"Raphael" Quotes from Famous Books
 ... Holinshed.—Raphael Holinshed (died 1580?) published in 1578 a history of England, Scotland, and Ireland, usually known as Holinshed's Chronicle. The two immense folio volumes contain an account of Britain "from its first inhabiting" up to his own day, ...
— An Introduction to Shakespeare • H. N. MacCracken
... the inhabitants had discovered by this time that their visitor was very costly. Accordingly, when he expressed his intention of returning to France, nobody opposed or gainsaid it; and, after a pleasant sojourn of seven months among the planters of Martinique, he embarked on board the "Raphael," bound for Bordeaux. His household accompanied him, and under a salute from the guns of the fort ...
— Celebrated Claimants from Perkin Warbeck to Arthur Orton • Anonymous
... the French by a bevy of such painters and sculptors as Leonardo da Vinci, Rosso, Primaticcio, Benvenuto Cellini, and Bramante, and they were encouraged and feted by Marguerite especially. In those days a new picture from Italy by Raphael was received with as much pomp and ceremony as, in olden times, were accorded the holiest ...
— Women of Modern France - Woman In All Ages And In All Countries • Hugo P. Thieme
... really spiritual Christian of those ages the air of this lower world was not as it is to us, in spite of our nominal faith in the Bible, a blank, empty space from which all spiritual sympathy and life have fled, but, like the atmosphere with which Raphael has surrounded the Sistine Madonna, it was full of sympathizing faces, a great "cloud of witnesses." The holy dead were not gone from earth; the Church visible and invisible were in close, loving, and constant sympathy,—still ...
— Atlantic Monthly, Volume 8, Issue 45, July, 1861 • Various
... its forms. All notes were struck,—gay, graceful, beautiful, grave, cruel, dignified, reverential, magnificent, but all with an exuberance of life and power that gave to Italian art its great place in human culture. The great names of the period speak for themselves,—Michelangelo, Raphael, Botticelli, Titian, Leonardo da Vinci, Andrea del Sarto, Machiavelli, Benvenuto Cellini, and ...
— Furnishing the Home of Good Taste • Lucy Abbot Throop
... that a man named Johann Faust, renowned for his learning and credited with magical powers, actually did exist—probably about 1490 to 1540. (He was therefore a contemporary of Paracelsus, and also of Luther, Charles V., Henry VIII. and Raphael.) Several notices of this Dr. Johann Faust occur in writers of the period. One of the most circumstantial is by the friend and biographer of Melanchthon, who himself seems to have met Faust. But the various myths ...
— The Faust-Legend and Goethe's 'Faust' • H. B. Cotterill
... canvas, easel, and a very considerable case of other appliances in hand, strolled up the pleasant pathway through the beech-woods to Hammerpond Park, and pitched his apparatus in a strategic position commanding the house. Here he was observed by Mr. Raphael Sant, who was returning across the park from a study of the chalk-pits. His curiosity having been fired by Porson's account of the new arrival, he turned aside with the idea ...
— Golden Stories - A Selection of the Best Fiction by the Foremost Writers • Various
... fastening the eyes on the spot where they should look. Even lifeless figures, as vessels and stools—let them be drawn ever so correctly—lose all effect so soon as they lack the resting upon their centre of gravity, and have a certain swimming and oscillating appearance. The Raphael in the Dresden gallery[672] (the only great affecting picture which I have seen) is the quietest and most passionless piece you can imagine; a couple of saints who worship the Virgin and child. Nevertheless it awakens a deeper impression than the contortions of ten ...
— Essays • Ralph Waldo Emerson
... was opened by President Poincare with a gift of one thousand francs; the American War Relief Clearing House gave her four thousand three hundred francs, Madame Viviani contributed four thousand francs; the Comedie Francaise one thousand, and Raphael Weill of San Francisco seven thousand seven hundred and fifty; Alexander Phillips of New York three thousand; and capitalists, banks, bank clerks, civil servants, colonials, school children, ...
— The Living Present • Gertrude Franklin Horn Atherton
... those of Shakspeare, and Spenser, and Milton, while our English tongue endures. It was a long apartment, the ceiling low, with two windows at one end, looking out on the lawn and shrubbery. Many engravings were on the walls. The famous Madonna of Raphael, known as that of the Dresden Gallery, hung directly over the fire-place. Inman's portrait of the Poet, your gift to Mrs. Wordsworth, being a copy of the one painted for you, had a conspicuous place. The portrait of Bishop White, also your gift (the engraving from ...
— The Prose Works of William Wordsworth • William Wordsworth
... words of God himself. The divine instructions have taught sinners what they ought to do; that by works of righteousness God is satisfied, and with the merits of mercy sins are cleansed.{HORIZONTAL ELLIPSIS} He [the angel Raphael, cf. Tobit. 12:8, 9] shows that our prayers and fastings are of little avail unless they are aided by almsgiving; that entreaties alone are of little force to obtain what they seek, unless they be made sufficient by the addition of deeds and good works. The angel reveals and ...
— A Source Book for Ancient Church History • Joseph Cullen Ayer, Jr., Ph.D.
... impression of beauty on the mind that the more ornate work of the Renaissance fails to give us. It is an illustration in architecture, of what we have ventured to call the 'simple right' and the 'elaborate wrong;' like the composition of Raphael's Holy Family (drawn on the head of a tub), it was right, whilst its thousand imitations ...
— Normandy Picturesque • Henry Blackburn
... here and there into groups; one of which, on a craggy knoll abreast of the ships, has struck us as being particularly interesting. A fine majestic looking man, whose full beard and flowing garments remind us of a figure in the Cartoons of Raphael, is standing in the middle of a circle of old men, who are lying on the grass, and appear ...
— Account of a Voyage of Discovery - to the West Coast of Corea, and the Great Loo-Choo Island • Captain Basil Hall
... was passed Woodes Rogers had so won the hearts of the Portuguese Governor and the settlers that he and his "musick" were invited to take part in an important religious function, or "entertainment," as Rogers calls it, "where," he says, "we waited on the Governour, Signior Raphael de Silva Lagos, in a body, being ten of us, with two trumpets and a hautboy, which he desir'd might play us to church, where our musick did the office of an organ, but separate from the singing, which was by the fathers well perform'd. Our musick played 'Hey, ...
— The Pirates' Who's Who - Giving Particulars Of The Lives and Deaths Of The Pirates And Buccaneers • Philip Gosse
... to stand up, and stood face to face with one another like the divine spouses in the picture of Raphael. We exchanged the golden ring, and his Reverence, in a slow, grave voice, uttered some Latin words, the sense of which I did not understand, but which greatly moved me, for the prelate's hand, white, delicate, and transparent, ...
— Monsieur, Madame and Bebe, Complete • Gustave Droz
... "if you can't be honest with me, be as honest as you can"—but he had to accept the lifted shoulders and the Raphael smile as his only security. However, Luigi had made him comfortable and as he approached him now ...
— The Lovely Lady • Mary Austin
... as when he there contemplated the works of Titian, Paul Veronese, and other great masters. Indeed, those pages where he regrets the demolition of many of our old English gardens, and when he dwells on the probability that even Raphael, Giulio Romano, and M. Angelo, (which last planted the famous cypresses in the garden of the Villa d'Este) were consulted on the decorations of some of the old Italian ones; these pages at once shew the fascinating charms ...
— On the Portraits of English Authors on Gardening, • Samuel Felton
... and his victories inscribed. 2. Church of St. Ignazia; tomb of Gregory XV. 3. Pantheon of Agrippa—built 22 B.C., of Oriental granite brought from Egypt. The obelisk is from the Temple of Isis. 4. In the second chapel to the left, Raphael was buried in 1520. He gave orders to his scholar Lorenzetto to make the statue of the Virgin, behind which he is buried. It is ornamented by gold and silver offerings of trinkets, rings, and bracelets. 5th. Piazza della Minerva—formerly Temple of Minerva, another of Isis, another ...
— The Story of My Life - Being Reminiscences of Sixty Years' Public Service in Canada • Egerton Ryerson
... "spirit of the age" was fostered by the invention of printing, by the downfall of the Byzantine Empire, and the scattering of Greek fugitives, carrying the treasures of literature through Western Europe, by the works of Raphael and Michael Angelo, by the Reformation, and by the extension of the known world through the voyages of Spaniards and Portuguese. During that period there came to the front the founder of accurate observational astronomy. Tycho Brahe, a Dane, born in ...
— History of Astronomy • George Forbes
... who picked out and pieced together parts taken from Correggio, Raphael, Titian and other great artists. If Michael Angelo is the AEschylos of artists, and Raphael the Sophocl[^e]s, the Carracci may be called the Euripid[^e]s of painters. I know not why in England the name is spelt with ...
— Character Sketches of Romance, Fiction and the Drama - A Revised American Edition of the Reader's Handbook, Vol. 3 • E. Cobham Brewer
... have depicted St. Cecilia playing upon the organ, often a small, portable instrument, such as she bears in the celebrated picture by Raphael, which we reproduce. For over six hundred years, from the time of Cimabue to our own day, artists of all countries have vied with each other in representations of St. Cecilia, but none have risen to the height of Raphael's treatment of ...
— Among the Great Masters of Music - Scenes in the Lives of Famous Musicians • Walter Rowlands
... Velasquez, Turner, Hobbema, Van Dyck, Raphael, Frans Hals, Romney, Gainsborough, Whistler, Corot, Mauve, Vermeer, Fragonard, Botticelli, and Titian reproductions followed in such rapid succession as fairly to daze the magazine readers. Four pictures were given in each number, and ...
— The Americanization of Edward Bok - The Autobiography of a Dutch Boy Fifty Years After • Edward William Bok
... scarcity values, articles which cannot be reproduced by labor, and whose value is wholly independent of the quantity of labor originally necessary to produce them. Such articles are unique specimens of coins and postage stamps, autograph letters, rare manuscripts, Stradivarius violins, Raphael pictures, Caxton books, articles associated with great personages—such as Napoleon's snuffbox—great auks' eggs, and so on ad infinitum. No possible amount of human labor could reproduce these articles, reproduce, that is to say, the exact utilities in them. Napoleon's ...
— Socialism - A Summary and Interpretation of Socialist Principles • John Spargo
... covered with a colossal "Battle of the Amazons," by Rubens, each figure thrown out in startling distinctness, full of voluptuous life and action; the walls were mantled by vast golden frames holding the best of Titian, Correggio and Giorgione, Raphael and Ribera. And jewels flashed everywhere; cunningly placed lamps, themselves encrusted with the reddest of rubies, the subtlest of green emeralds, flooded walls and furnishings with a soft yet searching light which seemed to be carefully calculated to accentuate those things whose beauty ...
— The Pirate Woman • Aylward Edward Dingle
... as true of historical movements as of physical evolution. Before Columbus sighted Hispaniola, Portuguese sailors had told tales of some vast island seen by them far in the west. Botticelli had passed out of Filippo Lippi's school, and Leonardo was thirty, before Raphael was born; the printing press had reached England, and Greek had been re-discovered, in the last years of the previous "period"; the Byzantine Empire had fallen; the power of the old Baronage in England and France had been broken before Richard fell on Bosworth field. There ...
— England Under the Tudors • Arthur D. Innes
... only line that traces the architrave round the arch, is that of the masonry joint; yet this line is drawn with extremest subtlety, with intention of delighting the eye by its relation of varied curvature to the arch itself; and it is just as much considered as the finest pen-line of a Raphael drawing. Every joint of the stone is used, in like manner, as a thin black line, which the slightest sign of cement would spoil like a blot. And so proud is the builder of his fine jointing, and so fearless of any distortion or strain spoiling the adjustment afterwards, that in one place he runs ...
— Aratra Pentelici, Seven Lectures on the Elements of Sculpture - Given before the University of Oxford in Michaelmas Term, 1870 • John Ruskin
... however, seemed to notice neither, but praised the baby's pretty rings of hair, saying he reminded her of one of Raphael's cherubs, and asked Molly about her school, taking in, with evident amusement, the child's original answers, and little twists and tosses, till Sara could recover her equanimity, and be her own quiet self once more. Then she ...
— Sara, a Princess • Fannie E. Newberry
... Paris. Her gowns were grand, her hats were great, I tell you! When some one was warbling at the piano, she would put her elbow on the lid of the "baby grand," face the audience, and strike a stained-glass attitude that would make Raphael's cartoons look ...
— A Fantasy of Mediterranean Travel • S. G. Bayne
... this new type of tone woodcut into Italy; indeed, he claimed to be the inventor of the method. "This was called chiaroscuro, a name still given to it, and was, in fact, a simple form of our modern chromo printing." His woodcuts are in a simple, vigorous style; one of them after Raphael's "Death of Ananias," printed in brown, has a depth and brilliancy which may remind us of the mezzo-tints of Turner's Liber Studiorum. This is proudly signed, "Per Ugo da Carpo," and some copies are said to ...
— Wood-Block Printing - A Description of the Craft of Woodcutting and Colour Printing Based on the Japanese Practice • F. Morley Fletcher
... seemed graceful. Graham remarked to Lincoln that he saw men as Raphael's cartoons walking, and Lincoln told him that the attainment of an appropriate set of gestures was part of every rich person's education. The Master's entry was greeted with a sort of tittering applause, but these people showed their distinguished manners by not crowding ...
— When the Sleeper Wakes • Herbert George Wells
... personal heroism shown by Hynson and others when the "Somers" went down, Lieutenant Raphael Semmes, in his book, "Service Afloat and Ashore During the Mexican War," said: "Those men who could not swim were selected to go into the boat. A large man by the name of Seymour, the ship's cook, having got into her, he was commanded ...
— The Naval History of the United States - Volume 2 (of 2) • Willis J. Abbot
... Raphael conceives a woman of infinite loveliness and purity and tenderness to represent the mother of Christ. How are we to be sharers in that conception? He takes brushes and paint, and there grows upon his canvas the Sistine Madonna, that picture of such mystic potency, which to see at Dresden ...
— Platform Monologues • T. G. Tucker
... and active as that of Shakespeare's Beatrice; Pietro Bembo, the Ciceronian dictator of letters in the sixteenth century; Bernardo Bibbiena, Berni's patron, the author of 'Calandra,' whose portrait by Raphael in the Pitti enables us to estimate his innate love of humor; Giuliano de' Medici, Duke of Nemours, of whom the marble effigy by Michael Angelo still guards the tomb in San Lorenzo; together with other knights and gentlemen less known ...
— Renaissance in Italy, Volume 1 (of 7) • John Addington Symonds
... Discourses how he spent his time there and what direction his studies took. Fragonard pursued an exactly opposite course, being advised thereto by Boucher, who said to him, "If you take Michelangelo and Raphael seriously, you are lost." Feeling that the advice was suitable to himself, if not sound on general principles, Fragonard devoted himself to the lighter and more sparkling works of Tiepolo and others of the seventeenth and eighteenth ...
— Six Centuries of Painting • Randall Davies
... academic exercises. If Greek and Latin were too full or too difficult, courses in Romanic and Germanic philology would do as well. Anglo-Saxon gave way to Old English; and Chaucer to the Lake Poets. Philosophy struggled for favor with the English novel on equal terms. The works of Raphael were photographed and lithographed until the Sistine Madonna became as commonly known as the face of any strenuous and popular statesman of the day. With the aid of these art productions, and John Addington Symonds, ...
— Woman in Modern Society • Earl Barnes
... perfect balance of lines and forms that it would, (as was said of all Raphael's) 'seen at any distance have the air of an ornamental design.' It also tolls its story at the first glance, though, like all beautiful works, it gains ...
— Summer on the Lakes, in 1843 • S.M. Fuller
... "Hudibrastic History of Lord Amherst's Visit to China." "The London Directory and London Ambulator." "Golden Key of the Treasures of Knowledge." "The Little World of Great and Good Things." E. Thomson's "Adventures of a Carpet." "Raphael's Witch; or, Oracle of the Future" (ten coloured designs). "The London Stage" (a collection of about 180 plays, with a cut to each play; 4 vols.). Portrait of Mr. Oxberry as "Humphrey Gull" in the "Dwarf of Naples," ...
— English Caricaturists and Graphic Humourists of the Nineteenth Century. - How they Illustrated and Interpreted their Times. • Graham Everitt
... among the founders of modern art, the noble Leonardo; thus Raphael, the master of high Beauty, who shunned not to exhibit it in smaller measure, rather than to appear monotonous, lifeless, and unreal—though he understood not only how to produce it, but also how to break up uniformity by ...
— The German Classics of the Nineteenth and Twentieth Centuries: - Masterpieces of German Literature Translated into English, Volume 5. • Various
... to London," she began, now exhibiting a certain diffidence, "and to-night I was looking for the chambers of Mr. Raphael Philips of Figtree Court." ...
— Tales of Chinatown • Sax Rohmer
... I am so constituted that I simply cannot go on living in the same world with a really intelligent woman—my friend, besides—who does not see the difference between Raphael and Guido Reni, and likes one exactly as well as the other. ...
— Aurora the Magnificent • Gertrude Hall
... has its moments of forgetfulness. Curtains are not always let down in time. A woman, just before dark, approaches the window to thread her needle, and the married man opposite may then admire a head that Raphael might have painted, and one that he considers worthy of himself—a National Guard truly imposing when under arms. Oh, sacred private life, where art thou! Paris is a city ever ready to exhibit itself half naked, a city essentially libertine and devoid of modesty. For a person's life to be ...
— Petty Troubles of Married Life, Part First • Honore de Balzac
... relates to Adam her troublesome dream: he likes it not, yet comforts her: They come forth to thir day labours: Their Morning Hymn at the Door of their Bower. God to render Man inexcusable sends Raphael to admonish him of his obedience, of his free estate, of his enemy near at hand; who he is, and why his enemy, and whatever else may avail Adam to know. Raphael comes down to Paradise; his appearance describ'd, his coming discern'd by Adam afar off sitting ...
— The Poetical Works of John Milton • John Milton
... ability. Mr. Herbert Coleridge said he thought this a mistake, but he urged that full details were wanting in regard to his mental capacity as shown in other ways than in music. Macaulay replied that Mozart was the Raphael of music, and was both a composer and a wonderful performer at the age of six. "Now," said he, "we cannot conceive of any one being a great poet at the age of six: we hear nothing of Shakespeare or Milton ...
— Lippincott's Magazine of Popular Literature and Science, Vol. XVII. No. 101. May, 1876. • Various
... large composition of figures, such as the 'Wedding-feast at Cana', by Paul Veronese, or 'The School of Athens', by Raphael, the artist should set out his floors, his walls, his colonnades, his balconies, his steps, &c., so that he may know where to place his personages, and to measure their different sizes according to their distances; indeed, he must ...
— The Theory and Practice of Perspective • George Adolphus Storey
... idea he is indebted to Plato, for another to Dr. Channing. Sartor Resartus, so Emerson writes, is a noble philosophical poem, but 'have you read Sampson Read's Growth of the Mind?' We read somewhere of 'Pindar, Raphael, Angelo, Dryden, and De Stael.' Emerson's notions of literary perspective are certainly 'very early.' Dr. Holmes himself is every bit as bad. In this very book of his, speaking about the dangerous liberty some poets—Emerson amongst the number—take of crowding a redundant syllable ...
— Obiter Dicta - Second Series • Augustine Birrell
... have been the effect when it was first painted! for even five modern restorations, under which the original work has been buried, have not succeeded in destroying the hallowing charm. To enjoy similar effects we must turn to the central Italian painters, to Perugino and Raphael; certainly in Venetian art of pre-Giorgionesque times the like cannot be found, and herein Giorgione is an innovator. Bellini, indeed, before him had studied nature and introduced landscape backgrounds into his pictures, but more for picturesqueness of setting than as an integral part of the ...
— Giorgione • Herbert Cook
... absorbed in one subject—Colour. I noted how lifeless and pale the colouring of to-day appeared beside that of the old masters, and I meditated deeply on the problem thus presented to me. What was the secret of Correggio—of Fra Angelico—of Raphael? I tried various experiments; I bought the most expensive and highly guaranteed pigments. In vain, for they were all adulterated by the dealers! Then I obtained colours in the rough, and ground and mixed them myself; still, though a little better result was obtained, I found trade adulteration ...
— A Romance of Two Worlds • Marie Corelli
... into the picture-gallery by the chancellor (although Duke George cared little about such matters), where there was a costly collection of paintings by Perugino, Raphael, Titian, Bellini, &c.—item, statues, vases, coins, and medals, all of which his Grace had brought lately from Italy. Here also there was a large book, covered with crimson velvet, lying open, in which his Grace the Duke had written down many extracts from the sermons ...
— Sidonia The Sorceress V2 • William Mienhold
... for the pretender to fashion to go swelling into the atelier of a first-rate coat architect, with his ready money in his hand, to order such a coat! Order such a coat, forsooth! order a Raphael, a Michael Angelo, an epic poem. Such a coat—we say it with the generous indignation of a free Briton—is one of the exclusive privileges reserved, by unjust laws, to ...
— Blackwood's Edinburgh Magazine, No. CCCXXVIII. February, 1843. Vol. LIII. • Various
... under Hadrian, but we may provisionally treat the edifice as already belonging to our period. It is still, after all these centuries, an entirely noble pile, and forms a fit receptacle for the tomb, not only of Victor Emanuel, but of Raphael. Its form is that of a rotunda, with walls of concrete 20 feet in thickness and with a dome of concrete cast in a solid mass. The middle of the dome is open to the sky, and by that means the building is lighted in a manner most perfectly ...
— Life in the Roman World of Nero and St. Paul • T. G. Tucker
... is covered with the richest profusion of medallions, scrolls, friezes, canopies, statues, and arabesques, in bas-relief, worked with extraordinary care, and of great beauty. Their style is that of the Loggie of Raphael; or, to compare them with another Norman subject of the same aera, of the sculptures upon the mausoleum raised to the Cardinal d'Amboise, in Rouen cathedral: indeed, for delicacy of workmanship, they may almost compete with the ...
— Architectural Antiquities of Normandy • John Sell Cotman
... when nature endows a man with a remarkable gift she also implants within him the love of exercising it. Astor loved to plan a vast, far-reaching enterprise. He loved it as Morphy loves to play chess, as Napoleon loved to plan a campaign, as Raphael loved to paint, and ...
— Famous Americans of Recent Times • James Parton
... of Christian Science is to be a Chris- [5] tian Scientist; and it demands more than a Raphael ...
— Miscellaneous Writings, 1883-1896 • Mary Baker Eddy
... handsome sum of money. We have said our friend Pen had not a calculating turn. No one propensity of his was outrageously extravagant; and it is certain that Paddington's tailor's account; Guttlebury's cook's bill for dinners; Dillon Tandy's bill with Finn, the print seller, for Raphael-Morgheus and Landseer proofs, and Wormall's dealings with Parkton, the great bookseller, for Aldine editions, black-letter folios, and richly illuminated Missals of the XVI. Century; and Snaffle's or Foker's ...
— The History of Pendennis • William Makepeace Thackeray
... of art—and secondly, by exploring further on his own account in the untrodden realms of feeling that lie before him, and calling into palpable existence visions as bright, as pure, and as immortal as those that have already, in the golden days of Raphael and Perugino, obeyed their creative mandate, Live!" (Vol. iii., ...
— On the Old Road Vol. 1 (of 2) - A Collection of Miscellaneous Essays and Articles on Art and Literature • John Ruskin
... Illumined by that fire of wood; Fair-haired, blue-eyed, his aspect blithe, His figure tall and straight and lithe, And every feature of his face Revealing his Norwegian race; A radiance, streaming from within, Around his eyes and forehead beamed, The Angel with the violin, Painted by Raphael, he seemed. He lived in that ideal world Whose language is not speech, but song; Around him evermore the throng Of elves and sprites their dances whirled; The Stroemkarl sang, the cataract hurled Its headlong ...
— Tales of a Wayside Inn • Henry Wadsworth Longfellow
... the productions of the fortunate American, and scarcely could a Raphael or a Titian have been more respected or honored. It was his own genius that had raised him and ...
— The Duke's Prize - A Story of Art and Heart in Florence • Maturin Murray
... she was in Italy; for she is copying some fine thing of Raphael's or Michael Angelo's, or some great creatures or other; and she looks so picturesque in her pretty gown, sitting before her easel, that it's really a sight to behold, and I've peeped two or three times to see ...
— A Modern Cinderella - or The Little Old Show and Other Stories • Louisa May Alcott
... be hastily taxed with error or untruth. Did not the Angel salute Gideon (Judges vi), and Raphael ...
— The Life of Joan of Arc, Vol. 1 and 2 (of 2) • Anatole France
... famous of Italian painters, Raffaele Sanzio, whom the world commonly calls Raphael, was born at Urbino, in Umbria, part of the Papal States, four hundred years ago. The anniversary was celebrated, on March 28, 1883, both in that town and in Rome, where he lived and worked, and where he died in 1520, with ...
— Scientific American Supplement, No. 385, May 19, 1883 • Various
... Second, Leo the Tenth, and Sixtus the Fifth is accompanied by the superior merit of Bramante and Fontana, of Raphael and Michael Angelo; and the same munificence which had been displayed in palaces and temples was directed with equal zeal to revive and emulate the labors of antiquity. Prostrate obelisks were raised from the ground and erected in the most ...
— The Best of the World's Classics, Restricted to Prose, Vol. IV (of X)—Great Britain and Ireland II • Various
... measure mistaken. The frescoes in the Magi Chapel are indeed greatly finer than those in the present Pieta, but they were painted from thirty to forty years later, when Gaudenzio was in his prime, and it is to years of intervening incessant effort and practice, not to any study under Raphael, that the enlargement of style and greater freedom of design is due. Gaudenzio never studied under Raphael; he may have painted for him, and perhaps did so—no one knows whether he did or did not—but in every branch ...
— Ex Voto • Samuel Butler
... time Raphael, a boy of twelve years of age, was at school under Pietro Perugino. The impressions of these days are perhaps immortalized in the small, early pictures of St. Michael and St. George: something of them, it may be, lives eternally in the large painting of St. Michael: and if Astorre Baglione ...
— The Civilization of the Renaissance in Italy • Jacob Burckhardt
... to action. They saw glimpses, in reopened fields of history, of quarries long grown over where the ore of positive politics lay hid. The men who came to-day to the Orti Oricellarii were men versed in public affairs, men of letters, historians, poets, living greatly in a great age, with Raphael, Michael Angelo, Ariosto, Leonardo going up and down amongst them. Machiavelli was now in fair favour with the Medici, and is described by Strozzi as una persona per sorgere (a rising man). He was welcomed into the group with enthusiasm, and there ...
— Machiavelli, Volume I - The Art of War; and The Prince • Niccolo Machiavelli
... human experience. Age alone can produce a great man or a great nation. Decades for the man and centuries for the nation; these are the measuring periods for real achievement. But all this is on the human side. Correggio and Titian in painting; Bacon and Bailey in sculpture; Raphael and Michael Angelo in sculpture and painting; and Sir Christopher Wren in architecture,—the works of art of such as these elevate and purify one's thought and feeling. But the profoundest impressions that come to one from travel, come alone from the works of nature. The Crystal Palace in London ...
— Questionable Amusements and Worthy Substitutes • J. M. Judy
... which he expresses in the "Peau de Chagrin." That wonderful book, side by side with its philosophical teaching, gives a graphic picture of one side of Balzac's restless, feverish youth, as "Louis Lambert" does of his repressed childhood. Neither Louis Lambert nor the morbid and selfish Raphael give, however, the slightest indication of Balzac's most salient characteristic both as boy and youth—the healthy joie de vivre, the gaiety and exuberant merriment, of which his contemporaries speak constantly, and which shone out undimmed even by the ...
— Honore de Balzac, His Life and Writings • Mary F. Sandars
... as I have told you twenty times, among books and those who knew what was in books. I was carefully instructed in things temporal and spiritual. But up to a considerable maturity of childhood I believed Raphael and Michel Angelo to have been super-human beings. The central doctrine of the prevalent religious faith of Christendom was utterly confused and neutralized in my mind for years by one of those too common stories of actual life, which I overheard ...
— The Atlantic Monthly, Volume 2, Number 9, July, 1858 • Various
... Aristotle, Seneca, the two Catos, and Lord Bacon; among orators, Pericles, Demosthenes, Cicero, Mirabeau, Burke, Webster and Clay; among poets, Homer, Virgil, Dante, Milton, and Shakespeare; among painters and sculptors, Phidias, Parrhasius, Zenxis, Praxiteles, Scopas, Michael Angelo, Raphael and Rubens; among philanthropists, John Howard; among inventors, Archimedes, Watt, Fulton, Arkwright, Whitney and Morse; among astronomers, Copernicus, Galileo, Tycho Brahe, Newton, La Place and the ...
— Burroughs' Encyclopaedia of Astounding Facts and Useful Information, 1889 • Barkham Burroughs
... turvy it seems to me. Do we commend an Eskimo for preferring the flavor of rancid fish oil to the delicate bouquet of the finest French wine? Does it evince a particularly exalted artistic sense to prefer a hideous daub to a Titian or Raphael? Does it betoken a laudable and elevated taste in music to prefer a vulgar tune to one that has the charms of a romantic or classical work of acknowledged beauty? Why, then, should we specially extol Mujnun for admiring a woman who was devoid ...
— Primitive Love and Love-Stories • Henry Theophilus Finck
... without any adequate practical training in it, which alone could teach its right principles, makes, and in the nature of things is bound to make, great mistakes—mistakes easily avoidable. No such thing can possibly be right. Raphael himself designed for tapestry, and the cartoons are priceless, but the tapestry a ghastly failure. It could not have been otherwise under the conditions. Executant separated from designer by all the leagues that ...
— Stained Glass Work - A text-book for students and workers in glass • C. W. Whall
... melody of versification, may be imitated by artists of mediocrity; and many will view, hear, or peruse their performances, without being able positively to discover why they should not, since composed according to all the rules, afford pleasure equal to those of Raphael, Handel, or Dryden. The deficiency lies in the vivifying spirit, which, like alcohol, may be reduced to the same principle in all, though it assumes such varied qualities from the mode in which it is exerted or combined. ...
— The Dramatic Works of John Dryden Vol. I. - With a Life of the Author • Sir Walter Scott
... reign, Reginald Wolfe, the Queen's Printer, with the splendid audacity characteristic of that age, planned to publish a "universal Cosmography of the whole world, and therewith also certain particular histories of every known nation." Raphael Holinshed had charge of the histories of England, Scotland, and Ireland, the only part of the work ever published; and these were issued in 1577, and have since been known as "Holinshed's Chronicles." From them Shakespeare drew most of the ...
— Chronicle and Romance (The Harvard Classics Series) • Jean Froissart, Thomas Malory, Raphael Holinshed
... little of war, and had never commanded any great body of men in the field. It is not, therefore, strange that his first military operations showed little of that skill which, at a later period, was the admiration of Europe. What connoisseurs say of some pictures painted by Raphael in his youth may be said of this campaign. It was in Frederic's early bad manner. Fortunately for him, the generals to whom he was opposed were men of small capacity. The discipline of his own troops, particularly of the infantry, was unequalled in that age; and ...
— Critical and Historical Essays, Volume III (of 3) • Thomas Babington Macaulay
... yesterday she telephoned that she was going to send that Armenian peddler over here, with some Madeira lunch cloths. They WERE beauties, and only twenty-three dollars; you'd pay fifty for them at Raphael Weil's—they're smuggled, I suppose! But I simply said, 'Clara, I can't afford it!' and let it go at that. She laughed—quite cattily, Parker!—and said, 'Oh, that's rather funny!' But I don't care whether Clara White thinks I'm copying Mrs. Burgoyne or not! I might as well copy her ...
— The Rich Mrs. Burgoyne • Kathleen Norris
... when the service was removed, Sir Lemuel challenged Lady Belgrade for a game of chess, and told his daughter to show Mr. Scott those chromoes of the Madonnas of Raphael which had arrived in ...
— The Lost Lady of Lone • E.D.E.N. Southworth
... splendid tapestries by Francois de Wechter, who designed them, and had them executed by Arras workmen. The Van Eycks and Memlinc also designed tapestries, and there is no doubt that the art would have continued to show a more consistent regard for the demands of the material if Raphael had never executed his brilliant cartoons. The effort to be Raphaelesque ruined the effect of many a noble piece of ...
— Arts and Crafts in the Middle Ages • Julia De Wolf Addison
... gave life and beauty to a marble block, and painting was carried to greater perfection than by the ancient Greeks and Romans. Florence, Venice, Milan, and Rome became seats of various schools of this beautiful art, of which Michael Angelo, Correggio, the Carracci, and Raphael were the most celebrated masters, all of whom were distinguished for peculiar excellences, never since surpassed, or even equalled. The Flemish artists were scarcely behind the Italian; and Rubens, of Antwerp, may well rank with Correggio and Titian. To Raphael, ...
— A Modern History, From the Time of Luther to the Fall of Napoleon - For the Use of Schools and Colleges • John Lord
... end to his particular industry. We still find, by the way, this prejudice against print in the very last years of the century. Some rich persons had MS. copies actually made from printed editions and elaborately illustrated. Such a one was Raphael de Marcatellis, natural son of Philip the Good of Burgundy and titular Bishop of Rhossus, near Antioch.[B] Part of his library may be found at Ghent, part at Holkham, and stray volumes at Cambridge (Peterhouse) ...
— The Wanderings and Homes of Manuscripts - Helps for Students of History, No. 17. • M. R. James
... possibly a Copt, Porphyry and Lucian Syrians, Philo, St. Paul, and probably the Fourth Evangelist were Jews. These men all belong to the history of Greek culture. And if these were Greeks how shall we deny the name to Raphael and Michael Angelo, to Spenser and Sidney, to Keats ...
— The Legacy of Greece • Various
... But I am still more angry with you for your edition of Shakespeare. The office of an editor was below you, and your mind was unfit for the drudgery it requires. Would anybody think of employing a Raphael to ...
— Dialogues of the Dead • Lord Lyttelton
... outlines of the Byzantine and old German schools, without the genuine feeling of the latter. Gigantic scarecrows gaze down from the cupolas, meant to represent the Virgin Mary, Christ, St. John, or God the Father. A Russian buys no holy picture that is not quite black or faded out. A lovely Madonna of Raphael, or a fine Sebastian of Correggio, does not seem to him expressive. His creed needs the obscurity of his church—the clouds of incense which at every mass veil the ...
— The German Classics of The Nineteenth and Twentieth Centuries, Vol. X. • Kuno Francke
... embarkations of slaves. This may have been the "River of Good Signs," of Vasco da Gama, as the mouth is more easily seen from the seaward than any other; but the absence of the pillar dedicated by that navigator to "St. Raphael," leaves the matter in doubt. No Portuguese live within eighty miles of ...
— A Popular Account of Dr. Livingstone's Expedition to the Zambesi and Its Tributaries • David Livingstone
... supper. She stopped a moment, for she suddenly felt that her strength was exhausted and that she must rest or break down altogether. She leaned her weight against the elaborately carved railing that shut off the niche like a shrine, and looked at the painting, which was one of Raphael's smaller masterpieces, a Holy Family so smoothly and delicately painted that it jarred upon her at that moment as something untrue and out of all keeping with possibility. Though most perfectly drawn ...
— In The Palace Of The King - A Love Story Of Old Madrid • F. Marion Crawford
... most moved by the simple and quiet sorrows. We smile at the critical point of a spasmodic tragedy, complacently as the Lucretian philosopher looking down from the cliff on the wild sea; we yawn over the wailings of Werter and Raphael, but we ponder gravely over the last chapters of the Heir of Redclyffe, and feel a curious sensation in the throat—perhaps the slightest dimness of vision—when we read in The Newcomes how that noble old soldier crowned the chivalry of a stainless life, dying in the ...
— Guy Livingstone; - or, 'Thorough' • George A. Lawrence
... lions' claws,—oh, free My soul from peril, from my whole life's sins!" His right hand glove he offered up to God; Saint Gabriel took the glove.—With head reclined Upon his arm, with hands devoutly joined He breathed his last. God sent his cherubim, Saint-Raphael, Saint Michiel del Peril. Together with them Gabriel came. All bring The soul of Count Rolland to ...
— National Epics • Kate Milner Rabb
... amount must always be sent to Garden Green. There came a time when he broke in upon the last five pound note of his savings. He realized the position without any actual misgivings. He denied himself regretfully a tiny mezzotint of the Raphael "Madonna," which he coveted for his mantelpiece. He also denied himself dinner for several evenings. When fortune knocked at his door he was, in fact, extraordinarily hungry. He still had faith, notwithstanding his difficulties, and ...
— The Double Life Of Mr. Alfred Burton • E. Phillips Oppenheim
... the science; have crossed and crossed for grenadiers, racehorses, poultry, and prize-bullocks; and bred in and in for fools; but which of them has ever aspired to breed a Newton, a Pascal, a Shakespeare, a Solon, a Raphael? Yet all these were results to be obtained by the right crosses, as surely as a swift horse or a circular sow. Now fancy breeding shorthorns when you might breed long heads." So Vespasian was to engender Young Africa; he was to be first elevated morally ...
— Hard Cash • Charles Reade
... there, which still disappointed me, because from Raphael I asked and expected more. I wished to feel his hand on my soul with a stronger grasp; these were too passionless in their serenity, and almost effeminate ...
— Sunny Memories of Foreign Lands V2 • Harriet Beecher Stowe
... nothing could surpass. It was impossible to listen to the slow, full, rich, deep, and melodious tones that fell trembling from her lips upon the ear, and not feel, aye shudder, under all their fascination on the soul. In such a voice might the Madonna of Raphael have been supposed to offer up her supplications from the gloomy precincts of the cloister. No wonder that Frederick de Haldimar loved her, and loved her with all the intense devotedness of his own glowing heart. His cousin ...
— Wacousta: A Tale of the Pontiac Conspiracy (Complete) • John Richardson
... have so far transgressed. There are those who have told me that I have made all my clergymen bad, and none good. I must venture to hint to such judges that they have taught their eyes to love a colouring higher than nature justifies. We are, most of us, apt to love Raphael's madonnas better than Rembrandt's matrons. But, though we do so, we know that Rembrandt's matrons existed; but we have a strong belief that no such woman as Raphael painted ever did exist. In that he painted, as he may be surmised to have done, for pious purposes,—at least for Church ...
— The Last Chronicle of Barset • Anthony Trollope
... imperial Triumphs proudly passed, Electric cars roll thundering through thy streets; In Raphael's groves the automobile's blast Expels the Muses ...
— Poems • John L. Stoddard
... she was reliving all these memories with unusual distinctness, for it was a fortnight since she had seen her friend. Mrs. Deering, some six weeks previously, had gone to visit a relation at St.-Raphael; and, after she had been a month absent, her husband and the little girl had joined her. Lizzie'sadieux to Deering had been made on a rainy afternoon in the damp corridors of the Aquarium at the Trocadero. She could not receive him at her own ...
— Tales Of Men And Ghosts • Edith Wharton
... the question has been asked of late, both in our own country and on the Continent, What was the form and nature of the revelation by which the pre-Adamic history of the earth and heavens was originally conveyed to man? Was it conveyed, like the sublime story of Raphael, as a piece of narrative, dictated, mayhap, to the inspired penman, or miraculously borne in upon his mind? Or was it conveyed by a succession of sublime visions like that which Michael is represented as calling up before Adam, when, ...
— The Testimony of the Rocks - or, Geology in Its Bearings on the Two Theologies, Natural and Revealed • Hugh Miller
... is not the king of the Huns, nor is he one of the known archangels. However, as the Scriptures mention only three archangels, Gabriel, Michael, and Raphael, out of the seven, Hugo may or may not be right in speaking of an archangel of the name of Attila. Le grand chandelier brought from the lower regions by the archangel is merely a poetic fancy and a reminiscence of the ...
— La Legende des Siecles • Victor Hugo
... Herbert, Sir Thomas. Hertford, William Seymour, Marquis of: character by Clarendon. Hobbes, Edmund. Hobbes, Thomas: described by Clarendon; by Aubrey; assists Bacon; Burnet's opinions. Holinshed, Raphael. Holland, Philemon. Holles, Denzil, first Baron Holles. Hopton, Ralph, first Baron Hopton. Horace. Howard, Charles, Baron Howard of Effingham, Earl of Nottingham. Howard, Leonard: Collection of Letters. ...
— Characters from 17th Century Histories and Chronicles • Various
... was called Raphael Hythlodaye and had been with Amerigo Vespucci in the three last of his voyages, "saving that in the last voyage he came not home again with him." For on that voyage Hythlodaye asked to be left behind. And after Amerigo had gone home he, with five friends, set forth upon a further voyage of ...
— English Literature For Boys And Girls • H.E. Marshall
... this: the greatest dauber would at that rate be the greatest artist. A house or sign painter might instantly enter the lists with Michael Angelo, and might look down on the little, dry, hard manner of Raphael. But grandeur depends on a distinct principle of its own, not on a negation of the parts; and as it does not arise from their omission, so neither is it incompatible with their insertion or the highest finishing. In fact, an artist ...
— Table-Talk - Essays on Men and Manners • William Hazlitt
... knowledge must have been excited in many directions, for I find a "list of painters whose works I wish to see," drawn up by Charlotte Bronte when she was scarcely thirteen: "Guido Reni, Julio Romano Titian, Raphael, Michael Angelo, Coreggio, Annibal Carracci, Leonardo da Vinci, Fra Bartolomeo, Carlo ...
— Stories of Achievement, Volume IV (of 6) - Authors and Journalists • Various
... L12,000. He was not, however, the first local artist of the kind, for a Birmingham man is said to have painted a window in Haglev Church, in 1756-57, for Lord Lyttelton, though his name is not now known. William Raphael Eginton (son of Francis) appeared in the Directory of 1818, as a glass-painter to the Princess Charlotte, but we can find no trace of his work. Robert Henderson started in the same line about 1820, and specimens of his work may be seen in Trinity ...
— Showell's Dictionary of Birmingham - A History And Guide Arranged Alphabetically • Thomas T. Harman and Walter Showell
... small apartment was crowded with old, black paintings, so large for the most part that the walls would not hold them with their frames, with the result that there was no room for the furniture. These were christened Raphael, Vinci, or Andrea del Sarto; there were none but chefs d'oeuvre, and the father would keep his daughter standing in front of them hours at a time, forcing his admiration upon her, wearying her with his ecstatic flights. He would ascend ...
— Germinie Lacerteux • Edmond and Jules de Goncourt
... Saxony! Master Martin Luther, go if you wish to your chamber. Rest till the evening, then we will go together to the assembly at Chigi. There we shall meet elegant people like Cardinal John de Medici, great men like Raphael, and the Archangel Michael himself. Do you know Michael Angelo, who is building the new Church of St. Peter and painting the Sistine Chapel? No! then you will learn to know him. Vale, brother, and ...
— Historical Miniatures • August Strindberg
... Cyclopaedia, 27 vols., calf extra; the separate and collected works of many Popular Authors; Law Books; a few Curious Broadsides; some Interesting Heraldic and Genealogical Collections; about 500 vols. of Novels and Romances; a few Engravings; a set of Raphael's Cartoons, framed; a neat Mahogany Bookcase; Fire-proof Safe; Curious Antique Guipure Lace; and other valuable Miscellaneous Property. Catalogues will be sent on application: if in the country, ...
— Notes and Queries, Number 206, October 8, 1853 • Various
... painters of medieval times put in the picture itself phrases which the persons were supposed to speak, as if the words were leaving their mouths. But we could not imagine Raphael and Michelangelo making use of a method of communication which is so entirely foreign to the real spirit of painting. Every art grows slowly to the point where the artist relies on its characteristic and genuine forms of expression. Elements which ...
— The Photoplay - A Psychological Study • Hugo Muensterberg
... Steele's occasional selection of beautiful poetical passages, without any affectation of analysing their beauties, to Addison's finer-spun theories. The best criticism in the Spectator, that on the Cartoons of Raphael, of which Mr. Fuseli has availed himself with great spirit in his Lectures, is by Steele.[131] I owed this acknowledgment to a writer who has so often put me in good humour with myself, and every thing ...
— Hazlitt on English Literature - An Introduction to the Appreciation of Literature • Jacob Zeitlin
... heard this he poured forth questions. "The forest, senor; how is it now with the forest? Do the boars still drink at Heather Pool? Do the geese go still to Greatmarsh? They should have come early this year. How is it with Larios, Raphael, Migada? Who shoots ...
— Don Rodriguez - Chronicles of Shadow Valley • Edward John Moreton Drax Plunkett, Baron, Dunsany
... 1874 when he was appointed director of the British National Gallery in succession to Sir W. Boxall, R.A. During the twenty years that he held this post he was responsible for many important purchases, among them Leonardo da Vinci's "Virgin of the Rocks," Raphael's "Ansidei Madonna," Holbein's "Ambassadors," Van Dyck's equestrian portrait of Charles I., and the "Admiral Pulido Pareja," by Velasquez; and he added largely to the noted series of Early Italian pictures in the gallery. The number of acquisitions made to the collection ...
— Encyclopaedia Britannica, 11th Edition, Volume 4, Part 4 - "Bulgaria" to "Calgary" • Various
... them sitting beside you, ready to worship the ground under your feet. Look at him! (Arkady turned away and frowned.) And this plague has spread far already. I have been told that in Rome our artists never set foot in the Vatican. Raphael they regard as almost a fool, because, if you please, he's an authority; while they're all the while most disgustingly sterile and unsuccessful, men whose imagination does not soar beyond 'Girls at a Fountain,' however they try! And the girls even ...
— Fathers and Children • Ivan Sergeevich Turgenev
... mention the great Raphael, the "Spasimo." It is in his Roman style, with much that is, to me, forced in the action and expression. The head of Christ, however, is beautiful, and exquisitely drawn. Beside the Spasimo, there is a little picture of the Virgin and Child, with Saint Joseph, in Raphael's early ...
— Atlantic Monthly, Vol. 4, No. 25, November, 1859 • Various
... to have written "numerous essays" of the class you attempt, or to publish a book consisting of such. No other kind of writing requires such mental maturity; stories may be written at any age, though good ones are seldom written early. Even poems and works of art have been produced by some Raphael or Milton at a comparatively early season of life, and have not given shame to the author at a later age; though this is the exception, not the rule. But the purely reflective essay belongs emphatically ...
— Our Friend John Burroughs • Clara Barrus
... presumed to be ever airing at the fire. You must consider these doors as open as the woods so long as your are in this neighbourhood. I have some things I should like to show you that you might not find wholly uninteresting—a Raphael, a Rembrandt (so reputed), and several Venetians—not much, in faith, but regarding which I ...
— Doom Castle • Neil Munro
... digress. I forgot that it was the library and its pictures I was attempting to describe. Well, at the other end hangs a portrait of Pope Gregory, by Passerotti; the expression of the face Italian, attitude like Raphael. Over the door a portrait of Cosmo de Medici by Bronzino Allori, fresh as if painted yesterday. "The works of that master," I said, "are rare, but a friend of mine, Mr. Day, had a noble one at his rooms in Piccadilly, St. John in the Wilderness. The conception of the figure ...
— Recollections of the late William Beckford - of Fonthill, Wilts and Lansdown, Bath • Henry Venn Lansdown
... there," said Thompson, "or I'd offer to show you the way. But you can't miss it. You can see the spire from the window. It's the finest specimen of early Gothic in the north of France. The glass is superb. There's an altar piece by Raphael or Botticelli, I forget which. The screen is late Italian Renaissance, and there's a tomb in the west transept which is supposed to be that of ...
— Our Casualty And Other Stories - 1918 • James Owen Hannay, AKA George A. Birmingham
... of Madonnas does the world agree to consider as the greatest? Raphael—Raphael was therefore decried as being scarcely superior to Sir Frederick Leighton; and one of the early Italian painters, Francesco Bianchi, whom Vasari exhumes in some three or four lines, was praised as possessing a subtle and mysterious talent very different indeed from the hesitating smile ...
— Mike Fletcher - A Novel • George (George Augustus) Moore
... who do this most perfectly are the great men of that nation, because they are at once both the product and the impersonation of their country and their age. "We allow ourselves to think of Shakspeare, or of Raphael, or of Phidias as having accomplished their work by the power of their individual genius, but greatness like theirs is never more than the highest degree of perfection which prevails widely around it, and forms ...
— Christianity and Greek Philosophy • Benjamin Franklin Cocker
... God heard his sighs and asked him for what he was grieving, and he said: I live in great loneliness, for Lilith, O Lord, has left me, and I beg thee to send messengers who will bring her back. Whereupon God took pity on his servant Adam and bade his three angels, Raphael, Gabriel and Michael, to go away at once in search of Lilith, whom they found flying over the sea, and her answer to them was that her pleasure was now in flying, and for that reason I will not return to Adam, she said. Is that the answer we are to bring ...
— The Brook Kerith - A Syrian story • George Moore
... tramway traction, whether steamboats are needed on the Thames in winter, and whether it is wiser to use metal or paper for money; but none of these things have anything to do with the principles of Socialism. Nor need we decide whether Whistler, Raphael or Carpaccio has left us the most satisfying beauty, or which was the greater musician, Wagner, Scarlatti or Beethoven, nor pronounce on the Bacon-Shakespeare controversy in any prescribed way, because ...
— New Worlds For Old - A Plain Account of Modern Socialism • Herbert George Wells
... city if he would settle there, but he preferred to return to Nuremberg, where he was pensioned $600 a year by the emperor. Leonardo da Vinci and Michelangelo both received $129 a month for work done for a prince, and the latter was given a pension of $5200 a year by Paul III. Raphael in 1520 left an estate ...
— The Age of the Reformation • Preserved Smith
... and her books. She talked as she wrote; in descriptive passages, with the same sort of humor, and the same manner of linking events by analogy and inference. The walls were covered with pictures. I remember Guido's Aurora, Michael Angelo's prophets, Raphael's sibyls, while all about were sketches, landscapes and crayon drawings, gifts from the most famous living painters, many of whom are friends of the house. A grand piano, opened and covered with music, ...
— George Eliot; A Critical Study of Her Life, Writings & Philosophy • George Willis Cooke
... he is again lingering through long afternoons in St. Peter's till the golden light through the far windows of the tribune is merged into the dusk of twilight in which the vast monumental groups gleam wraith-like. Again he is ascending the magnificent Scala Regia, and lingering in the Raphael Stanze, or in the wonderful sculpture galleries of the Vatican, or sauntering in the sunshine on the Palatine. In memory he is again spellbound by ancient and mediaeval art. In the line of modern sculpture the work of Franklin Simmons in ...
— Italy, the Magic Land • Lilian Whiting
... perhaps beauty, if we could penetrate to its essence, might reveal to us something higher than itself. But Art is not religion, nor is connoisseurship priesthood. To happiness Art lends intensity and elevation; but in affliction, in ruin, in the wreck of affection how much can Phidias and Raphael do for you? A poet makes Goethe say to a sceptical and perplexed world, "Art still has truth, take refuge there." It would be a poor refuge for most of us; it was so even for the great Goethe; for with all his intellectual splendour, his character never rose above a grandiose and statuesque ...
— Lectures and Essays • Goldwin Smith
... to note that one of the most telling books on social reconstruction published since the war is by an international writer. This is Dr. Walther Rathenau, a German of Jewish descent, whose ideas have just been popularized by a Frenchman, M. Gaston Raphael[1]. He fits in well with our general argument by virtue of his double attitude, holding, on the one hand, that under the general supervision of the State, industry should be organized in various self-governing ...
— Recent Developments in European Thought • Various
... turned in mind the matter over. He bought a pair of busts—one, Venus, The other was Apollo Phoebus; Above his subject client placed them, And for the faulty features traced them. Chatted the while of Titian's tints, Of Guido—Raphael—neither stints To raise him to the empyreal, Whilst he is sketching his ideal. He sketches, utters, "That will do: Be pleased, my lord, to come and view." "I thought my mouth a little wider." "My lord, my lord, you me deride, ah!" "Such was my nose ...
— Fables of John Gay - (Somewhat Altered) • John Gay
... Pompadour was an example of a woman that was both handsome and pretty; the lines of her face possessed all the harmony and elevation of a creation of Raphael's; but instead of the elevated sentiment with which that great master animated his faces, there was the smiling expression of a Parisian woman. She possessed in the highest degree all that gives to the face brilliancy, charm, and sportive gayety. No lady at court had then so noble ...
— The International Monthly, Volume 5, No. 3, March, 1852 • Various
... and presently returned half leading, half pushing a shrinking young Italian woman, shabbily dressed but with the features of one of Raphael's madonnas. She wore no hat and her hands and finger nails were far from clean, but from the folds of her black shawl her neck rose like a column of slightly discolored Carrara marble, upon which her ...
— Tutt and Mr. Tutt • Arthur Train
... black silk, with the picturesque Roman veil thrown over the head. From the foot of the Scala Regia, (Royal Staircase) one of the papal guard, in a motley suit which seemed one glare of black and yellow, escorted us to the door of a long corridor, known as the Loggia of Raphael, where we were received by a higher official in rich array of crimson velvet. About seventy persons were seated in rows, facing each other, along this gallery, nearly all laden with rosaries to be blessed by the Holy Father. We waited till my neck ached with looking up at the exquisite frescoes, ...
— Lippincott's Magazine of Popular Literature and Science, Vol. 15, - No. 86, February, 1875 • Various
... Cowper Collection is largely the result of the taste and perseverance of the third earl, who resided for some years at Florence. Only a few of the pictures can be named here: Madonna, by Raphael (1508); Holy Family, by Fra Bartolommeo; Mountainous Coast (fishermen in foreground), by Salvator Rosa; Nativity, by Carlo Dolce; Virgin Enthroned, by Paul Veronese; Third Earl Cowper and His Family; ...
— Hertfordshire • Herbert W Tompkins
... exposing a neck of perfect whiteness; his long silky hair falling softly upon his shoulders; the pure and delicate contour of his handsome face; his sensitive mouth, the corners curving slightly upwards, all reminded Gilbert of the portrait of Raphael painted by himself, all, except the expression, which was ...
— Stories of Modern French Novels • Julian Hawthorne
... the "Raphael of antiquity," was the court painter of Alexander the Great. He was such a consummate master of the art of painting, and carried it to such a state of perfection, that the ancient writers spoke of it ...
— A General History for Colleges and High Schools • P. V. N. Myers
... later than that volume, may be considered as the more detailed application of those principles to particular artists, to whole schools and epochs, even, in one case, to the entire history of the arts. The essay on Raphael, for instance, is little else than an illustration of the chapter on "Design"; that on Millet illustrates the three chapters on "The Subject in Art," on "Design," and on "Drawing"; while "Two Ways of Painting" contrasts, in ...
— Artist and Public - And Other Essays On Art Subjects • Kenyon Cox
... their successor, is one of the noblest legends of ecclesiastical tradition. The safety of Rome might deserve the interposition of celestial beings; and some indulgence is due to a fable, which has been represented by the pencil of Raphael, and the ...
— The History of The Decline and Fall of the Roman Empire - Volume 3 • Edward Gibbon
... said my friend, smiling, "I would not part with it for the best piece of Raphael. For many a happy thought I am indebted to that picture—it is my principal source of inspiration; when my imagination flags, as of course it occasionally does, I stare upon those features, and forthwith strange ideas of fun and drollery begin to flow into my mind; these I round, ...
— Lavengro - The Scholar, The Gypsy, The Priest • George Borrow
... years, under Ercole's reign, that this little group of native artists arose, and that Cosimo Tura and his followers founded the school which gradually spread to Bologna and Modena and boasted such masters as Lorenzo Costa and Francia, or helped to mould the genius of a Raphael and a Correggio. Tura himself remained at Ferrara all his life, painting altar-pieces for Duchess Leonora's favourite churches, as well as frescoes in the duke's villas and portraits of the different members of the ducal family in turn. In 1472, before the Duke's marriage, ...
— Beatrice d'Este, Duchess of Milan, 1475-1497 • Julia Mary Cartwright
... capitals, pictures in mosaic or monuments in marble. Rome was not built in a day, says the proverb, and St. Peter's Church alone was the work of 120 years and twenty Popes. Italy's foremost artists, including Raphael and Michael Angelo, put the best of their energies into the building of this temple, where is the tomb of the Apostle Peter. The great church contains a bronze statue of the Apostle Peter in a sitting position, and the right foot is worn and polished by the kisses of the ...
— From Pole to Pole - A Book for Young People • Sven Anders Hedin
... of the Palace were young, and almost all were remarkable for their beauty. Among the most conspicuous was Madame Ney, a niece of Madame Campan; Madame Lannes, whose face recalled the most charming pictures of Raphael, and above all, the wife of an already aged Councillor of State, Madame Duchtel (whose son was Minister of the Interior in the reign of Louis Philippe, and whose grandson was Ambassador of the Republic at Vienna). The Duchess of Abrants thus describes this famous beauty: "There is one woman ...
— The Court of the Empress Josephine • Imbert de Saint-Amand
... founder of the Ashmolean Museum at Oxford, consorting with alchemists and astrologers, was treasuring the manuscripts of the late pious Dr. Richard Napier, in which certain letters (Rx Ris) were understood to mean Responsum Raphaelis,—the answer of the angel Raphael to the good man's medical questions. The illustrious Robert Boyle was making his collection of choice and safe remedies, including the sole of an old shoe, the thigh bone of a hanged man, and things far worse than these, as articles of his materia medica. Dr. Stafford, whose paper of directions ...
— Medical Essays • Oliver Wendell Holmes, Sr.
... to the surface, he would be taken to the shed and revived. If he were dead, a crowd would collect, newspaper men would come; his body would be recognised; and the Press would publish the news of the suicide of Raphael de Valentin. No! He would wait till nightfall, and then in a decent, private manner bequeath an unrecognizable corpse to a world that had disregarded ...
— The World's Greatest Books, Vol. I • Various
... morality, pedantry, imagination, self-consciousness, and the fear of death. These discourses were chiefly written by Bodmer and his colleague Breitinger. The earlier papers, awkwardly expressed, often in Swiss dialect, masqueraded as the work of Holbein, Duerer, Raphael, or Michael Angelo. Although intended at first for Swiss readers only, the little weekly soon captured a German public. Its purpose was to kindle the imagination, and to suggest a parallel between the art of painting and the art of literature. ...
— Library Of The World's Best Literature, Ancient And Modern, Vol. 5 • Various
... studies a means of measuring his genius, we find in the self-poise which wins without effort, and must throughout sustain the princely Hamlet, or Othello tender and strong, that grand manner which, in painting, places the art of Raphael and Angelo above that of Hogarth or Teniers. Each may be perfect in its kind, but one kind exceeds another ...
— The Atlantic Monthly, Volume 17, No. 103, May, 1866 • Various
... Chapel, near the quiet creations of the artists of the Renaissance, the power and awful force of Michelangelo stand out; in the "Stanze" Raphael has left an everlasting wealth of artistic treasures; and in the Chapel of Nicholas V. Fra Angelico with ingenuous expression and the purest and most sincere ...
— Fra Angelico • J. B. Supino
... when Raphael, The affable archangel . . . Eve The story heard attentive, and was filled With admiration, and deep muse, to hear Of things so high and ...
— Middlemarch • George Eliot
... the little child. Nor could He be holden of the bands of death, for He clove a pathway through the grave, and made death's night to shine like the day. "I have but one passion," said Tholuck. "It is He! it is He!" As Shakespeare first reveals to the young poet his real riches of imagination, as Raphael first unveils to the young artist the possibilities of color, so man knows not his infinite capabilities until Jesus Christ stands forth in all His untroubled splendor. Having Him, man has not only his Teacher and Saviour, but also his Master and ...
— A Man's Value to Society - Studies in Self Culture and Character • Newell Dwight Hillis
... decree, they come as lightning, wind: Before the throne, they all are living fire. There stand four rows of angels—to the right The hosts of Michael, Gabriel's to the left, Before, the troop of Ariel, and behind, The ranks of Raphael; all, with one accord, Chanting the glory of the Everlasting. Upon the high and holy throne there rests, Invisible, the Majesty of God. About his brows the crown of mystery Whereon the sacred letters are engraved Of the unutterable Name. He grasps A sceptre of keen fire; the universe ...
— The Poems of Emma Lazarus - Vol. II. (of II.), Jewish Poems: Translations • Emma Lazarus
... He, like a Titian, form'd his brilliant school; And taught congenial spirits to excel, While from his lips impressive wisdom fell. Our boasted GOLDSMITH felt the sovereign sway; From him deriv'd the sweet yet nervous lay. To Fame's proud cliff he bade our Raphael rise; Hence REYNOLDS' pen with REYNOLDS' pencil vyes. With Johnson's flame melodious BURNEY glows,[65] While the grand strain in smoother cadence flows. And you, MALONE, to critick learning dear, Correct and elegant, refin'd, though clear, By studying him, acquir'd that classick ...
— A Poetical Review of the Literary and Moral Character of the late Samuel Johnson (1786) • John Courtenay
... whom, Pietro, Cardinal of San Sisto, for whom Bramante built the Cancellaria Palace, set the pace for his comrades of the Sacred College by squandering in two years the enormous sum of $2,800,000. Cardinal Raphael Riario of the next generation began the most beautiful of all villas, Lante, which three ...
— Romance of Roman Villas - (The Renaissance) • Elizabeth W. (Elizbeth Williams) Champney
... of hues; a handsome stove served at present to support leafy plants, a row of which also stood on the balcony before the window. Round the ceiling ran a painted border of foliage and flowers. The chief ornament of the walls was a large and indifferent copy of Raphael's "St. Cecilia;" there were, too, several gouache drawings of local scenery: a fiery night-view of Vesuvius, a panorama of the Bay, and a very blue Blue Grotto. The whole was blithe, sunny, Neapolitan; sufficiently unlike a sitting-room in Redheck ...
— The Emancipated • George Gissing
... objects, and how completely conventional, after all, the beau ideal of an artist necessarily becomes. It would be impossible, for one who knew the several countries, to mistake the works of Murillo, Rubens, or Raphael, for the works of artists of different schools, and this without reference to their peculiar manners, but simply as Flemings, Spaniards, and Italians. Rubens, however, is, I think, a little apt to out-Dutch the Dutch. He appears to me to have delighted in the coarse, while Raphael ...
— A Residence in France - With An Excursion Up The Rhine, And A Second Visit To Switzerland • J. Fenimore Cooper
... vieux, was a greatly esteemed painter who worked under the direction of Raphael. His real name was Van Coxcien, or Coxcyen, but he changed its form ...
— Vanished towers and chimes of Flanders • George Wharton Edwards
... support their dignity with more success, if they suffered not themselves to be misled by the desire of superfluous attainments. Raphael, in return to Adam's inquiries into the courses of the stars, and the revolutions of heaven, counsels him to withdraw his mind from idle speculations, and employ his faculties upon nearer and more interesting objects, the survey of his own life, the subjection ...
— The Works of Samuel Johnson, LL.D, In Nine Volumes - Volume the Third: The Rambler, Vol. II • Samuel Johnson
... Raphael's day, which had attracted his fellow-clerks to a festival in the country. Granvelle had given the others leave of absence, but wished to keep within call the industrious Maltese, on whose ...
— Uarda • Georg Ebers
... the ensign of the United States, and the little schooner was luffed so that she stood still. The Alabama ranged up alongside, a boat soon brought a crew of boarders, and, before many moments, she was in the hands of Captain Raphael ...
— Famous Privateersmen and Adventurers of the Sea • Charles H. L. Johnston |
