"Matthew Arnold" Quotes from Famous Books
 ... fierce misery of those who live for pleasure, the strange poverty of the rich. Some one wrote to me in trouble, 'When you are not on your pedestal you are not interesting.' How remote was the writer from what Matthew Arnold calls 'the Secret of Jesus.' Either would have taught him that whatever happens to another happens to oneself, and if you want an inscription to read at dawn and at night-time, and for pleasure or for pain, write ...
— De Profundis • Oscar Wilde
... the Power in the world which makes for righteousness, as "not-ourselves," as Matthew Arnold did in his haste, that Power is known to be the man's true self and more, and morality is the gradual process whereby its content is evolved. And man's state of perfection, which is symbolized for the intelligent by the term Heaven, is, ...
— Browning as a Philosophical and Religious Teacher • Henry Jones
... forms of literature. For the whole cast of an author's mind, the habitual tone of his feeling on most important matters, is often largely decided by his environment. It is only a very inadequate appreciation, for example, of the work not only of Carlyle and Ruskin but of Tennyson, Browning, and Matthew Arnold, that is possible without some correct knowledge of the varying attitude of these men toward important movements in English thought, social, economic, religious, between 1830 and 1880. It must always be an important ...
— College Teaching - Studies in Methods of Teaching in the College • Paul Klapper
... that morality assumes special and higher manifestations, and character a nobler form? Is the Christian merely an ordinary man who happens from birth to have been surrounded with a peculiar set of ideas? Is his religion merely that peculiar quality of the moral life defined by Mr. Matthew Arnold as "morality touched by emotion?" And does the possession of a high ideal, benevolent sympathies, a reverent spirit, and a favorable environment account for what men call ...
— Natural Law in the Spiritual World • Henry Drummond
... book is the permanent charm of all literature, according to Matthew Arnold's admirable definition. Georgie is a singularly acute and humorous interpretation of the home life led by the American who is neither too rich to be aping the English nor too poor to avoid the other ...
— Letters from a Self-Made Merchant to His Son • George Horace Lorimer
... Goethe Walter Pater Shakespeare Matthew Arnold Dostoievsky El Greco Shelley Edgar Allan Poe Milton Keats Walt Whitman Charles Lamb ...
— One Hundred Best Books • John Cowper Powys
... other points on which I must beg leave to say a few words. Physical science will demand of our natural theologians that they should be aware of their importance, and let—as Mr Matthew Arnold would say—their thoughts play freely round them. I mean questions of Embryology, and questions ...
— Westminster Sermons - with a Preface • Charles Kingsley
... it is almost certain that personal temperament will here make itself felt, and that although all men will insist on being spoken to by the universe in some way, few will insist on being spoken to in just the same way. We have here, in short, the sphere of what Matthew Arnold likes to call Aberglaube, legitimate, inexpugnable, yet doomed to ...
— The Will to Believe - and Other Essays in Popular Philosophy • William James
... In Matthew Arnold's poem, Sohrab and Rustum, Rustum fights with and overcomes Sohrab, and finds too late that he ...
— Character Sketches of Romance, Fiction and the Drama - A Revised American Edition of the Reader's Handbook, Vol. 3 • E. Cobham Brewer
... has been so grossly abused during the last thirty years that one mentions it with diffidence. Matthew Arnold well said that when people came to him and asked to be told how to write a good style he was unable to reply; for indeed it is not a thing to be taught. It is a by-product, though a necessary by-product, of good thinking. But when Matthew Arnold went on ...
— Froude's Essays in Literature and History - With Introduction by Hilaire Belloc • James Froude
... of an interesting address lately delivered at the reopening of the Liverpool University College and School of Medicine, Mr. Matthew Arnold said if there was one word which he should like to plant in the memories of his audience, and to leave sticking there after he had gone, it was the word lucidity. If he had to fix upon the three great wants at this moment of the three principal nations of Europe, he should say ...
— Scientific American Supplement No. 360, November 25, 1882 • Various
... among the mountains of Ettrick and Yarrow, the son of a shepherd. When he was but six years old he commenced to earn his living as a cowherd, and by his seventh year had received all the schooling which he was destined to have—two separate periods of three months. Matthew Arnold, when accounting for the sterility of Gray as a poet, says that throughout the first nine decades of the eighteenth century, until the French Revolution roused men to generosity, "a spiritual east wind was blowing." Hogg's early ignorance ...
— The Great English Short-Story Writers, Vol. 1 • Various
... against the cage of custom and circumstance and institutions. The external form of the plot, whatever is fantastic and wilful in its setting and its adventures, is due to the school of Ann Radcliffe. But the quality in Shelley and in George Sand which bewitched even the austere Matthew Arnold in his green and salad days is the poetising of that liberative eighteenth century philosophy into "beautiful idealisms" of a love emancipated from human limitations, a love exalted to the height of its gamut by the influences of nature, triumphantly seeking its own or shattered in magnificent ...
— The George Sand-Gustave Flaubert Letters • George Sand, Gustave Flaubert
... Mediocrity can not help disliking superiority; and as the old Northern sage declared, "the average of men is but moiety." Moiety does not mean necessarily mediocrity, but also that which is below mediocrity. What we call in England to-day, as Matthew Arnold called it, the Philistine element, continues to prove in our own time, to almost every superior man, the danger ...
— Books and Habits from the Lectures of Lafcadio Hearn • Lafcadio Hearn
... but the highest will satisfy you. God has given you singular powers of influence and of attracting others. He will demand an account {181} of those powers. You know Matthew Arnold's lines on his father. I believe the day will come when men will ...
— Letters to His Friends • Forbes Robinson
... Germany is actually attempting or would be justified in attempting to impose her culture on the rest of Europe; or whether England has good reasons for the limitation or suppression of German culture, is another side-issue. German culture (in Matthew Arnold's correct use of the word, meaning, that is, the average of intellectual and social civilisation), has not on a general inspection much to be proud of. The modern literature of Germany is largely a transcription of Russian, French and English authors, and it is significant that among foreign ...
— The World in Chains - Some Aspects of War and Trade • John Mavrogordato
... behaviour. Oxford, not conduct, is three-fourths of life to those who acquire the distemper. Without becoming personal it is not easy to discuss purely social aspects, and we must seek chiefly in literature for manifestations of the phenomenon: in the prose of Matthew Arnold for instance—in the poems of Mr. Laurence Binyon, typical examples where every thought seems a mental reservation. Enemies rail at the voice, and the voice counts for something. Any one having the privilege of hearing Mr. Andrew Lang speak ...
— Masques & Phases • Robert Ross
... We had put both war and Wellingsford behind us, and talked of books. I found to my dismay that this fair and fearless high product of modernity had far less acquaintance with Matthew Arnold than with the Evangelist of the same praenomen. She had never heard of "The Forsaken Merman," one of the most haunting romantic poems in the English language. I pointed to a bookcase and bade her fetch the volume. She ...
— The Red Planet • William J. Locke
... dialect even of his best friends and closest associates. And the readiness with which men fall into common form, the levity with which they settle the most complex and difficult issues, stirred in Turgot what Michelet calls ferocite, and Mr. Matthew Arnold calls soeva indignatio. 'Turgot was filled with an astonished, awful, oppressive sense of the immoral thoughtlessness of men; of the heedless, hazardous way in which they deal with things of the greatest moment ...
— Critical Miscellanies (Vol. 2 of 3) - Turgot • John Morley
... manufactured to pop with the corks and fizz with the champagne at academic banquets should much outlive the occasion; or that the habit of producing such verses on demand should foster in the producer that "high seriousness" which Matthew Arnold asserts to be one mark of all great poetry. Holmes's poetry is mostly on the colloquial level, excellent society-verse, but even in its serious moments too smart and too pretty to be taken very gravely; with a certain glitter, knowingness, and flippancy about it, and an absence of that self-forgetfulness ...
— Initial Studies in American Letters • Henry A. Beers
... friendliness. The smoke from the chimneys hung over it, a pale blue haze; and the tall roofs, the spires of the churches, gave it a pleasantly medieval air. There was a homeliness in it which warmed the heart. Hayward talked of Richard Feverel and Madame Bovary, of Verlaine, Dante, and Matthew Arnold. In those days Fitzgerald's translation of Omar Khayyam was known only to the elect, and Hayward repeated it to Philip. He was very fond of reciting poetry, his own and that of others, which he did in a monotonous sing-song. By the time they reached ...
— Of Human Bondage • W. Somerset Maugham
... moles, whom what they do Teaches the limit of the just and true. (And for such doing they require not eyes). Matthew Arnold ...
— We Two • Edna Lyall
... intonation, adding helpfully: "Matthew Arnold. Or is it Arnold Bennett? Anyway, think how far away those places are," he pleaded. ...
— From a Bench in Our Square • Samuel Hopkins Adams
... as much attention should be paid to the development of manly character in the boys as to mental training, and that the prime object of a school was not to turn out scholars, but to turn out men. This Doctor Arnold was the father of Matthew Arnold, the poet.] ...
— Journeys Through Bookland, Vol. 5 • Charles Sylvester
... ascendancy, the result that they—the immense majority of the Irish people—have no University, while the Protestants in Ireland, the small minority, have one. For this plain hardship they propose a plain remedy, and to their proposal they want a plain, straightforward answer."—MATTHEW ARNOLD, Mixed ...
— Ireland and the Home Rule Movement • Michael F. J. McDonnell
... we map conclude, with Mr. Matthew Arnold, who has applied his critical and appreciative mind to the study of the Celtic character, that "the Celtic genius has sentiment as its main basis, with love of beauty, charm, and spirituality for its excellence," but, he adds, "ineffectualness and self-will for its defects." On these last words ...
— Irish Race in the Past and the Present • Aug. J. Thebaud
... he knows that he has done it well, if the testimony of all his faculties is to that effect, there is somehow the lurking sense that it was not he who really did it, but that there is a power, to turn Matthew Arnold's phrase to our use, "not ourselves, that works for" beauty as well as righteousness, and that it was this mystical force which wrought through him to the exquisite result. If you come to the second-best ...
— Imaginary Interviews • W. D. Howells
... touch of a poet, and we pluck up heart and read on. The book is a curious but not inartistic combination of the mental attitude of Mr. Matthew Arnold with the style of Lord Tennyson. Sometimes, as in The Sicilian Hermit, we get merely the metre of Locksley Hall without its music, merely its fine madness and not its fine magic. Still, elsewhere there is good work, and Caliban in East London ...
— Reviews • Oscar Wilde
... literature, science and art, at every conversational opportunity. The dismay set up by these sallies encourages him in his belief that he is helping to educate England. When he finds people chattering harmlessly about Anatole France and Nietzsche, he devastates them with Matthew Arnold, the Autocrat of the Breakfast Table, and even Macaulay; and as he is devoutly religious at bottom, he first leads the unwary, by humorous irreverences, to wave popular theology out of account in discussing moral questions with him, and then scatters them in confusion by demanding ...
— Man And Superman • George Bernard Shaw
... they are not sufficiently impressive in themselves, not sufficiently separable from their meanings, to have anything except the slightest value as mere sounds. In collocation, however, and quite apart from rhythm and alliteration, this minute expressiveness may add up to a considerable amount. In Matthew Arnold's lines, ...
— The Principles Of Aesthetics • Dewitt H. Parker
... of the boy to find anything to say about them instead of taking something which the boy knew about and devoting himself to improve his English style in expressing his thought. Channing was a good critic. His published lectures on rhetoric and oratory, now almost wholly forgotten, remind one of Matthew Arnold in their delicate and discriminating touch. He had a face and figure something like that of Punch in the frontispiece of that magazine. His method was to take the themes which the boys handed in one week, look them over himself, then, a week after, meet the class, ...
— Autobiography of Seventy Years, Vol. 1-2 • George Hoar
... seriously of appearing before the public as a poet. Such was the intention early in their career with many of our best known prose writers, with Milton, and Goldsmith, and Samuel Johnson, with Scott, Macaulay, and more lately with Matthew Arnold; writers of verse and prose who ultimately prevailed some in one direction, and others in the other. Milton and Goldsmith have been known best as poets, Johnson and Macaulay as writers of prose. But with all of them there has been a distinct ...
— Thackeray • Anthony Trollope
... to his brother John: "Some weeks ago, one night, the poet Tennyson and Matthew Arnold were discovered here sitting smoking in the garden. Tennyson had been here before, but was still new to Jane—who was alone for the first hour or two of it. A fine, large-featured, dim-eyed, bronze-colored, shaggy-headed man is Alfred; dusty, smoky, free and easy; who swims outwardly ...
— Little Journeys to the Homes of the Great, Volume 5 (of 14) • Elbert Hubbard
... Joseph, op. cit., p. 47). Used in a vague way, mysticism stands for spiritual inwardness. Religion without mysticism, said Amiel, is a rose without perfume. This saying is no more precise and no more informing than Matthew Arnold's definition of religion as morality touched with emotion. Neither mysticism nor an emotional touch makes religion. They are as often as not concomitants of a pathological state which is the denial of religion. But if mysticism means a personal attitude towards ...
— Judaism • Israel Abrahams
... the city for themes and to enrich my art; There married the banker's daughter, And later became president of the bank— Always looking forward to some leisure To write an epic novel of the war. Meanwhile friend of the great, and lover of letters, And host to Matthew Arnold and to Emerson. An after dinner speaker, writing essays For local clubs. At last brought here— My boyhood home, you know— Not even a little tablet in Chicago To keep my name alive. How great it is to write the single line: "Roll on, thou deep ...
— Spoon River Anthology • Edgar Lee Masters
... school lies in the fact that this power of the will for restraint and self-control is undeveloped. So-called "willfulness" is a will in which the volitional power has not yet been balanced with this inhibitive power. One realizes in this way the force of Matthew Arnold's definition of character as ...
— Games for the Playground, Home, School and Gymnasium • Jessie H. Bancroft
... literary or social article. Generally these last appeared in both daily and weekly papers. I recollect the second original social article I wrote was on "Equality as an influence on society and manners," suggested by Matthew Arnold. The much-travelled Smythe, then, I think, touring with Charles Clark, wrote to Mr. Finlayson from Wallaroo thus:—"In this dead-alive place, where one might fire a mitrailleuse down the principal street without hurting anybody, I read this delightful article in yesterday's ...
— An Autobiography • Catherine Helen Spence
... philosophical phosphates against seasons of spiritual cowardice or debility. There one opened and read: "Sudden the worst turns best to the brave" or Thoreau's "I have yet to hear a single word of wisdom spoken to me by my elders," or again Matthew Arnold's ...
— Young Lives • Richard Le Gallienne
... power until you use it. Children should read a great deal and reading should be made attractive to them. The amount of real literature suited to their taste and comprehension is not large and as much as possible of it should be read. Matthew Arnold says that school reading should be copious, well chosen and systematic. There is often a great difference between the books which the child reads when under observation, and those to which he resorts for solace and comfort and turns over and over again ...
— Children and Their Books • James Hosmer Penniman
... knowledge of permanent literature, of the rules of literary construction, of trained taste in selecting models, and of a quick imagination capable of perceiving pertinent comparisons and setting forth vivid impressions. Writers like Lessing, Victor Cousin, Matthew Arnold, and Jules Lemaitre have exercised in criticism a system which is quite as capable of exposition and analysis as that of the historian, the poet, or the novelist. In America this system has also done its best, without entirely prostituting its art, to ...
— The Building of a Book • Various
... sprouted during a long uninterrupted afternoon and grew so rapidly they intoxicated her. Masters had sent her in that first offering poets who had not become fashionable in Boston when she left it: Browning, Matthew Arnold and Swinburne; besides the Byron and Shelley and Keats of her girlhood. He sent her Letters and Essays and Memoirs and Biographies that she had never read and those that she had and was glad to read again. He sent her books on art and she re-lived her days in the galleries of Europe, understanding ...
— Sleeping Fires • Gertrude Atherton
... Wellington. The great temple looked rather bare and unsympathetic. Poor Dr. Johnson, sitting in semi-nude exposure, looked to me as unhappy as our own half-naked Washington at the national capital. The Judas of Matthew Arnold's poem would have cast his cloak over those marble shoulders, if he had found himself in St. Paul's, and have earned another respite. We brought away little, I fear, except the grand effect of the dome as we looked up at it. It gives ...
— Our Hundred Days in Europe • Oliver Wendell Holmes
... twentieth century would commend us. But we do not talk like that now. The waters of the sullen Lethe, rolling doom, are sounding too loudly in our own ears. We would die at peace with all centuries. Mr. Frederic Harrison writes a formal Defence of the Eighteenth Century, Mr. Matthew Arnold reprints half a dozen of Dr. Johnson's Lives of the Poets. Mr. Leslie Stephen composes a history of thought during this objurgated period, and also edits, in sumptuously inconvenient volumes, the works of its two great novelists, Richardson and Fielding; and, finally, ...
— Obiter Dicta - Second Series • Augustine Birrell
... of the man and his poetry and philosophy. Birds and Poets, too, contains a paper on Whitman, entitled The Flight of the Eagle, besides an essay on Emerson, whom he also treated incidentally in his paper, Matthew Arnold on Emerson and Carlyle, in Indoor Studies; and the latter volume contains his ...
— Birds and Bees, Sharp Eyes and, Other Papers • John Burroughs
... Pressure, of which the polite name is Persuasion, I always feel to be a hidden enemy. It is all a part of that worship of formlessness, and flowing tendencies, which is really the drift of cosmos back into chaos. I remember how I suddenly recoiled in youth from the influence of Matthew Arnold (who said many things very well worth saying) when he told me that God was "a stream of tendency." Since then I have hated tendencies: and liked to know where I was going ...
— Gilbert Keith Chesterton • Maisie Ward
... and Genoese, had a wonderful, faraway imaginative association for me, and still have. Matthew Arnold's magic of poetry, magical words and lines, explain all its charm for me. A feeling beyond the words or the sense is what I require in poetry. In vain did I try to express in rhyme what I felt. The lines halted for the last word. ...
— Confessions of Boyhood • John Albee
... of the foreign passengers was William T. Stead. Few names are more widely known to the world of contemporary literature and journalism than that of the brilliant editor of the Review of Reviews. Matthew Arnold called him "the inventor of the new journalism in England." He was on his way to America to take part in the Men and Religion Forward Movement and was to have delivered an address in Union Square on the Thursday after the disaster, with William ...
— Sinking of the Titanic - and Great Sea Disasters • Various
... dialogue, and creative power. As in his preceding stories, there is hardly the flutter of a petticoat, but the tale, like Prince Charles at Holyrood, can point to a Highland man of the sword, and say, "These are my beauties." I remember that Mr. Matthew Arnold admired the story greatly, and he had ...
— The Works of Robert Louis Stevenson - Swanston Edition - Vol. 1 (of 25) • Robert Louis Stevenson
... Mr. Matthew Arnold seems to think that Shakespeare has damaged English poetry. I wish he had! It is true he lifted Dryden above himself in "All for Love"; but it was Dryden who said of him, by instinctive conviction rather than judgment, that within his magic ...
— The Best of the World's Classics, Restricted to Prose, Vol. X (of X) - America - II, Index • Various
... responsibility upon them. Leave them to deal with this and that emergency themselves. Cease carrying them on your back, and lay weak and evil and self-willed people on their back. Let them feel that they are of some real use. As Matthew Arnold says, Let the critic but try practice, and you will make a new man of him. As Greatheart made of Feeble-mind by making him mount guard over the Celestial caravan while the fighting men were all ...
— Bunyan Characters (Second Series) • Alexander Whyte
... merely in its infancy—although he expressed this development in the phrase "In London, people talked socialism without living it; but in Glasgow, they were socialists without knowing it!" Despite all the ugliness which had so repelled Ruskin, the squalor which moved Matthew Arnold to the fiercest scorn in all his writings, Morris's appreciation arose from his craftsman's knowledge and respect for supreme craftsmanship. The great ships building upon the Clyde were for him "the greatest achievement of [Page: 106] humanity since ...
— Civics: as Applied Sociology • Patrick Geddes
... its wide conversation through books, its intellectual unrest; it has looked him in the eye, and said, "Are you sure? The dear old traditions,—they are indeed traditions. The sweet customs which have housed our spiritual and social life,—these are customs. Of what are you SURE?" Matthew Arnold has recently said well (we cannot quote the words) that the opening of the modern epoch consists in the discovery that institutions and habitudes of the earlier centuries, in which we have grown, are not ...
— The Atlantic Monthly, Volume 13, No. 77, March, 1864 • Various
... outcroppings of a vulgar egotism might indicate a substratum necessary to be taken into account, but it would have been a clear loss of labor to follow the leadings of any eccentric vein. One might wonder at the absence of Mr. Matthew Arnold, the high priest of culture; but we have to remember that Mr. Arnold is solicitous to stand apart, that he holds up ideals which he is careful to inform us are not those of his time, and that he is fastidious in selecting a point of view where he cannot be jostled, with perspectives ...
— Lippincott's Magazine of Popular Literature and Science, Vol. 26, September 1880 • Various
... Burns was deplored in a paragraph, and passed over—as though Burns were not as essentially a drunkard as a poet! The vulgarity of Keats's letters to Fanny Brawne did not escape the nice censure of Matthew Arnold who could not be expected to see that a man incapable of writing such letters would not have written "The Eve of St. Agnes." In our day culture having failed to suppress Mr. Augustus John welcomes him with undiscriminating enthusiasm some ten years behind the times. ...
— Art • Clive Bell
... 'Twere Possible" Alfred Tennyson "Home They Brought Her Warrior Dead" Alfred Tennyson Evelyn Hope Robert Browning Remembrance Emily Bronte Song,"The linnet in the rocky dells" Emily Bronte Song of the Old Love Jean Ingelow Requiescat Matthew Arnold Too Late Dinah Maria Mulock Craik Four Years Dinah Maria Mulock Craik Barbara Alexander Smith Song, "When I am dead, my dearest" Christina Georgina Rossetti Sarrazine's Song to Her Dead Lover Arthur O'Shaughnessy Love and ...
— The Home Book of Verse, Vol. 4 (of 4) • Various
... associations and knowledge. He cannot help paying an excessive tribute to the Calvinism he had formally rejected, in so far as, according to him, it goes to form character—even national character, at all events, in its production of types; and he never in any really effective way glances at what Mr Matthew Arnold called "Scottish manners, Scottish drink" as elements in any way radically qualifying. It is not, of course, that I, as a Scotsman, well acquainted with rural life in some parts of England, as with rural life in many parts of Scotland in my youth, do not heartily agree with him—the point ...
— Robert Louis Stevenson - a Record, an Estimate, and a Memorial • Alexander H. Japp
... a homeliness that touches the heart like the sight of a pasture-field, with its broken bars, where our childhood ran with happy feet. Carlyle was against things because they were English; so was Matthew Arnold. These men were self-expatriated in spirit. I like not the attitude. Give us men who love native land beyond all other lands, and who, removed therefrom, turn homesick eyes toward its invisible boundaries. Irving, admirable in many ways, was in no way more ...
— A Hero and Some Other Folks • William A. Quayle
... have been affected by what I have written?" This is practical counsel, and even the most florid modern author, after polishing a paragraph, may tear it up when he has asked himself, "What would Addison have said about this eloquence of mine, or Sainte Beuve, or Mr. Matthew Arnold?" In this way what we call inspiration, that is the performance of the heated mind, perhaps working at its best, perhaps overstraining itself, and overstating its idea, might really be regulated. But they are few who consider so closely, fewer perhaps they who have the heart ...
— On the Sublime • Longinus
... be read (as it is given in Mr. Matthew Arnold's admirable volume of selections) with the earlier conclusion: the second form is less satisfactory, and the third, with its sermonizing tone, "thus all in vain exhorted and reproved," is worst ...
— Wordsworth • F. W. H. Myers
... from our own. It distinguishes even the unquestionable treasures and masterpieces of to-day from similar treasures and masterpieces of the precedent day; even the Lotus-Eaters from Kubla-Khan; even Rossetti's ballads from Christabel. It is present in the restraint of Matthew Arnold no less than in the exuberance of Swinburne, and affects our writers who aim at simplicity no less than those who seek richness. Indeed, nothing is so artificial as our simplicity. It is the simplicity ...
— Shelley - An Essay • Francis Thompson
... which will stand the test of being brought into close contact with nature. Are not John Burroughs' cheerful, kindly essays full of woodland truth and companionship? Can you not carry a whole library of musical philosophy in your pocket in Matthew Arnold's volume of selections from Wordsworth? And could there be a better sermon for a Sabbath in the wilderness than Mrs. Slosson's immortal ...
— Little Rivers - A Book Of Essays In Profitable Idleness • Henry van Dyke
... Matthew Arnold would have expressed this by saying that we are required to be made accessible to the influence of the Zeitgeist. There is a difficulty, no doubt, in discovering by what signs we may recognise the utterances of the Zeitgeist; and distinguish between loyalty to the real intellectual leaders and a ...
— Social Rights and Duties, Volume I (of 2) - Addresses to Ethical Societies • Sir Leslie Stephen
... that the good Clough, the generous, susceptible scholar, should die. I read over his Bothie again, full of the wine of youth at Oxford. I delight in Matthew Arnold's fine criticism in two little books. Give affectionate remembrances from me to Jane Carlyle, whom —-'s happiness and accurate reporting restored to me ...
— The Correspondence of Thomas Carlyle and Ralph Waldo Emerson, 1834-1872, Vol II. • Thomas Carlyle and Ralph Waldo Emerson
... Tennyson, Robert Browning, Elizabeth Barrett Browning, Dinah Maria Mulock Craik, Mrs. S. F. Adams, Anna Letitia Barbauld, Mrs. Charles, Frances Ridley Havergal, Anna Letitia Waring, Jean Ingelow, Adelaide Anne Procter, Mme. Guyon, Theodore Monod, Matthew Arnold, Edwin Arnold, William Shakespeare, John Milton, George Gordon Byron, Robert Burns, William Cowper, George Herbert, Robert Herrick, Francis Quarles, Frederick W. Faber, John Keble, Charles Kingsley, Alexander Pope, Joseph Addison, John Gay, Edward Young, Thomas ...
— Poems with Power to Strengthen the Soul • Various
... however, it might seem that certain artists, and perhaps the greatest, might not fare well at our hands. How would Shelley, for instance, stand such a test? Every one knows the judgment passed on Shelley by Matthew Arnold, a critic who evidently relied on this principle, even if he preferred to speak only in the name of his personal tact and literary experience. Shelley, Matthew Arnold said, was "a beautiful and ineffectual angel, beating his wings in a luminous void in ...
— Winds Of Doctrine - Studies in Contemporary Opinion • George Santayana
... bears always with him from even the reading of "The Countess Cathleen" or of "The Land of Heart's Desire." Nor is one moved by "On Baile's Strand" as one is moved by other tellings of the same world story, as one is moved by the epic telling of it by Matthew Arnold in "Sohrab and Rustum," or even by such a casual telling of it as is Mr. Neil Munro's in "Black Murdo." If it were not for "Deirdre," in fact, one would have to say that the verse plays of Mr. Yeats after "The Shadowy Waters" grow, play by play, less in poetic ...
— Irish Plays and Playwrights • Cornelius Weygandt
... studied it, turned it over, and penetrated it, the more masterly did it become; because it was not so much the expression of a thought as the thought itself taking shape in a perfectly pure medium of language. Bunyan had the same gift; of later authors Ruskin had it very strongly, and Matthew Arnold in a lesser degree. There is another species of beautiful prose, the prose of Jeremy Taylor, of Pater, even of Stevenson; but this is a slow and elaborate construction, pinched and pulled this way and that; and it is like some gorgeous ...
— The Upton Letters • Arthur Christopher Benson
... rowing was in its infancy. It is a peculiarity of the universities that little flocks of men of unusual ability come up at intervals together, breaking the monotony of idlers, prize scholars, and honours men. Such a group appeared at Balliol in Matthew Arnold's time, and rather later, at various colleges, in the dawn of Pre-Raphaelitism. The Tennysons—Alfred, Frederick, and Charles—were members of such a set. There was Arthur Hallam, son of the historian, from Eton; there was Spedding, the editor and biographer of Bacon; Milnes (Lord ...
— Alfred Tennyson • Andrew Lang
... There is in his mere sanity a touch of magic so potent that, although incapable of dullness, he has achieved authority, and although convinced that faith is more romantic than doubt, or even sin, he has got himself published and read. Summarising the "drift" of Matthew Arnold, Mr Chesterton observes: ...
— The Open Secret of Ireland • T. M. Kettle
... grow old, for it asserts no dogma. Though science were to destroy God and the soul, the 'Meditations of Marcus Aurelius' would remain forever young and immortally true." The eminent English critic Matthew Arnold was found on the morning after the death of his eldest son engaged in the perusal of his favorite Marcus Aurelius, wherein alone ...
— Library Of The World's Best Literature, Ancient And Modern, Vol 3 • Various
... ones on the other, now occupied a large part of my time, and our removal to Sibsey, in Lincolnshire, an agricultural village with a scattered population, increased my leisure. I read the works of Robertson, Stopford Brooke, Stanley, Greg, Matthew Arnold, Liddon, Mansel, and many another, and my scepticism grew deeper and deeper as I read. The Broad Church arguments appeared to me to be of the nature of special pleading, skilful evasions of difficulties rather than the real meeting and solving ...
— Annie Besant - An Autobiography • Annie Besant
... and prevent Socialism being the practical hope or peril it has been in so many other countries. It operates in two ways; first, by a curious fallacy about "the time not being ripe"—as if time could ever be ripe. The same savage superstition from the forests had infected Matthew Arnold pretty badly when he made a personality out of the Zeitgeist—perhaps the only ghost that was ever entirely fabulous. It is tricked by a biological parallel, by which the chicken always comes out of the egg "at the right time." He does not; he comes out ...
— The Crimes of England • G.K. Chesterton
... emphatically asserts that he lived to fifty years, we may most assuredly proclaim him a priest in the sense of elder, or leader of men. One whom schools of thought, represented by men so opposed as Mill, Renan, Matthew Arnold, Spinoza, Goethe, Napoleon and Rousseau, conspired to honour must have been indeed a "king of men". But this is not what is meant by the question. By priest we mean here what the ecclesiastic means, namely, one who is set apart by the act of ...
— Morality as a Religion - An exposition of some first principles • W. R. Washington Sullivan
... spectator at least a great initiation; he got his first glimpse of that possibility of a "free play of mind" over a subject which was to throw him with force at a later stage of culture, when subjects had considerably multiplied, into the critical arms of Matthew Arnold. So he is himself at least interested in seeing the matter—as a progress in which the first step was taken, before that crude scenic appeal, by his wondering, among his companions, where the absurd, the absurd for them, ended and the fun, the real fun, which was the gravity, ...
— A Small Boy and Others • Henry James
... deforms his Ajax with a tag of political partisanship, his servitude to surroundings defines his conscience as an artist; and when painting by contrasts he poses the weak Ismene and Chrysothemis as foils to their heroic sisters, we see that his dramatic power in the essential was rudimentary. Yet Mr. Matthew Arnold, a living English poet, writes that Sophocles 'saw life steadily and saw it whole.' This is true of no man, not of Shakespeare nor of Goethe, much less of Sophocles or Racine. The phrase itself is as offensively out of date as the First Commandment." ...
— Elder Conklin and Other Stories • Frank Harris
... sobbing into each other's arms, and women staggered to the door at the point of fainting. There was a general dissolution, as in chaos, from the mists of which a new creation bursts forth.' This description is perhaps the best possible antidote to Matthew Arnold's fastidious observation that 'The ...
— The Life and Works of Friedrich Schiller • Calvin Thomas
... agree with Mr. Matthew Arnold, that the extravagance of thought and diction which characterizes much of our modern poetry is traceable to the influence of Shakspeare. We see in it only the futile effort of misguided persons to torture out of language ...
— Atlantic Monthly, Volume 3, Issue 15, January, 1859 • Various
... hammock and resumed an open book. Its title was "Matthew Arnold—How to Know Him." She was getting up in Matthew Arnold for a paper. Winona at twenty was old before she should have been. She was small and dark, with a thin nose and pinched features. Her dark hair, wound close to her small head, was pretty enough, and her ...
— The Wrong Twin • Harry Leon Wilson
... when he quotes with approval Channing's word, that "perhaps matter is but a mode of thought," the most earnest Pantheist would hardly desire more. For the conception of the Universe involved must surely exclude the real being, or even the real existence, of anything but God. Matthew Arnold never committed himself to Pantheism, nor, indeed, to any other theory of the Universe. For his delicate humour and lambent satire always had in view simply the practical object of clearing a plain way for the good life through the "Aberglaube" ...
— Pantheism, Its Story and Significance - Religions Ancient And Modern • J. Allanson Picton
... have been so fully covered and so admirably illustrated by Professor Perry that they do not call for any further discussion in this place. But perhaps something may be added concerning the different equipments that are required by authors of novels and authors of short-stories. Matthew Arnold, in a well-known sonnet, spoke of Sophocles as a man "who saw life steadily and saw it whole"; and if we judge the novelist and the writer of short-stories by their attitudes toward life, we may say that they divide this verse ...
— A Manual of the Art of Fiction • Clayton Hamilton
... permanently find satisfaction while thus suspended in mid-air; nor are we appreciably advanced by the temper which, after pointing out some alleged fundamental antinomy, "quietly accepts"—i.e., in practice ignores—it. Problems of this description are not solved by what Matthew Arnold called a want of intellectual seriousness; is it true, we ask, that the "mystical view of the Divine immanence" compels us to believe in the allness of God, and so ...
— Problems of Immanence - Studies Critical and Constructive • J. Warschauer
... 125 poems from over 60 authors, including Fitzgerald, Shelley, Shakespeare, Kenneth Grahame, Stevenson, Whitman, Browning, Keats, Wordsworth, Matthew Arnold, Tennyson, William Morris, Maurice Hewlett, Isaak Walton, William Barnes, Herrick, Dobson, Lamb, Milton, Whittier, ...
— Somehow Good • William de Morgan
... English poetry, save Shakespeare, has in expression quite the fascinating felicity of Keats, his perfection of loveliness." (Matthew Arnold). But only these few friends of his are able to recognise that perfection. Outside their charmed circle, lies an obstinately ...
— A Day with Keats • May (Clarissa Gillington) Byron
... arbitrary being dealing out rewards and punishments grows dim, for we see the regular workings of Cause and Effect. We begin to talk of Energy, the Divine Essence, and the Reign of Law. We speak, as Matthew Arnold did, of "a Power, not ourselves, that makes for righteousness." But Emerson believed in a power that was in himself ...
— Little Journeys to the Homes of the Great Philosophers, Volume 8 • Elbert Hubbard
... Mill was a skeptic. And nobody who has read the story of Thomas Huxley's boyhood will wonder at his becoming an agnostic. As Edward Clodd, his biographer, says, 'his boyhood was a cheerless time. Reversing Matthew Arnold's sunnier memories: ...
— A Handful of Stars - Texts That Have Moved Great Minds • Frank W. Boreham
... with some surprise how original and beautiful were many of his fancies and similes. I say I noted them with surprise, because he was evidently a modern Englishman, and yet unlike any other of his writing species. His name was not Alfred Tennyson, nor Edwin Arnold, nor Matthew Arnold, nor Austin Dobson, nor Martin Tupper. He was neither plagiarist nor translator—he was actually an original man. I do not give his name here, as I consider it the duty of his own country to find him out and ...
— A Romance of Two Worlds • Marie Corelli
... generation ago Mr. Matthew Arnold twitted our nation with the fact that "the journeyman work of literature" was much better done in France—the books of reference, the biographical dictionaries, and the translations from the classics. He did not especially ...
— A Dictionary of Austral English • Edward Morris
... long, stooping stride in the teeth of the wind, and straight towards the roar of the breakers on the farther side of the sand. A line of Matthew Arnold's, 'The naked shingles of the world,' was running in my head. 'Seven miles from land,' I thought, 'scuttling like sea-birds on a transient islet of sand, encircled by rushing tides and hammered by ocean, at midnight in a rising gale—cut off even from ...
— Riddle of the Sands • Erskine Childers
... French mystics were never mystical, runs through all our travels, so obstinately recurring in architecture, sculpture, legend, philosophy, religion, and poetry, that it becomes tiresome; and yet it is an idea that, in spite of Matthew Arnold and many other great critics, never has got lodgment in the English or German mind, and probably never will. Every one who loves travel will hope that it never may. If you are driven to notice it as the most distinctive mark ...
— Mont-Saint-Michel and Chartres • Henry Adams
... nothing better to do, for pleasant were his friend Halidome's well-appointed dinners. At seven, therefore, he went to Chester Square. His friend was in his study, reading Matthew Arnold by the light of an electric lamp. The walls of the room were hung with costly etchings, arranged with solid and unfailing taste; from the carving of the mantel-piece to the binding of the books, from the miraculously-coloured ...
— Forsyte Saga • John Galsworthy
... we are content to take a bill and write down Byron and Lamartine, Senancour and Jacopo Ortis (otherwise Ugo Foscolo), Musset, Matthew Arnold, and tutti quanti, as debtors to Rene, we give the tale or episode a historical value which cannot be denied; while its positive aesthetic quality, though it may vary very much in different estimates, cannot be regarded ...
— A History of the French Novel, Vol. 2 - To the Close of the 19th Century • George Saintsbury
... of asking so many times," Miss Madden interposed—"is Balder a family name, or is it after the Viking in Matthew Arnold's poem?" ...
— The Market-Place • Harold Frederic
... the airs of the comparatively little man. On the other hand, no self-respecting writer should ape the false deprecating "'umbleness" of Uriah Heep. In short, he wishes to pass, like a coin, for just what he is worth. Mr. Matthew Arnold was ludicrously unjust to the West when he wrote, "The Western States are at this moment being nourished and formed, we hear, on the novels of a native author called Roe." Why could not Mr. Arnold have taken a few moments to look into the bookstores ...
— Taken Alive • E. P. Roe
... He quoted from Matthew Arnold, then in the zenith of his fame as a chief apostle of culture, and shewed that there were two propositions involved in the "literary" view of culture. The first was that a "criticism of life" was the essence of culture; the second, that literature contained the materials which ...
— Thomas Henry Huxley; A Sketch Of His Life And Work • P. Chalmers Mitchell
... this trip that they had, so the legend says, that strange interview with Judas Iscariot, out of which Matthew Arnold has made a ballad. Sailing in the wintry northern seas at Christmas time, St. Brandan saw an iceberg floating by, on which a human form rested motionless; and when it moved at last, he saw by its resemblance to the painted pictures he had seen that ...
— Tales of the Enchanted Islands of the Atlantic • Thomas Wentworth Higginson
... if we weren't underestimating the potential strength of the Freshman's mind by feeding him on too much pap. By the same token I am inclined to think that I should drop Carlyle and Hawthorne for Matthew Arnold and, perhaps, Cardinal Newman." (Furbush was a High Churchman of a militant dye.) "What I should, of course, do would be to divide the present first term between Spenser and Milton, instead of giving it all to Shakespeare." This last was said directly to Dawson. It had been ...
— Tutors' Lane • Wilmarth Lewis
... superficial and one-sided reflection; or to think the matter through, to get some definite criteria for judgments, and to face the recurrent question, what shall we do? In the steady light of those principles. [Footnote: Cf. Matthew Arnold, Essays in Criticism, vol. i: "Marcus Aurelius," opening paragraph: "The object of systems of morality is to take possession of human life, to save it from being abandoned to passion or allowed to drift at hazard, to give it happiness by establishing it in the practice of virtue; and this object ...
— Problems of Conduct • Durant Drake
... it should not seem strange that the heart, with its affections, furnishes the key of knowledge and wisdom. The time was when authors were supposed to think out their truths; now we know that the greatest truths are felt out. Matthew Arnold said that mere knowledge is cold as an icicle, but once experienced and touched with noble feelings truth becomes sweetness and light. This author thought that the first requisite for a good writer was a sensitive and ...
— The Investment of Influence - A Study of Social Sympathy and Service • Newell Dwight Hillis
... Tennyson, in his Locksley Hall. And what is this wisdom which we have to seek chiefly in the poets, leaving knowledge on one side? It is well enough to say with Matthew Arnold in his Introduction to Wordsworth's poems, that poetry is reality and philosophy illusion; but reason is always reason and reality is always reality, that which can be proved to exist externally to us, whether we find in ...
— Tragic Sense Of Life • Miguel de Unamuno
... original. They think it is unmanly. I once spent a week with the commander of one of our armies of occupation, and I never heard the same remarks so often in all my life. They thought everything was an affectation. Once, when I mentioned Matthew Arnold at the mess, they thought he ...
— The Green Carnation • Robert Smythe Hichens
... demand of the very highest poetry first—the order is not material—a certain quality of expression, and secondly, a certain quality of subject. "What that quality of subject must be has been, as it seems to me, crudely and wrongly stated, but rightly indicated, in Mr. Matthew Arnold's formula of the "Criticism of Life." That is to say, in less debatable words, the greatest poet must show most knowledge of human nature. Now both these conditions are fulfilled in the sonnets of Shakespere with a completeness and intensity impossible to parallel elsewhere. The merits of the formal ...
— A History of English Literature - Elizabethan Literature • George Saintsbury
... intellect undulled by the routine of his dreary work, Matthew Arnold was wont to write a few lines of poetry each day. Poetry, like music and song, is an effective dispeller of care; and those who find Omar Khayyam or "In Memoriam" incapable of removing the of burden of their woes, will no doubt appreciate the "Owl and the Pussy-cat," or the Bab ...
— The Treasury of Ancient Egypt - Miscellaneous Chapters on Ancient Egyptian History and Archaeology • Arthur E. P. B. Weigall
... Athenians ask the inhabitants of Melos (the island where the "Venus of Milo" was found), hitherto neutral, to own their lordship. The envoys meet, and hold a debate which Thucydides gives in full, and which, for sweet reasonableness of form, would have satisfied Matthew Arnold. "The powerful exact what they can," said the Athenians, "and the weak grant what they must." When the Meleans say that sooner than be slaves they will appeal to the gods, the Athenians reply: "Of the gods we believe and of men we know that, ...
— Memories and Studies • William James
... a committee which investigated the subject accorded to Sir Humphry Davy the priority of this invention. During this year Sir Austin Henry Layard published the results of his original researches of Nineveh and its remains. Macaulay printed the first two volumes of his "History of England," while Matthew Arnold brought out his "Strayed Reveller" and other poems. Elizabeth ...
— A History of the Nineteenth Century, Year by Year - Volume Two (of Three) • Edwin Emerson
... history of poetic forms, and the technique of poetic method, where he hoped to find the secret of poetry. He will be likely to get as much help from writings on poetry that are not text-books, such as Matthew Arnold's Essays: "On Translating Homer," "Last Words on Translating Homer," "Celtic Poetry," "Introduction to the Poetry of Wordsworth," and the "Introduction to Humphry Ward's English Poets"; Emerson's ...
— The World's Best Poetry, Volume 8 • Various
... pursuit or contingency, or of enabling yourself to hold your own with other readers, or even of rendering yourself that enviable nondescript, a person of culture,—whatever, in short, is read with any assignable purpose whatever, is in so far not literature. The Bible may be literature to Mr. Matthew Arnold, because he reads it for fun; but to Luther, Calvin, or the pupils of a Sunday-school, it is essentially something else. Literature is the written communications of the soul of mankind with itself; it is liable ...
— Confessions and Criticisms • Julian Hawthorne
... particular meaning, or rather is one aspect of that unity whose other aspect is meaning. So that what you apprehend may be called indifferently an expressed meaning or a significant form. Perhaps on this point I may in Oxford appeal to authority, that of Matthew Arnold and Walter Pater, the latter at any rate an authority whom the formalist will not despise. What is the gist of Pater's teaching about style, if it is not that in the end the one virtue of style is truth or adequacy; that the word, ...
— English Prose - A Series of Related Essays for the Discussion and Practice • Frederick William Roe (edit. and select.)
... thought it ought to be a warning to others. Ithink that all who are interested in maintaining certain civilized usages even in the midst of war, ought to protest against such a return to primitive savagery, and I am glad to find that my friend, Mr. Matthew Arnold, one of the highest authorities on the rules of literary warfare, entertains the same opinion, and has quoted what I had quoted from Professor Steinthal's pamphlet, together with other specimens of theological rancor, as extreme ...
— Chips from a German Workshop - Volume IV - Essays chiefly on the Science of Language • Max Muller
... Coleridge's services to the cause of romanticism, his critical writings should not be overlooked. Matthew Arnold declared that there was something premature about the burst of creative activity in English literature at the opening of the nineteenth century, and regretted that the way had not been prepared, as in Germany, by a critical movement. It is true that the English romantics put forth no body ...
— A History of English Romanticism in the Nineteenth Century • Henry A. Beers
... Outside the Abbey thousands of people were assembled, for the Dean was loved by all London. From a small gallery over the "Poets' Corner" I looked down on the group, which contained Gladstone, Shaftesbury, Matthew Arnold, and scores of England's mightiest and best. After the "Dead March," began a long procession headed by Stanley's lifelong friend, Archbishop Tait, of Canterbury, and the Prince of Wales (his pupil), and followed by Browning, Tyndall, ...
— Recollections of a Long Life - An Autobiography • Theodore Ledyard Cuyler
... gone to see the great apostle of beauty, I should have had to go clandestinely—en cachette, as they say here; and that is not my nature; I like to do everything frankly, freely, naivement, au grand jour. That is the great thing—to be free, to be frank, to be naif. Doesn't Matthew Arnold say that somewhere—or is it ...
— A Bundle of Letters • Henry James
... exercised on their contemporaries by recluses such as Newman or Darwin may be compared with the more worldly activities of Huxley and Samuel Wilberforce. Often we see equally diverse elements in following the course of a single life. In Matthew Arnold we wonder at the poet of 'The Strayed Reveller' coexisting with the zealous inspector of schools; in William Morris we find it hard to reconcile the creative craftsman with the fervent apostle of social discontent. Perhaps ...
— Victorian Worthies - Sixteen Biographies • George Henry Blore
... preface to his volume, "'Poems of Wordsworth' chosen and edited by Matthew Arnold," that distinguished poet and critic has said (p. xxv.), "I can read with pleasure and edification ... everything of Wordsworth, I ...
— The Poetical Works of William Wordsworth, Vol. III • William Wordsworth
... or the last, it is sometimes urged, came out of Lambeth. Little of the theological bitterness, of the controversial narrowness of this age or the last, it may fairly be answered, has ever entered its gates. Of Lambeth we may say what Matthew Arnold says of Oxford, that many as are its faults it has never surrendered itself to ecclesiastical Philistines. In the calm, genial silence of its courts, its library, its galleries, in the presence of its venerable past, the virulence, the ...
— Stray Studies from England and Italy • John Richard Green
... about. While the best is said and done in Europe, the better sort of Americans will look thither,—just as Europe looks to us for corn and cotton, or mechanical appliances. We have done much, and much that it was well to do. We have, as Matthew Arnold says, solved the political and social problems better than any other people, though we ourselves perceive that the solution is by no means final. The conditions of our life are favorable to the many. It is easier for a man to assert himself here, than it ...
— Education and the Higher Life • J. L. Spalding
... me give you a few prolegomena on this matter. You must study the plants of course, species by species. Take Watson's 'Cybele Britannica,' and Moore's 'Cybele Hibernica;' and let—as Mr. Matthew Arnold would say—"your thought play freely about them." Look carefully, too, in the case of each species, at the note on its distribution, which you will find appended in Bentham's 'Handbook,' and in Hooker's 'Student's Flora.' Get all the help you can, ...
— Health and Education • Charles Kingsley
... though he was often amused by the uses to which she put it; and sometimes he had been touched by her gifts at Christmas or on his birthdays, which ranged from a reckless investment in gay neckties to a set of some author whose definitive edition he had coveted—Shelley or Landor or Matthew Arnold. No; money was not a subject that had interested Phil, and her father found her direct ...
— Otherwise Phyllis • Meredith Nicholson
... phase of thought which called itself Positivism has not been great. But a school of thought which numbered among its adherents such men and women as John Stuart Mill, George Henry Lewes, George Eliot, Frederic Harrison, and Matthew Arnold, cannot be said to have been without significance. A book upon the translation of which Harriet Martinean worked with sustained enthusiasm cannot be dismissed as if it were merely a curiosity. Comte's work, ...
— Edward Caldwell Moore - Outline of the History of Christian Thought Since Kant • Edward Moore
... In Matthew Arnold's poem, Sohrab and Rustum, Rustum fights with and overcomes Sohrab, and finds too late that he ...
— Character Sketches of Romance, Fiction and the Drama - A Revised American Edition of the Reader's Handbook, Vol. 3 • E. Cobham Brewer
... is illustrated by an engraving, by G.J. Stodart, of Thorwaldsen's statue of Lord Byron. The preface (pp. vii.-xxxi.) is by Matthew Arnold. ...
— The Works of Lord Byron, Vol. 7. - Poetry • George Gordon Byron
... too, have been at their best on the Riviera: from Cette, where Matthew Arnold painted one of the most brilliant little landscapes in our literature, along to Genoa, ...
— From a Cornish Window - A New Edition • Arthur Thomas Quiller-Couch
... Byron are closely paralleled by those of Goethe, who considered that Byron had the greatest talent of any man of his century.[297] The opinions of continental critics in general were similar. Among English critics Matthew Arnold aroused many protests when he ranked Byron as one of the two greatest English poets of the nineteenth century, but his views seem perfectly rational now; and though he remarked upon the extravagance of Scott's phrases his own verdict was not very unlike ...
— Sir Walter Scott as a Critic of Literature • Margaret Ball
... the source of their varied progress. Yet from time to time men have arisen among them who not only have given intimate views of a new civilisation, but have added something to the permanent stock of what Matthew Arnold used to call 'the best that is known and thought in the world.' Even when the independent nationhood of the United States was still but an aspiration, Benjamin Franklin had familiarised Europe with much that has since been recognised as inherent ...
— Australian Writers • Desmond Byrne
... the American mind—to say that an English statesman is carrying on any sort of communication with the representatives of the Irish people is to bring against him, in English eyes, a very damaging accusation. When a man like Mr. Matthew Arnold writes to the Times to contend that Englishmen should find out what the Irish want solely for the purpose of not letting them have it, and a journal like the Spectator maintains that the sole excuse for extending the suffrage in Ireland, as it has lately been extended in England, was ...
— Handbook of Home Rule (1887) • W. E. Gladstone et al.
... early "Essay on Milton," the religious polemics of Frederick Dennison Maurice and John Henry Newman, nearly all of Ruskin's discussions of art and social history, most of Leigh Hunt's literary criticism, and Matthew Arnold's important early critical essays. This, too, is a notable showing. But if we turn to the two realms in which Browning excelled, poetry and drama, we find different conditions. During the central period ...
— Selections from the Poems and Plays of Robert Browning • Robert Browning
... MATTHEW ARNOLD! you were right: We need more Sweetness and more Light; For till we break the brutal foe Our sugar's short, our lights ...
— Punch, Or The London Charivari, Vol. 152, January 24, 1917 • Various
... respecte" we are not entitled to read "je vous aime". Charlotte was so made that kindness shown her moved her to tears of gratitude. When Charlotte said "respect" she meant it. Her feeling for M. Heger was purely what Mr. Matthew Arnold said religion was, an affair of "morality touched with emotion". All her utterances, where there is any feeling in them, no matter what, have a poignancy, a vibration which is Brontesque and nothing more. And this Brontesque quality is what the theorists have (like ...
— The Three Brontes • May Sinclair
... of Pater's style? Compare it with Macaulay's, Newman's, Ruskin's, and Matthew Arnold's. Has Pater a message? Does he show the spirit ...
— Halleck's New English Literature • Reuben P. Halleck
... perfection in the English edition of Jacob Behmen. The frontispiece is a full-length likeness of the author of the Holy War, with his whole soul laid open and his hidden heart 'anatomised.' Why, asked Wordsworth, and Matthew Arnold in our day has echoed the question—why does Homer still so live and rule without a rival in the world of letters? And they answer that it is because he always sang with his eye so fixed upon its object. 'Homer, ...
— Bunyan Characters - Third Series - The Holy War • Alexander Whyte
... Matthew Arnold, in an address on Emerson delivered in Boston, gave an excellent estimate of the rank we should accord to him in the great hierarchy of letters. Some, perhaps, will think that Arnold was unappreciative and cold, but dispassionate readers will be inclined to agree with his judgment ...
— Essays • Ralph Waldo Emerson
... metaphysical chin. My favorite poem is Lizette Woodworth Reese's "Tears," which, as a statement of fact, seems to me to be as idiotic as the Book of Revelation. The poetry I regard least is such stuff as that of Robert Browning and Matthew Arnold, which argues and illuminates. I dislike poetry of intellectual content as much as I dislike women of intellectual content—and for ...
— Damn! - A Book of Calumny • Henry Louis Mencken
... may compare Matthew Arnold's travelling companion ("Essays in Criticism," 1st Edition, Preface), who was so nervous about railway murders, and who refused to be consoled by being reminded that though the worst should happen, there would ...
— Microcosmography - or, a Piece of the World Discovered; in Essays and Characters • John Earle
... men of genius are of far greater concern to their contemporaries than to posterity. Time dispels the mists and allows the gross matter to settle to the bottom. We now have Wordsworth in the selections of Matthew Arnold, we read the Waverley Novels with Lockhart's Life of Scott before us, and we render praise to Coleridge for what he has accomplished since his death. With none of these advantages, Hazlitt's performance seems remarkable enough. No contemporary with the exception of Leigh Hunt ...
— Hazlitt on English Literature - An Introduction to the Appreciation of Literature • Jacob Zeitlin
... however belongs to a much earlier period of her life, the year 1837. Of her cordiality and kindliness to those who approached her in a right spirit of sincerity and simplicity, many have spoken. For English readers we cannot do better than quote Mr. Matthew Arnold's interesting account, given in the Fortnightly, 1877, of his visit to her in August, 1846. Desirous of seeing the green lanes of Berry, the rocky heaths of Bourbonnais, the descriptions of which in Valentine and Jeanne had charmed him so strongly, the traveller chose a route that ...
— Famous Women: George Sand • Bertha Thomas
... little disheartening and a justification of my pessimism that neither of these men has received anything like the same general recognition as our fluent Mr. Perchance, that interpreter of literature to the American bourgeoisie. I will slip in also a volume or two of Matthew Arnold, as a good touchstone to try them on. Now that you are becoming a professional weigher of books yourself, you ought to be acquainted with ...
— The Jessica Letters: An Editor's Romance • Paul Elmer More
... of "The Light under the Altar," was a man who not only reasoned closely but indelicately. There was a demonstrating, jeering, air about his preaching and writing, and everything he said and did was saturated by the spirit of challenge. He did not so much imitate as exaggerate the style of Matthew Arnold. And whatever was done publicly against him would have to be done very publicly because his book had got him a ...
— Soul of a Bishop • H. G. Wells
... deals with problems and emotions that lie deep in the pulsing heart of humanity, but he does not best interpret his generation. It is the man living upon the level of his time, and finding his inspiration in the world of events, who reflects its life, marks its currents, and registers its changes. Matthew Arnold has aptly said that "the qualities of genius are less transferable than the qualities of intelligence, less can be immediately learned and appropriated from their product; they are less direct and stringent intellectual agencies, though they may be more beautiful and divine." It was ...
— The Women of the French Salons • Amelia Gere Mason
... Bradshaw. For a brilliant sketch of his social aspect we may consult Lord Beaumaris in Lord Beaconsfield's Endymion; and of what he was in Parliament we have the same great man's account, reported by Matthew Arnold: "Full of nerve, dash, fire, and resource, he carried the ...
— Prime Ministers and Some Others - A Book of Reminiscences • George W. E. Russell
... ascribes to Emerson, who stimulated his religious nature, his improved literary expression; while Whitman was to him a great humanizing power, and Matthew Arnold taught him clear thinking and clean writing. He had passed through these different influences by the time he was twenty-one or twenty-two; had taught for a while; and from 1863 to 1873 was vault-keeper and afterwards chief of the organization division ...
— Library of the World's Best Literature, Ancient and Modern, Vol. 7 • Various
... 'Democracy at the Crossroads,' collects a number of weighty opinions confirming this judgment. Carlyle, who proclaimed the merits of silence in some thirty volumes, blames democracy for ignoring the 'noble, silent men' who could serve it best, and placing power in the hands of windbags. Ruskin, Matthew Arnold, Sir James Stephen, Sir Henry Maine, and Lecky, all agree that 'the people have for the most part neither the will nor the power to find out the best men to lead them.' In France the denunciations of democratic ...
— Outspoken Essays • William Ralph Inge
... affections and necessary avocations apart, he was totus in illis. And these things we have in abundance.[2] If the following pages seem to discuss them too minutely, it can only be pleaded that those to whom it seems so are hardly in sympathy with Matthew Arnold himself. And if the discussion seems to any one too often to take the form of a critical examination, let him remember Mr. Arnold's own words in comparing the treatment of Milton by Macaulay and ...
— Matthew Arnold • George Saintsbury
... in these scenes, one feels that it may, indeed, be said of him as Matthew Arnold said of Sophocles, that he sees life steadily, and sees it whole. What a masterly handling is his of the facts of the universe, giving his reader the truths of the scientist touched with an idealism such as is only known to the poet's soul! A friend, writing me of "The Summit ...
— Our Friend John Burroughs • Clara Barrus
... for a little from the turmoils of politics, the mixture of motives, the half-successes. Here is what glorified the whole business,—the development of souls like this; and in such is the promise of the future. Fitly to Armstrong belongs what Matthew Arnold has written of ...
— The Negro and the Nation - A History of American Slavery and Enfranchisement • George S. Merriam
... protest, against M. Zola. Nor is the diatribe against the evil communication that had corrupted good manners any novelty in the quarrel. Critics have practically recognised that letters are a reflex of life long before Matthew Arnold formulated the relation. And in the disputing between Classicists and Romanticists it has invariably happened that the Classicists were the earlier generation, and therefore more given to convention, while the Romanticists ...
— The Palace of Pleasure, Volume 1 • William Painter
... Charles Reade. Anthony Trollope. Charlotte Bronte. Bulwer Lytton. Charles Kingsley. Mrs. Gaskell. Blackmore. Meredith. Hardy. Stevenson. Essayists of the Victorian Age. Macaulay. Carlyle. Ruskin. Matthew Arnold. Newman. The Spirit of Modern Literature. Summary. Bibliography. ...
— English Literature - Its History and Its Significance for the Life of the English Speaking World • William J. Long
... song, or the catchword of a buffoon, will raise laughter at last by its brazen importunity. Some modem writers, admiring the easy power of the device, have indulged themselves with too free a use of it; Matthew Arnold particularly, in his prose essays, falls to crying his ...
— Style • Walter Raleigh
... whose artistic beauty found a fitting setting to Mrs. Browning's immortal sonnets. Among other volumes were a collection of signed "Etchings" by Sir Laurence Alma-Tadema; presentation copies from Tennyson, Matthew Arnold, Aubrey De Vere, Walter Savage Landor, and many another known to fame; and a copy, also, of a study of Mrs. Browning's ...
— Italy, the Magic Land • Lilian Whiting
... heroes, righters of wrong, blazing to consume evil, gentle and strong to uplift weakness: Apollo, Hercules, Perseus, Achilles, Sigard, St. George, and many another." Balder has been a favorite subject for poetic treatment, perhaps to best effect in Matthew Arnold's ...
— Children's Literature - A Textbook of Sources for Teachers and Teacher-Training Classes • Charles Madison Curry
... moral trend of the character must be given, if given at all, prior to university life, at the public school; and to him nothing less than the formation of high moral character seemed worth striving for. Fine scholarship and high mathematics are excellent, but after all, as the apostle of culture, Matthew Arnold, has told us, conduct, and not intellectual attainment, ...
— The Power of Womanhood, or Mothers and Sons - A Book For Parents, And Those In Loco Parentis • Ellice Hopkins
... pass the Deceased Wife's Sister Bill immediately. 'And a man who marries his Deceased Wife's Sister,' he exclaimed pathetically to the air, 'may very soon end in the swamps of Rationalism!' Only Queen Mab and the Owl heard the words as they flew overhead. Next they met Mr. Matthew Arnold, smiling a happy smile, and concocting a 'childlike and bland' article for the 'Nineteenth Century' on the present crisis. So they flew on westward till, gaining a freer and fresher neighbourhood, they came upon a wide green lawn, and ...
— 'That Very Mab' • May Kendall and Andrew Lang
... view. Suppose Walt Whitman had never existed, and some bold essayist, like Mr. Higginson or Matthew Arnold, had projected him in abstract, outlined him on a scholarly ideal background, formulated and put in harmless critical periods the principles of art which he illustrates, and which are the inevitable logic of ...
— Birds and Poets • John Burroughs
... Marchrose, turning to him. 'If you are thinking of Matthew Arnold's introduction to the selected poems, ...
— A Great Man - A Frolic • Arnold Bennett |
