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Realist   /rˈiəlɪst/   Listen
Realist

noun
1.
A philosopher who believes that universals are real and exist independently of anyone thinking of them.
2.
A person who accepts the world as it literally is and deals with it accordingly.
3.
A painter who represents the world realistically and not in an idealized or romantic style.



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"Realist" Quotes from Famous Books



... extent, a half dozen times, and found nothing to break the continuity. Hope that the warriors of Tandakora were not coming sprang up in his breast, but he put it down again. Although imagination was so strong in him he was nevertheless, in moments of peril, a realist. Hard experience had taught him long since that when his life was in danger ...
— The Lords of the Wild - A Story of the Old New York Border • Joseph A. Altsheler

... Poland. And, also, no other poet has like him embodied in art the romance of his own existence. But whereas as a national poet he was a flattering idealist, he was as a personal poet an uncompromising realist. ...
— Frederick Chopin as a Man and Musician - Volume 1-2, Complete • Frederick Niecks

... developed, and if you follow down the mystery of some brown brook, Little Fiery Gizzard Creek, let us say, for love of the name, you may very soon precipitate yourself into such a maze of coves, such a tangle of tough, tearing shrubbery (the term "laurel hell" is the mountaineer as realist), that you will regret, perhaps, the day you abandoned what in this region is euphemistically called a road. But you will hardly forget the view from some inland point, where you look, not out over the Tennessee plains, but over a branching canyon of coves, cut like ...
— Penguin Persons & Peppermints • Walter Prichard Eaton

... sound and incense? Modern man, take him in the large, does not believe in salvation to beat of drum; or that, by leaning up against another person, however idolised and mystical, he can gain support. He is a realist with too romantic a sense, perhaps, of the mystery which surrounds existence to pry into it. And, like modern civilisation itself, he is the creature of West and North, of atmospheres, climates, manners of life which foster neither inertia, reverence, nor ...
— Another Sheaf • John Galsworthy

... the traditions of Benozzo Gozzoli and of Piero della Francesca, mark the beginning of the maturity and perfection of Italian art. From them Michel Angelo learns what he could not be taught even by his master Ghirlandajo, the grand and cold realist; he learns, and what he has learned at Orvieto he teaches with doubled force in Rome; and the ceiling of the Sixtine Chapel, the superb and heroic nudities, the majestic draperies, the reappearance in the modern art of painting of the spirit and ...
— The Contemporary Review, Volume 36, September 1879 • Various

... haughty as its will. All was expressed in the words of Cyrano at his highest moment of happiness. 'Il me faut des geants.' An essential aspect of this question of heroic comedy is the question of drama in rhyme. There is nothing that affords so easy a point of attack for the dramatic realist as the conduct of a play in verse. According to his canons, it is indeed absurd to represent a number of characters facing some terrible crisis in their lives by capping rhymes like a party playing 'bouts rimes.' In his eyes it must appear somewhat ...
— Twelve Types • G.K. Chesterton

... have seemed before this evening a wilderness without a chart. We are fortunate in having with us a man who has left the 'main travelled roads' of fiction and, to mix metaphors a little, a man who can tell us whether the 'idols' that are 'crumbling' are those of the realist or those ...
— Modern Eloquence: Vol II, After-Dinner Speeches E-O • Various

... discovery of the chansons. Their age and history. Their distinguishing character. Mistakes about them. Their isolation and origin. Their metrical form. Their scheme of matter. The character of Charlemagne. Other characters and characteristics. Realist quality. Volume and age of the chansons. Twelfth century. Thirteenth century. Fourteenth, and later. Chansons in print. Language: oc and oil. Italian. Diffusion of the chansons. Their authorship and publication. Their ...
— The Flourishing of Romance and the Rise of Allegory - (Periods of European Literature, vol. II) • George Saintsbury

... delighted his countrymen with a sense of freshness and strength. They felt as though they heard Danish for the first time spoken in its fulness. The poet Aarestrup (in 1848) declared that Blicher had raised the Danish language to the dignity of Icelandic. Blicher is a stern realist, in many points akin to Crabbe, and takes a singular position among the romantic idealists of the period, being like them, however, in the love of precise and choice language, and hatred of the mere commonplaces of ...
— Encyclopaedia Britannica, 11th Edition, Volume 8, Slice 2 - "Demijohn" to "Destructor" • Various

... never a prime object with Duerer to conceive the event, it was rather the picture that he attempted to conceive; it is Rembrandt who attempts to conceive events, not Duerer. He is very far from being a realist in this sense: though certain of his etchings possess a considerable degree of such realism, it is not what characterises him as a creator or inventor. But a "profound realistic perception" almost unequalled he did possess; what he saw he painted not as he ...
— Albert Durer • T. Sturge Moore

... good as Fanny's Smiths and Branghtons: but the whole book is far superior to Evelina. The extravagance of the fin-de-siecle society which it represents has probably disguised from not a few readers who do not know the facts, the other fact that it is a real attempt at realist observation of manners: and it has the narrative merit which was Miss Edgeworth's gift of nature. But the hero is patchy and improbable: the heroine, a good and quite possible girl, is not sufficiently "reliefed out"; and the most important figures ...
— The English Novel • George Saintsbury

... are always the literature of reason, or the statements of an absolute truth without qualification. Proverbs, like the sacred books of each nation, are the sanctuary of the intuitions. That which the droning world, chained to appearances, will not allow the realist to say in his own words, it will suffer him to say in proverbs without contradiction. And this law of laws, which the pulpit, the senate and the college deny, is hourly preached in all markets and workshops by flights of proverbs, whose teaching ...
— Essays, First Series • Ralph Waldo Emerson

... life, despite his trend towards caricature, Jonson has shown himself a genuine realist, drawing from the life about him with an experience and insight rare in any generation. A happy comparison has been suggested between Ben Jonson and Charles Dickens. Both were men of the people, lowly born and hardly bred. Each ...
— The Poetaster - Or, His Arraignment • Ben Jonson

... beauty," contrast with the classical respect for rules, models, formulae, precedents, conventions; so, in another way, its discontent with things as they are, its idealism, aspiration, mysticism contrast with the realist's conscientious adherence to fact. "Ivanhoe" is one kind of romance; "The Marble ...
— A History of English Romanticism in the Eighteenth Century • Henry A. Beers

... gave a comprehensive quality to her mind most imposing and convincing, as it enabled her to show the one Truth, or the one Law, manifesting itself in such various phenomena. Add to this her profound faith in truth, which made her a Realist of that order that thoughts to her were things. The world of her thoughts rose around her mind as a panorama,—the sun-in the sky, the flowers distinct in the foreground, the pale mountain sharply, ...
— Memoirs of Margaret Fuller Ossoli, Vol. I • Margaret Fuller Ossoli

... of the realist and the idealist which Dickens possessed to a remarkable degree, together with his naturally jovial attitude toward life in general, seem to have given him a remarkably happy feeling toward Christmas, though the privations ...
— The Cricket on the Hearth • Charles Dickens

... of art which reflect the actual experience of men, toward precision and accurate detail: Romance has been abandoned for what is called Realism. But here we are threatened by a danger from the opposite direction: for a clumsy Realist is apt to suppose that his business is merely to describe facts without adding anything out of his own imaginative faculty, that he may bring his characters on the stage in their daily garb, in the dirty slovenliness with which they go about dreaming ...
— Studies in Literature and History • Sir Alfred Comyn Lyall

... versatility and are sure to find points, often many and important points, where we are strongly repelled by his teachings and his personality. The idealist is scandalized by his vigorous realism, the realist and materialist by his idealism, the dogmatist by his free thought, the free-thinker by his reverence towards religion, while the scientific expert is apt to regard him as a mere poet, oblivious or ignorant of the fact that, although without scientific training, ...
— The Faust-Legend and Goethe's 'Faust' • H. B. Cotterill

... consonant, when it is not preceded by a single vowel, or when the accent is not on the last syllable, should remain single before an additional syllable: as, toil, toiling; oil, oily; visit, visited; differ, differing; peril, perilous; viol, violist; real, realize, realist; dial, dialing, dialist; equal, equalize, equality; vitriol, ...
— The Grammar of English Grammars • Goold Brown

... suppose his clusters of formal trees, or diminutive masses of architecture, to be perfect representations of the woods of Judea, or of the streets of Jerusalem: we shall begin to understand that there is a symbolical art which addresses the imagination, as well as a realist art which supersedes it; and that the powers of contemplation and conception which could be satisfied or excited by these simple types of natural things, were infinitely more majestic than those which are so dependent ...
— Giotto and his works in Padua • John Ruskin

... the "Nominalist and Realist" that will prove all sums. It runs something like this: No matter how sincere and confidential men are in trying to know or assuming that they do know each other's mood and habits of thought, the net result leaves a feeling that all is left unsaid; for the reason of their incapacity ...
— Essays Before a Sonata • Charles Ives

... in my books anything of my heart. It would have been the most infamous sacrilege." Unconsciously insincere, like the majority of people in their justificative confessions, Balzac often allowed his heart to intrude where it had no business to be present. Nevertheless in his realist pictures he exercised himself with all the cold delight of the anatomist, and with none of the warm emotion that might have become communicative. This Brunetiere implicitly admits when he says that most of Balzac's novels are, so ...
— Balzac • Frederick Lawton

... a picture as M. Edouard Detaille's "Le Reve," which won him so much applause a few years ago. M. Detaille is an irreproachable realist, and may do what he likes in the way of the materially impossible with impunity. Sleeping soldiers, without a gaiter-button lacking, bivouacking on the ground amid stacked arms whose bayonets would prick; above them in the heavens the clash of contending ...
— French Art - Classic and Contemporary Painting and Sculpture • W. C. Brownell

... ought to be the home of the ideal; in a word, the imagination should have full sway. The great dramatist is a creator; he is the sovereign, and governs his own world. The realist is only a copyist. He does not need genius. All he wants is industry and the trick of imitation. On the stage, the real should be idealized, the ordinary should be transfigured; that is, the deeper meaning of ...
— The Works of Robert G. Ingersoll, Volume VIII. - Interviews • Robert Green Ingersoll

... true about. Ideas are so much flat psychological surface unless some mirrored matter gives them cognitive lustre. This is why as a pragmatist I have so carefully posited 'reality' AB INITIO, and why, throughout my whole discussion, I remain an epistemological realist. [Footnote: I need hardly remind the reader that both sense- percepts and percepts of ideal relation (comparisons, etc.) should be classed among the realities. The bulk of our mental 'stock' consists of ...
— The Meaning of Truth • William James

... from the individual, Socrates, the concrete, the observed fact of experience, the object of sensual perception. The first champion—William in this instance— assumed that the universal was a real thing; and for that reason he was called a realist. His opponent—Abelard—held that the universal was only nominally real; and on that account he was called a nominalist. Truth, virtue, humanity, exist as units and realities, said William. Truth, replied Abelard, is only the sum ...
— Mont-Saint-Michel and Chartres • Henry Adams

... social institutions, in the complex that is called sentiment, to which science looms as the sacrilegious ogre who devours romance. Without spending space upon the ravages of the sentimental idealist, certainly responsible for as much human disaster as the brutal realist, it is manifest that a revolution in sex standards and relations is inevitable as soon as the new doctrines filter down as matters of fact to the levels of the common intelligence. And surely, nothing else could be wished for in the world desired by all of us, the world ruled by intelligence, ...
— The Glands Regulating Personality • Louis Berman, M.D.

... a place near to him, and talked in her most charming way of such things as she knew interested him. Biffen's deferential attitude as he listened and replied was in strong contrast with the careless ease which marked Jasper Milvain. The realist would never smoke in Amy's presence, but Jasper puffed jovial clouds even whilst she was ...
— New Grub Street • George Gissing

... their feelings in public. But near, too, lies the hunt after interesting experiences—the need to "experience something" at any price—which marred the life of a romantic poet of Brentano's talents, and also affected the conduct of the realist Grabbe. A new responsibility was placed upon the shoulders of the German poet, which rested heavily on men like Otto Ludwig, and on account of which writers like Hebbel or Richard Wagner thought themselves justified ...
— The German Classics of The Nineteenth and Twentieth Centuries, • Editor-in-Chief: Kuno Francke

... mere word-music which makes Shakespeare so irresistible in England.[5] In Tolstoy's estimation, Shakespeare must fall or stand as a thinker, in which capacity I do not think he will stand a moment's examination from so tremendously keen a critic and religious realist. Unfortunately, the English worship their great artists quite indiscriminately and abjectly; so that is quite impossible to make them understand that Shakespeare's extraordinary literary power, his fun, his mimicry, and the endearing qualities that ...
— Tolstoy on Shakespeare - A Critical Essay on Shakespeare • Leo Tolstoy

... upon rules, and inspired by the Greco-Latin ideal. Like the Flemings, the Germans, the Spaniards, and in opposition to the Italians whose influence had conquered all the European academies, the French Realist-Impressionists, relying upon the qualities of lightness, sincerity and expressive clearness which are the real merits of their race, detached themselves from the oppressive and narrow preoccupation with the beautiful and with all the metaphysics and ...
— The French Impressionists (1860-1900) • Camille Mauclair

... think of quaint gardens and gracious ladies and Edmund Waller and sundials, and a thousand pleasant things that, at one time or another, had befallen him or some one else. A rose touched life at a hundred pretty points. A rose was interesting because it had a past. On this the realist's comment was "Mush!" or words to that effect. In like predicament, he would give a detailed account of the properties of Rosa setigera, not forgetting to mention the urn-shaped calyx-tube, the five imbricated lobes, ...
— Pot-Boilers • Clive Bell

... assert that all the personages in this story are models of virtue. To some of them has been given a part which severe morality reproves. But I am a realist and not an idealist, and for that I beg the reader a thousand pardons. I have tried to paint what I saw and not that of which I dreamed. If my figures are not chaste, the fault is not mine, but of those ...
— The Grip of Desire • Hector France

... in ordinary to the fair Parisians, whom his admirers christened "a Watteau realist" and his detractors a "photographer of gowns and mantles," often received at breakfast or at dinner the beautiful persons whose feature he had reproduced, as well as the celebrated and the well known, who ...
— Strong as Death • Guy de Maupassant

... something that I do know—exhaustively. Guess where it's laid? In the John Grier Home! And it's good, Daddy, I actually believe it is—just about the tiny little things that happened every day. I'm a realist now. I've abandoned romanticism; I shall go back to it later though, when my own ...
— Daddy-Long-Legs • Jean Webster

... absolutely, and worked slowly, laboriously, his method one of excessive complication. He began with a shadow, then a touch, superimposing tone upon tone, modelling his paint somewhat like Monticelli, but without a hint of that artist's lyricism. Sober, without rhetoric, a realist, yet with a singularly rich and often harmonious palette, Cezanne reported faithfully what his eyes ...
— Promenades of an Impressionist • James Huneker

... in the case of Mahony, with a vein of tender pathos which emerges in his delightful "Bells of Shandon." Maginn was a wit, Mahony was the hedge-schoolmaster in excelsis, and Carleton was the first realist in Irish peasant fiction. But all alike drew their best inspiration from essentially Irish themes. The pendulum has swung back slowly but steadily since the days when Irish men of letters found it necessary to accommodate their genius to purely English literary standards. ...
— The Glories of Ireland • Edited by Joseph Dunn and P.J. Lennox

... discovered the bent of his mind and prefigured his future philosophy, in the choice of his theme, and in his vivid appreciation and strenuous positing of the individual as the fundamental principle of ontology. He takes Nominalistic ground in relation to the old controversy of Nominalist and Realist, siding with Abelard and Roscellin and Occam, and against St. Thomas and Duns Scotus. The principle of individuation, he maintains, is the entire entity of the individual, and not mere limitation of the universal, whether by "Existence" or by "Haecceity." [7] John and Thomas are individuals ...
— The Atlantic Monthly, Vol. II, No. 8, June 1858 • Various

... firstling of his dramatic muse, and worth merely a passing mention. How or when their literary friendship began is not known; but since both were friends of Jonson, both prefixing commendatory verses to the great realist's play of 'The Fox,' it is fair to assume that through him they were brought together, and that both belonged to that brilliant circle of wits, poets, and dramatists who made famous the gatherings ...
— Library Of The World's Best Literature, Ancient And Modern, Vol 4 • Charles Dudley Warner

... of his own agility. It is a very carnival of contortion. Mr. Widgery Pimble transcribes very searchingly the post-prandial lethargy of a boa-constrictor, the process of deglutition being indicated with great dignity and delicacy, as might be expected from so austere a realist. From one angle the figure might be taken for a Bengal tiger, and from another for a zebra—a good proof of the suggestiveness of the artist's method. But, whether it be reptile or quadruped, the spirit of repletion broods over the canvas ...
— Punch, or the London Charivari, Vol. 150, April 5, 1916 • Various

... question is a new one will now see what is the point of view of the realist or euhemerist with regard to such traditions. He sees here and there in the past, through much intervening mist, something that looks like a real object, and he tries to define its outlines. He has no ...
— Fians, Fairies and Picts • David MacRitchie

... the actual significance of Gogol's masterpiece differ. Some consider the author a realist who has drawn with meticulous detail a picture of Russia; others, Merejkovsky among them, see in him a great symbolist; the very title Dead Souls is taken to describe the living of Russia as well as its dead. Chichikov himself is now generally ...
— Dead Souls • Nikolai Vasilievich Gogol

... as the painful and creaking routine of a victim of commercial greed; a bitter irony would be distilled from the contrast of his own modest station in life and the huge value of the lucid crystals and carbons under his hands. His hands—ah, the realist would angrily see some brutal pathos or unconscious naughtiness in the crook of the old mottled fingers. How that widening parting in the gray head would be gloated upon. It would be very easy to do, and it would be (if we are any ...
— Plum Pudding - Of Divers Ingredients, Discreetly Blended & Seasoned • Christopher Morley

... is right in so far as he denies that law as an abstract thing (considered apart from a person—as his thought) is anything: the realist is right in so far as he affirms that law, apart from {64} any particular manifestation, is an eternal reality. The reconciliation of nominalism and realism is found in God. Applying this to the case in hand—you ...
— Letters to His Friends • Forbes Robinson

... the naive and sentimental poets are contrasted. The former, Schiller contends, is concerned with the definite, the latter with the infinite. From the realist we turn easily and with pleasure to actual life; the idealist puts us for the moment out of humor with it. The one follows the laws of nature, the other those of reason. The one asks what a thing is good for, the other whether it is good. Withal, however, Schiller is careful ...
— The Life and Works of Friedrich Schiller • Calvin Thomas

... discernment of realities in their relation to the whole order of things, which characterises true Idealism, and which makes all the greater writers Idealists in the fundamental if not in the technical sense. Tolstoi has often been called a Realist by those who are eager to label everything and everybody succinctly; but Tolstoi is one of the representative Idealists of his time, and his "Master and Man" is one of the most touching and sincere bits of true ...
— Books and Culture • Hamilton Wright Mabie

... They did not realize the political necessity that controlled Laurier's course. Laurier had great need to hold his new allies for his position in Quebec for the first year or so of office was precarious. The Manitoba school question had still to be settled. Laurier was political realist enough to know that he would have to take what he could get and this he would have to dress up and present to the public as his own child. He knew that the bishops, chagrined, humiliated, enraged by their election experience, were only waiting for the announcement of settlement ...
— Laurier: A Study in Canadian Politics • J. W. Dafoe

... stated his convictions upon certain general ideas of life and thought as clearly as he could. All of philosophy, all of metaphysics that is, seems to him to be a discussion of the relations of class and individual. The antagonism of the Nominalist and the Realist, the opposition of the One and the Many, the contrast of the Ideal and the Actual, all these oppositions express a certain structural and essential duality in the activity of the human mind. From an imperfect recognition ...
— God The Invisible King • Herbert George Wells

... by no means commended itself to the pupil of Ockham, who plucked a great stick from the ground and signified his dissent by smiting the realist over the pate with it. By good fortune, the wood was so light and rotten that it went to a thousand splinters, but Alleyne thought it best to leave the twain to settle the matter at their leisure, the more so as the sun was shining brightly once more. Looking back down the pool-strewn ...
— The White Company • Arthur Conan Doyle

... The realist, if he is an artist, will endeavor not to show us a commonplace photograph of life, but to give us a presentment of it which shall be more complete, more striking, more cogent than reality itself. To tell everything is out of the question; it would require ...
— The Works of Guy de Maupassant, Volume VIII. • Guy de Maupassant

... minority of people who have at some time or other discovered general terms and a certain use for generalisations. They are—to fall back on the ancient technicality—Realists of a crude sort. When I say Realist of course I mean Realist as opposed to Nominalist, and not Realist in the almost diametrically different sense of opposition to Idealist. Such are the Baileys; such, to take their great prototype, was Herbert ...
— The New Machiavelli • Herbert George Wells

... field, the strain proving too great for his physical strength. On his return, after 1108, he found William lecturing no longer at Notre-Dame, but in a monastic retreat outside the city, and there battle was again joined between them. Forcing upon the Realist a material change of doctrine, he was once more victorious, and thenceforth he stood supreme. His discomfited rival still had power to keep him from lecturing in Paris, hut soon failed in this last ...
— Project Gutenberg Encyclopedia

... good shot with rifle or pistol. If you read one of his chapters in "Hunting the Grizzly" and ask yourself wherein its animation and attraction lie, you will find that it is because every sentence and every line report things seen. He does not, like the Realist, try to get a specious lifelikeness by heaping up banal and commonplace facts; he selects. His imagination reminds one of the traveling spark which used to run along the great chandelier in the theatre, and light each jet, so that ...
— Theodore Roosevelt; An Intimate Biography, • William Roscoe Thayer

... agents. To me the Real is unreal, because I have torn aside the veils of fiction and myth. My pristine fictional escape from the Real, making me a philosopher, has bound me absolutely to the wheel of the Real. I, the super-realist, am the only unrealist on board the Elsinore. Therefore I, who penetrate it deepest, in the whole phenomena of living on the Elsinore see ...
— The Mutiny of the Elsinore • Jack London

... the spade business. He saw a sign on a Bowery clothing store,—'Gents Pants Half Off Today,' and he wrote a poem on it and all Manhattan sat up and welcomed him as a peerless realist; and dear old Dean Williams compared him to Tolstoy and Ed. Harrigan, and there was the deuce to pay artistically and generally. Listen to the Yankee Steinlen ...
— The Common Law • Robert W. Chambers

... aspect of Rubens which cannot be ignored and through which he may be associated with the realist artists of the seventeenth century, who succeeded in preserving a purely Flemish and popular tradition in spite of Italian and monarchist influences. The "Kermesse" of the Louvre and the wonderful landscapes disseminated in so many ...
— Belgium - From the Roman Invasion to the Present Day • Emile Cammaerts

... under which we can justly represent it. The first great master of the new world was Dante, but not the Dante of the exquisite sentiment but artificial form of the Vita Nuova, but the great imaginative realist of the Divine Comedy, the artist who could portray the passion and pain of Francesca and her lover, and with equal power the masterful figure of Farinata, whose dauntless soul not hell itself could quell; who could pass from the vivid drama of the fierce contemporary ...
— The Unity of Civilization • Various

... the consciousness of it, as does Whistler. Fine in colour and handling, beside the idealization of everything he includes in his work he achieves a certain something which we recognize as style. He may be a realist in every sense, but he shows how to deal arbitrarily with his figures in such a way as to endow them with admirable distinction, without losing the expression of reality. His recent outdoor work has not the unity of expression of his indoor subjects. It is difficult, and not really necessary, ...
— The Galleries of the Exposition • Eugen Neuhaus

... of many novels, still considered himself a realist. He affected to say that he did not write his books; that he merely transcribed them from life as he saw it, and he insisted always that he ...
— A Rebellious Heroine • John Kendrick Bangs

... bits of writing to me as any inspired page to be found in literature. But then, you see, I have been called romantic. Well, that can't be helped. But stay. I seem to remember that I have been called a realist, also. And as that charge, too, can be made out, let us try to live up to it, at whatever cost, for a change. With this end in view, I will confide to you coyly, and only because there is no one about to see my blushes by the light of the midnight ...
— A Personal Record • Joseph Conrad

... really to have been eaten by lions. For in his case the pagan accusation is really true: his mercy would mean mere anarchy. He really is the enemy of the human race— because he is so human. As the other extreme, we may take the acrid realist, who has deliberately killed in himself all human pleasure in happy tales or in the healing of the heart. Torquemada tortured people physically for the sake of moral truth. Zola tortured people morally for ...
— Orthodoxy • G. K. Chesterton

... and manners, he makes him a witness to all its superstitions, fanaticism, and sordidness of every kind, a physical and social abasement that has no parallel. A faithful observer, an impressionist, an unemphatic realist, he discloses on every page misunderstood lives, extravagant beliefs, movements, evils, greatnesses, and miseries, of which the civilized world had not the slightest suspicion. It is the Odyssey of the ghetto ...
— The Renascence of Hebrew Literature (1743-1885) • Nahum Slouschz

... coaches, and banks; and James Murel, the horse-thief, celebrated by Mark Twain, whose favourite disguise was that of an itinerant preacher, cherished no less a project than an insurrection of negroes and the capture of New Orleans. The robber of to-day is a stern realist. He knows nothing of romance. A ride under the stars and a swift succession of revolver-shots have no fascination for him. He likes to work in secret upon safe or burglar-box. He has moved with the times, and has at his hand all the resources of modern science. If we do ...
— American Sketches - 1908 • Charles Whibley

... instance in the episode of Ragni's symbolical walk in the woodlands, In God's Way, of passages of pure idealism." Yes, he returns—"in measure." He is "capable of idyllic passages." In other words, his nature reasserts itself, and he remains an imperfect convert. "He has striven hard to be a realist, and at times he has seemed to acquiesce altogether in the naturalistic formula, but in truth he has never had anything essential in common with M. Zola." In other words, he has fallen between two stools. He has tried to expel nature with a pitchfork and still she runs back upon him. He ...
— Adventures in Criticism • Sir Arthur Thomas Quiller-Couch

... business with dispassionate explicitness. Let us assume something of the scientific spirit, the hard, almost professorial tone of the conscientious realist. Let us treat this young man's legs as a mere diagram, and indicate the points of interest with the unemotional precision of a lecturer's pointer. And so to our revelation. On the internal aspect of the right ankle of this young man you would have observed, ladies and gentlemen, a contusion ...
— The Wheels of Chance - A Bicycling Idyll • H. G. Wells

... badly mauled by the church). But let us be careful not to see in all this anything more than symbolical language, semantics[6] an opportunity to speak in parables. It is only on the theory that no work is to be taken literally that this anti-realist is able to speak at all. Set down among Hindus he would have made use of the concepts of Sankhya,[7] and among Chinese he would have employed those of Lao-tse[8]—and in neither case would it have made any difference ...
— The Antichrist • F. W. Nietzsche

... his system of thought, Plato was a realist. He believed that ideas have a real existence, and that material things are only copies of the realities existing in the ideal world. He held that beauty, goodness, and wisdom are spiritual realities, from which all things beautiful, good, and wise derive ...
— The World's Greatest Books—Volume 14—Philosophy and Economics • Various

... undirected youth and an undisciplined manhood explain Marcus Clarke's failure to render to his adopted country the service which, as a distinctly gifted writer of the realist school, he seemed well fitted to perform. He was a Bohemian, who, while resisting the worst vices of his class, shared its carelessness and improvidence to a degree that left little energy ...
— Australian Writers • Desmond Byrne

... "Realism" has acquired a signification wholly different from that which attached to it in the middle ages. We commonly use it as the contrary of Idealism. The Idealist holds that the phenomenal world has only a subjective existence, the Realist that it has an objective existence. I am not aware that any mediaeval philosopher was an Idealist in the sense in which we apply the term to Berkeley. In fact, the cardinal defect of their speculations lies in their oversight of the considerations ...
— Collected Essays, Volume V - Science and Christian Tradition: Essays • T. H. Huxley

... official of the Empire. A cautious and versatile diplomatist like Bernhard von Buelow appears to be best adapted to the personal and political necessities of the present situation." Count Buelow, indeed, though, like Bismarck, a "realist," utilitarian and opportunist in his policy, made no effort to emulate the masterful independence of the great chancellor. He was accused, indeed, of being little more than the complacent executor of the emperor's will, ...
— Encyclopaedia Britannica, 11th Edition, Volume 4, Part 4 - "Bulgaria" to "Calgary" • Various

... not now what it used to be It is too true that virtue also has its blush Lofty ideal of woman and of love Money is not a common thing between gentlemen like you and me Monsieur, I know that I have lived too long Neither idealist nor realist No writer had more dislike of mere pedantry Offices will end by rendering great names vile Princesses ceded like a town, and must not even weep Principle that art implied selection Recommended a scrupulous observance of nature Remedy infallible against ...
— Widger's Quotations from The Immortals of the French Academy • David Widger

... connections, as academic or civil presidents, or senators, or professors, or great lawyers, and impose on the frivolous, and a good deal on each other, by these fames. At least, it is a point of prudent good manners to treat these reputations tenderly, as if they were merited. But the sad realist knows these fellows at a glance, and they know him; as when in Paris the chief of the police enters a ballroom, so many diamonded pretenders shrink and make themselves as inconspicuous as they can, or give him a supplicating look as they pass. "I had received," said ...
— English Prose - A Series of Related Essays for the Discussion and Practice • Frederick William Roe (edit. and select.)

... attack one or other, or maybe something else. All these schemes begin to laugh at me, for the day's far through, and I believe the pen grows heavy. However, I believe The Wrecker is a good yarn of its poor sort, and it is certainly well nourished with facts; no realist can touch me there; for by this time I do begin to know something of life in the XIXth century, which no novelist either in France or England seems to know much of. You must have great larks over masonry. You're away up in the ranks now and (according to works ...
— The Works of Robert Louis Stevenson - Swanston Edition Vol. 25 (of 25) • Robert Louis Stevenson

... made, that Galds was a realist, as if he were primarily an observer, a transcriber of life, requires to be modified where the dramas are concerned. Pure realism is present in his dramatic work, but it does not occupy anything like the predominant place which some suppose. A "keen, minute, ...
— Heath's Modern Language Series: Mariucha • Benito Perez Galdos

... reality submits itself to an order, it is because the absence of every kind of order appears possible or conceivable. It is this absence of order that realists and idealists alike believe they are thinking of—the realist when he speaks of the regularity that "objective" laws actually impose on a virtual disorder of nature, the idealist when he supposes a "sensuous manifold" which is coordinated (and consequently itself without order) ...
— Creative Evolution • Henri Bergson

... Napoleon, to change the conversation, praised a superb rose which the Queen was wearing, she said to him, "Would your majesty not accept this rose in return for Magdeberg?" A more chivalrous person might have accepted, but Napoleon was too much of a realist to be won over by a pretty proposition. One may be sure that he restricted himself to admiring the beauty of the rose and also of the hand which proffered it, but he did not take the flower, which brought tears to the Queen's eyes. The conqueror, ...
— The Memoirs of General the Baron de Marbot, Translated by - Oliver C. Colt • Baron de Marbot

... keep a straighter bat and improve His cut to leg, and had a passion for knocking nails into walls, screwing locks into doors, and making chicken runs. He was, he often thanked his stars, a practical Realist, and his wife, who was fat, stupid, and in a state of perpetual wonder, used to say of him, "If Will hadn't been a clergyman he would have made such an engineer. If God had blessed us with a boy, I'm sure he would have been something scientific. Will's no ...
— The Golden Scarecrow • Hugh Walpole

... the time being, totally oblivious of everything else. For this reason I trapped him into this argument. I abominate what is now known as "realism" just as much as he does, but you don't have much of an argument without some apparent difference of opinion, so, for the nonce, I became a realist of whom Zola himself would have been proud. "Why, man," I said, "realism is truth. You certainly can't have any quarrel with that." I knew this would have the effect of a red rag flaunted in the face ...
— The Darrow Enigma • Melvin L. Severy

... that craved strong, glowing themes for its play. The present teeming world to be transfigured into the world to come, and the solicitation and temptation to do this brought to a manly, powerful nature, passionate, creative, descriptive, to a stirring realist, into whose breast, as a chief actor on the Italian scene, ran, all warm from the wheels of their spinning, the threads of Italian politics at the culmination of the papal imperial conflict; and that breast throbbing with the fiery passions of republican Italy, while behind the ...
— Essays AEsthetical • George Calvert

... occupation or his tastes—a person, it would seem, only by courtesy; the piano-organ the music of the day, and the hideous voice of the vendor of half-penny papers the music of the night; could anything be less promising than such a row of houses for the theatre of romance? Set a realist to walk down one of these streets: he will inquire about milk-bills and servants' wages, latch-keys and Sunday avocations, and come back with a tale of small meannesses and petty respectabilities, written in the approved modern ...
— Robert Louis Stevenson • Walter Raleigh

... and considered them to be a common quality labelled by a common name, were Nominalists: those who held the intermediate view, and assumed them to exist, not only as artificial names but also as general classes in the human mind, were Conceptualists. With the realist, classification was not arbitrary, but true and determined for man. With the nominalist and conceptualist it was created by man, and ...
— History of Free Thought in Reference to The Christian Religion • Adam Storey Farrar

... were passing through the press, I was informed of Berg's work on the Enjoyment of Music. ("Die Lust an der Musik." Berlin, 1879.) Berg, who is a realist, inquires what is the source of the pleasure we experience from the regular succession of sounds, which he holds to be the primary essence of music. He finds the cause in some of Darwin's theories and researches. Darwin observes that the epoch of song coincides with ...
— Myth and Science - An Essay • Tito Vignoli

... effect, I repeat. If you remember anything of the Lectures I gave you through last year, you must be gradually getting accustomed to my definition of the Greek school in art, as one essentially Chiaroscurist, as opposed to Gothic color; Realist, as opposed to Gothic imagination; and Despairing, as opposed to Gothic hope. And you are prepared to recognize it by any one of these three conditions. Only, observe, the chiaroscuro is simply the technical result of the two others: a Greek painter ...
— Lectures on Landscape - Delivered at Oxford in Lent Term, 1871 • John Ruskin

... may be reckoned as hearings at all—he bore himself, by the confession of all, with courage, meekness, and dignity. The charges brought against him were various; some so far-fetched as that urged by a Nominalist from the University of Paris—for Paris was Nominalist now—namely, that as a Realist he could not be sound on the doctrine of the eucharist. Others were vague enough, as that he had sown discord between the church and the state. Nor were accusations wanting which touched a really weak point in his teaching, ...
— The Great Events by Famous Historians, Volume 07 • Various

... compelled to see the world as it really is, and he finds it not all nice. The realistic small boy can have very little true happiness. Fancy M. Zola's childhood: assuming, of course, that he was then a Realist, which he probably was not, judging from the fact that he is only a Realist professionally at the present day. To the childish Zola, life must have presented itself as a series of human documents. He saw things as they were, not as a small boy should see ...
— The Idler Magazine, Volume III, March 1893 - An Illustrated Monthly • Various

... "Mother tongue schools." For six or eight years, said Comenius, the scholar must hear no language but his own; and his whole attention must be concentrated, not on learning words like a parrot, but on the direct study of nature. Comenius has been called the great Sense-Realist. He had no belief in learning second-hand. He illustrated his books with pictures. He gave his scholars object lessons. He taught them, not about words, but about things. "The foundation of all learning consists," he said, ...
— History of the Moravian Church • J. E. Hutton

... freedom for the purpose of condemning it. Such a writer is a moralist, and there is no better example than Richardson. Again, it is possible to draw vice with neither sympathy nor disapprobation, but simply as a fact which is there. Such a writer is a realist, and such was Fielding. Once more, it is possible to draw vice in order to extract amusement from it. Such a man is a coarse humorist, and such was Smollett. Lastly, it is possible to draw vice in order to show ...
— Through the Magic Door • Arthur Conan Doyle

... pastoral; but neither of these considerations affects the historical fact. It is commonly admitted that among pastoral writers Theocritus adhered most closely to nature; yet no one has been found to describe him as a realist, whether in method or intention. But though this process of idealization is practically universal, few poets have confessed to it. Only occasionally an author, writing according to the demands of his age or of his individual taste, ...
— Pastoral Poetry and Pastoral Drama - A Literary Inquiry, with Special Reference to the Pre-Restoration - Stage in England • Walter W. Greg

... constable who had a warrant for his arrest spoke to him and inquired if he knew that devil Bunyan. "Know him?" said Bunyan. "You might call him a devil if you knew him as well as I once did." We have in these anecdotes a key to the nature of Bunyan's genius. He was a realist, a romanticist, and a humourist. He was as exact a realist (though in a different way) as Mr. Pepys, whose contemporary he was. He was a realist both in his self-knowledge and in his sense of the outer world. He had the acute eye of the artist which was aware of ...
— The Art of Letters • Robert Lynd

... venturing upon the expression of a purely personal feeling—his own enjoyment in the weaving of the unsubstantial webs of improbable adventure that fill the preceding pages. With an ironic satisfaction was it that a writer who is not unaccustomed to be called a mere realist here attempted fantasy, even though the results of his effort may reveal invention only and not imagination. It may even be that it was memory (mother of the muses) rather than invention (daughter of necessity) ...
— Tales of Fantasy and Fact • Brander Matthews

... even understood. We shall be in accord with idealism by the use of this easy little formula, "If some one had been there," or even by saying, "For a universal consciousness...." The difference of the realist and idealist theory becomes then purely verbal. This amounts to saying that it disappears. But there is always ...
— The Mind and the Brain - Being the Authorised Translation of L'me et le Corps • Alfred Binet

... In examining into the nature of general propositions, we have adverted much less than is usual with logicians to the ideas of a Class, and Classification; ideas which, since the Realist doctrine of General Substances went out of vogue, have formed the basis of almost every attempt at a philosophical theory of general terms and general propositions. We have considered general names as having a meaning, quite independently of their being the names of classes. That circumstance ...
— A System Of Logic, Ratiocinative And Inductive • John Stuart Mill

... moon would be full upon the lake, and the calm breath, pure light, and the deep voice, harmonized well with the thought of the Flemish hero. When will this country have such a man? It is what she needs—no thin Idealist, no coarse Realist, but a man whose eye reads the heavens while his feet step firmly on the ground, and his hands are strong and dexterous in the use of human instruments. A man, religious, virtuous, and—sagacious; a man of universal sympathies, but self-possessed; a man ...
— International Weekly Miscellany, Vol. I, No. 6 - Of Literature, Art, And Science, New York, August 5, 1850 • Various

... of her unequalled style—a style quite classical in its economy of material and its dignified reserve—is a charm frequently caught in the wit and fine malice of one's unmarried aunts; but it is, none the less, the very epitome of maternal humor. As a creative realist, giving to her characters the very body and pressure of actual life, no writer, living or dead, has surpassed her. Without romance, without philosophy, without social theories, without pathological curiosity, without the remotest interest in "Nature," she has yet ...
— One Hundred Best Books • John Cowper Powys

... plenty of people who like to dabble in mud; and a ghoul is the most impervious of beings, probably because a ghoul of this species regards himself merely as an unprejudiced seeker after truth, and claims to be what he would call a realist. ...
— The Silent Isle • Arthur Christopher Benson

... characters he portrays, any more than they are your idea, or mine, of those surroundings. Is it to be supposed that he thought the dwellings of our Lord were palaces? Or that he could not paint a stable? Those who maintain that Holbein was a Realist in the modern sense of the word must reconcile as best they can the theory with the facts. But when we see the stage set with every stately circumstance,—the Babe amid the fading splendours of earthly palaces, our Lord mocked by matter as well as man,—I dare to think that we shall ...
— Holbein • Beatrice Fortescue

... as any realist will admit, that every frontier, no matter how absurd originally or even now, contains, in the very fact of its existence, elements of stability and of reason which to some extent justify its existence. The ordinary individual near ...
— The Geneva Protocol • David Hunter Miller

... Victor Hugo, at least as much as like Balzac, but he has the taste and discernment that Hugo lacks, and he is an artist which Balzac was not.—Is he then more than both? Chi lo sa?—He hasn't let himself out yet. The enormous volume of his brain troubles him. He doesn't know if he is a poet or a realist; and the fact that he is both, hinders him.—He must get straightened out in his different lines of effort. He sees everything and wants to grasp everything at once.—He is not the cut of the public that ...
— The George Sand-Gustave Flaubert Letters • George Sand, Gustave Flaubert

... lines and stilted phrases so common in conventional drama was refreshing and interesting to those who believe that the drama has a mission other than merely to amuse. "Margaret Fleming" is nothing if not artistic from the standpoint of the realist. Its fidelity to life as we find it—to existing conditions and types of society,—is wonderful. Its dramatic strength is none the less marked. But aside from and above all this, for me it has a far greater merit—utility. I have no sympathy ...
— The Arena - Volume 4, No. 20, July, 1891 • Various

... specifications all marked, into the keeping of larger hands which expand its possibilities. If then Imagination carries us beyond the limits of graphic art let us by all means employ it. Upon this phase of art the realist can but look with folded arms. The dwellers in the charmed world of Greek mythological fancy came on tiptoe to the borders only of the ...
— Pictorial Composition and the Critical Judgment of Pictures • Henry Rankin Poore

... admitted George Crabbe to be the most potent influence that has affected his work. I have heard him declare many times how much he was inspired by Crabbe, whereas the later French realists had no influence upon him whatever. "Crabbe was our first great English realist" Mr. Hardy would tell you if only we could persuade him to speak from this platform, as ...
— Immortal Memories • Clement Shorter

... seemed to me not so unsympathetic as I had remembered it; but, in effect, cordially appreciative. He touches, however, on this same point, of the effect on Hawthorne's genius of his allegorizing habit. "Hawthorne," says Mr. James, "was not in the least a realist—he was not, to my mind, enough of one." The biographer allows him a liberal share of imagination, but adds that most of his short tales are more fanciful than imaginative. "Hawthorne, in his metaphysical moods, is nothing ...
— Four Americans - Roosevelt, Hawthorne, Emerson, Whitman • Henry A. Beers

... and the landlord governed his peasants patriarchally. He kept the conservatist spirit of a rustic, a very lively sense of authority and the military instinct. He had scant liking for distant enterprises or adventures. He was at once religious, warlike, and realist, knowing how to nurse his ambitions and to confine his view to what ...
— New York Times Current History; The European War, Vol 2, No. 2, May, 1915 - April-September, 1915 • Various

... protested. "What you have shown me is a pack of nonsense. It is the degraded lunacy of a so-called Realist. It is sorcery and pure childishness and abominable blasphemy. It is, in a word, something I do not choose to believe. You ought to ...
— Jurgen - A Comedy of Justice • James Branch Cabell

... of poetry over the picture, but no denaturalization of the uncultured types. Germain is honest and warm-hearted, but not bright of understanding; little Marie is wise and affectionate, but as unsentimentally-minded as the veriest realist could desire. The native caution and mercenary habit of thought of the French agricultural class are indicated by many a humorous touch in the ...
— Famous Women: George Sand • Bertha Thomas

... the painful earth rather than any joy of living. Attempts have been made to vindicate Crabbe from the charge of being a gloomy poet, but I cannot think them successful; I can hardly think that they have been quite serious. Crabbe, our chief realist poet, has an altogether astonishing likeness to the chief prose realist of France, Gustave Flaubert, so far as his manner of view goes, for in point of style the two have small resemblance. One of the most striking things ...
— Essays in English Literature, 1780-1860 • George Saintsbury

... "Give me the novel of an idealist that has a purpose. Colonel Ingersol spoke the truth in a recent lecture when he said that a realist can be no more than an imitator or a copyist. His philosophy makes the wax that receives and retains an image of an artist. Realism degrades and impoverishes. The real sustains the same relation to ideal that a stone does ...
— The Harris-Ingram Experiment • Charles E. Bolton

... plain man is a realist. That is to say, he believes in a world which is not to be identified with his own ideas or those of any other mind. At the same time, as we have seen (section 12), the distinction between the mind and the world ...
— An Introduction to Philosophy • George Stuart Fullerton

... called "a Virginia realist." To him, receiving his first views of life from the foot of the Blue Ridge, one realism of the external world was too beautiful to admit of his finding in the ideal anything that could more nearly meet his fancy-picture of loveliness than the scenes which ...
— Literary Hearthstones of Dixie • La Salle Corbell Pickett

... content to call existing constitutions perversions of the true form. But we cannot read the Politics without recognising and profiting from the insight into the nature of the state which is revealed throughout. Aristotle's failure does not lie in this, that he is both idealist and realist, but that he keeps these two tendencies too far apart. He thinks too much of his ideal state, as something to be reached once for all by knowledge, as a fixed type to which actual states approximate or from which they are perversions. But if we are to think ...
— Politics - A Treatise on Government • Aristotle

... you don't know much about it," she responded with the unconscious cruelty of age. Having been once the victim of a great passion, she had developed at last into an uncompromising realist, wholly devoid of sentimentality, while Miss Jemima, lacking experience, had enveloped the unknown in a ...
— Life and Gabriella - The Story of a Woman's Courage • Ellen Glasgow

... was less tragic; indeed, in a sense it was comic. Wellington, himself an Irishman though of the narrower party, was preeminently a realist, and, like many Irishmen, was especially a realist about Englishmen. He said the army he commanded was the scum of the earth; and the remark is none the less valuable because that army proved itself useful ...
— A Short History of England • G. K. Chesterton

... sympathies, is still a pupil, a school which regards M. Zola as one of its leading lights. En Route, and its sequels, portray in the colours of realism, in the language of decadence, the conversion of a realist, nay, of a decadent, to mysticism and faith. "The voice indeed is the voice of Jacob, but the hands are the hands of Esau," and according as the critic centres his attention too exclusively on one or the other, such will ...
— The Faith of the Millions (2nd series) • George Tyrrell

... out and the summer had bloomed itself in. The holiday up the river was a thing of the past; the dreams of the Dreamer had given place to those sterner phases of life which must be coped with by the Realist; and Cleek ...
— Cleek: the Man of the Forty Faces • Thomas W. Hanshew

... still, may be infamous, but—he is intensely human. The baseness of him has its basal strength in his founding upon man. He is the only realist philosopher. Besides him Bacon is a dreamer. Machiavelli was and is the master misanthrope, and,—God help us!—we must admit that his misanthropy only too well is founded on fact. He seems to have been ...
— Volume 10 of Brann The Iconoclast • William Cowper Brann

... senses, by Dumas) in the Amours Galantes, and a doubtful story (also attributed to the obscure M. de Preschac of the Cabinet des Fees[219]) entitled L'Illustre Parisienne, over which folk have quarrelled as to whether it is to be labelled "realist" or not. One regrets, however, to have to say that—except for fresh, if not very strong, evidence of that "questing" character which we find all over the subjects of these two chapters—the interest of Mme. de Villedieu's work ...
— A History of the French Novel, Vol. 1 - From the Beginning to 1800 • George Saintsbury

... ocean is he pretends to have seen. I do believe the realists are no more reliable than the romanticists. Here we are a thousand miles out, and none of us has seen the sea yet. Tell me, does not a realist have to magnify his awful billows just to get them ...
— Old Junk • H. M. Tomlinson

... not dislike the "romantic romance," which every one in these days advises us to write—as if that style did not begin as far back as the birth of romance itself: as if the Princess of Cleves had not written, and as if Balzac himself, the great realist, had not invented, the finest "romantic romances" that can be found—for example, the amorous adventure of General de Montriveau and the ...
— Zibeline, Complete • Phillipe de Massa

... depict, tramping from one bed to another until he reached the one where the cries and contortions were the most frightful. Such a scene he has reproduced. No hospital physician would have pictured the straggle in such colors. In the same way, that other realist, M. Zola, has painted a patient suffering from delirium tremens, the disease known to common speech as "the horrors." In describing this case he does all that language can do to make it more horrible than the reality. He gives us, not realism, but ...
— The Autocrat of the Breakfast-Table • Oliver Wendell Holmes, Sr. (The Physician and Poet not the Jurist)

... "Let us pass on. He is the realist, who turns his back on the whole he cannot grasp, and busies ...
— The Madman • Kahlil Gibran

... Sacchetti[124] earlier in Italy, using language even more violent than that of Vicente, we need not doubt the truth of his sketches. He was perhaps more vivid than the other critics and his satire penetrated deeply for the very reason that he was a realist. There was no doubt some professional exaggeration in the language of his beir[a]o rustics, but his sympathy with the peasants and his wide knowledge of the province of Beira prove that his object was not merely mockery: zombar da gente da Beira[125]. Many of his ...
— Four Plays of Gil Vicente • Gil Vicente

... still, that I may find sympathy and comprehension among some, at least, of my audience, as I proceed to examine the ancient realist schools of Alexandria, on account of their knowledge of the modern realist schools of Germany. For I cannot but see, that a revulsion is taking place in the thoughts of our nation upon metaphysic subjects, and that Scotland, as usual, is taking the lead therein. That most ...
— Alexandria and her Schools • Charles Kingsley

... which a man is not merely a deceiver of others but is self-deceived, and suffers from "the lie in the soul." The religion of Christ is always remorselessly opposed to every form or kind of humbug or of sham. Jesus Christ is the supreme spiritual realist of history. In His view the "publican" or acknowledged sinner is preferable to the Pharisee or hypocrite for the precise reason that the former is a more genuine kind of person than the latter. And to tell the truth in this deeper sense, that is, ...
— Religious Reality • A.E.J. Rawlinson

... for a wedding present, Reggie? I think I will give you the book of Common Prayer in the vulgar tongue. One would think it was something written by a realist. The adjectives would apply to the productions of George Moore, which are boycotted by Smith on account of their want of style or something of the sort. If George Moore could only learn the subtle art of indecency he might be tolerable. As it ...
— The Green Carnation • Robert Smythe Hichens

... artist he is everything except articulate. Somebody in Shakespeare—Touchstone, I think—talks about a man who is always breaking his shins over his own wit, and it seems to me that this might serve as the basis for a criticism of Meredith's method. But whatever he is, he is not a realist. Or rather I would say that he is a child of realism who is not on speaking terms with his father. By deliberate choice he has made himself a romanticist. He has refused to bow the knee to Baal, and after all, even if the man's fine spirit did not revolt ...
— Selected Prose of Oscar Wilde - with a Preface by Robert Ross • Oscar Wilde

... medical doctor. Brett-James evidently had something to do with the process that had enabled them to bring Joe from the past. Joe didn't know how they'd done it, and he didn't care. Joe was a realist. He was here. The ...
— Gun for Hire • Dallas McCord Reynolds

... one effect of the War on Paul's mind: he was becoming less of an idealist and more of a realist. ...
— War Letters of a Public-School Boy • Henry Paul Mainwaring Jones

... thought on the subject. I doubt the experts in Philosophy will not praise my discourses;— but the topics give me room for my guesses, criticism, admirations and experiences with the accepted masters, and also the lessons I have learned from the hidden great. I have the fancy that a realist is a good corrector of formalism, no matter how incapable of syllogism or continuous linked statement. To great results of thought and morals the steps are not many, and it is not the masters who spin ...
— The Correspondence of Thomas Carlyle and Ralph Waldo Emerson, 1834-1872, Vol II. • Thomas Carlyle and Ralph Waldo Emerson

... life? Where shall we find another so vividly set forth in all its sordid details? And yet see how art steps in, with the wand of genius, to make literature! Over the whole the author has cast an ideal light; over a picture that, in the hands of a bungling realist, would have been repellent he has thrown the idealizing grace that makes it one of the most charming sketches in the world. Here is nature, as nature only ought to be in literature, ...
— Complete Works of James Whitcomb Riley • James Whitcomb Riley

... the author of Swings and Roundabouts is something of an event; and in Bottles and Jugs Mr. Ughtred Biggs makes another fascinating raid on the garbage-bins of London's underworld. Mr. Biggs is a stark realist, and his unminced meat may prove too strong for some stomachs; but those who can digest the fare he offers will find it wonderfully sustaining. Here is no condiment of verbiage, no dressing of the picturesque. ...
— Punch, or the London Charivari, Vol. CLVIII, January 7, 1920 • Various

... Let the realist dip his falcon in the boiling blood of life, Tracing in heartrending horror all the hoary wrongs and strife, Till the world shall sick and sadden of its folly and its sin, Hearkening through the roar of traffic to the ...
— The Arena - Volume 18, No. 92, July, 1897 • Various

... mystery dance, in which rents are to be sent up and wages down, while the old feuds of Wales and Ireland, ancient theological and sectarian jealousies and babyish loyalties, and so forth are to be waved in the eyes of the no longer fascinated realist. ...
— What is Coming? • H. G. Wells

... poet's dictionary. One would not have it away; one can hear the caress with which the master pronounces it, "making his mouth," as Swift did for his "little language." Nor does the customary adjective fail in later literature. It was dear to the Realist, and it is dear to the Symbolist. The only difference is that in the French of the Symbolist ...
— The Children • Alice Meynell

... to value, and the delight of each so incommunicable. And it is just a knowledge of this, and a remembrance of those fortunate hours in which the bird has sung to us, that fills us with such wonder when we turn to the pages of the realist. There, to be sure, we find a picture of life in so far as it consists of mud and of old iron, cheap desires and cheap fears, that which we are ashamed to remember and that which we are careless whether we forget; but of the note of that time-devouring ...
— Talks To Teachers On Psychology; And To Students On Some Of Life's Ideals • William James

... youth. So, almost simultaneously with "McTeague," Mr. Norris published "Blix," another San Francisco story, as short as "McTeague" was lengthy, as light as "McTeague" was heavy, as poetic and graceful as "McTeague" was somber and charmless. Here is a man worth waiting on; a man who is both realist and poet, a man who ...
— A Collection of Stories, Reviews and Essays • Willa Cather

... point of view, this all shoves toward grossness - positively even towards the far more damnable CLOSENESS. This has kept me off the sentiment hitherto, and now I am to try: Lord! Of course Meredith can do it, and so could Shakespeare; but with all my romance, I am a realist and a prosaist, and a most fanatical lover of plain physical sensations plainly and expressly rendered; hence my perils. To do love in the same spirit as I did (for instance) D. Balfour's fatigue in the heather; my dear sir, there were grossness - ready made! And hence, how to sugar? However, I ...
— Vailima Letters • Robert Louis Stevenson

... signified, to us at least, by the flat triangular head and the heavy jaw, but by the look of malevolence and craft signified, to us at least, by the eye and the lip? 'To us at least,' I say. For it is an open question, and will be one, as long as the nominalist and the realist schools of thought keep up their controversy—which they will do to the world's end—whether this seeming hideousness be a real fact: whether we do not attribute to the snake the same passions which we should expect to find—and to abhor—in ...
— At Last • Charles Kingsley

... works. It represents the elements of romanticism and of realism in one, and that kind of representation has its dangers, to say nothing of its difficulties. It sometimes alienates the reader, who by instinct and preference is a realist, and it troubles the reader who wants to read for a story alone, who cares for what a character does, and not for what a character is or says, except in so far as it emphasises what it does. One has to work, however, ...
— The Judgment House • Gilbert Parker

... And this time it is about something that I do know—exhaustively. Guess where it's laid? In the John Grier Home! And it's good, Daddy, I actually believe it is—just about the tiny little things that happened every day. I'm a realist now. I've abandoned romanticism; I shall go back to it later though, when my own adventurous ...
— Daddy-Long-Legs • Jean Webster

... you call yourself a realist, poor child!" said Lotys with a laugh; "I tell you I would sooner starve than accept favour or ...
— Temporal Power • Marie Corelli

... turned round with his hand before his face and spat into the sea; and when he illustrated the deed with the corresponding expression, as in the thrill of eagerness that perceptibly pervaded the whole figure of a thirsty man who stooped down to drink. But Giotto was no mere realist though he was a great realist; he was also in the highest light an idealist. His sense of harmony and beauty was true and noble; he rose above the real into 'the things unseen and eternal,' of which the real is ...
— The Old Masters and Their Pictures - For the Use of Schools and Learners in Art • Sarah Tytler

... O. Henry is romantic; in his settings he is a realist. Della and Jim are romantic lovers, they are not prudent nor calculating, but act upon impulse. In his descriptions, however, he is a realist. The eight-dollar-a-week flat, the frying pan on the back of the stove, the description of Della "flopping down on the couch for a cry," ...
— Americans All - Stories of American Life of To-Day • Various

... Guy de Maupassant is the greatest realist that ever lived. All other realists seem idealists in comparison. Many of the situations he describes are situations doubtless in which he himself "had a hand." Others are situations which he came across, in his enterprising debouchings here and there, ...
— Suspended Judgments - Essays on Books and Sensations • John Cowper Powys

... through bodily eyes, and measure it, often enough, only in the insignificant moment of its action, it may come to seem to us, at all events less realizable; and thus it is that we speak of those who have vividly painted exterior things as realists. Properly speaking, Maupassant is no more a realist than Maeterlinck. He paints a kind of reality which it is easier for us to recognize; ...
— The Works of Guy de Maupassant, Vol. 1 (of 8) - Boule de Suif and Other Stories • Guy de Maupassant

... insight is anything but profound. He has no suspicion of deeper waters. Through the whole course of the present story, he never attempts to fathom Crosbie's feelings, to retrace his motives, to refine upon his character. Mr. Trollope has learned much in what is called the realist school; but he has not taken lessons in psychology. Even while looking into Crosbie's heart, we never lose sight of Courcy Castle, of his Club, of his London life; we cross the threshold of his inner being, we knock ...
— Atlantic Monthly,Volume 14, No. 82, August, 1864 - A Magazine Of Literature, Art, And Politics • Various

... power of the mind to know the truth and to find perfect happiness in the supernatural act of beholding God face to face, Dante is not in agreement with Pragmatism, Hegelianism and the "new Realist" theory—all which make truth elusive to the mind; but he is in full accord with the teaching of the Catholic Church, which defends the rights of reason holding, e.g., that "by the natural light of reason God can be known with certainty, by means of created things" (Vatican Council), ...
— Dante: "The Central Man of All the World" • John T. Slattery

... chart. We are fortunate in having with us a man who has left the 'main travelled roads' of fiction and, to mix metaphors a little, a man who can tell us whether the 'idols' that are 'crumbling' are those of the realist or those ...
— Modern Eloquence: Vol II, After-Dinner Speeches E-O • Various

... in a measure true. Dostoevsky was no realist. Nor, on the other hand, was he a novelist of horrors for horrors' sake. He could never have written Facts in the Case of M. Valdemar like Poe for the sake of ...
— Old and New Masters • Robert Lynd

... The realist and the romantic tiger are agreed upon one point, however. They both look down on tigers that don't read but merely ...
— The Crow's Nest • Clarence Day, Jr.

... considers herself a Realist says in a story published recently: "I found a letter in my mail and read it as I prepared my morning coffee." This is an impossible feat. She may have prepared the coffee and then read the letter, or read the letter and then prepared the coffee, but she did not ...
— The Onlooker, Volume 1, Part 2 • Various

... of Emerson's mind and teaching. In philosophy proper Emerson made no contribution of his own, but accepted, apparently without much examination of the other side, from Coleridge after Kant, the intuitive, a priori and realist theory respecting the sources of human knowledge, and the objects that are within the cognisance of the human faculties. This was his starting-point, and within its own sphere of thought he cannot be said to have carried it any further. What he did was to light ...
— Critical Miscellanies, Vol. 1, Essay 5, Emerson • John Morley

... the censure and the praise of women. Coquillard, with his railleries assuming legal forms and phrases, laughs at love and lovers, or at the Droits Nouveaux of a happy time when licence had become the general law. Henri Baude, a realist in his keen observation, satirises with direct, incisive force, the manners and morals of his age. Martial d'Auvergne (c. 1433-1508), chronicling events in his Vigiles de Charles VII., a poem written according to the scheme of the liturgical Vigils, ...
— A History of French Literature - Short Histories of the Literatures of the World: II. • Edward Dowden

... same time the so-called "Realist" movement originated in Bohemia, led by Professor Masaryk, Professor Kaizl and Dr. Kramar. It was not a separate party movement, but a philosophic effort for a regenerated democratic national policy. The Realists demanded a practical, forward movement, such as would at last ...
— Independent Bohemia • Vladimir Nosek

... of a realist to find things the reverse of their appearance inclined him to put every statement in a paradox. A certain habit of antagonism defaced his earlier writings,—a trick of rhetoric not quite outgrown in his later, ...
— The Atlantic Monthly, Vol. 10, No. 58, August, 1862 • Various

... Once over-romantic, his character now was so entirely imbued with the neutral tints of life that romance offended his taste as an obtrusion of violent colour into a sober woof. He was become a thorough Realist in his code of criticism, and in his worldly mode of action and thought. But Parson John did not perceive this, for Welby listened to that gentleman's eulogies on the Ideal school without troubling himself to contradict them. He had grown ...
— Kenelm Chillingly, Complete • Edward Bulwer-Lytton

... the things that come up for representation on his paper. By his insistence upon certain pleasant things he helped to establish them in the ideal, which, on the morrow, always tends to become the real. He was a realist only to the extent of their possibility. It gave him no pleasure whatever to enumerate, and represent over again, the many times in which the beautiful intentions of nature had gone astray. He liked to be upon the side of her successes. He constantly helped us to believe in, and ...
— George Du Maurier, the Satirist of the Victorians • T. Martin Wood

... Realist as he professed to be, Machiavelli divorced politics from morality. Whereas for Aristotle[1] and Aquinas alike the science of politics is a branch of ethics, for Machiavelli it is an abstract science as totally dissociated from morality as is mathematics or surgery. The prince, ...
— The Age of the Reformation • Preserved Smith

... always the artist, never the realist. The realist pictures the things he sees; the artist expresses that which he feels. Children, and all simple folk who use pen, pencil or brush, describe the things they behold. As intellect develops and goes more in partnership with hand, imagination soars, and things are outlined ...
— Little Journeys to the Homes of the Great, Vol. 1 of 14 - Little Journeys to the Homes of Good Men and Great • Elbert Hubbard



Words linked to "Realist" :   pragmatist, realistic, somebody, mortal, soul, someone, painter, realism, philosopher, person, individual



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