"Impressionism" Quotes from Famous Books
 ... to me that with all the differences inherent in the antagonism of the characters of the two men, the essential features of the art of Rousseau and Turner were the same; pure impressionism based on the most intimate and largest knowledge of the facts of nature, but without direct copying of them—rather working from memoranda or memories, for neither ever painted directly from nature; the same conception of the subject ...
— The Autobiography of a Journalist, Volume I • Stillman, William James
... them, for the current cant regarding art and literature, a sound, sturdy, hearty contempt which braces and strengthens one who reads or listens to him. It does one good to hear his quiet sarcasms against the whole fin-de-siecle business—the "impressionism," the "sensationalism," the vague futilities of every sort, the "great poets" wallowing in the mud of Paris, the "great musicians" making night hideous in German concert-halls, the "great painters" of various countries mixing their colors with as much filth as the police will allow. His keen thrusts ...
— Autobiography of Andrew Dickson White Volume II • Andrew Dickson White
... For impressionism only means that due attention has been paid to the relative importances of the impressions made by the various characteristics of a given subject, and that they have been presented to us ...
— The Note-Books of Samuel Butler • Samuel Butler
... speak of landscape and plein air without mention of the "Impressionists." You should understand what "impressionism" really is, and what it is not, and what the impressionist stands for. Whether we like it or not, this work is not to be ignored. It has tried for certain things, and has shown that they can be much more justly represented than had before been believed to ...
— The Painter in Oil - A complete treatise on the principles and technique - necessary to the painting of pictures in oil colors • Daniel Burleigh Parkhurst
... the man, his atmosphere, his character, and nowhere better than among the jockeys at Horncastle. It gives a better and more convincing picture of Borrow than the most accurate list of dates and occurrences, all vouched for upon unimpeachable authority. It is impressionism applied to autobiography, which has always been considered as essentially a subject for photographic treatment. Borrow thought otherwise, with the result that many people decline to believe that his picture is a portrait, because there ...
— The Life of George Borrow • Herbert Jenkins
... the latest artistic insanities (Cubism and Post Impressionism and Mr. Picasso) are eulogists and nothing else. They are not critics; least of all creative critics. They do not attempt to translate beauty into language; they merely tell you that it is untranslatable—that is, unutterable, ...
— A Miscellany of Men • G. K. Chesterton
... to which the more massive of the Etruscan gates of Volterra, the Porta all' Arco, forms the solidest of thresholds; since I perforce take no step myself, and am even exceptionally condemned here to impressionism unashamed. My errand was to spend a Sunday with an Italian friend, a native in fact of the place, master of a house there in which he offered me hospitality; who, also arriving from Florence the night before, had obligingly come on with me from Pisa, and whose consciousness of ...
— Italian Hours • Henry James
... Seine or under some tent in the provinces. Without variety—as well as vision—the people perish. Hence the invention known as a "new art," which always can be traced back to a half-forgotten one. After the hard-won victories of Impressionism there was bound to ensue a reaction. The symbolists crowded out the realists in literature and the Neo-Impressionists felt the call of Form as opposed to Colour. Well, we are getting form with a vengeance, and seldom has colour been so flouted in favour of cubes, cylinders, and wooden ...
— Ivory Apes and Peacocks • James Huneker
... eyes. Remains the loss to the great reading public, which we believe that Steevens must have done a vast deal to educate, not to literature so much as to a pride in our country's imperial destiny. Where the elect chiefly admired a scarcely exampled grasp and power of literary impressionism, the man in the street was learning the scope and aspect of his and our imperial heritage, and gaining a new view of his ...
— From Capetown to Ladysmith - An Unfinished Record of the South African War • G. W. Steevens
... various artists connected with the Pre-Raphaelite circle, Mr. Whistler had made overtures to the great critic through Mr. Swinburne the poet; but he had not been taken seriously. Now he had become the missionary in England of the new French gospel of "impressionism," which to Ruskin was one of those half-truths which are ever the worst of heresies. Mr. Whistler appealed to the law. He brought an action for libel, which was tried on November 25th and 26th before Baron ...
— The Life of John Ruskin • W. G. Collingwood
... inured. There is a certain haze over the trees, caused partially by the tints and partially by the lighting, which produces a rather charming effect, but the outlines of the trees are quite definite; no impressionism here. ...
— The Merry-Go-Round • Carl Van Vechten
... conflict between Romans and "Barbarians," most with the frank no-time and no-place of Romance itself. They came at an unfortunate moment, when the younger generation of readers were thinking it proper to be besotted with crude realism or story-less impressionism, and when some at least of those who might have welcomed them earlier had left their first faith in poetry or poetic prose. There was, moreover, perhaps some genuine dislike, and certainly a good deal of precisian condemnation, of the "Wardour ...
— The English Novel • George Saintsbury
... revive the feeling of reality obliterated by habit, we summon the deep and penetrating soul of things: the object is the same in both cases; and the means are also the same; images and metaphors. Is Mr Bergson only a poet, and does his work amount to nothing but the introduction of impressionism ...
— A New Philosophy: Henri Bergson • Edouard le Roy |
