"Pre-Raphaelite" Quotes from Famous Books
 ... half-dozen magazines under his arm, an odd volume or two of French criticism, and a couple of operatic scores. They will reply that it is just Cooper's way. It goes with his black slouch hat, his badly-creased trousers, his flowing cravat, and his general air of pre-Raphaelite ineptitude. It goes with his comprehensive ignorance of present-day politics and science, and everything else in the present that well-informed people are supposed to know. It goes with his total inability to be on time for dinners, and his habit ...
— The Patient Observer - And His Friends • Simeon Strunsky
... number of Lamas and Zemindars superintending the proceedings. The principal decorative work was being carried on by a Chinese-looking, pig-tailed artist, evidently not a local celebrity, who was embellishing the walls most profusely with scenes, portrayed in the purest style of pre-Raphaelite colouring. The figures in these had only been furnished with flesh-coloured spots where their faces were to be, and the foreign "pigtail" was employed, seated on a high platform, in furnishing them ...
— Diary of a Pedestrian in Cashmere and Thibet • by William Henry Knight
... Tennyson, lately published, contains wood-cuts from drawings by Rossetti and other chief Pre-Raphaelite masters. They are terribly spoiled in the cutting, and generally the best part, the expression of feature, entirely lost;[78] still they are full of instruction, and cannot be studied too closely. But observe, respecting these wood-cuts, that if you have been in the habit of looking ...
— The Elements of Drawing - In Three Letters to Beginners • John Ruskin
... writer of an admirable notice of these two works, quoted from an 'Eclectic Review' of 1847, in Dr. Furnivall's 'Bibliography'. I am also told that the series of poems which was next to appear was enthusiastically greeted by some poets and painters of the pre-Raphaelite school; but he was now entering on a period of general neglect, which covered nearly twenty years of his life, and much that has since become most deservedly ...
— Life and Letters of Robert Browning • Mrs. Sutherland Orr
... noticed with surprise his indifference to most of the pictures in the Museum of the Louvre, and he explained, later, that he could not appreciate them at that period in the development of his artistic taste, which was at that time retarded by the Pre-Raphaelite influence. There was certainly a great evolution of mind between this state of quasi-indifference and the fervid enthusiasm which made him say to me when we came to live in Paris: "At any rate there is for me, as a compensation for the beauty of natural scenery, ...
— Philip Gilbert Hamerton • Philip Gilbert Hamerton et al
... long tight roll of flannel, tied up like a round of hung beef - without so much as ruffling the paper, wet as it was? Then (says the plate), was not the paper washed away with a sponge, and didn't there appear, set off upon the plate, THIS identical piece of Pre-Raphaelite blue distemper which you now behold? Not to be denied! I had seen all this - and more. I had been shown, at Copeland's, patterns of beautiful design, in faultless perspective, which are causing the ugly old willow to wither out of public favour; ...
— Reprinted Pieces • Charles Dickens
... to go, but went, and got terribly frightened by the Green Demons of the Chrysolite Cavern, which made us all laugh—it being such a pleasant thing to see somebody else scared nearly to death. Then there were knights in brave tin armor, and armies of fair pre-Raphaelite amazons in all the colors of the rainbow, and troops of unhappy slave-girls, who did nothing but smile and wear beautiful dresses, and dance continually to the most delightful music. Now you were in an enchanted castle on the ...
— The Little Violinist • Thomas Bailey Aldrich
... "Sort of pre-Raphaelite, and quite refreshing after the furbelowed creatures at the hotels," he said to himself as she vanished under the arch of scarlet runners over ...
— Rose in Bloom - A Sequel to "Eight Cousins" • Louisa May Alcott
... contemporaneous artists. He has also been called the "lyric painter"; meaning that he is to painting what the lyric poet is to literature. His work once known can almost always be recognised wherever seen afterward. He did not slavishly follow the Pre-Raphaelite school, yet he drew most of his ideas from its methods. He was, in the use of stiff lines, a follower of Botticelli, and not original in that detail, as some ...
— Pictures Every Child Should Know • Dolores Bacon |
