"Shelley" Quotes from Famous Books
 ... SATANIC: This epithet was applied to the work of some of his contemporaries by Southey in the preface to his Vision of Judgement, 1821. It has been generally assumed that Byron and Shelley are meant. See Introduction to Byron's Vision of Judgment in the new Murray edition of ...
— The English Mail-Coach and Joan of Arc • Thomas de Quincey
... evident that our efforts did not have much influence in turning the tide of national politics, though the Republican papers gave a broad circulation to our appeal. Dowden's description of the poet Shelley's efforts in scattering one of his suppressed pamphlets, reminded me of ours. He purchased bushels of empty bottles, in which he placed his pamphlets; having corked them up tight, he threw the bottles into the sea at various fashionable ...
— Eighty Years And More; Reminiscences 1815-1897 • Elizabeth Cady Stanton
... independent character." Thus did Mr. Jarvice gracefully paraphrase the single word "expelled" which was written on his slip of paper. "Ah, Mr. Hine," he cried, smiling indulgently at the sullen, bemused weakling who sat before him, stale with his last night's drink. "You and Shelley! Rebels, sir, rebels both! Well, well! After you left school, at the age of sixteen, you pursued your studies in a desultory fashion at home. Your father died the following year. Your mother two years later. You have ...
— Running Water • A. E. W. Mason
... patients for a holiday, and Dr. Howe, our visitor of to-day, was not an exception. This gentleman is, I fancy, quite young in his profession, for his figure is of almost boyish slenderness; his face, too, which reminds one somewhat of Shelley in its delicacy and brightness, and its dark eyes and luxuriant curls, is quite youthful for a ...
— The Story of a Summer - Or, Journal Leaves from Chappaqua • Cecilia Cleveland
... wife was because she crossed the field of his vision; his second glance was because of her beauty; his third because her name was SHELLEY. It is marvellous how whimsically sentimental commonplace people can be where their own interesting personality is concerned: her name he instantly associated with SCALLOP-SHELL, and began to make inquiry about her. Learning ...
— What's Mine's Mine • George MacDonald
... glass they wore a double glass; when it was the custom to wear spectacles they wore spectacles straightway, all without reference to the particular variety of defect in their own vision. When Wordsworth was enthroned they carried pocket copies; and when Shelley was belittled they allowed him to grow dusty on their shelves. When Correggio's Holy Families were admired, they admired Correggio's Holy Families; when he was decried in favour of Velasquez, they sedulously followed suit without any ...
— Tess of the d'Urbervilles - A Pure Woman • Thomas Hardy
... the treatment of all sorts and conditions of disease by means of a vegetable (chiefly fruit) dietary was Dr. Lambe, a contemporary of the poet Shelley. His last book appeared in 1815, and in it and the one preceding are recorded some wonderful cures, especially in cases of cancer. It is only fair to add here that in Dr. Lambe's opinion no system of cure is completely efficacious so long as the patient is allowed to ...
— Food Remedies - Facts About Foods And Their Medicinal Uses • Florence Daniel
... Letters of Percy Bysshe Shelley." Politically, Chamouni is in France, but the aim here has been to bring into one volume all the more popular Alpine resorts. Articles on the Tyrol and the Dolomites will also be found in ...
— Seeing Europe with Famous Authors, Volume VI • Various
... censorship. (And by a censorship I mean such a censorship as would judge books by a code which, if it was applied to them, would excommunicate the Bible, Shakespeare, Defoe, Richardson, Fielding, Sterne, Swift, Shelley, Rossetti, Meredith, Hardy, and George Moore. "The Ordeal of Richard Feverel" would never, as a new work, pass a library censorship. Nor would "Jude the Obscure," nor half a dozen of Hardy's other books; nor would most of George Moore.) Nevertheless I am not very much perturbed. ...
— Books and Persons - Being Comments on a Past Epoch 1908-1911 • Arnold Bennett
... been often told, but nowhere more clearly and justly than in Shelley's famous letter, written to explain his play. There are several manuscript accounts of the last scene at the Ponte Sant' Angelo, and I myself have lately read one, written by a contemporary and not elsewhere ...
— Ave Roma Immortalis, Vol. 1 - Studies from the Chronicles of Rome • Francis Marion Crawford
... his affections ever happened to mention his name in the course of conversation. Further pour-parlers having passed with her aunt, two more sisters, and her little brother, he felt that the moment had arrived when he might send her a volume of Shelley, with some of the passages marked in pencil. A few weeks later, he interviewed her father and obtained his consent to the paying of his addresses. And finally, after writing her a letter which began "Madam! you will not have been insensible to the fact that ...
— Three Men and a Maid • P. G. Wodehouse
... Queen of Scots. They bathe their white arms in the waves, but the waves recoil swollen with red blood, while the wailing of the hapless women echoes along the rocky strand. Among these heroic souls Shelley alone of modern poets—that Titan spirit in a maiden's form—may find a place, according to Carducci, caught up by Sophocles from ...
— Greek and Roman Ghost Stories • Lacy Collison-Morley
... mysterious productive forces are in their own nature spiritual verge somewhat closely upon the dogmas of pantheism? What else than this was the belief of the ancients, which placed a Naiad in every stream and a Dryad in every tree? Does it not draw still nearer to Shelley's theory of a 'Spirit of Nature,' which was his God, creating, shaping, and pervading all things? In a word, does not such a theory, in effect, place a ...
— The Continental Monthly, Vol. 4, No. 5, November, 1863 • Various
... Night abomination could ever approach, this taking as witness of the unutterable, not an obscene Beelzebub with abominable words and rites, but the very holiest of holies. If ever Englishman approached the temper of the Italian Renaissance, it was not Tourneur, nor Shelley with his cleansing hell fires of tragic horror, but this sweet and gentle Ford. If ever an artistic picture approached the reality of such a man as Gianpaolo Baglioni, the incestuous murderer whom the ...
— Euphorion - Being Studies of the Antique and the Mediaeval in the - Renaissance - Vol. I • Vernon Lee
... dozen instances when architecture, music, painting, or some sudden sight of sea or mountain, have thus affected us; and all poetry, particularly all great lyric poetry, Goethe's, Shelley's, Wordsworth's, and, above all, Browning's, is full of ...
— Laurus Nobilis - Chapters on Art and Life • Vernon Lee
... fitly named, the one might have been Lord Protector, and the other have shared the laurels with Isaiah. In this matter we must not forget that all our great poets have borne great names. Chaucer, Spenser, Shakespeare, Milton, Pope, Wordsworth, Shelley—what a constellation of lordly words! Not a single common-place name among them—not a Brown, not a Jones, not a Robinson; they are all names that one would stop and look at on a door-plate. Now, imagine if Pepys had tried to clamber somehow into the enclosure of poetry, ...
— Lay Morals • Robert Louis Stevenson
... himself the lines of Shelley's fragment. Its alternation of sad human ineffectiveness with vast inhuman cycles of activity chilled him and he forgot his own ...
— A Portrait of the Artist as a Young Man • James Joyce
... and then paced up and down the room, wondering how he should endure life with it continually before his eyes. Some books lay on a side-table, and as he passed he looked absently at them and halted. On his Shelley, slightly askew, as if to preclude all thought of care and design, lay a little volume bound in dingy white and gold. Percival did not touch it, but he stooped and read the title, The Language of Flowers, and saw that—purely by accident of course—a ...
— Lippincott's Magazine, Vol. 22, August, 1878 • Various
... Beaumont and Fletcher, a dozen playwrights! The Bible, an imperishable monument of the people's English! Milton, Bunyan and Baxter, Wycherly and his fellows! Pope, Ben Johnson, Swift, Goldsmith, Junius, Burke, Sheridan! Scott and Byron, De Quincey, Shelley, Lamb, Chatterton! Moors and Burns wrote in English too! Look at Wordsworth, Dickens, George Eliott, Swinburne, Tennyson, the Brontes! There are gems upon gems in the second class writers, books that in other countries would make the writer immortal. Over the sea, in America, Poe, Whittier, Bret ...
— The Workingman's Paradise - An Australian Labour Novel • John Miller
... it; sketches, tales, essays, every sort of writing in prose multiplied there. A change in the atmosphere of letters is also to be noted. The 18th century was fairly left behind. The Philadelphian reprint of Galignani's Paris edition of Keats, Shelley and Coleridge had brought in the new romantic poetry with wide effect; and Disraeli, Bulwer and, later, Dickens are felt in the prose; in verse, especially by women, Mrs Hemans and Mrs Browning ruled the moment. ...
— Project Gutenberg Encyclopedia
... had brought poetry, music, art, into the sordid little parlour of the Watertown apartment; he had helped Harriet to tame and house those soaring ambitions. Seated on Linda's stiff little fringed sofa, they had drunk deep of Keats and Shelley and Browning, and Harriet's eyes had widened at what Royal called "world ethics." To live—that was the gift of the gods! Not to be afraid—not to ...
— Harriet and the Piper - (Norris Volume XI) • Kathleen Norris
... beauty of the woman, was lustreless brown, lay in unpolished folds of dark shadow. I saw such hair once, only once. It had been cut from the head of a man, who, quiet and simple as a child, lived out the law of his nature, and set the world at defiance,—Bysshe Shelley. ...
— Atlantic Monthly, Volume 8, No. 48, October, 1861 • Various
... insisting on the inclusion of Charlie in any scheme of education because no one ought to be taught to be shocked at sea-sickness and soda-water squirting. Charlie to me is the antidote to the higher-plane crowd; he and his kind are as essential as Shelley. I admit that reading Shelley is a higher kind of pleasure than watching "Champion Charlie," but no human being can safely live on the higher plane, and no child wants to. Education must deal with all life; a higher plane diet will produce hot-house plants, ...
— A Dominie in Doubt • A. S. Neill
... century Italy in her Wars of Liberation gained, in a degree which this generation can hardly realise, the enthusiastic sympathy and the moral, and sometimes material, support of all the best elements in the British nation. There were poets—Byron and Shelley, the Brownings, Swinburne and Meredith—who were filled with a passionate devotion to the Italian cause.[1] There were statesmen—Palmerston, Lord John Russell and Gladstone—who did good work for Italian ...
— With British Guns in Italy - A Tribute to Italian Achievement • Hugh Dalton
... turned, canny for my years, from the professors to the poets, listening—to the lyric tenor of Swinburne and the tenor robusto of Shelley, to Shakespeare with his first bass and his fine range, to Tennyson with his second bass and his occasional falsetto, to Milton and Marlow, bassos profundo. I gave ear to Browning chatting, Byron declaiming, and Wordsworth droning. This, at least, did me no harm. I learned a little of beauty—enough ...
— The Beautiful and Damned • F. Scott Fitzgerald
... claims favors. He awards you your rights,—no more, no less,—and demands the same from you. Consequently there is no friction. Your friend, on the contrary, is continually getting himself tangled up with you "because he is your friend." I have heard that Shelley was never better pleased than when his associates made free with his coats, boots, and hats for their own use, and that he appropriated their property in the same way. Shelley was a poet, and perhaps idealized ...
— Atlantic Monthly, Volume 10, Number 59, September, 1862 • Various
... myth, was a wood-nymph, who was pursued by the river Alpheus. She was changed into a fountain, and ran under the sea to Sicily, where she rose near the city of Syracuse. Shelley ...
— Modern Prose And Poetry; For Secondary Schools - Edited With Notes, Study Helps, And Reading Lists • Various
... Hill's attack was magnificently sustained. He saturated himself with the fluent numbers of Longfellow and Tennyson, and fortified himself with Shakespeare; found a kindred soul in Pope, and a master in Shelley, and heard and fled the siren voices of Eliza Cook and Mrs. Hemans. But he read no more Browning, because he hoped for the loan of other volumes from Miss Haysman when he ...
— The Country of the Blind, And Other Stories • H. G. Wells
... again and again. He reached Marietta on a fine, bright morning, and having consigned his horse to the care of the ostler of the Travellers' Rest, he presently started out in search of the dwelling-place of Evaleen, trusting, like Shelley's Indian lover, to the Spirit in ...
— A Dream of Empire - Or, The House of Blennerhassett • William Henry Venable
... the last ten sad years, had been his poems. He would not write more verse, when the oestrus was not on him, but he must write. He took up all the dropped threads of past years, ambitious plans formed in the fulness of vigour, and laid aside, but not abandoned. He was the very opposite of Shelley, who could never look at a piece of his own composition a second time, but when he had thrown it off at a heat, rushed into something else. Milton's adhesiveness was such that he could never give up a design once entered upon. In these four years, as if conscious that his time was now ...
— Milton • Mark Pattison
... cannot well be brought into the comparison. But taking the roll of our chief poetical names, besides Shakespeare and Milton, from the age of Elizabeth downwards, and going through it,—Spenser, Dryden, Pope, Gray, Goldsmith, Cowper, Burns, Coleridge, Scott, Campbell, Moore, Byron, Shelley, Keats (I mention those only who are dead),—I think it certain that Wordsworth's name deserves to stand, and will finally stand, above them all. Several of the poets named have gifts and excellencies which Wordsworth has not. But taking the performance ...
— English: Composition and Literature • W. F. (William Franklin) Webster
... only English poet of far-shining fame who was of American origin. Percy Bysshe Shelley was the grandson of a quack doctor in Newark, N. J., who, according to a local tradition, married the widow of a New York miller. Fitz-Greene Halleck lived and died in an old house in Guilford, Connecticut, built ...
— The Philadelphia Magazines and their Contributors 1741-1850 • Albert Smyth
... yet we have but to examine the selected jewels strung into so exquisite a carcanet by Mr. Palgrave in his "Golden Treasury" to notice with surprise how close a family likeness exists between the contributions of Shelley, Wordsworth, Keats, and Byron. The distinctions of style, of course, are very great; but the general character of the diction, the imagery, even of the rhythm, is more or less identical. The stamp of the same age is upon them,—they are ...
— Victorian Songs - Lyrics of the Affections and Nature • Various
... prompted by extraneous suggestion or provoked into being by accident. Such is the way with Court poets like Dryden and Claudian; it is unlike the usual procedure of Milton's spiritual kindred. Byron, Shelley, Tennyson, write incessantly; whatever care they may bestow upon composition, the impulse to produce is never absent. With Milton it is commonly dormant or ineffectual; he is always studying, but the fertility of his mind bears no apparent proportion to the pains ...
— Life of John Milton • Richard Garnett
... at such times no desecration of our delight to put a passage of Shakespeare or of Milton beside a passage of Homer, of AEschylus, or of Dante, an essay of Lamb beside a chapter of Heine, a lyric of Burns by one of Shelley, and to seek for some common measure of ...
— Platform Monologues • T. G. Tucker
... dangerous spot that 0 0, or double zero; but to Simon it was more lucky than to the rest of the world. The ball went spinning round—in "its predestined circle rolled," as Shelley has it, after Goethe—and plumped down at last in the double zero. One hundred and thirty-five gold napoleons (louis they were then) were counted out to the delighted painter. "Oh, Diabolus!" cried he, "now it is that I begin to believe in thee! Don't ...
— The Paris Sketch Book Of Mr. M. A. Titmarsh • William Makepeace Thackeray
... in shape resembles a date stone. It has a very delicate taste, and is eaten stewed with tomatoes and served with a layer of toast. The little inn, Del Genio, is not too clean, but the landlord will tell you that Byron and Shelley made no complaints when they lived there and that they had a thorough appreciation of the dainty datteri. Byron is said to have written most of his Corsair in a grotto at Porto Venere, and Shelley was cast up drowned on the sand ...
— The Gourmet's Guide to Europe • Algernon Bastard
... apprehensions which we call "spiritual," even the pictures of the old Chinese draughtsmen and the modern impressionists, of Watteau and of Turner, of Manet, Degas, and Cezanne; the poems of Blake, Wordsworth, Shelley, Whitman—these, and countless others, assure you that their creators have enjoyed direct communion, not with some vague world of fancy, but with a visible natural order which you have never known. These have seized and woven into their pictures strands which ...
— Practical Mysticism - A Little Book for Normal People • Evelyn Underhill
... one perfectly horrid little girl called Katie de Pinnock. She never shared her chocolates with anyone; the fact was notorious. She wrote in a copperplate hand sentiments like these: "MILTON awes me; SHELLEY thrills me; BLAKE, the prophet of self-sacrifice, is ever my consolation and my guide. I ask for nothing beyond." I gave ...
— Punch, or the London Charivari, Volume 158, June 2, 1920 • Various
... these the critical art can but suggest. We may be instructed to build an Odyssey, but it is in vain that we are told how to conceive a 'Tempest,' an 'Inferno,' a 'Prometheus Bound,' a 'Nightingale,' such as that of Keats, or the 'Sensitive Plant' of Shelley. But, the thing done, the wonder accomplished, and the capacity for apprehension becomes universal. The sophists of the negative school, who, through inability to create, have scoffed at creation, are now found the loudest in ...
— The Works of Edgar Allan Poe - Volume 4 (of 5) of the Raven Edition • Edgar Allan Poe
... years. Machinery is making the poetry mean something. Every new invention in matter that comes to us is a spiritual masterpiece. It is crowded with ideas. The Bessemer process has more political philosophy in it than was ever dreamed of in Shelley's poetry, and it would not be hard to show that the invention of the sewing machine was one of the most literary and artistic as well as one of the most religious events of the nineteenth century. The loom is the most beautiful thought that any one has ever had about Woman, and the ...
— The Voice of the Machines - An Introduction to the Twentieth Century • Gerald Stanley Lee
... work deserves better treatment from posterity than it received from contemporaries. Defoe's vigorous services for the Whigs are unnoticed, and the democratic note in much of the poetry of Burns, Blake, Byron and Shelley is left unconsidered, and the influence of these poets undiscussed. The anti-Corn Law rhymes of Ebenezer Eliot, and the Chartist songs of Ernest Jones were notable inspirations in their day, and in our own times Walt Whitman and Mr. Edward Carpenter have been the chief singers of ...
— The Rise of the Democracy • Joseph Clayton
... Wrenn about, to teach him what not to enjoy. He pointed at Shelley's rooms as at a certificated angel's feather, but Mr. Wrenn writhingly admitted that he had never heard of Shelley, whose name he confused with Max O'Rell's, which Dr. Mittyford deemed an error. Then, Pater's window. The doctor shrugged. Oh well, what could ...
— Our Mr. Wrenn - The Romantic Adventures of a Gentle Man • Sinclair Lewis
... have this order of enthusiasm; it is a clammy thing to attract. A curate with a glimpse at Shelley's mind once roused Margaret's enthusiasm for the poet. It welled so suffocatingly about him that he came near to damning Shelley and all his works; threw up his hat when opportunity put out a beckoning finger ...
— Once Aboard The Lugger • Arthur Stuart-Menteth Hutchinson
... in the annals of literature for the number of productions from celebrated authors. Sir Walter Scott published 'Kenilworth Castle;' Lord Byron issued his tragedy of 'Marino Faliero;' Southey, his 'Vision of Judgment;' Shelley, his 'Prometheus,' and Wordsworth a new edition of his poems. Besides these giants in the field of literature, numerous stars of the second and third magnitude sent forth their light. Charles Lamb, Hazlitt, Barry Cornwall, Tom Moore, Allan Cunningham, Leigh Hunt, and ...
— The Life of John Clare • Frederick Martin
... where the faithful could come and visit me; they are now not many. I expect Henry James to come and break a crust or two with us. I believe it will be only my wife and myself; and she will go over to England, but not I, or possibly incog. to Southampton, and then to Boscombe to see poor Lady Shelley. I am writing - trying to write in a Babel fit for the bottomless pit; my wife, her daughter, her grandson and my mother, all shrieking at each other round the house - not in war, thank God! but the din is ultra martial, and the note of Lloyd joins in occasionally, ...
— Letters of Robert Louis Stevenson - Volume 2 • Robert Louis Stevenson
... BANBURY is speaking. But it stands to reason, If you propose to pay them just the same Whether they write a little or a lot, They won't write anything. There will not be Sufficient stimulus. It's human nature, And human nature is unchangeable. Do you imagine, Sir, that KEATS or SHELLEY Would have produced such valuable work, So large an output, if this precious Bill Had been in operation at the time? We should have had no SHAKSPEARE. And, besides, It means the death of British poetry, Because we can't continue to compete ...
— Punch, or the London Charivari, Vol. 159, July 14th, 1920 • Various
... has reproduced the picture with his own peculiar grace of words. His version has been translated by Dryden, but better, perhaps, by Christopher Pitt. Voltaire has translated Cicero's lines with great power, and Shelley has reproduced the same idea at much greater length in the first canto of the Revolt of Islam, taking it probably from Cicero, but, if not, from Voltaire.[39] I venture to think that, of the nine versions, Cicero's is the best, and that it is the ...
— Life of Cicero - Volume One • Anthony Trollope
... the eighteenth century we have Horace Walpole's The Mysterious Mother (8vo, 1768), an unacted drama of extraordinary power and undissipated gloom on the same terrible theme; whilst Shelley's The Centi, published in 1819, which the poet most emphatically intended for the boards, remains ...
— The Works of Aphra Behn, Vol. I (of 6) • Aphra Behn
... from the hard intellect, but from strength of noble and elevated feeling, and co-existed with a highly reverential nature. In general spiritual characteristics, as well as in temperament and organisation, I have often compared her, as she was at this time, to Shelley: but in thought and intellect, Shelley, so far as his powers were developed in his short life, was but a child compared with what she ultimately became. Alike in the highest regions of speculation and ...
— Autobiography • John Stuart Mill
... a line interpolated, in my last revision of the passage, from Shelley's "Revolt of Islam." It was pointed out to me by a friend, who thought it would give force and clearness to the contest. The noble stanzas on America, from which it is taken, will be found in Ascham's edition of "Shelley's Poems," page 147, ...
— Cromwell • Alfred B. Richards
... seventy years—sixty-nine, to be exact. Of these years there was a period longer than the full term of Byron's life, of Shelley's or of Keats's, of perfect sanity, and it was in this period that he gave us what is one of the sanest achievements in our literature, ...
— Immortal Memories • Clement Shorter
... his mere diction would find a less feeble resemblance in passages of Shelley, especially in the Prometheus of that poet, than in any other poetry existent. But his diction alone. His power is in concentration—the quality of Shelley is diffuseness. The interest excited by Aeschylus, even to those who can no longer sympathize ...
— Athens: Its Rise and Fall, Complete • Edward Bulwer-Lytton
... genuine, though crude, Australian poetry appeared, in the form of a small volume of sonnets by Charles Harpur, who was born at Windsor, N.S.W., in 1817. He passed his best years in the lonely bush, and wrote largely under the influence of Wordsworth and Shelley. He had some imagination and poetic faculty of the contemplative order, but the disadvantages of his life were many. Harpur's best work is in his longer poems, from which extracts cannot conveniently be given ...
— An Anthology of Australian Verse • Bertram Stevens
... Shelley is said to have witnessed the painful spectacle. On the previous day had passed away in childbirth the Princess Charlotte. The two circumstances formed the subject of an able pamphlet, drawing a contrast between the deaths, and furnishing ...
— Bygone Punishments • William Andrews
... help to parents and children, we give an outline here for a study of the figures of speech in Shelley's beautiful Ode to a Skylark ...
— Journeys Through Bookland, Vol. 10 - The Guide • Charles Herbert Sylvester
... perfection, these, too, seemed to have wrought their blessed influence on the willing strings until the tone was laden with spiritual harmony. One might indeed have sung of this little red violin—that looked to Lyddy, in the sunset glow, as if it were veneered with rubies—all that Shelley sang of another ...
— A Village Stradivarius • Kate Douglas Wiggin
... afterwards, was appointed sub-preceptor to the Princess Charlotte of Wales. He was a connoisseur of architecture and painting, and passed much of his time in Italy and at Rome. When he was at Pisa he preached in a private room in the basement story of the house in Pisa where Shelley was living, and fell under Byron's displeasure for attacking the Satanic school, and denouncing Cain as a blasphemous production. "The parsons," he told Moore (letter, February 20, 1820), "preached at it [Cain] ...
— The Works of Lord Byron, Vol. 7. - Poetry • George Gordon Byron
... and the sweetest analysis we possess of quiet modern domestic feeling; while Mrs. Browning's "Aurora Leigh" is, as far as I know, the greatest poem which the century has produced in any language. Cast Coleridge at once aside, as sickly and useless; and Shelley, as shallow and verbose; Byron, until your taste is fully formed, and you are able to discern the magnificence in him from the wrong. Never read bad or common poetry, nor write any poetry yourself; there is, perhaps, rather too much than too ...
— The Elements of Drawing - In Three Letters to Beginners • John Ruskin
... alive now, and called, by any miserable scribbler in the "Athenaeum" or "Spectator," a dunce, he could laugh in his face; instead of retiring as he did, perhaps hunger-bitten, to bleed out his heart's blood in secret. Were Shelley now called in "Blackwood" a madman, and Keats a mannikin, they would be as much disturbed by it as the moon at the baying of a Lapland wolf. The good old art, in short, of writing an author up or down, is dying hard, but dying fast; and the public is beginning to follow the strange new ...
— Harper's New Monthly Magazine, Volume 1, No. 3, August, 1850. • Various
... his disregard of the society conventions of England, nor by his personal eccentricities, nor because he was not approved by the Tory party and the Tory writers. Perhaps unconsciously—certainly not with the conviction of Shelley—Byron was on the side of the new movement in Europe; the spirit of Rousseau, the unrest of 'Wilhelm Meister,' the revolutionary seething, with its tinge of morbidness and misanthropy, its brilliant dreams of a new humanity, and its reckless ...
— Library of the World's Best Literature, Ancient and Modern, Vol. 7 • Various
... writers. He often seems to be roused into speech, rather by the intensity of his spiritual convictions than by the subtle incitements of poetic sensibility. His convictions caught fire, and truth became beauty for him; not beauty, truth, as with Keats or Shelley. He is swayed by ideas, rather than by sublime moods. Beneath the endless variety of his poems, there are permanent principles, or "colligating conceptions," as science calls them; and although these are expressed by the way of emotion, they are ...
— Browning as a Philosophical and Religious Teacher • Henry Jones
... seems eternal now. The wilderness has a mysterious tongue, Which teaches awful doubt." (8/11. Shelley, Lines on Mt. Blanc.) One day the yawl was sent under the command of Mr. Chaffers with three days' provisions to survey the upper part of the harbour. In the morning we searched for some watering-places ...
— A Naturalist's Voyage Round the World - The Voyage Of The Beagle • Charles Darwin
... makes a small globe of sound-waves, which spread and spread till they fall on your ear, and because they fall quickly and regularly, they make a low, musical note. We might almost fancy that the brook wished to show how joyfully it flows along, recalling Shelley's beautiful lines:- ...
— The Fairy-Land of Science • Arabella B. Buckley
... at Madame Cornelys's, or the Academy dinner! How Peter Pindar would have railed at it! Fifty years later, the noble Scott would have worn the Grand Cross and deserved it; but Gifford would have had it; and Byron, and Shelley, and Hazlitt, and Hunt would have been without it; and had Keats been proposed as officer, how the Tory prints would have yelled with rage and scorn! Had the star of Minerva lasted to our present time—but I pause, not because the idea is dazzling, ...
— Roundabout Papers • William Makepeace Thackeray
... 'Works,' published in 1874-5. English philosophical thinking, so Green held, had stuck fast in the scepticism of Hume. Such forward movement in thought as there had been since the 18th Century, had come mainly through the writings of men like Wordsworth and Shelley—men who having seen deeply into life, had expressed themselves in imaginative, not in philosophical ways. To set the stagnant tide of speculative thinking in motion, involved a two-fold task: on one side the breaking down of the barriers erected ...
— An Estimate of the Value and Influence of Works of Fiction in Modern Times • Thomas Hill Green
... should have been allowed to set the songs of Shelley to music. With such names as Shelley, Keats, Poe and Crane must ...
— Little Journeys to the Homes of the Great - Volume 14 - Little Journeys to the Homes of Great Musicians • Elbert Hubbard
... duty, although a violation of the statute, is not without more a denial of equal protection of the laws.[1008] This clause is also violated by the withholding of equal access to the courts,[1009] or by inequality of treatment in the courts.[1010] In Shelley v. Kraemer[1011] the use of judicial power to enforce private agreements of a discriminatory character was held unconstitutional. Holding that restrictive covenants prohibiting the sale of homes to Negroes could not be enforced in the ...
— The Constitution of the United States of America: Analysis and Interpretation • Edward Corwin
... marriage is enforced by public opinion with such ferocity that the least suggestion of laxity in its support is fatal to even the highest and strongest reputations, although laxity of conduct is winked at with grinning indulgence; so that we find the austere Shelley denounced as a fiend in human form, whilst Nelson, who openly left his wife and formed a menage a trois with Sir William and Lady Hamilton, was idolized. Shelley might have had an illegitimate child in every county in ...
— Getting Married • George Bernard Shaw
... did you once see Shelley plain? And did he stop and speak to you? And did you speak to him again?— How strange it seems ...
— From the Easy Chair, vol. 1 • George William Curtis
... precedence of imagination, nature is concealed by artifice, and the delight afforded by these writers is not due to imaginative sensibility. Not even in the consummate genius of Pope is there aught of the magical charm which fascinates us in a Wordsworth and a Keats, in a Coleridge and a Shelley. The prose of the age, masterly though it be, stands also on a comparatively low level. There is much in it to ...
— The Age of Pope - (1700-1744) • John Dennis
... Coeli, as had become with him almost a superstition, like the waters of the fountain of Trevi. Rome was still tragic and solemn as ever, with its mediaeval society, artistic, literary, and clerical, taking itself as seriously as in the days of Byron and Shelley. The long ten years of accidental education had changed nothing for him there. He knew no more in 1868 than in 1858. He had learned nothing whatever that made Rome more intelligible to him, or made life easier to handle. The case was no better when he got back to London and went through his ...
— The Education of Henry Adams • Henry Adams
... it. And I think that—regardless of ideas—the artist must always find him sympathetic, if for no other reason than that he was the essence of refinement, of delicacy, and of taste. When I think of Redon I think of Shelley a little, "he is dusty with tumbling about among the stars," and I think somewhat, too, of some phrases in Debussy and his unearthly school of musicians, for if we are among those who admire sturdier things in art we can still love the fine ...
— Adventures in the Arts - Informal Chapters on Painters, Vaudeville, and Poets • Marsden Hartley
... hidden and waiting supply. Leaving other lands and languages to speak for themselves, we can abruptly but deeply suggest it best from our own—going first to oversea illustrations, and standing on them. Think of Byron, Burns, Shelley, Keats, (even first-raters, "the brothers of the radiant summit," as William O'Connor calls them,) as having done only their precursory and 'prentice work, and all their best and real poems being left yet unwrought, untouch'd. ...
— Complete Prose Works - Specimen Days and Collect, November Boughs and Goodbye My Fancy • Walt Whitman
... of Art? The more closely the matter is regarded, the more plain it is, that there is none! At any moment we may have to look upon some painting, or contemplate some statue, as tragic, heart-rending, and dubiously delicate in theme as that censured play "The Cenci," by one Shelley; as dangerous to prejudice, and suggestive of new thought as the censured "Ghosts," by one Ibsen. Let us protest against this peril suspended over our heads, and demand the immediate appointment of a single person not selected for any ...
— Forsyte Saga • John Galsworthy
... than talent." As she spoke, the door opened, and in walked Mrs. Edmund Clarence Stedman, wife of the poet, and with her a most distinguished-looking woman, Mrs. William Whitney. I was a little embarrassed, but replied sweetly, "Sheets and Kelley," meaning "Keats and Shelley." Then followed a wild laugh ...
— Memories and Anecdotes • Kate Sanborn
... story by Robert Louis Stevenson. Here was a note written by Doctor Johnson to the landlord of the Cheshire Cheese, refusing to pay a bill and accusing the tavern-keeper of profiteering. Here were volumes autographed by Goldsmith, Keats, Shelley, Poe, Byron, DeFoe, Swift, Dickens, Thackeray, and all the other ...
— Pipefuls • Christopher Morley
... Plautus, did not apply themselves to poetry until they had reached mature years. With these facts the character of their genius as a rule agrees. We should not expect in such men the fine inspiration of a Sophocles, a Goethe, or a Shelley, and we do not find it. The poetic frenzy, so magnificently described in the Phaedrus of Plato, which caused the Greeks to regard the poet in his moments of creation as actually possessed by the god, is nowhere manifest among the early Romans; and if it claims to appear in their later literature, ...
— A History of Roman Literature - From the Earliest Period to the Death of Marcus Aurelius • Charles Thomas Cruttwell
... humanity never shows itself uglier than when it stands with the pearl shining on its forehead, and the pearl-maker crushed beneath its heel.... England will always have fifteen thousand a year for some respectable clergyman; she will never have it for Shelley. ...
— The Joyful Heart • Robert Haven Schauffler
... and, in the discursive paragraphs, there is less dogmatism and a more delicate sense of contrasts than the novelist is wont to exhibit when astride a hobby-horse. The following passage has an aroma of Shelley's Defence of Poetry in it, which merits our attention. The ...
— Balzac • Frederick Lawton
... Byron, instead of setting himself, like Alec, to make himself acquainted with that poet, by which he could have gained no advantage over her, he made himself her pupil, and listened to everything she had to say about Byron as to a new revelation. But, at the same time, he began to study Shelley; and, in a few days, was able to introduce, with sufficient application, one or two passages gathered from his pages. Now, to a mind like that of Kate, with a strong leaning to the fantastic and strange, there was that in Shelley which quite overcrowed Byron. She listened with ...
— Alec Forbes of Howglen • George MacDonald
... interested in birds and books, I know a good deal about English birds as they appear in books. I know the lark of Shakespeare and Shelley and the Ettrick Shepherd; I know the nightingale of Milton and Keats; I know Wordsworth's cuckoo; I know mavis and merle singing in the merry green wood of the old ballads; I know Jenny Wren and Cock Robin of the nursery books. Therefore I had ...
— Theodore Roosevelt - An Autobiography by Theodore Roosevelt • Theodore Roosevelt
... substitute. Take a parallel case. Should we, because of the mawkishness of a "Princess Novelette," deride the beautiful dream that keeps ages wondering and joyous, that is occasionally caught up in the words of genius, as when Shelley sings: "I arise from dreams of thee"? When foolish people make a sacred thing seem silly, let us at least be sane. The man who cries out for the sacred thing but voices a universal need. To exist, ...
— Principles of Freedom • Terence J. MacSwiney
... of this country was very extensive. Among the modern poets, Byron was at this time, far above the rest, and almost exclusively, his favorite; a preference which, in later years, he transferred altogether to Wordsworth and Shelley. ...
— Spare Hours • John Brown
... the mystery of clouds again; a momentary chafing of churned water round the harbour piers, subsiding into silence petulant and sullen. I leaned against an iron stanchion and longed for the sea's message. But nothing came to me, and the drowned secret of Shelley's death those waves which were his ...
— New Italian sketches • John Addington Symonds
... Byron and Shelley and Plunkett, McDonough and Hunt and Pearse See now why their hatred of tyrants Was so insistently fierce. Is Freedom only a Will-o'-the-wisp To cheat a poet's eye? Be it phantom or fact, it's a noble cause In which to ...
— Main Street and Other Poems • Alfred Joyce Kilmer
... wasteful romantic. Waste has always been the romantic vice—waste of emotion, waste of words, the waste that comes from easy profusion of sentiment and the formlessness that permits it. Think of "The Excursion," of Southey, and of the early poems of Shelley, of Scott at his wordiest. And these writers also are wasteful, ...
— Definitions • Henry Seidel Canby
... Faulkner and Nina round some of the sights of the place. I showed them the Bodleian, All Souls, Shelley's memorial, and finally brought them to a shady seat in Addison's Walk. I had been compelled to hurry for two reasons; in the first place we had not very much time, and secondly, my knowledge was not proof against the string of ...
— Godfrey Marten, Undergraduate • Charles Turley
... may enumerate the following names as those of real poets, dead or alive, included in the first half of the nineteenth century in Britain:—Bloomfield, Wordsworth, Coleridge, Southey, Campbell, Moore, Byron, Shelley, Keats, Professor Wilson, Hogg, Croly, Maturin, Hunt, Scott, James Montgomery, Pollok, Tennyson, Aird, Mrs. Browning, Mrs. Hemans, Joanna Baillie, and the author of 'Festus.' We leave this list to be curtailed, or to be increased, at the pleasure of the reader. But, we ask, which ...
— The International Monthly, Volume 3, No. 2, May, 1851 • Various
... ideas, formless spiritual essences. The supreme question about a work of art is out of how deep a life does it spring. The painting of Gustave Moreau is the painting of ideas. The deepest poetry of Shelley, the words of Hamlet bring our minds into contact with the eternal wisdom, Plato's world of ideas. All the rest is the speculation of schoolboys ...
— Ulysses • James Joyce
... eternity; he is like the martyrs of the church who lay upon the wheel with their limbs racked, yet held the roses of Paradise in their hands and heard the angels in the air. That is a poet; that is what Dante was, and Shelley and Milton and Petrarca. But this man? this singer of the senses, whose sole lament is that the appetites of the body are too soon exhausted; this languid and curious analysist who rends the soul aside with merciless ...
— Wisdom, Wit, and Pathos of Ouida - Selected from the Works of Ouida • Ouida
... you please, but I mean what I say. To play a joke is one thing, to blame it on a fellow student who is innocent is another. As the poet Shelley says—But what's the use of wasting poetry on a chap like you? Max, you heard what was ...
— The Rover Boys at College • Edward Stratemeyer
... in France and the greatest and most dramatic picture of Richelieu now extant. De Vigny was a convinced Anglophile, well acquainted with the writings of Shakespeare and Milton, Byron, Wordsworth, Shelley, Matthew Arnold, and Leopardi. He also married an English ...
— Cinq Mars, Complete • Alfred de Vigny
... passed into silence, freezing, whispering silence. The moon rose mysteriously behind a line of black fir-trees, sending shafts of blue light into the hollow cup of mountain gorges. It was a poet's world, Blake or Shelley could have made it, it was too cold for Keats. Winn had not read these poets. It reminded him of a particularly good chamois hunt, in which he had bagged a splendid fellow, after four hours' hard climbing and stalking. The mountains receded a little, and everything became part of a white ...
— The Dark Tower • Phyllis Bottome
... been so much poetry written since "The Lady of the Lake" was published,—not only by celebrated poets like Wordsworth, Southey, Moore, Byron, Campbell, Keats, Shelley, Tennyson, Browning, Longfellow, Lowell, Whittier, Bryant, but also by many minor authors,—that the standard is now much higher than it was in the early part of the century. Much of that which then was regarded as very fine is now smiled at by the critics, and neglected by cultivated ...
— Beacon Lights of History, Volume XIII • John Lord
... He saw the beginning and the end of their literary labors, as of those of Macaulay and Mill, Darwin, Disraeli and Dickens. Much of his best work was done ere the death of Walter Scott, and he might have played as a school boy with the ill-fated Shelley. He had just begun his long life-labor when Longfellow and Tennyson, Hugo and Wagner came upon the scene, and together they wrought wisely and well in that mighty seed-field which is the world! What a galaxy of intellectual gods!—now all gone, returned home to High Olympus—the weird land ...
— Volume 1 of Brann The Iconoclast • William Cowper Brann
... Poetry was precious food to her, and Mr. Churchouse, who also appreciated it, had led her to his special favourites. For the present, therefore, Estelle was content with Longfellow and Cowper and Wordsworth. The more dazzling light of Keats and Shelley and Swinburne had ...
— The Spinners • Eden Phillpotts
... nineteenth century, Wordsworth has an intimate familiarity with Virgil, Catullus, and Horace, but loves Horace best; Coleridge thinks highly of his literary criticism; Byron, who never was greatly fond of him, frequently quotes him; Shelley reads him with pleasure; Browning's The Ring and the Book contains many quotations from him; Thackeray makes use of phrases from the Odes "with an ease and facility which nothing but close intimacy could produce"; Andrew ...
— Horace and His Influence • Grant Showerman
... world. Some few years back, the minds of nations, convulsed with the great political revolutions then taking place, were in a mood by no means apt to be gratified by whimsicality and merriment. Furthermore, certain poets of the lack-a-daisical school, such as Byron, Shelley, Goethe, and others, writing in conformity with the prevailing taste of the day, threw a wet blanket on the spirits of men, which all but extinguished the feeble embers of mirth, upon which 'shocking events' had exercised so pernicious an influence already: or, to change a vulgar ...
— The Comic Latin Grammar - A new and facetious introduction to the Latin tongue • Percival Leigh
... result of such knowledge when obtained through an earnest sympathy and a holy ambition to assuage the sorrows of the distressed. Shelley never wrote anything more beautiful, perhaps, ...
— White Slaves • Louis A Banks
... any sign of softening in her cold eyes. Then Douglas, in whom were already sown the seeds of a passionate discontent with the narrowing lines of his unlovely life, who on the hillside and in the sweet night solitudes had taken Shelley to his heart, had lived with Keats and had felt his pulses beat thickly to the passionate love music of Tennyson, stood silent and unresponsive. Child of charity he might be, but the burden of his servitude was fast growing too heavy for him. So he stood there whilst the old man's eyes ...
— The Survivor • E.Phillips Oppenheim
... Mrs. Siddons; there were incessant propositions—but alas! they were equivocal—from Sir Charles Bunbury; for the rest, she passed her life among actor-managers and humble playwrights and unremembered medical men. One of her friends was William Godwin, who described her to Mrs. Shelley as a "piquante mixture between a lady and a milkmaid", and who, it is said, suggested part of the plot of A Simple Story. But she quarreled with him when he married Mary Wollstonecraft, after whose death she wrote to him thus—"With the most sincere sympathy in all you ...
— A Simple Story • Mrs. Inchbald
... noisy years did indeed seem moments in the being of the eternal silence; and the wind, in the face of that great field of stationary blue, was as the wind of a butterfly's wing. The placidity of the sea was a thing likewise to be remembered. Shelley speaks of the sea as 'hungering for calm,' and in this place one learned to understand the phrase. Looking down into these green waters from the broken edge of the rock, or swimming leisurely in the sunshine, ...
— Essays of Travel • Robert Louis Stevenson
... us," cries Browning, in his "Lost Leader," while lamenting the defection of Wordsworth from the ranks of progress and liberalism—"Milton was for us, Burns, Shelley were with us—they watch from their graves!" There can, indeed, be no question of the fidelity to democracy of Milton, the republican pamphleteer, nor of Burns, the proud plowman, who proclaimed the fact that "a man's a man for a' that," nor of Shelley, the ...
— Tolstoy on Shakespeare - A Critical Essay on Shakespeare • Leo Tolstoy
... Milton. It produced no Hamlet and no Paradise Lost; but it offers a greater number of important writers, a higher average of excellence, and a wider range and variety of literary work than any preceding era. Wordsworth, Coleridge, Scott, Byron, Shelley, and Keats are all great names; while Southey, Landor, Moore, Lamb, and De Quincey would be noteworthy figures at any period, and deserve a fuller mention than can be here accorded them. But in so crowded a generation, selection becomes ...
— Brief History of English and American Literature • Henry A. Beers
... arguments and hesitations for the excitement at the first reading of the great poets which should be a sort of violent imaginative puberty. His hesitations and arguments may have been right, the Catholic philosophy may be more profound than Milton's morality, or Shelley's vehement vision; but none the less do we lose life by losing that recklessness Castiglione thought necessary even in good manners, and offend our Lady Truth, who would never, had she desired an anxious courtship, have digged a well to ...
— Synge And The Ireland Of His Time • William Butler Yeats
... more because Mrs. Haverstock led him up to a lean, staring youth with goggle eyes who, she said, had promised to read several of his poems to the guests and to open a discussion on Marriage. The goggle-eyed poet informed John that Homer, Dante, Shakespeare, Milton, Shelley and Browning were comic old gentlemen who entirely misunderstood the nature and function of poetry. He had founded a new school of poetry. It appeared from his account of this school that the important thing was not what was said in a poem, but what was left out of it. He illustrated his ...
— The Foolish Lovers • St. John G. Ervine
... His "poetry is in general a mere jumble of words and heterogeneous ideas." "The Cloud" is "simple nonsense." "Prometheus Unbound" is a "great storehouse of the obscure and unintelligible." In the "Sensitive Plant" there is "no meaning." And for Shelley himself, he is guilty of a great many terrible things, including verbiage, ...
— There's Pippins And Cheese To Come • Charles S. Brooks
... brooding with a "wise passiveness" until the moment when his and the larger harmony fall into tune together. The Psalmist describes the process accurately: "While I was thus musing the fire kindled, and at the last I spake with my tongue." "Poetry," writes Shelley, "is not, like reasoning, a power to be exerted according to the determination of the will. A man cannot say, I will compose poetry. The greatest poet, even, cannot say it: for the mind in creation is as a fading coal, which some invisible influence, like an inconstant wind, awakens ...
— Poetry • Arthur Thomas Quiller-Couch
... who was a very pretty little kittenish person, with no apparent need of any cosmetics, literary or otherwise. 'How about Shelley?' ...
— A Duet • A. Conan Doyle
... how or when, and taking their abode in our very grain and structure. And so without consciousness of good desert, I found myself confident in a new discipline, and looking for the word of command from wiser leaders than Byron or the youthful Shelley. Queen Mab was now the saddest rhetoric, and Childe Harold's plaint unseemly lamentation; I had erased from my calendar of saints the names of apostles of affliction once held in honour; the Caliph Amurath with his tale of fourteen happy days ...
— Apologia Diffidentis • W. Compton Leith
... reaction, in the overthrow of which he was involved, the fall of his master and the ruin of his party being announced to him by the boys singing at his window—"Ave Maria, old Obadiah." In the same quadrangle are the chambers of Shelley, and the room to which he was summoned by the assembled college authorities to receive, with his friend Hogg, sentence of expulsion for having circulated an atheistical treatise. In the ante-chapel is the florid monument of Sir William Jones. But the modern divinities of the college ...
— Lectures and Essays • Goldwin Smith
... its usefulness when it is made to connote too much. Professor Herford says that the "organising conception" of his "Age of Wordsworth" is romanticism. But if Cowper and Wordsworth and Shelley are romantic, then almost all the literature of the years 1798-1830 is romantic. I prefer to think of Cowper as a naturalist, of Shelley as an idealist, and of Wordsworth as a transcendental realist, and to reserve the name ...
— A History of English Romanticism in the Nineteenth Century • Henry A. Beers
... Shelley, whose soul, like his own skylark, was a winged joy—he has been damned for many, many years; and Shakespeare, the greatest of the human race, who has done more to elevate mankind than all the priests who ever lived and died—he is there; and all the founders of Inquisitions, the ...
— Lectures of Col. R. G. Ingersoll - Latest • Robert Green Ingersoll
... money with which to pay for her studies in the evening, but she braved all difficulties, and finally won success. She is best known in America by her songs, which are really beautiful settings of Browning, Shelley, Longfellow, Heine, and other great poets. But she is a master of orchestral technique as well. Her overture, "Slavonique," was successfully performed, and a second one, "Undine," won a prize from the lady mayoress. Her room ...
— Woman's Work in Music • Arthur Elson
... impressions, and opening a whole new world of sensations. I am wild with the excitement of this tremendous place. I have been here a week, and have seen the Vatican and the Capitoline Museums, and the Sistine Chapel, and St. Peter's, besides the ruins on the streets and on the hills, and the graves of Shelley ...
— The Poems of Emma Lazarus - Vol. I (of II.), Narrative, Lyric, and Dramatic • Emma Lazarus
... judgments and comments on her favourite poet which stirred Elsmere every now and then to enthusiasm—so true they were and pregnant, so full often of a natural magic of expression. On the other hand, when he quoted a very well-known line of Shelley's she asked him where it came from. She seemed to him deeper and simpler at every moment; her very limitations of sympathy and knowledge, and they were evidently many, began to attract him. The ...
— Robert Elsmere • Mrs. Humphry Ward
... body haunted the imagination of poor Shelley. Shortly before his death he believed he had seen ...
— Real Ghost Stories • William T. Stead
... the rare colors of the changing leaves; And the ripe blood that swells his purple veins Is as the glowing of a sacred fire. He walks with Shelley's spirit on the cliffs Of the Ethereal Caucasus, and o'er The summits of the Euganean hills; And meets the soul of Wordsworth, in profound And philosophic meditation, rapt In some great dream of love ...
— Hesperus - and Other Poems and Lyrics • Charles Sangster
... theories—theories as yet untested by experience—Joe became an iconoclast lusting for change. He was bursting with good news, he wanted to cry the intimations from the housetops, he wanted to proselytize, convert. He was filled with Shelley's passion for reforming the world, and like young Shelley, he felt that all he had to do was to show the people the truth and the ...
— The Nine-Tenths • James Oppenheim
... a magical old man in Florence named Kirkup, an Englishman, though he had dwelt abroad so many years that he seemed more Florentine than the Florentines themselves. He had known, in his youth, Byron, Shelley, Hunt, and Edward Trelawney. After that famous group was disparted, Kirkup, having an income sufficient for his needs, came to Florence and settled there. He took to antiquarianism, which is a sort of philtre, driving its ...
— Hawthorne and His Circle • Julian Hawthorne
... which there was much talk and many opinions. I have no need to tell you, who have not the bombastic knowledge of a one-city man, that at Spezia is to be found all that is great in the naval life of Italy; on the grand forts of the bay which received the ashes of Shelley are her finest guns; on the glorious hills which arise above her limpid blue waters are her chief fortifications. There, at the feet of the hills where grows the olive, and where the vine matures to luxurious ...
— The Iron Pirate - A Plain Tale of Strange Happenings on the Sea • Max Pemberton
... religion, one of whose most useful handmaids is mental cultivation, will surely be among the most serious of the sins of omission that will swell our account at the last day. The intellectual Dives will not be punished only for the misuse of his riches, as in the case of a Byron or a Shelley; the neglect of their improvement, by employing them for the good of others, will equally disqualify him for hearing the final commendation of "Well done, good and faithful servant."[72] This, however, is not ...
— The Young Lady's Mentor - A Guide to the Formation of Character. In a Series of Letters to Her Unknown Friends • A Lady
... wholesome if all works dealing with national glory and victory, with national courage and patriotic songs could be used for bonfires. In their place we could have the poems of Shelley and Whitman, essays of Emerson or Thoreau, the Book of the Bees, by Maeterlink, the music of Wagner, Beethoven and Tschaikovsky, the wonderful art ...
— Mother Earth, Vol. 1 No. 1, March 1906 • Various
... is inspiration. And inspiration would seem to be a confluence of forces outside of the individual consciousness or will, focused at the instant into desire, which becomes the urge to creation. "The mind in creation," says Shelley, "is as a fading coal, which some invisible influence, like an inconstant wind, awakens to transitory brightness; this power rises from within, like the colour of a flower which fades and changes as it is developed, and the conscious portions ...
— The Gate of Appreciation - Studies in the Relation of Art to Life • Carleton Noyes
... Poetical and Prose Works of Percy Bysshe Shelley, edited by Mrs. Shelley. Moxon, ...
— Percy Bysshe Shelley • John Addington Symonds
... beautiful conception, this making of birds. Shelley calls them "imbodied joys;" and Christ says, that amid the vaster ruins of man's desolation, ruins more dreadfully suggestive than those of sculptured frieze and architrave, we can yet live a bird's life of unanxious joy; or, as Martin Luther beautifully ...
— Sunny Memories Of Foreign Lands, Volume 1 (of 2) • Harriet Elizabeth (Beecher) Stowe
... high heaven, And the waves clasp one another; No sister flower would be forgiven If it disdained its brother; And the sunlight clasps the earth, And the moonbeams kiss the sea; What are all these kissings worth, If thou kiss not me? —Percy Bysshe Shelley. ...
— The Handy Cyclopedia of Things Worth Knowing - A Manual of Ready Reference • Joseph Triemens
... and dragged forth particular women, which he did not. He is an aggregate of many men, all of a certain greatness. We may build up a conception of his powers if we mount Rabelais upon Hudibras, lift him with the songfulness of Shelley, give him a vein of Heinrich Heine, and cover him with the mantle of the Anti-Jacobin, adding (that there may be some Irish in him) a dash of Grattan, before he ...
— The Shaving of Shagpat • George Meredith
... of versification which distinguish it. Such a study, altogether interesting and eminently profitable though it be, should not be undertaken by any student until he has acquired an extensive personal acquaintance with poetry itself. We may enjoy the beautiful creations of Tennyson, of Shelley, of Burns, even of Chaucer, without knowing one word of the history of poetry, without so much as knowing the names of the writers or the circumstances under which they wrote. But, on the other hand, to him ...
— Six Centuries of English Poetry - Tennyson to Chaucer • James Baldwin
... SHELLEY styles his new poem, "Prometheus Unbound," And 'tis like to remain so while time circles round; For surely an age would be spent in the finding A reader so weak as to ...
— The Jest Book - The Choicest Anecdotes and Sayings • Mark Lemon
... new embodiment, certainly, whence he who gains not, for the moment at least, a loftier feeling of death, must be dull either of heart or of understanding. But has Shelley created this figure, or only put together its parts according to the harmony of truths already embodied in each of the parts? For first he takes the inventions of his fellow-men, in glass, in colour, in dome: with these he represents life as finite though ...
— A Dish Of Orts • George MacDonald
... external perfection of their colour and carving; brought to his notice Wordsworth's HAPPY WARRIOR, of which he professed, and truly, that he had pasted it on his wall when a student, that at any moment he might read it; and introduced him to the best poems of Shelley, a favour for which alone Cosmo felt as if he must serve ...
— Warlock o' Glenwarlock • George MacDonald
... their terminology. He had a quite unreasoning belief in the stolidly utilitarian of German philosophers and laid siege to Marcella's mysticism, but after he went back one day she discovered a box of her mother's poetry books and so Tennyson, Shelley and Keats shone into her life and, reading an ancient copy of "David and Bethsaibe," she gathered that the Bible Aunt Janet read sourly had quite human possibilities. This box of books was her first glimpse of a world that was not a long tale of ...
— Captivity • M. Leonora Eyles
... Miss Shelley Marion turned to Miss Blair Marion with delicate courtesy: "Continue, sister," she said, just as ...
— Sally of Missouri • R. E. Young
... are familiar with these lines, yet no less a poet than Shelley is their author. Their warm, yet delicate and ethereal imagination will be appreciated by all, but by none so thoroughly as by him who has himself arisen from sweet dreams of one beloved to bathe in the aromatic air ...
— Edgar Allan Poe's Complete Poetical Works • Edgar Allan Poe
... for poetry. The reaction against his Methodist fit had lasted long, had developed a certain contempt for sentiment, a certain love for all sharp, dry, calculable things, and for the tone of irony in particular. But in such a nature such a phase was sure to pass, and it was passing. Burns, Byron, Shelley, Keats, Tennyson—now he was making acquaintance piecemeal with them all, as the precious volumes turned up, which he was soon able to place with a precision which tore them too soon out of his hands. The Voltairean temper in him was melting, was passing into something warmer, ...
— The History of David Grieve • Mrs. Humphry Ward
... to enjoy the natural beauty which we seek. Our minds, too, are prepared to sympathise with the inanimate world; we have learned to look on the universe as a whole, and ourselves as a part of it, related by close ties of friendship to all its other members Shelley's, Wordsworth's, Goethe's poetry has taught us this; we are all more or less Pantheists, worshippers of 'God in Nature,' convinced of the ...
— Sketches and Studies in Italy and Greece, Complete - Series I, II, and III • John Symonds
... was closed; but it could contain nothing of importance—was merely an indication of Cecily's abiding kindness. By this lay a small book, from the pages of which protruded a piece of white paper. Mrs. Lessingham took up the volume—it was Shelley—and found that the paper within it was folded about a spray of maidenhair, and bore the inscription "House of Meleager Pompeii. Monday, December 8, 1878." Over this the inquisitive lady mused, until ...
— The Emancipated • George Gissing
... either by the accidental mortality of geniuses in infancy, or by the fact that the particular geniuses born happened not to find tasks. I doubt the truth of his assertion that intellectual genius, like murder, 'will out.' It is true that certain types are irrepressible. Voltaire, Shelley, Carlyle, can hardly be conceived leading a dumb and vegetative life in any epoch. But take Mr. Galton himself, take his cousin Mr. Darwin, and take Mr. Spencer: nothing is to me more have died 'with ...
— The Will to Believe - and Other Essays in Popular Philosophy • William James
... fibrous mezzo-soprano; and the music she sang, half chant, half melody, was evidently an improvisation. The words were the exquisite song which opens Shelley's Hellas: ...
— The Pagans • Arlo Bates
... her heel. "I have decided that the proper rejoinder is a crushing silence. I wish you good afternoon." At the door she halted. "And I shall be a genius for a spell. You just watch me and see. Shelley was lawless, you know, and Burns and Carlyle, I guess, and Goethe and ...
— Beatrice Leigh at College - A Story for Girls • Julia Augusta Schwartz
... nothing about books, and even less about pictures. He possessed, however, a remarkable facility when it came to discussing them. He belonged to that rather extensive class of people who thrive on ignorance. If you wanted to talk about Keats or Shelley, he managed to give you the impression that he was thoroughly familiar with both,—though lamenting a certain rustiness of memory at times. He could talk intelligently about Joseph Conrad, Arnold Bennet, Bernard Shaw, Galsworthy, Walpole, Mackenzie, Wells and others of the modern ...
— Quill's Window • George Barr McCutcheon |
