afflicted Bride of Christ. Titian was dead, but the temper of the age survived, and in the study of that great picture you will see the spirit in which the Spanish nation had set out for the conquest of England. The scene is the seashore. ...
— English Seamen in the Sixteenth Century - Lectures Delivered at Oxford Easter Terms 1893-4 • James Anthony Froude
... enthusiastically of Venice, Florence, Pisa, Rome, with occasional flying excursions into Switzerland and the Tyrol. Once, as she passed, I heard something murmured low about Botticelli's "Primavera"; when next she went by it was the Alps from Murren; a third time, again, it was the mosaics at St. Mark's, and Titian's "Assumption," and the doge's palace. What so innocent as art, in the moonlight, ...
— Stories by English Authors: The Sea • Various
... customary travellers' pilgrimage to the shrines of Titian and Tintoret. After some hours of absence, he found a letter waiting for him when he got back to the hotel. It was written by his brother Henry, and it recommended him to return to Milan immediately. The proprietor of a French theatre, recently arrived ...
— The Haunted Hotel - A Mystery of Modern Venice • Wilkie Collins
... and Dying Warrior, whose classic outlines (reproduced in the calcined mineral of Lutetia) crown my loaded shelves! Welcome, ye triumphs of pictorial art (repeated by the magic graver) that look down upon me from the walls of my sacred cell! Vesalius, as Titian drew him, high-fronted, still-eyed, thick-bearded, with signet-ring, as beseems a gentleman, with book and carelessly-held eyeglass, marking him a scholar; thou, too, Jan Kuyper, commonly called Jan Praktiseer, old man of a century and seven years ...
— The Professor at the Breakfast Table • Oliver Wendell Holmes (Sr.)
... young to have a proper sense of them, was used to be very earnest that I should obtain the acquaintance, and if possible the friendship, of Dr. Johnson, whose conversation was, to the talk of other men, "like Titian's painting compared to Hudson's," he said: "but don't you tell people, now, that I say so," continued he, "for the connoisseurs and I are at war, you know; and because I hate them, they think I hate Titian—and ...
— Anecdotes of the late Samuel Johnson, LL.D. - during the last twenty years of his life • Hester Lynch Piozzi
... monster Pier-Luigi Farnese, duke of Parma, heir of Pope Paul the Third, of whose demoniacal cruelty and treachery the racy pages of Cellini's Memoirs give so vivid an account, and whose repulsive face has grown familiar to us from Titian's famous portraits in the gallery of Naples. It was the evil Pier-Luigi's descendant and heiress-general of the family, Elizabeth Farnese, Queen of Spain, who conveyed the beautiful villa and woods of Quisisana to the Bourbon kings, and here the Neapolitan royal family for several generations ...
— The Naples Riviera • Herbert M. Vaughan
... Leghorn, he remembered a barber in St. Ferdinand Street; he went there to have his beard and hair cut. The barber gazed in amazement at this man with the long, thick and black hair and beard, which gave his head the appearance of one of Titian's portraits. At this period it was not the fashion to wear so large a beard and hair so long; now a barber would only be surprised if a man gifted with such advantages should consent voluntarily to deprive ...
— The Count of Monte Cristo • Alexandre Dumas, Pere
... mother really had a right to expect him to stay with her for the next week or two, and that he should tell Oliver Kenwick to-morrow, that he would have to get somebody else for that tramp through the Titian country. What did he care about the Titian country anyway? Here was Titian himself here in Venice, and lots besides. He would pitch into those flags to-morrow. That was really a very happy thought of the talkative one. He wondered if the quiet one would say more if she got a chance; she ...
— A Venetian June • Anna Fuller
... practical use, was Leonardo da Vinci. Of this chiaroscuro he says: "It is this, in fine, against which so many renowned Italian masters have sinned, but in which the immortal Correggio is so eminently distinguished, and which proves how they err who have named Titian the prince of colourists. For how much soever he may possess in a supreme degree very many other parts of colouring, he has so misunderstood this one in his general harmony, that his grounds are rarely in agreement with the rest of his picture, and are often all black. ...
— Blackwood's Edinburgh Magazine, Volume 58, Number 360, October 1845 • Various
... bed, and, her chin on her hand, watched me combing and parting my hair. I see again those soft, dark brown eyes, so deep in their liquid beauty that you lost yourself gazing down into them; again I see falling around her that wealth of auburn hair of the true Titian color, the smooth, low forehead, and the ripe, red lips, whose mobility lent such varying ...
— Atlantic Monthly, Volume 2, Issue 10, August, 1858 • Various
... and boundless floods, And chasms, and caves, and Titian woods, With forms that no man can discover For the dews that drip all over; Mountains toppling evermore Into seas without a shore; Seas that restlessly aspire, Surging, unto skies of fire; Lakes that endlessly outspread Their lone waters—lone and dead,— ...
— The Works of Edgar Allan Poe - Volume 5 (of 5) of the Raven Edition • Edgar Allan Poe
... still stands out in the Roman panorama as one of exceptional brilliancy. There was a galaxy of artists,—Story, who had already won fame on two continents; William Page, who believed he had discovered the secret of Titian's coloring; Crawford, and "young Leighton," as Mrs. Browning called the future president of the Royal Academy; Gibson, and his brilliant pupil, Harriet Hosmer; Fisher, who painted a portrait of Browning, and also of Penini, for his own use to exhibit in London. It was during this winter ...
— The Brownings - Their Life and Art • Lilian Whiting
... Edwin M. Stanton, previously known at Washington as a patent lawyer, and as having concluded successfully an important California land case for the Government. He had a head which Titian would have loved to paint, so massive were its proportions, and so sweeping were its long locks and beard. He stood like a sturdy sentinel on guard before his client, pleading the "higher law" in justification, and mercilessly attacking the counsel ...
— Perley's Reminiscences, Vol. 1-2 - of Sixty Years in the National Metropolis • Benjamin Perley Poore
... stimulated Sense discerns, Another Sense by IMITATION learns.— So in the graceful dance the step sublime Learns from the ear the concordance of Time. So, when the pen of some young artist prints Recumbent Nymphs in TITIAN'S living tints; The glowing limb, fair cheek, and flowing hair, Respiring bosom, and seductive air, 300 He justly copies with enamour'd sigh From Beauty's image pictured ...
— The Temple of Nature; or, the Origin of Society - A Poem, with Philosophical Notes • Erasmus Darwin
... Signor Tintontintino from Florence. He discoursed of Cimabue, Arpino, Carpaccio, and Argostino—of the gloom of Caravaggio, of the amenity of Albano, of the colors of Titian, of the frows of Rubens, and of the ...
— The Works of Edgar Allan Poe - Volume 4 (of 5) of the Raven Edition • Edgar Allan Poe
... laughed at her brogue and teased and tormented her for her absolute lack of knowledge. Peg put up with that just as long as she could. Then one day she opened out on them and astonished them. They could not have been more amazed had a bomb exploded in their midst. The little, timid-looking, open-eyed, Titian-haired girl was a veritable virago. She attacked and belittled, and mimicked and berated them. They had talked of her BROGUE! They should listen to their own nasal utterances, that sounded as if they were speaking with their noses and not with their tongues! Even the teacher did not go unscathed. ...
— Peg O' My Heart • J. Hartley Manners
... Antisana. Here is the venerable hacienda of Chillo, where Humboldt and Bonpland resided for some time. It is owned by the Aguirres, who are grand-nephews of Don Carlos Montufar, the companion of the famous travelers. The hacienda contains two valuable paintings—an original "Crucifixion" by Titian, and a portrait of the great German from life, as he appeared in 1803. This latter relic interested us exceedingly, and, through the kindness of Sr. Aguirre, we were allowed to photograph it. It represents Humboldt in his prime, ...
— The Andes and the Amazon - Across the Continent of South America • James Orton
... wilfully foregoing pleasure, stoops to "twopence coloured." With crimson lake (hark to the sound of it—crimson lake!—the horns of elf-land are not richer on the ear)—with crimson lake and Prussian blue a certain purple is to be compounded which, for cloaks especially, Titian could not equal. The latter colour with gamboge, a hated name although an exquisite pigment, supplied a green of such a savoury greenness that to-day my heart regrets it. Nor can I recall without a tender weakness the very ...
— The Works of Robert Louis Stevenson, Volume 9 • Robert Louis Stevenson
... cities, and it was not thought surprising that absent New Yorkers should wish to linger in a seaport where they might find apartments, according to Georgina's report, in a palace painted in fresco by Vandyke and Titian. Georgina, in her letters, omitted, it will be seen, no detail that could give color to Mrs. Portico's long stay at Genoa. In such a palace—where the travellers hired twenty gilded rooms for the most insignificant sum—a remarkably fine boy came into the world. Nothing could have been more ...
— Georgina's Reasons • Henry James
... had been discovered; the gold grounds gave way to field, wood, hill, and dale, and the blue behind the heads became a dome of sky. In the sixteenth century, Giorgione shewed the value of effects of light, and Correggio's backgrounds were in harmony with his tender, cheerful scenes. Titian loved to paint autumn; the sunny days of October with blue grapes, golden oranges, and melons; and evening with deep harmonies of colour over the sleeping earth. He was a great pioneer in the realm of landscape. With Michael Angelo not a blade of grass grew; ...
— The Development of the Feeling for Nature in the Middle Ages and - Modern Times • Alfred Biese
... the entrance of a Mr. Gresham, a rich merchant, who came to look at a picture which Sir Amyas shows as a true Titian. Mr. Gresham spoke, as I thought, with much good sense and taste about it, and Sir Amyas talked a great deal of amateur-nonsense. Still in the same namby-pamby style, and with the same soft voice and sweet smile, Sir Amyas talked on of pictures and battles, and carnage and levees, and drawing-rooms ...
— Tales and Novels, Vol. VII - Patronage • Maria Edgeworth
... Bellinis and Andrea Mantegnas as in old time? The fault does not lie in any want of raw material: nor yet does it lie in want of taking pains. The modern Italian painter frets himself to the full as much as his predecessor did—if the truth were known, probably a great deal more. I am sure Titian did not take much pains after he was more than about twenty years old. It does not lie in want of schooling or art education. For the last three hundred years, ever since the Caraccis opened their academy at Bologna, there has been no lack of ...
— Selections from Previous Works - and Remarks on Romanes' Mental Evolution in Animals • Samuel Butler
... embroidered with gold figures, over which were worked pomegranates, polyanthuses, and passion-flowers, in ruby, amethyst, and smaragd. The drops of dew which the artificer had sprinkled on the flowers were diamonds. The hangings were overhung by pictures yet more costly. Giorgione the gorgeous, Titian the golden, Rubens the ruddy and pulpy (the Pan of Painting), some of Murillo's beatified shepherdesses, who smile on you out of darkness like a star, a few score first-class Leonardos, and fifty ...
— Burlesques • William Makepeace Thackeray
... man knows only undifferentiated sexuality. He enjoys the nude, and sees no difference between a Venus by Titian and an ordinary photograph of a nude figure; the aesthete, and more especially the artist, can never understand that a work of art may be sensually stimulating. That it may be so will always be bluntly denied by an individual capable ...
— The Evolution of Love • Emil Lucka
... muttons. This country is surely the paradise of painters and penny-a-liners; and when one reads of M. Horace Vernet at Rome, exceeding ambassadors at Rome by his magnificence, and leading such a life as Rubens or Titian did of old; when one sees M. Thiers's grand villa in the Rue St. George (a dozen years ago he was not even a penny-a-liner: no such luck); when one contemplates, in imagination, M. Gudin, the marine painter, ...
— The Paris Sketch Book Of Mr. M. A. Titmarsh • William Makepeace Thackeray
... principles, and to have been filled with admiration, not so much for particular practices as for the common and lofty spirit in which the greatest of the world's painters labored. The colorists and chiaroscurists, such as Titian on the one hand and Rembrandt on the other, seem to have impressed him particularly, and of all men Titian the most strongly, as many of his pictures testify, and as such glowing works as the Arethusa and the Boy and Bird unmistakably show. Yet ...
— The Bay State Monthly, Volume I. No. VI. June, 1884 - A Massachusetts Magazine • Various |
