"Ibsen" Quotes from Famous Books
 ... street, Karl-Johans-gade. In this street, passing the Vor Frelsers Kirke (Church of our Saviour), the Storthings-Bygning (parliament-house, 1866) is seen, facing a handsome square planted with trees. Beyond this is the National theatre (1899), with colossal statues of the dramatists Ibsen and Bjoernsen. It faces the Fridericiana University, housed in three buildings dating from 1853, but founded by Frederick VI. of Denmark in 1811, embracing the five faculties of theology, law, medicine, history and philology, mathematics ...
— Encyclopaedia Britannica, 11th Edition, Volume 6, Slice 3 - "Chitral" to "Cincinnati" • Various
... best known to the English-speaking world for his relations with Bjornson and Ibsen, reviewed[11] the eleventh installment of Lembcke's translation of Shakespeare. The article does not venture into criticism, but is almost entirely a resume of Shakespeare translation in Norway and Denmark. It is less well ...
— An Essay Toward a History of Shakespeare in Norway • Martin Brown Ruud
... dictators, and to serve as a good business basis for shrewd literary speculators? The number of Rip Van Winkles in life, science, morality, art, and literature is very large. Innumerable ghosts, such as Ibsen saw when he analyzed the moral and social conditions of our life, still keep the majority of ...
— Mother Earth, Vol. 1 No. 1, March 1906 • Various
... are the regular costumes for Shakespeare's plays, all jeweled and spangled and brocaded, stage armor, great Roman togas with weights in the borders to make them drape right, velvets of every color to rest your cheek against and dream, and the fantastic costumes for the other plays we favor; Ibsen's Peer Gynt, Shaw's Back to Methuselah and Hilliard's adaptation of Heinlein's Children of Methuselah, the Capek brothers' Insect People, O'Neill's The Fountain, Flecker's Hassan, Camino Real, Children ...
— No Great Magic • Fritz Reuter Leiber
... phase in particular, and to our occupation with other studies in general, may be attributed the opportunity which still exists for the discussion of one of the most interesting of all problems concerning Shakspere. Mr. Browning, Mr. Meredith, Ibsen, Tolstoi—a host of peculiarly modern problem-makers have been exorcising our not inexhaustible taste for the problematic, so that there was no very violent excitement over even the series of new "Keys" to the sonnets which came forth in the lull of the analysis of the plays; ...
— Montaigne and Shakspere • John M. Robertson
... any one, would practise it. I cannot imagine the plain man who, having a couple of hours to spare of a night, and having also the sincere desire but not the will-power to improve his taste and knowledge, would deliberately sit down and work sums by way of preliminary mental calisthenics. As Ibsen's puppet said: "People don't do these things." Why do they not? The answer is: Simply because they won't; simply because human nature will not run to it. "Esperance's" suggestion of ...
— Mental Efficiency - And Other Hints to Men and Women • Arnold Bennett
... judge, who has some notion of what law means, a doctor with a glimmering of science, an officer who understands duty and discipline, and a clergyman with an inkling of religion, though there are nothing like enough of them to go round. But even the few who, like Ibsen's Mrs Solness, have "a genius for nursing the souls of little children" are like angels forced to work in prisons instead of in heaven; and even at that they are mostly underpaid and despised. That friend of mine who went from the ...
— A Treatise on Parents and Children • George Bernard Shaw
... all jealousy—these are the real obstacles that thwart the nobler social aspiration of humanity. There are too many men like The Master-Builder who tried to build higher than any one else, without regard to others, all for his own selfish glory. Ibsen has shown us how The Pillars of Society, resting on rotten foundations, came crashing down, wounding the innocent in their wreck. Long ago it was said that "through wisdom is an house builded, and by understanding it is established; and by knowledge shall the chambers be filled with pleasant ...
— The Builders - A Story and Study of Masonry • Joseph Fort Newton
... Brand the hero is an embodied protest against the poverty of spirit and half-heartedness that Ibsen rebelled against in his countrymen. In Peer Gynt the hero is himself the embodiment of that spirit. In Brand the fundamental antithesis, upon which, as its central theme, the drama is constructed, is the contrast between the spirit of compromise on the one hand, and the motto 'everything ...
— The Industries of Animals • Frederic Houssay
... as a poet,' Ibsen said in a letter, 'has had its origin in a frame of mind and a situation in life; I never wrote because I had, as they say, found a good subject.' Yet his chief aim as a dramatist has been to set character ...
— Figures of Several Centuries • Arthur Symons
... over a mile long, being from six to eight in the morning. Here you may hear more languages spoken than the Tower of Babel could have echoed. Polish Jews and Russian princes, Chinese mandarins and Turkish pashas, Norwegians looking as if they had stepped out of Ibsen's plays, women from the Boulevards, Spanish grandees and English countesses, mountaineers from Montenegro and millionaires from Chicago, you will find every dozen yards. Every luxury in the world Carlsbad provides for its visitors, with the one exception of pepper. That you ...
— Three Men on the Bummel • Jerome K. Jerome
... inclined to put the masked man down to Quamina's vivid imagination," declares Eleanor, "if you had not personally encountered him, Carol. He is like a sort of 'troll,' one of Ibsen's 'helpers and servers.'" ...
— When the Birds Begin to Sing • Winifred Graham
... Hudson Theater need not be unduly deplored. The Gloucester of John Blair was extremely amusing. Such a Richard, the most imaginative imaginer could never have dreamed of! He played the part as though the Duke of Gloucester were an Ibsen gentleman, battling with a dark green matinee. Mr. Loraine came from "Nancy Stair" to "The Lady Shore," and was Edward IV. It would be interesting to know which "heroine" he really preferred. The little princes in the tower seemed to deserve their fate. They were arguments ...
— Ainslee's, Vol. 15, No. 5, June 1905 • Various
... romantic school, conspicuously, in having derived the suggestion or inspiration of many of his pieces from poetic suggestion. One of the most famous and best known of this kind is the first "Peer Gynt" suite. Peer Gynt is a ne'er-do-weel in Ibsen's poem. He had a variety of adventures in the course of his unprofitable life, a few of which are alluded to in the suite here under consideration. For example, it begins with a prelude in 6/8 time—a movement somewhat pastoral in character, designated "Morgenstimmung," or, in English, "The ...
— The Masters and their Music - A series of illustrative programs with biographical, - esthetical, and critical annotations • W. S. B. Mathews
... together reading and discussing the books which he bought for her by the armful at a shop in Charing Cross Road, where, open to the street, were piles of books almost blatantly subversive of society—Nietsche, Havelock Ellis, Shaw, Ibsen, Anarchist tracts, Socialist and Labour journals, R.P.A. cheap reprints, every sort and kind of book that in an ordinary shop would only be procured upon a special order.... It was a very fierce shop. Its woodwork was ...
— Mummery - A Tale of Three Idealists • Gilbert Cannan
... the largest vessel in the house. So by strict analogy, sour books—the kind that bite the temper and snarl upon your better moods—should be in a small minority. Do not mistake me! I shall find a place, maybe, for a volume or two of Nietzsche, and all of Ibsen surely. I would admit uplift too, for my taste is catholic. And there will be other books of a kind that never rouse a chuckle in you. For these are necessary if for no more than as alarm clocks to awake us from our dreaming self-content. But in the main I would not have books too insistent ...
— Journeys to Bagdad • Charles S. Brooks
... and the old concept of rewards and punishments has been re-stated as 'the survival of the fittest.' If, on the other hand, you need emotions, and the inspiration of concrete teaching, you must go to Balzac, to Turgenief, and to Ibsen...." ...
— Elder Conklin and Other Stories • Frank Harris
... passing the Flag Bill, they prepared to renew negotiations on the Consular Question, while, at the same time, they were busily engaged in strengthening their defence and raising on the boundaries rumoured fortresses against Sweden. The Under Secretary of State, Dr. SIGURD IBSEN, instituted an inquiry as to the feasibility of having a separate Consular Service in conjunction with the existing Foreign administration. It was on this point that the Minister for Foreign affairs, for the time being, Mr. LAGERHEIM, made a proposal, the consequences of ...
— The Swedish-Norwegian Union Crisis - A History with Documents • Karl Nordlund
... Ellis Roberts mention Cezanne on the fourth page of a book about Ibsen? One cannot think so. Similarities in the work and circumstances of the two men can hardly have escaped him. Born within a dozen years of each other (Ibsen was born in 1828), both matured in a period when the professions of writing and painting were laboriously cultivated at the ...
— Pot-Boilers • Clive Bell
... death in Sydney and he rather discredited the sincerity of it for he was being wearied to death by lion-hunters. Eminene men from the Old Country either get feted or cut in the Colonies. He was feted because he happened to arrive at a time when "culture" was fashionable, and Shakespeare Societies, Ibsen Evenings, History Saturday Afternoons and Science Sundays were the rage. Foreign legations and Government officials gave him dinners as deadly as any in England. He saw that he was to appear in character at these dinners. He was expected to wear a phylactery on his forehead inscribed ...
— Captivity • M. Leonora Eyles
... good many were young men of gentle birth from the public schools and universities. Paul's infallible instinct drew him into timid companionship with the last. He knew little of the things they talked about, golf and cricket prospects, and the then brain-baffling Ibsen, but he listened modestly, hoping to learn. He reaped the advantage of having played "the sedulous ape" to his patrons of the studios. His tricks were somewhat exaggerated; his sweep of the hat when ladies passed him at the stage door entrance ...
— The Fortunate Youth • William J. Locke
... the death of Ibsen and Strindberg, Hamsun is undoubtedly the foremost creative writer of the Scandinavian countries. Those approaching most nearly to his position are probably Selma Lagerloef in Sweden and Henrik Pontoppidan in Denmark. Both these, however, seem to have less than he of that ...
— Hunger • Knut Hamsun
... way myself," responded John cheerfully, "so I did. I was like the man in the Ibsen parody, who said, 'I will not only make him feel, but be at home!'" He paused a moment, and looked graver. "Come here, ...
— The Wishing-Ring Man • Margaret Widdemer
... such thing. I am not reassured, when ethics are as wild as cannibalism, by the fact that they are also as grave and sincere as suicide. And I think there is an obvious fallacy in the bitter contrasts drawn by some moderns between the aversion to Ibsen's "Ghosts" and the popularity of some such joke as "Dear Old Charlie." Surely there is nothing mysterious or unphilosophic in the popular preference. The joke of "Dear Old Charlie" is passed—because it is a joke. "Ghosts" ...
— All Things Considered • G. K. Chesterton
... much of this domestic virtue is self-denial, which is not a virtue at all; but then the following of the inner light at all costs is largely self-indulgence, which is just as suicidal, just as weak, just as cowardly as self-denial. Ibsen, who takes us into the matter far more resolutely than Jesus, is unable to find any golden rule: both Brand and Peer Gynt come to a bad end; and though Brand does not do as much mischief as Peer, the mischief he does do is of ...
— Preface to Androcles and the Lion - On the Prospects of Christianity • George Bernard Shaw
... soon coming to Moscow, please keep a ticket for me for "The Pillars of Society"; I want to see the marvellous Norwegian acting, and I will even pay for my seat. You know Ibsen ...
— Letters of Anton Chekhov • Anton Chekhov
... remember in this connection, that up to the time in question no dramatic work of similar importance had ever been produced in Sweden. Its completion was more epoch-making for Sweden than that of Brand was for Norway in 1865—since the coming of Ibsen's first really great play was heralded by earlier works leading up to it, while Master Olof appeared where nobody had any reason to expect it. This very fact militated against its success, of course; it ...
— Master Olof - A Drama in Five Acts • August Strindberg
... preoccupied itself with the novel almost to the exclusion of other forms of art, has turned back to the stage as its channel to articulation and an audience. An influence from abroad set it in motion. The plays of Ibsen—produced, the best of them, in the eighties of last century—came to England in the nineties. In a way, perhaps, they were misunderstood by their worshippers hardly less than by their enemies, but ...
— English Literature: Modern - Home University Library Of Modern Knowledge • G. H. Mair
... went to a tea, and then I stopped in to hear Madame Ruvier read a paper on the Ethics of Ibsen, and she—" ...
— Cinderella - And Other Stories • Richard Harding Davis
... or defender but me." This brings us to the question how far a man may legitimately live a self- contained life. Certainly there is a measure of truth in Goethe's saying, "No man can he isolates himself"; in Ibsen's "The most powerful man is he who is most alone"; and ...
— Problems of Conduct • Durant Drake
... the Republic of Letters, we meet no citizen without a badge of consecrated service. Pretenders, perhaps, usurpers of the titles of others, men to whom literature is nothing but merchandise. These may be totally free from the impulse. Tolstoy, Ibsen, Hauptmann, Hugo are reformers of the first order, whose words are charged with revolt. The transcendentalism of Emerson, the naturalism of Zola, the cynicism of La Rochefoucauld are all convergent ...
— Mountain Meditations - and some subjects of the day and the war • L. Lind-af-Hageby
... either so foolish or so wise; though indeed I've never quite known where our set begins and ends, and have had to content myself on this score with the indication once given me by a lady next whom I was placed at dinner: "Oh it's bounded on the north by Ibsen and on the south by Sargent!" Mrs. Brash never sat to me; she absolutely declined; and when she declared that it was quite enough for her that I had with that fine precipitation invited her, I quite took this as she meant it; before we had gone very far our understanding, hers and mine, ...
— The Beldonald Holbein • Henry James
... as he wrote to Georg Brandes, the eminent Danish critic, "eyes that saw and ears that heard." Up to this time the poet in him had been predominant; now it was to be the social philosopher that held the reins. Just as Ibsen did, so Bjornson abandoned historical drama and artificial comedy for an attempt at prose drama which should have at all events a serious thesis. In this he anticipated Ibsen; for (unless we include the satirical political comedy, The League ...
— Three Dramas - The Editor—The Bankrupt—The King • Bjornstjerne M. Bjornson
... joined us—a Bengal Civil servant. He drew his chair over by Hilda's, and began discussing Mrs. Ogilvy's eyes and the first officer's flirtations. Hilda hated gossip, and took refuge in generalities. In three minutes the talk had wandered off to Ibsen's influence on the English drama, and we had forgotten the very existence of the Isle ...
— Hilda Wade - A Woman With Tenacity Of Purpose • Grant Allen
... don't know; Walt Whitman, Ibsen, Longfellow, Joaquin Miller? Tolstoi had long straggly ones, ...
— Kit of Greenacre Farm • Izola Forrester
... Ibsen's bitter comedies the lovers agree to part while they are still young, never to see each other in the flesh again. Into the future each will bear away the image of the other, godlike, radiant with the glory of youth and love; each will cherish the memory of a loved one who shall be beautiful always. ...
— Idle Ideas in 1905 • Jerome K. Jerome
... volume of the new poet. To him I owe much. From him I secured my first knowledge of James Whitcomb Riley, and it was Hurd who first called my attention to Kirkland's Zury. Through him I came to an enthusiasm for the study of Ibsen and Bjornsen, for he was widely read in the literature ...
— A Son of the Middle Border • Hamlin Garland
... no doubt, with the after-effects of her dip into Ibsen that, on her sitting down to write the work that was to form her passport to the Society, her mind should incline to the most romantic of romantic themes. Not altogether, though: Laura's taste, such ...
— The Getting of Wisdom • Henry Handel Richardson
... her father's insistence, Laura Van Dorn changed from the night watch to the day nurse, and from that day on for ten days, she ministered to Grant Adams' wants. Mechanically she read to him from such books as the house afforded—Tolstoi—Ibsen, Hardy, Howells,—but she was shut away from the meaning of what she read and even from the comments of the man under her care, by the consideration of her own problems. For to Laura Van Dorn it was a time of anxious doubt, of sad retrogression, of inner anguish. In some of the books ...
— In the Heart of a Fool • William Allen White
... he summed up, "a combination of Ibsen and hysterics, and of—er, rather declamatory observations concerning there being one law for the man and another for the woman, and Patricia's realization of the mistake we both made—and all that sort of ...
— The Rivet in Grandfather's Neck - A Comedy of Limitations • James Branch Cabell
... contemporary audience than of posthumous success with a posterity of readers. Shakespeare and Moliere were actors and theatre-managers, and devised their plays primarily for the patrons of the Globe and the Palais Royal. Ibsen, who is often taken as a type of the literary dramatist, derived his early training mainly from the profession of the theatre and hardly at all from the profession of letters. For half a dozen years, during the formative period of his twenties, he acted as ...
— The Theory of the Theatre • Clayton Hamilton
... Lie in this way have secured places in literature in no small part because of their characteristic Norwegianism; Kielland to some little extent has secured his place because of the want of it. Ibsen is here left out of the discussion. He is quite sui generis, and apart from the mere choice of environment, for his ...
— Skipper Worse • Alexander Lange Kielland
... snow-shoes (skidor), but during wet weather or when the road is muddy, during the thaws of spring, they always wear goloshes, and as it is considered the worst of taste to enter a room with dirty boots, the goloshes are left behind with the coat in the hall. This reminded us of Henrik Ibsen's home in Christiania, where the hall was strewn with goloshes. So much is this the fashion that we actually saw people walking about in indiarubber "gummies," as our American friends call them, during almost tropical weather. ...
— Through Finland in Carts • Ethel Brilliana Alec-Tweedie
... pugreed-solar-hatted-Europeans go through Egypt. We are pestered and plagued with guides and dragomans of every rank and shade;—social and political guides, moral and religious dragomans: a Tolstoy here, an Ibsen there, a Spencer above, a Nietzche below. And there thou art left in perpetual confusion and despair. Where wilt thou ...
— The Book of Khalid • Ameen Rihani
... for the simplicity of her character types. Deep and sure they may be, but never too complex for the reader to comprehend. The more varied characters—as the critic Johan Mortensen has pointed out—like Hellgum, the mystic in "Jerusalem," are merely indicated and shadowy. How unlike Ibsen! Selma Lagerloef takes her delight, not in developing the psychology of the unusual, but in analyzing the motives and emotions of the normal mind. This accounts for the comforting feeling of satisfaction and ...
— Jerusalem • Selma Lagerlof
... from her marriage to a man old enough to be her grandfather, and from her abortive grapplings both with the abstract problems of her soul and the concrete mischiefs of her female friends. The influence of IBSEN and a militant Suffragette didn't help her meditations, and when her husband died she had the mortification to find that the first man of her own age who professed love to her was no man but a series of artistic poses. Of her difficulties, real enough ...
— Punch, or the London Charivari, Vol. 146, January 7, 1914 • Various
... little over thirty, in the year 1874, the Norwegian Government honored him with an annuity of sixteen hundred crowns a year, for life. Another good fortune was a request from the distinguished poet, Henrik Ibsen, to produce music for his drama ...
— The World's Great Men of Music - Story-Lives of Master Musicians • Harriette Brower
... this feast with his presence, and especially honored the Chianti and Genzano wines, which were served copiously, in fiascos. When you see Ibsen, with his lion face and tangle of hair, for the first time, you are fascinated by him, knowing what a genius he is, but when you talk with him, and feel his piercing, critical eyes looking at you ...
— The Sunny Side of Diplomatic Life, 1875-1912 • Lillie DeHegermann-Lindencrone
... apart from society, often in violent opposition to it, though they have always conquered in the end. When any great person has stood alone against the world it has always been the world that lost. The strongest man, as Ibsen argued in his Enemy of the People, is the man who stands most alone. "He will be the greatest," says Nietzsche in Beyond Good and Evil, "who can be the most solitary, the most concealed, the most divergent." Every great ...
— The Task of Social Hygiene • Havelock Ellis
... the genius of Evolution." Thus science has lent its authority to philosophy. The idea is charming. In its power it is irresistible. It certainly dominates modern literary art, being the principal dynamic of Ibsen and Bernard Shaw ...
— A Tramp's Sketches • Stephen Graham
... lunch or dinner usually shun grave topics and indulge in persiflage, and even descend to talk about wine and the made dishes. The women's lunch of this summer takes higher ground. It will give Mr. Browning his final estimate; it will settle Mr. Ibsen; it will determine the suffrage question; it will adjudicate between the total abstainers and the halfway covenant of high license; it will not hesitate ...
— Baddeck and That Sort of Thing • Charles Dudley Warner
... Oedipus and Jocasta.]—The technique of this wonderful scene, an intimate self-revealing conversation between husband and wife about the past, forming the pivot of the play, will remind a modern reader of Ibsen. ...
— Oedipus King of Thebes - Translated into English Rhyming Verse with Explanatory Notes • Sophocles
... the nations are tired; and it may be that only the boldest and breeziest are not too tired to say that they are tired. It may be that a man like Ibsen in Norway or a man like Gorky in Russia are the only people left who have so much faith that they can really believe in scepticism. It may be that they are the only people left who have so much animal spirits that they can really feast high and ...
— Creatures That Once Were Men • Maxim Gorky
... playing in a piece called "Sunday" that Miss Barrymore first read Ibsen's "A Doll's House." She was immensely thrilled by the character. She said to Frohman at once: "I must do ...
— Charles Frohman: Manager and Man • Isaac Frederick Marcosson and Daniel Frohman
... ever read Ibsen's play, the "Doll's House"? I don't think it has been acted in America, and probably won't be, unless, perhaps, in Boston. But get it and read it. It is to show that a woman is a personality, aside from her ...
— Margarita's Soul - The Romantic Recollections of a Man of Fifty • Ingraham Lovell
... A Soul's Tragedy exhibits the inverse process: the triumph of mundane policy and genial savoir faire in the person of Ogniben over the sickly and equivocal "poetry" of Chiappino. Browning seems to have thrown off this bitter parody of his own idealisms in a mood like that in which Ibsen conceived the poor blundering idealist of the Wild Duck. Chiappino is Browning's Werle; the reverse side of a type which he had drawn with so much indulgence in the Luigi of Pippa Passes. Plainly, it was a passing mood; as plainly, a mood which, from the high and luminous vantage-ground ...
— Robert Browning • C. H. Herford
... with him about books and bookmen. He was most universal and particular. He liked O. Henry. George Moore was a cad and a four—flusher. Edgar Saltus' Anatomy of Negation was profounder than Kant. Maeterlinck was a mystic frump. Emerson was a charlatan. Ibsen's Ghosts was the stuff, though Ibsen was a bourgeois lickspittler. Heine was the real goods. He preferred Flaubert to de Maupassant, and Turgenieff to Tolstoy; but Gorky was the best of the Russian boiling. John Masefield knew what he was writing about, ...
— The Mutiny of the Elsinore • Jack London
... dolls to give Ibsen's 'Doll's House.' She didn't know what it was about of course, or who wrote it. She just went by the name. The other classes have got hold of the joke ...
— Betty Wales Senior • Margaret Warde
... story of the Paris grisette and the story of the Manx deemster. In "Trilby" the blending of the novel and the romance, of the real and the fantastic, is as much of a stumbling-block to John Bull as it is, for example, in Ibsen's "Lady from the Sea." "The central idea," he might exclaim, "is utterly extravagant; the transformation by hypnotism of the absolutely tone-deaf girl into the unutterably peerless singer is unthinkable and absurd." The admirers of "Trilby" ...
— The Land of Contrasts - A Briton's View of His American Kin • James Fullarton Muirhead
... and Cornelia Pallanton had married on a new, radical basis. They had first met in the house of an intellectual woman, the wife of a university professor, where clever young persons were drawn in and taught to read Schopenhauer and Nietzsche, Ibsen and George Moore, and to engage gracefully in perilous topics. They had been rather conscious that they were radicals,—"did their own thinking," as they phrased it, these young persons. They were not willing to accept the current morality, ...
— Together • Robert Herrick (1868-1938)
... she deeply moved by the disarrangement and bewilderment which she saw around her, but she began to awaken to certain great events and developing powers in the world. She read the sardonic commentators upon modern life—Ibsen, Strindberg, and many others; and if she sometimes passionately repudiated them, at other times she listened as if she were finding the answers to her own inquiries. It moved her to discover that men, more often than women, had been ...
— The Precipice • Elia Wilkinson Peattie
... courtly manner. He and Tito Pagliardini, another phonetic veteran, were men whom it was impossible to dislike. Henry Sweet, then a young man, lacked their sweetness of character: he was about as conciliatory to conventional mortals as Ibsen or Samuel Butler. His great ability as a phonetician (he was, I think, the best of them all at his job) would have entitled him to high official recognition, and perhaps enabled him to popularize his ...
— Pygmalion • George Bernard Shaw
... reality is bound to no thesis. You cannot say where it begins or where it leaves off; and it will not allow you to say precisely what its meaning or argument is. For this reason, there are no such perfect pieces of realism as the plays of Ibsen, which have all or each a thesis, but do not hold themselves bound to prove it, or even fully to state it; after these, for reality, come the novels of Tolstoy, which are of a direction so profound because so patient of ...
— Henry James, Jr. • William Dean Howells
... moment in his life, and where no robust critical intelligence can endure for a moment. We must save ourselves from this insidious disintegration by keeping our eye upon the object, and the object is just a good (not a very good) play. Not an Ibsen, a Hauptmann, a Shaw, or a Masefield play, where the influence and ravages of these 'ideas' are certainly perceptible, but merely a Shakespeare play, one of those works of true poetic genius which can only be produced by a mind ...
— Aspects of Literature • J. Middleton Murry
... development of society and civilization is a mistake not only of the learned, but of the pseudo-learned, of the men and women of more or less education whose mental development has not progressed beyond an appreciation of Bernard Shaw, Henrik Ibsen and H.G. Wells. Most of them are estimable people, but the difficulty is that they are so idealistic that, so to speak, they never have both feet upon the ground at the same time. This is especially true of our esteemed contemporaries, the Socialists. ...
— Socialism and American ideals • William Starr Myers
... the absence of vivid pictures of purity and spiritual triumph, which lies at the back of the real objection felt by so many sane men to the realistic literature of the nineteenth century. If any ordinary man ever said that he was horrified by the subjects discussed in Ibsen or Maupassant, or by the plain language in which they are spoken of, that ordinary man was lying. The average conversation of average men throughout the whole of modern civilization in every class or trade is such as Zola would never dream of printing. Nor is the ...
— Heretics • Gilbert K. Chesterton
... a Danish magazine published a few chapters of an autobiographical novel which instantly created the greatest stir in literary circles throughout Europe. At that time Ibsen, Bjornson, Brandes, Strindberg, and other Scandinavian writers were at the height of their cosmopolitan fame, and it was only natural that the reading world should keep in close touch with the literary production of the North. But even the professional star-gazers, who maintained ...
— Shallow Soil • Knut Hamsun
... through the winter the playhouses are crowded with people who cannot pay week-day prices, and yet are intelligent enough to enjoy a fairly good performance of Hamlet or Egmont; who are musical and choose a Mozart opera; or who are interested in the problems of life presented by Ibsen, Gorky, Tolstoy, or their own great fellow-countryman Gerhardt Hauptmann. When summer comes, as long as the theatres are open the whole audience streams out between the acts to have coffee or beer in the garden, or when there is no garden, ...
— Home Life in Germany • Mrs. Alfred Sidgwick
... too dangerous to the public mind. Yet all thought usually reached the public after thirty years in some such form: Benson and Chesterton had popularized Huysmans and Newman; Shaw had sugar-coated Nietzsche and Ibsen and Schopenhauer. The man in the street heard the conclusions of dead genius through some one else's ...
— This Side of Paradise • F. Scott Fitzgerald
... badly in need of a bath and a barber, but they sang lustily in the calaboose and ate heartily and with much experience of prison fare. One read his paperbound Tolstoy; another poured over his leaflet of Nietzsche, a third had a dog-eared Ibsen from the public library of Omaha, a fourth had a socialist newspaper, which he derided noisily, as it was not his peculiar cult of discontent; while others played cards and others slept, but all ...
— In the Heart of a Fool • William Allen White
... away from self. This only difference is all the difference in the world" (p. 84). It is curious what a fascination this turn of phrase has exercised upon many and diverse intelligences. Mr. Bernard Shaw, for instance, adopts it with enthusiasm. Henrik Ibsen—if it is ever possible to tie a true dramatist down to a doctrine—preaches in Peer Gynt that "to be thyself is to slay thyself." Mr. Wells has a cloud of witnesses to back him up; and yet it is very doubtful ...
— God and Mr. Wells - A Critical Examination of 'God the Invisible King' • William Archer
... conventional—musical advantages and oratorios and lectures on Emerson, and village improvement and associated charities and all that, but no vaudeville nor movies. I suppose if there were a theatre they'd only play Ibsen and Bernard Shaw." ...
— Elsie Marley, Honey • Joslyn Gray
... position of women in the upper ranks of society. Forgetful alike of her high argument and of the artisans, the bitter creature rails through a hundred pages of close print at the falsities of family life, the ineptitudes of marriage, the emptinesses of convention, in the spirit of an Ibsen or a Samuel Butler. Her fierce pen, shaking with intimate anger, depicts in biting sentences the fearful fate of an unmarried girl in a wealthy household. It is a cri du coeur; and then, as suddenly, ...
— Eminent Victorians • Lytton Strachey
... an Ibsen heroine," said Reid. "Take that woman out of this country and dress her right, and ...
— The Flockmaster of Poison Creek • George W. Ogden
... you're not a sound reformer at all. You're an impossibilist. And you give up too easily. You gave up on the new city hall, the anti-fly campaign, club papers, the library-board, the dramatic association—just because we didn't graduate into Ibsen the very first thing. You want perfection all at once. Do you know what the finest thing you've done is—aside from bringing Hugh into the world? It was the help you gave Dr. Will during baby-welfare week. You didn't demand that each baby be a philosopher ...
— Main Street • Sinclair Lewis
... who until recently had won the esteem only of the handful of people who think for themselves. I should say that no first-class modern French author is more perfectly unknown and uncared-for in England than Henri Becque. I once met a musical young woman who had never heard of Ibsen (she afterwards married a man with twelve thousand a year—such is life!), but I have met dozens and scores of enormously up-to-date persons who had never heard of Henri Becque. The most fantastic and the most exotic foreign plays have been ...
— Books and Persons - Being Comments on a Past Epoch 1908-1911 • Arnold Bennett
... tell whether he means a thing or not. We think he meant in this case, as Ibsen means in all cases, that you shall look where ...
— Imaginary Interviews • W. D. Howells
... being always women." It flouts that external morality of reputation, which would have a woman always "seem to be this and that," because her whole status in the world depended on the opinion which men held of her. It demands in words which anticipate Ibsen's Doll's House, that a woman shall be herself and lead her own life. But "her own life" was for Mary Wollstonecraft a social life. The ideal is the perfect companionship of men and women, and the preparation of men and women, ...
— Shelley, Godwin and Their Circle • H. N. Brailsford
... great conceptions, noble types of character, stately verse, and tragic situations; but English readers too often find him mannered, artificial, dull. Corneille, I freely admit, is not Shakespeare: I greatly prefer Shakespeare; but I prefer Corneille to Ibsen. We have plenty of Ibsenites to-day, and rather a plethora than a dearth of ignoble creatures in squalid situations who expose to us their mean lives with considerable truth to nature. In such an age, it is just as well that ...
— Studies in Early Victorian Literature • Frederic Harrison
... mother were out, and his call had been made chiefly on Susan, who had been even queerer than usual. After taking the key, she had let it fall absently into a waste-paper basket, while she talked to him about Ibsen; and he had been forced to rescue it himself, lest Lydia should never know of his visit. On all other occasions he had found Lydia, and she had been charming—always charming—but as light and inaccessible as mountain birds. He had been allowed to see ...
— The Mating of Lydia • Mrs. Humphry Ward
... given a like cause any capable woman with double parlors could have them for the asking. It was rather in the hooking of men of the stamp of the Hon. Seneca Bowers and her own husband that she gloried, for in their candid souls they styled great Shakespeare rot and voted Ibsen and Tolstoi sheer bedlamites at large. While mind met mind below stairs these honest gentlemen contentedly knocked the balls about the green, smoked hospitable Joe Hilliard's cigars, and sampled the choicest liquors of his sideboard. By such diplomacy ...
— The Henchman • Mark Lee Luther
... anticipated in his Spring's Awakening by the Russian in The Brothers Karamazov: "How can Katarina have a baby if she isn't married?" cries one of the youngsters, a question which is the very nub of the Wedekind play. "Two parallel lines may meet in eternity," which sounds like Ibsen's query: "Two and two may make five on the planet Jupiter." He was deeply pious, nevertheless a questioner. His books are full of theological wranglings. Consider the "prose-poem" of the Grand Inquisitor and the second coming of ...
— Ivory Apes and Peacocks • James Huneker
... patriotism was a conviction that because they were born in Tooting or Camberwell, they were the natural superiors of Beethoven, of Rodin, of Ibsen, of Tolstoy and all other benighted foreigners. Those of them who did not think it wrong to go to the theatre liked above everything a play in which the hero was called Dick; was continually fingering a briar pipe; and, after being overwhelmed with admiration ...
— Getting Married • George Bernard Shaw
... of his criticisms of the greatest modern dramatist, Mr. William Archer has called attention to the fact that "habitually and instinctively men pay to Ibsen the compliment (so often paid to Shakespeare) of discussing certain of his female characters as though they were real women, living lives apart from the poet's creative intelligence." [It is evident that Mr. Archer, in saying "real women," ...
— A Manual of the Art of Fiction • Clayton Hamilton
... Dealing with IBSEN'S Ghosts at the Kingsway Theatre, the critic of a halfpenny morning paper refers to it as a "medley of weird psychopathy and symbolism." Just as if he were writing for a ...
— Punch, or the London Charivari, Vol. 152, May 9, 1917 • Various
... putting decorative stitches into a frock for John. She had pushed aside a novel by George Moore and a volume of Ibsen's plays. She disliked Ibsen and disapproved of George Moore. Her firm, tight little character defended itself against every form of intellectual disturbance. A copy of the Times had fallen from her lap to her feet. Jane, the cat, had found it there, and, purring loudly, had trodden it down ...
— The Tree of Heaven • May Sinclair
... prepared carefully for public appearance. It was at its best when it looked like a meadow of tall timothy that had been walked over by the cows on a wet day. Curry-combing would not disturb it. Herr Most, Ibsen, Old Hoss Hoey and I had a ...
— Cupid's Middleman • Edward B. Lent
... century, Germany produced but little of universal significance, or that, after Goethe and Heine, there were but few Germans worthy to be mentioned side by side with the great writers of other European countries. True, there is no German Tolstoy, no German Ibsen, no German Zola—but then, is there a Russian Nietzsche, or a Norwegian Wagner, or a French Bismarck? Men like these, men of revolutionary genius, men who start new movements and mark new epochs, are necessarily rare and stand isolated in any people and at all times. The three names mentioned indicate ...
— The German Classics of The Nineteenth and Twentieth Centuries, • Editor-in-Chief: Kuno Francke
... calm! Don't you see that you're on the verge of a new 'Midsummer Night's Dream'; that the world's tired of work and gone back to play! Don't talk like a tired business man whose wife has dragged him to see one of Ibsen's frolics—'Rosmersholm,' for example—where they talk for three hours and then jump in the well! The fact that there's one girl left in the world to dance under stars ought to hearten you for anything. We don't find in this world the things we're looking ...
— The Madness of May • Meredith Nicholson
... romantic point of view must be sternly put down. Now if this assumption were really founded on public opinion, it would indicate an attitude of disgust and resentment towards the Life Force that could only arise in a diseased and moribund community in which Ibsen's Hedda Gabler would be the typical woman. But it has no vital foundation at all. The prudery of the newspapers is, like the prudery of the dinner table, a mere difficulty of education and language. We are not taught to think decently on these subjects, and consequently we ...
— Revolutionist's Handbook and Pocket Companion • George Bernard Shaw
... worse for the community," was the comment of the Philosopher. "Man, as Ibsen has said, will always be at his greatest when he stands alone. To return to our friend Abraham, surely he, wandering in the wilderness, talking with his God, was nearer the ideal than the modern citizen, thinking with his morning paper, applauding silly shibboleths from a theatre pit, ...
— Tea-table Talk • Jerome K. Jerome
... be made clear at once, however, and that is that Galds, with regard to social questions, was neither a radical nor an original thinker. When one considers the sort of ideas which had been bandied about Europe under the impulse of Ibsen, Tolstoy and others,—the Nietzschean doctrine of self-expression at any cost, the right of woman to live her own life regardless of convention, the new theories of governmental organization or lack of organization—one ...
— Heath's Modern Language Series: Mariucha • Benito Perez Galdos
... laughing. Wagner was greatly over-estimated, in her opinion; she asked for invertebrate music, the free harmony of the passing wind. As for her moral views, they were enough to make one shudder. She had got past the argumentative amours of Ibsen's idiotic, rebellious heroines, and had now reached the theory of pure intangible beauty. She deemed Santerre's last creation, Anne-Marie, to be far too material and degraded, because in one deplorable ...
— Fruitfulness - Fecondite • Emile Zola
... ultimately the same as that of Marlowe, but the form of it is absolutely opposed to his. Goethe is as far from Marlowe's theological position as Peer Gynt is, and indeed there is a considerable similarity between Ibsen's great play and Goethe's. As the drama develops, it is true that the love of Faust becomes sensual and his curiosity morbid; but the tragedy lies no longer in the belief that sense and curiosity are in themselves wrong, but in the fact that Faust fails to distinguish their high phases from their ...
— Among Famous Books • John Kelman
... Pillars of Society, and Other Plays. By Henrik Ibsen. Edited, with an Introduction, ...
— Life of Robert Browning • William Sharp
... German lady who had taken refuge in England after the Revolution of 1848, and there knew Kossuth, Mazzini, Herzen, Ledin, Rollin, and Louis Blanc. Later, in Italy, she counted among her friends Wagner, Liszt, Lenbach, Nietzsche, Garibaldi, and Ibsen. She died in 1908. Rolland came to her impregnated with Tolstoyan ideas, and with her wide knowledge of men and movements she helped him to discover his own ideas. In her "Memoires d'une Idealiste" she wrote of him: "In this young Frenchman ...
— Jean-Christophe, Vol. I • Romain Rolland
... Ibsen is still the most formidable of obstinate individualists. Absolute self-reliance is the note he constantly strikes. He is obsessed by the psychology of moral problems; but for him there are no universal ...
— One Hundred Best Books • John Cowper Powys
... satisfactory to take the two Father Brown books together. In the first of these and Manalive, a change can be distinctly felt. It is not a simple weakening of the power of employing instruments, such as befell Ibsen when, after writing The Lady from the Sea, he could no longer keep his symbols and his characters apart. It is a more subtle change, a combination of several small changes, which cannot be studied fairly in relation only to one side of Chesterton's work. In the last chapter ...
— G. K. Chesterton, A Critical Study • Julius West
... not enter into the novels of Hamsun in the same manner as they did into the plays of Ibsen. Hamsun would seem to take life as it is, not with any pretense at its complete acceptability, but without hope or avowed intention of making it over. If his tolerance be never free from satire, his satire is on the other hand always easily tolerant. One might almost suspect him of ...
— Pan • Knut Hamsun
... from North Tarrytown, if a little boy drops an egg on his way home from the grocery, if a casual house or two drops into the subway, if a lady loses a nickel through a hole in the lisle thread, if the police drag a telephone and a racing chart forth from an Ibsen Society reading-room, if Senator Depew or Mr. Chuck Connors walks out to take the air—if any of these incidents or accidents takes place, you will see the mad, irresistible rush of the ...
— The Voice of the City • O. Henry
... had been mere confessions of faith—in Ibsen, in Browning, in Maeterlinck, in English gardens, in Art for Art's sake, and in Whistler ...
— The Incomplete Amorist • E. Nesbit
... Let Ibsen be a great poet and dramatist, or a literary fraud, there are one or two things which he says which strike men with the force of a revelation; and when he speaks of the love-life which is given to every man and woman, and calls him and her a murderer who kills ...
— Nell, of Shorne Mills - or, One Heart's Burden • Charles Garvice
... playwrights are touched by it; and the action, instead of being all on the stage, is thrown out into the spirit of the audience. The play in a modern theatre is not on the stage but in the stalls. Maeterlinck, Ibsen, Shaw, merely use the stage as a kind of magic-lantern or suggestion-centre for the real things that, out behind us in the dark, are happening in ...
— Crowds - A Moving-Picture of Democracy • Gerald Stanley Lee
... that newspapers are useless, petitions inadmissible, constitutions a fetish, banishment a blessing, and the use of their native language a superfluity. The only sad thing in this fair prospect is that it is not the objurgatory Bjornson, the philosophic Ibsen, and the impulsive Nansen, with their compatriots, now groaning under what they are pleased to call "Swedish tyranny," who would enjoy this Russian liberty, but their children, and their ...
— Autobiography of Andrew Dickson White Volume II • Andrew Dickson White
... he can help it now. But I have to be very firm with him. He's on his knees to me to do Ibsen. I tell him I will if he'll combine with Jimmy Finnigan and bring the Surprise Party on between the acts. The only way it would ...
— Hilda - A Story of Calcutta • Sara Jeannette Duncan
... the higher life. As I have said, in culture it is fast outstripping Boston itself. It boasts more societies whose object is "the promotion of serious thought upon art, science, and literature" than any other city in the world. The clubs which it has established for the proper study of Ibsen and Browning are without number, It is as eager for the enlightenment of women as for sending up or down the price of corn. The craze, which is the mark of a crude society, will pass like many others, and, though it may appear sincere while it lasts, it is not characteristic. ...
— American Sketches - 1908 • Charles Whibley
... Enemy of the People" Ibsen thunders his powerful protest against the democracy of stupidity, the tyrannous vulgarity of majority rule. Doctor Stockmann—that is Ibsen himself. How willing and eager the pigmies and yahoos would have been to ...
— Mother Earth, Vol. 1 No. 4, June 1906 - Monthly Magazine Devoted to Social Science and Literature • Various
... honor of Heinrik Ibsen by a Norwegian society known as the Woman's League, in response to a speech thanking him in the name of the society for all he had done for the cause of women, the poet, while disclaiming the honor of having consciously worked for the woman's cause—indeed, not even ...
— The Power of Womanhood, or Mothers and Sons - A Book For Parents, And Those In Loco Parentis • Ellice Hopkins
... a sweet letter from the Sphinx.[13] She gives me a delightful account of Ernest[14] subscribing to Romeike while his divorce suit was running, and not being pleased with some of the notices. Considering the growing appreciation of Ibsen I must say that I am surprised the notices were not better, but nowadays everybody is jealous of everyone else, except, of course, husband and wife. I think I shall keep this last remark of mine for ...
— Oscar Wilde, Volume 2 (of 2) - His Life and Confessions • Frank Harris
... IBSEN your idol, with plays that are noise, Some say nauseous; is he a sage? Or are you contented to see a live ...
— Punch, or the London Charivari, Volume 103, December 17, 1892 • Various
... sexual disease—have long been prominent in these countries, and an impatience with prudish hypocrisy seems here to have been more pronounced than elsewhere; we see this spirit, for instance, emphatically embodied in the plays of Ibsen, and to some extent in Bjoernson's works. The fearless and energetic temper of the people impels them to deal practically with sexual difficulties, while their strong instincts of independence render them averse to the bureaucratic police methods which ...
— Studies in the Psychology of Sex, Volume 6 (of 6) • Havelock Ellis
... shoulders and shake her out of her calm superiority. It was very trying to him. No girl had a right to act as if she thought herself the superior of any man. Just to show her how inferior she was he dropped the subject of the tariff entirely and began a conversation on Ibsen. He did not know much about Ibsen but he knew a little and he could lead her beyond her depths and make her feel her inferiority that way. Kitty listened to him with an amused smile, and then told him a few things about Ibsen, quoted a few enlightening pages from Hauptmann, routed him, slaughtered ...
— The Cheerful Smugglers • Ellis Parker Butler
... who saw the whole proceeding, Would have laughed but for good breeding. "Best join me," he cried, "Old Chappie! IBSEN read, be free, and happy! Who'll buy your love-knots? Who'll buy your love-knots? Have a spree—all shackles scorning, Come! We ...
— Punch, or the London Charivari, Vol. 100, May 2, 1891 • Various
... to 1880 a new spirit was stirring in the intellectual and literary world of Denmark. George Brandes was delivering his lectures on the Main Currents of Nineteenth Century Literature; from Norway came the deeply probing questionings of the granitic Ibsen; from across the North Sea from England echoes of the evolutionary theory and Darwinism. It was a time of controversy and bitterness, of a conflict joined between the old and the new, both going to extremes, in which nearly every one had a share. How many of the works of that period are already ...
— Mogens and Other Stories - Mogens; The Plague At Bergamo; There Should Have Been Roses; Mrs. Fonss • Jens Peter Jacobsen
... is visibly on the wane." Now whoever told him that was mistaken. The public interest in poetry and in poets has visibly wox, to use Mr. Watson's word. It is always true that an original genius, like Browning, like Ibsen, like Wagner, must wait some time for public recognition, although these three all lived long enough to receive not only appreciation, but idolatry; but the "reading public" has no difficulty in recognizing immediately first-rate ...
— The Advance of English Poetry in the Twentieth Century • William Lyon Phelps
... he is close to the earth. But we must not expect any of these elemental and collective virtues in the man of the garrison. He cannot be expected to exhibit the virtues of a people, but only (as Ibsen would say) of an enemy of the people. Mr. Shaw has no living traditions, no schoolboy tricks, no college customs, to link him with other men. Nothing about him can be supposed to refer to a family feud or to a family joke. He does not drink ...
— George Bernard Shaw • Gilbert K. Chesterton
... Schiller. Their Lives and Works; with a commentary on "Faust." Essays on German Literature. Essays on Scandinavian Literature. A Commentary on the Writings of Henrik Ibsen. Literary and Social Silhouettes. The Story of Norway. Gunnar. Tales from Two Hemispheres. A Norseman's Pilgrimage. Falconberg. A Novel. Queen Titania. Ilka on the Hill-top, and Other Tales. A Daughter of the ...
— Essays on Scandinavian Literature • Hjalmar Hjorth Boyesen
... an Ibsen drama of it!" interrupted the young man, flippantly. "Riddles—especially old Hildebrant's riddles—don't have to be worked out seriously. They are light themes such as Sim Ford and Harry Thurston Peck like to handle. ...
— Strictly Business • O. Henry
... time of the drama and of music is not past, and he who knows how to handle these mighty suggestive expedients can turn the course of humanity. The herd will follow him though he lead them into the wilderness or the desert. Wagner and Ibsen have proved it. ...
— The Bride of Dreams • Frederik van Eeden
... role of Cinderella. She now regularly attended public school and also enjoyed the advantages of private instruction, customary in middle class life; French and music lessons played an important part in the curriculum. The future interpreter of Ibsen and Shaw was then a little German Gretchen, quite at home in the German atmosphere. Her special predilections in literature were the sentimental romances of Marlitt; she was a great admirer of the good Queen ...
— Anarchism and Other Essays • Emma Goldman
... deep in the mysteries of Ibsen's latest achievement, "The Rise and Fall of the Hobble Skirt," but she politely acknowledged my first sneeze with ...
— You Should Worry Says John Henry • George V. Hobart
... Builder Solness, as the title runs in the original—we enter upon the final stage in Ibsen's career. "You are essentially right," the poet wrote to Count Prozor in March 1900, "when you say that the series which closes with the Epilogue (When We Dead Awaken) began with Master ...
— The Master Builder • Henrik Ibsen
... the veteran Danish critic, though not given to over optimism, has recognized Sigurjonsson's distinction, and the Icelander is acclaimed by the public who best know Ibsen and Strindberg, in Copenhagen, Stockholm, and Christiania. Eyvind has been successful also on the German stage. "Poetic talent of high order," says Brandes, "manifests itself in this new drama, with its seriousness, rugged ...
— Modern Icelandic Plays - Eyvind of the Hills; The Hraun Farm • Jhann Sigurjnsson
... to return to the old," she said. "There are plenty of women to do Beatrice and Viola and Lady Macbeth. I am modern. I believe in the modern and I believe in America. I don't care to start a fad for Ibsen or Shaw. I would like to ...
— The Light of the Star - A Novel • Hamlin Garland
... scientific method" is not equivalent to the application in the arts of scientific theories, altho here once more the man of letters is free to take these for his own and to bend them to his purpose. Ibsen has found in the doctrine of heredity a modern analog of the ancient Greek idea of fate; and altho he may not "see life steadily and see it whole," he has been enabled to invest his somber 'Ghosts' with not a little of the inerrable inevitability ...
— Inquiries and Opinions • Brander Matthews
... holding in his hands a walking stick, a pair of dove colored gloves, a two-quart hat, a cup of tea with a slice of lemon peel in it, a tea spoon, a lump of sugar, a seed cookie, an olive, and the hand of a lady with whom he is discussing the true meaning of the message of the late Ibsen but these gifted mortals are not common. They are rare and exotic. There are also some few who can do ushing at a church wedding with a pair of white kids on and not appear overly self-conscious. ...
— Cobb's Anatomy • Irvin S. Cobb
... modern romantic school, conspicuously, in having derived the suggestion or inspiration of many of his pieces from poetic suggestion. One of the most famous and best known of this kind is the first "Peer Gynt" suite. Peer Gynt is a ne'er-do-weel in Ibsen's poem. He had a variety of adventures in the course of his unprofitable life, a few of which are alluded to in the suite here under consideration. For example, it begins with a prelude in 6/8 time—a ...
— The Masters and their Music - A series of illustrative programs with biographical, - esthetical, and critical annotations • W. S. B. Mathews
... would be! But no, it is devoted to a strange cult called the Religion of Business, which meets there on Sundays. Before that, there was a Korean congress there. There is a lovely green room in this theatre, but not much long green in the box office. Philadelphia prefers Al Jolson to Hank Ibsen. ...
— Pipefuls • Christopher Morley
... to insist that there's nothing to retribute," ran a passage in one of the letters, "but the poor fellow is saying one thing with his lips and another in his soul. What's the play in which the ghosts come back? Is it "Hamlet," or "Macbeth," or one of Ibsen's? Well, it's like that. He's seeing ghosts. He wants us to be on hand because we persuade him that they're not there—that they can't be there, so long as we're all on friendly terms, and that we're not laying up anything ...
— The Side Of The Angels - A Novel • Basil King
... shut up, Bannal. This crude medieval psychology of heart and brain—Shakespear would have called it liver and wits—is really schoolboyish. Surely weve had enough of second-hand Schopenhauer. Even such a played-out old back number as Ibsen would have been ashamed of it. ...
— Fanny's First Play • George Bernard Shaw
... 1704. How much of the vintage of 1898 will stand, equally well, the uncorking process if applied in a century or two from now? How many plays in vogue at present will be read with pleasure at that distant period? Will they be the gruesome affairs of Ibsen, still tainted with their putrid air of unhealthy mentality, or the clever performances of Henry Arthur Jones; the dramas of Bronson Howard or the farcical skits of ...
— The Palmy Days of Nance Oldfield • Edward Robins
... in Christiania during 1894, and published in Copenhagen on December 11 in that year. By this time Ibsen's correspondence has become so scanty as to afford us no clue to what may be called the biographical antecedents of the play. Even of anecdotic history very little attaches to it. For only one of the characters has a definite model been suggested. Ibsen himself told his French translator, Count ...
— Little Eyolf • Henrik Ibsen
... the submission of women and the superiority of men. It was a type which was becoming rare in her own country. Little Asako had nothing in common with the argumentative heroines of Bernard Shaw or with the desperate viragos of Ibsen, to whom Sadako felt herself spiritually akin. Asako must be a fool. She exasperated her Japanese cousin, who at the same time was envious of her, envious above all of her independent wealth. As she observed to her own mother, it was most improper that a woman, and a young woman too, ...
— Kimono • John Paris
... Now this quality is the true diagnostic of the first order in literature, and indeed in all the arts, including the art of life. It is, for example, the distinction that sets Shakespear's Hamlet above his other plays, and that sets Ibsen's work as a whole above Shakespear's work as a whole. Shakespear's morality is a mere reach-me-down; and because Hamlet does not feel comfortable in it, and struggles against the misfit, he suggests something ...
— The Irrational Knot - Being the Second Novel of His Nonage • George Bernard Shaw
... is not positively ugly, but he has a way of staring at one that is rather ill-bred.... There is a gold band around his left wrist and a scar upon his right cheek.... I am sure he is the SAME man I met at one of Sadakichi-Hartmann's readings from Ibsen's Ghosts.... He may recall the time.... It was in an abandoned palace on Russian Hill, somewhere in America; the lady at his left was discussing the difficulties of getting her motor car into Ragiz; the younger one on his right was known as Alma and gave her address as East ...
— Rescuing the Czar - Two authentic Diaries arranged and translated • James P. Smythe |
