"Lacework" Quotes from Famous Books
 ... a curious spectacle. Its immense area was singularly adapted to the purpose. Lofty pillars formed of cannon, superposed upon huge mortars as a base, supported the fine ironwork of the arches, a perfect piece of cast-iron lacework. Trophies of blunderbuses, matchlocks, arquebuses, carbines, all kinds of firearms, ancient and modern, were picturesquely interlaced against the walls. The gas lit up in full glare myriads of revolvers grouped in the form of lustres, while groups of ...
— Jules Verne's Classic Books • Jules Verne
... so misty that I shall not venture to affirm that the gentleman wore a doublet. It was a loose coat of some description hanging negligently from the shoulders and looped at the throat, showing a tasteful arrangement of lacework below and at the wrists. Full trousers reaching to the tops of buckskin boots, and a low-crowned soft hat—not a Puritan's sugar-loaf, but a picturesque shapeless head-gear, one side jauntily fastened up with a jewel—completed the essential portions ...
— Ponkapog Papers • Thomas Bailey Aldrich
... animal feed, building materials, motor vehicles and parts, machinery and parts partners: UK, South Africa External debt: $NA Industrial production: growth rate NA% Electricity: 9,800 kW capacity; 10 million kWh produced, 1,390 kWh per capita (1989) Industries: crafts (furniture, lacework, fancy woodwork), fishing Agriculture: maize, potatoes, vegetables; timber production being developed; crawfishing on Tristan da Cunha Economic aid: Western (non-US) countries, ODA and OOF bilateral commitments (1970-89), $198 million Currency: 1 Saint Helenian ...
— The 1993 CIA World Factbook • United States. Central Intelligence Agency.
... hall presented a curious spectacle; it was marvellously adapted to the purpose for which it was built. Lofty pillars formed of cannon, superposed upon huge mortars as a base, supported the fine ironwork of the arches—real cast-iron lacework. ...
— The Moon-Voyage • Jules Verne
... before their eyes, set in the centre of a great green sward, fringed by tall elms and giant beeches, rises the vast fabric of the thirteenth-century Cathedral, its high spire piercing the skies in which rooks are for ever circling and calling. The time-worn stone, at a little distance delicate as lacework, is transformed at different hours of the day into shifting shades of colour, varying from grey to purple: the massiveness of the great nave and transepts contrasts impressively with the gradual tapering of the spire, rising so ...
— The Paradise Mystery • J. S. Fletcher
... Moorish arches, and its tiles of painted fayence set in the walls. In the centre is the pulpit, coarsely painted red and blue, where the imaum recites his prayers. Three small, lofty windows are filled with carved lacework. The floor is spread with carpets for the knees of the rich, with matting for the poor. Over all rises the square, crescent-crowned minaret—no belfry, but a steeple where the chimes are rung by the human voice. Night and day, from the heights of their ...
— Lippincott's Magazine of Popular Literature and Science, Volume 11, No. 24, March, 1873 • Various |
