"Rubens" Quotes from Famous Books
 ... picture; but how in the name of mystery had Peggy managed to produce them? Eunice discussed the question with Mellicent in the pause during which they were requested to "look the other way," and had reached the solution of goloshes and ribbon, when "Gloriana, by Rubens!" was introduced to ...
— More About Peggy • Mrs G. de Horne Vaizey
... she asked, in the ironical tone she now habitually used to him. "You look just as if you were posing for the John in a Rubens Crucifixion.—Feel shaky? No? You ought to, you know. One plays all the better for it.—Well, good luck to you! I'll hold ...
— Maurice Guest • Henry Handel Richardson
... when the cat and the mouse come together!' Collection seventy-three dollars. The Mendians were invited by Mr. Burleigh to see a large picture exhibiting here—'The Descent of Christ from the Cross,' copied from Rubens—and were highly gratified. ...
— A Visit To The United States In 1841 • Joseph Sturge
... "Rubens copied from Leonardo's, a group of four horsemen fighting for a standard: this is engraved by Edelingk, and is just sufficient to make us bitterly deplore the loss of this rich ...
— Notes and Queries, Number 227, March 4, 1854 • Various
... appeared in his turn behind his master, with the musketoon on his shoulder, and his head shaking. Like one of those drunken satyrs in the pictures of Rubens. He was moistened before and behind with a greasy liquid which the host recognized as his ...
— The Three Musketeers • Alexandre Dumas, Pere
... the smallest amber-hued and purple clusters with them in a garland, with which he crowned the goddess before her libation was poured out. She accepted the homage, laughing almost boisterously, and when the grape-wreath was settled in her golden hair, stood up, a Bacchante that Rubens would have worshipped; for it made no difference to her in what form adulation came, so long ...
— The Old Countess; or, The Two Proposals • Ann S. Stephens
... painters is world famous and graces the finest galleries in both Europe and America. Many of the paintings of Rubens and other master artists are almost priceless. As lace makers the women of Belgium are famous the world around. From early morning until late at night these toilers sit in their low chairs and the skill with which they shoot the little thread-bobbins ...
— Birdseye Views of Far Lands • James T. Nichols
... here in their own beloved America God has an open gallery, filled with pictures fairer than the grandest dream of any landscape artist, which wear no trace of age and no fire can destroy. Here no curtains need be drawn, as over the masterpieces of Raphael and Rubens to preserve their tints for future generations. They grow more mellow and tender as countless years roll by. All of these you may have, to hang on the walls of memory where no Napoleon can come to take them ...
— See America First • Orville O. Hiestand
... figures of Bonaventura, Saint Francis, Saint Antony, the youthful majesty of Saint Louis, to keep for ever in memory—not the King of France however, in spite of the fleurs-de-lys on his cope of azure, but Louis, Bishop of Toulouse. A Rubens in Italy! you may think, if you care to rove from the delightful fact before you after vague supposititious alliances—something between Titian and Rubens! Certainly, Romanino's bold, contrasted colouring anticipates something of the northern freshness of Rubens. ...
— Miscellaneous Studies: A Series of Essays • Walter Horatio Pater
... was not yet complete. The versatile operator drew from his bundle some bright-red, yellow ochre, and blue paint, with a piece of charcoal, and set to work on Tony's countenance with all the force of a Van Dyck and the rich colouring of a Rubens. He began with a streak of scarlet from the eyebrows to the end of the nose. Skipping the mouth, he continued the streak from the lower lip down the chin, under which it melted into a tender half-tint made by a smudge of ...
— The Red Man's Revenge - A Tale of The Red River Flood • R.M. Ballantyne
... been those who have made the greatest incomes,—and it is the same with the doctors. It would be the same in the Church if they who have the choosing of bishops always chose the best man. And it has in truth been so too in art and authorship. Did Titian or Rubens disregard their pecuniary rewards? As far as we know, Shakespeare worked always for money, giving the best of his intellect to support his trade as an actor. In our own century what literary names stand higher than those of ...
— Autobiography of Anthony Trollope • Anthony Trollope
... he would fain fathom the depths of those rude scribblings and quaint efforts at delineation, whence, in the course of ages, have been evolved the wonders of the alphabet and the marvellous creations of a Rubens and an Angelo. ...
— The Child and Childhood in Folk-Thought • Alexander F. Chamberlain
... dignified, measured, ponderous); The Flock—P. Moran (The horizontal, typifying quietude, repose, calm, solemnity); The curved line: variety, movement; Man with Stone—V. Spitzer (Transitional Line, Cohesion); The Dance—Rubens (The ellipse: line of continuity and unity); Swallows—From the Strand (The diagonal: line of action; speed) Aesthetics of Line, Continued, Where Line is the motive and Decoration is the Impulse; Winter Landscape—After Photograph (Line of grace, variety, ...
— Pictorial Composition and the Critical Judgment of Pictures • Henry Rankin Poore
... countries national costume is dying out. The slop-shop is year by year extending its hideous trade. But the country of Rubens and Rembrandt, of Teniers and Gerard Dow, remains still true to art. The picture post-card does not exaggerate. The men in those wondrous baggy knickerbockers, from the pockets of which you sometimes see a couple of chicken's heads protruding; in gaudy coloured shirts, in worsted hose and mighty ...
— Idle Ideas in 1905 • Jerome K. Jerome
... of warm air shot up into his face from the floor. It was this air that was causing movement in the picture, and he looked down. What he discovered broke the spell he was under. About him were the relics of age, of a life long dead. Rubens might have sat in that room, and mourned over his handiwork, lost in a wilderness. The stingy Louis might have recognized in the spindle-legged table a bit of his predecessor's extravagance, which he had sold for the ...
— Flower of the North • James Oliver Curwood
... shown perceptibly later, on the average about the fourteenth year: Giotto, at ten; Van Dyck, ten; Raphael, eight; Guerchin, eight; Greuze, eight; Michaelangelo, thirteen; Albrecht Duerer, fifteen; Bernini, twelve; Rubens and Jordaens being ...
— Essay on the Creative Imagination • Th. Ribot
... turning his profile, as if to look towards the river, Kenelm recognized the minstrel. He was still in his picturesque knickerbocker dress, and his clear-cut features, with the clustering curls of hair, and Rubens-like hue and shape of beard, had more than their usual beauty, softened in the light of skies, to which the moon, just risen, added deeper and fuller radiance. The ladies were in evening dress, but Kenelm could ...
— Kenelm Chillingly, Complete • Edward Bulwer-Lytton
... waiting for him in a gossamer-thin iridescent eggshell sari. They kissed and she patted the place on the love-seat beside her. She had a book—an old-fashioned book of colored reproductions of long-since-destroyed old masters on her lap. The artist was a man named Peter Paul Rubens. ...
— It's All Yours • Sam Merwin
... different parts of the church, which we heard were considered as very fine. There are two presented by Louis XVIII; one of these is the Descent from the Cross, by Paulin Guirin; the other a copy from Rubens, (as they told us) of a legend of St. Louis in the Holy Land; but the composition of the picture is so abominably bad, that I conceive the legend of its being after Rubens, must be as fabulous as its subject. The admiration in which these pictures are ...
— Domestic Manners of the Americans • Fanny Trollope
... art, the chief attractions of Bruges are the pictures of Memling, that are to be seen in the churches, the hospital, and the picture-gallery of the place. There are no more pictures of Rubens to be seen, and, indeed, in the course of a fortnight, one has had quite enough of the great man and his magnificent, swaggering canvases. What a difference is here with simple Memling and the extraordinary creations of his pencil! The hospital is particularly rich ...
— Seeing Europe with Famous Authors, Volume 4 (of 10) • Various
... paint with oil: besides, which of all your old fusty Grecians would you put upon a footing with the divine Raphael, the most excellent Michael Angelo, Bona Roti, the graceful Guido, the bewitching Titian, and above all others, the sublime Rubens, the—." He would have proceeded with a long catalogue of names which he had got by heart for the purpose, without retaining the least idea of their several qualifications, had not he been interrupted by his friend, whose indignation being kindled by the irreverence with which he mentioned the Greeks, ...
— The Adventures of Peregrine Pickle, Volume I • Tobias Smollett
... Buckingham wrote to her husband in Spain, 'I pray you, if you have any idle time, sit to Gerbier for your picture, that I may have it well done in time.' After the accession of Charles, it appears that Gerbier was employed in Flanders to negotiate privately a treaty with Spain, in which Rubens was commissioned to act on the part of the Infanta; the business ultimately bringing the great painter to England. In 1628, Gerbier was knighted at Hampton Court, and, according to his own account, was promised by King Charles the office of Surveyor-General of the works ...
— Art in England - Notes and Studies • Dutton Cook
... its subscribers for the next year a galvanograph of Rubens' Columbus. This is the first time that galvanography has been applied to such a purpose. The plate from which the print is taken has been copied by the galvanoplastic process, so that it can serve ...
— The International Monthly, Volume 2, No. 4, March, 1851 • Various
... is, in short, a Jew's old china shop; it is well built, four stories high, but it greatly disappointed me. The shop is high in the ceiling, but all the other rooms are low and little, and, compared with the houses of Titian at Venice, of Claude at Rome, and of Rubens at Antwerp, is quite unworthy the house of the great master of the school of Holland. Even if stuffed, as it is now, with every description of the pottery of Canton, it could not have held even a sixth ...
— Rembrandt and His Works • John Burnet
... its treasures many of the old masters and-when open for exhibition—a bewildering collection of young nurses. The latter are frequently inaccurate in anatomical details, but in point of brilliancy of color they far outshine the best efforts of RUBENS and TITIAN. The flesh tints produced by many of our Fifth Avenue belles infinitely surpass the obsolete tints upon which the great Venetians used to ...
— Punchinello, Vol. II., Issue 31, October 29, 1870 • Various
... stool, an easel, and a fine old looking-glass. He had a house, though, and a wife, in marked contrast with his appearance and the garret. The house was not badly appointed, and she was lavishly endowed with an exuberance of charms and graces characteristic of a Rubens model. ...
— In Bohemia with Du Maurier - The First Of A Series Of Reminiscences • Felix Moscheles
... spectre is Sidonia herself painted as a Sorceress. It must have been added, after a lapse of many years, to the youthful portrait, which belongs, as I have said, to the school of Kranach, whereas the second figure portrays unmistakably the school of Rubens. It is a fearfully characteristic painting, and no imagination could conceive a contrast more shudderingly awful. The Sorceress is arrayed in her death garments—white with black stripes; and round her thin ...
— Sidonia The Sorceress V1 • William Mienhold
... bought the property from the king and added considerably to it under the direction of the architect Boullee, who also re-designed the gardens. Thanks to Beaujon, the wonderful Gobelins of to-day were hung upon the walls, and many paintings by Rubens, Poissin, Van Loo, Von Ostade, Murillo, Paul Potter ...
— Royal Palaces and Parks of France • Milburg Francisco Mansfield
... the delicate carmine of her cheeks. The boy favoured his mother, and was worthy of the sobriquet Rochester had bestowed upon him. His blue eyes, chubby cheeks, cherry lips, and golden hair were like the typical Cupid of Rubens, and might be seen repeated ad libitum on the ceiling of the ...
— London Pride - Or When the World Was Younger • M. E. Braddon
... been out of the Island, consequently has but rarely seen a picture, and yet his artistic instincts and power of representation are of no mean order; and more especially displayed in his altar pieces. I wonder what he would say to those of Rubens or Vandyck! This man has the greatest love of animals, and was surrounded, when we visited him, by a number of dogs of the Icelandic breed, small animals closely resembling the Pomeranian, with long coats and sharp stand-up ears, ...
— A Girl's Ride in Iceland • Ethel Brilliana Alec-Tweedie
... ground in 1660 takes knowledge of the white ground for granted. Its technique certainly appears to have been generally well known among artists in the middle of the 17th century. Rubens, in a letter as early as 1622, mentions having received a recipe for a white ground, although he could not remember it.[22] The first technical explanation of the process appeared in Bosse's pioneer ...
— Rembrandt's Etching Technique: An Example • Peter Morse
... few examples of mediaeval wood-work like the gorgeous stalls at Amiens, or like those in half a hundred churches in our own land. Much, in fact, of these splendid fittings is more or less contemporary with the noble masterpieces of Rubens and Vandyck, and belongs to the same great wave of artistic enthusiasm that swept over the Netherlands in the seventeenth century. Belgian pulpits, in particular, are probably unique, and certainly, to my knowledge, without parallel in Italy, England, or France. Sometimes they ...
— Beautiful Europe - Belgium • Joseph E. Morris
... perspective or not. He considers that proper colour is not shown mostly in objects in the foreground, for there the light which destroys it is most powerful; light destroys proper colour, and substitutes its own. "It is the perfect understanding of this interesting principle, which renders the works of Rubens, and of his best scholars, so superior for their magic truth of colour. It is this which explains why they make the colour of the blood to appear through the fine and transparent skin of their Flemings, particularly of the women, only in proportion as the effect of the ...
— Blackwood's Edinburgh Magazine, Volume 58, Number 360, October 1845 • Various
... The drawing you sent me was very pretty. So you don't like Raphael! Well, I am his inveterate admirer: and say, with as little affectation as I can, that his worst scrap fills my head more than all Rubens and Paul Veronese together—"the mind, the mind, Master Shallow!" You think this cant, I dare say: but I say it truly, indeed. Raphael's are the only pictures that cannot be described: no one can get words to describe their perfection. Next to him, I retreat to ...
— Letters of Edward FitzGerald - in two volumes, Vol. 1 • Edward FitzGerald
... it is the one attraction of Madrid, and is principally composed of works by the Spanish masters, though also containing many other gems. Here we find forty-four examples of Murillo, sixty-four from Velasquez, sixty by Rubens, twenty-five from Paul Veronese, thirty-four from Tintoretto, and many from Andrea del Sarto, Titian, Vandyke, Goya, Ribera, and others of similar artistic fame, in such profusion as to be a constant source of surprise to the stranger. Here one ...
— Due West - or Round the World in Ten Months • Maturin Murray Ballou
... the telegrams in his hand, made his way down a splendid staircase, past the long picture gallery where masterpieces of Van Dyck and Rubens frowned and leered down upon him; descended the final stretch of broad oak stairs, crossed the hail, and entered his master's rooms. Mr. Fentolin was sitting before the open window, an easel in front of him, a palette in his left hand, ...
— The Vanished Messenger • E. Phillips Oppenheim
... so? Why that jumps to the eyes. Madame had always that little air of Reubens, even in the flower of her youth—but now—it is a Rubens of ...
— Phantom Fortune, A Novel • M. E. Braddon
... of the southern and eastern families of mankind. For this he was prepared in a somewhat singular way—by being led to study, and endowed with altogether peculiar apprehension of, the most sublime characters of animals themselves. Rubens, Rembrandt, Snyders, Tintoret, and Titian, have all, in various ways, drawn wild beasts magnificently; but they have in some sort humanized or demonized them, making them either ravenous fiends or educated beasts, that would draw cars, and had respect ...
— The Crown of Wild Olive • John Ruskin
... O Rubens! O Raphael! the thousand advantages of the Cholera, whom I declare to be essentially sociable ...
— The Wandering Jew, Complete • Eugene Sue
... almost to the substitution of coloured glass,'[945] and lose in beauty and effect by the glaring yellow in which they are framed. He also painted the windows which were put up in Westminster Abbey by order of Parliament in 1722,[946] and repaired with considerable skill the Flemish windows of Rubens's time, which he purchased and put up on the south side of New College Chapel.[947] It is remarkable that the Prices appear to have been the last who possessed the old secret of manufacturing the pure ruby glass.[948] After their time, until its rediscovery some forty years ...
— The English Church in the Eighteenth Century • Charles J. Abbey and John H. Overton
... Cleopatra, or any other slug, before her as an obstacle, and see her cut through the pulpy mass as the scimitar of Saladin clove the down cushion. Let Paul Peter Rubens wake from the dead, let him rise out of his cerements, and bring into this presence all the army of his fat women; the magian power or prophet-virtue gifting that slight rod of Moses, could, at one waft, release and re-mingle a sea spell-parted, ...
— Villette • Charlotte Bronte
... unforeseen character. The old Pre-Raphaelites aimed at absolute reproduction. They were succeeded by a race of men who saw all that their predecessors had seen, but also something higher. The Van Eycks and Memling paved the way for painters who found their highest representatives in Rubens, Vandyke, and Rembrandt—the mightiest of them all. Giovanni Bellini, Carpaccio and Mantegna were succeeded by Titian, Giorgione, and Tintoretto; Perugino was succeeded by Raphael. It is everywhere the ...
— The Fair Haven • Samuel Butler
... he, "you conceive beauty to consist in a long, slim, attenuated, almost angular figure; but at the time of the Renaissance the type of the beautiful was very different. Take Rubens, take Titian, take even Raffaelle, and you will see that their women were of robust build. Even their Virgin Marys have a motherly air. To my thinking, moreover, if we reverted to some such natural type of beauty, if women were not encouraged by fashion to compress and attenuate their figures ...
— Fruitfulness - Fecondite • Emile Zola
... Lyndon might be pronounced to have been called for by the iniquities of an outside world; but this seemed to the readers to have been addressed almost to themselves. Now men and women like to be painted as Titian would paint them, or Raffaelle,—not as Rembrandt, or even Rubens. ...
— Thackeray • Anthony Trollope
... the body; while beneath the cross the holy women, among whom the Virgin Mary and Mary Magdalene are prominent, receive the precious burden. Many readers will recall the most famous of such pictures, that by Rubens in the Cathedral at Antwerp—an extremely impressive but too sensuous representation of the scene of busy affection—wherein the corpse is being let down by means of a great white sheet into the hands of the women, who receive it tenderly, ...
— The Trial and Death of Jesus Christ - A Devotional History of our Lord's Passion • James Stalker
... every one of its dimensions." Admirable connoisseur! "And did you step in to take a look at the grand picture on your way back." "It is a melancholy daub! my lord, not one principle of the pyramid in any one group; there is nothing of the colouring of Titian, the expression of Rubens, the grace of Raphael, the purity of Domenichino, the corregiescity of Corregio, the learning of Poussin, the airs of Guido, the taste of the Caraccis, or the grand contour of Angelo." "Grant me patience, just heaven! Of all the ...
— Interludes - being Two Essays, a Story, and Some Verses • Horace Smith
... than the photographic copy. All reproductions, however, bring the works of world-famous artists within our reach, and enable us to be on intimate terms with the animals of Rosa Bonheur, the peasants of Millet, the portraits of Rembrandt, Rubens, Van Dyck, Sargent, and Gainsborough, the landscapes of Corot, Daubigny, Dupre, and Turner, and the madonnas of Raphael, Botticelli, Bodenhauser, and Correggio. Amateur photography, with its soft pastel ...
— The Complete Home • Various
... glory as he was, he was still full of a kind of mental passion for Mme. d'Albany. He was unfaithful to her for the sake of low women, he was neglectful of her for the sake of his work; he did not, perhaps, receive much pleasure from this stout, plain, prosaic lady (like one of Rubens's women grown old, as Lamartine later described her) whom he left to her letter-writing, her reading of Kant, of La Harpe, of Shakespeare, of Lessing; to her painting lessons, and long discussions on art with Monsieur Fabre. The woman whose presence, no longer exciting, was doubtless ...
— The Countess of Albany • Violet Paget (AKA Vernon Lee)
... had been done first in monochrome and then glazed, and what we know as solid painting had been invented by Greuze. One day in the Louvre he had perceived something in Delacroix, something not wholly satisfactory; this something had set him thinking. It was Rubens, however, who had revealed the secret! It was Rubens who had taught him how to paint! He admitted that there was danger in retracing one's steps, in beginning one's education over again; but what help was there for it, since painting was not taught ...
— Memoirs of My Dead Life • George Moore
... doubtless, after the above portrait of my brother, painted in the very best style of Rubens, the reader will conceive himself justified in expecting a full-length one of myself, as a child, for as to my present appearance, I suppose he will be tolerably content with that flitting glimpse in the mirror. But he must excuse me; ...
— Lavengro - The Scholar, The Gypsy, The Priest • George Borrow
... the second, Rufus or Rubens, i.e. Red, is another well-known figure. Like his father, he at first supported the barons, but soon after the battle of Lewes he took the King's side, and fought for him at Evesham. Again from pique he deserted him, returning to his allegiance once more in 1270. He was buried ...
— Bell's Cathedrals: The Abbey Church of Tewkesbury - with some Account of the Priory Church of Deerhurst Gloucestershire • H. J. L. J. Masse
... largest painting known to have been executed by him; and A Port in the Mediterranean, by Vernet. In the dining-room, Rubens with his Second Wife; by himself; and The Judgment of Paris, a copy, by Peters, after Rubens. In the dressing-room of the state bed-room, David and Abigail, also by Rubens. Over the ornamented chimney-pieces of the hall are, West's Dissolution of the Long Parliament, and The ...
— The Mirror, 1828.07.05, Issue No. 321 - The Mirror of Literature, Amusement, and Instruction • Various
... confused. The only one who remained undisturbed was Mr. Mardale. His mind was never for very long off his wheels, or his works of art. It was the turn of his pictures now. He had picked up a genuine Rubens in Ghent, he declared. It was standing somewhere in the great drawing-room on the carpet against the back of a chair, and Sir Charles must look at it in the morning, if only it could be found. He ...
— Ensign Knightley and Other Stories • A. E. W. Mason
... various schools of this beautiful art, of which Michael Angelo, Correggio, the Carracci, and Raphael were the most celebrated masters, all of whom were distinguished for peculiar excellences, never since surpassed, or even equalled. The Flemish artists were scarcely behind the Italian; and Rubens, of Antwerp, may well rank with Correggio and Titian. To Raphael, however, the world has, as ...
— A Modern History, From the Time of Luther to the Fall of Napoleon - For the Use of Schools and Colleges • John Lord
... of which I have no memory, and of which I cannot force any recollection. I remember that at Malines—what we call Mechlin—our train stopped nearly an hour. At the station a crowd of guides were shouting that there was time to go and see Rubens's picture of——, at the church of——. This seemed to us a droll contrast to the cry at our stations, "Fifteen minutes for refreshments!" It offered such aesthetic refreshment in place of carnal oysters, that purely for ...
— How To Do It • Edward Everett Hale
... in order to reserve the last look for Titian's two Venuses. One, facing the door, reclines on a red velvet mantle, an ample vigorous torso as powerful as one of Rubens' Bacchantes, but firmer—an energetic and vulgar figure, a simple, strong unintellectual courtezan. She lies extended on her back, caressing a little cupid naked like herself, with the vacant seriousness and passivity of soul of an animal in repose and expectant. The other, called "Venus ...
— Seeing Europe with Famous Authors, Volume 7 - Italy, Sicily, and Greece (Part One) • Various
... beauty of the designs, and the brilliance of the colours, which are such as can never be surpassed, but if they were ever allowed to be sold, the price would be so enormous that some would amount to 150,000 francs (6000l.) The accuracy with which the pictures of Rubens have been copied is most extraordinary, as it may be said that the operative works in the dark. One carpet has been produced for the Gallery of the Louvre, consisting of seventy-two pieces, forming a total exceeding 1,300 feet which is supposed to be the largest carpet ...
— How to Enjoy Paris in 1842 • F. Herve
... traced just as clearly in the history of painting. The great Italian painting had ended with the gorgeous magnificence of the Venetian school, with Giorgione and Titian and Tintoretto, and its mastery passed for a few years to Flanders, to Rubens and Vandyck; but in the painting of Spain and of the Low Countries in the later seventeenth century we find ourselves in another world. The little beggar boys of Murillo may perhaps show a somewhat mannered realism, but the Spanish painting, as a whole, ...
— The Unity of Civilization • Various
... such abundance, you will probably be struck in the case of all the child angels by what will seem to you the undue size of their abdomen. You will notice this even in the works of painters who, like Raphael, most idealise their subjects, while in those of others who, like Rubens, interpret nature more literally, the apparent disproportion becomes grotesque; or, in the coarser hands ...
— The Mother's Manual of Children's Diseases • Charles West, M.D.
... the stairs, and again he hesitated before raising his hand to the grotesque knocker on the door of the studio, where doubtless the painter was at work—Master Porbus, sometime painter in ordinary to Henri IV till Mary de' Medici took Rubens into favor. ...
— The Unknown Masterpiece - 1845 • Honore De Balzac
... of hell or die for the faith in the auto da fe. Heroes? Why unurn the ashes of the half-forgotten dead and pore o'er the musty pages of the past for names to glorify? If you would find heroes grander, martyrs more noble and saints of more sanctity than Rubens ever painted or immortal Homer sang; who, without Achilles' armor, have slain an hundred Hectors; without Samsonian locks have torn the lion; without the sword of Michael have thrown down the gage to all the embattled hosts of hell, seek not in the musty tomes of history, but ...
— Volume 12 of Brann The Iconoclast • William Cowper Brann
... dear, but Rubens is more to my taste now," returned Miss Larkins. "He was in the hall yesterday talking with Sir Joshua, who had his inevitable umbrella, like a true Englishman. Just as I came up, the umbrella fell right before me. I started back; Sir Joshua laughed, but Rubens ...
— Kitty's Class Day And Other Stories • Louisa M. Alcott
... him short and thin rather than tall and stalwart. But what has physical condition got to do with painting? A great deal. The greatest painters, I mean the very greatest—Michael Angelo, Velasquez, and Rubens—were gifted by Nature with as full a measure of health as of genius. Their physical constitutions resembled more those of bulls than of men. Michael Angelo lay on his back for three years painting the Sistine Chapel. Rubens painted a life-size figure in a morning of pleasant ...
— Modern Painting • George Moore
... of purple and gold in a picture may produce a masterpiece of gorgeous colouring; so, in a different manner, may the harmonious juxtaposition of greys, lilacs and browns on a canvas by Veronese, Rubens, or Delacroix. ...
— Style in Singing • W. E. Haslam
... collections in Paris, or in the British Museum; the Dutch pictures are not to be equalled save in Holland or in Dresden; the Spanish school has no competitor save in Madrid and Seville; the portraits by Vandyck, and the sketches by Rubens, are only surpassed in England and Bavaria. It is thus obvious that the collective strength of the assembled collections, is very great. The picture galleries contain more than 1,500 works; the number of drawings is upwards of 500, the coins and medals ...
— Russia - As Seen and Described by Famous Writers • Various
... began this little talk—is Richard Strauss retrograding in his art?—may be answered by a curt negative. One broadside doesn't destroy such a record as Richard's. Like that sublime bourgeois Rubens, like that other sublime bourgeois Victor Hugo, like Bernini, to whose rococo marbles the music of Richard II is akin, he has essayed every department of his art. So expressive is he that he could set a mince-pie to music. (Why not, after that ...
— Ivory Apes and Peacocks • James Huneker
... till he stood in front of a bookmaker with a face cast very much on the lines of a Rubens' cherub; but the cherub-type ended abruptly with the plump frontispiece of "Jakey" Faust, the bookmaker. Lewis knew that. "If there's anythin' doin', I'm up against it here," he muttered to himself. "What's Lauzanne's price?" ...
— Thoroughbreds • W. A. Fraser
... you, my dear Marie Antoinette,' continued the Emperor, not heeding her, 'I see you have made great progress in the art of painting. You have lavished more colour on one cheek than Rubens would have required for all the figures in his cartoons.' Observing one of the Ladies of Honour still more highly rouged than the Queen, he said, 'I suppose I look like a death's head upon a tombstone, among ...
— Marguerite de Navarre - Memoirs of Marguerite de Valois Queen of Navarre • Marguerite de Navarre
... just as the very perfection of Raphael's painting makes it disappointing to an untrained eye; whereas in Paul a few of the greatest elements of Christian character were exhibited with a decisiveness which no one can mistake, just as the most prominent characteristics of the painting of Rubens can be ...
— The Life of St. Paul • James Stalker
... in Munich, we were never tired of the picture-galleries, the whole school of German and Austrian art being quite to our taste, while if there exists anywhere else a more wonderful collection of original drawings of such masters as Raphael, Durer, Rubens, and Rembrandt which comprise the Albertina in the palace of the Archduke Albert, I do ...
— Abroad with the Jimmies • Lilian Bell
... "Dahvit mit de 'arp," and others. Kind of him—but I wish he would go. Offer him twopence. Boy declines with indignation. Young Belgium evidently high-minded and sensitive. He informs me that, in a certain church he refers to as "Sin Yack," there are "RUBENS' peecture—moch fine," and plainly proposes to conduct me thither. Mustn't hurt his feelings again—so accept. Boy clumps on ahead, down alleys, and through back-streets, and round corners, looking round severely ...
— Punch, or the London Charivari, Vol. 102, June 11, 1892 • Various
... Society and the Pedro Escobedo Medical Society. Of museums and galleries are the Academy of San Carlos, with fine specimens of European and Mexican art, among the former of which are works by Velasquez, Murillo, Ribera, and others attributed to Rubens, Leonardo da Vinci, Van Dyck, &c. The National Museum, which was founded in 1865, is an important and interesting institution, in which are preserved the famous archaeological and ethnological objects and collections illustrative of prehistoric Mexico. It was founded in 1865, and attracts Mexican ...
— Mexico • Charles Reginald Enock
... the painter Rubens stout women were the most fashionable creatures that walked the face of the earth. Rubens would paint none other than those of very firm build, and so artistically did he drape them, so cleverly did he pose them, and so well did ...
— Social Life - or, The Manners and Customs of Polite Society • Maud C. Cooke
... young ladies through several galleries, now consulting the guidebook, which I carried in my right hand, now pointing with my left to this or that conspicuous example of the genius of a Rubens, a Rembrandt or a Titian, and, I presume, had been thus engaged for the better part of two hours, when a sudden subconscious instinct subtly warned me that I was alone. Astonished, I spun on my heel. My youthful companions were ...
— Fibble, D. D. • Irvin Shrewsbury Cobb
... and value of this department of painting, there will be, as there has been, difference of judgment and opinion, as there is variety in the powers of the eye and understanding. But take from Rubens, Rembrandt, Titian, and other distinguished masters, the estimation of their colouring, and we fear all that is left to them would hardly preserve their names from oblivion. Art cannot, indeed, attain ...
— Field's Chromatography - or Treatise on Colours and Pigments as Used by Artists • George Field
... Constance. She is sole heiress to her father's fortune, which, on his repeated word, I believe, amounts to hundreds of thousands. She is accomplished and amiable, and, as I told you before, beautiful: but luckily her style of beauty, which is that of one of Rubens' wives, does not particularly strike my fancy. Besides, I would really and truly rather have a profession than be an idle gentleman: I love my profession, and feel ambitious to distinguish myself in ...
— Tales and Novels, Vol. VII - Patronage • Maria Edgeworth
... Rubens, Rembrandt, Coret, Meissonier, Lely, Cazzin, Vegas, Fragonard, Reynolds and a score others of the world's greatest masters leaped across his vision as he turned from wall to wall, ...
— Officer 666 • Barton W. Currie
... around the little compartment I observed some pictures on the walls, but I perceived that the artist was not a Rubens or a Raphael, and they belonged to that class of pictures that one would not see on the walls of a ...
— A California Girl • Edward Eldridge
... convulsed him with laughter at the first glance. Swarthy boys and dark-eyed Madonnas, staring at you from one corner of the studio, suggested Murillo; oily brown shadows of faces with a lurid streak in the wrong place, meant Rembrandt; buxom ladies and dropiscal infants, Rubens; and Turner appeared in tempests of blue thunder, orange lightning, brown rain, and purple clouds, with a tomato-colored splash in the middle, which might be the sun or a bouy, a sailor's shirt or a king's robe, as ...
— Little Women • Louisa May Alcott
... of the Renaissance graft on Flanders coarsened and deteriorated, a new influence arose in the Low Countries, one that was bound to submerge all others. Rubens appeared and spread his great decorative surfaces before eyes that were tired of hybrid design. This great scene-painter introduced into all Europe a new method in his voluptuous, vigorous work, a method especially adapted to tapestry weaving. It is not for us to ...
— The Tapestry Book • Helen Churchill Candee
... after breakfast walked to the Duke of Hamilton's house to view the picture-gallery, chiefly the famous picture of Daniel in the Lions' Den, by Rubens. It is a large building, without grandeur, a heavy, lumpish mass, after the fashion of the Hopetoun H, {45} only five times the size, and with longer legs, which makes it gloomy. We entered the gate, passed the porter's lodge, where we saw nobody, and stopped at ...
— Recollections of a Tour Made in Scotland A.D. 1803 • Dorothy Wordsworth
... lawful wedlock and a portress' life were offered to her just in time; while she still preserved a comeliness of a masculine order slandered by rivals of the Rue de Normandie, who called her "a great blowsy thing," Mme. Cibot might have sat as a model to Rubens. Those flesh tints reminded you of the appetizing sheen on a pat of Isigny butter; but plump as she was, no woman went about her work with more agility. Mme. Cibot had attained the time of life when ...
— Cousin Pons • Honore de Balzac
... the whole school of Bologna, it was accomplished. Yet never at any period did the native Italian masters learn to love ugliness with the devotion that reveals innate grossness. It remained for Duerer, Rembrandt, and Hogarth to elevate the grotesque into the region of high art, for Rubens to achieve the apotheosis of pure animalism, for Teniers to devote distinguished genius to the ...
— Renaissance in Italy, Volume 1 (of 7) • John Addington Symonds
... relics sanctified by that admiration of greatness and goodness which is akin to love; such as the copy of Montaigne's Florio, with the name of Shakspeare upon the leaf, written by the poet of all time himself; the chair preserved at Antwerp, in which Rubens sat when he painted the immortal "Descent from the Cross;" or the telescope, preserved in the Museum of Florence, which aided Galileo in his sublime discoveries. Who would not look with veneration upon the undoubted arrow of William Tell—the swords of Wallace or of ...
— Memoirs of Extraordinary Popular Delusions - Vol. I • Charles Mackay
... were forgotten and three of them lost. The Flemish artist, Rubens, came across those remaining, however, and recommended Charles I. of England to purchase them for his palace at Whitehall. Later Cromwell bought them for the nation, and today we may see them pasted together and carefully mounted in South Kensington Museum, London. "The Miraculous Draught of ...
— Great Artists, Vol 1. - Raphael, Rubens, Murillo, and Durer • Jennie Ellis Keysor
... he won the Newdigate prize for verse, and graduated in 1842. His taste for art was manifested at an early age, and after passing from the university he studied painting under J.D. Harding and Copley Fielding; but his masters, as he tells us in "Praeterita," were Rubens and Rembrandt. ...
— Beacon Lights of History, Volume XIV • John Lord
... thirteenth-century cathedral towered above a sixteenth-century mass of tiled roofs, ending abruptly in walls and a landscape that had not changed. The taste of the town was thick, rich, ripe, like a sweet wine; it was mediaeval, so that Rubens seemed modern; it was one of the strongest and fullest flavors that ever touched the young man's palate; but he might as well have drunk out his excitement in old Malmsey, for all the education he got from it. Even in art, one can hardly begin with ...
— The Education of Henry Adams • Henry Adams
... intolerable in powerful pictures. I knew of an intelligent, sensitive little child who burst into convulsive sobbing before Tintoretto's great Crucifixion in the Scuola San Rocco at Venice. In the Belvedere at Vienna there is a picture by Rubens of the dead Christ in the arms of the usual small group: His mother is removing with a light, tender touch a thorn which is still piercing the cold brow. The whole picture is in the same spirit, and I never could look at it with dry eyes. Yet in Rubens's hands this and all kindred subjects ...
— Lippincott's Magazine of Popular Literature and Science, Vol. 15, - No. 90, June, 1875 • Various
... the "highest painter," pious monk, as in the case of Fra Angelico, and stately courtier, as was Peter Paul Rubens, meet, extremes though they are, on the same ground when they approach this sacred subject. The pictures reproduced here, it may safely be said, are all celebrated, and yet they represent but a small part of the pictures of the same subject which are known to be by men of importance, and ...
— McClure's Magazine December, 1895 • Edited by Ida M. Tarbell
... bounds, we have constructed Panoramic Dioramas, that show splendid segments of the great circle of the world. We paint all of them ourselves—now a Poussin, now a Thomson, now a Claude, now a Turner, now a Rubens, now a Danby, now a Salvator, ...
— Recreations of Christopher North, Volume 2 • John Wilson
... no patience with what was artistically dissolute, luscious, or decorated more than in proportion to its animating idea—wishy-washy or sentimental. The ornamental parts of his own rooms (in which I lived in his absence) were a slab of marble to wash upon, a print of Rubens's "Deposition," and a head (life-size) of the Apollo Belvidere. And I remember still the tall scorn, with something of surprise, with which, on entering my undergraduate room, he looked down on some Venuses, ...
— The Oxford Movement - Twelve Years, 1833-1845 • R.W. Church
... Dutch silver these pretty monograms and the lover's knot are very common. This was probably put upon the original wedding silver, and we know that the art was studied by such men as Albrecht Drer, Benvenuto Cellini, and Rubens, for we find among their drawings many monograms and such devices. It adds very much to the beauty of a piece of silver to bear such engraving, and it is always well to add a motto, or a "posy," as the bid phrase has it, thus investing the gift with a personal interest, in our absence ...
— Manners and Social Usages • Mrs. John M. E. W. Sherwood
... her meaning; he knew that Rubes was the homely abbreviation of Rubens, that all the Netherlanders used, and he guessed the idea that was reality to this little, lonely, ...
— Wisdom, Wit, and Pathos of Ouida - Selected from the Works of Ouida • Ouida
... in western Europe until three hundred years after Constance's death. And that drawing is a sketch of Marie de Medicis by Rubens." ...
— Cashel Byron's Profession • George Bernard Shaw
... a second Felicia; the only differences were that Dorina's features seemed to him less delicate and more sharply cut, and her hair was darker. It was the same picture, only painted by Raphael instead of by Rubens. ...
— Weird Tales. Vol. I • E. T. A. Hoffmann
... time to visit the interior of the castle, but it was interesting to read, in one of his letters, what Dr. Adam Clark saw there in 1797: "I was almost absolutely a prey to astonishment and rapture while I contemplated the painting of the wife of Schneider by Rubens, such a speaking canvas I never beheld." He saw the large Etruscan vases collected by Sir William Hamilton, some bronze cups dug out of the ruins of Herculaneum, and the bed in which Queen Anne slept and which, according to report, she wrought with her own hands. In ...
— From John O'Groats to Land's End • Robert Naylor and John Naylor
... his "Institution of the Communion," and many others of his pictures, are such illustrations of history—as also the great paintings of Rubens from the life of Anna dei Medici; and then the historical pictures of Horace Vernet, of Delaroche, of Lessing, and of Kaulbach—all these are illustrations of history. What those artists present and illustrate with paint and pencil, the Historical Romancer represents ...
— Old Fritz and the New Era • Louise Muhlbach
... to illustrate "Pickwick," which found more fitting artists in Seymour and H. K. Browne. Mr. Thackeray seems to have been well aware of the limitations of his own power as a draughtsman. In one of his "Roundabout Papers" he described the method—the secret so to say—of Rubens; and then goes on to lament the impotence of his own hand, the "pitiful niggling," that cannot reproduce the bold sweep ...
— Lost Leaders • Andrew Lang
... have no objection to the man; I have dined in his company two or three times; a very decent man he is, fit to keep company with gentlemen; but, ma'am, what are all your modern dabblers put together to one ancient? nothing!—a set of—not a Rubens among them! I vow, ma'am, not ...
— The Diary and Letters of Madame D'Arblay Volume 1 • Madame D'Arblay
... of men would tell us that the Beautiful is that which is agreeable to the senses of sight and hearing. They would admire, in painting, the delineation of naked flesh, luxuriant as it glows upon the canvas of Vandyke and Rubens; in statuary, they would seek voluptuous and sensual positions; while in music, they would love that which titillates the ear, which lulls them into an indolent yet delicious languor. Such men are the dwellers in the halls of Circean senses; they can appreciate only the sensuous. ...
— The Continental Monthly, Vol. III, No. V, May, 1863 - Devoted to Literature and National Policy • Various
... we see more clearly the philosophical value of autobiographies, than in these vivid pictures which the great Italian tragedian and comic author have delineated. Some of the most interesting works of Lionardo da Vinci, Giorgione, Albert Duerer, Rembrandt, Rubens, and Andrea del Sarto, are their portraits painted by themselves. These pictures exhibit not only the lineaments of the masters, but also their art. The hand which drew them was the hand which drew the 'Last Supper,' or the 'Madonna of ...
— Sketches and Studies in Italy and Greece • John Addington Symonds
... positively quite in love with her! She'd make a grand sort of Messalina, without a doubt, a model for a painter, with her frank imperious face, and her splendid voluptuous figure; a Faustina, a Catherine of Russia, an Ann Boleyn—to be fitly painted only by a Rubens or a Gustave Courbet. Yet how I can ever have been such a particular fool as to go and get myself entangled with her I can't imagine. Heredity, heredity; it must run in the family, for certain. There's Ernest has gone and handed himself over bodily to this grocer person somewhere down ...
— Philistia • Grant Allen
... dilapidated hotel which encumbered the space destined for the new elevation; and four years subsequently the first stone was laid of the regal pile which transmitted his own name to posterity, linked with those of Marie de Medicis and Peter Paul Rubens.[130] ...
— The Life of Marie de Medicis, Vol. 2 (of 3) • Julia Pardoe
... are: Ore and copper, glass and sugar, flax and wool. But here, too, there once lived Jan and Hubert van Eyck, Rubens, the reveler Ruysbroek, and Jordeans of the avid eyes. Here there always lived—to be sure,-in twilight—Germania's ...
— New York Times Current History: The European War, Vol 2, No. 1, April, 1915 - April-September, 1915 • Various
... expense in proportion to its numbers. Among its principal ornaments are four of the finest landscapes by Claude; the Venus and Adonis, and the Ganymede, by Titian, from the Colonna palace at Rome; a very fine landscape by Poussin, and other works by Velasquez, Rubens, Murillo, and Vandyck: to all which is added the invaluable series ...
— Real Life In London, Volumes I. and II. • Pierce Egan
... curtains heavy with gold. Moreover, these rooms contained furniture of most skilful design and costly manufacture, and were adorned by the choice works of such masters of their art as Holbein, Bellini, Vansomer, Rubens, and Raphael; and withal enriched with Indian cabinets, such as never were seen in England before, which the queen had brought with ...
— Royalty Restored - or, London under Charles II. • J. Fitzgerald Molloy
... nearly as grotesque, though not quite so formal as its companion, presses its left hand upon its breast, in the style of protestation; and, eagerly contemplating the superabundant charms of a beauty of Rubens's school, presents her with a pinch of comfort. Every muscle, every line of his countenance, is acted upon by affectation and grimace, and his queue bears ...
— The Works of William Hogarth: In a Series of Engravings - With Descriptions, and a Comment on Their Moral Tendency • John Trusler
... to the people, 'you are going to see the crucifixion of Jesus Christ: all the tableaux are taken from pictures by the most famous artists that ever lived, Raphael, Rubens, and others. Probably you never heard of them. I can't help that; it is not my fault; all I can say is, that if you go to the Vatican and other galleries, you may see them. There will be a pause of ten minutes, for the ...
— Tancred - Or, The New Crusade • Benjamin Disraeli
... weaving community, from that date absorbed most of the trade of Arras, and thence forwards, till Henri IV. established the works of the Savonnerie, Brussels led European taste, and employed the best artists. Brussels employed Leonardo da Vinci and Mantegna, Giovanni da Udine, Raphael, and later, Rubens and the great Dutch painters, to design cartoons for tapestry works. Raphael's pupil, Michael Coxsius, of Mechlin, superintended the copying of his master's cartoons. Shortly afterwards, Antwerp, Oudenarde, Lille, Tournai, Valenciennes, Beauvais, Aubusson, ...
— Needlework As Art • Marian Alford
... earth offering to put on you, His child, the crown of life, and in the form of a servant waiting on you with blessing. Extol that love, all painting, all sculpture, all music, all architecture, all worship! In Dresdenian gallery let Raphael hold Him up as a child, and in Antwerp Cathedral let Rubens hand Him down from the cross as a martyr, and Handel make all his oratorio vibrate around that one chord—"He was wounded for our transgressions, bruised for our iniquity." But not until all the redeemed get home, and from the countenances of all the piled-up galleries of the ransomed ...
— New Tabernacle Sermons • Thomas De Witt Talmage
... either of the three elements be pursued disjointedly from the other two, the result is, in each respective case, grossness, pedantry, or weakness:—the exclusive imitation of Nature produces a Caravaggio, a Rubens, a Rembrandt—that of the Antique, a Pellegrino di Tibaldo and a David; and though there be a native chastity and taste in religion, which restrains those who worship it too abstractedly from Intellect and Sense, from running into such ...
— On the Old Road Vol. 1 (of 2) - A Collection of Miscellaneous Essays and Articles on Art and Literature • John Ruskin
... performed a capital operation without feeling a pain in his heart; and the evidence of this was marked upon his face, so that it is even visible in the photographs of him. He deserved to have his portrait painted by Rubens. In 1847 Dr. Mason Warren published a review of etherization, in which ...
— Cambridge Sketches • Frank Preston Stearns
... fulfil his engagements. The Viceroy being informed of the insult, took up the painter's quarrel in right royal style. He invited the Duke, who affected connoisseurship, to pass judgment on a picture lately painted by Luca for the palace, in imitation of the style of Rubens. The unlucky noble fell into the trap, and pronounced it an undoubted work by the great Fleming. Seeming to assent to this criticism, the Viceroy replied that Giordano was painting a companion to the picture, a piece of information ...
— Anecdotes of Painters, Engravers, Sculptors and Architects, and Curiosities of Art, (Vol. 2 of 3) • Shearjashub Spooner
... while making the daily bargain than in all the rest of the twenty-four hours. The fruit and vegetable market was my especial lounge. There is such a fresh, sweet smell of the country, and the groups throw themselves, or are thrown, into such pretty tableaux after the Rubens and Snyders fashion. The shambles one avoids instinctively, and fish-market there is none, for Madrid is fifty hours' journey from the nearest sea, and the Manzanares has every requisite for a ...
— The International Weekly Miscellany, Volume I. No. 9. - Of Literature, Art, and Science, August 26, 1850 • Various
... painting was most highly Entertained in viewing the Great Gallery of the Louvre, & yet you will, I am sure, think my taste very deficient when I tell you that I do not admire the finest pictures of Raphael, Titian, Guido, and Paul Veronese, so much as I do those of Rubens, Vandyck, & le Brun, nor the landscapes of Claude and Poussin so much as Vernet's. Rembrandt, Gerard Dow & his pupils Mieris and Metsu please me more than any other artists. In the whole Collection they have but one of Salvator's, but that one, ...
— Before and after Waterloo - Letters from Edward Stanley, sometime Bishop of Norwich (1802;1814;1814) • Edward Stanley
... from Italy the war of 1756 had broken out, and the king could then spare no money for the purchase of paintings: he needed it all for his army. Therefore Gotzkowsky was obliged to keep for himself the splendid originals of Raphael, Rubens, and other great masters which he had purchased at enormous prices, and the wealthy manufacturer was just the one able to afford himself the luxury of ...
— The Merchant of Berlin - An Historical Novel • L. Muhlbach
... antique masterpieces framed by the genius of Phidias and his brother sculptors of old Greece and Rome, masterpieces that had been torn from the ruins of antiquity by the hand of the untiring and enterprising excavator. Among the paintings were fine specimens of the skill of Albert Duerer, Murillo, Rubens, Van Dyck, Rembrandt, Sir Joshua Reynolds and other votaries of the brush whose names are immortal. These paintings did not hang on the walls, for they were covered with rich tapestry from the looms of Benares and the Gobelins, ...
— Edmond Dantes • Edmund Flagg
... spreading cloak which envelops the kneeling donors. But still more salient is the diamond form given by the descending rows of these worshiping figures, especially against the dark background of the Madonna's dress. A second example, without the pyramid backing, is found in Rubens's "Rape of the Daughters of Leucippus," in the Alte Pinakothek at Munich. Here the diamond shape formed by the horses and struggling figures is most remarkable,—an effect of lightness which will be discussed later in interpreting ...
— The Psychology of Beauty • Ethel D. Puffer
... elaborate works. Even in the painter's own special field—the symbolised illustration of Holy Writ—he is overwhelmed by Millais with the superb 'Carpenter's Shop.' In Millais, it was well said by Mr. Charles Whibley, 'we were cheated out of a Rubens.' Millais was the strong man, the great oil-painter of the group, as Rossetti was the supreme artist. In Mr. Holman Hunt we lost another Archdeacon Farrar. Then, in the sublimation of uglitude, Madox- Brown, step-father ...
— Masques & Phases • Robert Ross
... was Fidelio, that stately, splendid work, whose melody, if one may make a pictorial comparison, has something of that rich and sun-warm colour which, certainly, on the canvasses of Rubens, affects one as an almost musical quality. It offered brilliant opportunities, and the incomparable singer had wasted none of them. So that when, at last, I pushed my way out of the crowded house and joined M. Cristich at the stage door, where he waited with eyes full of expectancy, ...
— The Poems And Prose Of Ernest Dowson • Ernest Dowson et al
... Madonna, a Virgin by Leonardo da Vinci, a nymph by Correggio, a woman by Titian, an adoration of the Magi by Veronese, an assumption of the Virgin by Murillo, a Holbein portrait, a monk by Velazquez, a martyr by Ribera, a village fair by Rubens, two Flemish landscapes by Teniers, three little genre paintings by Gerard Dow, Metsu, and Paul Potter, two canvases by Gericault and Prud'hon, plus seascapes by Backhuysen and Vernet. Among the works of modern art ...
— 20000 Leagues Under the Seas • Jules Verne
... beginning of the seventeenth to the middle of the nineteenth century. The seventeenth century is rich in individual geniuses; but they are individual. The level of art is very low. The big names of El Greco, Rembrandt, Velasquez, Vermeer, Rubens, Jordaens, Poussin, and Claude, Wren and Bernini (as architects) stand out; had they lived in the eleventh century they might all have been lost in a crowd of anonymous equals. Rembrandt, indeed, perhaps the greatest genius of them all, is a typical ruin of his age. For, except in a few of his ...
— Art • Clive Bell
... is choice, pretty, or decorative in my house in the Rue du Bac has been transported to the chalet. The Rembrandt hangs on the staircase, as though it were a mere daub; the Hobbema faces the Rubens in his study; the Titian, which my sister-in-law Mary sent me from Madrid, adorns the boudoir. The beautiful furniture picked up by Felipe looks very well in the parlor, which the architect has ...
— Letters of Two Brides • Honore de Balzac
... to the German theological tendency to subordinate the mother to her divine Son, but more especially to the characteristic domesticity of Teutonic peoples. From Van Eyck and Schongauer, through Duerer and Holbein, down to Rembrandt and Rubens, we trace this strongly marked predilection in every style of composition, regardless of proprieties. Van Eyck does not hesitate to occupy his richly dressed enthroned Madonna at Frankfort with giving her breast to her babe, and Duerer portrays the same maternal ...
— The Madonna in Art • Estelle M. Hurll
... express a benign hope that the huge mallet, buttoned up under his elegant surtout, with a view to the little business that awaited him about ninety minutes further on, had not inflicted any pain on the stranger with whom he had come into collision. Titian, I believe, but certainly Rubens, and perhaps Vandyke, made it a rule never to practise his art but in full dress—point ruffles, bag wig, and diamond-hilted sword; and Mr. Williams, there is reason to believe, when he went out for a grand compound massacre (in another sense, one might ...
— The Notebook of an English Opium-Eater • Thomas de Quincey
... Bonhommes, an Order which he himself brought to this country from France. The earl died here, but his bones were subsequently removed to Hailes Abbey in Gloucestershire. The house contains some fine pictures, including, in addition to works by modern masters, Rubens' "Death of Hippolytus," Luini's "Holy Family" and Titian's "Three Caesars". In the chapel is a fine brass to John Swynstede, Prebendary of Lincoln, 1395. It was brought ...
— Hertfordshire • Herbert W Tompkins
... laborious of all their four-footed victims. One day, after two years of this long and deadly agony, Patrasche was going on as usual along one of the straight, dusty, unlovely roads that lead to the city of Rubens. It was full midsummer, and very warm. His cart was very heavy, piled high with goods in metal and in earthenware. His owner sauntered on without noticing him otherwise than by the crack of the whip as it curled round his quivering loins. The Brabantois had ...
— Stories By English Authors: Germany • Various
... is dressed out like Cinderella for the night, and sings and wears a crest of diamonds. That great sombre street all in shade, can it be the famous Toledo?—or is it the Corso?—or is it the great street in Madrid, the one which leads to the Escurial where the Rubens and Velasquez are? It is Fancy Street—Poetry Street—Imagination Street—the street where lovely ladies look from balconies, where cavaliers strike mandolins and draw swords and engage, where long processions pass, and venerable hermits, with long beards, bless the kneeling people: where the ...
— The Newcomes • William Makepeace Thackeray
... good oil-paintings from the exhibitions in the Grosvenor Gallery thirty years ago (the Burne Jones, not the Whistler side of them) are on the walls. The only landscape is a Cecil Lawson on the scale of a Rubens. There is a portrait of Mrs. Higgins as she was when she defied fashion in her youth in one of the beautiful Rossettian costumes which, when caricatured by people who did not understand, led to the absurdities of popular estheticism ...
— Pygmalion • George Bernard Shaw
... person, who allowed us to take pretty much our own time in looking at the pictures. The collection is exceedingly valuable,—many of these works of Art having been presented to the Great Duke by the crowned heads of England or the Continent. One room was all aglow with pictures by Rubens; and there were works of Raphael, and many other famous painters, any one of which would be sufficient to illustrate the meanest house that might contain it. I remember none of them, however, (not being in a picture-seeing mood,) so well as Vandyck's large and ...
— Atlantic Monthly, Volume 8, No. 48, October, 1861 • Various
... As he sat before the fire in the grand salon, the flickering yellow light playing over his features, which had a background of moving, deep velvet-brown shadows, he might have been the theme of some melancholy whim by Rubens, a stanza by Dante. His face was furrowed like a frosty road. Veins sprawled over his hands which rested on the arms of his chair, and the knuckles shone like ivory through the drawn transparent skin. The long fingers drummed ceaselessly and the ...
— The Grey Cloak • Harold MacGrath
... the Rubens "Descent from the Cross" still hanging in the cathedral, I suggested that such a place was safe from bombardment. He looked up at the lace-like old tower, whose chimes, jangling down through leaping shafts and jets of Gothic ...
— Antwerp to Gallipoli - A Year of the War on Many Fronts—and Behind Them • Arthur Ruhl
... dice for the ownership of the Master's coat. The darkness thickens. Night, blackening night. Hark! The wolves are howling for the corpse of the slain Lord. Then, with more pathos and tenderness than can be seen in Rubens' picture, "Descent from the Cross," in the cathedral at Antwerp, is the dead Christ lowered, and there rises the wailing of crushed motherhood, and with solemn tread the mutilated body is sepulchred. But soon the door of the mausoleum falls and forth comes the ...
— T. De Witt Talmage - As I Knew Him • T. De Witt Talmage
... something facetious to say to his friends. They illustrate the schools of Venice, Florence, Rome, Netherlands, Spain, France, and England, and were formed mainly by purchases from the Orleans Gallery, and the Vetturi Gallery from Florence, and include Titian's 'Rape of Europa,' Rubens's 'Queen Tomyris dipping Cyrus's head into blood,' Salvator Rosa's 'Death of Regulus,' Vandyck's 'Duke of Lennox,' Sir Joshua Reynolds's 'The Call of Samuel,' and others. But the pictures in which we are most interested are the portraits of literary, scientific, and other worthies—an excellent ...
— A Week's Tramp in Dickens-Land • William R. Hughes
... of expressing these transformed products in the finest articulate vibrations of emotional speech, then must we not confess that Byron has composed no piece which from this point may compare with Prometheus or the Cenci, any more than Rubens may take his place with Raphael? We feel that Shelley transports the spirit to the highest bound and limit of the intelligible; and that with him thought passes through one superadded and more rarefying process than the other poet is ...
— Critical Miscellanies, Vol. I - Essay 3: Byron • John Morley
... them, and loved them with a filial affection, leading the agile life of a squirrel in that forest of ironwork. He and Cadine, the hussy whom Mother Chantemesse had picked up one night in the old Market of the Innocents, made a pretty couple—he, a splendid foolish fellow, as glowing as a Rubens, with a ruddy down on his skin which attracted the sunlight; and she, slight and sly, with a comical phiz under her ...
— The Fat and the Thin • Emile Zola
... Japanese curiousness of finish and naivete of literal transcription, it cannot even enter the lists with the Saas work as regards elan and dramatic effectiveness. The difference between the two classes of work is much that between, say, John Van Eyck or Memling and Rubens or Rembrandt, or, again, between Giovanni Bellini and Tintoretto; the aims of the one class of work are incompatible with those of the other. Moreover, in the Gliss triptych the intention of the designer is carried out (whether by himself or no) with admirable skill; whereas at Saas the wisdom ...
— The Humour of Homer and Other Essays • Samuel Butler
... an earlier world, those figures may have risen from the water. Leonardo chose an incident from the battle of Anghiari, in which two parties of soldiers fight for a standard. Like Michelangelo's, his cartoon is lost, and has come to us only in sketches, and in a fragment of Rubens. Through the accounts given we may discern some lust of terrible things in it, so that even the horses tore each other with their teeth; and yet one fragment of it, in a drawing of his at Florence, is far different—a waving field of lovely armour, the chased edgings ...
— The Renaissance - Studies in Art and Poetry • Walter Pater
... pretty as a picture herself in her sweet little travelling dress, "to see the great Van Eyck, the 'Adoration of the Lamb,' you know—that magnificent panel picture. And then we went to Brussels, where we had Dierick Bouts and all the later Flemings; and to Antwerp for Rubens and Vandyck and Quentin Matsys; and the Hague, after that, for Rembrandt and Paul Potter; and Amsterdam, in the end, for Van der Heist and Gerard Dow and the late Dutch painters. So, you see, we had quite an artistic tour; we followed up the development of Netherlandish ...
— Stories by English Authors: The Sea • Various |
