"Pre-Raphaelite" Quotes from Famous Books
 ... land of productive guilds, of families of artists, of groups of workers who were of one heart and one spirit, and who therefore worked in one style. One of the closest parallels to a Greek school of sculpture is to be found in the group of Pre-Raphaelite artists of the middle of the last century, Morris, Burne-Jones, Rossetti, Millais, Collins, and their companions. This group had a religious or ideal starting-point in the revived Anglo-Catholicism which arose in Oxford at the time, and they had principles of art in ...
— The Legacy of Greece • Various
... PRE-RAPHAELITE MOVEMENT. Many of the secondary Victorian poets must here be passed by, but several of them are too important to be dismissed without at least brief notice. The middle of the century is marked by a new Romantic impulse, the Pre-Raphaelite ...
— A History of English Literature • Robert Huntington Fletcher
... showed that whatever men drew at all ought to be drawn accurately and knowingly, not blunderingly nor by guess (leaves of trees among other things),' proceeding to the following curious dictum,—'If you can paint one leaf you can paint the world.' The Pre-Raphaelite laws 'lay stern on the strength of Apelles and Zeuxis, put Titian to thoughtful trouble, are unrelaxed yet, and unrelaxable for ever. Paint a leaf indeed!—the above-named Titian has done it. Corregio, moreover, ...
— Art in England - Notes and Studies • Dutton Cook
... an anatomical expert with the brush, I gave instruction to our family butcher to send me, as a model to study from, a kidney, which was to be the acme of goriness and as repulsive in appearance as possible. Of this piece of uncooked meat I made a quite pre-Raphaelite study in water-colours, but so realistic was the result that the effect it had upon me was the very antithesis to what I anticipated, disgusting me to such an extent that I not only declined to pursue further ...
— The Confessions of a Caricaturist, Vol. 1 (of 2) • Harry Furniss
... just as Flaubert was often so intolerable in real life, because he ran a joke to death, and never knew when to put it down. The result in Bouvard et Pecuchet is a lack of proportion and subordination. It is like one of the early Pre-Raphaelite pictures, in which every detail is painted with minute perfection. It was all there, no doubt, and it was all exactly like that; but that is not how the human eye apprehends a scene. The human mind takes a central point, and groups ...
— At Large • Arthur Christopher Benson
... has been taken out,' said my mother, turning to me: 'but isn't it like an old master? You ought to see the marvellous Pre-Raphaelite pictures at Mr. ...
— Aylwin • Theodore Watts-Dunton
... big groups," said someone, "like the Wordsworth set, or the pre-Raphaelite set—or take any of the great biographies—the big men of any time seem always to have been mutual friends and correspondents. You have letters to and from Ruskin from and to all the great men ...
— Father Payne • Arthur Christopher Benson
... common as anyone else. This is his natural language." In support of the validity of his argument that a return to the original sources of an art is possible without loss of originality, he instanced the Pre-Raphaelite Brotherhood. The most beautiful pictures, and the most original pictures Millais had ever painted were those that he painted while he was attempting to revive the methods of Van Eyck, and the language of Shakespeare was much more archaic than that ...
— Evelyn Innes • George Moore
... easel, covered with a green baize in the center of the octagonal chamber. It had been a fancy of the artist to paint her standing in this very room, and to make his background a faithful reproduction of the pictured walls. I am afraid the young man belonged to the pre-Raphaelite brotherhood, for he had spent a most unconscionable time upon the accessories of this picture—upon my lady's crispy ringlets and the heavy folds of her crimson ...
— Lady Audley's Secret • Mary Elizabeth Braddon
... his boyhood, and kept pious account of all his former pleasures; and when he went (on a holiday) to visit one of the fabled great places of the earth where he had served before, he came back full of little pre-Raphaelite reminiscences that showed real passion for the past, such as might have shaken hands with ...
— Memories and Portraits • Robert Louis Stevenson |
