"Supernaturalism" Quotes from Famous Books
... turn can in some way act on the body. And this has hitherto been achieved or attempted by magicians, "miracle-mongers," thaumaturgists, mesmerists, and the like, and by the modern hypnotizer, in which we may observe that there has been at every step less and less mysticism or supernaturalism, and a far easier process or way of working. And I believe it may be fairly admitted that in this work I have simplified the process of physically influencing mental action and rendered it easier. The result from the above ... — The Mystic Will • Charles Godfrey Leland
... established religion. There is in the poet's mind the lofty indignation of one who sees, in its true light, the narrowness of an ignorant and hypocritical clergy, yet can find no solid ground on which to build up for himself a theory of supernaturalism, illumined by hope. Yet there are traces of Mysticism in his writings, which only serve to emphasize his profound longing for some knowledge of the invisible, and his foreboding that the grave is the "be-all" and "end-all" of life. The poet speaks ... — Persian Literature, Volume 1,Comprising The Shah Nameh, The - Rubaiyat, The Divan, and The Gulistan • Anonymous
... religion." All religions that professed a miraculous origin were to him baneful in the extreme, the foes of light and progress, the enemies of mankind. He did not perceive, as modern psychology does, that the period of supernaturalism is the childhood of the mind. Myths and fairy-tales are not of themselves base—the injury lies with the men who seek to profit by these things, and build up a tyranny founded on innocence and ignorance—seeking to perpetuate these things, issuing ... — Little Journeys to the Homes of the Great Philosophers, Volume 8 • Elbert Hubbard
... he confessed it was much more to his mind than Paul, was still rude. It was once more the rudeness which was repellent, and which almost outweighed the pathos of many of the episodes and the undeniable grandeur of the trial and death. Moreover, it was full of superstition and supernaturalism, which he could not abide. He was in his studio after his first perusal, and he turned to an Apollo which he was carving. The god looked at him with such overpowering, balanced sanity, such a contrast to Christian incoherence and the rhapsodies of the ... — Catharine Furze • Mark Rutherford |