"Dramatist" Quotes from Famous Books
 ... quite untouched by the dramatist's keener analysis. The strong light only increases its effect. Yet she is not by any means a mere blameless ideal heroine; and the character which Euripides gives her makes an admirable foil to that of Admetus. Where he is passionate and romantic, she is simple ...
— Alcestis • Euripides
... Davenant's death. Dryden assures us that it was Sir Thomas Clifford, whose name a year later lent the initial letter to the "Cabal," who presented him to the king, and procured his appointment.[19] Masques had now ceased to be the mode. What the dramatist could do to amuse the blase court of Charles II. he was obliged to do within the limits of legitimate dramatic representation, due care being taken to follow French models, and substitute the idiom of Corneille and Moliere for that of Shakspeare. Dryden, whose plays are now read only by the ...
— Atlantic Monthly, Volume 2, Issue 10, August, 1858 • Various
... examine later on; but, as regards the theory that Shakespeare did not busy himself much about the costume-wardrobe of his theatre, anybody who cares to study Shakespeare's method will see that there is absolutely no dramatist of the French, English, or Athenian stage who relies so much for his illusionist effects on the dress of his actors as ...
— Intentions • Oscar Wilde
... duel at Warsaw with Count Branicki in 1766 (vol. x., pp. 274-320), an affair which attracted a good deal of attention at the time, and of which there is an account in a letter from the Abbe Taruffi to the dramatist, Francesco Albergati, dated Warsaw, March 19, 1766, quoted in Ernesto Masi's Life of Albergati, Bologna, 1878. A manuscript at Dux in Casanova's handwriting gives an account of this duel in the third person; it is entitled, Description de l'affaire arrivee a Varsovie le 5 Mars, 1766. ...
— Figures of Several Centuries • Arthur Symons
... dramatist was at an earlier age than that of his predecessors, as he was only five and twenty years old when he produced the "Peliades," his first tragedy. On this occasion, he gained the third prize in the tragic contests, but the first, fourteen years after, and subsequently, ...
— The Tragedies of Euripides, Volume I. • Euripides
... y-mounted] So both the old eds.—The modern editors print "mounted"; and the Editor of 1826 even remarks in a note, that the dramatist, "finding in the fifth line of Spenser's stanza the word 'y-mounted,' and, probably considering it to be too obsolete for the stage, dropped the initial letter, leaving only nine syllables and an unrythmical ...
— Tamburlaine the Great, Part II. • Christopher Marlowe
... comparison," Mrs. Parmele sweeps away all secondary details, all the less important incidents, and proceeds to her narrative of Columbus's discovery, the colonial period, the founding of our Republic, and its subsequent life down to the present year, with the simple directness of a dramatist; there is no halting in her impetuous relation; it is infused throughout with the same degree of philosophical ardor, and one follows as one does a wonder tale the rapid sequence of events, tracing with an awakened interest the national issues, ...
— The Great Round World and What Is Going On In It, Vol. 1, No. 36, July 15, 1897 - A Weekly Magazine for Boys and Girls • Various
... literary, went in to see the little play which Madeline Ayres had written. It was called "The Animal Fair," and three of the class animals appeared in it. But the mis- en-scene was an artist's studio, the great red lion was a red-faced English dramatist, the chick a modest young lady novelist attired in yellow chiffon, and the dragon a Scotch dialect writer. The repartee was clever, the action absurd, and there were local hits in plenty for those unliterary persons who did not catch the essential parody. ...
— Betty Wales, Sophomore • Margaret Warde
... general notion of the shape of old Scotland, and a hazy outline of the sister kingdom, made up all he had attained to. Had you laid before him a chart of the sea coast of Bohemia, first discovered by our great dramatist, it would not have startled him in the least, and he was ready to look for Africa at ...
— The Actress in High Life - An Episode in Winter Quarters • Sue Petigru Bowen
... fully shewn. His vest and shirt were open, as he gazed with an air of fixedness on the city, and conversed to himself. His teeth were firmly clenched, and it seemed that the lips moved not, but the words were fearfully distinct. We often hear of these soliloquies,—they afford scope to the dramatist, food for the poet, a chapter for the narrator of fiction,—but we rarely witness them. When we do, they are eminently calculated to thrill and alarm. It was evident that Delancey saw him not; but had it been otherwise, Delme's interest ...
— A Love Story • A Bushman
... novelist and by the dramatist are at once alike and unlike. Differing in manner rather than in matter, they are rarely found united in one man. Scott, from whose novels many stirring plays have been taken, was incapable of writing one himself; Thackeray, even after ...
— Lippincott's Magazine of Popular Literature and Science, Vol. 15, - No. 90, June, 1875 • Various
... indifference from allowing others to look into what passes within them; and to speak with any thing like emotion or agitation of that which is nearest our heart is considered unsuitable to the tone of polished society. The orator and the dramatist find means to break through these barriers of conventional reserve. While they transport their hearers into such lively emotions that the outward signs thereof break forth involuntarily, every man perceives those around him to be affected in the same manner ...
— Lectures on Dramatic Art and Literature • August Wilhelm Schlegel
... to get going. For some time he could write nothing at all. Fortunately, after an unprofitable month or two, he fell in with John Howard Payne, now remembered only for his "Home, Sweet Home," but then esteemed as an actor and dramatist. Irving had met him several years before, and now became associated with him in some dramatic translating and adapting. The results were nearly worthless from a literary point of view, but served to keep him busy, and to put him once ...
— Washington Irving • Henry W. Boynton
... audacious phrase is of the father and priest Frey Lope—were celebrated with princely pomp and luxury; grandees of Spain were her sponsors; the streets were invaded with carriages from the palace, the verses of the dramatist were sung in the service by the Court tenor Florian, called the "Canary of Heaven;" and the event celebrated in endless rhymes by the genteel poets ...
— Castilian Days • John Hay
... mixed with evil, the evil that is mixed with good. And this he will not do, unless his heart is right. It is in Scott's historical novels that his impartiality is most severely tried and is most apparent; though it is apparent in all his works. Shakespeare was a pure dramatist; nothing but art found a home in that lofty, smooth, idealistic brow. He stands apart not only from the political and religious passions but from the interests of his time, seeming hardly to have any historical surroundings, but to shine like ...
— Lectures and Essays • Goldwin Smith
... describer, Whitey," says I. "Simp is right. But next time you want to win front page space by losing a dramatist I'd advise you to lock him in a vault. Islands are ...
— Torchy and Vee • Sewell Ford
... great man who first saw the light beneath its roof. This proceeding was very creditable to the national feeling, for though no certain proof exists that Shakspere was born there, still, as it was in possession of his father before, at, and after the birth of the great dramatist, there is probable ground for believing that it was his birthplace. It had been purchased from the descendants of the original possessor for L250, by the gentleman under whose will it was ...
— The History of England in Three Volumes, Vol.III. - From George III. to Victoria • E. Farr and E. H. Nolan
... such a great success in your profession!" she observed. "You carry the melodramatic instinct with you, day by day. You see everything through the dramatist's spectacles." ...
— The Cinema Murder • E. Phillips Oppenheim
... be an equally fair plea in both cases,' replied Nicholas; 'but if you put it upon that ground, I have nothing more to say, than, that if I were a writer of books, and you a thirsty dramatist, I would rather pay your tavern score for six months, large as it might be, than have a niche in the Temple of Fame with you for the humblest corner of my ...
— The Life And Adventures Of Nicholas Nickleby • Charles Dickens
... at the moment not so much as a dramatist as a man without a cook, said that he agreed heartily with the sentiments of the gentleman who had ...
— Punch, Volume 156, 26 March 1919 • Various
... the paper." Such a patient recasting of material for the ends of verbal exactness and accuracy suggests ways in which the imagination may deal with characters and scenes in order to stimulate and foster its own activity. It is well to recall at frequent intervals the story we read in some dramatist, poet, or novelist, in order that the imagination may set it before us again in all its rich vitality. It is well also as we read to insist on seeing the picture as well as the words. It is as easy to see the bloodless duke before the portrait ...
— Books and Culture • Hamilton Wright Mabie
... preceded "Every Man in His Humour" on the stage. The former play may be described as a comedy modelled on the Latin plays of Plautus. (It combines, in fact, situations derived from the "Captivi" and the "Aulularia" of that dramatist). But the pretty story of the beggar-maiden, Rachel, and her suitors, Jonson found, not among the classics, but in the ideals of romantic love which Shakespeare had already popularised on the stage. Jonson never again ...
— Epicoene - Or, The Silent Woman • Ben Jonson
... from a rival dramatist, could only have been extracted by previous good offices and kindly countenance. Accordingly we find, that Dryden, in 1678-9, wrote a prologue to Shadwell's play, of "The ...
— The Works Of John Dryden, Vol. 7 (of 18) - The Duke of Guise; Albion and Albanius; Don Sebastian • John Dryden
... my companion, "who is that youth?" He told me that the fellow was one Bacon, a new dramatist who had learned his technique by holding horses' heads in the Strand, and who, for some reason or other, wrote under the name of Shakespeare. "You must see his Hamlet," said Ben enthusiastically. "He read me the script last night. They start rehearsals at the Globe next ...
— A Wodehouse Miscellany - Articles & Stories • P. G. Wodehouse
... age we live in; and, doubtless, a vast majority of the men we daily meet really believe that all who try to the best of their ability, according to their light and circumstances, to do what is right, in the love of God and man, shall be saved. In that moving scene of the great dramatist where the burial of the innocent and hapless Ophelia is represented, and Lacrtes vainly seeks to win from ...
— The Destiny of the Soul - A Critical History of the Doctrine of a Future Life • William Rounseville Alger
... glory nowhere else accorded to her, unless indeed by Schiller. Fourthly, we are not entitled to view as an attack upon Joanna, what, in the worst construction, is but an unexamining adoption of the contemporary historical accounts. A poet or a dramatist is not responsible for the accuracy of chronicles. But what is an attack upon Joan, being briefly the foulest and obscenest attempt ever made to stifle the grandeur of a great human struggle, viz., the French ...
— Biographical Essays • Thomas de Quincey
... pageant rather than a tragedy. It is full of song and sunshine, glow and glitter. The characters all talk in the exaggerated and exuberant style of Mistral, who is not dramatist enough to create independent being, living before us. The central personage is in no sense a tragic character. The fanatical Fra Rupert and the low, vile-tongued Catanaise are not tragic characters. The psychology throughout is decidedly ...
— Frederic Mistral - Poet and Leader in Provence • Charles Alfred Downer
... climax was the best the young dramatist had yet constructed. A critic who had been invited to a reading had declared that it lacked little of being great. And at this late hour the star wanted it changed in order to bring her alone in the lime-light! ...
— Half a Rogue • Harold MacGrath
... drew their ideas of the drama from Shakspeare, rather than from Corneille. Among these writers were Alexandre Dumas, a most prolific novelist as well as writer of plays; and the celebrated poet and dramatist, Victor Hugo. The romances of Dumas comprise more than a hundred volumes. In his historical novels, incidents and characters without number crowd upon the scene, but without confusion, while the narrative maintains ...
— Outline of Universal History • George Park Fisher
... of coal-mining. This has been prohibited by law. It is held that the railroad, being a common carrier, must not be put into a position in which it will be tempted to discriminate in favor of its own products. For a similar reason it may be argued that it is dangerous to allow the dramatist or novelist to furnish us with a "philosophy of life." The chances are that, instead of impartially fulfilling the duties of a common carrier, he will foist upon us his own goods, and force us to draw conclusions from the samples of human nature he has in stock. I should not be willing ...
— By the Christmas Fire • Samuel McChord Crothers
... older; gray hairs tinged his finely modelled head. His face was shaven, and with the bulging brow and full jaw he was more of the German or Belgian than French. Black hair thrown off his broad forehead accented this resemblance; a composer rather than a prose-poet and dramatist, was the rapid verdict of Ermentrude. She was not disappointed, though she had expected a more fragile type. The weaver of moonshine, of mystic phrases, of sweet gestures and veiled sonorities should not have worn the guise of one who ate three meals a day ...
— Visionaries • James Huneker
... life and all that concerns it enabled him to surround the humblest subjects with awe and crown them with the light of tragedy. There are some, particularly those who can understand neither and can read but one, who will object to any comparison being drawn between the Dramatist and the Novelist; but I confess that I—if the inherent superiority of verse over prose, which I admit unhesitatingly, be waived—that I fail, utterly fail to see in what Shakespeare is greater ...
— Confessions of a Young Man • George Moore
... various aspects of creation, as an accompaniment. But, in addition, affective states become material for the creative activity. It is a well-known fact, almost a rule, that the poet, the novelist, the dramatist, and the musician—often, indeed, even the sculptor and the painter—experience the thoughts and feeling of their characters, become identified with them. There are, then, in this second instance, two ...
— Essay on the Creative Imagination • Th. Ribot
... down new stair-carpets," pursued Reginald, "and, anyhow, I'm not responsible for the audience having a happy ending. The play would be quite sufficient strain on one's energies. I should get a bishop to say it was immoral and beautiful—no dramatist has thought of that before, and everyone would come to condemn the bishop, and they would stay on out of sheer nervousness. After all, it requires a great deal of moral courage to leave in a marked manner in the middle of the second act, when your carriage ...
— Reginald • Saki
... despairing of influencing the populace by human reasoning, just as a dramatist has recourse to supernatural machinery, produced signs and wonders and oracles. He argued that it was a portent that the sacred snake during those days deserted his usual haunt. The priests, who found their daily offerings to him of the first fruits of the sacrifices left untouched, ...
— Plutarch's Lives, Volume I (of 4) • Plutarch
... made Bronson Howard a dramatist, and then made him the first American dramatist of his day, were his human sympathy, his perception, his sense of proportion, and his construction. With his perception, his proportion, and his construction, respectively, he could have succeeded as a detective, as an artist, or as a general. It ...
— The Autobiography of a Play - Papers on Play-Making, II • Bronson Howard
... conceivable that some toads-in-a-hole may really be far from mere vulgar impostors, and may have passed the traditional seven years of the Indian philosophers in solitary meditation on the syllable Om, or on the equally significant Ko-ax, Ko-ax of the irreverent Attic dramatist. "Certainly not a centenarian, but perhaps a good seven-year sleeper for all that," is the final verdict which the court is disposed to return, after due consideration of all the ...
— Falling in Love - With Other Essays on More Exact Branches of Science • Grant Allen
... hardly be explained that Bernard Shaw added to his negative case of a dramatist to be depreciated a corresponding affirmative case of a dramatist to be exalted and advanced. He was not content with so remote a comparison as that between Shakespeare and Bunyan. In his vivacious weekly articles in the Saturday Review, the real comparison upon which everything turned was the ...
— George Bernard Shaw • Gilbert K. Chesterton
... of all of those who paid their homage to Anna Seward. Mr. Lucas informs us that David Garrick appears also in the list. To the foregoing names may be added Edward Jerningham, the friend of Chesterfield and Horace Walpole, a dramatist as well as a poet; George Butt, the divine, and chaplain to George III.; William Crowe, “the new star,” as Anna Seward calls him, a divine and public orator at Oxford; and Richard Graves, a poet and novelist, ...
— Anna Seward - and Classic Lichfield • Stapleton Martin
... others possessed. The prints were therefore made from spirited designs, but did not pretend to high finishing in the execution. To this edition they have annexed merely a beautiful head of our immortal Dramatist, from a much admired painting by Zoust.—They are satisfied that every reader of taste will thank them for not suppressing the former Preface, though not exactly applicable on ...
— Books for Children - The Works of Charles and Mary Lamb, Vol. 3 • Charles and Mary Lamb
... appearance here was in Nov. 1868, in an adaptation, by Mr. C. Williams, a local dramatist, of Miss ...
— Showell's Dictionary of Birmingham - A History And Guide Arranged Alphabetically • Thomas T. Harman and Walter Showell
... writes. And that Eugippius was an eye-witness of much which he tells, no one accustomed to judge of the authenticity of documents can doubt, if he studies the tale as it stands in Pez. {238} As he studies, too, he will perhaps wish with me that some great dramatist may hereafter take Eugippius's quaint and rough legend, and shape it into immortal verse. For tragic, in the very nighest sense, the story is throughout. M. Ozanam has well said of that death-bed scene between the saint ...
— The Hermits • Charles Kingsley
... of possible circumstances and temperaments. In the case of the Greek misanthrope, the factor of temperament is first carefully stated; then the factor of circumstances is brought into operation; then the genius of the dramatist supplies the resultant revolution of moral being, in such a manner as to excite sympathy rather than reprobation. Reasoning from cause to effect, we see the inevitableness of the issue. But in Morris's case, we must reason from effect to cause. ...
— Such is Life • Joseph Furphy
... gazing at Japanese prints, and trying not to think about "props" and "rehl." Then, gradually, the almost maternal yearning to see his brain-child once more, which can never be wholly crushed out of a young dramatist, returned to him—faintly at first, then getting stronger by degrees till it could no longer be resisted. True, he knew that when he beheld it, the offspring of his brain would have been mangled almost out of recognition, but that did not deter him. The mother loves her crippled ...
— The Little Warrior - (U.K. Title: Jill the Reckless) • P. G. Wodehouse
... perhaps fairly easily detect its inspiration in certain actual happenings. It is the story of a woman, Lucy Briarwell, clever and gifted with personality, the grass-widow of an apparently incurable lunatic who, living in Bruges, falls under the influence of a Belgian poet-dramatist. Together—for Lucy is shown as his collaborator and source of inspiration—they evolve a wonderful new form of miracle play in which she presently captivates London and Paris as the reincarnate Notre Dame de Bruges. So much of the tale I indicate; the rest is your affair. ...
— Punch or the London Charivari, September 9, 1914 • Various
... and he discussed these matters also with the great representative of Roman Catholic Socialism, Count Albert de Mun. The list of his Diary engagements, ranging over a long period of time, is filled with the names of French writers, from Ludovic Halevy, the novelist and dramatist (passages from whose Belle Helene he would recite and whistle), to Anatole France; and of politicians of every school of thought, from Leon Say, 'a statesman of rare competence,' to M. Delcasse, whom he saw often, Deschanel, Leon Bourgeois, Millerand, Viviani, ...
— The Life of the Rt. Hon. Sir Charles W. Dilke, Vol. 2 • Stephen Gwynn
... yielding to restraint. In estimating the humour of Elia, we must no more forget the strong undercurrent of this great misfortune and pity, than one could forget it in his actual story. So he becomes the best critic, almost the discoverer, of Webster, a dramatist of genius so sombre, so heavily coloured, so macabre. Rosamund Grey, written in his twenty-third year, a story with something bitter and exaggerated, an almost insane fixedness of gloom perceptible in it, strikes clearly this ...
— Appreciations, with an Essay on Style • Walter Horatio Pater
... he is inclined to do so—and he is very often inclined. He received the "Prix Vitet" in 1879 from the Academy for Le Drapeau. Despite our unlimited admiration for Claretie the journalist, Claretie the historian, Claretie the dramatist, and Claretie the art-critic, we think his novels conserve a precious and inexhaustible mine for the Faguets and Lansons of the twentieth century, who, while frequently utilizing him for the exemplification of the ...
— Prince Zilah, Complete • Jules Claretie
... literature that it can boast no name of commanding genius—no dramatist to rank with Shakespeare, no poet to rank with Keats, no novelist to rank with Thackeray, to take names only from our cousins oversea—and yet it displays a high level of talent and a notable richness of achievement. Literature requires a background ...
— American Men of Mind • Burton E. Stevenson
... in Armor," "A Ballad of the French Fleet," "Paul Revere's Ride," "The Wreck of the Hesperus," are ballads that stir men still. For all of his skill in story-telling in verse—witness the "Tales of a Wayside Inn"—Longfellow was not by nature a dramatist, and his trilogy now published under the title of "Christus," made up of "The Divine Tragedy," "The Golden Legend," and "New England Tragedies," added little to a reputation won in other fields. His sonnets, particularly those upon "Chaucer," "Milton," "The Divina Commedia," ...
— The American Spirit in Literature, - A Chronicle of Great Interpreters, Volume 34 in The - Chronicles Of America Series • Bliss Perry
... day following the final performance of the Smith-Hybrows' strenuous season of J.M. SYNGE drama, undertaken with the laudable intention of familiarising the suburb with the real Irish temperament and the works of the dramatist in question. ...
— Punch, or the London Charivari, Vol. 159, August 4th, 1920 • Various
... contributes its share. The poetic genius, like the speculative and the religious, penetrates the monotonous disorder of everyday life, and lays bare "the impassioned expression" which is there for those who can read it. The dramatist, for instance, with whom the novelist is here compared, shows us some elemental force of humanity, stripped of the accidents of time and place, working itself out in free conflict with other forces, and finally breaking itself against the eternal fact that no man can gain the world ...
— An Estimate of the Value and Influence of Works of Fiction in Modern Times • Thomas Hill Green
... Wycherley, because in point of wit and dramatic skill he dwarfed his colleagues. As Mr. Swinburne has said, the art of Congreve is different in kind, not merely in degree, from the cruder and more boisterous product of the 'brawny' dramatist. Happily, however, for his success, the difference was not instantly clear. His first play links him with Wycherley, not with that rare and faint embryo of the later Congreve, George Etherege. 'You was always a gentleman, Mr. George,' as the valet says in Beau Austin. Happily ...
— The Comedies of William Congreve - Volume 1 [of 2] • William Congreve
... the great French novelist and dramatist, who here tells the story of his youth, was born on July 24, 1802, and died on December 5, 1870. He was a man of prodigious vitality, virility, and invention; abounding in enjoyment, gaiety, vanity, and kindness; the richness, force, and celerity of his nature was amazing. In regard to this peculiar ...
— The World's Greatest Books, Vol IX. • Edited by Arthur Mee and J.A. Hammerton
... had been one of the Berlin gentlemen to whose spirit of self-sacrifice and taste for art the Konigstadt Theater owed its prosperity, and was thus brought into intimate relations with Carl von Holtei, who worked for its stage both as dramatist and actor. When, as a young professor, I told the grey-haired author in my mother's name something which could not fail to afford him pleasure, I received the most eager assent to my query whether he still remembered her. ...
— Uarda • Georg Ebers
... dramatist of the passions at their stormiest outstretch, though ranking high, Shakspere (spanning the arch wide enough) is equaled by several, and excelled by the best old Greeks, (as Eschylus.) But in portraying mediaeval European lords ...
— Complete Prose Works - Specimen Days and Collect, November Boughs and Goodbye My Fancy • Walt Whitman
... powers, and indefatigable industry, has seldom been surpassed. He was a politician, a poet, a physician, a historian, a translator, a writer of travels, a dramatist, a novelist, a writer on medical subjects, and a miscellaneous author. It is only, however, as a novelist and a poet that he has any claims to the admiration of posterity. His history survives solely ...
— Poetical Works of Johnson, Parnell, Gray, and Smollett - With Memoirs, Critical Dissertations, and Explanatory Notes • Samuel Johnson, Thomas Parnell, Thomas Gray, and Tobias Smollett
... that in turn depends on the kind of self we are. A professional bank-robber may take a craftsman's pride in the skill with which he has rifled a safe and made off with the booty, just as a surgeon may take pride in a delicate operation, or a dramatist in a play. The ideal and the measure of satisfaction will again be determined by the group among whom we move. The bank-robber will not boast of his exploits to a missionary conference; the surgeon will prefer to explain the details of his achievement to medical men who can critically ...
— Human Traits and their Social Significance • Irwin Edman
... plays is another matter; a combination of collation and judicious borrowing, it was provided by George Steevens. Steevens' contributions to the text and annotation of Shakespeare's plays concern students of the dramatist; That Johnson had to say about the plays concerns Johnsonians as veil as Shakespeareans. And it is unfortunately true that too little attention has been paid to what is after all Johnson's final and reconsidered judgment on a number of passages ...
— Johnson's Notes to Shakespeare Vol. I Comedies • Samuel Johnson
... and faculties of the human mind in the great average of common men, and it is the common average of men to whom exceptional thinkers speak, whom they influence, and by whom they are in turn influenced, depressed, or buoyed up, just as a painter or a dramatist is affected. Voltaire's mental constitution made him eagerly objective, a seeker of true things, quivering for action, admirably sympathetic with all life and movement, a spirit restlessly traversing the whole world. Rousseau, ...
— Rousseau - Volumes I. and II. • John Morley
... of Dagon; yet, unless Rubinstein's stage directions are to be taken in a Pickwickian sense, we ought to listen to this music while looking at a stage-setting more colossal than any ever contemplated by dramatist before. We should see a wide stretch of the plain of Shinar; in the foreground a tower so tall as to give color of plausibility to a speech which prates of an early piercing of heaven and so large as to provide room for a sleeping multitude on ...
— A Second Book of Operas • Henry Edward Krehbiel
... grass, the French soldiers hidden in the vines, within a stone's throw of the Germans, the Germans looking unconsciously on over their heads for the return of those comrades who never would return.—Lieutenant Fevrier was the dramatist who had created this striking and artistic situation. Lieutenant Fevrier could not but be pleased. Moreover there were better effects to follow. One occurred to him at this very moment, an admirable one. He fumbled in his breast and took out the flag. A minute later he saw the Colonel ...
— Ensign Knightley and Other Stories • A. E. W. Mason
... Take Farquhar; and compare Archer with Squire Sullen. Take Congreve; and compare Bellmour with Fondlewife, Careless with Sir Paul Plyant, or Scandal with Foresight. In all these cases, and in many more which might be named, the dramatist evidently does his best to make the person who commits the injury graceful, sensible, and spirited, and the person who suffers it a fool, or ...
— Critical and Historical Essays, Volume III (of 3) • Thomas Babington Macaulay
... human hearts and await human destinies, so long as we are alive to the pathos, the dignity, the comedy of human life, so long shall we continue to rank above the philosopher, higher than the politician, the great artist, be he called dramatist or historian, who makes us conscious of the divine movement of events, and of our fathers who were before us. Of course we assume accuracy and labor in our animated historian; though, for that matter, other things being equal, I ...
— Obiter Dicta • Augustine Birrell
... nicknames. It is easy to understand how some of these come into existence, e.g. that Pierce. Pennilesse was the opposite of Thomas Thousandpound, whose name occurs c. 1300. With the latter we may compare Fr. Centlivre, the name of an English lady dramatist of the eighteenth century. Moneypenny is found in 1273 as Manipeni, and a Londoner named Manypeny died in 1348. The Money- is ...
— The Romance of Names • Ernest Weekley
... the 1818 edition of his Works. Louisa was Louisa Holcroft. Guichy was possibly the Frenchman, mentioned by Crabb Robinson, with whom the Lambs had travelled to France. Poole was, I imagine, John Poole, the dramatist, author of burlesque plays in the London Magazine and later of "Paul Pry," which, it is quite likely, he based on ...
— The Works of Charles and Mary Lamb (Vol. 6) - Letters 1821-1842 • Charles and Mary Lamb
... intelligent playwrights for the presumable demand of the two new repertory theatres; and, almost as I spoke, St. John Hankin drowned himself. The loss is sensible. I do not consider St. John Hankin to have been a great dramatist; I should scarcely care to say that he was a distinguished dramatist, though, of course, the least of his works is infinitely more important in the development of the English theatre than the biggest ...
— Books and Persons - Being Comments on a Past Epoch 1908-1911 • Arnold Bennett
... pleasures of imagination,' Trombin observed, following his own train of thought. 'In me a great romancer has been lost to our age, another Bandello, perhaps a second Boccaccio! An English gentleman of taste once told me that my features resemble those of a dramatist of his country, whose first name was William—I forget the second, which I could not learn to pronounce—but that my cheeks are even rounder than his were, and my mouth smaller. Under other circumstances, who knows but that I might have been the William Something of ...
— Stradella • F(rancis) Marion Crawford
... feeling thankful to the kindly writer who attempts to perpetuate their memories beyond the generations which profit immediately by their toil. If she is not a great dramatist, she is at least an exquisite describer. But one can as little help feeling that it is no more than a strictly logical retribution, that in her hour of need (dramatically speaking) she should find them ...
— The Atlantic Monthly, Volume 18, No. 108, October, 1866 • Various
... already been remarked, Poliziano's aim and achievement. The want of characterization in the hero, the insignificance of the part allotted to Euridice, the total inadequacy of the tragic climax, measure the author's power as a dramatist. It is the lyrical passages—Aristeo's song, Orfeo's impassioned pleading, the bacchanalian dance chorus—that supply the firm supports of art upon which rests the slight ...
— Pastoral Poetry and Pastoral Drama - A Literary Inquiry, with Special Reference to the Pre-Restoration - Stage in England • Walter W. Greg
... dramatist, especially the untried dramatist, must be very careful to use only as many characters in his play as are absolutely necessary. Every theatrical manager knows that he is taking a chance, and a big chance, when producing the work of a new writer. The writer, also knowing this, and realizing that ...
— Writing the Photoplay • J. Berg Esenwein and Arthur Leeds
... to him, the young man flattered himself that he should find resources in his wit and invention; and accordingly he commenced as writer for the stage. His first play, a comedy entitled Love in Several Masks, was performed at Drury Lane in February 1728, just before the youthful dramatist had attained his twenty-first year. In his preface to these 'light scenes' he alludes with some pride to this distinction—"I believe I may boast that none ever appeared so early on the stage";—and he proceeds to ...
— Henry Fielding: A Memoir • G. M. Godden
... however, cannot be refuted by argument. There is no logical answer to a guffaw. This sense of the ridiculous is merely a bad, infantile habit, in itself grotesquely ridiculous. You may see it particularly in the theatre. Not the greatest dramatist, not the greatest composer, not the greatest actor can prevent an audience from laughing uproariously at a tragic moment if a cat walks across the stage. But why ruin the scene by laughter? Simply because the majority of any audience ...
— Literary Taste: How to Form It • Arnold Bennett
... Queen Elizabeth included England's greatest dramatist, William Shakespeare; and the Queen not only took delight in witnessing Shakespeare's plays, but also admired the poet as a player. The histrionic ability of Shakespeare was by no means contemptible, though probably not such as to have transmitted ...
— Christmas: Its Origin and Associations - Together with Its Historical Events and Festive Celebrations During Nineteen Centuries • William Francis Dawson
... however, that although he aims at being considered a poet, an artist, a dramatist, and a musical composer, the Dilettante rather affects the society of those who are amateurs of imperfect development, than of those who have attained fame by professional effort. Yet since his nature is tolerant, he does ...
— Punch, or the London Charivari, Volume 98, March 22, 1890 • Various
... accomplishment, and when, as now, men might be eager to clinch a bargain without loss of time, it was desirable in the interests of common honesty that such agreements should be made in the light of day and in the face of the world. This custom appears to have continued to a late date. Thus, if O'Keeffe the dramatist may be believed, there was in the centre of Limerick Exchange a pillar with a circular plate of copper, about three feet in diameter, called "the nail," on which the earnest of all Stock Exchange bargains had to be paid. At Bristol there are said to have been four pillars ...
— The Customs of Old England • F. J. Snell
... been made to provide a list of the best available critical and biographical material relating to Henrik Ibsen, and to present it in such a form as will meet satisfactorily the constant demand for information about special phases of the great dramatist's work. ...
— Henrik Ibsen - A Bibliography of Criticism and Biography with an Index to Characters • Ina Ten Eyck Firkins
... finished it, I suppose, for consistency's sake, in the manner in which it had originally been designed rather than in accordance with the artistic tastes that formed the consolation of his old age. He was a painter, a writer, a dramatist, a modern dilettante, addicted to private theatricals. There is something very attractive in the image that he has imprinted on the page of history. He was both clever and kind, and many reverses and much suffering ...
— A Little Tour in France • Henry James
... the editor has prepared and included in the volume a Pronouncing Vocabulary of Difficult Names. To which is added a collection of Shakespearean Quotations, classified in alphabetical order, illustrative of the wisdom and genius of the world's greatest dramatist. ...
— Beautiful Stories from Shakespeare • E. Nesbit
... way for the new faith by a series of vigorous polemical writings, the style of which proclaims him the founder of modern Swedish prose. Centuries passed before the effective simplicity and homely picturesqueness of his style were surpassed. He became, furthermore, Sweden's first dramatist. The Comedy of Tobit, from which Strindberg uses a few passages in slightly modernized form at the beginning of his play, is now generally recognized as an authentic product of Olof's pen, although it was not written until a ...
— Master Olof - A Drama in Five Acts • August Strindberg
... actor and dramatist, gave way often to drink. He died in 1714. Addison praised his acting of tragic parts in No. 40 of the Spectator. See also No. 31. An order to the comedians in Dorset Gardens forbade them acting till further order, because they had allowed Powell to play after he was ...
— The Tatler, Volume 1, 1899 • George A. Aitken
... Hugo, the great French poet, dramatist, and novelist, was born at Besancon, on February 26, 1802. He wrote verses from boyhood, and after minor successes, achieved reputation with "Odes et Poesies," 1823. Hugo early became the protagonist ...
— The World's Greatest Books, Volume V. • Arthur Mee and J.A. Hammerton, Eds.
... of recognition came from the front rows of the pit, together with a craning of necks on the part of those in less favoured seats. It heralded the arrival of Sherard Blaw, the dramatist who had discovered himself, and who had given so ungrudgingly of his discovery to the world. Lady Caroline, who was already directing little conversational onslaughts from her box, gazed gently for a moment at the new arrival, and then turned to the ...
— The Unbearable Bassington • Saki
... Roberts lacks humour—a quality indispensable in a writer on Ibsen. For Ibsen, like other men of genius, is slightly ridiculous. Undeniably, there is something comic about the picture of the Norwegian dramatist, spectacled and frock-coated, "looking," Mr. Archer tells us, "like a distinguished diplomat," at work amongst the ...
— Pot-Boilers • Clive Bell
... Stingo, did I know how you produced your marvellous effects on the door of Billy Button, the tailor of Brentford. The Vizier's knocker was a caricature; but it showed your style. So, read the love-scenes of any dramatist during Shakspeare's period—or the heroic passages of any poetaster copying his manner;—isn't that Bedlam, my dear Smith? isn't that Hanwell? Read the rhapsodies of Nat Lee—(by a stretch of truth-speaking which it would be wise to make more common)—called ...
— Blackwood's Edinburgh Magazine, Volume 59, No. 367, May 1846 • Various
... presentation was an unprecedented event in the history of the theatre. The work of Greban was rehandled and enlarged by Jean Michel, and great was the triumph when it was given at Angers in 1486. Greban was not to be outdone either by his former self or by another dramatist; in collaboration with his brother Simon, he composed the yet more enormous Actes des Apotres, in sixty-two thousand lines, demanding the services of five hundred performers. When presented at Bourges as late as 1536, the happiness of the spectators was extended ...
— A History of French Literature - Short Histories of the Literatures of the World: II. • Edward Dowden
... The famous comic poet and dramatist, author of the "Frogs," "Clouds," "Birds," and many other works, of which only eleven are now extant; born about 451 B.C., ...
— The Best of the World's Classics, Restricted to prose. Volume I (of X) - Greece • Various
... Was he the cook, or the man cooked for? I fancy I knew once, but I have forgotten. But chicken-a-la-king will live to perpetuate his name as long as there are chickens to be eaten and men to eat them. Even Sardou, spectacular dramatist, for all his Toscas and Fedoras (and ten to one you think of Fedora as a hat!), lives for me, a dramatic critic, by virtue of eggs Victorien Sardou, a never-to-be-too-much-enjoyed concoction secured at the old Brevoort House ...
— Penguin Persons & Peppermints • Walter Prichard Eaton
... Phil, I was full of aspiration to do those things for which nature had not fitted me, and to the extent that I recognized my inability to do those things I failed to be content. I should have liked to be a great writer, a poet, a great dramatist, a novelist—a little of everything in the literary world. I should have liked to know Shakespeare, to have been the friend of Milton; and when I came out of my dreams it made me unhappy to think that such I never could be, until one day this idea came to me: all the happiness of life is bound ...
— The Water Ghost and Others • John Kendrick Bangs
... small reading public at home in Iceland gave them too little scope. So they emigrated, mostly to Denmark, and in the early decades of the century began to write in foreign languages, though the majority continued simultaneously to write in the vernacular. Pioneers in this field were the dramatist Johann Sigurjnsson (1880-1919), and the novelist Gunnar Gunnarsson (b. 1889). Both of these wrote in Danish as well as in Icelandic. Early in the second decade of the century three of this overseas group produced works that were accorded ...
— Seven Icelandic Short Stories • Various
... against Fate, and that Fate is only the inevitable choice of our own natures, we wait for the splendid words which shall render so great a situation; and no splendid words come. The situation, to the dramatist, has been only a dramatic situation. Here is Duse, a chalice for the wine of imagination, but the chalice remains empty. It is almost painful to see her waiting for the words that do not come, offering tragedy to us in her eyes, and with her hands, ...
— Plays, Acting and Music - A Book Of Theory • Arthur Symons
... astrological science, and above all, alchemist, if not sorcerer; the handsome and gallant, but "not intelligent" and not very chivalrous soldier Phoebus de Chateaupers, with minors not a few, "supers" very many, and the dramatist Pierre Gringoire as a sort of half-chorus, half-actor throughout. The evolution of this story could not be very difficult to anticipate in any case; almost any one who had even a slight knowledge of its actual author's other work ...
— A History of the French Novel, Vol. 2 - To the Close of the 19th Century • George Saintsbury
... should say that there are two schools of action—the school of those who attain their effect by exaggeration of personality, and the school of those who attain it by suppression. It would be too long to discuss these schools, or to decide which of them the dramatist loves best. Let me note the danger of personality, and ...
— Miscellanies • Oscar Wilde
... military monographs that has been written. During this time, Mr Blackie was still pursuing his Latin and Greek studies; and one article, on a classical subject, deserves especial notice. It is a thorough criticism of all the dramas of Euripides, in which he takes a view of the dramatist exactly the reverse of that maintained by Walter Savage Landor—asserting that he was a bungler in the tragic art, and far too much addicted to foisting his stupid moralisings into his plays. Another article in the Westminster, ...
— The Modern Scottish Minstrel, Volume VI - The Songs of Scotland of the Past Half Century • Various
... "tells his churlish tale in his manner," of which manner the less said the better; while in the "Reeve's Tale," Chaucer even, after the manner of a comic dramatist, gives his Northern undergraduate a vulgar ungrammatical phraseology, probably designedly, since the poet was himself a "Southern man." The "Pardoner" is exuberant in his sample-eloquence; the "Doctor of Physic" is gravely and ...
— Chaucer • Adolphus William Ward
... Antarctic that has never been explored," said Dr. Mundson; "and there, just showing on the horizon, is the Great Ice Barrier." His characteristic smile lighted the morose black eyes. "I am enough of the dramatist to wish you to be impressed with what I shall show you within less than an hour. Accordingly, I shall make a landing and let you feel polar ...
— Astounding Stories of Super-Science February 1930 • Various
... information concerning things theatrical—some of it gay, some of it sad. "Replies to Questions by Actors and Actresses" is the liveliest contribution in the little volume. The Obituary contains the name of "EDWARD LITT LEMAN BLANCHARD," dramatist, novellist, and journalist, who died on the 4th of September, 1889. It is hard to realise the Era Almanack without the excellent contributions ...
— Punch, or the London Charivari, Vol. 98, February 8, 1890 • Various
... A dramatist endeavoring to depict public life at Rome during the period following the death of Sulla, would find himself embarrassed by the multitude of men of note crowding upon his attention. One of the eldest of these was Quintus Sertorius, a soldier of chivalric bravery, who had ...
— The Story of Rome From the Earliest Times to the End of the Republic • Arthur Gilman
... an author is certain to experience upon every new production, is far more powerful in the heart of a dramatist than in that of any other writer. The sound of clamorous plaudits raises his spirits to a kind of ecstacy; whilst hisses and groans, from a dissatisfied audience, strike on the ear like a personal insult, avowing loud and public contempt ...
— Cato - A Tragedy, in Five Acts • Joseph Addison
... hard mental labour must generally be gone through when we are alone. Any interruption by others breaks the train of thought; and the broken end may never be caught again. You remember how Maturin, the dramatist, when he felt himself getting into the full tide of composition, used to stick a wafer on his forehead, to signify to any member of his family who might enter his room, that he must not on any account be spoken to. You remember the significant arrangement ...
— The Recreations of A Country Parson • A. K. H. Boyd
... me to the editor of Punch was a prominent city official, and entertainer in chief of all men of talent from London, and was also, like Tom Taylor, an author and dramatist; and when I was a boy I illustrated one of his first stories. He also introduced me behind the scenes at the old Theatre Royal. I recollect my boyish delight when one day I was on the stage during the rehearsal of the Italian opera. Shall I ever forget that treat? It was much greater in ...
— The Confessions of a Caricaturist, Vol. 1 (of 2) • Harry Furniss
... rhyme, 'dear brother Jem,' as being ludicrous; but we all enjoyed the joke of hitching in our friend James Tobin's name, who was familiarly called Jem. He was the brother of the dramatist; and this reminds me of an anecdote which it may be worth while here to notice. The said Jem got a sight of the "Lyrical Ballads" as it was going through the press at Bristol, during which time I was residing in that city. ...
— The Poetical Works of William Wordsworth - Volume 1 of 8 • Edited by William Knight
... the famous quadroon[8] is not more marvellous than the multiplicity of characters he assumes. "Dumas at Home and Abroad" offers an inexhaustible theme and a boundless field for pen and pencil caricaturists. Alternately dramatist, novelist, tourist, ambassador, the companion of princes, the manager of theatres, an authority in courts of justice, a challenger of deputies, and shining with equal lustre in these and fifty other capacities equally ...
— Blackwood's Edinburgh Magazine, Volume 61, No. 379, May, 1847 • Various
... society of this nobleman, in the capacity of secretary. In the interval of this time he travelled in France, Germany, and Italy; cultivating in each capital the society of the leading statesmen and philosophers. Lord Herbert, of Cherbury, the first great English Deist, and Ben Jonson, the dramatist, were each his boon companions. In the year 1628, Hobbes again made the tour of the Continent for three years with another pupil, and became acquainted at Pisa with Galileo. In 1631 he was entrusted with the education of another youth of the Devonshire family, and for near ...
— Ancient and Modern Celebrated Freethinkers - Reprinted From an English Work, Entitled "Half-Hours With - The Freethinkers." • Charles Bradlaugh, A. Collins, and J. Watts
... important weeklies maintained that The Churls was a very good, original, and superbly realistic play; that with Glogowski there had, at last, appeared a real dramatist who had let a current of fresh air into the stagnant and anaemic atmosphere of our dramatic creativity, and had given us real people and real life. The only cause for regret was that the staging of the play was beneath criticism and the acting of it, with ...
— The Comedienne • Wladyslaw Reymont
... been explained why Jefferson Davis was chosen President of the Confederacy. He did not seek the office and did not wish it. He dreamed of high military command. As a study in the irony of fate, Davis's career is made to the hand of the dramatist. An instinctive soldier, he was driven by circumstances three times to renounce the profession of arms for a less congenial civilian life. His final renunciation, which proved to be of the nature of tragedy, was his acceptance of the office of President. Indeed, ...
— The Day of the Confederacy - A Chronicle of the Embattled South, Volume 30 In The - Chronicles Of America Series • Nathaniel W. Stephenson
... walked away. Even yet the experience did not seem real. It was probably all based on some foolish notion of the youth's; and yet he dared not assume that it was a foolish notion. He had the dramatist's distaste for drama anywhere except in its legitimate place, on the stage; but he admitted that sometimes it did occur in life. This might be ...
— The Girl in the Mirror • Elizabeth Garver Jordan
... three acts of "Wallace," [Footnote: "Wallace: a Historical Tragedy," in five acts, was published in 1820. Joanna Baillie spoke of the author, C.E. Walker, as "a very young and promising dramatist."] and, as far as I could form an opinion, I cannot conceive these acts to be as effective on the stage as you seemed to expect. However, it is impossible to say what a very clever actor like Macready may make of some ...
— A Publisher and His Friends • Samuel Smiles
... to reply. All Screamersville turned out to hear him. William was a great favorite,—the most popular speaker in the country,—had the versatility of a mocking-bird, an aptitude for burlesque that would have given him celebrity as a dramatist, and a power of acting that would have made his fortune on the boards of a theater. A rich treat was expected, but it didn't come. The witness had taken all the wind out of William's sails. He had rendered burlesque impossible. The thing as acted was more ludicrous than it could be as described. ...
— The Wit and Humor of America, Volume VII. (of X.) • Various
... greatest social and professional prestige, he received the most verbal abuse and criticism. Perhaps the most damaging and galling satire of the century flowed from the pen of the French dramatist, Moliere, who had a medical student—not completely fictitious—swear always to accept the pronouncements of his oldest physician-colleague, and always to treat by purgation, using clysters (enemas), phlebotomy (bloodletting), and emetics ...
— Medicine in Virginia, 1607-1699 • Thomas P. Hughes
... publishing establishment has offered GRILLPARZER, the German dramatist, $4,000 for his writings, but he refuses, not because he thinks the price too low, but because he will not take the trouble of preparing and publishing a collected edition of his dramas, the last of which was entitled Maximilian Robespierre, a five ...
— The International Monthly, Volume 3, No. 2, May, 1851 • Various
... Prussia, the members of which composed elegies for each other; Tscherning and Andrew Gryphius, the Corneille of Germany, a native of Glogau, whose dramas are worthy of a better age than the insipid century in which they were produced. The life of this dramatist was full of incident. His father was poisoned; his mother died of a broken heart. He wandered over Germany during the thirty years' war, pursued by fire, sword, and pestilence, to the latter of which the whole of his relations fell victims. ...
— Germany from the Earliest Period Vol. 4 • Wolfgang Menzel, Trans. Mrs. George Horrocks
... five per cent of the public know who wrote 'The Second Mrs. Tanqueray,' 'In Mizzoura,' or 'Richelieu,' but they know their stage favourites. I wonder how many mantels are adorned with pictures of the successful dramatist and those who 'present' and how many there are on which appear Maude Adams, Dave Warfield, Billie Burke, John Drew, Bernhardt, Duse, and ...
— The Merry-Go-Round • Carl Van Vechten
... and printers consisted of a monogram formed either with their initials or names. During a portion of his career Jacob Tonson used a bust of what purported to be Shakespeare, partly from the fact that for many years the copyright of the great dramatist's works belonged to him and partly because one of his shops had for its sign, "The ...
— Printers' Marks - A Chapter in the History of Typography • William Roberts
... Moralities and the externals of religion will wash away the foulness which lies on the surface, but stains that have sunk deep into the very substance of the soul, and have dyed every thread in warp and woof to its centre, are not to be got rid of so. The awful words which our great dramatist puts into the mouth of the queenly murderess are heavy with the weight of most solemn truth. After all vain attempts to cleanse away the stains, we, like her, have to say, 'There's the smell of the blood still—will these hands ne'er be clean?' No, never; unless there be something mightier, more ...
— Expositions of Holy Scripture - Ezekiel, Daniel, and the Minor Prophets. St Matthew Chapters I to VIII • Alexander Maclaren
... French dramatist and poet, was born in Paris on the 29th of April 1805. Inspired by the revolution of July he poured forth a series of eager, vigorous poems, denouncing, crudely enough, the evils of the time. They are spoken of collectively ...
— Encyclopaedia Britannica, 11th Edition, Volume 3, Part 1, Slice 3 - "Banks" to "Bassoon" • Various
... as the ukiyoe and the drama appealed mainly to the middle and lower classes, the domain of literature and the fine arts received wide extension. Thus, Chikamatsu Monzaemon, of Osaka, the greatest dramatist that his country ever possessed, composed plays which have earned for him the title of the "Shakespeare of Japan;" and as for the light literature of the era, though it was disfigured by erotic features, it faithfully reflected in other respects ...
— A History of the Japanese People - From the Earliest Times to the End of the Meiji Era • Frank Brinkley and Dairoku Kikuchi
... upon the author and often seem to him (and his personal friends) to bear cruelly. This difficulty is not a flattering or gentle discipline, nor are its discriminations always good or always bad. It works almost as crudely as that of the stage works on the theatrical dramatist. A cunning subservience to it covers a multitude of sins, and often achieves for the literary craftsman place and preference over the truer artist, if he overlooks the need of being also a craftsman. Yet it is the hard demand, not of ...
— The Building of a Book • Various
... has often a deep sadness in it. Nature, that great tragic dramatist, knits us together by bone and muscle, and divides us by the subtler web of our brains; blends yearning and repulsion; and ties us by our heart-strings to the beings that jar us at every movement. We hear a voice with the very cadence of our own uttering the ...
— Adam Bede • George Eliot
... venture. In its general aims, however, the present life of Shakespeare endeavours loyally to adhere to the principles that are inherent in the scheme of the 'Dictionary of National Biography.' I have endeavoured to set before my readers a plain and practical narrative of the great dramatist's personal history as concisely as the needs of clearness and completeness would permit. I have sought to provide students of Shakespeare with a full record of the duly attested facts and dates of their master's career. I have avoided merely ...
— A Life of William Shakespeare - with portraits and facsimiles • Sidney Lee
... the West Indian estate which so very nearly serves as a peg to hang Captain Brassbound. To Mr. Frederick Jackson of Hindhead, who, against all his principles, encourages and abets me in my career as a dramatist, I owe my knowledge of those main facts of the case which became public through an attempt to make the House of Commons act on them. This being so, I must add that the character of Captain Brassbound's mother, like ...
— Captain Brassbound's Conversion • George Bernard Shaw
... images, he is restricted to relating what has happened—that is, to fact; while the poet relates what should happen—what is possible according to the law of probability or necessity. Instead of rehearsing facts, the dramatist or the epic poet creates truth. We expect him to be "true to life," and that is what is implied in Aristotle's "imitation of nature."[21] This truth to life controls, according to Aristotle, both the characterization and the action. ...
— Rhetoric and Poetry in the Renaissance - A Study of Rhetorical Terms in English Renaissance Literary Criticism • Donald Lemen Clark
... fitted it in its proper place as a branch of physiology. And we are beginning to have a clearer understanding of the thoughts and the thought-producing actions of ourselves and our fellow beings. Soon it will be no longer possible for the historian and the novelist, the dramatist, the poet, the painter or sculptor to present in all seriousness as instances of sane human conduct, the aberrations resulting from various forms of disease ranging from indigestion in its mild, temper-breeding forms to acute homicidal or suicidal mania. In that day of greater enlightenment ...
— The Grain Of Dust - A Novel • David Graham Phillips
... [Footnote A: Henry Fielding, dramatist, novelist, and judge, was born near Glastonbury, Somersetshire, April 22, 1707, and died at Lisbon, October 8, 1754. Though seldom spoken of as an essayist, Fielding scattered through his novels a large number of detached or detachable discussions which ...
— Prefaces and Prologues to Famous Books - with Introductions, Notes and Illustrations • Charles W. Eliot
... the more I considered, the more this mystery of Tembinok's behaviour puzzled and attracted me. And the explanation, when it came, was one to strike the imagination of a dramatist. Tembinok' had two brothers. One, detected in private trading, was banished, then forgiven, lives to this day in the island, and is the father of the heir-apparent, Paul. The other fell beyond forgiveness. I have heard it was a love-affair with one of the king's wives, and the thing is highly ...
— The Works of Robert Louis Stevenson - Swanston Edition Vol. 18 (of 25) • Robert Louis Stevenson
... literature, and like a rift of light in a fogbank you then caught a gleam of an entirely different mentality. One day I found him reading a book by the French writer Huysmans, dealing with new art. And he confessed to me that he admired Hauptmann's Hannele, though he despised the same dramatist's Weavers. The truth is that no human being is made all of a piece; we are, mentally at least, more of ...
— Old Fogy - His Musical Opinions and Grotesques • James Huneker
... each man is a drama, with the events thereof divided into separate scenes, the scenes gathered into grand acts, and the acts all tending to the great tragic conclusion of the whole. Happy were it for man if he, like a great dramatist, would keep the ultimate ...
— The King's Highway • G. P. R. James
... in Norfolk in 1560, Greene studied at Cambridge and received the degree of Master of Arts. After wasting his property in Italy and Spain, he returned to London to earn his bread by the pen. As a pamphleteer, as a poet, and especially as a dramatist, Greene achieved a considerable reputation. But his improvident habits and a life of constant debauchery brought his career to a close, amidst poverty and remorse, at the early age of thirty-two. He died in a drunken ...
— A History of English Prose Fiction • Bayard Tuckerman
... each other to hear the takings of such and such a theater on the preceding evening. They all went into ecstasies over the fortune of a veteran dramatist, famous in two continents—a man whom they despised, though they envied him even more. From the incomes of authors they passed to those of the critics. They talked of the sum—(pure calumny, no doubt)—received ...
— Jean Christophe: In Paris - The Market-Place, Antoinette, The House • Romain Rolland
... Swift and other illustrious writers in the reign of Queen Anne. He was husband to the ingenious and amiable author of Sidney Biddulph and several dramatic pieces favorably received. He was father of the celebrated orator and dramatist, Richard Brinsley Sheridan. He had been the schoolfellow, and, through life, was the companion, of the amiable Archbishop Markham. He was the friend of the learned Dr. Sumner, master of Harrow School, and the well-known Dr. Parr. He took his ...
— Memoirs of the Life of Rt. Hon. Richard Brinsley Sheridan Vol 2 • Thomas Moore
... him, while he felt in all his pockets for the letter. One can bow quite easily while feeling in one's pockets, and it is much more natural than stopping in the middle of an important speech in order to acknowledge any cheers. The realisation of this, by a dramatist, is what is called "stagecraft." In this case the audience could tell at once that the "technique" of the author (whose name unfortunately I forget) was ...
— Happy Days • Alan Alexander Milne |
