"Old gold" Quotes from Famous Books
 ... she had found a convenient description—she thought of it for herself, always, as that of a girl with a background. The great reality was in the fact that, very soon, after but two or three meetings, the girl with the background, the girl with the crown of old gold and the mourning that was not as the mourning of Boston, but at once more rebellious in its gloom and more frivolous in its frills, had told her she had never seen any one like her. They had met ...
— The Wings of the Dove, Volume 1 of 2 • Henry James
... all sorts of old gold and sets of false teeth. There is a market for them. I have studied them. That's why I saw what ...
— The Winning Clue • James Hay, Jr.
... bare your arm to the elbow; the shape is perfect, and your old gold jewelry blends both with the warm brown of your gown and the roses and lace at your throat. I wonder a little what Mrs. Haughton, how strange it sounds, but one grows accustomed to, anything, I wonder what your uncle's wife will ...
— A Heart-Song of To-day • Annie Gregg Savigny
... one of rocks and treeless ridges, spewed from some vast volcanic forge of ages past. It was all a hard, gray, adamantine world, unlovely and severe—a huge old gold furnace, minus heat or fire, lying neglected in a universe of mountains that might have been a workshop in the ancient days when Titans wrought ...
— The Furnace of Gold • Philip Verrill Mighels
... and was presented to him by a young lady who liked him very much. It was wrought in a Persian pattern slightly mingled with the Greek, and was embroidered with purple, yellow, crimson, Magenta, sage green, invisible blue, ecru, old gold, drab, and other shaded worsteds, dotted with stitches of shining silk and beads of silver, the tassel alone containing skeins of ecru sewing silk. The young lady lived not very far from Mr. Stimpcett's, and she was that other reason why Mr. St. Clair ...
— Harper's Young People, February 3, 1880 - An Illustrated Weekly • Various
... a shop for an antique collector to discover, gorged with objects of bronze, of carved sandalwood, of teak, grotesque and very old, of shining red and blue and yellow beads, of old gold and ...
— Peter the Brazen - A Mystery Story of Modern China • George F. Worts
... the forces appeared at an upper door, and the "march-past" was on. Down they filed, a blaze of variegated color, each squad gaudy in a uniform of its own and bearing a banner inscribed with its verbal rank and quality: first the Present Tense in Mediterranean blue and old gold, then the Past Definite in scarlet and black, then the Imperfect in green and yellow, then the Indicative Future in the stars and stripes, then the Old Red Sandstone Subjunctive in purple and silver —and so on and so ...
— Innocents abroad • Mark Twain
... shadowy stream into evening mysteries of vapoury purple. Far as this hamlet is from all art-centres, there is no object visible in the house which does not reveal the Japanese sense of beauty in form. The old gold-flowered lacquer-ware, the astonishing box in which sweetmeats (kwashi) are kept, the diaphanous porcelain wine- cups dashed with a single tiny gold figure of a leaping shrimp, the tea- cup holders which are curled lotus-leaves of bronze, even the iron kettle with its figurings of ...
— Glimpses of an Unfamiliar Japan - First Series • Lafcadio Hearn
... in a happy hurry to get them in place. So presently the big blue Chinese rug covered the living-room, almost literally; for it was an immense one, and left very little margin around it. A handsome Kermanshah in old rose and old gold with pencillings of black was spread forth under the mahogany dining-table, and a rich dark-red and black Bokhara runner fitted the porch-room as if it had been bought for it. The smaller rugs were quickly disposed here and there, a lovely little rose-colored silk prayer rug ...
— Cloudy Jewel • Grace Livingston Hill
... really too bad," murmured Mrs. Bellmore, with an approving glance of her fine eyes about the vast chamber done in lilac and old gold. "And it was in this room she saw it! Oh, no, I'm not afraid of ghosts. Don't have the least fear on my account. I'm glad you put me in here. I think family ghosts so interesting! But, really, the story does sound a little inconsistent. I should have expected something better from Mrs. ...
— Sixes and Sevens • O. Henry
... their hive. "We have no industry left now," they told me, "and no men; everybody and everything hereabouts has gone to decay. We are only bummers—out of the game, a thin scatterin' of poor, dilapidated cusses, compared with what we used to be in the grand old gold-days. We were giants then, and you can look around here and see our tracks." But although these lingering pioneers are perhaps more exhausted than the mines, and about as dead as the dead rivers, they are yet a rare ...
— The Mountains of California • John Muir
... we have lost. You enter the woods from the hillside pasture, lounging a moment on the old gray fence to note the play of light and shadow on the birch bolls. Your eye lingers restfully on the wonderful mixture of soft colors that no brush has ever yet imitated, the rich old gold of autumn tapestries, the glimmering gray-green of the mouldering stump that the fungi have painted. What a giant that tree must have been, generations ago, in its days of strength; how puny the birches that now grow out ...
— Secret of the Woods • William J. Long
... am my master's faithful old Gold Pen; I've served him three long years, and drawn since then Thousands of funny women ...
— Ballads • William Makepeace Thackeray
... surprised me by little touches of intimate observation of her which he occasionally let slip—as, for instance, 'Have you noticed her forehead? It has a fine distinction of form; is pure ivory, surely; and you should watch how deliciously her hair springs out of it, like little wavy threads of "old gold" set in the ivory ...
— The Book-Bills of Narcissus - An Account Rendered by Richard Le Gallienne • Le Gallienne, Richard
... there, and they were deep in discussion of the merits of a pile of new rugs which were to match the wall-paper. Ben stoutly stood for the "ox-blood" and she for the "old gold." Ben explained. "The entire extravagance of this office is due to her." He pointed an accusing finger at Alice, who nodded shamelessly. "I was all for second-hand stuff, both for economy's sake and to show I'd been in practice a ...
— Money Magic - A Novel • Hamlin Garland
... they are placed in the stocks and flogged. Others are tied to posts and kept there until they pay. Moreover, they dig no gold, for the officials oblige them to pay the fifth. If they do not make a statement of their gold it is seized as forfeited, even when it is old gold; and the gold is not returned to them until after payment of a heavy fine. They do not wish to let the alcaldes-mayor buy rice, because they all hoard it. If the natives come to complain of their grievances to the alcaldes-mayor alone, they ...
— The Philippine Islands, 1493-1803, Volume V., 1582-1583 • Various
... sat primate and dean, Both dressed like divines, with hand and face clean: Quoth Hugh of Armagh, 'the mob is grown bold.' 'Ay, ay,' quoth the Dean, 'the cause is old gold.' 'No, no,' quoth the primate, 'if causes we sift, The mischief arises from witty Dean Swift.' The smart one replies, 'There's no wit in the case; And nothing of that ever troubled your grace. Though with your state sieve your own motions you s—t, A Boulter by name is no bolter of wit. It's matter ...
— The Prose Works of Jonathan Swift, D.D., Vol. VII - Historical and Political Tracts—Irish • Jonathan Swift
... very splendid room, the little girl thought, with a high, frescoed ceiling and a heavy cornice of flowers and leaves. The side walls were a light gray, but they were nearly covered with pictures. The curtains were a dull blue and what we should call old gold, and swept the floor. There was a mirror from floor to ceiling with an extremely ornamental frame, the top forming a curtain cornice over the windows. At the end of the room was the same kind of cornice and curtains, ...
— A Little Girl in Old New York • Amanda Millie Douglas
... the water, and flickered upon the Minerva's deck; strong enough only to appear mischievous, too soft and wayward to make its presence known to those within. And in the Minerva's cabin, set as it were in that softly rayed room of old gold and golden brown, Jenny was clinging to Keith, snatching once again at precarious happiness. Far off, in her aspirations, love was desired as synonymous with peace and contentment; but in her heart Jenny had no such pretence. She knew that it was otherwise. She knew that passive domestic enjoyment ...
— Nocturne • Frank Swinnerton
... display and tawdry effect. The deepest color in the audience room was the dark, rich red of the carpet on the floor. The silk linings of the boxes and the curtains between them and the small salons in the rear were of fabrics specially made for the purpose. They had an old gold ground and large, raised figures of conventional design in a darker shade, with dark red threads. The tier fronts, ceiling, and proscenium were of a light color, the aim having been to obtain a prevailing tint of ivory. ...
— Chapters of Opera • Henry Edward Krehbiel |
