"Epic" Quotes from Famous Books
 ... not yet deterred from heroic poetry. There was another monarch of this island (for he did not fetch his heroes from foreign countries) whom he considered as worthy the epic muse, and he dignified "Alfred" (1723) with twelve books. But the opinion of the nation was now settled; a hero introduced by Blackmore was not likely to find either respect or kindness; "Alfred" took his place by "Eliza" in silence and darkness. Benevolence was ashamed to ...
— Lives of the English Poets: Prior, Congreve, Blackmore, Pope • Samuel Johnson
... invisible rills and rivers breaking forth from Tir-na-noge, the soul of the island, and glittering in the sunlight of its mystic day. What we see here is imaged forth from that invisible soul and is a path thereto. In the heroic Epic of Cuculain Standish O'Grady writes of such a fountain, and prefixes his chapter with the verse from Genesis, "And four rivers went forth from Eden to water the garden," and what ...
— AE in the Irish Theosophist • George William Russell
... he did over and over again, with unflagging vehemence, with splendid variations, in stories of peasants and wrestlers and thieves and prostitutes. They are all, as his daughter says, epic; she calls them Homeric, but there is none of the Homeric simplicity in this tumult of coloured and clotted speech, in which the language is tortured to make it speak. The comparison with Rabelais is nearer. La recherche ...
— Figures of Several Centuries • Arthur Symons
... Torquato Tasso, he allowed them to pass unharmed out of his reverence for poets and poetry. Mangone was finally taken, and beaten to death with hammers at Naples. He and his like are the heroes of much popular verse, written in ottava rima, and beginning with the traditional epic invocation to the muse. A fine example is "The most beautiful history of the life and death of Pietro Mancino, chief of Banditti," which has remained popular with the people of southern ...
— Encyclopaedia Britannica, 11th Edition, Volume 4, Part 3 - "Brescia" to "Bulgaria" • Various
... story labors. You know, beforehand, that the little book won instant hearing; you know that "Lyrics" quickly followed, and the favorable verdict of the critics whose good opinion was most worth having. When that wonderful epic—"London: A Poem"—made its appearance, our poet was fairly on the ...
— Old Valentines - A Love Story • Munson Aldrich Havens
... Idiot, "the one aim of his life has been to be original, and he couldn't reconcile that with epic poetry." ...
— Coffee and Repartee • John Kendrick Bangs
... at night; it turns the mind towards meditation; it throws the soul back on itself. The sun, as it were, sheds us abroad in nature, scatters and disperses us; mist draws us together and concentrates us—it is cordial, homely, charged with feeling. The poetry of the sun has something of the epic in it; that of fog and mist is elegiac and religious. Pantheism is the child of light; mist engenders faith in near protectors. When the great world is shut off from us, the house becomes itself a small universe. Shrouded in perpetual ...
— Essays from 'The Guardian' • Walter Horatio Pater
... Mother Hubbard's dog is well again - what did I tell you? Pleurisy, pneumonia, and all that kind of truck is quite unavailing against a Scotchman who can write - and not only that, but it appears the perfidious dog is married. This incident, so far as I remember, is omitted from the original epic - ...
— Letters of Robert Louis Stevenson - Volume 2 • Robert Louis Stevenson
... his senses there!' He sat for eighteen months (age still little above twenty); but privately employed his time, not in repentance, or in serious legal studies, but in writing a Poem on his Henri Quatre. 'Epic Poem,' no less; LA LIGUE, as he then called it; which it was his hope the whole world would one day fall in love with;—as it did. Nay, in two years more, he had done a Play, OEDIPE the renowned name of it; which ran for forty-eight nights' (18th November, ...
— History of Friedrich II. of Prussia, Vol. X. (of XXI.) - Frederick The Great—At Reinsberg—1736-1740 • Thomas Carlyle
... continued discourses of individuals, excepting when the latter run into the lyrical. They are a complete model of the dramatic use of this species of verse, which, in English, since Milton, has been also used in epic poetry; but in the latter it has assumed a quite different turn. Even the irregularities of Shakspeare's versification are expressive; a verse broken off, or a sudden change of rhythmus, coincides with some pause in the progress of the thought, or the entrance of another mental disposition. ...
— Lectures on Dramatic Art and Literature • August Wilhelm Schlegel
... at country fairs were the ready theatres of strolling players. The people had tasted this new joy; and, as we could not hope to suppress newspapers now,—no, not by the strongest party,—neither then could king, prelate, or puritan, alone or united, suppress an organ which was ballad, epic, newspaper, caucus, lecture, Punch and library, at the same time. Probably king, prelate, and puritan all found their own account in it. It had become, by all causes, a national interest,—by no means conspicuous, so that some great scholar would have thought of treating it in an ...
— Beacon Lights of History, Volume XIII • John Lord
... surprised therefore to find that the Russians, in becoming acquainted with foreign literature, became imitators and plagiarists. In this kind of work their natural pliancy of mind and powerful histrionic talent made them wonderfully successful. Odes, pseudo-classical tragedies, satirical comedies, epic poems, elegies, and all the other recognised forms of poetical composition, appeared in great profusion, and many of the writers acquired a remarkable command over their native language, which had hitherto been regarded ...
— Russia • Donald Mackenzie Wallace
... prose show a quite different process of development. In prose, connected narrative has found free expression. In poetry, the epic process is neglected. Besides the formal dirge and highly developed lyric songs (often accompanied and interpreted by dance), the characteristic form is the eulogistic hymn, designed to honor an individual ...
— The Hawaiian Romance Of Laieikawai • Anonymous
... I thought of it, which I modestly but freely told him; and after some further discourse about it, I pleasantly said to him, Thou hast said much here of Paradise Lost, but what hast thou to say about Paradise found?" Whereupon the poet wrote his second epic. ...
— William Penn • George Hodges
... mingled yarn of human life, tragedy is never far asunder from farce; and it is amusing to retrace in immediate succession to this incident of epic dignity, which has its only parallel by the way in the case of Vasco de Gama, (according to the narrative of Camoens,) when met and confronted by a sea phantom, whilst attempting to double the Cape of Storms, (Cape of Good Hope,) a ludicrous passage, ...
— The Caesars • Thomas de Quincey
... are quantities of wild creatures—quail, rabbits, doves, and ground squirrels and, unfortunately, a number of social outcasts. Never shall I forget an epic incident in our history—the head of the family in pajamas at dawn, in mortal combat with a small black-and-white creature, chasing it through the cloisters with the garden hose. Oh, yes, there is plenty of adventure still left, ...
— The Smiling Hill-Top - And Other California Sketches • Julia M. Sloane
... Within a few months of the day on which the benefit was given at Garrick's theatre, the holder of the copyright of Paradise Lost,—I think it was Tonson,—applied to the Court of Chancery for an injunction against a bookseller who had published a cheap edition of the great epic poem, and obtained the injunction. The representation of Comus was, if I remember rightly, in 1750; the injunction in 1752. Here, then, is a perfect illustration of the effect of long copyright. Milton's works are the property of a single publisher. Everybody who wants them must buy them at Tonson's ...
— The Miscellaneous Writings and Speeches of Lord Macaulay, Vol. 4 (of 4) - Lord Macaulay's Speeches • Thomas Babington Macaulay
... Freneau stands almost alone, though Connecticut, to be sure, boasted of her Dwight, her Trumbull, and her Barlow. The "Connecticut wits" are interesting personalities; but the society which could read, with anything akin to pleasure, Dwight's Conquest of Canaan—an epic in eleven books with nearly ten thousand lines—was more admirable for its physical endurance than for its poetical intuitions. Latrobe was quite right when he wrote that in America the labor of the hand took precedence over that of ...
— Union and Democracy • Allen Johnson
... to our Roman authors, we can not more happily begin than with Vergil, who of all their poets and ours in the epic style, is without any doubt the one who comes nearest to Homer. Tho obliged to give way to Homer's heavenly and immortal genius, yet in Vergil are to be found a greater exactness and care, it being incumbent on him to take more pains; so that what we lose on the side of eminence ...
— The Training of a Public Speaker • Grenville Kleiser
... Berta I should go to London oftener,' said Picotee, to turn the conversation. 'But she lives mostly in the library. And, O, what do you think? She is writing an epic poem, and employs ...
— The Hand of Ethelberta • Thomas Hardy
... journalists, novelists, playwrights, college professors, and scientific masters, will doubtless furnish the century to come with one of its most curious and interesting fields of study. It is an episode in evolution which may indeed be termed dramatic, this fifth act of the nineteenth-century epic of France,—or it might be called, of Paris; the story of its pilgrimage from revolution to evolution. M. Melchior de Vogue, himself one of the apostles of the new life, or of the new work in the old life, of France, describes the preparation of the national soil for the growth ...
— Library of the World's Best Literature, Ancient and Modern — Volume 11 • Various
... an undertaking. He produces something which may be delicious in detail but is pretty sure to be unsatisfactory as a whole. He fails to fill his space. His work has the vice of Sidney's Arcadia and the Religio Medici: it is good to dip into. You cannot write an epic as though ...
— Since Cezanne • Clive Bell
... novel that is worth the Memoirs of Saint Helena, although it is written in ridiculous fashion. What I think of Napoleon, if you wish to know, is that, made for glory, he had the brilliant simplicity of the hero of an epic poem. A hero must be human. Napoleon ...
— The Red Lily, Complete • Anatole France
... there are in Canada some fifty thousand; of Icelanders, easily twenty thousand; and so quickly do they merge with Canadian life that you forget they are foreigners. I was a child in Winnipeg when the first Icelanders arrived, and their rise has been a national epic. I do not believe the first few hundreds had fifty dollars among them. They slept under high board sidewalks for the first nights and erected tar-paper shanties on vacant lots the next day. In these they housed the first winter. Though we Winnipeggers did not realize it, it ...
— The Canadian Commonwealth • Agnes C. Laut
... redolent with the spirit of the Odyssey, that glorious primitive epic, fresh with the dew of the morning of time. It is an unalloyed pleasure to read his recital of the adventures of the wily Odysseus, slightly expurgated though it be, and adapted for the intelligence of youthful minds. Howard Pyle's illustrations render ...
— Sara Crewe - or, What Happened at Miss Minchin's • Frances Hodgson Burnett
... listened to the stupendous epic of a long-lost world. Now I found speech to voice the question ever with me, the thing that lay as close to my heart as did the welfare of Larry, indeed the whole object of my quest—the fate of Throckmartin and those who had passed with him into the Dweller's ...
— The Moon Pool • A. Merritt
... between Bennington and Troy. Whatever crudities of expression, inaccuracies of rhythm, faults of arrangement, and violations of dramatic law met us from time to time, the earnest purpose of the writer carried us over them all. The book has a fine flavor of the Elizabethan age,—a sustained epic rather than dramatic character, an affluence of quaint, original images; yet the construction was frequently that of a school-boy. In opulence and maturity of ideas, and poverty of artistic skill, the work stands almost alone in literature. ...
— The Atlantic Monthly, Volume 16, No. 96, October 1865 • Various
... silver-topped cut crystal bottles. The sight of these afflicted men carrying their heavy burdens from the station to the prison at Pretoria was both amusing and dramatic. At times their speech reached the epic. ...
— A Woman's Part in a Revolution • Natalie Harris Hammond
... lost twenty-five thousand men in killed, wounded, and prisoners, one hundred pieces of artillery, and an immense number of wagons, fled in dismay. This terrific conflict has been immortalized by the noble epic of Campbell, which is now familiar wherever the English language ...
— Napoleon Bonaparte • John S. C. Abbott
... of poets, England's glory, Mr. Hayley, that is you!" "Ma'am, you carry all before you, Lichfield swan, indeed you do!" "In epic, elegy, or sonnet, Mr. Hayley, you're divine!" "Madam, take my word upon it, You yourself are all ...
— The Life And Letters Of Maria Edgeworth, Vol. 1 • Maria Edgeworth
... struggles in the International between those who became known later as the anarchists and the socialists remind one of certain Greek stories, in which the outstanding figures seem to impersonate mighty forces, and it is not impossible that one day they may serve as material for a social epic. We all know to-day the interminable study that engages the theologians in their attempts to describe the battles and schisms in the early Christian Church. And there can be no doubt that, if socialism fulfills the purpose which its advocates have in mind, these early struggles in its ...
— Violence and the Labor Movement • Robert Hunter
... we understand how Browning, no friend of the conventions of poetic art, entered on and closed his giant task with an invocation to the "Lyric Love," as it were the Urania, or heavenly Muse, of a modern epic. ...
— Robert Browning • C. H. Herford
... which we must be directed in the nobler branches of our art. Upon this principle the Roman, the Florentine, the Bolognese schools, have formed their practice; and by this they have deservedly obtained the highest praise. These are the three great schools of the world in the epic style. The best of the French school, Poussin, Le Sueur, and Le Brun, have formed themselves upon these models, and consequently may be said, though Frenchmen, to be a colony from the Roman school. Next to these, but in a very different style of ...
— Seven Discourses on Art • Joshua Reynolds
... swearing much has also been said. But there is one department of oath-making in which he stands unrivalled and unapproachable; I mean the alibi. There is where he shines, where his oath, instead of being a mere matter of fact or opinion, rises up into the dignity of epic narrative, containing within itself, all the complexity of machinery, harmony of parts, and fertility of invention, by which your true ...
— Phil Purcel, The Pig-Driver; The Geography Of An Irish Oath; The Lianhan Shee • William Carleton
... Andaman Islands—believed that the earth was at first sterile and dry, all the water having been swallowed by a gigantic frog or toad which was compelled, by queer stratagems, to regurgitate it. These are little children's imaginings. Among the Hindoos the same myth takes the form of an alluring epic—the dragon watching over the celestial waters, of which he has taken possession, is wounded by Indra after a heroic battle, and restores ...
— Essay on the Creative Imagination • Th. Ribot
... science of war seems to be conceded to him; he is allowed to be a good military critic; but all this is possible without his possessing any positive qualities of a great general, just as a literary critic may show the profoundest acquaintance with the principles of epic poetry without being able to produce a single stanza of an epic poem. Nevertheless, I shall not give up my faith in General McClellan's soldiership until he is defeated, nor in his courage ...
— Sketches and Studies • Nathaniel Hawthorne
... stand-point of moral idealism the universe resumes something of its pristine ruggedness and grandeur. If, as James says, "the world appears as something more epic than dramatic," the dignity of life is enhanced and not diminished on that account.[19] Life is not a spiritual exercise the results of which are discounted in advance; but is actually creative, fashioning ...
— The Moral Economy • Ralph Barton Perry
... Naples—that of Manso, Marquis of Villa,—where Tasso found a home, and where John Milton was entertained at a later day by that hospitable nobleman. I wonder, if he had come to the Villa Nardi and written on the roof, if the theological features of his epic would have been softened, and if he would not have received new suggestions for the adornment of the garden. Of course, it is well that his immortal production was not composed on this roof, and in sight of these seductive shores, or it would have been more strongly flavored with classic mythology ...
— Baddeck and That Sort of Thing • Charles Dudley Warner
... race, it stood on tiptoe, eager for adventure and discovery— sending ships to the ends of the world, and round the world, on messages of commerce and friendship, and encouraging with applause and rewards that wonderful spirit of scientific invention, which was the Epic of the youthful nation. The skies of Italy were not bluer than the skies above it; the sunshine of Arcadia not brighter or more genial. It was a city of beautiful, and even splendid, homes; and all ...
— The Maid of Maiden Lane • Amelia E. Barr
... sway over the minds of poets from the Elizabethan age onwards. Spenser writes his 'Faerie Queene' "to fashion a gentleman or noble person in virtuous and gentle discipline," and Milton's audience, fit but few, is composed of scholars whose ears have been attuned to the harmonies of epic verse from their first lisping of Virgilian hexameters, or of latter-day Puritans, like John Bright, who overhear in 'Paradise Lost' the echoes of a faith ...
— Songs of the Ridings • F. W. Moorman
... were more inclined to comment on writings of the past than to produce original work. Literature was engaged in taking stock of itself. Homer was, of course, professedly admired by all, but more admired than imitated. Epic poetry was out of fashion and we find many epigrams of this period—some by Callimachus—directed against the "cyclic" poets, by whom were meant at that time those who were always dragging in conventional and commonplace epithets ...
— The Argonautica • Apollonius Rhodius
... that the Inspector-General became a sort of comedy-epic in the land of the Czars, the land where each petty town-governor is almost an absolute despot, regulating his persecutions and extortions according to the sage saying of the town-governor in the play, "That's the way God made the world, and the Voltairean free-thinkers can talk against ...
— The Inspector-General • Nicolay Gogol
... in a mist of fable. According to Suidas he was a contemporary of Kroesus, though Herodotus assigns to him a much remoter antiquity. The latter authority describes him as visiting the northern peoples of Europe and recording his travels in an epic poem, a fragment of which is given here by Longinus. The passage before us appears to be intended as the words of some Arimaspian, who, as belonging to a remote inland race, expresses his astonishment that any men could be found bold enough to commit themselves to the mercy of the sea, ...
— On the Sublime • Longinus
... his hand On Everard's shoulder, with 'I hold by him.' 'And I,' quoth Everard, 'by the wassail-bowl.' 'Why yes,' I said, 'we knew your gift that way At college: but another which you had, 25 I mean of verse (for so we held it then), What came of that?' 'You know,' said Frank, 'he burnt His epic, his King Arthur, some twelve books'— And then to me demanding why? 'Oh, sir, He thought that nothing new was said, or else 30 Something so said 'twas nothing—-that a truth Looks freshest in the fashion of the day: God knows: he has a mint of reasons: ask. It pleased me well enough,' ...
— Selections from Wordsworth and Tennyson • William Wordsworth and Alfred Lord Tennyson
... though in some he has in vain sacrificed poetry to attain true dramatic speech attaining instead only "rhetoric and logic and dry circumstance." One values the plays of Mr. Yeats highest when one thinks of them as a new kind of drama, as a redevelopment of epic and lyric poetry into drama, an epic and lyric poetry illustrated by tableaux against backgrounds out of faery. Let us not forget that there is one effect which is of "The Tempest," and another effect which is of "Lear," and that it is after all ...
— Irish Plays and Playwrights • Cornelius Weygandt
... greatness, that for our particular Iliad you prove a very nutshell Homer indeed. For I must not disguise it from you that this is exactly the case. It was Homerus in nuce first; and the pitiful purport of the epic results less from any smallness in the action celebrated than from that important law, not, perhaps, wholly new to your own observation, which forbids a pint-measure to contain more than a pint, though you dip it full from ...
— The Atlantic Monthly, Vol. 12, No. 72, October, 1863 • Various
... gold," the residence of Agamemnon, whence he ruled over "many islands and all Argos," [Footnote: Iliad II, 108] is seen to have had no merely legendary preeminence. So conspicuous, in fact, does Mycenae appear in the light as well of archaeology as of epic, that it has become common, somewhat misleading though it is, to call a whole epoch and a whole civilization "Mycenaean." This "Mycenaean" civilization was widely extended over the Greek islands and the eastern portions of continental Greece in the second millennium ...
— A History Of Greek Art • F. B. Tarbell
... don't know!" Francis declared, a little impatiently. "The woman is the mystery, of course. Probably my brain was a little over-excited when I came out of Court, and what I imagined to be an epic was nothing more than a tissue of exaggerations from a disappointed wife. I'm sure I'm doing the right thing to go there.... What about a four-ball ...
— The Evil Shepherd • E. Phillips Oppenheim
... is not a single ballad, but a conglomeration of several, forming a short epic. Ballads representing its component parts are not now extant; although on the other hand there are later ballads founded on certain episodes in the Gest. The compiler availed himself of incidents from other traditional sources, but he produced ...
— Ballads of Robin Hood and other Outlaws - Popular Ballads of the Olden Times - Fourth Series • Frank Sidgwick
... The Times strongly demurred to the statement that KLINGSOR was an Arabian. The great authority on KLINGSOR was the anonymous thirteenth-century epic poem on Lohengrin, the father of Parsifal, and he had no doubt (1) that the author was either a Czecho-Slovak or a Yugo-Slav; (2) that KLINGSOR, as the etymology suggested, was of the latter race. In these circumstances the attempt ...
— Punch, or the London Charivari, Vol. 158, March 3rd, 1920 • Various
... for giving us an Homer, yet had he doubled our obligation by giving us—a Pope. He had a strong imagination and the true sublime? That granted, we might have had two Homers instead of one, if longer had been his life; for I heard the dying swan talk over an epic plan a few ...
— The Art of Letters • Robert Lynd
... the term he himself used, and that is the only reason why I have recorded it. Indeed, this deservedly great man was, in some sense, my schoolfellow, for he came in the evening to learn French of Monsieur Cherfeuil. He was then engaged to translate an epic, written by one of the Buonapartes, into English verse. I believe that engagement never was carried into effect, notwithstanding the erudite pains Mr —- took to qualify himself to perform it successfully. No man could have laboured more to make himself master of the niceties of the Gallic ...
— Rattlin the Reefer • Edward Howard
... write the epic of the Devil's Antechamber; I abode there but ten days, as we reckon time. On a cool and clear Easter Sunday morning the summons came to go forth to further adventures. Accompanied by three deputies, but ...
— The Subterranean Brotherhood • Julian Hawthorne
... Wandering Jew, an epic, the joint production of himself and Captain Medwin, a school-boy production, St. Irvyne, or the Rosicrucian, and his first story, Zastrozzi, are the first books of the poet; and their history ...
— Lippincott's Magazine of Popular Literature and Science, Vol. XII, No. 28. July, 1873. • Various
... murmured Mr. Simeon, smiling. "I see you are off upon one of your hobbies. . . . But you will not tell me that the fine rugged epic of Beowulf, to which the historians trace back all that is noblest in our poetry, had lost its generative impulse even so early as Alfred's time. That ...
— Brother Copas • Sir Arthur Thomas Quiller-Couch
... by W, Jackson of Edinburgh. (One of the stock exhibits at "Memory Hall"—as 22 St. James's Place was playfully called by some of the owner's friends—was Milton's receipt to Symmons the printer for the five pounds he received for his epic. This, framed and glazeds hung, according to Lady Eastlake, on one of the doors.[47]) A fourth rare book was William Bonham's black-letter Chaucer, a folio which had been copiously annotated in MS. ...
— De Libris: Prose and Verse • Austin Dobson
... for war; the "Odyssey" for wandering; but where is the great domestic epic? Yet it is but commonplace to say, that passions may rage round a tea-table, which would not have misbecome men dashing at one another in war-chariots; and evolutions of patience and temper are performed at the fireside, worthy to be compared with the Retreat of the Ten Thousand. Men have worshipped ...
— Friends in Council (First Series) • Sir Arthur Helps
... Beethov-ian, in its ruggedness, the Chopin of this C minor study is as far removed from the musical dandyisms of the Parisian drawing rooms as is Beethoven himself. It is orchestral in intention and a true epic of the piano. ...
— Chopin: The Man and His Music • James Huneker
... from a soldier brother who had taken part in that epic of human gallantry had apparently inspired the Young Doctor. He pointed ahead with a dramatic gesture at the cliffs. "Yonder are the Turks! See, they fly, they fly!" A pair of agitated cormorants, sunning themselves on the rocks, flew seaward with outstretched ...
— The Long Trick • Lewis Anselm da Costa Ritchie
... Press of all countries urged on, one against the other, brutally deaf to their misery, representing them as glad and cheerful when they had reached the extreme of human suffering, magnifying them into heroes of epic proportions (before they donned their dingy garb of war they were "lice" that had to be "combed out"), endowing them with absurdly impossible virtues—when they were just ordinary human beings in misfortune with no ambition except ...
— Combed Out • Fritz August Voigt
... time. Even before peace came German generals paid ungrudging tributes to the efficiency of our Regular Army, writing down in their histories of war that this was the model of all armies, the most perfectly trained... It was spent by the spring of '15. Its memory remains as the last epic of those professional soldiers who, through centuries of English history, took "the King's shilling" and fought when they were told to fight, and left their bones in far places of the world and in many fields in Europe, and won for the British ...
— Now It Can Be Told • Philip Gibbs
... a gesture of throwing the disreputable epic at my head, and I curved my arm in an attitude only too ...
— The Beloved Vagabond • William J. Locke
... the music in the public estimation. Weber himself, however, was by no means a man to disregard the tenor of the words and characters he was to associate with his music, and was greatly charmed with his English coadjutor's operatic version of Wieland's fairy epic. He was invited to come over to London and himself superintend the production of ...
— Records of a Girlhood • Frances Anne Kemble
... and he wrote a number of plays, the very names of which are now forgotten. Few men indeed so well known in his own day have sunk into such insignificance in ours. He wrote eight books of a long and unfinished epic called Gideon, which I suppose no one in the present century has had the hardihood to read; like Young he wrote a poem on The Judgment Day, a theme attempted also, shortly before his death, by John Philips, and that, after his kind, he produced a Pindaric ode goes without saying. A long poem ...
— The Age of Pope - (1700-1744) • John Dennis
... years to learn—that hot rum when taken on a cold and empty stomach must be treated with respect; in fact, a certain amount of coyness is not out of place. Mid was soon being supported on a chair while he delivered an epic on the "soul of a jellyfish"; he was then tossed in the "sacred blanket" and put through other Bedouin initiations; after which he was tucked comfortably in Jock's bed, while Jock, bound hand and foot and rolled in blankets, made horrid Highland remarks ...
— Night Bombing with the Bedouins • Robert Henry Reece
... washed up to us by the ages, that epic in marble, expressed all that words refused to say: the father and the children in the toils of Fate; the hand upholding for a moment the crushing coil of the serpent, the face raised to a sky devoid of God or pity; the agony, the sweat ...
— The Pools of Silence • H. de Vere Stacpoole
... will say that for the diagram of the squaw hitch and of the diamond hitch I am indebted to an article by Mr. Stewart Edward White in Outing of 1907, and one by Mr. I. J. Bush in Recreation of 1911; for the "medicine song" and several of the star legends, to that Blackfeet epic, "The Old North Trail," by Walter McClintock; for medical and surgical hints, to Dr. Charles Moody's "Backwoods Surgery and Medicine" and to the American Red Cross "First Aid" text-book; for some of the lore, to personal experiences; ...
— Pluck on the Long Trail - Boy Scouts in the Rockies • Edwin L. Sabin
... nothing of the Calmuck Tartars; they hold (see Bergmann's 'Streifereien') that their 'Dschangariade' is the finest of all epic poems, past or coming; and, therefore, the Calmuck Lives of the Poets will naturally be inimitable. But confining our view to the unhappy literatures of Europe, ancient or modern, this is what we think of Dr. Johnson's efforts as a biographer. Consequently, we cannot be ...
— The Posthumous Works of Thomas De Quincey, Vol. 1 (2 vols) • Thomas De Quincey
... In April, the month of piled and hurried cloud, it is a Rape of the Sabines overhead from all quarters, either one of the winds brawnily larcenous; and London, smoking royally to the open skies, builds images of a dusty epic fray for possession of the portly dames. There is immensity, swinging motion, collision, dusky richness of colouring, to the sight; and to the mind idea. London presents it. If we can allow ourselves a moment for not inquireing scrupulously (you will ...
— The Shaving of Shagpat • George Meredith
... just as he ridicules in 2 Henry IV. Tamburlaine's rant about the kings who draw his chariot, or puts fragments of similar bombast into the mouth of Pistol. According to Coleridge, on the other hand, this idea is 'below criticism.' No sort of ridicule was intended. 'The lines, as epic narrative, are superb.' It is true that the language is 'too poetical—the language of lyric vehemence and epic pomp, and not of the drama'; but this is due to the fact that Shakespeare had to distinguish the style of the speech from that ...
— Shakespearean Tragedy - Lectures on Hamlet, Othello, King Lear, Macbeth • A. C. Bradley
... tonight. Malachi Mulligan is coming too. Moore asked him to bring Haines. Did you hear Miss Mitchell's joke about Moore and Martyn? That Moore is Martyn's wild oats? Awfully clever, isn't it? They remind one of Don Quixote and Sancho Panza. Our national epic has yet to be written, Dr Sigerson says. Moore is the man for it. A knight of the rueful countenance here in Dublin. With a saffron kilt? O'Neill Russell? O, yes, he must speak the grand old tongue. And his Dulcinea? James Stephens is doing ...
— Ulysses • James Joyce
... always from original sources, has taken the L.L. text of the tale as the basis of her narrative, but much material has been worked into its texture, not only from the L.U. version of the Tain and fragments of other versions, but from very many other Irish epic sources. Some of the material so used has not yet been edited. The object always has been to bring out the great human interests of the story ...
— Ireland and the Home Rule Movement • Michael F. J. McDonnell
... strike us—paradoxical as it may sound to say so—about the Athenian 'Old Comedy' is its modernness. Of its very nature, satiric drama comes later than Epic and Lyric poetry, Tragedy or History; Aristophanes follows Homer and Simonides, Sophocles and Thucydides. Of its essence, it is free from many of the conventions and restraining influences of earlier forms of literature, and enjoys ...
— The Eleven Comedies - Vol. I • Aristophanes et al
... village, near Thame, in Oxfordshire, is entitled to notice in the annals of literature, as the family seat of the MILTONS, ancestors of Britain's illustrious epic poet. Of this original abode, our engraving is an accurate representation. One of Milton's ancestors forfeited his estate in the turbulent times of York and Lancaster. "Which side he took," says Johnson, "I know not; his descendant inherited no veneration for the White Rose." His ...
— The Mirror of Literature, Amusement, and Instruction - Volume 12, No. 339, Saturday, November 8, 1828. • Various
... Lied," and in a series of lays of the Icelandic Edda. A matchless warrior, a Dragon-killer and overthrower of Giants, who possesses a magic sword, he conquers the northern Nibelungs and acquires their famed gold hoard. In the great German epic he is the son of Siegmund and Siegelinde, who rule in the Netherlands. Going Rhine-upward to Worms, to Gunther, the King of the Burgundians, he woos and wins Kriemhild, the beautiful sister of that king, after having first ...
— Great Men and Famous Women. Vol. 5 of 8 • Various
... the Renaissance had copied from Virgil, as Virgil had copied it from the Sicilian and Alexandrian Greeks, and to which had been given the name of Bucolic or Pastoral. Petrarch, in imitation of Virgil, had written Latin Bucolics, as he had written a Latin Epic, his Africa. He was followed in the next century by Baptista Mantuanus (1448-1516), the "old Mantuan," of Holofernes in Love's Labour's Lost, whose Latin "Eglogues" became a favourite school-book in England, and who was imitated by a writer who passed for a poet ...
— Spenser - (English Men of Letters Series) • R. W. Church
... shows him to have been at Hastings by the side of Harold, to have won fame there, to have continued the fight for English liberty as leader of the English patriots, and to have earned a place in the unsung English epic. ...
— Folklore as an Historical Science • George Laurence Gomme
... in a lantern, properly used, probably saved both our lives, the lives of some thousands of your brave troops, the fate of the campaign, and, with it, half the thrones of Europe, trembling on the chance of a first campaign. I shall yet have some of my mystical countrymen writing an epic on my Flemish lantern." ...
— Blackwood's Edinburgh Magazine, Volume 56, Number 349, November, 1844 • Various
... nations. That peculiar simplicity, centrality, and intensity which caused them to originate Monotheism from two independent centres, the only systems of pure Monotheism which have had power in history,—while the same characteristics made their poetry always lyrical, never epic or dramatic, and their most vigorous thought a perpetual sacrifice on the altars of the will,—this had strongly impressed us; and we seemed to find in it a striking contrast to the characteristic genius of the Aryan or Indo-Germanic nations, with their imaginative interpretations of the ...
— The Atlantic Monthly, Volume 13, No. 77, March, 1864 • Various
... Beowulf. The inexperienced teacher will find a splendid version, "The Story of Beowulf," ready-made in Wyche's Some Great Stories and How to Tell Them. To work from the complete epic, use any of the translations by Child, Tinker, Gummere, or Hall. "Perhaps it is not too much to assert . . . that in its lofty spirit, its vigor, and its sincerity, . . . it reflects traits which are distinctive of English-speaking people ...
— Children's Literature - A Textbook of Sources for Teachers and Teacher-Training Classes • Charles Madison Curry
... some of us will have been so talked by the more superstitious Bayreuth pilgrims into regarding Die Gotterdammerung as the mighty climax to a mighty epic, more Wagnerian than all the other three sections put together, as not to dare notice this startling atavism, especially if we find the trio-conjurations more exhilarating than the metaphysical discourses of Wotan in the ...
— The Perfect Wagnerite - A Commentary on the Niblung's Ring • George Bernard Shaw
... the Finnish epic, Kalevala, Nasshut throws the Lemminkainen into the waters of the river of the dead. Lemminkainen was dismembered, but his mother fished out the pieces, one of which was missing, put them together and brought them to life in her womb. According to Stucken's ...
— Hidden Symbolism of Alchemy and the Occult Arts • Herbert Silberer
... which will read like the romance it really is. The essayists will turn to it with joy. And the poets will discover new aspects of beauty which have been hidden from them through the ages; and as men's experience "in the wide fields of air" increases, epic material which will tax their most ...
— High Adventure - A Narrative of Air Fighting in France • James Norman Hall
... vast epic of the Cosmos, evoked when the "Spirit of God moved upon the face of the waters"—an epic printed in stars on blue abysses of illimitable space; in illuminated type of rose leaf, primrose petal, scarlet ...
— At the Mercy of Tiberius • August Evans Wilson
... which you alone know the secret. Three other choruses of the same kind as that of the Blacksmiths, which should sum up the most poetical methods of human activity, and which should be called (unless you advise otherwise) Labourers, Sailors, and Soldiers, would form a lyric epic of which the genius of Rossini or Meyerbeer would be proud. I know I have no right to make any such claim, but your kindness to me has always been so great that I have a faint hope of obtaining this new and glorious favor. If, however, this work would give you even an hour's trouble, ...
— Letters of Franz Liszt, Volume 1, "From Paris to Rome: - Years of Travel as a Virtuoso" • Franz Liszt; Letters assembled by La Mara and translated
... primitive and essential things will never, anywhere, wholly cease, while mankind lasts. And thus it is that Brown's Ode to the Steam Plough, Jones' Sonnet Sequence on the Automatic Reaping Machine, and Robinson's Epic of the Piscicidal Dynamo, leave unstirred the deeper depths of emotion in us. The subjects chosen by these three great poets do not much impress us when we regard them sub specie aeternitatis. Smith has ...
— And Even Now - Essays • Max Beerbohm
... moments of sympathy, their parents would be revealed to them in sudden lights of pathos and old romance. They would listen to some old love-affair of their mother's as though it had been their own, or go out of their way to make their father tell once more the epic of the great business over which he presided, and which, as he conceived it, was doubtless a greater poem than his son would ever write. Yet still even in such genuine sympathy, there was a certain imaginative effort to be made. The gulf between the ...
— Young Lives • Richard Le Gallienne
... have the secret of his hold upon the minds of men. He knows how to tell a story, said Professor Hart, in the discussion previously referred to, in Cleveland. He has "an epic unity of plan," writes Professor Jebb. Herodotus has furnished delight to all generations, while Polybius, more accurate and painstaking, a learned historian and a practical statesman, gathers dust on the shelf or is read as a penance. Nevertheless, it may be ...
— Historical Essays • James Ford Rhodes
... the two Babylonian epics, fragments of which were found on clay tablets in a royal library at Nineveh. The epic of the Creation tells how the god Marduk overcame a terrible dragon, the symbol of primeval chaos, and thus established order in the universe. Then with half the body of the dead dragon he made a covering for the heavens and set therein ...
— EARLY EUROPEAN HISTORY • HUTTON WEBSTER
... The epic, most synthetic of literary productions, is no longer in fashion, because, perhaps, of the growing rarity of heroes. On the contrary, simplisme is now deforming the greatest germs in the drama and romance. The weakness ...
— Delsarte System of Oratory • Various
... all astonishing that in these conditions we find no national epic and no national drama, but a gradual growth of a poetry saturated with physical realism and the final appearance of a dramatic form equipped with the most potent charms of sensuous art. It was in such a period that a special kind of public was developed. ...
— Some Forerunners of Italian Opera • William James Henderson
... from which Saturn and the ancient deities had been expelled by Jupiter. But contrary to this pagan instinct, the Cumaean Sibyl stretched forward to a distant heaven of her aspirations and hopes—to a nobler future of the world, not sentimental and idyllic, but epic and heroic. She pictured the blessing or restoration of this earth itself as distinct from an invisible world of happiness. And in this respect she is more in sympathy with the Jewish and Christian religions than with her own. The golden age of the Hebrews was in ...
— Roman Mosaics - Or, Studies in Rome and Its Neighbourhood • Hugh Macmillan
... The story of Ravana is told in the Ramayana, which with the Mahabarata form the two great epic poems of the Hindoos; the latter was written by Vyasa, ...
— The Kama Sutra of Vatsyayana - Translated From The Sanscrit In Seven Parts With Preface, - Introduction and Concluding Remarks • Vatsyayana
... book-lover: knowing Dante, Boccaccio, and in some degree "Franceys Petrark, the laureat poete," who "enlumined al Itaille of poetry," Virgil, Cicero, Seneca, Ovid—his favourite author—and Boethius; as well as Guido delle Colonne's prose epic of the story of Troy, the poems of Guillaume de Machaut, the Roman de la Rose, and a work on the astrolabe by Messahala.[1] We have some excellent pictures of Chaucer's habit of reading. When his day's work is done he goes home and buries ...
— Old English Libraries, The Making, Collection, and Use of Books • Ernest A. Savage
... bent, And faithless Memory her illusions lent, So vast the outlines of Tradition grew That History wondered at the shapes she drew, And veiled at length their too ambitious hues Beneath the pinions of the Epic Muse. ...
— The Poetical Works of Oliver Wendell Holmes, Complete • Oliver Wendell Holmes, Sr.
... sequel to La Curee and deals with financial scandals. It was inspired by the failure of the Union Generale Bank a few years before, and is a powerful indictment of the law affecting joint-stock companies. To L'Argent there succeeded La Debacle, that prose epic of modern war, more complete and coherent than even the best of Tolstoi. And to end all came Le Docteur Pascal, winding up the series on a note of ...
— A Zola Dictionary • J. G. Patterson
... child would cherish most a wooden horse or a sword that is a mere cross of wood, so man, the great child, must cherish most the old plain things of poetry and piety; that horse of wood that was the epic end of Ilium, or that cross of wood that redeemed ...
— Alarms and Discursions • G. K. Chesterton
... prairie-floor waving with its harvest to be, and hear the clack and stutter of the tractor breaking sod on the outer quarter and leaving behind it the serried furrows of umber, I feel there is something primal and poetic in the picture, something mysteriously moving and epic.... ...
— The Prairie Mother • Arthur Stringer
... civilized, the study of liberal accomplishments flourished, having been first introduced by the Bards, the Eubages,[49] and the Druids. The Bards were accustomed to employ themselves in celebrating the brave achievements of their illustrious men, in epic verse, accompanied with sweet airs on the lyre. The Eubages investigated the system and sublime secrets of nature, and sought to explain them to their followers. Between these two came the Druids, men of loftier genius, bound in brotherhoods according to the precepts and example of Pythagoras; ...
— The Roman History of Ammianus Marcellinus • Ammianus Marcellinus
... story which has been told so often, but which never palls in its interest—that life of the maiden through whose instrumentality France regained her place among the nations. No poet's fancy has spun from out his imagination a more glorious tale, or pictured in glowing words an epic of heroic love and transcendent valour, to compete with the actual reality of the career of this simple village maiden of old France: she who, almost unassisted and alone, through her intense love of her native land and deep pity for the woes of her people, ...
— Joan of Arc • Ronald Sutherland Gower
... an epic time in the West, a time when the others had been boys. Naturally a quiet man, he had had little to say. He also was known as a dangerous man, and when a quiet and dangerous man seems inclined to talk, it is sometimes worth while ...
— Injun and Whitey to the Rescue • William S. Hart
... book! It is our first, oldest statement of the never-ending problem of man's destiny and God's ways with him here on this earth, and all in such free, flowing outlines, grand in its simplicity and its epic melody and repose of reconcilement! There is the seeing eye, the mildly understanding heart. So true every way; true eye-sight and vision for all things—material things no less than spiritual; the horse—'thou hast ...
— The Christian Foundation, Or, Scientific and Religious Journal, Volume I, No. 8, August, 1880 • Various
... novel before I was twenty-five. I went to the city for themes and to enrich my art; There married the banker's daughter, And later became president of the bank— Always looking forward to some leisure To write an epic novel of the war. Meanwhile friend of the great, and lover of letters, And host to Matthew Arnold and to Emerson. An after dinner speaker, writing essays For local clubs. At last brought here— My boyhood home, you ...
— Spoon River Anthology • Edgar Lee Masters
... grave of Davis will spring a massive monument, which will forever remain a landmark in American history,— aye, in the mighty epic of the world! More imposing cenotaphs have risen, costlier mausoleums have charmed the eye, more gigantic monuments have aspired to kiss the clouds; but to the student of mankind none were more significant, to the historian none more interesting, to the poet none will appeal more powerfully through ...
— Volume 1 of Brann The Iconoclast • William Cowper Brann
... to call the author of the 'Love Letters' a new poet. His published volume is a work of immense promise. His fancy is splendid.... The 'Love Letters' are twelve poems, separate, and yet intrinsically one. It is a compound lyric, with an epic theme and somewhat of an epic cast. The theme is the triumph of woman's love. It is the story of love's redemption. It has something of the tone, colour, and luxuriance of Solomon's Song; both, too, have the same theme, ...
— The Song of the Flag - A National Ode • Eric Mackay
... Homer's manner, we cannot see why this passage, and indeed the whole poem, should not be thought as good as any one of the episodes in the "AEneid." We are not comparing Mr. Arnold with Virgil: for it is one thing to have written an epic and another to have written a small fragment; but as a working up of a single incident it may rank by the side of Nisus and Euryalus, and deeper chords of feeling are touched in it than Virgil ...
— Froude's Essays in Literature and History - With Introduction by Hilaire Belloc • James Froude
... the swords of the Greeks in a scene of indescribable carnage and terror. Cassandra and the Trojan women, driven to take shelter in the temple of Cybele, slay themselves rather than fall into the hands of their captors. 'La Prise de Troie' is perhaps epic rather than dramatic, but as a whole it leaves an impression of severe and spacious grandeur, which can only be paralleled in the finest inspirations of Gluck. In the second division of the work, ...
— The Opera - A Sketch of the Development of Opera. With full Descriptions - of all Works in the Modern Repertory • R.A. Streatfeild
... to find two works of Art designed more essentially on the same principle than Milton's 'Paradise Lost' and Wren's St. Paul's Cathedral. The Bible narrative transposed into the forms of a Greek epic, required the genius of a Milton to make it tolerable; but the splendour of even his powers does not make us less regret that he had not poured forth the poetry with which his heart was swelling in some form that would have freed him from the trammels which the pedantry of his age imposed ...
— Bell's Cathedrals: The Cathedral Church of St. Paul - An Account of the Old and New Buildings with a Short Historical Sketch • Arthur Dimock
... and y are both lost. Hence tenesi becomes tenes, and ten the so-called Attic future. Bopp, Vergleich-Grammatik, first ed., p.903. In Latin we have traces of a similar future in forms like fac-so, cap-so, etc. See Neue, Formenlehre, ii. p.421. The Epic dialect sometimes doubles the s when the vowel is short, aidessomai. But this can hardly be considered a relic of the original si, because the same reduplication takes places sometimes in the ...
— Chips from a German Workshop - Volume IV - Essays chiefly on the Science of Language • Max Muller
... have been strange enough; but in this hour, when no one knew where or how this voyage would end! A real tragedy or some absurd trifle? Probably a trifle; trifles dug more pits than tragedies. Perhaps tragedy was mis-named. What humans called tragedy was epic, and trifles were real tragedies. And then there were certain natures to whom the trifle was epical; to whom the inconsequent was invariably magnified nine diameters; and having made a mistake, would die rather than ...
— The Pagan Madonna • Harold MacGrath
... that speciment that our schoolmaster ain't simply flirtin' with the muses when he originates that epic; no sir, he means business; an' whenever I throws it into the selectmen, I does it jestice. The trustees used to silently line out for home when I finishes, an' never a yeep. It stuns 'em; it shore fills ...
— Wolfville Nights • Alfred Lewis
... which as yet are incomplete, Describing all the fight in epic style) When the Billycock was going, she'd a dozen prizes towing (Or twenty, as ...
— Modern British Poetry • Various
... of man does not admit of being put into an equation with cash. The greatest feat, to my mind, an Englishman ever performed was the writing of Paradise Lost. How much did John Milton get in money for his incomparable epic during his lifetime? Five Pounds: and if he had got five million pounds, the recompense would have been absolutely inadequate. History, however, has indemnified Milton for the neglect and poverty he endured. He has shot ...
— Literary Tours in The Highlands and Islands of Scotland • Daniel Turner Holmes
... by his epic poem "Africa," but it is not read today, even by scholars, except in fragments to see how deep are the barren ...
— Little Journeys to the Homes of the Great, Vol. 13 - Little Journeys to the Homes of Great Lovers • Elbert Hubbard
... of Highland minstrelsy admit of simple classification. The Duan Mor is the epic song; its subdivisions are termed duana or duanaga. Strings of verse and incidents ([Greek: Rhapsodia]) were intended to form an epic history, and were combined by successive bards for that purpose. The battle-song (Prosnuchadh-catha) was the next in importance. ...
— The Modern Scottish Minstrel, Volume II. - The Songs of Scotland of the past half century • Various
... what woman or what child—that has not heard of the prowess of the Lord of Aquila? Your knightly deeds in the wars 'twixt Pisa and Florence, your feats of arms and generalship in the service of the Venetians, are matters for the making of epic song." ...
— Love-at-Arms • Raphael Sabatini
... for him flow with the wine of gladness; he had no fellowship with the nuptial banquet as painted by Veronese. His pencil shunned the Song of Miriam and the Dance of the Daughter of Herodias; it could not pass, like the pen of England's epic poet, with a light fantastic touch from "Il Penseroso" to "L'Allegro;" his walk was narrow as a convent cloister; his art was attuned to the ...
— Overbeck • J. Beavington Atkinson
... rescues, and was certain to give rise to a ballad, which would contain much the same formulae as the other two. The ballad-maker, like Homer, always uses a formula if he can find one. But Kinmont Willie is so much superior to the two others, so epic in its speed and concentration of incidents, that the question rises, had Scott even fragments of an original ballad of the Kinmont, "much mangled by reciters," as he admits, or did he compose the whole? No MS. copies exist at Abbotsford. ...
— Sir Walter Scott and the Border Minstrelsy • Andrew Lang
... of his noble ideas, borrowing its dress and ornament from the external world. He is a poet especially through the heart, by the force with which he rushes in and carries you with him. Goethe is especially an epic; no doubt he paints the passions with admirable truth, but he commands them; like the god of the seas in Virgil, he raises above the angry waves his calm and ...
— The Works of Frederich Schiller in English • Frederich Schiller
... task, as I have said, to write the history of the great Rising. That has been done by abler men, who were at the centre of the business, and had some knowledge of strategy and tactics; whereas I was only a raw lad who was privileged by fate to see the start. If I could, I would fain make an epic of it, and show how the Plains found at all points the Plateau guarded, how wits overcame numbers, and at every pass which the natives tried the great guns spoke and the tide rolled back. Yet I fear it would be an epic without a hero. There was no leader left ...
— Prester John • John Buchan
... In Maghas' epic, The Death of Sisupala, plants and animals lead the same voluptuous life as the 'deep-bosomed, wide-hipped' girls ...
— The Development of the Feeling for Nature in the Middle Ages and - Modern Times • Alfred Biese
... cynical pieces, a number of love songs no whit inferior to those of the Book of Songs, romances, and scorching political satires. The Romanzero (1851) is not unfairly represented by such a masterpiece as The Battlefield of Hastings. And from this last period we have two quasi-epic poems: Atta Troll (1847; written in 1842) and Germany (1844), the fruit of the first of Heine's two trips ...
— The German Classics of The Nineteenth and Twentieth Centuries, Vol. VI. • Editor-in-Chief: Kuno Francke
... the grandest moment in the life of Sister Alexander's mother was when her mistress said, "Agnes, will you follow me if I buy your husband?" Fifteen hundred dollars to buy a rebellious slave in order to unite a slave couple. It's epic. ...
— Slave Narratives: A Folk History of Slavery in the United States - Volume II. Arkansas Narratives. Part I • Work Projects Administration
... to his feet, putting down his still half-full glass. "I'll make this epic story short, Max. As you said, the two actually valid methods of rising above the level in which you were born are in the Military and Religious Categories. Like you, even I couldn't ...
— Mercenary • Dallas McCord Reynolds
... be done? About the geography of my present abode I knew, perhaps, as much as the public at large know about the Coppermine river and Behring's straits. The world, it was true, was before me, "where top choose," admirable things for an epic, but decidedly an unfortunate circumstance for a very cold gentleman in search of a blanket. Thus thinking, I opened the door of my chamber, and not in any way resolved how I should proceed, I stepped forth into the long corridor, which was ...
— The Confessions of Harry Lorrequer, Complete • Charles James Lever (1806-1872)
... St. James was now, in the comprehensive sense of the phrase, a public character. Some choice spirits took the hint from the public feeling, and determined to dine on the public curiosity. A Sunday journal was immediately established. Of this epic our Duke was the hero. His manners, his sayings, his adventures, regularly regaled, on each holy day, the Protestant population of this Protestant empire, who in France or Italy, or even Germany, faint at the sight of a peasantry testifying their gratitude for a day of ...
— The Young Duke • Benjamin Disraeli
... his Oriental experiences in an epic of fresh and thrilling sensations has written,—"If a man be not born of his mother with a natural Chifney bit in his mouth, there comes to him a time for loathing the wearisome ways of society,—a ...
— Atlantic Monthly, Vol. IV, No. 26, December, 1859 • Various
... the psychology and experience of persons so extraordinary, both for their genius in society, and for the quantity and quality of their private experience full of solid instruction and romantic interest. The inner life of Madame Swetchine was a sacred epic: the outer career of Lacordaire, an electrifying drama. This double interest of a private, spiritual ascent, and of a chivalrous gallantry in the thick of battle, is clearly unfolded in ...
— The Friendships of Women • William Rounseville Alger
... the protection of the powerful Uguccione, lord of Pisa, while he wrote the Purgatorio. The second part of his epic dealt with the region lying between the under-world of torment and the heavenly heights of Paradise itself. Here the souls of men were to be cleansed of their sins that they might be pure ...
— Heroes of Modern Europe • Alice Birkhead
... great division of the poetic realm. Beyond it lies still another; for there are spiritual harmonies which the mind alone cannot compass, and which the senses alone cannot interpret. The hand-books know little of spiritual harmonies, and do not go beyond their academic classifications of lyric and epic, and their catalogues of pentameters, hexameters, or alexandrines. But the student can for himself push his observation beyond, and come to the poetry of the higher imagination, where he can be forgetful of the mere form and disdainful of the merely logical relations, where his spirit can ...
— The World's Best Poetry, Volume 8 • Various |
