"Ruskin" Quotes from Famous Books
 ... Writers. Macaulay. Carlyle. Ruskin. Variety of Victorian Literature. Summary of the Period. ...
— Outlines of English and American Literature • William J. Long
... volume of Ruskin's Miscellanies, he discovered that it had been employed to support the dismantled leg of a dressing bureau. On another occasion, a volume of Schopenhauer, which he had been at much difficulty and expense to procure, Emerson's Essays, ...
— At Fault • Kate Chopin
... Aristophanes (Clouds, Birds, and Plutus). Of travels, I read myself all old ones I can get hold of; of modern, Humboldt is the central model. Forbes (James Forbes in Alps) is essential to the modern Swiss tourist—of sense." Mr. Ruskin puts the word all to Plato, everything to Carlyle, and every word to Scott. Pindar's name he adds in the list of the classics, and after Bacon's name he writes ...
— How to Form a Library, 2nd ed • H. B. Wheatley
... over us in vain; and if any generic distinction is to be found between our recent, often penetrating and beautiful, poetry of the English countryside and the Nature description of Wordsworth or of Ruskin, it is in the ground-tone of passion and memory that pervades it for England herself. Wordsworth wrote magnificently of England threatened with invasion, and magnificently of the Lake Country, Nature's ...
— Recent Developments in European Thought • Various
... of them!" I exclaimed. "Well, I suppose you have heard of some of my great countrymen: Beaconsfield, Gladstone, Darwin, Burne-Jones, Ruskin, Queen Victoria, Tennyson, George Eliot, Herbert Spencer, General ...
— A Crystal Age • W. H. Hudson
... John Ruskin, in one of his lectures, said: "There is just this difference between the making of a girl's character and a boy's: You may chisel a boy into shape as you would a rock, or hammer him into it, if ...
— Life and Literature - Over two thousand extracts from ancient and modern writers, - and classified in alphabetical order • J. Purver Richardson
... with a phenomenal existence, with appearances, with effects; and our knowledge of these is entirely mental. We see all things as thought. These thoughts, such as feeling, seeing, hearing, and so on, we ignorantly attribute to the five physical senses. This is what Ruskin calls the 'pathetic fallacy.' And because we do so, we find ourselves absolutely dependent upon these senses—in belief. Moreover, quoting Spencer again, only the absolutely real is the absolutely persistent, or ...
— Carmen Ariza • Charles Francis Stocking
... illustrated by a modern parallel. The most eloquent writer who, in our day, has transferred to his pages the charm of Alpine beauties, shares in many ways Rousseau's antipathy for the social order. Mr. Ruskin would explain better than anyone why the love of the sublimest scenery should be associated with a profound conviction that all things are out of joint, and that society can only be regenerated by rejecting all the achievements upon which the ordinary optimist plumes ...
— Hours in a Library - New Edition, with Additions. Vol. II (of 3) • Leslie Stephen
... hundred little economies she practises with forethought and unwearying assiduity tend to make her husband and children love her and regard her as a paragon of domestic policy. Her husband's affection and her children's affection are all the world to her; music and painting and poetry, Mr. Ruskin, Phidias, Praxiteles, Holman Hunt, and Mr. Whistler pale away into shadows of shadows in presence of the indications of love she receives from that baby. And this intense single-minded love elevates ...
— Twenty-One Days in India; and, the Teapot Series • George Robert Aberigh-Mackay
... the best interpreter of human life and character; Charlotte Bronte, the brooding Celtic genius who laid bare the hearts of women; George Eliot, the greatest artist of her sex in mastery of human emotion; Ruskin, the first to teach the common people appreciation of art and architecture; Tennyson, the melodious singer who voiced the highest aspiration of his time; Browning, the greatest dramatic poet since Shakespeare; Charles Lamb, one of the tenderest ...
— Modern English Books of Power • George Hamlin Fitch
... characteristic of the artist's wit and temper came out during the famous libel suit he brought against Ruskin. The most amusing feature of it was the exhibition in court of some of the "nocturnes" and "arrangements" which were the subject of the suit. The jury of respectable citizens, whose knowledge of art was probably limited, was expected to pass judgment on these paintings. ...
— Whistler Stories • Don C. Seitz
... which specialists contrive to twist out of simple and familiar things. It is not too much to say that the professional mythologists are among the most troublesome meddlers who disturb the repose of 'the average reader.' Even Mr. Ruskin suffers in this connection. In The Queen of the Air he has given us one of his most delightful books, but there are probably few, outside the circle of philologists and comparative mythologists, who have not thought in reading the lovely interpretations of ...
— Storyology - Essays in Folk-Lore, Sea-Lore, and Plant-Lore • Benjamin Taylor
... line is made. The classical geometrical forms of composition, as the circular or pyramidal, are good examples of this. The "Odalisque" of Ingres, where all the lines of the body constitute a single line, is a notable case. What Ruskin has called "the approach, intersection, interweaving of lines, like the sea waves on the shore,"—the conspiracy of all the lines in a drawing to form one single network, of which illustrations could be found in the work of every draftsman, is a kind of harmony of line. Symmetrically disposed ...
— The Principles Of Aesthetics • Dewitt H. Parker
... phrase,' replied the poet, 'is worth all your scientific dictionaries and logic threshing-machines put together. Ruskin was in error. He tells us that Milton always meant what he said, and ...
— 'That Very Mab' • May Kendall and Andrew Lang
... improvements; and the entire process has been superintended by men of the highest practical and scientific intelligence, naval architects and seamen, constantly exchanging ideas, not only with their own countrymen, but, through the scientific publications of the day, with the whole world. What Ruskin said of the old ship of the line is still more true of the modern battleship: no higher exhibition of man's creative faculties is probably anywhere to be found. In view, therefore, of its genesis, and of the practical ...
— Lessons of the war with Spain and other articles • Alfred T. Mahan
... carted off the body of William Rufus, with Walter Tyrrel's arrow sticking in it, have driven a cart (not absolutely the same one, I suppose) in the New Forest, from that day to this. I don't quite understand Mr. Ruskin's saying (if he said it) that he couldn't get along in a country where there were no castles, but I do think we lose a great deal in living where there are so few permanent homes. You will see how much I parted with which was not reckoned in ...
— The Autocrat of the Breakfast-Table • Oliver Wendell Holmes, Sr. (The Physician and Poet not the Jurist)
... man who understands the Transfiguration like John Ruskin. He says: "We are afraid to harbour in our own hearts, or to utter in the hearing of others, any thought of our Lord as hungering, tired, or sorrowful, or having a human soul, a human will, and affected by ...
— Memoranda Sacra • J. Rendel Harris
... excellent merit of being not only durable and cleanable, but they belong to the category of pictures; to what Ruskin calls "portable art," and one need not grudge the devotion of considerable time, study, and effort to their doing, since they are really detachable property, and can be removed from one house or room and carried to another at the owner's or ...
— Principles of Home Decoration - With Practical Examples • Candace Wheeler
... writers of his own time, with the exception of Carlyle and possibly Tennyson, he did not like. He met Macaulay at one of Lady Holland's celebrated show dinners, and conceived a decided aversion for him. Such severely critical writers as Froude, Ruskin, and Matthew Arnold he never could like. He once had an interview with Ruskin, but it did not prove to be satisfactory. They differed on all points, and Ruskin complained that Emerson did not understand him. ...
— Sketches from Concord and Appledore • Frank Preston Stearns
... remained untouched, and in place of disturbing the roads they filled the streets with riot. They reared in the towns those wonderful towers that we still see at Bologna, San Gemigniano, Savona, &c. "From the eighth to the thirteenth century," says Ruskin, "there was little change in the form;—four- square, rising high and without tapering into the air, storey above storey, they stood like giants beside the piles of the basilicas and the Lombardic churches... their ruins still frown along ...
— Castles and Cave Dwellings of Europe • Sabine Baring-Gould
... am not oblivious of such names as Spencer and Stephen, nor of Hoeffding or Gizycki abroad, but I think it undeniable that what we mean by the metaphysical implications of ethic commands the assent, not merely of the prophets of the church ethical, such as Emerson, Carlyle and Ruskin, but also of the rising men amongst us who are carrying on the philosophical traditions of the country. But passing by the argument from authority, let us approach the question from the ...
— Morality as a Religion - An exposition of some first principles • W. R. Washington Sullivan
... (Inferno, iii. 112-114) in which Dante compares the spirits falling from the bank of Acheron to the dead leaves fluttering from a bough in autumn, giving, as Mr. Ruskin says, "the most perfect image possible of their utter lightness, feebleness, passiveness, and scattering agony of despair," ...
— Atlantic Monthly, Vol. 5, No. 31, May, 1860 • Various
... Hirst, therefore, I award this prize, feeling sure that I do so at the wish of the whole school. Come here, my dear," she continued, as the surprised and blushing Patty was led to the platform by Miss Rowe. "You must accept this copy of Ruskin's Sesame and Lilies; it is a book that I think you will like some day, when you are older, even if you cannot quite understand it now. Those who go through life with a pleasant smile and a kind word make many friends, and are always ...
— The Nicest Girl in the School - A Story of School Life • Angela Brazil
... difficulties, I know that, given a leader who understands, girls whose standard of excellence has been met by boarding- school stories, can be interested in studying and reading in their club the plays of Shakespeare or in listening to extracts from Vasari's "Lives of the painters" or Ruskin's "Stories of Venice." Beyond his opportunity to interest the club in better reading, the leader may help the children in a general way, by unconsciously presenting to them his standards of thought and conduct. Through him they may ...
— Library Work with Children • Alice I. Hazeltine
... edition of R. L. Stevenson's works is satisfying. Here are more 'lines of beauty' than in almost any other modern printed book. As we handle it we feel satisfied that it is right. Perhaps it was such a format that Mr. Ruskin had in mind when he shaped out a scheme of a Royal series of books, which should be models of good work all round. And though it is necessary that we have cheap editions, and that books should circulate everywhere, we want to save the book trade from shoddy work ...
— The Private Library - What We Do Know, What We Don't Know, What We Ought to Know - About Our Books • Arthur L. Humphreys
... incomparably the prettiest. But Tennyson liked Society no better than did General Gordon. He had friends enough, and no desire for new acquaintances. Indeed, his fortune was shattered at this time by a strange investment in wood- carving by machinery. Ruskin had only just begun to write, and wood- carving by machinery was still deemed an enterprise at once philanthropic and aesthetic. "My father's worldly goods were all gone," says Lord Tennyson. The poet's health suffered extremely: ...
— Alfred Tennyson • Andrew Lang
... had he heard her private and confidential accounts of his calls. He held peculiar notions as to the wooing of girls. He said that the best work of a man's career should be laid reverently at their feet. Ruskin writes something like this somewhere, I think; but in ordinary life a few kisses are better ...
— Indian Tales • Rudyard Kipling
... I am acquainted with modern architecture, I am aware of no streets which, in simplicity and manliness of style, or general breadth and brightness of effect, equal those of the New Town of Edinburgh. But, etc.' Ruskin's Lectures on Architecture and ...
— Life Of Johnson, Volume 5 • Boswell
... daughters was needed to carry supplies and act as assistant. And finally, as the children grew older, and the family tradition of bookishness took hold of them, there were shelves and shelves to be devoured, a strange mixture—Thackeray, Maeterlinck, Fielding, Hakluyt, Ibsen, Dickens, Ruskin, Shaw, Austen, Moliere, Defoe, Cervantes, Shakespeare,—the children dipped, or tasted or swallowed whole, according to their temperaments and the books ...
— The Bent Twig • Dorothy Canfield
... strictly speaking, is no interpretation of nature at all, but an interpretation of the writer or the poet himself. The poet or the essayist tells what the bird, or the tree, or the cloud means to him. It is himself, therefore, that is being interpreted. What do Ruskin's writings upon nature interpret? They interpret Ruskin—his wealth of moral and ethical ideas, and his wonderful imagination. Richard Jefferies tells us how the flower, or the bird, or the cloud is related to his subjective life and experience. It means this or that to ...
— Ways of Nature • John Burroughs
... credit—blend artistic grace and beauty. Upon them art made its first and some of its best essays. A cabinet of Grecian and Roman coins is a compact history of art from its inception to its meridian in the culmination of Grecian splendor—and since that time, if we may believe Ruskin, we only approximate, or what is worse, degrade. The gradual decline of art and the decay of the empire are traceable on the Roman series. You may follow the downward steps, until it becomes nearly extinct, to revive, after a period of stagnation, in a new ...
— The Continental Monthly, Vol. 6, No. 6, December 1864 - Devoted To Literature And National Policy • Various
... mania commenced, were less scrupulous.[1] They imitated, purposely, the rudeness of the early painters, and even favourably distinguished the juvenile works of Raphael when he was as yet the mere copyist of Perugino. It is thus only the reformed schools the Pre-Raphaelists avoid; for Mr Ruskin's notion, that there were no schools at all before Raphael, is quite too wild for answer.[2] The name, however, is of little consequence. The nature returned to is obviously, to any one who has eyes in his head, the ...
— Chambers's Edinburgh Journal, No. 432 - Volume 17, New Series, April 10, 1852 • Various
... another man too great and too good to resent love's going where it is sent. He had married, knowing that her respect and admiration but not her love, were his, a beautiful and brilliant girl much younger than himself. They lived happily a number of years. Then Ruskin brought home the painter, Millais, to make a picture of his wife. Artist and model fell in love. Ruskin found it out, and refused to allow his wife to sacrifice herself for him. He divorced her and gave her to Millais, and ...
— Happiness and Marriage • Elizabeth (Jones) Towne
... first beliefs in Wagner's art crusade, and to continue his friendship with the man, though delicacy forbade his entering the home, to which he had regretfully but gracefully resigned his wife, like Ruskin, though not for the same reasons. Once he broke forth in his dilemma: "If he were only some one that I could kill, he would have been dead before this." But he could not interfere with "the great cause," and even Liszt, after ...
— The Love Affairs of Great Musicians, Volume 2 • Rupert Hughes
... Banneker; the elocution classes remember Booth and Macready, and even how excellent an actor was Shakespeare, but they seldom hear of Ira Aldridge. How many of the mathematical students remember that Euclid was a black man? And the elementary classes in art, how glibly they can discuss Turner and Ruskin and the pre-Raphaelites and the style of Gibson, but they are likely not to know the name of the picture that the Paris Salon hung ...
— Twentieth Century Negro Literature - Or, A Cyclopedia of Thought on the Vital Topics Relating - to the American Negro • Various
... well at the front is because there are women at home worth fighting for. In all ages battles have been won, partly by the strong arm of the soldier, but chiefly by the heart that nerves the arm. That is why John Ruskin once said that "the woman in the rear generally wins the victory ...
— The Blot on the Kaiser's 'Scutcheon • Newell Dwight Hillis
... art for the same reason. How can I be anything but a wretched dilettante, when I have no principles to ground my criticism on, beyond bosh about 'The Beautiful'? I did pluck up heart and read Mr. Ruskin's books greedily when they came out, because I heard he was a good Christian. But I fell upon a little tract of his, 'Notes on Sheepfolds,' and gave him up again, when I found that he had a leaning to that 'Clapham sect.' I have dropped politics: for I have ...
— Phaethon • Charles Kingsley
... the mental attitude in the modern child, Ruskin gives a charming example, in his "Ethics of the Dust." "One morning after Alice had gone, Dotty was very sad and restless when she got up; and went about, looking into all the corners, as if she would ...
— Nature Mysticism • J. Edward Mercer
... their lives. Such a dictation was quite in the traditions of the best Italian art. I have shown in an earlier work—"The Renaissance in Italian Art"—how this was probably the case in the famous frescoes of the Spanish chapel at Florence, where Ruskin had pictured the artist himself as giving his message of religious dogmatic teaching to the world; and later we shall see how the Marchioness of Mantua, Isabella d'Este, ties down our Pietro most mercilessly in the allegorical painting ...
— Perugino • Selwyn Brinton
... tone to literature; and, as Matthew Arnold has said, the best results are not attainable without "high seriousness." The difference between the flippant and the earnest writer is easily and instinctively recognized. No one can read Ruskin, for instance, without feeling his sincerity and integrity, even in his most impracticable vagaries. In Addison, Goldsmith, and Irving we find a genial, uplifting amiability; and Whittier, in his deep love of ...
— Elementary Guide to Literary Criticism • F. V. N. Painter
... (1560-1605) was India's golden age. Akbar the Great was a ruler of the best modern type, who gave his subjects all the essentials of civilisation. But he knew that material prosperity is only the means to an end. Man, said Ruskin, is an engine whose motive power is the soul; and its fuel is love. Akbar called all the best elements in society to his side and linked them in ...
— Tales of Bengal • S. B. Banerjea
... is remarkable for amount and variety. In addition to the work of the scientists, there are the essays and histories of Macaulay and Carlyle, the essays and varied prose of Newman, the art and social philosophy of Ruskin, the critical essays of ...
— Halleck's New English Literature • Reuben P. Halleck
... of view in criticism that has seemed correct to many on this matter, compare the well-known chapter on the "Pathetic Fallacy" by Ruskin, ...
— Essay on the Creative Imagination • Th. Ribot
... last century, when the industry was revived, to bring it to a higher artistic level of colour and glaze, it still, to my mind, continues mediocre, and has neither the highly finished beauty of such work as the Ruskin pottery, nor the genuinely simple lines or colouring of "peasant pottery," such as that from Quimperle in Brittany. The Barum ware has a sort of bourgeois mediocrity between these two different types, and there is room ...
— Lynton and Lynmouth - A Pageant of Cliff & Moorland • John Presland
... climbed up dark stairs to meagre garrets, and shut themselves in with the gods. Numbers of the great men, who afterwards illuminated the Victorian era, were at this time living in mean streets in magnificent daydreams. Ruskin was solemnly visiting his solemn suburban aunts; Dickens was going to and fro in a blacking factory; Carlyle, slightly older, was still lingering on a poor farm in Dumfriesshire; Keats had not long become the assistant of the country surgeon when Browning was a boy in Camberwell. ...
— Robert Browning • G. K. Chesterton
... bitter sea of life; that chivalrous respect for the weak and the unprotected which, next to faith in God, will be the best guard to all the finer issues of his character. Truth of truth are the golden words of Ruskin to ...
— The Power of Womanhood, or Mothers and Sons - A Book For Parents, And Those In Loco Parentis • Ellice Hopkins
... to Ruskin on Turner! When one has hit the bull's-eye, there is nothing left but to lay down the gun, and go and ...
— Continental Monthly, Vol. II. July, 1862. No. 1. • Various
... and pencil have so reverently transcribed the simple faith and life of the Italian peasantry, wrote the narrative published with John Ruskin's introduction under the ...
— The Complete Works of Whittier - The Standard Library Edition with a linked Index • John Greenleaf Whittier
... in Household Words for April 1, 1854; it is an attack on the "hard fact" school of philosophers; what Macaulay and Mr. Ruskin thought of it; the Russian war of 1854-5, and the cry for "Administrative Reform"; Dickens in the thick of the movement; "Little Dorrit" and the "Circumlocution Office"; character of Mr. Dorrit admirably drawn; Dickens is in Paris from December, 1855, to May, 1856; he buys Gad's Hill ...
— Life of Charles Dickens • Frank Marzials
... reading which every normal man ought to cultivate, is a very fine and satisfactory art; for the best guide to books is a book itself. It clasps hands with a thousand other books. It has always seemed to me that "Sesame and Lilies" would not have been conceived by Ruskin if he had not heard well an echo of "The Following of Christ." There was a time when the lovers of Ruskin who wanted to read "The Stones of Venice" and the rest at leisure, felt themselves obliged to form clubs, and to divide the expense, if they were of moderate means, in order to get what ...
— Confessions of a Book-Lover • Maurice Francis Egan
... to go and live in Ruskin, he has first to ask for permission to settle there. The Ruskinites own their town, and are careful not to allow any people to settle in it who are not likely to be ...
— The Great Round World and What Is Going On In It, Vol. 1, No. 36, July 15, 1897 - A Weekly Magazine for Boys and Girls • Various
... from the stable with a great parcel of books, done up in green cloth, which he laid before the Colonel. Opened, the parcel proved to contain not books only, but forbidden books—books by Herbert Spencer, by Mr. Ruskin, by Monsieur Renan! I was astonished at seeing them, and my first thought was that they belonged to my brother, who might have forgotten them there in the stable, or to my cousins, who, without being revolutionists, were interested in forbidden ...
— The Idler Magazine, Vol III. May 1893 - An Illustrated Monthly • Various
... inartistically interrupted and "put off." The great feature of the book, which has redeemed it with some who would otherwise condemn it entirely, the Arcis and La Pommeraye episode (v. inf.), is handled after a fashion which suggests Mr. Ruskin's famous denunciation in another art. The inkpot is "flung in the face of the public" by a purely farcical series of interruptions, occasioned by the affairs of the inn-landlady, who tells the story, by her servants, dog, customers, and Heaven only knows what else; while the minor incidents ...
— A History of the French Novel, Vol. 1 - From the Beginning to 1800 • George Saintsbury
... (Hawthorne), Emerson's Essays, Boswell's Life of Johnson, History of the English People (Green), Outlines of Universal History, Origin of Species, Montaigne's Essays, Longfellow, Tennyson, Browning, Whittier, Ruskin, Herbert Spencer. ...
— How to Speak and Write Correctly • Joseph Devlin
... your neglected education; it's beyond all question Gothic. Look at the steeple and the gargoyles and the handsome vegetation. Ruskin would ...
— The Daughters of Danaus • Mona Caird
... indeed the strength we find always underlying his tolerance, his radicalism, his searches, prophecies, and revelations, is heightened and made efficient by "imagination-penetrative," a thing concerned not with the combining but the apprehending of things. A possession, akin to the power, Ruskin says, all great pictures have, which "depends on the penetration of the imagination into the true nature of the thing represented, and on the scorn of the imagination for all shackles and fetters of mere external fact ...
— Essays Before a Sonata • Charles Ives
... mother country; and in so doing, if he did not actually initiate, he furthered, as no other single man has furthered, the most important movement of our time. Nor has any man of genius in the present century—not Dickens, not Ruskin—been moved by a purer spirit of philanthropy, or done more to show how little the qualities and actions which dignify humanity depend, or need depend, on the accidents of fortune. He brought poetry into touch with ...
— The Early Poems of Alfred Lord Tennyson • Tennyson
... said I, "I am not disputing that! But I remember Ruskin's insisting—I think in Sesame and Lilies—that no true artist ever talks much of his art. The greatest are silent. 'The moment,' says Ruskin, 'a man can really do his work he becomes speechless about it. All words become idle to him—all theories.' And he goes ...
— From a Cornish Window - A New Edition • Arthur Thomas Quiller-Couch
... may chill the unemotional listener into apathy, but they never fail to awaken the sensibilities of an audience. The simple process, so highly commended by debaters, of ignoring all that cannot be denied, makes demonstration easy. "A crowd," said Mr. Ruskin, "thinks by infection." To be immune from infection is to stand outside the ...
— Americans and Others • Agnes Repplier
... literary haunts of the great masters, I made the acquaintance of the leaders of the Socialist movement. I went to St. Albans to attend the first convention of the Ruskin societies. The convention was composed of men who in literature and life were translating into terms of life and labour the ...
— From the Bottom Up - The Life Story of Alexander Irvine • Alexander Irvine
... M. TURNER, the greatest of English artists, and the hero of Mr. Ruskin's brilliant book entitled The Modern Painters, died in London on the 20th of December, at the age of 77. He had always a reluctance to have his portrait taken, but the engraving accompanying this article—from a sketch made without his knowledge—is said, by the Illustrated ...
— The International Monthly Magazine - Volume V - No II • Various
... wine-cellar is a college-chapel, that young men study arithmetic in the room the Great Seal was stolen from, that Mr. Ruskin teaches water-color drawing in Thurlow's bed-chamber, that Tom Brown, alias Mr. Hughes, presides over a weekly tea-party in the three-pair back, and drills the awkward squad of the working-men's battalion in the garden, it seems worth while to show that at least some places in the world ...
— Atlantic Monthly, Volume 8, Issue 45, July, 1861 • Various
... settlers of New York with something like Homeric immortality. A traveler in Spain writes of The Alhambra: "Not Ford, nor Murray, nor Hare has been able to replace it. The tourist reads it within the walls it commemorates as conscientiously as the devout read Ruskin in Florence." [Footnote: Introduction to Pennell's ...
— History of American Literature • Reuben Post Halleck
... she had, Miss Kimpsey would have been equally impressed. It took intellect even to select these things. The other books, Miss Kimpsey noticed by the numbers labelled on their backs, were mostly from the circulating library—"David Grieve," "Cometh up as a Flower," "The Earthly Paradise," Ruskin's "Stones of Venice," Marie Corelli's "Romance of Two Worlds." The mantelpiece was arranged in geometrical disorder, but it had a gilt clock under a glass shade precisely in the middle. When the gilt clock indicated, in a mincing way, that Miss Kimpsey ...
— A Daughter of To-Day • Sara Jeannette Duncan (aka Mrs. Everard Cotes)
... I found him just returned from some art congress in Liverpool or in Manchester. 'The Salvation Armyism of art,' he called it, & gave a grotesque description of some city councillor he had found admiring Turner. Henley, who hated all that Ruskin praised, thereupon derided Turner, and finding the city councillor the next day on the other side of the gallery, admiring some Pre-Raphaelite there, derided that Pre-Raphaelite. The third day Henley discovered the poor man on a chair in the middle ...
— Four Years • William Butler Yeats
... 'Assumption of the Virgin,' in which legs and arms in wild play are chiefly conspicuous from below, that Correggio had prepared for the Parmese 'a fricassee of frogs.' In addition, the great modern critic, Mr Ruskin, has boldly accused Correggio 'both of weakness and meretriciousness,' and there is this to be said of a nature so highly strung as Correggio's was strung, that it was ...
— The Old Masters and Their Pictures - For the Use of Schools and Learners in Art • Sarah Tytler
... summer when I was leading a rather isolated life, and my mind was far from sex subjects, being deep in books, Carlyle, Ruskin, Huxley, Darwin, Scott, etc. I noticed that when I got up in the morning I felt very hot and uncomfortable. The clitoris and the parts around were swollen and erect, and often tender and painful. I had no idea what it was, but found I ...
— Studies in the Psychology of Sex, Volume 1 (of 6) • Havelock Ellis
... I went through another factory, and I came out weary and spent at night, feeling as unreasonable and almost as hateful about machines, and as discouraged about the people who had to work with them as John Ruskin did in those first early days when the Factory Chimney first lifted its long black flag upon our earth, and bullied great cities into cowards and slaves, and all the great, quiet-hearted nations, and began making ...
— Crowds - A Moving-Picture of Democracy • Gerald Stanley Lee
... blind him to defects, did not seduce him into indiscriminate praise, did not deter him from exposing the tendency to verbiage in Burke and Jeremy Taylor, the excessive blankness of much of Wordsworth's blank verse, the undercurrent of mediocrity in Macaulay, the absurdities of Ruskin's etymology. And, as in great matters, so in small. Whatever literary production was brought under his notice, his judgment was clear, sympathetic, and independent. He had the readiest appreciation of true excellence, a quick eye for minor merits of facility and method, a severe intolerance ...
— Matthew Arnold • G. W. E. Russell
... left the ministry, in 1889, I took up, with a great deal of zeal, the study of the poet Browning. I had already yielded to the charm of Ruskin—whom I personally knew—and Carlyle, but Browning opened up a new world of elevated thought to me, in which I am still a happy dweller. In seeking a new vocation I naturally gravitated towards several lines of thought and study, all ...
— Quit Your Worrying! • George Wharton James
... Dickens. He did this work much more genuinely than it was done by Carlyle or Ruskin; for they were simply Tories making out a romantic case for the return of Toryism. But Dickens was a real Liberal demanding the return of real Liberalism. Dickens was there to remind people that England had rubbed out two words of the revolutionary motto, had ...
— Appreciations and Criticisms of the Works of Charles Dickens • G. K. Chesterton
... the supposed difference of symbolism between Greek and Gothic temples (churches) see Ruskin, Seven ...
— Introduction to the History of Religions - Handbooks on the History of Religions, Volume IV • Crawford Howell Toy
... book-stores, and then, breaking up into small groups, they inspected all the news-stands in the city, and wherever they found Red magazines like the Nation or the New Republic, they tore up the copies and threatened the agents with arrest. They invaded the rooms of a literary society called the Ruskin Club, frequented mostly by amiable old ladies, and sent some of these elderly dames into hysterics. They discovered the "Russian Peoples' Club," which had hitherto been overlooked because it was an educational organization. But of course no Russian ...
— 100%: The Story of a Patriot • Upton Sinclair
... new work, in which are preserved the choicest expressions and opinions of the great thinkers and writers of all ages, from Confucius to Ruskin. These pungent apothegms and brilliant memorabilia are all carefully classified by topics; so that the choicest work of many years of patient labor in the libraries of America and Europe is condensed into perfect form and made readily available. It will be indispensable ...
— The Olden Time Series, Vol. 1: Curiosities of the Old Lottery • Henry M. Brooks
... as mentor, leads an imaginary disciple up and down the land, pointing out to him the "bold, upholsterrific blunders" to be found in the architecture of the day, and commenting on them in a caustic, colloquial style—large, loose, discursive—a blend of Ruskin, Carlyle and Whitman, yet all Mr. Sullivan's own. He descends, at times, almost to ribaldry, at others he rises to poetic and prophetic heights. This is all a part of his method alternately to shame and inspire ...
— Architecture and Democracy • Claude Fayette Bragdon
... L. MARCH-PHILLIPS and BERTRAM CHRISTIAN. It is a collection of letters addressed to Miss MARY GLADSTONE before and after her marriage to Mr. DREW. Sitting at the centre she seems to have held together her circle by golden threads of confidence and intimacy. Here you will learn how RUSKIN was brought to visit Hawarden, and how he entirely altered his views on Mr. GLADSTONE, going so far as to suppress a number of Fors Clavigera in which slighting allusion had been made to him. Here, too, you will find Lord ACTON, who deeply ...
— Punch, or the London Charivari, Vol. 153, Dec. 26, 1917 • Various
... Shakespear, Scott, Dickens, Dumas pere are not, to say the least, less readable than Euripides and Ibsen. Nor is the first order always more constructive; for Byron, Oscar Wilde, and Larochefoucauld did not get further in positive philosophy than Ruskin and Carlyle, though they could snuff Ruskin's Seven Lamps with their fingers without flinching. Still, the first order remains the first order and the second the second for all that: no man who shuts his eyes and opens his mouth when religion and morality are offered to him on ...
— The Irrational Knot - Being the Second Novel of His Nonage • George Bernard Shaw
... it is generally called, is a book which, for various reasons, has never received from readers of Mr. Ruskin's writings the attention it deserves. True, it has always been sought after by connoisseurs, and collectors never fail with their eleven or twelve guineas whenever a set of Artist's Proofs of the First Edition of 1856 comes into the market. ...
— The Harbours of England • John Ruskin
... which Ruskin draws between the fancy and the imagination may help us to discern the true and the false in Symbolism. "Fancy has to do with the outsides of things, and is content therewith. She can never feel, but is one of ...
— Christian Mysticism • William Ralph Inge
... had worked against the greatest discouragements for a long time, and felt nearly hopeless of success, John Ruskin, one of the greatest of critics and most fearless of men, who was so much respected that his words had great influence, suddenly published a defence of these Pre-Raphaelites. He declared that they were the greatest artists of the time, and while scorning their critics he applauded those three young ...
— Pictures Every Child Should Know • Dolores Bacon
... placed and poised as to catch the eye of ordinary inconsiderate men going about their daily business; and when they are so seen they are never forgotten. The true way of reviving the magic of our great minsters and historic sepulchres is not the one which Ruskin was always recommending. It is not to be more careful of historic buildings. Nay, it is rather to be more careless of them. Buy a bicycle in Maidstone to visit an aunt in Dover, and you will see ...
— Alarms and Discursions • G. K. Chesterton
... been the intention of Mr. Willett to go with us to visit Mr. Ruskin, with whom he is in the most friendly relations. But a letter from Mr. Ruskin's sister spoke of his illness as being too serious for him to see company, and we reluctantly gave up this part ...
— Our Hundred Days in Europe • Oliver Wendell Holmes
... sentiment of the pantheism or subtle spiritual charm of Nature far more from these early experiences of rural life than from all the books, poetry included, which I have ever perused. Note this well, ye whose best feelings are only a rechauffe of Ruskin and Browning—secundem ordinem—for I observe that those who do not think at second ...
— Memoirs • Charles Godfrey Leland
... most easily shaken in this a priori position by pointing out that there are other strong feelings in our minds which were lacking among earlier and lower races. The love of grand, wild scenery, for instance—what we call romantic scenery—is as modern as the romantic love of men and women. Ruskin tells us that in his youth he derived a pleasure from such scenery "comparable for intensity only to the joy of a lover in being near ...
— Primitive Love and Love-Stories • Henry Theophilus Finck
... a picture show just around the corner, and I'm in a quandary, right now, whether to follow the crowd to that show or sit here and read Ruskin's "Sesame and Lilies." If I go to see the picture film I'll probably see an exhibition of cowboy equestrian dexterity, with a "happy ever after" finale, and may also acquire the reputation among the neighbors ...
— Reveries of a Schoolmaster • Francis B. Pearson
... this I have to appeal to judgments which the Renaissance work has itself distorted. I felt this difficulty very forcibly as I read a slight review of my former work, "The Seven Lamps," in "The Architect:" the writer noticed my constant praise of St. Mark's: "Mr. Ruskin thinks it a very beautiful building! We," said the Architect, "think it a very ugly building." I was not surprised at the difference of opinion, but at the thing being considered so completely a subject of ...
— Stones of Venice [introductions] • John Ruskin
... weeks later I sailed for England, and, on arriving in London, I went at once to see Ruskin, and told him the whole story. He declared the contrariness manifested by the medium to be entirely characteristic of Turner, and had the drawing in question down for examination. We scrutinized it closely, and ...
— The Unpopular Review, Volume II Number 3 • Various
... highest potency those potent aesthetic emotions, the individual must undergo a course of self-training, of self-initiation, which in its turn elicits and improves some of the highest qualities of his soul. Nay, as every great writer on art has felt, from Plato to Ruskin, but none has expressed as clearly as Mr. Pater, in all true aesthetic training there must needs enter an ethical ...
— Laurus Nobilis - Chapters on Art and Life • Vernon Lee
... he said: "You know, Rossiter, that I am always ready to lend my books to any one who will make good use of them and bring them back, but I always forget to whom I lend them. It happened, in this case, that I wanted that volume of Ruskin about a week ago; but when I went to the shelf for it, it was gone. I knew I must have lent it, but to whom I could not remember. During the past week, I began to demand the book of every friend I met to whom I might have lent it. Of course, every one of them protested innocence; but at last I've ...
— The Americanization of Edward Bok - The Autobiography of a Dutch Boy Fifty Years After • Edward William Bok
... the course of his development, and, though never thought of as a thing apart from what it expresses, was with him a constant preoccupation. Let writers, he said, 'make time to write English more as a learned language.' It has been said that Ruskin, De Quincey, and Flaubert were among the chief 'origins' of Pater's style; it is curiously significant that matter, in Pater, was developed before style, and that in the bare and angular outlines of the earliest fragment, Diaphaneite, there is already the substance which is ...
— Figures of Several Centuries • Arthur Symons
... "We constantly," as Ruskin affirms, "recognize things by their least important attributes, and by help of very few of these. We recognize our books by their bindings, our friends by the mere accidents of the body, the sport of climate, and ...
— The New England Magazine, Volume 1, No. 4, Bay State Monthly, Volume 4, No. 4, April, 1886 • Various
... Ruskin has somewhere brought out the idea in his finest phraseology that nowhere can man so readily worship God as in the presence of the most beautiful of His works in Nature. This is readily apparent at Tahoe, hence the summer visitors and others of religious ...
— The Lake of the Sky • George Wharton James
... Tennyson, Ruskin, Mill, and Other Literary Estimates by Frederic Harrison. Toronto: The Macmillan Company ...
— Selections from Wordsworth and Tennyson • William Wordsworth and Alfred Lord Tennyson
... philosophers of evolution were inventors or humanitarians or at least idealists: the historians of art (though optimism was impossible here) were also guides to taste, quickeners of moral sensibility, like Ruskin, or enthusiasts for the irresponsibly beautiful, like Pater and Oscar Wilde. Everywhere in the nineteenth century we find a double preoccupation with the past and with the future, a longing to know what all experience might have been hitherto, and on the other hand to hasten to ...
— Winds Of Doctrine - Studies in Contemporary Opinion • George Santayana
... tendencies and thought. A barn can be supremely beautiful, but it does not radiate the atmosphere of worship. A Church must be characterized by certain great and instinctive elements of grandeur, it must breathe the spirit of reverence, it must, as Ruskin says, "speak well and say the things it was intended to say in the best words." Giggleswick School Chapel may justly be said to fulfil all these conditions. It is in harmony with its surroundings, and it is a structure of great architectural beauty, that is to ...
— A History of Giggleswick School - From its Foundation 1499 to 1912 • Edward Allen Bell
... Eva, but we are convinced of the wholesome sanity of the sweet child. And it is to be remarked that some of the most exciting episodes, such as that of Eliza crossing the Ohio River on the floating ice (of which Mr. Ruskin did not approve), are based upon authentic occurrences. The want of unity in construction of which the critics complain is partially explained by the necessity of exhibiting the effect of slavery in its entirety. The parallel plots, one running to Louisiana and the ...
— The Martin Luther King, Jr. Day, 1995, Memorial Issue • Various
... Boston contains many important works from both the old and modern masters. Here you will see Turner's "Slave Ship." "This picture has been the cause of more criticism than any that has ever been brought to our shores. Every gradation of opinion was expressed from Ruskin's extravagant enconium where he says, 'I believe if I were induced to rest Turner's immortality upon any single work I should choose the Slave Ship; the color is absolutely perfect,' to the frank disapproval of our own George Innes, when he says that it is 'the most infernal ...
— See America First • Orville O. Hiestand
... We have no sympathy at all with the moral indignation of our time against M. Zola. It is simply the indignation of Tartuffe on being exposed. But from the standpoint of art, what can be said in favour of the author of L'Assommoir, Nana and Pot-Bouille? Nothing. Mr. Ruskin once described the characters in George Eliot's novels as being like the sweepings of a Pentonville omnibus, but M. Zola's characters are much worse. They have their dreary vices, and their drearier virtues. The record of their lives is ...
— Intentions • Oscar Wilde
... design is exposed its danger recedes. There is one at least of the "backward races" that may not be sufficiently alive to self-interest, but may for all that upset the capitalist table and scatter the deal by what Ruskin described in another context as "the inconvenience of the ...
— Principles of Freedom • Terence J. MacSwiney
... and everything by turns. Many of us have been lately reading chapters from the life of another only son, and though the comparison may not bear working out, still, that there were points of strong similarity between the days of the youthful poet at Binfield and those of Ruskin at Herne Hill may be suspected. Pope's education was, of course, private, for a double reason—his proscribed faith and his frail form. Mr. Leslie Stephen, with a touching faith in public schools, has the hardihood to regret that ...
— Obiter Dicta - Second Series • Augustine Birrell
... and hypocrites, although they were told little else by their censors, and bore it, on the whole, meekly; but the fact that it was true in the main troubled the ten-pound voter much less than it troubled Newman, Gladstone, Ruskin, Carlyle, and Matthew Arnold. Bright was personally disliked by his victims, but not distrusted. They never doubted what he would do next, as they did with John Russell, Gladstone, and Disraeli. He betrayed no one, and he never advanced an opinion in practical matters which did not ...
— The Education of Henry Adams • Henry Adams
... ventured to include some, which though less frequently mentioned, are especial favourites of my own. I have abstained for obvious reasons from mentioning works by living authors.' ('Self Help,' however, is admitted into Sir John's revised list), 'though from many of them, Tennyson, Ruskin, and others, I have myself derived the keenest enjoyment; and have omitted works of Science, with one or two exceptions, because the subject is so progressive. I feel that the attempt is over bold, and must beg for indulgence; but indeed one object I have had in view is ...
— The Quarterly Review, Volume 162, No. 324, April, 1886 • Various
... the marble, and when he was an associate with Mr. Millais, Mr. Holman Hunt, and others, who, in 1850, were endeavouring to bring truth and beauty of expression into art, by the bold reaction against tame and insincere conventions for which Mr. Ruskin pleaded and which the time required, Mr. Woolner joined in the production by them of a magazine called "The Germ," to which some of the verses in ...
— My Beautiful Lady. Nelly Dale • Thomas Woolner
... mountains" that had so hemmed in his early view, and made his way into the intellectual kingdoms of the modern world that lay beyond. The Weltgeist had appealed to him with its irresistible behest, just as it appealed at about the same time to Ibsen and Tolstoy and Ruskin, and had made him a man ...
— Bjoernstjerne Bjoernson • William Morton Payne
... definable difference between those two great branches, prose and poetry. For prose may have rhythm. All that can be said is that verse will scan, while prose will not. The difference is purely formal. Very few poets have succeeded in being so poetical as Isaiah, Sir Thomas Browne, and Ruskin have been in prose. It can only be stated that, as a rule, writers have shown an instinctive tendency to choose verse for the expression of the very highest emotion. The supreme literature is in verse, but the finest ...
— Literary Taste: How to Form It • Arnold Bennett
... the arts and crafts movement, originating with Carlyle's gospel of work and Ruskin's medievalism, developed by William Morris and his disciples at the Red House, checked awhile by the ridicule of the comic opera "Patience," and lately revived in some of its features by Cobden-Sanderson, and of late to some extent in various centers in this country. Its ...
— Youth: Its Education, Regimen, and Hygiene • G. Stanley Hall
... Maynard & Company for the poem "A Conservative," taken from a volume by Mrs. Gilman, entitled "In This Our World;" to the Lothrop, Lee & Shepard Company for the poems by Mr. Burton; and to Longmans, Green & Company for the extracts from the works of John Ruskin. The selections from Sill and Emerson are used by permission of, and by special arrangement with, Houghton, Mifflin & Company, publishers of ...
— Practice Book • Leland Powers
... vignette, leaves an impression—the quiet white house in its garden on the road by the wide, clear river, without the smoke, the bustle, the ugliness, of so much of our modern industry. It struck me as an effort Mr. Ruskin might have inspired and Mr. William Morris—though that be ...
— A Little Tour in France • Henry James
... in the library a great deal and have been browsing for two or three hours at a time among those delightful books. I have arranged a course of reading upon Art, which I hope to have time to pursue, and then I have made selections from some such authors as Kingsley, Ruskin, De Quincey, Hawthorne,—and Mrs. Jameson, for which I hope to find time. Besides all this you can't imagine what domestic work has been given me. It is in the library where I am to spend 3/4 of an hour a day in arranging "studies" in Shakespeare. The work ...
— The Story of Wellesley • Florence Converse
... purified them into a very fair school of morals,—to say less of having been engaged in marriage from seventeen to twenty-five,—I can have (for example) no love adventures to offer for amusement, nor any dramatic anecdotes such as Ruskin might supply. The autobiography of Benvenuto Cellini is full of entertaining and highly coloured incidents which could not be possible to one rather of the Huguenot stamp than that of the Cavalier, and so I cannot compete therewith as to any of the spicier records of hot youth: for which ...
— My Life as an Author • Martin Farquhar Tupper
... there reported as saying that he cared very little for metaphysics. It is very certain that he makes hardly any use of the ordinary terms employed by metaphysicians. If he does not hold the words "subject and object" with their adjectives, in the same contempt that Mr. Ruskin shows for them, he very rarely employs either of these expressions. Once he ventures on the not me, but in the main he uses plain English handles for the few metaphysical tools he has occasion ...
— The Autocrat of the Breakfast-Table • Oliver Wendell Holmes, Sr. (The Physician and Poet not the Jurist)
... pavement in colored chalks. A good many men have followed the trade in London with some success, but this artist was a wan, meagre-looking child. It was Jan. He drew with extraordinary rapidity; not with the rapidity of slovenliness, but with the rapidity of a genius in the choice of what Ruskin calls "fateful lines." At his back stood the hunchback, who "pattered" in description of the drawings as glibly as he used to "puff" his own ...
— Jan of the Windmill • Juliana Horatia Ewing
... that they can belong to these wretched filthy little cottages. As black Sam, our driver, a runaway Texan slave, suggested, it looked as though the villagers might pull down their houses and locate themselves and their families in their churches. We thought of Mr. Ruskin, who has somewhere expressed an earnest desire that all the money and energy that England has wasted in making railroads, had been spent in building churches; and we wished he had been here to see his ...
— Anahuac • Edward Burnett Tylor
... not care to see Shakespeare in London, because, as she tells you, the English know nothing about him. Besides, he could not sound as well in English as in German. She has read Carlyle, and is now reading Ruskin. She adores Byron, but does not know Keats, Shelley, or Rossetti. Tennyson she waves contemptuously away from her, not because she has read him, but because she has been taught that his poetry is "bourgeois." Her favourite novels are Dorian Gray and Misunderstood. ...
— Home Life in Germany • Mrs. Alfred Sidgwick
... usually obtained by following in a mechanical way a drawing provided by an artist who often knew little of the technical processes involved in production. With the critical attention given to the crafts by Ruskin and Morris, it came to be seen that it was impossible to detach design from craft in this way, and that, in the widest sense, true design is an inseparable element of good quality, involving as it does ...
— Wood-Block Printing - A Description of the Craft of Woodcutting and Colour Printing Based on the Japanese Practice • F. Morley Fletcher
... one of the longest, but it is one of the most powerful of Dickens's works. John Ruskin went so far as to call it "in several respects the greatest" book Dickens had written. It is, of course, a fierce attack on the early Victorian school of political economists. The Bounderbys and Gradgrinds ...
— The World's Greatest Books, Vol III • Arthur Mee and J.A. Hammerton, Eds.
... about the thought of a man going out in cold blood to seek a wife. Only two kinds of men search for a wife; one is the Turk, and the other is his antithesis, who is advised to marry for hygienic, prudential or sociologic reasons. John Ruskin was "advised" to marry and the matter was duly arranged for him. In a week he awoke to the hideousness of the condition. Six years elapsed before John Millais and Chief Justice Coleridge collaborated to set him ...
— Little Journeys to the Homes of the Great - Volume 14 - Little Journeys to the Homes of Great Musicians • Elbert Hubbard
... wonderful works of God. You are not shut up to novels. Books of art, books of travel, books of poetry, books of science. O how I have rested in the coolness of Longfellow's "Cathedral"; and with what delight seen Alpine heights with Ruskin. ...
— Tired Church Members • Anne Warner
... write my second letter to you and my first to Grey [Maurice Solomon], just after having a very interesting conversation with an elderly American like Colonel Newcome, though much better informed, with whom I compared notes on Botticelli, Ruskin, Carlyle, Emerson and the world in general. I asked him what he thought of Whitman. He answered frankly that in America they were "hardly up to him." "We have one town, Boston," he said precisely, "that has got up to Browning." He then added that there was ...
— Gilbert Keith Chesterton • Maisie Ward
... realist or detailist of the Ruskin type has for years been insisting that a spade was a spade and should be painted to look like a spade; that a spade was not a spade until every nail in the handle and every crack ...
— Outdoor Sketching - Four Talks Given before the Art Institute of Chicago; The Scammon Lectures, 1914 • Francis Hopkinson Smith
... from the sciences in this, that their power is founded not merely on facts which can be communicated, but on dispositions which require to be created.—RUSKIN. ...
— An English Grammar • W. M. Baskervill and J. W. Sewell
... a deeper understanding than had yet existed between these associated spirits. It had something to do with their going together that afternoon, without her mother, to look at certain out-of-the-way pictures as to which Ruskin had inspired her with a desire to see sincerely. Mrs. Tramore expressed the wish to stay at home, and the motive of this wish—a finer shade than any that even Ruskin had ever found a phrase for—was not translated into misrepresenting words by either the mother or the daughter. ...
— The Chaperon • Henry James
... interesting to know that of his varied youthful studies, botany most attracted him, and that he followed it up as an art pupil in the government schools. But his bent was rather for journalism than for art or science. Before he was twenty-one he had written critical essays for a local newspaper on Ruskin, Carlyle, and Kingsley; and shortly afterward he wrote a series of sketches, after Christopher North, that at this early age gave evidence of his peculiar talent, the artistic use of natural effects in the development of character, the pathos of the ...
— Library Of The World's Best Literature, Ancient And Modern, Vol. 5 • Various
... brown walls, the brown rug, the Mission furniture in weathered oak, the corner clock,—an excellent time-piece,—the fireplace with its bronze vases, the etchings of foreign architecture, and the bookcase with Ruskin, Eliot, Dickens, and all the Mid-Victorian celebrities in sets, produced but ...
— The Precipice • Elia Wilkinson Peattie
... called a fool for his pains. Not undeservedly—for his thoughts were muddled, and if his heart was good it was far better than his head. He argued badly or he merely affirmed, but he had strong allies (Ruskin was one of them), and, like every man who is sincere, there was something in what he said; like every type which is numerous, there was a human feeling behind him: and he was ...
— First and Last • H. Belloc
... the comfortable. Science and economy go hand in hand, and lay down his streets and erect his houses.' Thus, although, from an artistic point of view, we shall never be reconciled to the changes that have come over Normandy, we cannot ignore the consequent social advantages. Mr. Ruskin, speaking of the change in Switzerland during his memory of it (thirty-five years) says:—'In that half of the permitted life of man I have seen strange evil brought upon every scene that I best loved, or tried to ...
— Normandy Picturesque • Henry Blackburn
... Sir Walter Scott; and in a later page he speaks of reading in bed Waverley and Guy Mannering when they first came out—"in the early summer mornings," and of his delight in hearing The Lay of the Last Minstrel read aloud. Like Ruskin, another nineteenth-century master of English prose, he was finely affected by these two powerful inductors. They worked alike upon his piety and his imagination which was its true servant, and they helped to foster his ...
— Apologia pro Vita Sua • John Henry Newman
... uneducated. See her in her home, reigning a queen, while her uneducated sister, though she may have wealth and beauty, will constantly feel the lack of that which gold cannot procure nor fortune provide. "We are foolish, and without excuse foolish," said Ruskin, "in speaking of the 'superiority' of one sex to the other, as if they could be compared in similar things. Each has what the other has not; each completes the other, and is completed by the other; they are in nothing alike; and the happiness and perfection ...
— The True Woman • Justin D. Fulton
... you talk. It is not for nothing that you bear the name of Neville; you are a mediaeval aristocrat at heart. These opinions of yours are as interesting as fossils in a bed of old blue clay. Such things are to be found, I believe, imbedded in the works of Ruskin and other patrons of the democracy. Why, you are like a man who sits in a comfortable first-class carriage in a great express, complacently thinking that the money he has paid for his ticket is the motive force of ...
— Beside Still Waters • Arthur Christopher Benson
... question. There is much to condemn in the rise of the economic over the imaginative spirit, much for which the energetic Philistine can never atone. Perhaps the deepest pathos of all may be found in the spectacle of John Ruskin weeping at the profanation of the world by the vandalism of the age. Steam launches violate the sanctity of the Venetian canals; where Xerxes bridged the Hellespont ply the filthy funnels of our modern shipping; ...
— Revolution and Other Essays • Jack London
... both—thus "Dear Father and Mother." But write to her alone next time. How about that course in Geology given by Shaler? I thought you were going to take that? I had rather you take that than any course in English Composition. Read Ruskin's "Modern Painters" when you get a chance. Read Emerson's "English Traits" ...
— My Boyhood • John Burroughs
... somewhere at the root; whether it be useful and operative, as many a legal fiction is operative, for good; or senile, past service yet tyrannous by custom, and so pernicious; or merely foolish, as certain artistic conventions are traceable, when a Ruskin comes to judgment, back to nothing better than folly: and it becomes men of honest mind, in dealing with anything recognisable as a convention, to examine its accepted fallacy, whether it be well understood or ill understood; beneficent or pernicious ...
— On The Art of Reading • Arthur Quiller-Couch
... What John Ruskin said in his famous historic essay applies to Russia: "I found that all the great nations learned their truth of word and strength of thought in war." Every great Russian reform has taken place suddenly as a consequence of some nation-wide calamity. The Tartar invasion ...
— Defenders of Democracy • Militia of Mercy
... cannot take it from the lowly and give it to the proud. No trust can corner it. No canvas can screen it from the eye of him who has not silver to give the cathedral care-taker. February, like June, may be had by the poorest comer. But it is like Ruskin's Faubourg St. Germain. Before you may enjoy it you shall be worthy ...
— Some Winter Days in Iowa • Frederick John Lazell
... in thought and deed, Nor fear approaching night; Calm comes with evening light, And hope and peace. Thy duty heed 'to-day.'" —RUSKIN. ...
— Making the Most of Life • J. R. Miller
... careful therefore to conceive Joseph, not as a modern proletarian carpenter working for weekly wages, but as a master craftsman of royal descent. John the Baptist may have been a Keir Hardie; but the Jesus of Matthew is of the Ruskin-Morris class. ...
— Preface to Androcles and the Lion - On the Prospects of Christianity • George Bernard Shaw
... written as a preface to a series of "Reminiscences" from the pen of the late Mr. W. H. Harrison, commenced in the University Magazine of May 1878. It was separately printed in that magazine in the preceding month, but owing to Mr. Ruskin's illness at the time, he was unable to see it through the press. A letter from Mr. Ruskin to Mr. Harrison, printed in "Arrows of the Chace," may be found of interest in connection with the opening ...
— On the Old Road Vol. 1 (of 2) - A Collection of Miscellaneous Essays and Articles on Art and Literature • John Ruskin
... are either too violent or too cold; for its drawing, which is without what we call distinction; and for that unaccountable light which seems to shine through their figures from within, giving many of the heads the appearance of lanterns. Naturally, Professor Ruskin comes in for his share of this harsh criticism—which, I beg my readers to observe, is not ventured as my own, but is only the echo of the opinion of competent authorities, members of the Institute of France—and the veteran apostle of Pre-Raphaelism ...
— Lippincott's Magazine, Vol. 22, November, 1878 - of Popular Literature and Science • Various
... makes the parlour-trick in question particularly astonishing. Another literary man, who certainly ought to know better, wrote in another paper a piece of hero-worship about Mr. Selfridge. No doubt the fashion will spread, and the art of words, as polished and pointed by Ruskin or Meredith, will be perfected yet further to explore the labyrinthine heart of Harrod; or compare the simple stoicism of Marshall with the ...
— Utopia of Usurers and other Essays • G. K. Chesterton
... of our religious sentiments to which I have before alluded. It is a trite remark, that even devout men of the present generation prefer temples not made with hands to churches, and worship God in the fields more contentedly than in their pews. What Mr. Ruskin calls 'the instinctive sense of the divine presence not formed into distinct belief' lies at the root of our profound veneration for the nobler aspects of mountain scenery. This instinctive sense ...
— Sketches and Studies in Italy and Greece • John Addington Symonds
... can be called Art,—very little indeed. I'm afraid we haven't made much progress in Art.—Now what would Ruskin say to this kind of thing? The popular taste wants educating. My idea is that we ought to get a few leading men Burne Jones and—and William Morris—and people of that kind, you know, Miss. Lord,—to give lectures in a big hall on the elements of Art. A great deal might be done in that ...
— In the Year of Jubilee • George Gissing |
