"Da Vinci" Quotes from Famous Books
 ... Leonardo da Vinci tells us in his celebrated Treatise on Painting that the young artist should first of all learn perspective, that is to say, he should first of all learn that he has to depict on a flat surface objects which are in relief or distant one from the other; for this is the simple art of ...
— The Theory and Practice of Perspective • George Adolphus Storey
... Mostasem-Billah; Baudouin, "Bras-de-Fer," Count of Flanders; William IV, called by the French "Fier-a-Bras," Duke of Aquitaine; Christopher, son of Albert the Pious, Duke of Bavaria; Godefroy of Bouillon; the Emperor Charles IV; Scanderbeg; Leonardo da Vinci; Marshal Saxe; and the recently deceased ...
— Anomalies and Curiosities of Medicine • George M. Gould
... one hundred. It will bring that under the hammer, any day," replied the connoisseur. "Ah, what have we here? A copy from Murillo's 'Good Shepherd.' Isn't that a lovely picture? Worth a hundred and fifty, every cent. And here is 'Our Saviour,' from Da Vinci's celebrated picture of the Last Supper; and a 'Magdalen' from Correggio. You are a judge of pictures, I see, Mr. Morton! But what is this?" he said, eyeing closely ...
— Home Lights and Shadows • T. S. Arthur
... the great artist, architect, engineer, and musician, Leonardo da Vinci (1452-1519), who, among other great works, planned and executed some navigable canals in Northern Italy, and who was an observer of rare penetration and judgment, saw how fossil shells were formed, saying that the mud of rivers had covered and penetrated into the interior of fossil shells at ...
— Lamarck, the Founder of Evolution - His Life and Work • Alpheus Spring Packard
... interior horizon with most men,—whether it is the atmosphere of one's own identity still warming and enriching it, or whether the orbed course of time has dropped the earthy part away, and left only the sunbeams falling there. But Leonardo da Vinci supposed that the sky owed its blue to the darkness of vast space behind the white lens of sunlit air; and perhaps where the sea presents through the extent of its depth, as it slips over into other hemispheres, ...
— The Atlantic Monthly, Volume 18, No. 107, September, 1866 • Various
... for herself—and queer enough ones she often made, very likely. On the other hand, the American, who liked to talk to her in his own tongue, and to make her chatter to him in return, would tell her many a story of the old master painters, of Cimabue and the boy Giotto, of Lionardo da Vinci, and half a dozen others; old, old tales of the days when, as we sometimes fancy, looking back through the mist of centuries, there were giants on the earth, but all new and fresh to our little Madelon, and with ...
— My Little Lady • Eleanor Frances Poynter
... eliminates specific and characteristic qualities from objects, replacing them by so-called 'ideal' generalities, had already made its appearance in Raphael, Correggio, and Buonarroti We even find it in Da Vinci's Last Supper. Yet in Raphael it comes attended with divine grace; in Correggio with faun-like radiancy of gladness; in Buonarroti with Sinaitic sublimity; in Da Vinci with penetrative force of psychological characterization. The Caracci and their followers, with ...
— Renaissance in Italy, Volumes 1 and 2 - The Catholic Reaction • John Addington Symonds
... shouted, with a gesture of fierce repudiation. "Was Angelo's life petty? Was da Vinci's? Did Columbus live monotonously, did Scott or Peary? Does any explorer or traveler? Did Thoreau surround himself with things—to hamper—did George Borrow, or Whitman, or Stevenson? Do you suppose Rodin, or de Musset, or Rousseau, or Millet, or any one else who has ever lived, cared whether ...
— The Nest Builder • Beatrice Forbes-Robertson Hale
... in French, but we venture to say that M. Guizot never wrote French which could answer to this version, awkward, careless, and sometimes obscure. A certain picture of dull and ancient aspect, which had long passed for an original from the hand of Leonardo da Vinci, and, despite the raptures of sentimental people who sought to tickle their own vanity by pretending to perceive in it the marks of its high origin, had commonly awakened only a sigh of regret over the transitoriness of pictorial glory, fell at length into the hands of a skilful artist. ...
— The Atlantic Monthly, Volume 14, No. 86, December, 1864 • Various
... these nineteenth-century people in the council-chamber, wherein reign Guido, Rembrandt, Claude, and even Da Vinci. If Leonardo really executed all the canvases ascribed to him in English collections, the common impressions of his habits of painting but little, and not often finishing that, do him great injustice. Martin Luther is here, by ...
— Lippincott's Magazine of Popular Literature and Science - February, 1876, Vol. XVII, No. 98. • Various
... the architecture and the sculpture, the poetry and the philosophy of Attica; obliterate from the sum of civilization the names of Dante, Boccaccio, Petrarch, Machiavelli,—of Cimabue, Giotto, Leonardo da Vinci, Brunelleschi, Michel Angelo,—of Brunetto, Ficino, Politian; and how much diminished will ...
— The Atlantic Monthly, Vol. I, No. 1, Nov. 1857 • Various
... realization of ideas of beauty and form, they reached absolute perfection. Hence we have a right to infer that Art can flourish under Pagan as well as Christian influences. It was a comparatively Pagan age in Italy when the great artists arose who succeeded Da Vinci, especially under the patronage of the Medici and the Medicean popes. Christianity has only modified Art by purifying it from sensual attractions. Christianity added very little to Art, until cathedrals arose in their grand proportions and infinite details, and ...
— Beacon Lights of History, Volume I • John Lord
... Islands. There are some pasture grounds at the farther end of the bay. We traced the sinuosities of this arm of the sea, which, like a river, has dug a bed between perpendicular rocks destitute of vegetation. This singular prospect reminded us of the fanciful landscape which Leonardo da Vinci has made the back-ground of his famous portrait of Mona Lisa, the ...
— Equinoctial Regions of America • Alexander von Humboldt
... the cathartic method, though Freud prefers to call it the "analytic" method. It is, as Freud points out, the reverse of the hypnotic method of suggestive treatment; there is the same difference, Freud remarks, between the two methods as Leonardo da Vinci found for the two technical methods of art, per via di porre and per via di levare; the hypnotic method, like painting, works by putting in, the cathartic or analytic method, like ...
— Studies in the Psychology of Sex, Volume 1 (of 6) • Havelock Ellis
... Walter Pater, "Leonardo da Vinci," in The Renaissance. | | For an account of scientific experiments on the time and | | stress rhythm of this sentence, see W. M. Patterson, The | | Rhythm of Prose, New York, 1916, ch. iv. An idea of the | | complexity may be obtained from ...
— The Principles of English Versification • Paull Franklin Baum
... ("Le Psalterion," now at Windsor), and invited him to Balmoral. The heir-apparent, the late King, admired his talent and relished his society. By the clerical world he was especially esteemed, being looked upon as a second Leonardo da Vinci. And, in fine, Dore must be regarded as an anticipator of the Entente cordiale. "Gustave Dore," his compatriots would say, "he is half an Englishman!" Forty years ago our popular favourite might indeed have believed ...
— In the Heart of the Vosges - And Other Sketches by a "Devious Traveller" • Matilda Betham-Edwards
... his becoming a flute-player, Benvenuto continued to practise on the instrument, though he detested it. His chief pleasure was in art, which he pursued with enthusiasm. Returning to Florence, he carefully studied the designs of Leonardo da Vinci and Michael Angelo; and, still further to improve himself in gold-working, he went on foot to Rome, where he met with a variety of adventures. He returned to Florence with the reputation of being a most expert worker in the ...
— Self Help • Samuel Smiles
... give Mr. Grayson's words: "'To make you understand the situation clearly,' said Herr VON BODE, 'we must go back a little into history. Some years ago I was offered by an English dealer a wax bust of Flora, which I saw in a moment was by LEONARDO DA VINCI. No trained eye could have mistaken it for anything else. I therefore bought it and made it the very jewel of this superb collection. England, however, always envious and acquisitive, in matters of connoisseurship dense, and now mad with rage to think ...
— Punch, or the London Charivari, Vol. 147, October 28, 1914 • Various
... knowledge of the inventions and compositions of Rembrandt, it is necessary, in the first instance, to examine those of Albert Durer, the Leonardo da Vinci of Germany. The inventions of this extraordinary man are replete with the finest feelings of art, notwithstanding the Gothic dryness and fantastic forms of his figures. The folds of his draperies are more like creased pieces of paper than cloth, and his representation of the naked is ...
— Rembrandt and His Works • John Burnet
... the finest portraits by Titian, Raphael, and Leonardo da Vinci, were the outcome of the enthusiastic sentiments by which, indeed, under various conditions, every masterpiece is engendered. The artist only bent his ...
— At the Sign of the Cat and Racket • Honore de Balzac
... head, as you must have noticed, is not Japanese. It's Jewish. Do you recall the head of Judas painted by Da Vinci in his Last Supper? Now isn't this old scoundrel's the exact duplicate—well, if not exact, there is a very strong ...
— Visionaries • James Huneker
... looked back on with a purely admiring regret, as perfect enough to suit a superior mind, is always a long way off; the desirable contemporaries are hardly nearer than Leonardo da Vinci, most likely they are the fellow-citizens of Pericles, or, best of all, of the Aeolic lyrists whose sparse remains suggest a comfortable contrast with our redundance. No impassioned personage wishes he had been born in the age of Pitt, that his ardent youth might have eaten the dearest ...
— Impressions of Theophrastus Such • George Eliot
... have grown as a beautiful tendril grows, and every curve sways as mysteriously, and the perfection seems as divine. Beside it Duerer would seem crabbed and puzzle-headed; Holbein would seem angular and geometrical; Da Vinci would seem vague: and I hope that no critic by partial quotation will endeavour to prove me guilty of having said that Ingres was a greater artist than Da Vinci. I have not said any such thing; I have merely striven by aid of comparison to bring before the reader ...
— Modern Painting • George Moore
... It is the same mean sort of madness that is working in Prussian professors such as the one I have quoted. They can get no further than the notion of stealing giants. I will not bore you now with all the other giants they have tried to steal; it is enough to say that St. Paul, Leonardo da Vinci, and Shakespeare himself are among the monstrosities exhibited at Frederick-William fair—on grounds as good as those quoted above. But I have put this particular case before you, as an artist rather than an Italian, to show what I mean when I object ...
— The Appetite of Tyranny - Including Letters to an Old Garibaldian • G.K. Chesterton
... accuracy, but Signor Paoli, who has written so well upon Venice, is convinced, and the figure of Apollo is certainly free and fair as from a master's hand. Another picture, a Madonna and Child with two companions, is called a Leonardo da Vinci; but Baedeker gives it to Marco d'Oggiano. There is also a Filippino Lippi which one likes to find in Venice, where the prevailing art is so different from his. One of the most charming things here is a little relief of the manger; ...
— A Wanderer in Venice • E.V. Lucas
... Hypatia Diogenes Quintus Sextus Ovid Plutarch Seneca Apollonius The Apostles Matthew James James the Less Peter The Christian Fathers Clement Tertullian Origen Chrysostom St. Francis d'Assisi Cornaro Leonardo da Vinci Milton Locke Spinoza Voltaire Pope Gassendi Swedenborg Thackeray Linnaeus Shelley Lamartine Michelet William Lambe Sir Isaac Pitman Thoreau Fitzgerald Herbert Burrows Garibaldi Wagner Edison Tesla Marconi Tolstoy George Frederick Watts Maeterlinck Vivekananda General Booth Mrs. Besant ...
— No Animal Food - and Nutrition and Diet with Vegetable Recipes • Rupert H. Wheldon
... alluring are the avenues of imaginative thought which it discloses. It has, more than any other long composition by its author, that quality of symmetry, that symmetria prisca recorded of Leonardo da Vinci in the Latin epitaph of Platino Piatto; and, as might be expected, its mental basis, what Rossetti called fundamental brain-work, is as luminous, depth within depth, as the morning air. By its side, the more obviously "profound" ...
— Life of Robert Browning • William Sharp
... interpretations of the sacred books, and turned their faces away from scientific investigation, it was among their contemporaries at the revival of learning that there began to arise fruitful thought in this field. Then it was, about the beginning of the sixteenth century, that Leonardo da Vinci, as great a genius in science as in art, broached the true idea as to the origin of fossil remains; and his compatriot, Fracastoro, developed this on the modern lines of thought. Others in other parts of Europe ...
— History of the Warfare of Science with Theology in Christendom • Andrew Dickson White
... absorbed most of the trade of Arras, and thence forwards, till Henri IV. established the works of the Savonnerie, Brussels led European taste, and employed the best artists. Brussels employed Leonardo da Vinci and Mantegna, Giovanni da Udine, Raphael, and later, Rubens and the great Dutch painters, to design cartoons for tapestry works. Raphael's pupil, Michael Coxsius, of Mechlin, superintended the copying of his master's cartoons. Shortly afterwards, Antwerp, Oudenarde, Lille, Tournai, Valenciennes, ...
— Needlework As Art • Marian Alford
... that an Italian judged of men or conduct in any sense according to our standards. Pinturicchio and Perugino thought it no shame to work for princes like the Baglioni and for Popes like Alexander VI. Lionardo da Vinci placed his talents as an engineer at the service of Cesare Borgia, and employed his genius as a musician and a painter for the amusement of the Milanese Court, which must have been, according to ...
— Renaissance in Italy, Volume 1 (of 7) • John Addington Symonds
... he was studying mechanics. He told me himself that much as he liked landscape painting he thought an artist—a real artist, he said—ought to be versed in ancillary sciences; in fortification, wood-carving, architecture, and so on. Leonardo da Vinci, you know. Well, one day they could not get into his bedroom. They broke open his door and discovered that he had constructed a perfectly-formed guillotine; the knife had fallen; his head lay on one side and his body on the other. You may well be surprised. I went carefully into that ...
— South Wind • Norman Douglas
... Greek and Latin classics stimulated a longing for the beautiful in art and literature. Fourteenth-century Italian writers, like Petrarch and Boccaccio, found increasing interest in their work. Sixteenth-century artists, such as Leonardo da Vinci, Michael Angelo, and Raphael show their magnificent response to a world that had already been ...
— Halleck's New English Literature • Reuben P. Halleck
... yourselves, will continue to hold a high position in the estimation of this appreciative community. If I have stepped aside from Art to tread what seems another path, there is a good precedent for it in the lives of artists. Science and Art are not opposed. Leonardo da Vinci could find congenial relaxation in scientific researches and invention, and our own Fulton was a painter whose scientific studies resulted in steam navigation. It may not be generally known that the important invention of the percussion cap is due ...
— Samuel F. B. Morse, His Letters and Journals - In Two Volumes, Volume II • Samuel F. B. Morse
... heard, could never be forgotten. That artist indeed had long in his meditations an ideal head of Christ, which he was always talking of executing: "It is here!" he would cry, striking his head. That which baffled the invention, as we are told, of Leonardo da Vinci, who left his Christ headless, having exhausted his creative faculty among the apostles, this imaginative picture of the mysterious union of a divine and human nature, never ceased, even when conversing, to haunt ...
— Literary Character of Men of Genius - Drawn from Their Own Feelings and Confessions • Isaac D'Israeli
... self-consciousness in any artistic work, had a peculiar fascination. We find it in the mysticism of Plato and in the rationalism of Aristotle. We find it later in the Italian Renaissance agitating the minds of such men as Leonardo da Vinci. Schiller tried to adjust the balance between form and feeling, and Goethe to estimate the position of self-consciousness in art. Wordsworth's definition of poetry as 'emotion remembered in tranquillity' may be taken as an analysis ...
— Miscellanies • Oscar Wilde
... Caretto," one said; "this is Giacomo Da Vinci; this Pietro Forzi: all knight commanders of the Order, and now for six years prisoners in the hands of these corsairs. Assuredly no one would know us, so changed are we." He looked round inquiringly for a familiar face. ...
— A Knight of the White Cross • G.A. Henty
... employed contained some fowls' feathers, which had an "affinity'' for the dung-hill, whereas if they had been composed solely of eagles' feathers they would have been attracted to the air. This anecdote furnished Dunbar, the Scottish poet, with the subject of one of his rude satires. Leonardo da Vinci about the same time approached the problem in a more scientific spirit, and his notebooks contain several sketches of wings to be fitted to the arms and legs. In the following century a lecture on flying delivered in 1617 by Fleyder, ...
— Project Gutenberg Encyclopedia
... blonde, beardless type which Da Vinci and others have imposed upon the world, for Christ, to begin with, must be a Jew. And even when, in the course of my researches for a Jewish model, I became aware that there were blonde types, too, these ...
— Ghetto Comedies • Israel Zangwill
... of these epochs, the different phases of which revolve about the principal hero, the emperor Julian the Apostate. In "The Resurrection of the Gods" he develops, in sumptuous frescoes, the age of the Renaissance, personified by Leonardo da Vinci, who best typifies the character and tendencies of that time. In "Peter and Alexis," he retraces Russian life in the beginning of the 18th century, when it was dominated by the extraordinary character ...
— Contemporary Russian Novelists • Serge Persky
... The MSS. of Leonardo da Vinci have equally suffered from his relatives. When a curious collector discovered some, he generously brought them to a descendant of the great painter, who coldly observed, that "he had a great deal more in the garret, which had lain ...
— Curiosities of Literature, Vol. 1 (of 3) • Isaac D'Israeli
... master gravity and navigate the air are worthy of brief mention if only to show how persistent were the efforts from the earliest historic ages to accomplish this end. Passing over the legends of the time of mythology we find that many-sided genius, Leonardo da Vinci, early in the sixteenth century, not content with being a painter, architect, sculptor, engineer and designer of forts, offering drawings and specifications of wings which, fitted to men, he thought would enable ...
— Aircraft and Submarines - The Story of the Invention, Development, and Present-Day - Uses of War's Newest Weapons • Willis J. Abbot
... the Duomo, bristling with a forest of statues and perforated spires; at the other, the monument to Leonardo da Vinci, and the famous Teatro de la Scala! Within the four arms of the Gallery, a continuous bustle of people, an incessant going and coming of merging, dissolving crowds: a quadruple avalanche flowing toward the grand square at the center of the cross, ...
— The Torrent - Entre Naranjos • Vicente Blasco Ibanez
... place to vices; but to charming vices, vices in good taste, such as those indulged in by Alcibiades and sung by Catullus. Leo X died after having assembled under his reign, which lasted eight years, eight months, and nineteen days, Michael Angelo, Raffaelle, Leonardo da Vinci, Correggio, Titian, Andrea del Sarto, Fra Bartolommeo, Giulio Romano, Ariosto, Guicciardini, ...
— Celebrated Crimes, Complete • Alexandre Dumas, Pere
... Leonardo da Vinci might have known the art of flying in the air, and might even have practiced it. A statement to this effect, at least, is found in several historians. We have, however, no direct proof ...
— Wonderful Balloon Ascents - or, the Conquest of the Skies • Fulgence Marion
... Athenaeum itself. Yet I am positive that not long since I read in this very paper that Mr. Wyndham Lewis was more than a match for Matisse and Derain; and, having said so much, the critic not unnaturally went on to suggest that he was a match for Lionardo da Vinci. Since then I have trembled weekly lest the infection should have spread to our literary parts. Will it be asserted, one of these Fridays, that the appetizing novels of Mr. Gilbert Cannan are distinctly better than ...
— Since Cezanne • Clive Bell
... laws that preside over the solar system.—His works are denounced by papal authority.—The foundations of mechanical philosophy are laid by Da Vinci.— Galileo discovers the fundamental laws of Dynamics.—Newton applies them to the movements of the celestial bodies, and shows that the solar system is governed by mathematical necessity.—Herschel extends that conclusion to the universe.—The nebular ...
— History of the Conflict Between Religion and Science • John William Draper
... adorn those Palaces which Royalty still condescends to inhabit, while worse and worst are removed from those and deposited here; yet it was interesting to me to gaze at undoubted originals by Raphael, Titian, Poussin, Rembrandt, Teniers, Albert Durer, Leonardo da Vinci, Tintoretto, Kneller, Lely, &c., though not their master-pieces. The whole number of pictures, &c. here exhibited is something over One Thousand, probably five-sixths Portraits. Some of these have a strong ...
— Glances at Europe - In a Series of Letters from Great Britain, France, Italy, - Switzerland, &c. During the Summer of 1851. • Horace Greeley
... stone at all, is requiring to have all our work too refined; it is just the same mistake as if we were to require all our book illustrations to be as fine work as Raphael's. John Leech does not sketch so well as Leonardo da Vinci; but do you think that the public could easily spare him; or that he is wrong in bringing out his talent in the way in which it is most effective? Would you advise him, if he asked your advice, to give up his wood-blocks and take to canvas? I know you would not; ...
— The Two Paths • John Ruskin
... the collection of the Earl of Ellesmere a picture of the head of a girl which the connoisseurs of the nineteenth century ascribed to Leonardo da Vinci. The connoisseurs of the twentieth century ascribe it to Luini. But for the colour of the hair it might have been a portrait of Lady Loudwater, a faded portrait. It might also very well be a portrait ...
— The Loudwater Mystery • Edgar Jepson
... Queries.—1. Kugler (Schools of Painting in Italy, edited by Sir Charles Eastlake, 2nd edit., 1851, Part II. p. 284.), speaking of Leonardo da Vinci's cartoon, representing the victory of the Florentines in 1440 over Nicolo Picinnino, general of the Duke of Milan, and which ...
— Notes and Queries, Number 227, March 4, 1854 • Various
... lime trees on the terraced garden of Amboise is a small bust of Leonardo da Vinci, for it was near here he died. His remains are laid in the beautiful chapel at the corner of the castle court, and the romantic story of his last moments at Fontainebleau becomes the sad reality of a tombstone ...
— Seeing Europe with Famous Authors, Volume 4 (of 10) • Various
... feint of examining the picture and was indeed moved by the love which overflowed it, the Madonna caressing her babe and he in turn petting a little lamb; but my uncle pished and poohed, saying that this sentimentality was but a feeble reflection of his master Da Vinci; and our host cut the discussion short by demanding that Raphael should show his own work. This he could not be persuaded to do, modestly persisting that he had naught worthy of our consideration, though he promised later to show us a Sposalizio upon which he ...
— Romance of Roman Villas - (The Renaissance) • Elizabeth W. (Elizbeth Williams) Champney
... than Leonardo da Vinci's "Last Supper," millions of copies of which have been circulated in engravings, oil paintings, and by photography. We find the original in the Dominican monastery, where the artist painted it upon the bare wall or masonry ...
— Foot-prints of Travel - or, Journeyings in Many Lands • Maturin M. Ballou
... discovery of the old treasures, creation in literature and all the arts; culminating particularly in the early sixteenth century in the greatest group of painters whom any country has ever seen, Lionardo da Vinci, Raphael, and Michelangelo. In Italy, to be sure, the light of the Renaissance had its palpable shadow; in breaking away from the medieval bondage into the unhesitating enjoyment of all pleasure, the humanists too often overleaped all restraints and plunged into wild excess, often into ...
— A History of English Literature • Robert Huntington Fletcher
... engravings which have been made of many of its most capital pictures. In the works of Correggio it stands preeminent above all others; and although some of these have suffered by injudicious cleaning, still they are by Correggio. In the works of Titian, Raffaelle, Lionardo da Vinci, Parmiggiano, Andrea del Sarto, the Caracci, Guido, &c., it holds also a high place; while it is rich in the works of the Flemish and Dutch masters. Of the works of Reubens there are, 30; of Vandyck, 18; ...
— Anecdotes of Painters, Engravers, Sculptors and Architects and Curiosities of Art (Vol. 3 of 3) • S. Spooner
... Bethlehem. Through all the Christian centuries men of genius have been laying their most precious gifts at the feet of Christ. Columbus had no sooner set foot on a new shore than he named it San Salvador, Holy Saviour; and thus he laid his great discovery, America, at the feet of Jesus. Leonardo da Vinci swept the golden goblets from the table of his "Last Supper" because he feared their splendor would distract attention from and dim the glory of the Master himself. The hand that rounded St. Peter's dome reared it in adoration ...
— A Wonderful Night; An Interpretation Of Christmas • James H. Snowden
... the present, do you not find the description includes "the idealists" who could paint? The list would be a long and involved one, taking its start in Italy with Botticelli, Giotto, Fra Angelico, Raphael, Leonardo da Vinci, Michael Angelo, Andrea del Sarto, Fra Bartolomeo, Titian, Giorgione, and extending thence to our own time inclusive of Millet, Corot, Watts, Turner, Blake, Rousseau, Mauve, Puvis de Chavannes and Ryder—men of all complexions in art, ...
— Pictorial Composition and the Critical Judgment of Pictures • Henry Rankin Poore
... not eloquent, but then he censures with just severity 'the meaningless eloquence of the writers on aesthetics'; we admit that he is not subtle, but then he is careful to remind us that Leonardo da Vinci's views on painting are nonsensical; his qualities are of a solid, indeed we may say of a stolid order; he is thoroughly honest, sturdy and downright, and he advises us, if we want to know anything about art, to study the works of 'Helmholtz, ...
— Reviews • Oscar Wilde
... 'The Last Supper of Leonardo da Vinci.' A reproduction of the head of our Blessed Lord, taken from the fresco (photograph), is given in the quarto edition of Southwell's complete Poems in the Fuller Worthies' Library—none the less precious that it pathetically reveals the marks of Time's ...
— The Prose Works of William Wordsworth • William Wordsworth
... his, read him a page of Ruskin in his honor. "The plastic arts are essentially athletic." An invalid, a half paralyzed man, might be a great poet, a celebrated musician, but to be a Michael Angelo or a Titian a man must have not merely a privileged soul, but a vigorous body. Leonardo da Vinci broke a horseshoe in his hands; the sculptors of the Renaissance worked huge blocks of marble with their titanic arms or chipped off the bronze with their gravers; the great painters were often architects and, covered with dust, moved huge masses. Renovales ...
— Woman Triumphant - (La Maja Desnuda) • Vicente Blasco Ibanez
... the W he would probably have done so. I should say that I arrived at the Ecce Homo figure as a portrait of Tabachetti before I found the V cut upon the hat; I found the V on examining the portrait to see if I could find any signature. It stands next to a second portrait of Leonardo da Vinci by Gaudenzio Ferrari, taken into the Ecce Homo chapel, doubtless, on the demolition of some earlier work by Gaudenzio on or near the same site. I knew of this second portrait of Leonardo da Vinci when I published my first edition, but did not venture to say anything ...
— Ex Voto • Samuel Butler
... the past for emancipation. She was busy with her hands, busier with her brain, and her spiritual nature was like a spring of sweet waters, overflowing in bounteous blessing on all around. Of the great painter Leonardo da Vinci, his biographer says: "He always saw four things he wanted to do at once." Our friend always saw many more. Her mind was teeming not only with ideals as beautiful as those of the great artist, but with practical plans to educate the ignorant, and lift them to self-support and self-protection. ...
— History of Woman Suffrage, Volume II • Elizabeth Cady Stanton, Susan B. Anthony, and Matilda Joslyn Gage
... kind of mechanical harmony. One of his pupils, after trying in vain to use this system, in despair asked one of his colleagues how the master himself used the invention. The colleague replied: "The master never uses it at all." (Mereschowski, LEONARDO DA VINCI).] ...
— Concerning the Spiritual in Art • Wassily Kandinsky
... effect of the illuminations of an old missal. In their bold rejection of all principles of perspective, light and shade, and drawing, they are infinitely more ornamental to the page, owing to the vivid opposition of their bright colors and quaint lines, than if they had been drawn by Da Vinci himself: and so the Arena chapel is far more brightly decorated by the archaic frescoes of Giotti, than the Stanze of the Vatican are by those of Raffaelle. But how far it is possible to recur to such archaicism, or to make up for it by any voluntary ...
— The Stones of Venice, Volume I (of 3) • John Ruskin
... one. John Burnet, the etcher-author, has drawn attention to the fact that the figure of Christ in "Christ at Emmaus" (No. 282) is taken from one by Raphael, who is known to have borrowed it from da Vinci, and it is thought da Vinci, in his turn, got it from a former master. Rembrandt borrowed also from Rubens, Titian, Mantegna, his pupil Gerard Dou, Van de Velde and others. Many of his contemporaries and successors extended toward him the same sort ...
— Rembrandt and His Etchings • Louis Arthur Holman
... that success is attained by what I may call the "Benjamin Franklin" method. Franklin was a very great man; he united in his character a set of splendid qualities as various, in their different ways, as those possessed by Leonardo da Vinci. I have an immense admiration for him. But his Autobiography does make me angry. His Autobiography is understood to be a classic, and if you say a word against it in the United States you are apt to get killed. I do not, however, contemplate an immediate visit to the United States, and I ...
— Mental Efficiency - And Other Hints to Men and Women • Arnold Bennett
... wearily from the household cares, the daily direction of a little peasant-servant, to her drawing-board. A cast from Leonardo da Vinci of a woman's hand is her model, and for an hour she has been happily working. She has failed; but that has not clouded joy nor ...
— Browning's Heroines • Ethel Colburn Mayne
... opposite side of the room there were complete editions of Landor and Swift, then came two large volumes on Leonardo da Vinci. Raising his eyes, the parson read through the titles: Browning's works; Tennyson in a cheap seven-and-six edition; Swinburne, Pater, Rossetti, Morris, two novels by Rhoda Broughton, Dickens, Thackeray, Fielding, and Smollett; the complete works of Balzac, ...
— Celibates • George Moore
... have seen. The original is in the second, or darker style of colouring, of the master; and this engraving of it is as perfect a copy of the manner of the original, as that by Raphael Morghen of the last Supper of Leonardo da Vinci—so celebrated all ...
— A Bibliographical, Antiquarian and Picturesque Tour in France and Germany, Volume Three • Thomas Frognall Dibdin
... of the Crown. The Queen behaved most kindly and liberally on the occasion of the late Exhibition of Mediaeval Art: but that is a very different thing from calling for a transfer of the Holbein or Da Vinci drawings to ...
— Notes and Queries, Number 64, January 18, 1851 • Various
... its emphasis on what is called "the inner life," that I want further to illustrate the meaning of {188} discernment in art, by referring to the representation of the spirit of the Renaissance in the painting of Leonardo da Vinci. I quote the following from Pater's description ...
— The Moral Economy • Ralph Barton Perry
... of the painters are more than usually interesting. Every countenance is full of character. There is the pale, enthusiastic face of Raphael, the stern vigor of Titian, the majesty and dignity of Leonardo da Vinci, and the fresh beauty of Angelica Kauffmann. I liked best the romantic head of Raphael Mengs. In one of the rooms there is a portrait of Alfieri, with an autograph sonnet of his own on the back of it. The house in which he lived and died, is on the north bank of ...
— Views a-foot • J. Bayard Taylor
... between weight and velocity. That man gave us a key to heaven. That man opened its infinite book, and we now read it, and he did more good than all the theologians that ever lived. I have not time to speak of the others—of Galileo, of Leonardo da Vinci, and of hundreds of others that I ...
— Lectures of Col. R. G. Ingersoll - Latest • Robert Green Ingersoll
... preventive not remedial, is her characteristic one. Is it not worth while to remember that the great religious leaders have generally ignored contemporary social problems? So have the great artists who are closely allied to them. Neither William Shakespeare nor Leonardo da Vinci were reformers; neither Gautama nor the Lord Jesus had much to say about the actual international economic and political readjustments which were as pressing in their day as ours. They were content to preach the truth, sure that it, once ...
— Preaching and Paganism • Albert Parker Fitch
... appropriate for an orator addressing a multitude, and he gives rules for making a tempest or a deluge. He had a scientific law for putting a battle on to canvas, one condition of which was that "there must not be a level spot which is not trampled with gore." But Leonardo da Vinci did no harm; his canon was based on literary rather than artistic interests, and he was too wise to pay much attention to his own rules. Another man who tried to systematise art was Leon Battista Alberti, who gave the exact measurements of ideal beauty, length and circumference of limbs, ...
— Donatello • David Lindsay, Earl of Crawford
... quite as much difference in all that constitutes outward form and likeness as there is between a Dutch interior by Peter van der Hooch, the portrait of a king by Velasquez, and the image of a woman smiling by Leonardo da Vinci. The soul, for instance, is at heart as real as the body; but, as we can hear it only through the body speaking, and see it only through bodily eyes, and measure it, often enough, only in the insignificant moment of its action, ...
— The Works of Guy de Maupassant, Vol. 1 (of 8) - Boule de Suif and Other Stories • Guy de Maupassant
... else the horrid bestialities in morning journals of Chartists and Cobdenites at home, of Red Ruffians abroad, draw off our attention from the chonchoids and the cycloids pencilled by the Eternal Geometrician! and these celestial traceries of the dawn, which neither Da Vinci nor Raphaello was able to have followed as a mimic, far less as a rival, we regard as a nuisance claiming the attentions of the window-cleaner; even as the spider's web, that might absorb an angel into reverie, is honoured amongst the things banned by ...
— The Posthumous Works of Thomas De Quincey, Vol. II (2 vols) • Thomas De Quincey
... Muzzio's return, Fabio had begun a portrait of his wife, depicting her with the attributes of Saint Cecilia. He had made considerable advance in his art; the renowned Luini, a pupil of Leonardo da Vinci, used to come to him at Ferrara, and while aiding him with his own counsels, pass on also the precepts of his great master. The portrait was almost completely finished; all that was left was to add a few strokes to the face, and Fabio might well be proud of his creation. After seeing ...
— Dream Tales and Prose Poems • Ivan Turgenev
... the art of the Renaissance reached its highest development. Among all the great artists of this period three stand out in heroic proportions—Leonardo da Vinci, Michael Angelo, and Raphael. The first two not only practiced, but achieved almost equal distinction in, the three arts of architecture, sculpture, and painting.[240] It is impossible to give in a few lines any idea of the beauty and significance of the work of these great geniuses. ...
— An Introduction to the History of Western Europe • James Harvey Robinson
... king, her father-in-law, who at that time was very ill indeed, presented him, from time to time, with Italian pictures, knowing that he liked them much, being a friend of the Sieur Raphael d'Urbin and of the Sieurs Primatice and Leonardo da Vinci, to whom he sent large sums of money. She obtained from her family—who had the pick of these works, because at that time the Duke of the Medicis governed Tuscany —a precious picture, painted by a Venetian named Titian (artist to the Emperor Charles, and in ...
— Droll Stories, Volume 3 • Honore de Balzac
... man might know all that was to be known. Dante did; so did Lionardo da Vinci. But times have changed since a mediaeval scholar wrote a book 'Concerning all things and certain others also.' We cannot all be archaeologists. Perhaps when we go and stand in the Forum we have a few general ideas about the relative position of ...
— Ave Roma Immortalis, Vol. 2 - Studies from the Chronicles of Rome • Francis Marion Crawford
... art. A divine-human face cannot be depicted, and all the efforts I have seen are not only failures which one can lament, but many are caricatures at which one becomes indignant. I was greatly pleased that a true artist, Leonardo da Vinci, realized this, and painted his Christ with averted head. Every great painter in older times seems to have thought it incumbent upon him to paint a Christ, and consequently you meet them everywhere. As for the "Fathers" (i.e., Jehovah) one sees, these seem to me positively sacrilegious. ...
— Round the World • Andrew Carnegie
... What ideal statue surpasses in poetical power Michel Angelo's De' Medici in the San Lorenzo Chapel? What ideal head is more beautiful than the Townley Clytie of the British Museum, or the Young Augustus of the Vatican? What grander than Da Vinci's portrait of himself? ...
— Atlantic Monthly, Vol. 5, No. 27, January, 1860 • Various
... of the time. The universities in Italy were attracting students from all over Europe, and such men as Linacre and Dr. Caius went down there from England. Raphael was but a young man at the end of the century, but he had done some noteworthy painting before it closed. Leonardo da Vinci was born just about the middle of the century, and did some marvellous work before the end of that century. Michael Angelo was only twenty-five at the close of the century, but he, too, did fine work, even at this early age. Among the other great Italian painters of ...
— Old-Time Makers of Medicine • James J. Walsh
... Titian, Rembrandt, Velasquez, Veronese, Da Vinci, Botticelli, Signorelli—the older the better; and tried my best to honestly feel the greatness I knew and know to be there; but for want of proper training I was unable to reach those heights, and, like most outsiders, admired ...
— Peter Ibbetson • George du Marier et al
... an engaging subject. Think of what Florence was at this time, and how an artist must have thrilled at its very name! Beautiful as a flower, with her marble palaces, her fine churches, her lily-like bell-tower! What a charm was added when within her walls Leonardo da Vinci was painting, Michael Angelo carving, Savonarola preaching. In the early years of Raphael's apprenticeship, the voice of the preacher had been silenced, but still, "with the ineffable left hand," Da Vinci painted, and still ...
— Great Artists, Vol 1. - Raphael, Rubens, Murillo, and Durer • Jennie Ellis Keysor
... reconciliation, enthroned as the glorified mother of all things. The delicate plaiting of the tunic about the throat, the formal curling of the hair, and a certain weight of over-thoughtfulness in the brows, recall the manner of Leonardo da Vinci, a master, one of whose characteristics is a very sensitive expression of the sentiment of maternity. It reminds one especially of a work by one of his scholars, the Virgin of the Balances, in the Louvre, a picture which has been thought to represent, under a veil, the blessing ...
— Greek Studies: A Series of Essays • Walter Horatio Pater
... of error,—that scarce an explanation of geologic phenomena has been given by the anti-geologists of our own times, that was not anticipated by writers of the sixteenth and seventeenth centuries. It was held, for instance,—in opposition to the great painter, Leonardo da Vinci, who flourished early in the sixteenth century, and was one of the first who, after the revival of learning, asserted the true character of organic remains,—that fossils were formed in the rocks through the planetary ...
— The Testimony of the Rocks - or, Geology in Its Bearings on the Two Theologies, Natural and Revealed • Hugh Miller
... art as well; it is a law of optics, for example, that all straight lines having a common direction if sufficiently prolonged appear to meet in a point, i.e., radiate from it (Illustration 31). Leonardo da Vinci employed this principle of perspective in his Last Supper to draw the spectator's eye to the picture's central figure, the point of sight toward which the lines of the walls and ceiling converge centering ...
— The Beautiful Necessity • Claude Fayette Bragdon
... then the best and most upright of men sought, without any scruples whatever, the presence and favors of the Borgias. Pinturicchio and Perugino painted for Alexander VI, and the most wonderful genius of the century, Leonardo da Vinci, did not hesitate to enter the service of Caesar Borgia as his engineer, to erect fortresses for him in the same Romagna which he had appropriated ...
— Lucretia Borgia - According to Original Documents and Correspondence of Her Day • Ferdinand Gregorovius
... Inquisitor They are as follows: In his treatise on the casting of cannons Don Ramon speaks of a certain invention called Thunder, made by Leonardo da Vinci, your master, and says that it might be applied to ...
— The Resources of Quinola • Honore de Balzac
... could order a sextuple funeral and get the corpses ready for it. We saw one single coarse yellow hair from Lucrezia's head, likewise. It awoke emotions, but we still live. In this same library we saw some drawings by Michael Angelo (these Italians call him Mickel Angelo,) and Leonardo da Vinci. (They spell it Vinci and pronounce it Vinchy; foreigners always spell better than they pronounce.) We reserve our ...
— Innocents abroad • Mark Twain
... that of his master the jeweller; and he signed his pictures almost always, "Francia, the goldsmith," for love of his master; Ghirlandajo was a goldsmith, and was the master of Michael Angelo; Verrocchio was a goldsmith, and was the master of Leonardo da Vinci. Ghiberti was a goldsmith, and beat out the bronze gates which Michael Angelo said might serve for gates of Paradise.[7] But if ever you want work like theirs again, you must keep it, though it should have the misfortune to become old-fashioned. You must not break it up, nor melt ...
— A Joy For Ever - (And Its Price in the Market) • John Ruskin
... in Italian art—therefore no greater in art—than that of Titian. If the Venetian master does not soar as high as Leonardo da Vinci or Michelangelo, those figures so vast, so mysterious, that clouds even now gather round their heads and half-veil them from our view; if he has not the divine suavity, the perfect balance, not less of ...
— The Earlier Work of Titian • Claude Phillips
... the reservoir of pictures at M. de Marigny's. They are what are not disposed of in the palaces, though sometimes changed with others. This refuse, which fills many rooms from top to bottom, is composed of the most glorious works of Raphael, L. da Vinci, Giorgione, Titian, Guido, Correggio, etc. Many pictures, which I knew by their prints, without an idea where they existed, ...
— The Letters of Horace Walpole Volume 3 • Horace Walpole
... before which dogmas and slaveries had crumbled to dust. In contrast, the world today seemed pitifully arid. Men seemed to have shrunk in stature before the vastness of the mechanical contrivances they had invented. Michael Angelo, da Vinci, Aretino, Cellini; would the strong figures of men ever so dominate the world again? Today everything was congestion, the scurrying of crowds; men had become ant-like. Perhaps it was inevitable that the crowds should sink deeper and deeper in slavery. ...
— Three Soldiers • John Dos Passos
... of her great men, Florence is perhaps unrivalled by any city, excepting Athens, of the ancient or the modern world. [Footnote: In her long roll of fame we find the names of Dante, Petrarch, Boccaccio, Macchiavelli, Michael Angelo, Leonardo da Vinci, Galileo, Amerigo Vespucci, and ...
— A General History for Colleges and High Schools • P. V. N. Myers
... word means nothing but the obscure which is at the same time clear." It should rather be defined to be light in shadow; but it will be difficult to establish any other sense for it than the disposition of the light and shade in a picture. The inventor of it, for practical use, was Leonardo da Vinci. Of this chiaroscuro he says: "It is this, in fine, against which so many renowned Italian masters have sinned, but in which the immortal Correggio is so eminently distinguished, and which proves how they err who have named ...
— Blackwood's Edinburgh Magazine, Volume 58, Number 360, October 1845 • Various
... invited him to Balmoral. The heir-apparent, the late King, admired his talent and relished his society. By the clerical world he was especially esteemed, being looked upon as a second Leonardo da Vinci. And, in fine, Dor must be regarded as an anticipator of the Entente cordiale. "Gustave Dor," his compatriots would say, "he is half an Englishman!" Forty years ago our popular favourite might indeed have believed ...
— In the Heart of the Vosges - And Other Sketches by a "Devious Traveller" • Matilda Betham-Edwards
... fatality has ruled the destiny of nearly all the most famous of Leonardo da Vinci's works. Two of the three most important were never completed, obstacles having arisen during his life-time, which obliged him to leave them unfinished; namely the Sforza Monument and the Wall-painting of the Battle of Anghiari, while the third—the picture of the Last Supper at Milan—has suffered ...
— The Notebooks of Leonardo Da Vinci, Complete • Leonardo Da Vinci
... the Crusades and voyages of discovery. Dante was not only the greatest poet of his time, but an astronomer; Petrarch was geographer and cartographer, and, at the end of the fifteenth century, with Paolo Toscanelli, Lucca Baccioli, and Leonardo da Vinci, Italy was beyond all comparison the first nation in Europe ...
— The Development of the Feeling for Nature in the Middle Ages and - Modern Times • Alfred Biese
... Period came the Renaissance of Greek art which began in Italy under the leadership of Leonardo Da Vinci and Raphael, who, rejecting the existing types of degraded decorative art, in Italy a combination of the Byzantine and Gothic—turned to the antique, the purest Greek styles of Pericles' time. The result was another period of perfect line and ...
— The Art of Interior Decoration • Grace Wood
... second-rate splendor. So far there was nothing to distinguish Mr. W—'s papers from the papers of other triflers. But in this point there was, viz., that in his judgments upon the great Italian masters of painting, Da Vinci, Titian, &c., there seemed a tone of sincerity and of native sensibility, as in one who spoke from himself, and was not merely a copier from books. This it was that interested me; as also his reviews of the chief Italian engravers, Morghen, Volpato, ...
— Biographical Essays • Thomas de Quincey
... da Vinci could have seen this fellow's face just now," thought the artist, "he would not have had to seek so long for his model for the face of Judas. Only for my poniard, my fate would have been settled. This man ...
— Serge Panine • Georges Ohnet
... me. Oh! chefs-d'oeuvre without number! I see you devoured, consumed, reduced to ashes! I see the walls tottering, the canvases fall from the frames and shrivel up; the "Marriage of Canaan" is in flames! Raphael is struggling in the burning furnace! Leonardo da Vinci is no more! This was, indeed, an unexpected calamity! Fortune had reserved this terrible surprise for us! But I will not believe it, these rumours are false, doubtless! How should these people who inhabit this quarter know what I am ignorant of? Yet over our heads the sky is tinged ...
— Paris under the Commune • John Leighton
... comprehensive mechanical explanation of nature. And thus an entirely new movement is at hand. Forerunners, it is true, had not been lacking. Roger Bacon (1214-94) had already sought to obtain an empirical knowledge of nature based upon mathematics; and the great painter Leonardo da Vinci (1452-1519) had discovered the principles of mechanics, though without gaining much influence over the work of his contemporaries. It was reserved for the triple star which has been mentioned to overthrow Scholasticism. The conceptions with which the Scholastic-Aristotelian ...
— History Of Modern Philosophy - From Nicolas of Cusa to the Present Time • Richard Falckenberg
... Leonardo da Vinci would walk across Milan to change a single tint or the slightest detail in his famous picture of the Last Supper. "Every line was then written twice over by Pope," said his publisher Dodsley, of manuscript brought to be copied. Gibbon wrote his memoir nine ...
— Pushing to the Front • Orison Swett Marden
... degree and distribution of light we may consult a great master of effect. Il lume grande, ed alto, e non troppo potente, sara quello, che rendera le particole de' corpi molto grate. Tratt. della Pittura di LIONARDO DA VINCI, ...
— Poems • Samuel Rogers
... morning was to see the pencil drawings by eminent artists. Of these the Louvre has a very rich collection, occupying many apartments, and comprising sketches by Annibale Caracci, Claude, Raphael, Leonardo da Vinci, Michel Angelo, Rubens, Rembrandt, and almost all the other great masters, whether French, Italian, Dutch, or whatever else; the earliest drawings of their great pictures, when they had the glory of their pristine idea directly before their minds' eye,— that idea which inevitably became ...
— Passages From the French and Italian Notebooks, Complete • Nathaniel Hawthorne
... Leonardo Da Vinci, the many-sided genius of the Italian Renaissance, was born, as his name implies, at the little town of Vinci, which is about six miles from Empoli and twenty miles west of Florence. Vinci is still very inaccessible, and the only means of conveyance is the cart of a general ...
— Leonardo da Vinci • Maurice W. Brockwell
... verse,' they are the twin creators that sway the world's secret desire for mystery; and what in my father is the genius of curiosity—the very essence of all scientific genius—in me is the desire for beauty. Do you remember Pater's phrase about Leonardo da Vinci, 'curiosity and the desire ...
— The Golden Threshold • Sarojini Naidu
... in excellent condition. And Mr. Alexander Barker, whose collection is becoming one of the best selected and most interesting in England, has purchased several pictures of great value, especially one by Verocchio, the master of Leonardo da Vinci, which Dr. Waagen speaks of as "the most important picture I know by this rare master." Mr. Barker has also made an addition to his collection so recent as not to be described even in this last volume of the ...
— Atlantic Monthly, Vol. 1, No. 6, April, 1858 • Various
... we recognize that Genius which rises here and there in the past history of the Aryan races, and that so all-sidedly and confidingly as to seem miraculous. I confess that when I look closely and deeply into the knowledge of Dante and Lionardo da Vinci, of Fiar Bacon, and the Cavalier Marquis of Worcester, an awe comes over me. All of them seem to have been so great, some of their order so unearthly great; and they held the keys to so many mysteries, and to doors of science which were not unlocked ...
— The Continental Monthly, Vol 3 No 3, March 1863 - Devoted To Literature And National Policy • Various
... Defuit mini symmetria prisca. Peregi Quod potui; Veniam da mihi, posteritas. —Lionardo da Vinci's epitaph ...
— Euphorion - Being Studies of the Antique and the Mediaeval in the - Renaissance - Vol. I • Vernon Lee
... science, of course, was sound, save for a temperamental error: the lack of sufficient imagination to realize the unknown quantity of chance, the inevitable mistake of military scientists who are loath to admit the artist to their counsels, exemplified by men of genius, such as Napoleon and Leonardo da Vinci, who were ...
— Witch-Doctors • Charles Beadle
... is now so old, so many eminent men have lived and thought for thousands of years, that there is little new to be discovered or expressed. Even my theory of colors is not entirely new. Plato, Leonardo da Vinci, any many other excellent men, have before me found and expressed the same thing in a detached form: my merit is, that I have found it also, that I have said it again, and that I have striven to bring the truth once more into ...
— The German Classics of The Nineteenth and Twentieth Centuries, Vol. II • Editor-in-Chief: Kuno Francke
... surrounded by her family, a comely party of young females in splendid attire, some of them wearing the bridal crown. It is altogether a curiosity, partaking, indeed, of the general bad taste of the times, but painted with great attention to nature in the minutiae, and resembling Lionardo da Vinci in many particulars, especially in the high finishing, the coloring of the carnations, and the grace, and beauty of some of the heads. The draperies, too, ...
— Account of a Tour in Normandy, Vol. I. (of 2) • Dawson Turner
... Tuscans, sending forth a Dante, a Brunelleschi, and a Michael Angelo,—a Fiesole, a Boccaccio, and a Botticelli, and we find that eagerness in the pursuit of the knowledge of men and things, which was so characteristic of them, summed up in a Macchiavelli and a Lionardi da Vinci." ...
— Frederic Lord Leighton - An Illustrated Record of His Life and Work • Ernest Rhys
... saint himself had more consequence, and was represented in a stronger light. In the Palazzo Borghese, I chiefly admired the following pieces: a Venus with two nymphs; and another with Cupid, both by Titian: an excellent Roman Piety, by Leonardo da Vinci; and the celebrated Muse, by Dominechino, which is a fine, jolly, buxom figure. At the palace of Colorina Connestabile, I was charmed with the Herodias, by Guido Rheni; a young Christ; and a Madonna, by Raphael; and four landscapes, two by Claude Lorraine, and the other two, ...
— Travels Through France and Italy • Tobias Smollett
... modern life. Degas draws not by the masses, but by the character;—his subjects are shop-girls, ballet-girls, and washerwomen, but the qualities that endow them with immortality are precisely those which eternalise the virgins and saints of Leonardo da Vinci in the minds of men. You see the fat, vulgar woman in the long cloak trying on a hat in front of the pier-glass. So marvellously well are the lines of her face observed and rendered that you can tell exactly what her position in life is; you know what the furniture of her rooms is like; ...
— Confessions of a Young Man • George Moore
... worth everything, enough to light up one's memory for ever. How glorious that cathedral is! worthy almost of standing face to face with the snow Alps; and itself a sort of snow dream by an artist architect, taken asleep in a glacier! Then the Da Vinci Christ did not disappoint us, which is saying much. It is divine. And the Lombard school generally was delightful after Bologna and those soulless Caracci! I have even given up Guido, and Guercino too, since knowing more of them. Correggio, on the ...
— The Letters of Elizabeth Barrett Browning, Volume II • Elizabeth Barrett Browning
... Medical Society. Of museums and galleries are the Academy of San Carlos, with fine specimens of European and Mexican art, among the former of which are works by Velasquez, Murillo, Ribera, and others attributed to Rubens, Leonardo da Vinci, Van Dyck, &c. The National Museum, which was founded in 1865, is an important and interesting institution, in which are preserved the famous archaeological and ethnological objects and collections illustrative ...
— Mexico • Charles Reginald Enock
... delightful thoughts which came crowding to the utterance, than in pondering whether they were worthy of admiration. In the annals of the Renaissance one gets almost weary of the records of brilliant persons, like Leo Battista Alberti and Leonardo da Vinci, who were architects, sculptors, painters, musicians, athletes, and writers all in one; who could make crowds weep by twanging a lute, ride the most vicious horses, take standing jumps over the heads of tall men, and who were, moreover, so impressionable that books were ...
— At Large • Arthur Christopher Benson
... there is "The Pope's Poisoner, a Tale of the Borgias." That is a historical romance, I got it up out of Histories of the Renaissance. The hero (Lionardo da Vinci) is the Pope's bravo, and in ...
— The Disentanglers • Andrew Lang
... Paradise and Hell, Signorelli left his work at Monte Oliveto unaccomplished. Seven years later it was taken up by a painter of very different genius. Sodoma was a native of Vercelli, and had received his first training in the Lombard schools, which owed so much to Lionardo da Vinci's influence. He was about thirty years of age when chance brought him to Siena. Here he made acquaintance with Pandolfo Petrucci, who had recently established himself in a species of tyranny over the Republic. The work he did for this ...
— New Italian sketches • John Addington Symonds
... valet-de- place to afflict us with. It is an affliction, however, for which there is no remedy, because you want to see the things, and would be very sorry if you went home without having done so. From Venice we went to Milan to see the cathedral and Leonardo da Vinci's 'Last Supper.' The former is superb, and of the latter I am convinced, from the little that remains of it, that it was the greatest picture the world ever saw. We shall run back to Rome for Holy Week, and ...
— The Life of Harriet Beecher Stowe • Charles Edward Stowe
... which Leonardo Da Vinci did at Milan was to model an equestrian statue, we can scarcely speak of him as a sculptor. But the first Florentine of this period whom I shall mention is GIOVANNI FRANCESCO RUSTICI (1476-1550), who was a fellow-pupil with Leonardo under Verocchio. Very few ...
— A History of Art for Beginners and Students - Painting, Sculpture, Architecture • Clara Erskine Clement
... appointed director of the British National Gallery in succession to Sir W. Boxall, R.A. During the twenty years that he held this post he was responsible for many important purchases, among them Leonardo da Vinci's "Virgin of the Rocks," Raphael's "Ansidei Madonna," Holbein's "Ambassadors," Van Dyck's equestrian portrait of Charles I., and the "Admiral Pulido Pareja," by Velasquez; and he added largely to the noted series of Early Italian ...
— Encyclopaedia Britannica, 11th Edition, Volume 4, Part 4 - "Bulgaria" to "Calgary" • Various
... spiritually-minded seem always to be possessed of a great secret. This air of interior knowledge, of the perception of that which is hidden from the uninitiated, is a common mark of all refinement, aesthetic as well as moral. In studying the face of Leonardo da Vinci's 'Mona Lisa,' for instance, one will find that it is this interior insight that explains the so-called "cryptic smile." In the case of aesthetic refinement, the secret discloses itself as at bottom delicacy, the delicacy which prevents intrusion ...
— The Essentials of Spirituality • Felix Adler
... He had so often tried to see, and never seen, the essence of her soul. Why was she made like this? Why was she for ever mocking herself, himself, and every other thing? Why was she so hard to her own life, so bitter a foe to her own happiness? Leonardo da Vinci might have painted her, less sensual and cruel than his women, more restless and disharmonic, but physically, spiritually enticing, and, by her refusals to surrender either to her spirit or her senses, ...
— Forsyte Saga • John Galsworthy
... of Peter baptizing the converts, generally attributed to Masaccio, there is a lad who has thrown off his garments, and stands shivering with cold, whose figure, according to authority, formed an epoch in art. Lionardo da Vinci, Michael Angelo, Andrea del Sarto, Fra Bartolommeo, all studied their art in this chapel. Raphael borrowed the grand figure of St Paul preaching at Athens in one of the cartoons, from one of Masaccio's or Filippo Lippi's frescoes. ...
— The Old Masters and Their Pictures - For the Use of Schools and Learners in Art • Sarah Tytler |
