"Parthenon" Quotes from Famous Books
 ... distinctly visible; "Buda-Pest" may be readily inferred despite the overlapping labels of "Wien" and "Bale"; while away off to one corner a crumpled and lingering shred points back, though uncertainly, to the Parthenon and the Acropolis. And in the midst of this flowery field is planted a large M after the best style of the ...
— With the Procession • Henry B. Fuller
... Jackson, Colonel Denny, Doctor Birch, and Samuel Clemens who evaded the quarantine and made the perilous night trip to Athens and looked upon the Parthenon and the sleeping city by moonlight. It is all set down in the notes, and the account varies little from that given in the book; only he does not tell us that Captain Duncan and the quartermaster, Pratt, connived at the escapade, or how the latter watched the shore in anxious suspense until ...
— Mark Twain, A Biography, 1835-1910, Complete - The Personal And Literary Life Of Samuel Langhorne Clemens • Albert Bigelow Paine
... But the last eighteen months or so I've been idling—running about to theatres and museums and so forth. I began at Athens and finished up with London. I remember one day sitting on the steps of the Parthenon declaiming the Antigone—and a moment with some meaning in it seemed to have ...
— The Great Hunger • Johan Bojer
... British Museum; an exceedingly tiresome affair. It quite crushes a person to see so much at once, and I wandered from hall to hall with a weary and heavy heart, wishing (Heaven forgive me!) that the Elgin marbles and the frieze of the Parthenon were all burnt into lime, and that the granite Egyptian statues were hewn and squared into ...
— Hawthorne - (English Men of Letters Series) • Henry James, Junr.
... than the noble planning and construction of this church was the treatment of scale and decoration in its interior design. It was as conspicuously the masterpiece of Byzantine architecture as the Parthenon was of the classic Greek. With little external beauty, it is internally one of the most perfectly composed and beautifully decorated halls of worship ever erected. Instead of the simplicity of the ...
— A Text-Book of the History of Architecture - Seventh Edition, revised • Alfred D. F. Hamlin
... have always known, who built the Parthenon and crowned the Acropolis; but not until Schliemann had by faith and good works removed the mountain of Hissarlik, did we know that the Troy, of which blind Homer sang, was not a figment of the ...
— Little Journeys to the Homes of the Great, Volume 7 - Little Journeys to the Homes of Eminent Orators • Elbert Hubbard
... took on the air of a floral fete. There were popping corks and sounds of convivial revelry that made the scene anything but warlike. Jack, in a cluster of his town cronies, caught sight of his mother at one of the windows of the Parthenon Hotel. He wafted her a joyous kiss, pretending not to see the tears falling down her cheeks. Olympia was not apparently very deeply affected. She made her way through the crowd to her brother's side, and with an air of the liveliest ...
— The Iron Game - A Tale of the War • Henry Francis Keenan
... another. Painting should go hand in hand with sculpture, and both minister to architecture. So the world might hope once more to see public buildings nobly planned and no less nobly decorated, as in the past it saw the completion of the Parthenon and the churches of mediaeval Italy. It was unfortunate that they received so little encouragement from the public, and that their example had so narrow an influence. St. Paul's can show its Wellington monument, Lincoln's Inn its fresco; but year after year subject-pictures continued ...
— Victorian Worthies - Sixteen Biographies • George Henry Blore
... workshop by a wealthy citizen who perceived his genius, and who educated him at his own expense. He was twenty when he conversed with Parmenides and Zeno; he was twenty-eight when Phidias adorned the Parthenon; he was forty when he fought at Potidaea and rescued Alcibiades. At this period he was most distinguished for his physical strength and endurance,—a brave and patriotic soldier, insensible to heat and cold, ...
— Beacon Lights of History, Volume I • John Lord
... see," said Margaret, with the kind readiness of woman, who would profess to "see" the Secret of Hegel, or the inmost heart of the Binomial Theorem, or the nature of the duties of cover-point, or the latest hypothesis about the frieze of the Parthenon, rather than be troubled with prolonged explanations, which the expositor, after all, might find it ...
— The Mark Of Cain • Andrew Lang
... other men. And they carry the yoke that befits them: their matin chant is drowned by the voice of the muezzin, who, from the gallery of the high tower on the Acropolis, calls every Mussulman to his prayers. That tower springs from the Parthenon itself; and every time we paused and directed our eyes towards it, our guide set up a wail, that a temple which had once been won from the diabolical uses of the pagans to become the temple of another ...
— Romola • George Eliot
... entrance to the city from the Thiergarten, and is a sort of triumphal arch, erected in 1789. It is seventy feet in height, and two hundred in width, being modelled after the entrance in the gateway of the temple of the Parthenon at Athens. It affords five passage-ways ...
— Foot-prints of Travel - or, Journeyings in Many Lands • Maturin M. Ballou
... But am I to be told that the "nature" of Attica would be more poetical without the "art" of the Acropolis? of the temple of Theseus? and of the still all Greek and glorious monuments of her exquisitely artificial genius? Ask the traveler what strikes him as most poetical—the Parthenon, or the rock on which it stands? The columns of Cape Colonna,[35] or the cape itself? The rocks at the foot of it, or the recollection that Falconer's ship[36] was bulged upon them? There are a thousand rocks and capes far more picturesque than those of the Acropolis and Cape Sunium ...
— The Best of the World's Classics, Vol. V (of X) - Great Britain and Ireland III • Various
... approaching senility, and to the more ignoble variety of women labourers. A shop girl, perhaps, may plausibly fall in love with a moving-picture actor, and a half-idiotic old widow may succumb to a youth with shoulders like the Parthenon, but no woman of poise and self-respect, even supposing her to be transiently flustered by a lovely buck, would yield to that madness for an instant, or confess it to her dearest friend. Women know how little such purely superficial ...
— In Defense of Women • H. L. Mencken
... Greek architecture has thus far been only touched upon; that is, the liberal use it made of color. The ruins of Greek temples are to-day monochromatic, either glittering white, as is the temple at Sunium, or of a golden brown, as are the Parthenon and other buildings of Pentelic marble, or of a still warmer brown, as are the limestone temples of Paestum and Girgenti (Acragas). But this uniformity of tint is due only to time. A "White City," such as made the pride of Chicago in 1893, would have been unimaginable to an ancient Greek. Even to-day ...
— A History Of Greek Art • F. B. Tarbell
... poles. "So they are," admits Byron, "and porcelain is clay, and man is dust, and flesh is grass; and yet the two latter at least are the subjects of much poesy. . . . Ask the traveller what strikes him as most poetical, the Parthenon or the rock on which it stands. . . . Take away Stonehenge from Salisbury plain and it is nothing more than Hounslow Heath or any other unenclosed down. . . . There can be nothing more poetical in its aspect than the city of Venice; does this depend upon the sea or the ...
— A History of English Romanticism in the Nineteenth Century • Henry A. Beers
... me quite comfortable. After a little the wind lulled, the fog dispersed again, and the iceberg seemed to contemplate our slow departure with complacent serenity. We regretted that the hour forbade a return. It would have been pleasant to play around that Parthenon of the sea in the twilight. The best that was left us was to look back and watch the effects of light, which were wonderfully fine, and had the charm of entire novelty. The last view was the very finest. All the east front was a most tender blue; the fissures on the southern face, from which we ...
— Atlantic Monthly, Vol. VI.,October, 1860.—No. XXXVI. - A Magazine Of Literature, Art, And Politics • Various
... the four corners of the earth in search for grandiose scenes. For he made the mistake of thinking that the greatness of a landscape lay in its subject rather than in its execution; so he painted views of the Andes, and Niagara, and Cotopaxi, and Chimborazo, and the Parthenon, throwing in rainbows and sunsets and mists for good measure. These pictures were welcomed with the wildest enthusiasm—just as Clarke Mills's statue of General Jackson had been, fifteen years before. ...
— American Men of Mind • Burton E. Stevenson
... Pinacotheca, or picture gallery. On the highest part of the platform of the Acropolis, not more than 300 feet from the entrance-buildings just described, stood and yet stands, though shattered and mutilated, The Parthenon, justly celebrated throughout the world, erected of white Pentelican marble, under the direction of Callicrates, Ictinus and Carpion and adorned with the finest sculptures from the hand ...
— Conversion of a High Priest into a Christian Worker • Meletios Golden
... Parthenon, As the best gem upon her zone, And Morning opes with haste her lids To gaze upon the Pyramids; O'er England's abbeys bends the sky, As on its friends, with kindred eye; For out of Thought's interior sphere ...
— Elementary Guide to Literary Criticism • F. V. N. Painter
... humanity. Tutors and professors instruct princes and kings, but poets (and all genuine artists are poets) educate nations. Take from Greece Homer and Phidias, and Sophocles and Scopas, and the planner of the Parthenon, and you efface Greece from history. Wanting them, she would not have been the great Greece that we know; she would not have had the vigor of sap, the nervous vitality, to have continued to live in a remote posterity, ...
— Essays AEsthetical • George Calvert
... having been made possible by new mechanical arts, now puts itself forward as the next great opportunity of the fine arts. One of the characteristic achievements of the immediate future shall be the twentieth-century Parthenon—a Parthenon not of the great and of the few and of the gods, but of the great many, where, through mighty corridors, day and night, democracy wanders and sleeps and chatters and is sad and lives and dies, streets rumbling below. The hotel—the crowd fireside—being ...
— Crowds - A Moving-Picture of Democracy • Gerald Stanley Lee
... the seventeenth century; the pose is a modification of the "flying gallop," and agrees closely with that of Fig. 1 in this plate. Fig. 4.—The flex-legged prance from a bas-relief in the frieze of the Parthenon, B.C. 300. Fig. 5.—A modern French drawing giving a pose very similar to that of Figs. 1 and 3. It is the most "effective" pose yet adopted by artists, and is an improvement on the full-stretched flying gallop, though failing to suggest the greatest effort and rapidity. Fig. 6.—Instantaneous ...
— More Science From an Easy Chair • Sir E. Ray (Edwin Ray) Lankester
... whence most of these things were visible, you entered at once the great studio. Round the upper wall ran a cast of the Parthenon frieze, and beneath this the wall on one side was riddled and windowed, as it were, with innumerable framed pictures, small studies of foreign scenes; so that one looked out in turn upon Italy and the South, Egypt and the East, or upon an ...
— Frederic Lord Leighton - An Illustrated Record of His Life and Work • Ernest Rhys
... grander divisions than its centuries, and adopted as epochs by the consent of all who come after. It stands with the Iliad and Shakespeare's plays, with the writings of Aristotle and Plato, with the Novum Organon and the Principia, with Justinian's Code, with the Parthenon and St. Peter's. It is the first Christian poem; and it opens European literature, as the Iliad did that of Greece and Rome. And, like the Iliad, it has never become out of date; it accompanies in undiminished freshness ...
— The Great Events by Famous Historians, Volume 07 • Various
... must also form some conception of the classic. Now there is an obvious unlikeness between the thought and art of the nations of pagan antiquity and the thought and art of the peoples of Christian, feudal Europe. Everyone will agree to call the Parthenon, the "Diana" of the Louvre, the "Oedipus" of Sophocles, the orations of Demosthenes classical; and to call the cathedral of Chartres, the walls of Nuremberg—die Perle des Mittelalters—the "Legenda Aurea" of Jacobus de Voragine, the "Tristan ...
— A History of English Romanticism in the Eighteenth Century • Henry A. Beers
... arrangements of line. The same rhythmical principle is found in the designs of the classical frieze in all its varieties, culminating in the rhythmic movement of the great Pan-Athenaic procession in that master-frieze of the Parthenon, which, though full of infinite variety and delicate sculptured detail, is yet controlled by a strictly ornamental motive, and constructed upon the rhythmic recurrence of ...
— Line and Form (1900) • Walter Crane
... disappointment. He was awaiting a wonderful fully illustrated guide to the Land of the Midnight Sun, a suggestion of possible and coyly improbable trips, whereas he got only a letter from his oldest acquaintance—Cousin John, of Parthenon, New York, the boy-who-comes-to-play of Mr. Wrenn's back-yard days in Parthenon. Without opening the letter Mr. Wrenn tucked it into his inside coat pocket, threw away his toothpick, and ...
— Our Mr. Wrenn - The Romantic Adventures of a Gentle Man • Sinclair Lewis
... which we care to look at, and to look at on account of its beauty; even as, in lesser degree, Rubens has always managed to make us feel towards his flaccid, veal-complexioned, fish-eyed women, something of what we feel towards the goddesses of the Parthenon; towards the white-robed, long-gloved ladies, with meditative face beneath their crimped auburn hair, ...
— Euphorion - Being Studies of the Antique and the Mediaeval in the - Renaissance - Vol. II • Vernon Lee
... entertained of offering it to Lord Stanley. 'If he accepts,' Disraeli wrote to his friend Mrs. Willyams, 'I shall lose a powerful friend and colleague. It is a dazzling adventure for the house of Stanley, but they are not an imaginative race, and I fancy they will prefer Knowsley to the Parthenon and Lancashire to the Attic Plains.' 'The Greeks really want to make my friend Lord Stanley their king. This beats any novel; but he will not. Had I his youth I would not hesitate, even with the earldom of ...
— Historical and Political Essays • William Edward Hartpole Lecky
... theory. It is true that every visual element is understood as expression too. It is not true, however, that expression and impression are parallel and mutually corresponding beyond the elements. Suppose a concourse of columns covered by a roof,—the Parthenon. Those psychophysical changes induced by the sight now mutually check and modify each other. Can we say that there is a "meaning," like the energy of the column, corresponding to that complex? It is at least not ...
— The Psychology of Beauty • Ethel D. Puffer
... cast. This process gives additional utility and value to the finest works of art. The students of the Academy at Venice are thus enabled to admire the sculptured figures of Egina, preserved in the gallery at Munich; as well as the marbles of the Parthenon, the pride of our own Museum. Casts in plaster of the Elgin marbles adorn many of the academies of the Continent; and the liberal employment of such presents affords us an inexpensive and permanent ...
— On the Economy of Machinery and Manufactures • Charles Babbage
... where they played somewhat the same part as the Prussians at the battle of Waterloo. The head, hands, and feet of this statue were of marble, but the drapery was of gold; so arranged, probably, as in the case of the great statue of Athena designed later by Phidias for the Parthenon, as to be removable from the marble core at pleasure. Phidias made so many statues of the virgin goddess Athena, that his name became associated with hers, as at a later day that of Raphael was with the Virgin ...
— Great Men and Famous Women, Vol. 8 (of 8) • Various
... other, with a sheer fall a hundred yards broad; on the opposite side there are the rooms of the Hospital of Aesculapius and the theatres of Dionysus and Herodes Atticus. The top of the rock holds the Parthenon and the other smaller temples, or what yet remains of them, and its surface is littered with broken marble and stones and pieces of rock. The top is so closely built over that the few tourists who visit it can imagine themselves its sole occupants ...
— The Princess Aline • Richard Harding Davis
... House, which, as we all know, is in truth a very imposing structure, covering less ground than St. Peter's, but of similar general effect. The little man looked up, but did not reply to my taunt. He said to the young lady, however, that the State House was the Parthenon of our Acropolis, which seemed to please her, for she smiled, and he reddened a little,—so I thought. I don't think it right to watch persons who are the subjects of special infirmity,—but we ...
— The Professor at the Breakfast Table • Oliver Wendell Holmes (Sr.)
... of the most imposing we ever remember to have witnessed. The great door of the church was hung with black curtains, with the initials of the deceased, "F. C.," emblazoned in silver. On our entry we found the vast area of the modern Parthenon entirely crowded. Nave, aisles, galleries, &c., were alive with human beings who had come to see the last of Frederick Chopin. Many, perhaps, had never heard of him before....In the space that separates the nave from the choir, a lofty mausoleum had been erected, hung with black ...
— Frederick Chopin as a Man and Musician - Volume 1-2, Complete • Frederick Niecks
... stretching from Hexter's to Mother Spier's was a magnificent representation of the Parthenon: there were three pillars, and a great thing like this (a not over-successful sketch of a pediment), with the Eton and Royal arms in the middle, and "Gratulatur Etona Victoria et Alberto" It cost 150, and there were 5,000 lamps hung on it. Throughout ...
— Life of John Coleridge Patteson • Charlotte M. Yonge
... dwelling, or his own person. The history of every nation proves this, and no matter how rude, and even ugly, their efforts may seem to us, we are bound to recognize in them the same motives that actuated the builders of the Parthenon or of St. Peter's at Rome. This awakening and gratification of the aesthetic sense seems to be the first advance from a condition of mere animal existence, in which food, shelter, and comfort are the only considerations, to tastes and desires that ...
— Scientific American Supplement, No. 598, June 18, 1887 • Various
... incense of Love's perfumed breath, For no response gives Death! Ah, 'tis a fearful sight to see Thy lustre on a human face Where the Promethean spark has left no trace, As if it shone upon The marble cold, Of that famed ruin old— The grand, but empty Parthenon! ...
— Graham's Magazine Vol XXXIII No. 5 November 1848 • Various |
