"Sistine Chapel" Quotes from Famous Books
 ... was again summoned to Rome by the Pope, who insisted that he should paint the ceiling of the Sistine Chapel, in the Vatican. Michael Angelo did not wish to do this, as he had done no great painting. It proved to be one of his most famous works; but he had a great deal of trouble in it. On one occasion the Pope threatened to throw the artist from the scaffolding. The ...
— A History of Art for Beginners and Students: Painting, Sculpture, Architecture - Painting • Clara Erskine Clement
... empty. He knelt down to his prayers and soon became absorbed. To-night he was oppressed in a new way by the sins, the temptations, and the unutterable weakness of man; his failures; his uselessness. Nothing else in Art had ever impressed him so much as the figure of Adam on the ceiling of the Sistine Chapel. That beautiful figure, with all the freshness of its primal grace, stretching out its arms from a new-born world towards the infinite Creator, had expressed, with extraordinary pathos, the weakness, the failure, almost the non-existence of what is finite. "I Am ...
— Great Possessions • Mrs. Wilfrid Ward
... work. As a recent writer has remarked: "An art highly intellectualized, so as to convey a great idea with the lucidity of language, must needs be controlled by genius akin to that which inspired the ceiling paintings of the Sistine Chapel."[A] This was written of the Trajanic sculptors, whose works both Michelangelo and Millet studied and admired, and indeed it is to this old Roman art, or to the still older art of Greece, that one must go for the truest parallel of Millet's temper and his manner of working. ...
— Artist and Public - And Other Essays On Art Subjects • Kenyon Cox
... Latin hymn on the Crucifixion, is one of the most familiar numbers in the Roman Missal. It is appointed to be sung at High Mass on the Friday in Passion Week, and also on the third Sunday in September. On Thursday in Holy Week it is also sung in the Sistine Chapel as an Offertorium. The poem was written by the monk Jacobus de Benedictis in the thirteenth century, and is regarded as one of the finest of mediaeval sacred lyrics. Grove says of it: "Several readings are extant; the one most frequently ...
— The Standard Oratorios - Their Stories, Their Music, And Their Composers • George P. Upton
... miraculous attestation of his quickness of ear, and extensive memory, by bringing away from the Sistine Chapel the "Miserere of Allegri," a work full of imitation and repercussion, mostly for a double choir, and continually changing in the combination and relation of the parts. This accomplished piece of thievery was thus performed:—the sketch ...
— The Mirror of Literature, Amusement, and Instruction - Volume 14, No. 395, Saturday, October 24, 1829. • Various
... Pope to Rome and began a work that none other dare attempt, but which today excites the jealous admiration of every artist soul who views it—the ceiling of the Sistine Chapel. Ghirlandajo, Perugino, Botticelli and Luca Signorelli had worked on the walls with good effect, but to lie on one's back and paint overhead so as to bring out a masterly effect when viewed from seventy feet below was something they dare not attempt. ...
— Little Journeys to the Homes of the Great, Volume 4 (of 14) - Little Journeys to the Homes of Eminent Painters • Elbert Hubbard
... to the Sistine Chapel, of course," he went on, "and to the loggia and Bramant's staircase? You saw some statues, ...
— The Point of View • Elinor Glyn
... result of this view, unflinchingly carried out, and applied to the precise point we now have in hand, is seen in that horrible portrayal of the Last Judgment wherewith Michael Angelo has covered the ceiling of the Sistine Chapel, in Rome. The great anatomical artist consistently depicts Christ as an almighty athlete, towering with vindictive wrath, flinging thunderbolts on the writhing and helpless wilderness of his victims. The popular conception of Christ in the judgment has been borrowed from ...
— The Destiny of the Soul - A Critical History of the Doctrine of a Future Life • William Rounseville Alger
... out-lustre a Savant, a Poet never throws a Poet into the shade. Hippocrates is outrun, Archimides, Paracelsus, Copernicus, Galileo, Newton, La Place, Pindar not; Pheidias not. Pascal, the Savant, is out-run, Pascal, the Writer, not. There is movement in art, but not progress. The Frescoes of the Sistine Chapel are absolutely nothing to the Metopes of the Parthenon. Retrace your steps as much as you like from the Palace of Versailles to the Castle of Heidelberg. From the Castle of Heidelberg to the Notre Dame of Paris. From the Notre Dame to the Alhambra. From the Alhambra to St. Sophia. From ...
— Cobwebs of Thought • Arachne
... cast ashes on the heads of the cardinals, it being Ash-Wednesday. On arriving, however, we found no more than the usual number of visitants and devotional people scattered through the broad interior of St. Peter's; and thence concluded that the ceremonies were to be performed in the Sistine Chapel. Accordingly, we went out of the cathedral, through the door in the left transept, and passed round the exterior, and through the vast courts of the Vatican, seeking for the chapel. We had blundered into the carriage-entrance of ...
— Passages From the French and Italian Notebooks, Complete • Nathaniel Hawthorne
... out all other places and impressions, and opening a whole new world of sensations. I am wild with the excitement of this tremendous place. I have been here a week, and have seen the Vatican and the Capitoline Museums, and the Sistine Chapel, and St. Peter's, besides the ruins on the streets and on the hills, and the graves of Shelley ...
— The Poems of Emma Lazarus - Vol. I (of II.), Narrative, Lyric, and Dramatic • Emma Lazarus
... Sistine Chapel is the celebrated painting al fresco of the day of Judgment by Michel Angelo, an aweful subject ...
— After Waterloo: Reminiscences of European Travel 1815-1819 • Major W. E Frye
... achievements is impossible in a book of this size. His tomb of Julius II in Rome and his colossal statue of David in Florence are examples of his sculpture; the cathedral of St. Peter, which he practically completed, is his most enduring monument; the mural decorations in the Sistine Chapel at Rome, telling on a grandiose scale the Biblical story from Creation to the Flood, are marvels of design; and his grand fresco of the Last Judgment is probably the most famous single ...
— A Political and Social History of Modern Europe V.1. • Carlton J. H. Hayes
... for a magnificent monumental tomb for this pope, to be ornamented with more than forty statues and to be of great size (34-1/2 x 23 feet). The fickleness of the Pope caused a continual series of disappointments in the progress of the work, which was finally abandoned for the frescoes of the Sistine Chapel. After the death of the Pope, his executors were even less zealous for the completion of the tomb. A succession of contracts were made and broken, each one reducing the size and importance of the design. The artist was continually in ...
— Michelangelo - A Collection Of Fifteen Pictures And A Portrait Of The - Master, With Introduction And Interpretation • Estelle M. Hurll
... The Sistine Chapel was the most beautiful apartment in the Vatican. Its walls were covered with choicest frescos. Its ceiling, done by the wonder-working hand of Michael Angelo, was a marvel. To add still more to the beauty of this Chapel, ...
— Great Artists, Vol 1. - Raphael, Rubens, Murillo, and Durer • Jennie Ellis Keysor
... different kind. It is wrought with mere incisions in the stone, of which the effect may be tolerably given by single lines in a drawing. Remember, therefore, for a moment—as characteristic of culminating Italian art—Michael Angelo's fresco of the "Temptation of Eve," in the Sistine chapel, and you will be more interested in seeing the birth of Italian art, illustrated by the same subject, from St. Ambrogio, of Milan, the "Serpent beguiling Eve." [Footnote: This cut is ruder than it should be: the incisions ...
— The Two Paths • John Ruskin
... specimens of the severe ecclesiastical style; one in particular, a ten-part Miserere, composed for Holy Week in 1821 by order of Pope Pius VII., has taken a permanent place in the services of the Sistine chapel during Passion Week. Baini held a higher place, however, as a musical critic and historian than as a composer, and his Life of Palestrina (Memorie storico-critiche della vita e delle opere di Giovanni Pierluigi da Palestrina, 1828) ranks as one of the best works of its class. The phrase ...
— Encyclopaedia Britannica, 11th Edition, Volume 3, Part 1, Slice 2 - "Baconthorpe" to "Bankruptcy" • Various
... Gertie Sumners, with a kind of sombre triumph. "The Sistine Chapel. I've got a print of it in my room. That's where you saw it." She leaned back against a tree trunk with her knees drawn up to her chin, and blew out clouds of smoke, and looked more than usually grey and dishevelled and in need of a bath. ...
— The Dark House • I. A. R. Wylie
... with some money, he set himself to work as usual, living much at his ease, and having as his companion that Piero, his disciple, who was ever called Piero di Cosimo, and who assisted him in his labours in the Sistine Chapel at Rome, and painted there, besides other things, a landscape in the picture of the Preaching of Christ, which landscape is held to be the best thing there. Andrea di Cosimo also worked with him, occupying himself ...
— Lives of the Most Eminent Painters Sculptors and Architects - Vol. 3 (of 10), Filarete and Simone to Mantegna • Giorgio Vasari
... the fashion to affect admiration for the Italian school of painting and especially for the great masters of the Renaissance. Whole families of perfectly inartistic English and Americans might then he heard conscientiously admiring the ceiling of the Sistine Chapel or Leonardo's Last Supper (Botticelli had not been invented then) in the ...
— Worldly Ways and Byways • Eliot Gregory
... the 6th [March, 1853], the Benediction of the Golden Rose, was, according to annual usage, performed by the Pontiff previously to High Mass, in the Sistine Chapel, celebrated by a cardinal, at which he assists every Sunday during Lent. To the more ancient practice of blessing, on the fourth Sunday of 'Quaresima,' a pair of gold and silver keys, touched with ...
— Notes and Queries, Number 185, May 14, 1853 • Various
... the story of a nation's conversion to Christianity, and in it the bird and the brook blend their carols with those of angels and of men. It was otherwise with the later legends connecting Ossian with Saint Patrick. A poet once remarked, while studying the frescoes of Michael Angelo in the Sistine Chapel, that the Sibyls are always sad, while the Prophets alternated with them are joyous. In the legends of the Patrician Cycle the chief-loving old Bard is ever mournful, for his face is turned to the past glories of his country; while the Saint is always ...
— The Legends of Saint Patrick • Aubrey de Vere
... individual,—but the feeling of grief, of perfect, unmingled sorrow, so powerfully represented, came to the heart like an echo of its own emotion, and carried it away with irresistible influence. Travellers have described the same feeling while listening to the Miserere in the Sistine Chapel, at Rome. Canova could not have chiseled the ...
— Views a-foot • J. Bayard Taylor
... Miss Minturn," he observed, bending nearer to look more closely at a copy of a section of the 'Creation' as painted on the ceiling of the Sistine Chapel in the Vatican at Rome. "The foreshortening and perspective there is wonderful! Michael Angelo was the master of them all! Of course, you have seen many of the wonders of ...
— Katherine's Sheaves • Mrs. Georgie Sheldon |
