"Meyerbeer" Quotes from Famous Books
 ... sound very elaborate nowadays, nor do his melodies appear unusually tortuous or exacting, but he insisted upon violent contrasts from his singers as well as from his orchestra, and the great length of his operas, a point in which he anticipated Meyerbeer and Wagner, probably reduced to exhaustion the artists who were trained on Gluck and Mozart. 'La Vestale' was followed in 1809 by 'Fernand Cortez,' and in 1819 by 'Olympie,' both of which were extremely successful, the latter in a revised ...
— The Opera - A Sketch of the Development of Opera. With full Descriptions - of all Works in the Modern Repertory • R.A. Streatfeild
... her greatest successes immediately after she had met a funeral; Bellini would not permit a new work to be brought out if on the day announced he was first greeted by a man, and "La Somnambula" was several times thus postponed; Meyerbeer regularly washed his hands before beginning an overture; and a noted tragedienne never plays unless she has a ...
— The Mysteries of All Nations • James Grant
... hundred and sixty-five days in every one of them. What, I wondered, did she get from it? She had been a good pianist in her day I knew, and her musical education had been broader than that of most music teachers of a quarter of a century ago. She had often told me of Mozart's operas and Meyerbeer's, and I could remember hearing her sing, years ago, certain melodies of Verdi's. When I had fallen ill with a fever in her house she used to sit by my cot in the evening—when the cool, night wind blew in through the faded mosquito netting tacked over the window, and ...
— The Troll Garden and Selected Stories • Willa Cather
... Andrea began to attack Meyerbeer's work, in order to wake up Gambara, who sat sunk in the ...
— Gambara • Honore de Balzac
... tremendous impression, and that pleases me, for I really wanted only to frighten them in this manner; that they will remain the masters is as certain as that not our princes, but the bankers and the Philistines, are nowadays our masters. Towards Meyerbeer my position is a peculiar one. I do not hate him, but he disgusts me beyond measure. This eternally amiable and pleasant man reminds me of the most turbid, not to say most vicious, period of my life, when he pretended to be my protector; that was a period of connections ...
— Correspondence of Wagner and Liszt, Volume 1 • Francis Hueffer (translator)
... in his Anecdotes des Rois de France, is a staunch adherent of hers. Ronsard, the Court poet, is also extravagant in his praises of her, but chiefly of her beauty. Numerous other poets and romancers have found her life a favourite subject. Meyerbeer's opera, Les Huguenots, is based upon her wedding, and the ensuing Massacre. Dumas's well-known novel, Marguerite de Valois, gives her a somewhat dubious reputation, as half-tool, half-agent for Catherine, and as the mistress of the historical La Mole. This doubtful phase, ...
— Memoirs And Historical Chronicles Of The Courts Of Europe - Marguerite de Valois, Madame de Pompadour, and Catherine de Medici • Various |
