"Lyric" Quotes from Famous Books
 ... fat woman, lapsing, as she occasionally did lapse, into the easy Italian of the lyric ...
— The Paliser case • Edgar Saltus
... French organist-composer, C.M. Widor: stringent, petulant observance of free uncurbed metronome time, allied to picturesque handling; punctuality of tidal consort rigidly regarding, when each, the one to the other, linked; less a care, by virtuous intuition displaying for lyric measure. The writings of Nathaniel Hawthorne more forcibly and piquantly evince cylindrical flow, and strike at the object lesson with less artificial, cadavre, fastidious touch; but Mr. Shorthouse, speaking strictly, as to temper and tempo is a trifle more rugged; and never ...
— Original Letters and Biographic Epitomes • J. Atwood.Slater
... Basket of Flowers A Dedication A Fragment "After the Quarrel" A Hunting Song A Legend of Madrid An Exile's Farewell Ars Longa Ashtaroth: A Dramatic Lyric A Song of Autumn Banker's Dream Bellona Borrow'd Plumes By Flood and Field By Wood and Wold Cito Pede Preterit Aetas Confiteor Credat Judaeus Apella Cui Bono Delilah De Te "Discontent" Doubtful Dreams ...
— Poems • Adam Lindsay Gordon
... (1809) is somewhat unpleasantly superhuman, and if, at times, he mixes sex and religion like a mystic of the Middle Ages or a Spaniard of the Counter Reformation, he rises to wonderful lyric heights when he touches his own experiences, or when he expresses the note of the people. His use of the supernatural, of the subconscious mood, gives rise to such poems as The Lore-Lay, the legend of which was actually invented by Brentano. Like ...
— The German Classics of the Nineteenth and Twentieth Centuries: - Masterpieces of German Literature Translated into English, Volume 5. • Various
... German airs which her mother taught her. From these lessons and these attempts at self-instruction came a phenomenon not uncommon to natures with a musical vocation; Modeste composed, as far as a person ignorant of the laws of harmony can be said to compose, tender little lyric melodies. Melody is to music what imagery and sentiment are to poetry, a flower that blossoms spontaneously. Consequently, nations have had melodies before harmony,—botany comes later than the flower. In like manner, Modeste, who knew nothing of the painter's art except what ...
— Modeste Mignon • Honore de Balzac
... be capable of inspiring the lyric writer and composer, the costume designer and the scenic artist. He must possess imagination, suggest the locale, color and architecture—the atmosphere—of all scenes, select the color schemes for all costumes ...
— The Art of Stage Dancing - The Story of a Beautiful and Profitable Profession • Ned Wayburn
... four are poetry throughout; the three dramas, like all Sanskrit dramas, are written in prose, with a generous mingling of lyric and descriptive stanzas. The poetry, even in the epics, is stanzaic; no part of it can fairly be compared to English blank verse. Classical Sanskrit verse, so far as structure is concerned, has much in common with familiar ...
— Translations of Shakuntala and Other Works • Kaalidaasa
... Dumfries. It was at this time that, being requested to furnish words for The Melodies of Scotland, he responded by contributing over 100 songs, on which perhaps his claim to immortality chiefly rests, and which placed him in the front rank of lyric poets. His worldly prospects were now perhaps better than they had ever been; but he was entering upon the last and darkest period of his career. He had become soured, and moreover had alienated many of his best friends ...
— A Short Biographical Dictionary of English Literature • John W. Cousin
... teacher need not resort to the questionable device of giving children fragments and bits of verse and prose to commit to memory. One of the greatest services we can do the young mind is to accustom it to the perception of wholes, and whether this whole be a lyric or a narrative poem like Evangeline, it is almost equally important that the young reader should learn to hold it as such in his mind. To treat a poem as a mere quarry out of which a particularly smooth stone can be chipped ...
— Verse and Prose for Beginners in Reading - Selected from English and American Literature • Horace Elisha Scudder, editor
... these I shall have occasion to speak; but, as the title of the book implies,—for Antiphon means the responsive song of the parted choir,—I shall have chiefly to do with the lyric or song form. ...
— England's Antiphon • George MacDonald
... and kings, Who scourged them ever with hate's sanguineous rods; But who with hope and faith may live at odds? And then these jingling jays with plume-plucked wings, Compete, and laureate laurels are lovely things, Though crowing lyric lauders of ...
— Punch, or the London Charivari, Vol. 103, October 22, 1892 • Various
... listening, with her eyes devoutly fixed on the Libretto of "The Mountebanks," under the firm conviction that she is in direct communication with the Lyric Theatre.) I always understood The Mountebanks was a musical piece, my dear, didn't you? and even as it is, they don't seem to keep very close to the words, as far as I ...
— Punch, or the London Charivari, Vol. 102, April 30, 1892 • Various
... who has penetrated to the English literary consciousness is the Swabian Ludwig Uhland, the sweetest lyric poet of the romantic school. Uhland studied the poems of Ossian, the Norse sagas, the "Nibelungenlied" and German hero legends, the Spanish romances, the poetry of the trouveres and the troubadours, ...
— A History of English Romanticism in the Nineteenth Century • Henry A. Beers
... equal to Milton's in his minor poems. Of course any man would be an intensified ass who should attempt to reach the diction of the 'Paradise Lost', or aspire to the tremendous style of Shakespeare. You must not confound things, though. A Lyric diction is one thing—a Dramatic diction is another, requiring the utmost force and conciseness of expression,—and Epic diction is still another; I conceive it to be something between the Lyric ...
— Representative Plays by American Dramatists: 1856-1911: Francesca da Rimini • George Henry Boker
... back to his study, hoping to persuade him into telling the story of how he had gone down to Dulwich to write a criticism of Innes's concert, and how he had at once recognised that Evelyn had a beautiful voice, and would certainly win a high position on the lyric stage if she ...
— Sister Teresa • George Moore
... fashion, eager to learn and copy the new manners of a society whose moral teacher was Machiavelli, and whose patterns of splendour were the courts of Florence and Ferrara, and to learn the trick of verse that in the hands of Petrarch and his followers had fashioned the sonnet and other new lyric forms. This could not be without its influence on the manners of the nation, and the scholars who had been the first to show the way were the first to deplore the pell-mell assimilation of Italian manners and vices, which was the unintended result of the inroad ...
— English Literature: Modern - Home University Library Of Modern Knowledge • G. H. Mair
... imprint, clear or faint, is on all our literary forms, except perhaps one. Epic, lyric, elegiac, dramatic, didactic, poetry, history, biography, rhetoric and oratory, the epigram, the essay, the sermon, the novel, letter writing and literary criticism are all Greek by origin, and in nearly every case their name betrays their source. Rome raises ...
— The Legacy of Greece • Various
... times. Now, what do you think, there was a waiter in this very hotel, but, alas! he is now gone, who sang (from morning to night, as my informant said with a shrug at the recollection) what but 'S IST LANGE HER, the German version of Auld Lang Syne; so you see, madame, the finest lyric ever written will make its way out of whatsoever corner of patois it found its ...
— The Letters of Robert Louis Stevenson - Volume 1 • Robert Louis Stevenson
... painter would not make a primary study of Angelo's anatomical drawings; a composer of lyric forms of music would not study Sousa's marches; nor would a person writing a story look for much assistance in the arguments of Burke. The most direct benefit is derived from studying the very thing one wishes to know about, not from studying ...
— English: Composition and Literature • W. F. (William Franklin) Webster
... then view 250 The schools of antient Sages; his who bred Great Alexander to subdue the world, Lyceum there, and painted Stoa next: There thou shalt hear and learn the secret power Of harmony in tones and numbers hit By voice or hand, and various-measur'd verse, Aeolian charms and Dorian Lyric Odes, And his who gave them breath, but higher sung, Blind Melesigenes thence Homer call'd, Whose Poem Phoebus challeng'd for his own. 260 Thence what the lofty grave Tragoedians taught In Chorus or ...
— The Poetical Works of John Milton • John Milton
... a watchmaker at Crickhowel. He did a good deal of journalistic work and entered the Baptist ministry in 1853. After holding various charges in South Wales, he died Jan., 1873. His fame rests almost entirely on lyric, "The Pauper's Grave," which is one of the most popular in ...
— Welsh Lyrics of the Nineteenth Century • Edmund O. Jones
... Can a Devastation or a Glatton ever inspire poetic thoughts and images? One would say that the singer must be endowed in no ordinary degree with the sacred fire whom such a theme as a modern ironclad turret-ship should move to lyric utterance. It has been said that all the romance of the road died out with the old coaching days; and certainly a locomotive engine, with its long black train of practical-looking cars, makes hardly so picturesque a feature in the landscape as one of the old stage-coaches with its red-coated ...
— Man on the Ocean - A Book about Boats and Ships • R.M. Ballantyne
... a trifle shaken by reason of the sudden tensity which had crept into the atmosphere, she repeated the brief lyric: ...
— The Moon out of Reach • Margaret Pedler
... belonged to the latter of the two forms of speech,—the one spoken in the northern part of the country. This, the langue d'oil, became at length the French language. But the langue d'oc, a soft and musical tongue, survived long enough to become the vehicle of lyric strains, mostly on subjects of love and gallantry, still familiar in mention, and famous as the songs of the troubadours. The flourishing time of the troubadours was in the eleventh and twelfth centuries. Provencal is an alternative name of ...
— Classic French Course in English • William Cleaver Wilkinson
... its literature shows more striking proof of the common life and interests of Mediaeval Europe than does the lyric poetry of the period. In Northern France, in Provence, in all parts of Germany, in Italy, and a little later in Spain, we see a most remarkable outburst of song. The subjects were the same in all the countries. Love-the love of feudal chivalry—patriotism, ...
— Song and Legend From the Middle Ages • William D. McClintock and Porter Lander McClintock
... can rhyme to "prove" Requires some force of will, Yet in the ancient lyric groove We meet them ...
— New Collected Rhymes • Andrew Lang
... sung. There was in her voice an abandon and tragic intensity, a wonderful resonance and power, which captured her hearers as they had never been captured before. First she sang a love-song, then a song of parting. Afterwards came a lyric of country, which stirred her audience deeply. It was a challenge to every patriot to play his part for home and country. It was an appeal to the spirit of sacrifice; it was an inspiration and an invocation. Men's eyes ...
— The Judgment House • Gilbert Parker
... did feed Admetus' heifers white Is no light tale. Upon the lyric string Nor more could I my joyful notes indite, Nor ...
— The Elegies of Tibullus • Tibullus
... upon a craft rigged so, though at her moorings and with sails furled, her slender poles upspringing from the bright plane of a brimming harbour, is to me as rare and sensational a delight as the rediscovery, when idling with a book, of a favourite lyric. That when she is at anchor; but to see her, all canvas set for light summer airs, at exactly that distance where defects and harshness in her apparel dissolve, but not so far away but the white feathers at her throat are plain, is to exult in the knowledge that man once reached such greatness ...
— Old Junk • H. M. Tomlinson
... first opportunity offered of sending her cheaply to Milan. There, among strangers, she was to be perfected in the actress's and the singer's art; then to return to England, and make the fortune of her family on the lyric stage. ...
— Man and Wife • Wilkie Collins
... led to its general adoption. It saved innumerable lives in the eighteenth century, and was, in fact, the parent of the vaccination which has superseded it, and which is merely inoculation with matter derived from another source, the cow. She was also an authoress of considerable repute for lyric odes and vers de societe, &c., and, above all, for her letters, most of which are to her daughter, Lady Bute (as Mme. de Sevigne's are to her daughter, Mme. de Grignan), and which are in no respect inferior to those of the French lady ...
— Letters of Horace Walpole - Volume I • Horace Walpole
... literature. Not only did Spenser and Shakespeare live then, but a large number of minor poets also rendered the period illustrious. Among the dramatic poets Christopher Marlowe, Beaumont and Fletcher, who wrote together, and Ben Jonson hold an honorable position. The most noted lyric poets of the day were George Herbert, Sir Walter Raleigh, and Sir Philip Sidney. WILLIAM SHAKESPEARE, the greatest of English poets, was born at Stratford-on-Avon in April, 1564. He is supposed to have been educated at the free school of Stratford. When he was about twenty-two, ...
— Graded Poetry: Seventh Year - Edited by Katherine D. Blake and Georgia Alexander • Various
... judges. Naturally his chief weapon in the collision is just common sense; it is at the impact of mere common sense that the current system crumbles. It is simply unanswerable common sense which will infuriate those who do not like the book. When common sense rises to the lyric, as it does in the latter half of the tale, you have something formidable. Here Wells has united the daily verifiable actualism of novels like "Love and Mr. Lewisham" and "Kipps," with the large manner of the paramount synthetic scenes in (what general usage compels me to term) ...
— Books and Persons - Being Comments on a Past Epoch 1908-1911 • Arnold Bennett
... are still others to come after us, but our works are not immortal, and they will plagiarise us without protest. Yet I have hopes of Make-Believe, for it had the honour of inaugurating Mr. Nigel Playfair's management at the Lyric, Hammersmith. It is possible that the historians will remember this, long after they have forgotten my plays; more likely (alas!) that their history will be dated A.D. (After Drinkwater) and that the honour will be given ...
— Second Plays • A. A. Milne
... of the various sets of proverbial sayings. It is apparently due to an intellectual movement, perhaps not uninfluenced by Greek thought, and chronologically the latest of the elements composing the Old Testament scriptures. In place of the lyric fervour of prophets, and the devout intuition of psalmists, we have the praise of Wisdom. But that noble portrait is no copy of the Greek conception, but contains features peculiar to itself. She ...
— Expositions Of Holy Scripture - Volume I: St. Luke, Chaps. I to XII • Alexander Maclaren
... probably more of a true festival than most men experience even in the longest life time. The major with his Greek instinct of drama was a splendid personification of poetic quality; in fact he was himself almost a lyric. From time to time he glanced back at Coleman with eyes half dimmed with appreciation. The people gathered flowers, great blossoms of purple and corn colour. They sprinkled them over the three horsemen and flung ...
— Active Service • Stephen Crane
... shaving. His eyes were of the same inconstant April colour, but they were reflective and rather dull; while Adriance's were always points of high light, and always meaning another thing than the thing they meant yesterday. It was hard to see why this earnest man should so continually suggest that lyric, youthful face, as gay as his was grave. For Adriance, though he was ten years the elder, and though his hair was streaked with silver, had the face of a boy of twenty, so mobile that it told his thoughts before he could put them into words. ...
— Youth and the Bright Medusa • Willa Cather
... extremely healthy. They should have music always at their meals. The theatre, entirely remodelled and reformed, and, under a minister of state, should be an important element of education. I should not object to the recitation of lyric poetry. That is enough. I would not have a book in the house, or even ...
— Lothair • Benjamin Disraeli
... attached to that word. He is said to have displayed both diligence and remarkable quickness of apprehension, combined too with the utmost gravity and modesty. He not only acquired great familiarity with the poets, but composed poetry of his own—dithyrambic, lyric, and tragic; and he is even reported to have prepared a tragic tetralogy, with the view of competing for victory at the Dionysian festival. We are told that he burned these poems, when he attached himself to the society of Socrates. No compositions in verse remain ...
— Great Men and Famous Women, Vol. 7 of 8 • Charles F. (Charles Francis) Horne
... reading at this time so limited as might be expected from the foregoing. The study of Shelley's poetry had led me to read very nearly all the English lyric poets; Shelley's atheism had led me to read Kant, Spinoza, Godwin, Darwin, and Mill. So it will be understood that Shelley not only gave me my first soul, but led all its first flights. But I do not think that if Shelley had been no more than a poet, notwithstanding my very genuine ...
— Confessions of a Young Man • George Moore
... "An' now again I see the faces of those who dance with it. It is the Fires of Mora—come, God alone knows how—from Erin—to this place. The Fires of Mora!" He contemplated the hushed folk before him; and then from his lips came that weirdest, most haunting of the lyric legends of Erin—the ...
— The Moon Pool • A. Merritt
... the god of intoxication; the one represents for us the world of appearances, the other is, as it were, the voice of things in themselves. The chorus, then, which arose out of the hymns to Dionysus, is the "lyric cry," the vital ecstasy; the drama is the projection into vision, into a picture, of the exterior, temporary world of forms. "We now see that the stage and the action are conceived only as vision: that the sole 'reality' is precisely the chorus, which itself produces the vision, and ...
— Plays, Acting and Music - A Book Of Theory • Arthur Symons
... band, playing tom-tomic strains—the lyric style of dinner-gong music that tears holes in the air. The leader was an imitator of Sousa and had his gymnastic eccentricities down to a fine point. He executed a fantasia on his horn of plenty ...
— A Fantasy of Mediterranean Travel • S. G. Bayne
... irrelevant ornaments, but they constitute an organic and integral part of the picture. In both Turgenev and Korolenko the surrounding country reflects the feelings and emotions of the heroes, and takes on a purely lyric character. One might almost say that these country scenes breathe, speak a human language, and ...
— Contemporary Russian Novelists • Serge Persky
... than the fortieth Olympiad, and the early inscriptions are rude and unskilfully executed; nor can we even assure ourselves whether Archilochus, Simonides of Amorgus, Kallinus, Tyrtaeus, Xanthus, and the other early elegiac and lyric poets, committed their compositions to writing, or at what time the practice of doing so became familiar. The first positive ground which authorizes us to presume the existence of a manuscript of Homer, ...
— The Iliad of Homer • Homer
... circumstance and characters; but his composition and his style illuminate the characters, order the circumstances, and render clear, as, for example, in the Sonnets, the subtleties of his thought. A great artist, by his comprehensive grasp of the main issue of his work, even in a short lyric or a small picture, and by his luminous representation of it, suggests, without direct expression of them, all the strange psychology, and the play of character in the situations. And such an artist does this excellent thing by his noble composition, and by his lofty, clear, ...
— The Poetry Of Robert Browning • Stopford A. Brooke
... songs {132} were the earliest expressions which later were combined with dramatic action. The poetry of primitive races has no distinguishing characteristics except metre or rhythm. It is usually an oft-recurring expression of the same idea. Yet there are many fragmentary examples of lyric poetry, though it is mostly egoistic, the individual reciting his deeds or his desires. From the natives of Greenland we have the following about the hovering of the clouds ...
— History of Human Society • Frank W. Blackmar
... poem on "Space" which the Literary Opinion had copied; and he was the greatest possible success. Most of it I feel sure the school didn't understand. But just as he finished the last two lines—those lines the magazine had called "as perfect in winged lyric quality as any lines in the English language could be"—the Byrd, whom Sam had groomed carefully and brought in from the brier-patch for the occasion, rose, and, with his freckles black with the intensity of his comprehension of the poem, ...
— Over Paradise Ridge - A Romance • Maria Thompson Daviess
... is the index of the soul. The voice of the two Pitts was the same voice, we have been told—a deep, rich, cultivated lyric-barytone. It was a trained voice, a voice that came from a full column of air, that never broke into a screech, rasping the throat of the speaker and the ear of the listener. It was the natural voice carefully developed by right use. ...
— Little Journeys to the Homes of the Great, Volume 7 - Little Journeys to the Homes of Eminent Orators • Elbert Hubbard
... rhapsodist, the piano mind, the piano soul is Chopin," said Rubinstein. "Tragic, romantic, lyric, heroic, dramatic, fantastic, soulful, sweet, dreamy, brilliant, grand, simple, all possible expressions are found in his compositions and all are sung ...
— For Every Music Lover - A Series of Practical Essays on Music • Aubertine Woodward Moore
... him. Some lyric voice, whether of hope or joy, or both, had called the soul for an instant to her face—a poor little fluttering soul, that gazed out through her grey eyes at Wyndham—for an instant only, and was ...
— Audrey Craven • May Sinclair
... was praise indeed. His theory was, that as Macaronics were the ultra-extravagance of poetry, he who wrote most recklessly in them did best; in fact, that they should excel in first-rate BADNESS; and from this point of view it is possible that Breitmann's Latin lyric is not devoid of merit, since assuredly nobody ever wrote a worse. The late LORD LYTTON, or "Bulwer," was also kind enough to take an interest in these Ballads, which was to me as gratifying as it was amazing. It was one of the great surprises of my life. I have a long letter from him, ...
— The Breitmann Ballads • Charles G. Leland
... his scene with M. Dimanche. He was, in short, the embodiment of Moliere's Don Juan, Goethe's Faust, Byron's Manfred, and Maturin's Melmoth—grand pictures drawn by the greatest geniuses of Europe, and to which neither the harmonies of Mozart nor the lyric strains of Rossini are lacking. Terrible pictures in which the power of evil existing in man is immortalized, and which are repeated from one century to another, whether the type come to parley with mankind by incarnating ...
— International Short Stories: French • Various
... in Cherry Time On the Death of Mrs. Jessie Willis Thank God for Pleasant Weather The Master's Song The Missing Ship Jeannie Marsh Lucy Epitaph In Memory of John W. Francis, Jr Nature's Noblemen A Wall-Street Lyric King Cotton Words Adapted to a Spanish Melody Love in Exile To the Evening Star Welcome Home The Sycamore Shade Up the Hudson Only Thine Epigram on Reading Grim's Attack upon Clinton On Hearing that Morse Did ...
— Poems • George P. Morris
... enjoyed his stay in Milan, and breathed with rapture the incense burned in abundance before him. The Italian Journal in its account of the coronation reached lyric heights: ...
— The Court of the Empress Josephine • Imbert de Saint-Amand
... completer hours. And I stood listening like a hind, who hears A wood nymph breathing in a forest flute Among the beech-boles of myth-haunted ways: And when it ceased, the memory of the air Blew like a syrinx in my brain: I made A lyric of the notes that ...
— Poems • Madison Cawein
... sat there with the bunches of the camel-dates above him, golden as the sunlight. Then, as the scent of the lyric-flowers, released by evening, warned him of the night dropping like a flight of dark birds on the plain, he rose stiffly, and made his way as ...
— Forsyte Saga • John Galsworthy
... Jesus. Compilers of hymn-books have sought to rectify what they deem a lapse in Christian spirit by the substitution of a verse begining "Christ alone beareth me." But the quality of the interpolated verse is so inferior to the lyric itself that it has not found general acceptance. Others, again, with an excess of zeal, have endeavored to substitute "the Cross" for "a ...
— Library of the World's Best Literature, Ancient and Modern, Vol. 1 • Charles Dudley Warner
... imperfect Lyrics of his. Beranger, no doubt, was The Artist; which still is not the highest Genius—witness Shakespeare, Dante, AEschylus, Calderon, to the contrary. Burns assuredly had more Passion than the Frenchman; which is not Genius either, but a great Part of the Lyric Poet still. What Beranger might have been, if born and bred among Banks, Braes, and Mountains, I cannot tell: Burns had that advantage over him. And then the Highland Mary to love, amid the heather, as compared to Lise the ...
— Letters of Edward FitzGerald to Fanny Kemble (1871-1883) • Edward FitzGerald
... restrained by frequent pauses and occasional metrical irregularities, and thus they reflect with faithfulness the paternal agony with which they are filled. They belong to the earlier works of the poet, but they disclose great lyric power and are the first deep notes of the poet's genius. A few lines from the ...
— Life Immovable - First Part • Kostes Palamas
... which music is so often doomed to be wedded—making up by her own sweetness for the dulness of her help-mate—by far the greater number of the songs are full of beauty, and some of them may rank among the best models of lyric writing. The verses, "Had I a heart for falsehood framed," notwithstanding the stiffness of this word "framed," and one or two other slight blemishes, are not unworthy of living in recollection with the matchless air ...
— Memoirs of the Life of the Rt. Hon. Richard Brinsley Sheridan V1 • Thomas Moore
... simple order; and where the music required repetition of a line, or a word, the iteration seems to improve the sense and poetical effect. Neither is the piece deficient in the higher requisites of lyric poetry. When music is to be "married to immortal verse," the poet too commonly cares little with how indifferent a yoke-mate he provides her. But Dryden, probably less from a superior degree of care, than from that ...
— The Works Of John Dryden, Vol. 7 (of 18) - The Duke of Guise; Albion and Albanius; Don Sebastian • John Dryden
... heads and one another's to find a meaning and an answer to the odd query. It is only quite lately that they have come at all to see that the Dithyramb was a Spring Song, a primitive rite. Formerly it was considered to be a rather elaborate form of lyric poetry invented comparatively late. But, even allowing it is the Spring Song, are we much further? Why should the Dithyramb be bull-driving? How can driving a Bull help the spring to come? And, above all, what are the "slender-ankled" ...
— Ancient Art and Ritual • Jane Ellen Harrison
... Madame George Sand must be gratified this time! Your article this morning upon her autobiography really did hit the bull's-eye, plumb! What fire! what enthusiasm! what lyric strains!" ...
— Atlantic Monthly,Volume 14, No. 82, August, 1864 - A Magazine Of Literature, Art, And Politics • Various
... been exalted at the expense of other forms of verse. It is idle to attempt to arrange the various forms of poetry in an order of absolute values; it is enough that each has its own quality, and, therefore, its own value. The drama, the epic, the ballad, the lyric, each strikes its note in the complete expression of human emotion and experience. Each belongs to a particular stage of development, and each has the authority and the enduring charm which attach to every authentic utterance of the spirit of man ...
— The Book of Old English Ballads • George Wharton Edwards
... most vigorous activity let thy work be one of waiting, and of great patience in thy fiercest toil. There will come a day of triumph, when the fresh wind will banish the heat, and fan the laurel on thy brow. Such is the true moral of the following lyric:— ...
— Continental Monthly - Volume 1 - Issue 3 • Various
... the truest Schubertian style. I like to fancy that the melody with its serene, lyric beauty is a picture of the fair Rosamunde herself. The first variation, a plaintive melody over an agitated accompaniment, I should be inclined, still referring to Rosamunde and regarding each variation as expressing an experience in her life, to entitle "Moods." The second ...
— The Pianolist - A Guide for Pianola Players • Gustav Kobb
... in the Crescent city not long ago befell The tear-compelling incident I now propose to tell; So come, my sweet collector friends, and listen while I sing Unto your delectation this brief, pathetic thing— No lyric pitched in vaunting key, but just a requiem Of blowing twenty dollars in ...
— John Smith, U.S.A. • Eugene Field
... is one long poem. In our youth We rise and sing a noble epic song, A trumpet note of sound both clear and strong, With idyls now and then too sweet for truth. A lyric of lament, it swells along The tide of years, a protest 'gainst the wrong Of life, an unavailing cry for ruth, A wish to know the end—the end forsooth! 'Tis not on earth. The end which makes or mars The song of life, we who sing seldom know. That ...
— The Argosy - Vol. 51, No. 6, June, 1891 • Various
... and which was held up to ridicule by the great Lockhart. More than ten years followed in which the poet wrote nothing, then he began a literary career which lifted him to the highest place in the literary world, a place which he has since held, and as a lyric poet he ...
— Scientific American Supplement, No. 832, December 12, 1891 • Various
... rite. Her eyes filled with tears. "Harboro!" she cried, "do you need to ask me that?" Her fingers sought his face and traveled with ineffable tenderness from line to line. It was as if she were playing a little love-lyric of her own upon a beautiful harp. And then she fell upon his breast and pressed her cheek to his. "Harboro!" she cried again. She had seen only the suffering in ...
— Children of the Desert • Louis Dodge
... Verona, is the greatest lyric poet of Roman literature. One hundred and sixteen of ...
— History of Rome from the Earliest times down to 476 AD • Robert F. Pennell
... our Theatre, such a performance as Gorboduc must have been hailed as not only a novelty but a wonder. It was the first piece composed in English on the ancient tragic model, with a regular division into five acts, closed by lyric choruses. ...
— Memoirs of the Court of Queen Elizabeth • Lucy Aikin
... two—the feeling "I have known that woman before," though the where and the when are mysteries. Some of the modern poets have beautifully treated this feeling. The best example that I can give you is the exquisite lyric by Rossetti ...
— Books and Habits from the Lectures of Lafcadio Hearn • Lafcadio Hearn
... two sometimes to precede the commencement of the bar, and occasional rests, as in musical compositions: if this was attended to by those who set poetry to music, it is probable the sound and sense would oftener coincide. Whether these musical times can be applied to the lyric and heroic verses of the Greek and Latin poets, I do not pretend to determine; certain it is, that the dactyle verse of our language, when it is ended with a double rhime, much resembles the measure of Homer and Virgil, except in the length of the lines. B. Then there is no relationship between ...
— The Botanic Garden. Part II. - Containing The Loves of the Plants. A Poem. - With Philosophical Notes. • Erasmus Darwin
... his fiery lyric breathe Above her hero-urns; And Scotland, with her holly, wreathe The ...
— The Complete Works of Whittier - The Standard Library Edition with a linked Index • John Greenleaf Whittier
... The dramatic lyric and monologue in which Browning set forth the varieties of passionate experience was an art-form of immense possibilities, which it was a work of genius to discover. To say that Browning, the inventor of this amazingly fine form, was indifferent to ...
— Old and New Masters • Robert Lynd
... artistic one of Pagsanhan belonging to the escribano, Don Miguel Guevara,—swarms of Chinamen and Indians, who, with the curiosity of the former and the piety of the latter, awaited anxiously the day on which was to be celebrated the comic-mimic-lyric-lightning-change-dramatic spectacle, for which a large and spacious theater had been erected in the ...
— The Social Cancer - A Complete English Version of Noli Me Tangere • Jose Rizal
... "I wrote the lyric as well as the melody," said Wilson Hymack, who had already seated himself at the piano. "It's got the greatest title you ever heard. It's a lallapaloosa! It's called 'It's a Long Way Back to Mother's ...
— Indiscretions of Archie • P. G. Wodehouse
... to have breakfast that morning, he had made a pretty fair beginning. He was well on his way, had composed a roan-colored lyric of the ranges, discoursed on the subject of love, and had set his spirit free to meander in the realms of imagination. Yet his spirit swept back to him with a rush of wings and a question. Why not get married? And ...
— Sundown Slim • Henry Hubert Knibbs
... in which most of one's capacities are cruelly confined. There are again those who, possessing singular and exclusive sensitivity to aesthetic values, to music, art, and poetry, find the world outside their own lyric enthusiasms flat, stale, and unprofitable. If, as so frequently happens, these combine, along with their peculiar temperaments, little genius and slender means, social and economic life becomes for them a blind alley. Every year at our ...
— Human Traits and their Social Significance • Irwin Edman
... creative, hence spontaneous element in his own nature, while claiming primarily the position of an observant thinker; and he overrated the amount of creativeness implied by the poetry of his wife. He failed to see that, given her intellectual endowments, and the lyric gift, the characteristics of her genius were due to circumstances as much as those of his own. Actual life is not the only source of poetic inspiration, though it may perhaps be the best. Mrs. Browning as a poet ...
— Life and Letters of Robert Browning • Mrs. Sutherland Orr
... precise tone and color of language employed to articulate impulse and mood, and the reproduction of objective substances for a clear visualization of character and scene, all tend by a sure and unfaltering composition, to present a lyric art unique in English poetry of the last ...
— A Shropshire Lad • A. E. Housman
... does not meet with those polished numbers, nor that freedom and spirit, which that species of poetry requires;" and quotes half a stanza, which he declares is "abrupt and insipid." "From twenty-seven odes!" exclaims the writhing poet—"are the whole of my lyric productions to be stigmatised for four lines which are flatter than those that preceded them?" But what the critic could not be aware of, the poet tells us—he designed them to be just what they are. "I knew they were so when they were first written, but they were thought ...
— Calamities and Quarrels of Authors • Isaac D'Israeli
... deep questions of fate and foreknowledge in "Religio Laici," or lashes Shaftesbury in the "Medal," or pours a torrent of contempt on Shadwell in "MacFlecknoe," or describes the fire of London in the "Annus Mirabilis," or soars into lyric enthusiasm in his "Ode on the Death of Mrs Killigrew," and "Alexander's Feast," or paints a tournament in "Palamon and Arcite," or a fairy dance in the "Flower and the Leaf,"—he is always at home, and always aware that he is. His consciousness of his own powers amounts to exultation. ...
— The Poetical Works of John Dryden, Vol II - With Life, Critical Dissertation, and Explanatory Notes • John Dryden
... hear of it at Stratford, and talk of the prisoner as he strolled with some friend on the banks of Avon. A greater than Shakespeare—as most men thought in those days—Ben Jonson himself, might talk the matter over "at those lyric feasts, Made at the Sun, The Dog, the triple Tun"; for had not he himself languished in a worse dungeon and under a heavier charge than Wither? To be seven-and-twenty, to be in trouble with the Government about one's verses, and to have other young poets, in a ferment of enthusiasm, clinging ...
— Gossip in a Library • Edmund Gosse
... to philosophisings. It grows late apace. (Ah, Hulda, how like opals in the lyric April rain are your eyes in this first faint purple-pink of the tremulous dawn.... Were I a Heine!) In my far-away America, Hulda, in far-away New York, it is now onto midnight. I see Broadway, strumpet of the highways, sweltering ...
— Europe After 8:15 • H. L. Mencken, George Jean Nathan and Willard Huntington Wright
... story, was known in this country before it appeared in that one, such imitation or suggestion was so rapid that with regard to the French, the Provencals, and the Germans at least, the impression is simultaneous; only the Sicilians beginning distinctly later, forerunners of the new love lyric, wholly different from that of trouveres, troubadours, and minnesingers, of the Italians of the latter thirteenth century. And this simultaneous revelation of mediaeval love takes place in the last quarter of the twelfth century, when Northern France had ...
— Euphorion - Being Studies of the Antique and the Mediaeval in the - Renaissance - Vol. II • Vernon Lee
... worthy Joshua! You feel the dawn coming, and then you crow! For lightness of touch and richness of invention, give us a lyric poet! ...
— Chantecler - Play in Four Acts • Edmond Rostand
... is a large district in the south of Invernesshire, having Ben Nevis and other Grampian heights within its compass. It is a classic name in Scottish literature owing to Allan Ramsay's plaintive lyric, ...
— Marmion • Sir Walter Scott
... brief, The lice among your feathers, Stiff-winged and aimless-eyed, With song dead you shall fall; Refuse of some clotted ditch, Seeking no more berries; Why with lyric numbers now Do you ...
— Miscellany of Poetry - 1919 • Various
... depression,—a 'fit of the blues,' which he attributed partly to the damp, lowering weather. Idly he turned over the leaves of a first edition of Tennyson's poems,—pausing here and there to glance at a favourite lyric or con over a well-remembered verse, when the echo of a silvery horn blown clear on the wintry silence startled him out of his semi-abstraction. Rising, he went instinctively to the window, though from that he could see nothing but his own garden, looking blank enough ...
— God's Good Man • Marie Corelli
... the products of the first poets were "extemporary effusions," rudely imitative of pastoral scenes or celebratory of the divine being. Thus the first generic distinction Ogilvie makes is between pastoral poetry and lyric; the function of the former is to produce pleasure, the latter to raise admiration of the powers presiding over nature. As poetry is more natural to the young mind than philosophy, so is the end of pastoral poetry more easily achieved than that of the lyric. The difference resides essentially in ...
— An Essay on the Lyric Poetry of the Ancients • John Ogilvie
... the slightest pretence for attaching a charge of obscurity to this new number—there are lights enough for the critics to scan one another's dull blank of visage by. One verse indeed in that expressive lyric of the 'Lost Mistress,' does still seem questionable to me, though you have changed a word since I saw it; and still I fancy that I rather leap at the meaning than reach it—but it is my own fault probably ... I am not sure. With that ...
— The Letters of Robert Browning and Elizabeth Barrett Barrett, Vol. 1 (of 2) 1845-1846 • Robert Browning and Elizabeth Barrett Barrett
... or pathos, appeared to Alfieri in the light of mere meretricious gewgaws, which took away from the interest of dramatic action without affording him any satisfaction in return. As it was with metre and metaphor and description, so it was also with the indefinable something which we call lyric quality: the something which sings to our soul, and which sends a thrill of delight through our nerves or a gust of emotion across our nature in the same direct way as do the notes of certain voices, the phrases of certain pieces of music: ...
— The Countess of Albany • Violet Paget (AKA Vernon Lee)
... Light, To tread the dreadful way of human birth, His shadow sometimes fell upon the earth And those who saw it wept with joy and fright. "Thou art Apollo, than the sun more bright!" They cried. "Our music is of little worth, But thrill our blood with thy creative mirth Thou god of song, thou lord of lyric might!" ...
— Main Street and Other Poems • Alfred Joyce Kilmer
... his trivial personality, which indeed he never particularly celebrated and which had much better lie buried with his bones. He was thinking, of course, of that pleasure itself; thinking that the delight, half lyric, half sarcastic, which those delicate cameos had given him to carve would be perennially renewed in all who retraced them. Nay, perhaps we may not go too far in saying that even that impersonal satisfaction was not the deepest he felt; ...
— The Life of Reason • George Santayana
... Gluck finished a new opera, "Echo et Narcisse," and with this work decided to close his career, feeling he was too old to write longer for the lyric stage. He was then nearly seventy years old, and retired to Vienna, to rest and enjoy the fruits of all his years of incessant toil. He was now rich, as he had earned nearly thirty thousand pounds. Kings and princes came to ...
— The World's Great Men of Music - Story-Lives of Master Musicians • Harriette Brower
... The great cathedral spreads its wings; High up, the lyric belfry sings. Behold Ascension Day begun Under the shadow of ...
— Silhouettes • Arthur Symons
... Ben! Say how or when Shall we, thy guests, Meet at those lyric feasts, Made at the "Sun," The "Dog," the "Triple Tun," Where we such clusters had As made us nobly wild, not mad? And yet each verse of thine Outdid the meat, outdid the frolic wine. My Ben! Or come again, Or send to us, Thy wit's great ...
— Specimens with Memoirs of the Less-known British Poets, Complete • George Gilfillan
... Lyric Hall lies just this side of the Forty-second Street station along the line of the Sixth Avenue Elevated road, and you can look into its windows from the passing train. It was after one o'clock when the invited guests and their friends pushed ...
— Cinderella - And Other Stories • Richard Harding Davis
... is the faithful reproduction of the intention of both poet and composer. This reproduction includes the revelation of the characteristics of the poem itself, whether lyric, dramatic, or in other ways distinctive. It also reveals the musical significance of the composition to which the words are set. The melodic, rhythmic, and even harmonic values must be made clear to the hearer. But interpretation includes more than this reproduction, ...
— The Renaissance of the Vocal Art • Edmund Myer
... midst of his manifold literary labors there happened to Lamartine such a chance as befalls few poets. He had it in his power, once in his life, to do something greater than the greatest lyric, more noble than any verse. At the crisis of the Revolution of 1848, chance (to use the word without irreverence) thrust him, and no other, into the place of master, and held him for one supreme moment alone between France and anarchy,—between, ...
— France in the Nineteenth Century • Elizabeth Latimer
... evening, wishing to enjoy a little music, I went to the Lyric Theatre, and found that the opera chosen for performance was called Sweet Nancy, founded upon a novel with some similar title by Miss RHODA BROUGHTON. The prettiest tune I heard was one that I fancy had been played before, ...
— Punch, Vol. 99., July 26, 1890. • Various
... avoidance of every shocking or perturbing theme. It seems to combine the enduring lustre of a precious metal with the tenuity of gold-leaf. Even the most vivid emotions of grief and love, as well as the horrors of war, were banished from the Japanese Parnassus, where the Muse of Tragedy warbles, and the lyric Muse utters nothing but ditties of exquisite and melting sweetness, which soothe the ear, but never stir the heart: while their meaning is often so obscure as even to elude ...
— Japanese Literature - Including Selections from Genji Monogatari and Classical - Poetry and Drama of Japan • Various
... adopting them on his return home, while with others he was dissatisfied. One of the men who had a reputation there for learning and state-craft he made his friend, and induced him to go to Sparta. This was Thales, who was thought to be merely a lyric poet, and who used this art to conceal his graver acquirements, being in reality deeply versed in legislation. His poems were exhortations to unity and concord in verse, breathing a spirit of calm and order, which insensibly civilised their hearers and by urging them to the pursuit ...
— Plutarch's Lives, Volume I (of 4) • Plutarch
... of a popular lyric may be, inevitable as may be the justice of its sentiment, unerring as may be its touch upon reality, still it lacks the note which marks it out for one man's utterance among a thousand. Composing it, the one ...
— Wine, Women, and Song - Mediaeval Latin Students' songs; Now first translated into English verse • Various
... that in the three great departments of poetry,—the epic, the lyric, and the dramatic,—the old Greeks were great masters, and have been the teachers of all subsequent nations ...
— Beacon Lights of History, Volume I • John Lord
... that New York could reject it. He spoke about the music, but he meant his "production." The man was a marvel in his own line, and such a worker as can rarely be found anywhere. He believed the opera was going to mark an epoch in the history of the lyric stage. And he said so, almost wildly, in late hours of the night ...
— The Way of Ambition • Robert Hichens
... of the poems of the elder Timrod are the following. Washington Irving said of these lines that Tom Moore had written no finer lyric:— ...
— Poems of Henry Timrod • Henry Timrod
... largely objective; they portray events, conditions, and deeds which have passed beyond the stage of thought and have involved the thinker in the actual historical world of vital relationships and dramatic sequence. The lyric poet may sing, if it pleases him, like a bird in the recesses of a garden, far from the noise and dust of the highway and the clamour of men in the competitions of trade and work; but the epic or dramatic poet must find his theme and his inspiration ...
— Books and Culture • Hamilton Wright Mabie
... SEDGER announces the engagement at the Lyric of Mlle. DUSE. The Manager must be prosperous; at all events, he is not going to the Duse, but the Duse is coming to him. And as to the Theatre—well, if it isn't a success, the Duse ...
— Punch, or the London Charivari, Vol. 104, May 13, 1893 • Various
... ignore it. There was a difference now—a difference which their discovery by an outsider had made unpleasantly manifest. De Folligny's appearance at Verneuil had made Markham thoughtful, but Olga's intrusion now had paraphrased their pastoral lyric into unworthy prose. Parnassus wept with them, but no amount of weeping could destroy the ugly doggerel as Olga had written it. Their idyl was smirched, the fair robe of Euterpe was ...
— Madcap • George Gibbs
... all kinds of pagan folk-lore. Gabriel Maxenius, however, was the first to publish a work on Finnish national poetry, which brought to light the beauties of the Kalevala. It appeared in 1733, and bore the title: De Effectibus Naturalibus. The book contains a quaint collection of Finnish poems in lyric forms, chiefly incantations; but the author was entirely at a loss how to account for them, or how to appreciate them. He failed to see their intimate connection with the religious worship ...
— The Kalevala (complete) • John Martin Crawford, trans.
... which he spoke, and above all, by his peculiar dialect. He employed, on every occasion, the imagery and style of Scripture. Hebraisms violently introduced into the English language, and metaphors borrowed from the boldest lyric poetry of a remote age and country, and applied to the common concerns of English life, were the most striking peculiarities of this cant, which moved, not without cause, the derision both of Prelatists ...
— The History of England from the Accession of James II. - Volume 1 (of 5) • Thomas Babington Macaulay
... add interest—" Mr. Heatherbloom waited patiently. "Would you have any objections," earnestly, "to my making a little addenda to the sign on the chariot of cadence? What's the Matter with Mother? 'The touching lyric, as interpreted by ...
— A Man and His Money • Frederic Stewart Isham
... claim some capacity in the diviner flights of lyric letters, friend. You are not to despise poetry. Nay—rather contemn those who bring scorn to the name of poet—vain writers for filthy pence—fellows ...
— The Panchronicon • Harold Steele Mackaye
... without one thought of Francesca. At Paris, he had eagerly sought an introduction to Boileau; but he seems not to have been at all aware that at Florence he was in the vicinity of a poet with whom Boileau could not sustain a comparison, of the greatest lyric poet of modern times, Vincenzio Filicaja. This is the more remarkable, because Filicaja was the favorite poet of the accomplished Somers, under whose protection Addison travelled, and to whom the account of the Travels ...
— Critical and Historical Essays, Volume III (of 3) • Thomas Babington Macaulay
... first model of my conception, although the decision of the glorious contest now waging in Greece being yet suspended forbids a catastrophe parallel to the return of Xerxes and the desolation of the Persians. I have, therefore, contented myself with exhibiting a series of lyric pictures, and with having wrought upon the curtain of futurity, which falls upon the unfinished scene, such figures of indistinct and visionary delineation as suggest the final triumph of the Greek cause as a portion of the cause ...
— The Complete Poetical Works of Percy Bysshe Shelley Volume I • Percy Bysshe Shelley
... the brute day is ended and all mankind sighs for rest and warmth. Then she is her very self. Beauty she has by day, but it is the cold, incomplete beauty of a woman before she has given herself. With the lyric evening she surrenders all the wealth and wonder of her person to her lover: ...
— Nights in London • Thomas Burke
... as containing the 'topmost note in the stupendous agony of the drama,' are rhymed. The management of rhyme is a difficult and very delicate art; it is an instrument that requires a first-class performer, like Mr. Swinburne, to bring out its potency; to this art the English lyric, the ode and the song, owe their musical perfection. Mr. Swinburne, in an essay upon Matthew Arnold's New Poems (1867), has said, truly, that 'rhyme is the native condition of lyric verse in England'; and that 'to throw away the natural grace ...
— Studies in Literature and History • Sir Alfred Comyn Lyall
... Does tragedy or comedy favor her most? You see," he added apologetically, "when people begin to talk about anybody, we Grubstreet hacks thrive on the gossip. It is deplorable"—with regret—"but small talk and tattle bring more than a choice lyric or sonnet. And, heaven help us!"—shaking his head—"what a vendible article a fine scandal is! It sells fast, like goods at a Dutch auction. Penny a line? More nearly six pence! If I could only bring myself to deal in such merchandise! If I were only a good rag picker, instead ...
— The Strollers • Frederic S. Isham
... not so intellectual as Shelley's, rivals it in truth. Mackay's is the lark itself, Shelley's is himself listening, with unwearied ears and tightly-stretched imagination, to the lark. Who is surprised that Eric Mackay's lyric, 'The Waking of the Lark,' sent a thrill through the heart of America? This poem, which appeared in the New York Independent, is undoubtedly the lark-poem of the future. From the opening to the closing stanza there is not an imperfect verse, not a commonplace. The sentiment is pure, and the fancy ...
— The Song of the Flag - A National Ode • Eric Mackay
... fair readers should be of opinion that my hero's levity in love is altogether unpardonable, I must remind them that all his griefs and difficulties did not arise from that sentimental source. Even the lyric poet who complains so feelingly of the pains of love could not forget, that at the same time he was 'in debt and in drink,' which, doubtless, were great aggravations of his distress. There were, indeed, whole days in ...
— Waverley, Or 'Tis Sixty Years Hence, Complete • Sir Walter Scott
... light from the source from which the promise had come to him. Although his mission was not properly a prophetic one,—although, in the main, it belonged to him to describe poetically what had come to him through prophetic inspiration, yet prophetic inspiration and sacred lyric are frequently commingled in him. The man who is "the sweet psalmist of Israel" claims a [Hebrew: naM] in 2 Sam. xxiii. 1, and, in ver. 2, says that the Spirit of God spake by him, and His word ...
— Christology of the Old Testament: And a Commentary on the Messianic Predictions, v. 1 • Ernst Wilhelm Hengstenberg
... I 'll daily sing, With vocal note and lyric string, And duly, when I 've drank the king, He 'll be my second toss. May Heaven its choicest blessings send On such a man, and such a friend; And still may all that 's good attend The worthy Man ...
— The Modern Scottish Minstrel, Volumes I-VI. - The Songs of Scotland of the Past Half Century • Various
... then that Pushkin is, he is accordingly at his best only in his lyrics. But the essence of a lyric is music, and the essence of music is harmony, and the essence of harmony is form; hence in beauty of form Pushkin is unsurpassed, and among singers he is peerless. His soul is a veritable olian harp. No sooner does the wind begin to blow than his soul is filled with music. His grace is only ...
— Lectures on Russian Literature - Pushkin, Gogol, Turgenef, Tolstoy • Ivan Panin
... this up all day, This lyric, elegiac, song, Meseems hath come the time to say Farewell! ...
— The Book of Humorous Verse • Various
... pose not marked by ease? Am I going at the knees, Like a "screw" Think! Pooh! The part of Sisyphus Suits me well. Why make a fuss? Eh? Retire,—and leave things thus? What do you think? On the—say the Lyric Stage— For some years I've been the rage, And some histrios touched by age Of Adieu think. But I'm like that "Awful Dad," Though this makes my rivals mad, Don't true Gladdyites feel glad? What do you ...
— Punch, Or The London Charivari, Vol. 100., February 7, 1891 • Various
... occupies a thoroughly legitimate position in the realm of literature, but no position whatsoever in the realm of dramaturgy. Atalanta in Calydon is a great poem; but from the standpoint of the theory of the theatre, it cannot be considered as a play. Like the lyric poems of the same author, it was written to be read; and it was not devised to be presented by actors on a stage before ...
— The Theory of the Theatre • Clayton Hamilton
... and St. Gaudens's equestrian statue of General Sherman. Sculpture was profusely used to beautify buildings. Wholly original and charming were the four groups for the Temple of Music: Heroic Music, Sacred Music, Dance Music, and Lyric Music. Perched in every corner were figures of children ...
— History of the United States, Volume 5 • E. Benjamin Andrews
... happened that the fermenting, formless design for the tragedy, The Vikings at Helgeland, transformed itself temporarily into the lyric drama, ...
— The Feast at Solhoug • Henrik Ibsen |
