"Maupassant" Quotes from Famous Books
 ... Madam, babies don't grow in the cabbage patch, and you are all well aware they don't, and it's criminal of your English writers to mislead the young as to the facts of existence. Charlotte Yonge is infinitely more immoral than Guy de Maupassant." ...
— The Beloved Vagabond • William J. Locke
... stooped and kissed the filthy beggar outside the church door in Rome. Nor do we find in any of these sketches of outcasts that sense of humanity bruised and exiled that we get in such a story as Maupassant's Boule de Suif. Mr. Graham gloriously insists upon our recognizing our human relations, but many of them he introduces to us as first cousins once removed rather than as brothers and sisters by the grace ...
— Old and New Masters • Robert Lynd
... tree, in three volumes. An author of experience soon finds out how he should treat his material. One writer informs me that, given the idea, the germinal idea, it is as easy for him to make a novel out of it as a tale—as easy, and much more satisfactory and remunerative. Others, like M. Guy de Maupassant, for example, seem to find their strength in brevity, in cutting down, not in amplifying; in selecting and reducing, not in allowing other ideas to group themselves round the first, other characters ...
— Adventures among Books • Andrew Lang
... her of having a cold, indifferent heart. Others, more penetrating, have seen that Marie considered love as a religion for which a god was necessary. Hence her dream as a young girl: "to love a superior being." And she wrote to Maupassant. ...
— Marie Bashkirtseff (From Childhood to Girlhood) • Marie Bashkirtseff
... her punishment. These contrasts are developed not by reasoning but by action, each action plunging Madame Loisel deeper and deeper into misery. The author's attitude toward his work forms also a part of the real background. Maupassant shows neither sympathy nor indignation. He writes as if he were the stenographer of impersonal ...
— Short Stories Old and New • Selected and Edited by C. Alphonso Smith
... England was young two sons of the Conqueror waged battle here, and Henry besieged Robert or Robert besieged Henry. When Philip Augustus burned it and it was the only Norman fortress that withstood Henry the Fifth, and many years later, in Maupassant's "Notre Coeur," a certain Madame de Burne entered a room of one of its hotels and there blew out a candle. But above all I recall, and ninety-five out of every hundred others who have visited the rock recall, the breakfast that was once renowned throughout Europe—a breakfast at two francs, fifty, ...
— Fifth Avenue • Arthur Bartlett Maurice
... Sage,' is revealed the same fineness of sympathetic observation in town and country that we have come to associate with Bunner's name. Among his prose writings there remains to be mentioned the series from Puck entitled 'Made in France.' These are an application of the methods of Maupassant to American subjects; they display that wonderful facility in reproducing the flavor of another's style which is exhibited in Bunner's verse in a still more eminent degree. His prose style never attained the perfection ...
— Library of the World's Best Literature, Ancient and Modern, Vol. 7 • Various
... realise how manifest and universal are the parts played by the wind in relation to man's weal or woe—they bring the rain, they drive the storm, they clear the air. The landsman knows much— the sailor more. Guy de Maupassant makes the sailor say, "Vous ne le (vent) connaissez point, gens de la terre! Nous autres, nous le connaissons plus que notre pere ou que notre mere, cet invisible, ce terrible, ce capricieux, ce sournois, ce feroce. Nous l'aimons et nous le redoutons, nous savons ...
— Nature Mysticism • J. Edward Mercer
... Henry. George Moore was a cad and a four—flusher. Edgar Saltus' Anatomy of Negation was profounder than Kant. Maeterlinck was a mystic frump. Emerson was a charlatan. Ibsen's Ghosts was the stuff, though Ibsen was a bourgeois lickspittler. Heine was the real goods. He preferred Flaubert to de Maupassant, and Turgenieff to Tolstoy; but Gorky was the best of the Russian boiling. John Masefield knew what he was writing about, and Joseph Conrad was living too fat to turn out the ...
— The Mutiny of the Elsinore • Jack London
... as a meteor, and I shall leave it like a thunderbolt." These words of Maupassant to Jose Maria de Heredia on the occasion of a memorable meeting are, in spite of their morbid solemnity, not an inexact summing up of the brief career during which, for ten years, the writer, by turns ...
— Maupassant Original Short Stories (180), Complete • Guy de Maupassant
... teach you that, you know; but you see it's what they believe and what they spend all their energies trying to dodge a little, all they think they can. Then everything you read, except the silly little Bibliotheque-Rose sort of thing, makes you know that it's true . . . Anatole France, and Maupassant, and Schnitzler. Of course back in America you find lots of nice people who don't believe that. But they're so sweet you know they'd swallow anything that made things look pleasant. So you don't dare take their word for anything. ...
— The Brimming Cup • Dorothy Canfield Fisher
... plaster-of-Paris categories and pigeon holes and classifications, labelled the teeming creatures of the mind, becomes anon a strutting actor upon a multitudinous stage, and an audience in a crowded playhouse. Scenes are enacted the febrile fancy of a Poe or a de Maupassant never could have conjured. The complex, the neurosis, the compulsion, the obsession, the slip of speech, the trick of manner, the devotion of a life-time, the culture of a nation all furnish bits for the Freudian mosaic. Attractions and inhibitions, repulsions ...
— The Glands Regulating Personality • Louis Berman, M.D.
... place before the pupils good models for constructing stories, read one like "A Piece of String" in "An Odd Number," by Maupassant. Stories for this purpose should not be long. Talk the story over with the pupils, bringing out clearly the main incident and the several episodes which contribute to it. Have them notice how characters, time, and place are introduced; and ...
— English: Composition and Literature • W. F. (William Franklin) Webster |
