"Millais" Quotes from Famous Books
 ... in 1871, though the chancel was not completed until five years later. The architect was Mr. Butterfield, and the church is of brick of different colours, with a bell gable at the west end. In Cromwell Place, near the underground station, Sir John Everett Millais lived in No. 7; the fact is recorded on a tablet. Harrington Road was formerly Cromwell Lane, and there is extant a letter of Leigh Hunt's dated from this address in 1830. Pelham Crescent, behind the station, formerly looked out upon ...
— The Kensington District - The Fascination of London • Geraldine Edith Mitton
... going to be good.' Only, unfortunately, his own work never does get good. Not content with his misquotations, he misspells the names of such well-known painters as Madox-Brown, Bastien Lepage and Meissonier, hesitates between Ingres and Ingres, talks of Mr. Millais and Mr. Linton, alludes to Mr. Frank Holl simply as 'Hall,' speaks with easy familiarity of Mr. Burne-Jones as 'Jones,' and writes of the artist whom he calls 'old Chrome' with an affection that reminds us of Mr. Tulliver's love ...
— Reviews • Oscar Wilde
... doubt, unrest, passion, and faith of his own century. To find work of Tennyson's that is romantic throughout, in subject, form, and spirit alike, we must look among his earlier collections (1830, 1832, 1842). For this was a phase which he passed beyond, as Millais outgrew his youthful Pre-Raphaelitism, or as Goethe left behind him his "Goetz" and "Werther" period and widened out into larger utterance. Mr. Stedman speaks of the "Gothic feeling" in "The Lady of Shalott," and in ballads like "Oriana" and "The Sisters," describing them as "work that in ...
— A History of English Romanticism in the Nineteenth Century • Henry A. Beers
... there was an Indian Mutiny, and Bismarck said: 'Quite right: let Delhi and Calcutta and Bombay fall; and let the women and children be treated Sepoy fashion,' and people say, 'O, but that is very different!' And then I wish I were dead. Millais (I hear) was painting Gladstone when the news came of Gordon's death; Millais was much affected, and Gladstone said, 'Why? IT IS THE MAN'S OWN TEMERITY!' Voila le Bourgeois! le voila nu! But why should I blame Gladstone, when I too am a Bourgeois? when I have held my ...
— The Letters of Robert Louis Stevenson - Volume 1 • Robert Louis Stevenson
... had married, knowing that her respect and admiration but not her love, were his, a beautiful and brilliant girl much younger than himself. They lived happily a number of years. Then Ruskin brought home the painter, Millais, to make a picture of his wife. Artist and model fell in love. Ruskin found it out, and refused to allow his wife to sacrifice herself for him. He divorced her and gave her to Millais, and the ...
— Happiness and Marriage • Elizabeth (Jones) Towne
... very eagerly poured out and all very unnerving for Miss Ingate, whose directory of painting was practically limited to the names of Raphael, Sir Joshua, Rembrandt, Rubens, Gainsborough, Turner, Leighton, Millais, Gustave Dore and Frank Dicksee. When, however, Nick referred to Monsieur Dauphin, Miss Ingate was as it were washed safely ashore and said with assurance: "Oh yes! Oh yes! ...
— The Lion's Share • E. Arnold Bennett
... came to fetch me to dine with her at the house of the Baroness M——. She had a very nice house in Prince's Gate. There were about twenty guests, among others the painter Millais. I had been told that the cuisine was very bad in England, but I thought this dinner perfect. I had been told that the English were cold and sedate: I found them charming and full of humour. Every one spoke French very well, and I was ashamed ...
— My Double Life - The Memoirs of Sarah Bernhardt • Sarah Bernhardt
... "Is it one o'clock?" she said to herself, anxiously. "I hope luncheon will be punctual." The picture will be known as "Grace before Meals," delightfully (of course) painted by Sir JOHN E. MILLAIS. ...
— Punch, or the London Charivari, Volume 100, May 9, 1891 • Various
... years 1862-3 various translations of his appeared in Once a Week, a magazine that then numbered amongst its contributors such writers as Harriet Martineau and S. Baring-Gould, and artists as Leech, Keene, Tenniel, Millais and Du Maurier. Amongst these translations were "The Hailstorm, or the Death of Bui," from the ancient Norse; "The Count of Vendal's Daughter," from the ancient Danish; "Harald Harfagr," from the Norse; "Emelian the Fool," and "The Story of Yashka with the Bear's Ear," from the Russian; ...
— George Borrow in East Anglia • William A. Dutt
... prudence, and determination in no common degree." The stateliness of bearing, the unbroken figure, the high glance of stern though melancholy resolve, he retained to the end. But the incessant labour and anxiety of sixty years made their mark, and Sir John Millais's noble portrait, painted in 1877, shows a countenance on which a lifelong contact with human suffering had written ...
— Collections and Recollections • George William Erskine Russell
... marriage, only to find, some years afterwards, his heart riven and a bitter ingredient dropped into his life's chalice by a fatal defection on the wife's part, she having become enamoured of the then rising young painter, Millais, whom Ruskin had trustingly invited to his house to paint her portrait. The sequel of the affair is a pitiful one, which Ruskin ever afterward hid deep in his heart, though at the time, finding that the woman was unable to live at the intellectual ...
— Beacon Lights of History, Volume XIV • John Lord
... too great of spirit to sink into the recluse, and first beguiled into Rossetti's studio, he soon met Millais, and by degrees he responded again to friends and friendships, and life called to him with many voices. In the late summer of 1862 the poet and his son were at "green, pleasant little Cambo," and then at Biarritz. ...
— The Brownings - Their Life and Art • Lilian Whiting
... introduced to, conversed with, or been well acquainted at one time or another with Sir John Millais, Holman Hunt, the Rossettis, Frith, Whistler, Poynter, Du Maurier, Charles Keene, Boughton, Hodges, Tenniel (who set my motive of "Ping-Wing," as I may say, to music in a cartoon in Punch), the Hon. John Collier, ...
— Memoirs • Charles Godfrey Leland
... approaching the age of forty, and not unlike one of his own handsome "swells" in personal appearance. The Royal Academy Exhibition of 1855 contained his portrait, painted by Millais, the chief of the pre-Raphaelite artists, who is said to be his friend. As may be gathered from his many sporting sketches, Leech is fond of horses, and piques himself on "knowing the points" of a good animal. (We may mention, by-the-by, that ...
— The Humourous Poetry of the English Language • James Parton
... entertainment. If Mark Twain had been a lion on his first visit, he was hardly less than royalty now. His rooms at the Langham Hotel were like a court. The nation's most distinguished men—among them Robert Browning, Sir John Millais, Lord Houghton, and Sir Charles Dilke—came to pay their respects. Authors were calling constantly. Charles Reade and Wilkie Collins could not get enough of Mark Twain. Reade proposed to join with him in writing a novel, as Warner had done. Lewis Carroll did not call, being too timid, but ...
— The Boys' Life of Mark Twain • Albert Bigelow Paine
... involuntarily addresses by his Christian name'; that although he was shy and awkward in the society of ladies, at ease with his own sex only when cattle and horses were the subject of conversation, ignorant of music, and unable to tell Millais from Tenniel, he 'could pick you out any bullock in a herd ... shear a hundred sheep a day ... and drive four horses down a sidling in a Gippsland range with any man in Australia,'—to say all this by way ...
— Australian Writers • Desmond Byrne
... them off. However, I turned to it and got it done, and both numbers are now in type. Charles Collins has designed an excellent cover." It was his wish that his son-in-law should have illustrated the story; but, this not being practicable, upon an opinion expressed by Mr. Millais which the result thoroughly justified, choice was made of Mr. ...
— The Life of Charles Dickens, Vol. I-III, Complete • John Forster
... souls of men and women with lofty ideals, prompting them to noble deeds, nerving them to patience in suffering and courage in battle. What may not the artist accomplish by throwing on the canvas landscapes or seascapes, like Turner, Scripture scenes, like Raphael, or heroic deeds, like Millais? Do these things not speak to the heart through the eye effectually? And what refining influences may not be silently absorbed into the nature by the artificer, who works in metals, or in pottery, in glass, or in wood, producing shapes of graceful contour, ...
— Men of the Bible; Some Lesser-Known Characters • George Milligan, J. G. Greenhough, Alfred Rowland, Walter F.
... Millais hung a daring crimson sash over the creamy-white bed-quilt, in the glow of the subdued night-lamp, in his picture of "Asleep," and we all thought what a fine thing it was. But we have not thought it so fine for the whole art world to burst into the subsequent imitative paroxysm of crashing ...
— Stained Glass Work - A text-book for students and workers in glass • C. W. Whall
... from the hand of the most circumspect of picture makers." It is a source of regret that even a shadow of reproach should be cast upon distinguished men, particularly when the question of blame is debatable, as when, for instance, a picture portraying the love affair between Sir John Millais, the artist, and Ruskin's wife, was actually produced by a ...
— Writing the Photoplay • J. Berg Esenwein and Arthur Leeds
... immigration, and gave an enormous impetus to the development of the colonies. Among the ardent spirits attracted here were J. Lionel Michael, Robert Sealy, R. H. Horne, the Howitts, Henry Kingsley and Adam Lindsay Gordon. Michael was a friend of Millais, and an early champion of the Pre-Raphaelite Brotherhood. Soon after his arrival in Sydney he abandoned the idea of digging for gold, and began to practise again as a solicitor. Later on he removed to Grafton on ...
— An Anthology of Australian Verse • Bertram Stevens
... up at once, for it is going to be a dismal failure. They know something is wrong, but they can't see what it is, and they mope about, and don't know what to try next. Father told me a story about Millais, the man who painted 'Bubbles,' you know, and heaps of other beautiful things. He was so miserable about a picture once that he grew quite ill worrying about it. His wife tried to persuade him to leave it alone for a few days, and then take a rest; but no, he would not hear of it, so one ...
— Pixie O'Shaughnessy • Mrs. George de Horne Vaizey |
