"Symbolizing" Quotes from Famous Books
 ... organism and we have the two great divisions of phenomena—material and vital. The higher the generalization, the fewer will be the attributes composing the concept, and thus the simpler will be the form symbolizing its expression. As in the case of matter, the first result of the divine activity was more matter, undiscriminated by any further attribute; so here, we have, as the first organic creation, a concrete expression of the highest possible generalization comprising the fewest possible ...
— The Philosophy of Evolution - and The Metaphysical Basis of Science • Stephen H. Carpenter
... nothing else than the graceful, winsome son of Semele, with audacious melancholy in his eyes and sacred voluptuousness on his soft and arching lips. It is quite otherwise in Romantic art, in which the wild wanderings of a knight have ever an esoteric meaning, symbolizing perhaps the erring course of life. The dragon whom he overcomes is sin; the almond which from afar casts comforting perfume to the traveler is the Trinity, God the Father, God the Son, and God the Holy Ghost, which are three in one, as shell, fibre, and kernel make one nut. When ...
— The German Classics of The Nineteenth and Twentieth Centuries, Vol. VI. • Editor-in-Chief: Kuno Francke
... something of the mysterious exercise of human intelligence in its earliest development from this habit of symbolizing and presenting in an outward form an abstract conception, thus giving a concrete meaning and material expression to the external fact. We see how everything assumed a concrete, living form, and can better understand the conditions we have established as necessary in the early days of the development ...
— Myth and Science - An Essay • Tito Vignoli
... might add the fine drawing made by Willette on the occasion of the Edmond de Goncourt banquet, which represents the elder brother standing, leaning against the pedestal of his brother's statue, while at his feet three creatures, symbolizing the principal forms of their inspiration, are grouped, superb and mournful. Who are they? No doubt Madame de Pompadour, the Geisha of Japanese art, and finally, bestial and degraded, La Fille Elisa—types that symbolize the most salient aspects of that genius—historic, ...
— Rene Mauperin • Edmond de Goncourt and Jules de Goncourt
... foreigners; but after the Revolution in 1868, it was everywhere suppressed. It would appear that the personal cleanliness for which the Japanese, as a nation, are celebrated, had its origin in the idea of the purification of the body symbolizing the cleansing of the soul; and in a vague and hazy sort of way, Shintoism would seem to recognize a future state of bliss or misery, for which the present life is a period of probation. Practically, however, this is the only world ...
— Religion in Japan • George A. Cobbold, B.A.
... plumage, and fish and animals in the greatest variety. There are the giant elephant, rhinoceros, and hippopotamus. There the lordly lion roams, the monarch of his native forest, as if conscious of furnishing robes for royalty and symbolizing the flag of a great nation. Where animals of such sagacity, courage, power, and majesty are found, why should not man be great also? Our ancestors, the Britons, were once savages; so were our Celtic and Saxon forefathers, and most of them were slaves. What are their descendants now? Let Shakespeare, ...
— The Continental Monthly , Vol. 2 No. 5, November 1862 - Devoted to Literature and National Policy • Various
... lucid sky above him summer-laden, the water under and about him a liquid atmosphere, the broken mountain-face changing from lovely to lovelier, and occasionally awakening him with a superlative splendor, the abodes so near, and the orchards and strawberry and melon patches overhead, symbolizing goodwill and fraternity and happiness amongst the poor and humble—with these, and the rhythmic beating of the oars to soothe his spirit, fierce and mandatory even in youth, he went, the time divided between views fair enough for the most rapturous dreams, and the Greek, ...
— The Prince of India - Or - Why Constantinople Fell - Volume 1 • Lew. Wallace
... the ground; its nature, cold and dry as earth, fits it to represent that element. The fourth is "the willow of the brook," which grows in perfection close beside the water, dropping its branches into the stream, and symbolizing thus the ...
— Hebraic Literature; Translations from the Talmud, Midrashim and - Kabbala • Various
... whom lightning is only electricity and wind the relief of pressure from hemisphere to hemisphere. Mystery lies in the personality now, not in the blind forces that shape and are shaped by it. It is the difference, in a sense, between Hawthorne, who saw the world as shadow and illusion, symbolizing forces inimical to humanity, and Hardy, who sees in external nature the grim scientific fact of environment. It is a difference between eras more marked in Conrad than in many of his contemporaries, because, like Melville, Hawthorne, ...
— Definitions • Henry Seidel Canby
... foundation, however, for the supposition, favoured by some European writers, that the Nine Tripods (frequently mentioned above) contained upon their surface "maps" of the empire; they merely contained a summary, or a collection of pictures, symbolizing the various tribute nations. On the other hand, there is no trace in the "Tribute of Yii" of any knowledge of China south of the Yarig-tsz River, south of its mouths, and south of its connection with the lakes of Hu Nan. The "province" of Yang Chou is vaguely said to extend ...
— Ancient China Simplified • Edward Harper Parker
... uncouth representation of the Last Judgment, but the Marquis de Fayolle's explanation, namely, that the idea which the sculptor-monk endeavoured to work out here was the triumph of Death over Life, meets with fewer objections. There are three figures or heads symbolizing Death, of which the central one wears a diadem that bristles with dead men's bones. Immediately below is Death's scutcheon emblazoned with allegorical bearings. On each side of this is a row of heads rising from the tomb, in which a pope, an emperor, a bishop, and a ...
— Two Summers in Guyenne • Edward Harrison Barker |
