"Leonardo" Quotes from Famous Books
 ... with all its goods, and that those going in it should be put to death. Nevertheless, some Franciscan friars have gone, very secretly. Some time ago, in the city of Fixoxuna, Father Antonio and Brother Leonardo, both Japanese, were imprisoned for the faith. For this also, on August 16, 1618, they beheaded in the city of Meaco Fray Juan de Santa Marta, of the Order of St. Francis, and a native of Cataluna. He had been imprisoned three years in the ...
— The Philippine Islands, 1493-1898: Volume XVIII, 1617-1620 • Various
... support, moved forward until it got mixed with the First, it is very difficult to get the exact relative position of the different troops of the First and Tenth in making the advance. Beck and Galbraith were on the left; apparently Wainwright was farthest over on the right. General Wood states that Leonardo Ros, the Civil Governor of Santiago at the time of the surrender, told him that the Spanish force at Guasimas consisted of not less than 2,600 men, and that there were nearly 300 of them killed and wounded. I ...
— Rough Riders • Theodore Roosevelt
... says he, "was pledged a year ago by an Italian gentleman. I loaned him $500 on it. It is called 'Love's Idle Hour,' and it is by Leonardo de Vinchy. Two days ago the legal time expired, and it became an unredeemed pledge. Here is a style of chain that is worn a great ...
— Strictly Business • O. Henry
... that, as 'tis related by them of old time, there was once in our city a very great and wealthy merchant, Leonardo Sighieri by name, who had by his lady a son named Girolamo, after whose birth he departed this life, leaving his affairs in meet and due order; and well and faithfully were they afterwards administered in the interest of the boy by his mother and guardians. As he grew up, consorting more frequently ...
— The Decameron, Volume I • Giovanni Boccaccio
... to Leonardo dei Medici, vicar of the archbishopric of Florence, to obtain the punishment of the rebel: Leonardo, in obedience to the orders he received, from Rome, issued a mandate forbidding the faithful to attend at Savonarola's ...
— The Borgias - Celebrated Crimes • Alexandre Dumas, Pere
... approval greeted her, while several little outbursts of applause were heard. She was so pretty in her gown of white crepe de chine! Her youthfully cut bodice revealed the slender flexibility of her neck; she might have been a bust in rose wax modelled by Leonardo da Vinci. She carried all before her by her interesting interpretation of the role. The tragic grief of the daughter of "Minos" and "Pasiphae" was a revelation for many there from one so young. Tears coursed down ...
— The Idol of Paris • Sarah Bernhardt
... express half of them, and that the less important half. Still, it does express something; the thread is not broken that connects God With Nature, or Nature with men, or men with critics. The "Mona Lisa" was in some respects (not all, I fancy) what God meant her to be. Leonardo's picture was, in some respects, like the lady. And Walter Pater's rich description was, in some respects, like the picture. Thus we come to the consoling reflection that even literature, in the last resort, can express something other than ...
— A Miscellany of Men • G. K. Chesterton
... mythological times, without dwelling on Archytas of Tarentum, we find, in the works of Dante of Perugia, of Leonardo da Vinci and Guidotti, the idea of machines made to move through the air. Two centuries and a half afterwards inventors began to multiply. In 1742 the Marquis de Bacqueville designed a system of wings, tried ...
— Rubur the Conqueror • Jules Verne
... del Paradiso, so named by Michael Angelo, who declared that this gate was worthy to be the entrance into Paradise. Ghiberti divided each panel into five parts, taking the following as his subjects, after suggestions made by Leonardo Bruni Aretino: (1) Creation of Adam and Eve; (2) Cain and Abel; (3) Noah; (4) Abraham and Isaac; (5) Jacob and Esau; (6) Joseph in Egypt; (7) Moses on Mount Sinai; (8) The Capture of Jericho; (9) David Slaying Goliath; (10) The ...
— Seeing Europe with Famous Authors, Volume 7 - Italy, Sicily, and Greece (Part One) • Various
... before a little blaze, Having forgotten love, hope, fear, desire, I shall see, smiling out of the pale fire, One face, mysterious and exquisite; And I shall gaze, and ponder over it, Wondering, was it Leonardo wrought That stealthy ardency, where passionate thought Burns inward, a revealing flame, and glows To the last ecstasy, which is repose? Was it Bronzino, those Borghese eyes? And, musing thus among my memories, O unforgotten! ...
— The Home Book of Verse, Vol. 2 (of 4) • Various
... as the draperies closed. "I trust that you will make all use of our service, Signor Leonardo, in removing from the palace. The apartments will, I fear, be needed for relatives. They will come to ...
— Unfinished Portraits - Stories of Musicians and Artists • Jennette Lee
... kind or degree, the whole arrangement resembling that of an army in battle array; with its centre, flanks and skirmishers. The balance of equal measures—seen in his "Sistine Madonna," is conspicuous in most ecclesiastical pictures of that period, notably the "Last Supper of Leonardo" in which two groups of three persons each are posed on either side of ...
— Pictorial Composition and the Critical Judgment of Pictures • Henry Rankin Poore
... this, she had wrought heroically in the past for emancipation. She was busy with her hands, busier with her brain, and her spiritual nature was like a spring of sweet waters, overflowing in bounteous blessing on all around. Of the great painter Leonardo da Vinci, his biographer says: "He always saw four things he wanted to do at once." Our friend always saw many more. Her mind was teeming not only with ideals as beautiful as those of the great artist, but with practical plans to educate the ignorant, and lift them to self-support and self-protection. ...
— History of Woman Suffrage, Volume II • Elizabeth Cady Stanton, Susan B. Anthony, and Matilda Joslyn Gage
... alternative, that all the inland regions and highlands, in the rocks of which marine shells had been found, had once been covered by the ocean. It is not so surprising, therefore, as it may at first seem, that although such men as Leonardo da Vinci and Bernard Palissy took just views of the nature of fossils, the opinion of the majority of their contemporaries set strongly the other way; nor even that error maintained itself long after ...
— The Rise and Progress of Palaeontology - Essay #2 from "Science and Hebrew Tradition" • Thomas Henry Huxley
... The tendency of scientific thought had been, for a considerable period before the time of Bacon, turned in the direction which he, perhaps, did more than any other single investigator to follow out and confirm. Leonardo da Vinci, the completest and most comprehensive genius of Modern Italy, had anticipated, by more than a century, several of the prominent features of the Baconian system. Too little of Leonardo's scientific writings has been published to furnish material for a satisfactory determination of ...
— Atlantic Monthly, Vol. 3, No. 18, April, 1859 - [Date last updated: August 7, 2005] • Various
... upbraidings. Ah, I grow So weary of this low-horizoned scene, Our generation; I am always drawn In thought toward that great noon of human life When in the streets of Florence walked the powers And princes of the earth—Politian, Pico, Angelo, Leonardo, Botticelli— And a half-hundred more of starry-eyed Sons of the morning, in whose hearts the god Struggled unceasing. Ah, those lucent brains, Those bright imaginations, those keen souls, Arrowy toward each target where truth's gold Glimmered, or beauty's! Those were days indeed; We shall not look ...
— Mr. Faust • Arthur Davison Ficke
... obscure which is at the same time clear." It should rather be defined to be light in shadow; but it will be difficult to establish any other sense for it than the disposition of the light and shade in a picture. The inventor of it, for practical use, was Leonardo da Vinci. Of this chiaroscuro he says: "It is this, in fine, against which so many renowned Italian masters have sinned, but in which the immortal Correggio is so eminently distinguished, and which proves how they err ...
— Blackwood's Edinburgh Magazine, Volume 58, Number 360, October 1845 • Various
... been satisfied to move; instead of the intelligible and solemn conventionalism of the Giottesques, we see only disorder, half-understood ideas and abortive attempts, confusion which reminds us of those enigmatic sheets on which Leonardo or Michael Angelo scrawled out their ideas—drawings within drawings, plans of buildings scratched over Madonna heads, single flowers upside down next to flayed arms, calculations, monsters, sonnets; a very chaos of thoughts and of shapes, in which the plan of the artist ...
— Euphorion - Being Studies of the Antique and the Mediaeval in the - Renaissance - Vol. I • Vernon Lee
... that success is attained by what I may call the "Benjamin Franklin" method. Franklin was a very great man; he united in his character a set of splendid qualities as various, in their different ways, as those possessed by Leonardo da Vinci. I have an immense admiration for him. But his Autobiography does make me angry. His Autobiography is understood to be a classic, and if you say a word against it in the United States you are apt to get killed. I do not, however, contemplate ...
— Mental Efficiency - And Other Hints to Men and Women • Arnold Bennett
... history—as a man more famous than Michelangelo or Shakespeare or Mozart—because posterity has elected him the member for the Renaissance. Most great artists live in what they did, and by that we know them; but what Leonardo did gets much of its life from what he was, or rather from what he is to us. Of all great men he is the most representative; we cannot think of him as a mere individual, eating and drinking, living and competing, on equal ...
— Essays on Art • A. Clutton-Brock
... companions were Fathers Lopez de la Parra, Manuel Martinez, Valerio de Ledesma, Juan de Torres, Gabriel Sanchez, Miguel Gomez, Juan de San Lucar, Francisco de Otazo, Alonso Rodriguez, Cristobal Jimenez, Francisco de Encinas, Diego de Santiago, Leonardo Scelsi, and Bartolome ...
— The Philippine Islands, 1493-1898: Volume XII, 1601-1604 • Edited by Blair and Robertson
... Lombroso gives a long list of the men of genius who were celibates. I will mention a few of those with whom the English-speaking world is most familiar: Kant, Newton, Pitt, Fox, Beethoven, Galileo, Descartes, Locke, Spinoza, Leibnitz, Gray, Dalton, Hume, Gibbon, Macaulay, Lamb, Bentham, Leonardo da Vinci, Copernicus, Reynolds, Handel, Mendelssohn, Meyerbeer, Schopenhauer, Camoens, and Voltaire. La Bruyere says of men of genius: "These men have neither ancestors nor descendants; they themselves form their ...
— Religion and Lust - or, The Psychical Correlation of Religious Emotion and Sexual Desire • James Weir
... Kugler (Schools of Painting in Italy, edited by Sir Charles Eastlake, 2nd edit., 1851, Part II. p. 284.), speaking of Leonardo da Vinci's cartoon, representing the victory of the Florentines in 1440 over Nicolo Picinnino, general of the Duke of Milan, and which has now ...
— Notes and Queries, Number 227, March 4, 1854 • Various
... mountain spring, were not clarified without an effort. The faculty on which Hawthorne depended for this, as every artist does, was his imagination, and imagination is as easily disturbed as the electric needle. There is no fine art without sensitiveness. We see it in the portrait of Leonardo da Vinci, a man who could bend horseshoes in his hands; and Bismarck, who was also an artist in his way, confessed to the same mental disturbance from noise and general conversation, which Hawthorne felt at Brook Farm. It was the mental sensitiveness ...
— The Life and Genius of Nathaniel Hawthorne • Frank Preston Stearns
... my bed hung a highly-coloured reproduction of Leonardo's "Last Supper," and stuck in its frame was a leaf of blessed palm—by which tokens I realized that my slumbers were to be under the wing of the ancient Mother. As I closed my eyes, the musical chime of a great bell, high up somewhere in the outer night, fell in benediction ...
— October Vagabonds • Richard Le Gallienne
... standards of his own against it. Begun in 1507, it was finished in 1517. The dome of Saint Peter's at Rome, over which Bramante and Raphael and Michael Angelo toiled, was building at the same time; Leonardo da Vinci was working at Amboise; Jean Bullant, Pierre Lescot, and their patron, Francis I, were beginning their architectural careers. Four hundred years, or thereabouts, separated the old spire from the new one; and four hundred more separate the new one from us. If Viollet-le-Duc, ...
— Mont-Saint-Michel and Chartres • Henry Adams
... replied carelessly, "and old age are synonymous. You and I ought not to have any souvenirs. Have you seen the picture gallery? No? Then I shall have the pleasure of showing it to you. Monseigneur is very proud of his gallery. He has a Leonardo, a Botticelli, a Murillo, and a Rembrandt. And they really show better in artificial light, which ...
— The Puppet Crown • Harold MacGrath
... BRUNI, LEONARDO, Italian humanist, born at Arezzo, hence called Aretino; was papal secretary; settled in Florence, and wrote a history of it; did much by his translations of Greek authors to promote ...
— The Nuttall Encyclopaedia - Being a Concise and Comprehensive Dictionary of General Knowledge • Edited by Rev. James Wood
... Jean Paul Richter Schopenhauer Byron Gleizes Hartley Rousseau Iamblichus Hypatia Diogenes Quintus Sextus Ovid Plutarch Seneca Apollonius The Apostles Matthew James James the Less Peter The Christian Fathers Clement Tertullian Origen Chrysostom St. Francis d'Assisi Cornaro Leonardo da Vinci Milton Locke Spinoza Voltaire Pope Gassendi Swedenborg Thackeray Linnaeus Shelley Lamartine Michelet William Lambe Sir Isaac Pitman Thoreau Fitzgerald Herbert Burrows Garibaldi Wagner Edison Tesla Marconi Tolstoy George ...
— No Animal Food - and Nutrition and Diet with Vegetable Recipes • Rupert H. Wheldon
... you work well and creatively, if your work be in harmony with God's laws, if your screen be light, sightly, and protective, your dwelling healthful and commodious, your sill lie solid and square, your essay be judicious and sound. But if on the canvas you have a Christ's head by Leonardo, out of the pile of stones a Strasburg Cathedral, from the block of marble a Venus of Milo, with the vocabulary a tragedy of Hamlet, you have works which are so creative that they tell on the mind with the vivid, impressive, ...
— Essays AEsthetical • George Calvert
... of their true coloring, substituting a bluish tinge, and how forms become indistinct in proportion as their distance from the observer increases. His testimony in this respect is similar to that of Leonardo da Vinci ...
— Chinese Painters - A Critical Study • Raphael Petrucci
... of the yellow locks, I suspect the face of my 'Espendermad' might easily be matched among the maidens of the Caucasus, who furnish the most perfect types of Circassian beauty. You know there is a tradition that when Leonardo da Vinci chanced to meet a man with an expression of character that he wished to make use of in his work, he followed him until he was able to delineate the face on canvas; but, on the contrary, the countenances I paint present themselves to my imagination, and pursue ...
— Vashti - or, Until Death Us Do Part • Augusta J. Evans Wilson
... good Leonardo, think on this; These things being bought and orderly bestow'd, Return in haste, for I do feast to-night My best-esteem'd ...
— The Merchant of Venice [liberally edited by Charles Kean] • William Shakespeare
... through with black gorges which make flare out plainer the bronze-gold of their slopes. Not far off, the enchanted lakes slumber. It seems that an emblazonment fluctuates from their waters, and writhing above the crags which imprison them drifts athwart a sky sometimes a little chill—Leonardo's pensive sky of shadowed amethyst—again of a flushed blue, whereupon float great clouds, silken and ruddy, as in the backgrounds of Veronese's pictures. The beauty of the light lightens and beautifies the over-heavy opulence of ...
— Saint Augustin • Louis Bertrand
... most instructive and encouraging thing in the whole annals of progress to note how the men of the Renascence were able to pick up the threads of the Greeks and continue their work. The texture held good. Leonardo da Vinci, whose birth coincides with the invention of the printing-press, is the most perfect reproduction in modern times of the early Greek sophos, the man of universal interests and capacity. He gave careful and admiring study to Archimedes, the greatest pure man of science among ...
— Progress and History • Various
... Grayson's words: "'To make you understand the situation clearly,' said Herr VON BODE, 'we must go back a little into history. Some years ago I was offered by an English dealer a wax bust of Flora, which I saw in a moment was by LEONARDO DA VINCI. No trained eye could have mistaken it for anything else. I therefore bought it and made it the very jewel of this superb collection. England, however, always envious and acquisitive, in matters of connoisseurship dense, and ...
— Punch, or the London Charivari, Vol. 147, October 28, 1914 • Various
... at Gemma, smiling with half-shut eyes, in the subtle, sphinx-like way that gave him the look of a Leonardo da Vinci portrait, the instinctive distrust with which he inspired her deepened into ...
— The Gadfly • E. L. Voynich
... particularly aggressive phrase he would drop into a minor key, and his criticism would suddenly become serious and illuminative. To him "Parsifal" was a fresco, a decoration painted by a man whose true genius it was to reveal the most intimate secrets of the soul, to tell the enigmatic soul of longing as Leonardo da Vinci had done. But he had been led from the true path of his genius into the false one of a rivalry with Veronese. Only where Wagner is confiding a soul's secret is he interesting, and in "Tannhaeuser," in this first flower of his ...
— Evelyn Innes • George Moore
... child! Do you know how Art brings all ages together? There is no age to the angels and ideal human forms among which the artist lives, and he shares their youth until his hand trembles and his eye grows dim. The youthful painter talks of white-bearded Leonardo as if he were a brother, and the veteran forgets that Raphael died at an age to which his ...
— The Autocrat of the Breakfast-Table • Oliver Wendell Holmes, Sr. (The Physician and Poet not the Jurist)
... importance to the welfare of mankind? Why should we be so easily awed by artistic genius and exalt men whose works we know only by name, perhaps, and whose influence upon society has been infinitesimal, like a Pindar or a Leonardo, while we regard great merchants and inventors as ignoble creatures in comparison? Why should we smile at the inscription in Westminster Abbey which calls the inventor of the spinning-jenny one of the ...
— The Life of Reason • George Santayana
... Regina Bach, Wilhelm Friedemann Baillot, Pierre M.F. Baini, Abbate Giuseppe Balfe, Michael William Banck, Carl Baranius, Henrietta Barcinska, Isabella Barezzi, Margarita Bargiel, Madame, mother of Clara Wieck Bargiel, Woldemar Barisani, Doctor Barre, Leonardo Bartalozzi, Madame Beard, John Beatrice (Portinari), Dante's muse Becker, Konstantin J. Beethoven, Ludwig von Behrens, S. Belart, Hans Belderbusch, Count von Bellington, Mrs. Bellini, Vincenzo ...
— The Love Affairs of Great Musicians, Volume 2 • Rupert Hughes
... may be said by the reader, is the use of the works of Giotto to us? They may indeed have been wonderful for their time, and of infinite use in that time; but since, after Giotto, came Leonardo and Correggio, what is the use of going back to the ruder art, and republishing it in the year 1854? Why should we fret ourselves to dig down to the root of the tree, when we may at once enjoy its fruit and foliage? I answer, first, that ...
— Giotto and his works in Padua • John Ruskin
... called Leonardo da Vinci "the great Italian Yankee," because of his multifarious and ingenious suggestions in the world of material things, so our own Edison may be called "the Yankee Leonardo," for, with a curiosity ranging over the whole world of nature, equal ...
— Great Men and Famous Women. Vol. 6 of 8 • Various
... and again, and to analyze its charms for myself. It is full of distinction, though the only really beautiful feature in it is the brow, broad and low, from which her hair rolls back in that long, full sweep. About her lips, there is the fulness that Leonardo gave his Mona Lisa, and the lips have the same subtle curves, with a smile whose meaning is often of dubious interpretation, and tempts the eyes of her companion to return to them again and again to confirm his ...
— Flint - His Faults, His Friendships and His Fortunes • Maud Wilder Goodwin
... "But you are quite right. Won't he look noble with his imposing figure and white hair, and the gold cross shining on his breast? It is a pity ours is not a cathedral town; a bishop is really so interesting. For instance, in 'Leonardo.' Madeleine, have you ...
— Garman and Worse - A Norwegian Novel • Alexander Lange Kielland
... was that Leonardo da Vinci, who went about the court of Sforza in Milan in a state of dignified abstraction. His common-place books are full of prophetic subtlety and ingenious anticipations of the methods of the early aviators. Durer was his parallel and Roger Bacon—whom the Franciscans ...
— The World Set Free • Herbert George Wells
... welcome to the king, her father-in-law, who at that time was very ill indeed, presented him, from time to time, with Italian pictures, knowing that he liked them much, being a friend of the Sieur Raphael d'Urbin and of the Sieurs Primatice and Leonardo da Vinci, to whom he sent large sums of money. She obtained from her family—who had the pick of these works, because at that time the Duke of the Medicis governed Tuscany —a precious picture, painted by a Venetian named Titian (artist to the Emperor ...
— Droll Stories, Volume 3 • Honore de Balzac
... where bodies of men engaged in it have been brought together, and stimulated to action by mutual sympathy and support. We must call to mind that, although the beginnings of modern science were laid by such men as Copernicus, Galileo, Leonardo da Vinci, and Torricelli, before the middle of the seventeenth century, unbroken activity and progress date from the foundations of the Academy of Sciences of Paris and the Royal Society of London at that time. The historic fact that the bringing of men together, and their support ...
— Side-lights on Astronomy and Kindred Fields of Popular Science • Simon Newcomb
... like many and many another great inventor, from Leonardo da Vinci down to the present time, was also an artist. He was born November 14, 1765, at Little Britain, Lancaster County, Pennsylvania, of that stock which is so often miscalled "Scotch-Irish." He was only a child when his father died, leaving behind him a son ...
— The Age of Invention - A Chronicle of Mechanical Conquest, Book, 37 in The - Chronicles of America Series • Holland Thompson
... Lisas has come or has passed. Wandering your weary way past acres of the works of Rubens, and miles of Titians, and townships of Corots, and ranges of Michelangelos, and quarter sections of Raphaels, and government reserves of Leonardo da Vincis, you stray off finally into a side passage to see something else, leaving your wife or your sister behind in one of the main galleries. You are gone only a minute or two, but returning you find her furiously, ...
— Europe Revised • Irvin S. Cobb
... velocity. That man gave us a key to heaven. That man opened its infinite book, and we now read it, and he did more good than all the theologians that ever lived. I have not time to speak of the others—of Galileo, of Leonardo da Vinci, and of hundreds of others ...
— Lectures of Col. R. G. Ingersoll - Latest • Robert Green Ingersoll
... baggage of my friend, the artist, would prove to be pictures, or at least a picture; for I knew he had been for several weeks in conference with Nicolino; and now here was a box which, from its shape, could possibly contain nothing in the world but a copy of Leonardo's "Last Supper;" and a copy of this very "Last Supper," done by Rubini the younger at Florence, I had known, for some time, to be in the possession of Nicolino. This point, therefore. I considered as sufficiently settled. I chuckled ...
— At Whispering Pine Lodge • Lawrence J. Leslie
... With his right hand raised, he seemed to be saying: "An artist may not rust. He must air himself. He must seek new conditions of life. If he doesn't receive the honour he should in Italy, he should simply go to France, like Leonardo da Vinci, or even emigrate to ...
— Atlantis • Gerhart Hauptmann
... several holy persons long since deceased. Their names were Josaphat, the martyr Archbishop of Solotsk; Pedro de Arbues, an Augustinian friar; the martyrs of Gorcum; Paul of the Cross, founder of the Passionists; Leonardo di Porto Maurizio; Maria Francesca, a Neapolitan of the third order of St. Peter of Alcantara, and Germaine Cousin, of the diocese of Toulouse. Shortly before, in the preceding December, the Holy Father enjoyed the great happiness of celebrating, ...
— Pius IX. And His Time • The Rev. AEneas MacDonell
... origin of his book, and the succeeding pages will be mainly an amplification thereof. The earliest work on Algebra used in Italy was a translation of the MS. treatise of Mahommed ben Musa of Corasan, and next in order is a MS. written by a certain Leonardo da Pisa in 1202. Leonardo was a trader, who had learned the art during his voyages to Barbary, and his treatise and that of Mahommed were the sole literature on the subject up to the year 1494, when Fra Luca Pacioli ...
— Jerome Cardan - A Biographical Study • William George Waters
... and the same hand gives us Pietro Loredan imploring the aid of the Virgin. In the centre ceiling painting Tintoretto depicts Venice as Queen of the Sea. The other artist here is Palma the younger, whose principal picture represents Doge Leonardo Loredan presiding over an attack by a lion on a bull, typifying the position of the Republic when Pope Julius launched the League of Cambray against it in 1508. The Doge does not look dismayed, but Venice ...
— A Wanderer in Venice • E.V. Lucas
... voyages of discovery. Dante was not only the greatest poet of his time, but an astronomer; Petrarch was geographer and cartographer, and, at the end of the fifteenth century, with Paolo Toscanelli, Lucca Baccioli, and Leonardo da Vinci, Italy was beyond all comparison the first nation in Europe in mathematics and ...
— The Development of the Feeling for Nature in the Middle Ages and - Modern Times • Alfred Biese
... for its truth. One vast personality in the course of history, and one only, seems to have embraced them both. ["Hear! Hear!"] That transcendent genius died three days ago plus three hundred and sixty-nine years—Leonardo da Vinci. ...
— Modern Eloquence: Vol III, After-Dinner Speeches P-Z • Various
... "Leonardo," she repeated. "Hast thou seen his Bacchus, or his battle-fresco? Knowest thou the later work of Raffaello? And what sayest thou to our Fra Lippo Lippi? A Christian monk he, forsooth! What sayest thou to Giorgione of Venice ...
— Dreamers of the Ghetto • I. Zangwill
... my blackbird—my viola!" said Agostino. "We all trust you. Look at Colonel Corte, and take him for Count Orso. Take me for pretty Camillo. Take Marco for Michiela; Giulio for Leonardo; Carlo for Cupid. Take the Chief for the audience. Take him for a frivolous public. Ah, my Pippo!" (Agostino laughed aside to him). "Let us lead off with a lighter piece; a trifle-tra-la-la! and then let the frisky piccolo be drowned in deep organ notes, as on some occasions in ...
— The Shaving of Shagpat • George Meredith
... were an animal. Often I am told to receive poor dupes whose fate I have heard them talk of the night before,—men who rush into some business where they are certain to lose their all. I am tempted, like Leonardo in the brigand's cave, to cry out, 'Beware!' But if I did, what would become of me? So I keep silence. This splendid house is a cut-throat's den! But Ferdinand and Nucingen will lavish millions for their own caprices. Ferdinand ...
— A Daughter of Eve • Honore de Balzac
... given in the Sunday-school papers. It is not pietistic simpering that will feed the spirit of Christendom, but a steady church-patronage of the most skilful and original motion picture artists. Let the Church follow the precedent which finally gave us Fra Angelico, Botticelli, Andrea del Sarto, Leonardo da Vinci, Raphael, Michelangelo, Correggio, Titian, Paul Veronese, ...
— The Art Of The Moving Picture • Vachel Lindsay
... themselves. Now the modes of sketching ordinarily taught are inconsistent with this power of judgment. No person trained to the superficial execution of modern water-color painting, can understand the work of Titian or Leonardo; they must forever remain blind to the refinement of such men's penciling, and the precision of their thinking. But, however slight a degree of manipulative power the student may reach by pursuing the ...
— The Elements of Drawing - In Three Letters to Beginners • John Ruskin
... people—people whom I have known all my life— and they make a great deal of me. I have to tell them about Italy, and they ask me absurd questions about Michael Angelo or Titian, Leonardo or Watteau.... The house party is a large one, and we have people to dinner every day; and in the evening the drawing-room, with its grim oak and escutcheons and rich modern furniture, is a pretty sight indeed. There is a lady here whom I knew in London, Lady Seveley; and I ...
— Spring Days • George Moore
... of modern art, the noble Leonardo; thus Raphael, the master of high Beauty, who shunned not to exhibit it in smaller measure, rather than to appear monotonous, lifeless, and unreal—though he understood not only how to produce it, but also how to break up ...
— The German Classics of the Nineteenth and Twentieth Centuries: - Masterpieces of German Literature Translated into English, Volume 5. • Various
... Nicholas and John Karcher or Carcher as it is sometimes spelled, names of great renown—for a weaver might be almost as well known and as highly esteemed as the artist of the cartoons in those days when artisan's labour had not been despised by even the great Leonardo. The foremost artist of the Ferrara works was chosen from that city, Battista Dosso, but also active as designer was the Fleming, Lucas Cornelisz. In Dosso's work is seen that exquisite and dainty touch that characterises the artists of Northern Italy in their most perfect period, before voluptuous ...
— The Tapestry Book • Helen Churchill Candee
... when he wrote, 'The gentleman is a man of truth, lord of his own actions, and expressing that lordship in his behavior; not in any manner dependent or servile, either on persons, or opinions, or possessions.' Walter Pater, had Leonardo painted a Perfect Gentleman's portrait instead of a Perfect Lady's, might have described the other: 'The presence that thus rose so strangely beside the tea-table is expressive of what in the ways ...
— The Perfect Gentleman • Ralph Bergengren
... asserting itself as a weaving community, from that date absorbed most of the trade of Arras, and thence forwards, till Henri IV. established the works of the Savonnerie, Brussels led European taste, and employed the best artists. Brussels employed Leonardo da Vinci and Mantegna, Giovanni da Udine, Raphael, and later, Rubens and the great Dutch painters, to design cartoons for tapestry works. Raphael's pupil, Michael Coxsius, of Mechlin, superintended the copying of his master's cartoons. Shortly afterwards, Antwerp, Oudenarde, Lille, ...
— Needlework As Art • Marian Alford
... Eight, where Pietro came off with little honour. Meanwhile the Servite Friars of Florence, wishing to have the altar-piece of their high-altar painted by some famous master, had handed it over, by reason of the departure of Leonardo da Vinci, who had gone off to France, to Filippino; but he, when he had finished half of one of two panels that were to adorn the altar, passed from this life to the next; wherefore the friars, by reason of the faith ...
— Lives of the Most Eminent Painters Sculptors and Architects - Vol. 04 (of 10), Filippino Lippi to Domenico Puligo • Giorgio Vasari
... staring and rambling on to himself or some unknown listener somewhere, we have the impetuosity of Dante and the isosceles triangle miss Portinari he fell in love with and Leonardo ...
— Ulysses • James Joyce
... enjoying the sport. He is with his aunt, whom he admires." She calmed her fears and returned to the charming gayety of Florence. She had seen casually, at the Offices, a picture that Dechartre liked. It was a decapitated head of the Medusa, a work wherein Leonardo, the sculptor said, had expressed the minute profundity and tragic refinement of his genius. She wished to see it again, regretting that she had not seen it better at first. She extinguished her lamp and ...
— The Red Lily, Complete • Anatole France
... vast folios of controversial divinity, merely for the sake of the intricacy of style, and to save himself the pain of thinking. Mr. Lamb is a good judge of prints and pictures. His admiration of Hogarth does credit to both, particularly when it is considered that Leonardo da Vinci is his next greatest favourite, and that his love of the actual does not proceed from a want of taste for the ideal. His worst fault is an over-eagerness of enthusiasm, which occasionally makes him ...
— Hazlitt on English Literature - An Introduction to the Appreciation of Literature • Jacob Zeitlin
... skylight overhead, the light softened by green shades. Here she kept her own books ranged on shelves over the mantel; and in the niches and corners and odd spaces a few rare prints and proofs—two Guido Renis and a Leonardo, both by Raphael Morghen. Against the wall was an old. clothes-press with brass handles, its drawers filled with sketches, as well as a lounge covered with chintz and heaped up with cushions. The door between the studio ...
— The Fortunes of Oliver Horn • F. Hopkinson Smith
... of the first century were discovered in the crypt of the Flavian family (Domitilla) at Torre Marancia. They were examined by well-known archaeologists and churchmen, whose names are scratched or written on the walls: Boldetti, Marangoni, Bottari, Leonardo da Porto Maurizio, and G. B. de Rossi (the last two since canonized by the Church), and by hundreds of priests, nuns, missionaries, and pilgrims. No mention is made of this beautiful discovery in contemporary books; but an attempt was made to steal the frescoes, which resulted, as usual, ...
— Pagan and Christian Rome • Rodolfo Lanciani
... their calculations back as far as the fourteenth century when algebra seems to have become for the first time the standard measure of mechanical progress in western Europe; for not only Copernicus and Tycho Brahe, but even artists like Leonardo, Michael Angelo, and Albert Durer worked by mathematical processes, and their testimony would probably give results more exact than that of Montaigne or Shakespeare; but, to save trouble, one might tentatively carry ...
— The Education of Henry Adams • Henry Adams
... crude, and gaunt with travel. But Italy worked some marvel in her. It gave her light, and—which he held more precious—it gave her shadow. Soon he detected in her a wonderful reticence. She was like a woman of Leonardo da Vinci's, whom we love not so much for herself as for the things that she will not tell us, The things are assuredly not of this life; no woman of Leonardo's could have anything so vulgar as a "story." She did develop most ...
— A Room With A View • E. M. Forster
... leaders, Carlos Flores Facusse (leader of Florista Liberal Movement), Carlos Montoya (Azconista subfaction), Ramon Villeda Bermudez and Jorge Arturo Reina (M-Lider faction); National Party (PNH), Ricardo Maduro, party president; PNH faction leaders—Oswaldo Ramos Soto and Rafael Leonardo Callejas (Monarca faction); National Innovation and Unity Party-Social Democrats (PINU-SD), Enrique Aguilar Cerrato Paz; Christian Democratic Party (PDCH), Jorge Illescas; Democratic ...
— The 1990 CIA World Factbook • United States. Central Intelligence Agency
... reach. Such an enchantment of color deepens the farther and interior horizon with most men,—whether it is the atmosphere of one's own identity still warming and enriching it, or whether the orbed course of time has dropped the earthy part away, and left only the sunbeams falling there. But Leonardo da Vinci supposed that the sky owed its blue to the darkness of vast space behind the white lens of sunlit air; and perhaps where the sea presents through the extent of its depth, as it slips over into other hemispheres, tangents with ...
— The Atlantic Monthly, Volume 18, No. 107, September, 1866 • Various
... by chance of Nature's inscrutable working, the babe of the tenement came into the world endowed with the greater possibilities of the two, if the tenement mother upon her mean bed bore into the world in her agony a spark of divine fire of genius, the soul of an artist like Leonardo da Vinci, or of a poet like Keats, is it less than a calamity that it should die—choked by conditions which only ignorance and greed ...
— The Common Sense of Socialism - A Series of Letters Addressed to Jonathan Edwards, of Pittsburg • John Spargo
... pictures, most of them Flemish, covers the walls of these apartments. But nothing struck me more than a Medusa's head by that surprising genius Leonardo da Vinci. It appears just severed from the body, and cast on the damp pavement of a cavern: a deadly paleness covers the countenance, and the mouth exhales a pestilential vapour: the snakes, which fill almost the whole ...
— Dreams, Waking Thoughts, and Incidents • William Beckford
... wearily from the household cares, the daily direction of a little peasant-servant, to her drawing-board. A cast from Leonardo da Vinci of a woman's hand is her model, and for an hour she has been happily working. She has failed; but that has not ...
— Browning's Heroines • Ethel Colburn Mayne
... to prepare cartoons for decoration of Hall in Palazzo Vecchio, on wall opposite to that assigned to Leonardo ...
— Michelangelo - A Collection Of Fifteen Pictures And A Portrait Of The - Master, With Introduction And Interpretation • Estelle M. Hurll
... practically in Tuscany, and that Florence alone has really given to the world Dante and Boccaccio, Galileo and Savonarola, Cimabue and Giotto, Botticelli and Fra Angelico, Donatello and Ghiberti, Michael Angelo and Raffael, Leonardo da Vinci and Macchiavelli and Alfieri, and a host of other almost equally great names, it will be obvious to every one that the problem of the origin of this Tuscan nationality must be one that profoundly interests the whole world. Nay, more, we ...
— Science in Arcady • Grant Allen
... have dwelt much on his friendship with contemporary princes—the Baglioni, Vitelli, etc.; till we have grown to think of him rather as a silk-clad courtier than a hard-working burgher and painter. It may well be that, like Leonardo, he combined work with luxury, but the evidence is of too slight a nature to allow us to consider that side of his life, if it really existed. Of his friendship with Lorenzo dei Medici, however, there is more proof, since he painted for him, and was evidently influenced ...
— Luca Signorelli • Maud Cruttwell
... and faith. The creative engineer, like the poet, is born, not made. If to the power to conceive, is added the ability to execute, then have we one of those rare geniuses who not only give a decided impulse to civilization, but add new glory to humanity. Such men were Michael Angelo, Leonardo da Vinci, Watt, Wedgwood, Brunel, Stephenson and Bessemer; and such a man was John A. Roebling. It was his striking peculiarity, that while his conceptions were bold and original, his execution was always exact, and within the limits of cost ...
— Opening Ceremonies of the New York and Brooklyn Bridge, May 24, 1883 • William C. Kingsley
... the changes of mountain and lake scenery; but this quiet holiday with her son came to an end, and they had to think of turning homewards. Before doing so, they passed by Milan, enjoyed the opera there, and went to see Leonardo da Vinci's "Last Supper," which Mary naturally much admires; she mentions the Luinis without enthusiasm. While here, the non-arrival of a letter caused great anxiety to Mary, as they were now obliged to return on account of Percy's term commencing, and there was barely enough money for him ...
— Mrs. Shelley • Lucy M. Rossetti
... living or of earlier day, Mantegna, Leonardo, Gian Belline, The Dossi, and, skilled to carve or to pourtray, Michael, less man than angel and divine, Bastiano, Raphael, Titian, who (as they Urbino and Venice) makes Cadoro shine; With more, whose works resemble what he hear And credit of ...
— Orlando Furioso • Lodovico Ariosto
... at a true knowledge of the inventions and compositions of Rembrandt, it is necessary, in the first instance, to examine those of Albert Durer, the Leonardo da Vinci of Germany. The inventions of this extraordinary man are replete with the finest feelings of art, notwithstanding the Gothic dryness and fantastic forms of his figures. The folds of his draperies are more like creased pieces of paper ...
— Rembrandt and His Works • John Burnet
... Florentine law student, Leonardo Bruni, tells us of a dialogue which he had with himself when he heard of the coming of Chrysoloras. "Art thou not neglecting thy best interests if thou failest now to get an insight into Homer, Plato, Demosthenes, and the other great poets, philosophers, and orators of whom they are telling such ...
— An Introduction to the History of Western Europe • James Harvey Robinson
... of what Florence was at this time, and how an artist must have thrilled at its very name! Beautiful as a flower, with her marble palaces, her fine churches, her lily-like bell-tower! What a charm was added when within her walls Leonardo da Vinci was painting, Michael Angelo carving, Savonarola preaching. In the early years of Raphael's apprenticeship, the voice of the preacher had been silenced, but still, "with the ineffable left hand," Da Vinci painted, and still the ...
— Great Artists, Vol 1. - Raphael, Rubens, Murillo, and Durer • Jennie Ellis Keysor
... of a Fragment of Simonides From the Spanish of Villegas Mary Magdalen. deg. (From the Spanish of Bartolome Leonardo de Argensola) The Life of the Blessed. (From the Spanish of Luis Ponce de Leon) Fatima and Raduan. deg. (From the Spanish) Love and Folly. deg. (From la Fontaine) The Siesta. (From the Spanish) The Alcayde of Molina. deg. (From the Spanish) The Death of Aliatar. deg. (From ...
— Poems • William Cullen Bryant
... arches of brick, and through the subterranean chambers, thus formed, the division of the streams is made, and there controlled. The whole was designed by the great Martian artist, Hinudi, whom some aver is the reincarnated Leonardo da Vinci ...
— The Certainty of a Future Life in Mars • L. P. Gratacap
... Rafael, having embraced the newcomer, asked him what news he brought. His friend replied that he had just come from the port of Santa Maria, where he had left four galleys bound for Naples, and that he had seen Marco Antonio Adorno, the son of Don Leonardo Adorno, on board one of them. This intelligence rejoiced Don Rafael, to whom it appeared that since he had so unexpectedly learned what it was of such importance for him to know, he might regard this an omen of his future success. He asked his friend, who knew his father well, to exchange the ...
— The Exemplary Novels of Cervantes • Miguel de Cervantes Saavedra
... are represented as Vincis," said Florent, "when Leonardo was left-handed, and their hatchings are made from left ...
— Cosmopolis, Complete • Paul Bourget
... our hotel in the soft twilight, with the air so balmy one wished to rise and float in it. This was the hour for the Cathedral; therefore, leaving Leonardo and his fresco for the to-morrow, I conducted my uncomplaining ward forth, and through that big arcade of which the people are so proud, to the Duomo. Poor Jr. showed few signs of life as we stood before that immenseness; he said ...
— The Beautiful Lady • Booth Tarkington
... not discover in history that Charles the First was a painter and a poet. Accident and secret history only reveal this softening feature in his grave and king-like character. Charles sought no glory from, but only indulged his love for, art and the artists. There are three manuscripts on his art, by Leonardo da Vinci, in the Ambrosian library, which bear an inscription that a King of England, in 1639, offered one thousand guineas of gold for each. Charles, too, suggested to the two great painters of his age the subjects he considered worthy of their pencils; and had for his "closet-companions" ...
— Curiosities of Literature, Vol. II (of 3) - Edited, With Memoir And Notes, By His Son, The Earl Of Beaconsfield • Isaac D'Israeli
... famous staircase which adorns the exterior of the wing of Francis I. at the great chateau of Blois in Touraine, which was built almost at the same time, from the designs (as I have attempted to prove elsewhere) of Leonardo da Vinci, and was decorated later on with statues by Jean Goujon. This sculptor was only born the year after St. Maclou's staircase was finished, but the main lines of the structure are so suggestive of the ...
— The Story of Rouen • Sir Theodore Andrea Cook
... as a reed. To kneel upon the ground where Dante trod, To breathe the air of immortality From Angelo and Raphael—TO BE— Each sense new-quickened by a demi-god. To hear the liquid Tuscan speech at whiles, From citizen and peasant, to behold The heaven of Leonardo washed with gold— Would I had waked this ...
— The Poems of Emma Lazarus - Vol. I (of II.), Narrative, Lyric, and Dramatic • Emma Lazarus
... welcomed him. The Queen bought one of his pictures ("Le Psalterion," now at Windsor), and invited him to Balmoral. The heir-apparent, the late King, admired his talent and relished his society. By the clerical world he was especially esteemed, being looked upon as a second Leonardo da Vinci. And, in fine, Dor must be regarded as an anticipator of the Entente cordiale. "Gustave Dor," his compatriots would say, "he is half an Englishman!" Forty years ago our popular favourite might indeed have believed in the fulfilment of his ...
— In the Heart of the Vosges - And Other Sketches by a "Devious Traveller" • Matilda Betham-Edwards
... the first time he ever saw it, would be a prodigy only second to him who could produce one without preliminary study. The picture which I think calculated to appeal most powerfully and universally is Leonardo da Vinci's Last Supper, where the grouping of the figures and the expression of each head, as well as the disposition of the whole, can hardly fail to produce a deep impression on any one of thought and feeling; yet even here ...
— Lippincott's Magazine of Popular Literature and Science, Vol. 15, - No. 90, June, 1875 • Various
... curious enough to study his pictures will regret that he was lost to art by allowing an ill-regulated life to prey upon his genius. He had not sufficient strength to keep the two things separate, as Shakespeare, Verlaine, and Leonardo succeeded in doing. At the same time, it is a consolation to think that he enjoyed himself in his own sordid way. When I had the pleasure of seeing him last, so lately as 1893, he was extremely cheerful and not aggressively ...
— Masques & Phases • Robert Ross
... Verocchio, the instructor of Leonardo da Vinci, accomplished several important pieces of jewelery in his youth: cope-buttons and silver statuettes, chiefly, which were so successful that he determined to take up the career of a sculptor. Ghirlandajo, as is well known, was trained as a goldsmith originally, his ...
— Arts and Crafts in the Middle Ages • Julia De Wolf Addison
... my father, monsieur, and if ever you enter the great hall of the Chateau de Meridor you will see, given in memory of this devotion, the portrait of Francis I., painted by Leonardo ...
— Chicot the Jester - [An abridged translation of "La dame de Monsoreau"] • Alexandre Dumas
... probably in consequence of inordinate precautions, had left no mark upon his hands; and the Maletroit hand was famous. It would be difficult to imagine anything at once so fleshy and so delicate in design; the taper, sensual fingers were like those of one of Leonardo's women; the fork of the thumb made a dimpled protuberance when closed; the nails were perfectly shaped, and of a dead, surprising whiteness. It rendered his aspect tenfold more redoubtable, that a man with hands ...
— The Short-story • William Patterson Atkinson
... we find the family portraits of the de Cliffords purchased, together with the very fine old house built by Vanbrugh in the time of Charles II., by the late owner, Philip Miles, Esq. At Leigh Court, the gallery, with its famous Leonardo, is known throughout Europe, while many other art treasures are to be found in the possession of private owners ...
— The Arena - Volume 4, No. 21, August, 1891 • Various
... as are human souls, of which it is the life. No century has been when it has not found, and no century can be when it will not find, audible and visible utterance. The music of the "Messiah" reveals the relation of its age to the great central idea of Christianity. Fra Angelico, Leonardo, Bach, Milton, Overbeck, were the revelators of human elevation, as sustained by the philosophy of which Christ ...
— Atlantic Monthly Volume 7, No. 40, February, 1861 • Various
... man muttered, "great robbers who saw and took! Briseghella, Mocenigo, Leonardo Loredan, Vittore Capello." He rolled the powerful names under his breath. "They are right—Take, enjoy; then die." And he saw a hill sleeping sweetly in the mountains, where the sun rested on its going down, and ...
— Literary Love-Letters and Other Stories • Robert Herrick
... his poem in the same diaphanous garment. It is a poem of twilight, of calm, of failure in success. Andrea's pictures are superior technically to those of his great contemporaries—Rafael, Michel Angelo, Leonardo da Vinci—but their imperfect works have a celestial glory, the glory of aspiration, absent from his perfect productions. ...
— Robert Browning: How To Know Him • William Lyon Phelps
... advantage in one's mind. It is just the reverse with the rooms in a certain palace I sometimes have the privilege of entering, where every detail is worked—furniture, tapestries, embroideries, majolica, and flowers—into an overwhelming Wagner symphony of loveliness. There is a genuine Leonardo in one of those rooms, and truly I almost wish it were in a whitewashed lobby. And in coming out of all that perfection I sometimes feel a kind of relief on getting into the empty, uninteresting street. My thoughts, somehow, fetch ...
— Hortus Vitae - Essays on the Gardening of Life • Violet Paget, AKA Vernon Lee
... man having been declared by the Psalmist to be seventy years, and the period of the poet's supposed vision being unequivocally fixed at 1300.[7] Leonardo Aretino and Manetti add their testimony to that of Boccaccio, and 1265 is now universally assumed as the true date. Voltaire,[8] nevertheless, places the poet's birth in 1260, and jauntily forgives Bayle (who, he says, ...
— Among My Books • James Russell Lowell
... a single point, there is a clear case of evolution; we begin by attending to the line at a certain point, proceed in a certain direction, then reach a terminal point, the goal of the process. In Leonardo's "Last Supper," the convergence of the perspective lines and the lines formed by the groups of Apostles is a case of evolution. The different types of unification are, of course, not exclusive. In the ...
— The Principles Of Aesthetics • Dewitt H. Parker
... mules to the West India Islands. There are some pasture grounds at the farther end of the bay. We traced the sinuosities of this arm of the sea, which, like a river, has dug a bed between perpendicular rocks destitute of vegetation. This singular prospect reminded us of the fanciful landscape which Leonardo da Vinci has made the back-ground of his famous portrait of Mona Lisa, the ...
— Equinoctial Regions of America • Alexander von Humboldt
... by either spontaneity or self-consciousness in any artistic work, had a peculiar fascination. We find it in the mysticism of Plato and in the rationalism of Aristotle. We find it later in the Italian Renaissance agitating the minds of such men as Leonardo da Vinci. Schiller tried to adjust the balance between form and feeling, and Goethe to estimate the position of self-consciousness in art. Wordsworth's definition of poetry as 'emotion remembered in tranquillity' may be taken as ...
— Miscellanies • Oscar Wilde
... that these people have bought "distinction" at the price of one of mankind's most delightful birthrights, the pleasure in white, the queen, as Leonardo put it, of all colours. Our minds, our very sensations are interwoven so intricately of all manner of impressions and associations, that it is no allegory to say that white is good, and that the love of white is akin somehow to the love of virtue. ...
— Laurus Nobilis - Chapters on Art and Life • Vernon Lee
... and combines her beauties, or corrects her defects. He examines the countenance of men under the influence of passion; and often catches the most pleasing hints from subjects of turbulence or deformity. Even bad pictures themselves supply him with useful documents; and, as Leonardo da Vinci has observed, he improves upon the fanciful images that are sometimes seen in the fire, or are accidentally ...
— Seven Discourses on Art • Joshua Reynolds
... the masterpieces of Michel Angelo, Guercino, Titian, Paul Veronese, Correggio, Albarro, the two Carracci, Raphael, and Leonardo da Vinci." [Footnote: This wonderful banner was hung up in the hall of the Directory while the members of the latter were occupying the Luxemburg. It afterward accompanied the three consuls to the Tuileries, and was preserved there ...
— LOUISA OF PRUSSIA AND HER TIMES • Louise Muhlbach
... spirit of Japan, he told me, was pictured in that box; that plain piece of carpentry was as much inspired by the spirit of perfection as the happiest drawing or the finest bronze; and he who could not enjoy it in the one was not fully able to enjoy it in the others. Thus, too, he found in Leonardo's engineering and anatomical drawings a perpetual feast; and of the former he spoke even with emotion. Nothing indeed annoyed Fleeming more than the attempt to separate the fine arts from the arts of handicraft; any definition or theory that failed to bring these two together, according ...
— Memoir of Fleeming Jenkin • Robert Louis Stevenson
... one, except Leonardo Da Vinci, in the whole history of our Planet, who gives us quite that sense of a person possessed of some secret illumination not granted to the rest of the world. There is much reassurance in this. More than has been, perhaps, realized. For it is probable that "in his caves of ice," Leonardo ...
— Visions and Revisions - A Book of Literary Devotions • John Cowper Powys
... footnotes, Carlyle and Froude.) It was not a German but a renegade Englishman of the Englishman-hating Whig type, Mr. Houston Stewart Chamberlain, who carried the Gobineau theory to that delirious level which claims Dante and Leonardo as Germans, and again it was not a German but a British peer, still among us, Lord Redesdale, who in his eulogistic preface to the English translation of Chamberlain's torrent of folly, hinted not ...
— What is Coming? • H. G. Wells
... have taught him his grammar. Grammar and refinement are good things, both, only be sure of the better thing first. And thus in art, delicate finish is desirable from the greatest masters, and is always given by them. In some places Michael Angelo, Leonardo, Phidias, Perugino, Turner, all finished with the most exquisite care; and the finish they give always leads to the fuller accomplishment of their noble purpose. But lower men than these cannot finish, for it requires consummate knowledge ...
— Selections From the Works of John Ruskin • John Ruskin
... the world into England and Elsewhere. To the end no Englishman really grasps the fact that to Frenchmen and Germans he himself is a foreigner. I have met John Bulls who had passed years in Italy, but who spoke of the countrymen of Caesar and Dante and Leonardo and Garibaldi with the contemptuous toleration one might feel towards a child or an Andaman Islander. These Italians could build Giotto's campanile; could paint the Transfiguration; could carve the living marble on the tombs of the Medici; could produce the Vita Nuova; could beget Galileo, ...
— Post-Prandial Philosophy • Grant Allen
... of expressing form; by another, tragically, as a mystery of light and shade, corresponding to—and forming part of—the joy and sorrow of life. You may, of course, find the two purposes mingled: but pure formal chiaroscuro—Marc Antonio's and Leonardo's—is inconsistent with color, and though it is thoroughly necessary as an exercise, it is only as a correcting and guarding one, never as ...
— Lectures on Landscape - Delivered at Oxford in Lent Term, 1871 • John Ruskin
... inaugurated the autumn season of 1724 in October; in December appeared Ariosti's Artaserse, in January Giulio Cesare held the stage till the production of another Handel opera, Rodelinda, which came out on February 13, and ran for thirteen nights. Two more operas, by Ariosti and Leonardo Vinci of Naples, completed the season, but it was evidently Handel who scored the greatest triumphs, unless the honours should more properly go to Cuzzoni, as Rodelinda, and her brown silk gown trimmed with silver. All the old ladies, says Burney, ...
— Handel • Edward J. Dent
... to be only five portable authentic paintings by Leonardo da Vinci," said Cleigh, "and I had one of them, Mother. Illegally, perhaps, but still I had it. It is a copy that hangs in the European gallery. There's a point. Gallery officials announce a theft only when some expert had discovered the ...
— The Pagan Madonna • Harold MacGrath
... relieved from all objective influences, from the pressure of all human relations; once the very memory of all these must be blotted out; once he must be alone. This is possible to a Mendelssohn in the awful solitude of Beethoven's "Sonate Pathetique," to a painter in the presence of Leonardo's "Last Supper," and to a sculptor in the hushed ...
— Atlantic Monthly, Vol. 5, No. 27, January, 1860 • Various
... the patient, to fasten a bandage tightly enough to staunch the wound, but Leonardo Botalli, of Asti, body physician of Anjou, was nevertheless fortunate enough to devise a simple mechanical expedient, which proved successful. By his advice; a succession of attendants, relieving each other day and night, prevented the flow of blood by keeping the orifice of the wound ...
— The Rise of the Dutch Republic, 1555-1566 • John Lothrop Motley
... Angelico was putting the legends of the Virgin and St. Dominic into colour in Umbria, Giovanni Dominici together with Leonardo Dati, master-general of the Order, was negotiating with the Bishop of Fiesole and Pope Gregory XII. to again obtain possession of the convent founded by Dominici. It was only in 1418 that the Fiesolan bishop acceded to their request, on condition that the Dominicans would make ...
— Fra Angelico • J. B. Supino
... utter want of parade in everything he said and did, in everything about him and his home. The only ornaments on his walls were a few engravings in black frames: one after Leonardo da Vinci; one after Titian; and four, I think, by Hogarth, about whom he has written so well. Images of quaint beauty, and all gentle, simple things (things without pretension) pleased him to the fullest ...
— Charles Lamb • Barry Cornwall
... this task of art with entire originality, independent of the art of the theater, as much as poetry is independent of music or sculpture of painting. It is an art in itself. Only the future can teach us whether it will become a great art, whether a Leonardo, a Shakespeare, a Mozart, will ever be born for it. Nobody can foresee the directions which the new art may take. Mere esthetic insight into the principles can never foreshadow the development in the unfolding of civilization. Who would have been bold enough four centuries ago to foresee ...
— The Photoplay - A Psychological Study • Hugo Muensterberg
... will be found fairly representative of what painters and sculptors, typical of their race and time, have said about the various aspects of their work. In making the collection, I have had recourse less to famous comprehensive treatises and expositions of theory like those of Leonardo and of Reynolds, than to the more intimate avowals and working notes contained in letters and diaries, or recorded in memoirs. The selection of these has entailed considerable research; and in tracing ...
— The Mind of the Artist - Thoughts and Sayings of Painters and Sculptors on Their Art • Various
... wine or pictures or human faces, that seem delightful and beautiful to others. I am not aware of any method whereby I can prove that the most perfect claret is better than zoedone in flavour, or that the most exquisite creation of Botticelli or Leonardo is more beautiful than the cuts on the sides of railway novels. Again, it is ...
— A History of English Literature - Elizabethan Literature • George Saintsbury
... that copiousness of heart and mind which, once heard, could never be forgotten. That artist indeed had long in his meditations an ideal head of Christ, which he was always talking of executing: "It is here!" he would cry, striking his head. That which baffled the invention, as we are told, of Leonardo da Vinci, who left his Christ headless, having exhausted his creative faculty among the apostles, this imaginative picture of the mysterious union of a divine and human nature, never ceased, even when conversing, to ...
— Literary Character of Men of Genius - Drawn from Their Own Feelings and Confessions • Isaac D'Israeli
... commend a serene indifference to hubbub. I like Archimedes, Leonardo da Vinci, Goethe, Balzac, Darwin, and other sages, for having been so concentrated on this or that eternal verity in art or science or philosophy, that they paid no heed to alarums and excursions ...
— Yet Again • Max Beerbohm
... Supper" of Leonardo da Vinci did not impress Byron—the art of painting never did—this was his most marked limitation. From Milan they wandered down through Italy to Verona ...
— Little Journeys to the Homes of the Great, Volume 5 (of 14) • Elbert Hubbard
... gentleman is a man of truth, lord of his own actions, and expressing that lordship in his behavior; not in any manner dependent or servile, either on persons, or opinions, or possessions.' Walter Pater, had Leonardo painted a Perfect Gentleman's portrait instead of a Perfect Lady's, might have described the other: 'The presence that thus rose so strangely beside the tea-table is expressive of what in the ways of a thousand years women had come to desire. ...
— The Perfect Gentleman • Ralph Bergengren
... impressed upon it. After the repetition of the capricious, impulsively-passionate first section (in B flat minor and D flat major) follows the delicious second, the expression of which is as indescribable as that of Leonardo da Vinci's "La Gioconda." It is a pondering and wondering full of longing. In the deep, tender yearning, with the urging undercurrent of feeling, of the C sharp minor portion, the vague dreaming of the preceding portion of the section grows into wakefulness, and the fitful imagination ...
— Frederick Chopin as a Man and Musician - Volume 1-2, Complete • Frederick Niecks
... been effective, though not to the same degree, elsewhere than at St. Romain. Jerome the Italian and Leonardo di Langasco the Genoese, defending the port of Blacherne in the lowland, had not been able to save the Xiloporta or Wood Gate on the harbor front harmless; under pounding of the floating battery it lay in the dust, like ...
— The Prince of India - Or - Why Constantinople Fell - Volume 2 • Lew. Wallace
... good Leonardo thinke on this, These things being bought and orderly bestowed Returne in haste, for I doe feast to night My best esteemd acquaintance, hie ...
— The First Folio [35 Plays] • William Shakespeare
... thinkers and doers when Michelangelo and Leonardo lived only a few miles apart, but never met. Yet each man spurred the other on to do and dare, until an impetus was reached that sent the names of both ...
— Little Journeys to the Homes of the Great Philosophers, Volume 8 • Elbert Hubbard
... were possible for such a one now to exist, which is wholly unlikely. But then the best and most upright of men sought, without any scruples whatever, the presence and favors of the Borgias. Pinturicchio and Perugino painted for Alexander VI, and the most wonderful genius of the century, Leonardo da Vinci, did not hesitate to enter the service of Caesar Borgia as his engineer, to erect fortresses for him in the same Romagna which he had appropriated by such ...
— Lucretia Borgia - According to Original Documents and Correspondence of Her Day • Ferdinand Gregorovius
... which they attributed to demons rather than to tubes, pulleys, and wheels. The learned Charles Patin, in his scientific travels, records, among other valuable productions of art, a cherry-stone, on which were engraven about a dozen and a half of portraits! Even the greatest of human geniuses, Leonardo da Vinci, to attract the royal patronage, created a lion which ran before the French monarch, dropping fleurs de lis from its shaggy breast. And another philosopher who had a spinnet which played and stopped at command, might ...
— Curiosities of Literature, Vol. 3 (of 3) • Isaac D'Israeli
... enter the head of a valet-de- place to afflict us with. It is an affliction, however, for which there is no remedy, because you want to see the things, and would be very sorry if you went home without having done so. From Venice we went to Milan to see the cathedral and Leonardo da Vinci's 'Last Supper.' The former is superb, and of the latter I am convinced, from the little that remains of it, that it was the greatest picture the world ever saw. We shall run back to Rome for Holy ...
— The Life of Harriet Beecher Stowe • Charles Edward Stowe
... Leonardo Studio apartments was an early riser. For that reason it was nearly eleven o'clock when Thorpe, his face very white, telephoned downstairs and asked the doorman ...
— The Come Back • Carolyn Wells
... desire for knowledge must have been excited in many directions, for I find a "list of painters whose works I wish to see," drawn up by Charlotte Bronte when she was scarcely thirteen: "Guido Reni, Julio Romano Titian, Raphael, Michael Angelo, Coreggio, Annibal Carracci, Leonardo da Vinci, Fra Bartolomeo, Carlo ...
— Stories of Achievement, Volume IV (of 6) - Authors and Journalists • Various
... various learned men. The author of the "Calascione Scordato," a famous Neapolitan poem of the seventeenth century, certainly lived here for some time and has been acclaimed as a son of Morano, though he distinctly speaks of Naples as his home. Among its elder literary glories is that Leonardo Tufarelli, who thus ...
— Old Calabria • Norman Douglas
... called Leonardo Aretini from his birthplace Arezzo, translated five of the dialogues of Plato ...
— Catalogue of the William Loring Andrews Collection of Early Books in the Library of Yale University • Anonymous
... dream; For the earth that breeds the trees Breeds cities too, and symphonies. Equally her beauty flows Into a savior, or a rose — Looks down in dream, and from above Smiles at herself in Jesus' love. Christ's love and Homer's art Are but the workings of her heart; Through Leonardo's hand she seeks Herself, and through Beethoven speaks In holy thunderings around The awful ...
— The Second Book of Modern Verse • Jessie B. Rittenhouse
... the nice observation of the curious. Though Erasmus does not know that need of proving the secrets of nature, which inspired a Leonardo da Vinci, a Paracelsus, a Vesalius, he is also, by his keen observation, a child of his time. For peculiarities in the habits and customs of nations he has an open eye. He notices the gait of Swiss soldiers, how ...
— Erasmus and the Age of Reformation • Johan Huizinga
... in utter abomination, and governed in matters of religion by the Presbyterian forms, and the tenets of Calvin. It is not to be wondered at, that the annalist of the countries of Tasso and Dante, of Titian and Machiavel, of Petrarch and Leonardo da Vinci, of Galileo and Michael Angelo, should conceive, that in no other state of society is such scope afforded for mental cultivation and the development of the highest efforts of genius. Still less is it surprising, ...
— Blackwood's Edinburgh Magazine, Volume 56, Number 350, December 1844 • Various |
