"Copyright" Quotes from Famous Books
 ... Joseph E. Loewenstein, M.D. This Introduction to Nina Balatka is protected by copyright and/or other applicable law. Any use of the work other than as authorized in "The Legal Small Print" section (found at the end of the book) ...
— Nina Balatka • Anthony Trollope
... facts," I replied. "I covered them with fiction, and I think Miss Herndon is going to copyright the whole." ...
— The White Waterfall • James Francis Dwyer
... than any book since 'Jane Eyre'; but probably she is a little or a good deal too emphatic in her representation of the matter. At any rate, she advises that the sheets of any future book be sent to Moxon, and such an arrangement made that a copyright may be secured in England as well as here. Could this be done with the Wonder-Book? And do you think it would be worth while? I must see the proof-sheets of this book. It is a cursed bore; for I want to be done ...
— Yesterdays with Authors • James T. Fields
... (the inland tax heretofore exacted by local officials on goods in transit through their territories); confirmed the right of American citizens to trade, reside, travel, and own property in China; extended to China the United States' copyright laws; gained a promise from the Chinese Government to establish a patent office in which the inventions of United States' citizens may be protected; and made valuable regulations regarding trade-marks, mining concessions, judicial tribunals for ...
— An Inevitable Awakening • ARTHUR JUDSON BROWN
... from a copy in the Fisk University Library Negro Collection Copyright (C)1969 Mnemosyne Publishing Co., Inc. Miami, Florida Library of Congress Catalog Card ...
— Political Recollections - 1840 to 1872 • George W. Julian
... Copyright, 1915, by Charles Scribner's Sons, Harper and Brothers, The Century Company, The Masses Publishing Company, P.F. Collier & Son, Incorporated, Margaret C. Anderson, Mitchell Kennerley, The Ridgway Company, Illustrated Sunday Magazine, John ...
— The Best Short Stories of 1915 - And the Yearbook of the American Short Story • Various
... already over a month since the first edition of that Peace Treaty was handed to the German delegates, and what is a little thing like a copyright to them crooks when it comes to making a profit of ten cents a volume? I bet yer that Europe is already flooded with pirated editions of that Peace Treaty retailing at anywheres from twenty-five cents up, and yet them highwaymen ...
— Potash and Perlmutter Settle Things • Montague Glass
... skating has a great advantage over its rival, the "roaring game" of curling. It would be poor fun to curl on asphalte, with stones fixed on wheels, though the amusement is possible, and we recommend the idea, which is not copyright, to enthusiastic curlers; and curlers are almost always enthusiastic. It is pleasant to think how the hills must be ringing with their shouts, round many a lonely tarn, where the men of one parish meet those of the ...
— Lost Leaders • Andrew Lang
... etext was produced from Analog Science Fact & Fiction August 1961. Extensive research did not uncover any evidence that the U.S. copyright on ...
— Lost in Translation • Larry M. Harris
... concerning the excursion, to the American Publishing Co. of Hartford, and I supposed I should need all those letters to fill it out with. I was in an uncomfortable situation—that is, if the proprietors of this stealthily acquired copyright should refuse to let me use the letters. That is just what they did; Mr. Mac—something—I have forgotten the rest of his name—said his firm were going to make a book out of the letters in order to get back the ...
— Chapters from My Autobiography • Mark Twain
... reasons are three. The first is to rescue the work from an edition illustrated without the author's sanction, and so unsuitably that all lovers of the book must have experienced some real grief in turning its pages. With the copyright I secured also the whole of that edition and turned it ...
— Phantastes - A Faerie Romance for Men and Women • George MacDonald
... to publish it in England himself, and he did so at his own expense. The publisher soon failed, and by Scott's help, as already explained, Irving got his book into the hands of Murray. Murray finally gave him a thousand dollars for the copyright. But when it was published, it proved so very popular that Murray paid him five hundred more. From that time forward he received large sums for his writings, both in the United ...
— Four Famous American Writers: Washington Irving, Edgar Allan Poe, • Sherwin Cody
... description given by Bernadette; the amiable and smiling face, the extremely long veil, the blue sash, and the golden roses on the feet, there being, however, some slight modification in each model so as to guarantee the copyright. And there was another flood of other religious objects: a hundred varieties of scapularies, a thousand different sorts of sacred pictures: fine engravings, large chromo-lithographs in glaring colours, ...
— The Three Cities Trilogy, Complete - Lourdes, Rome and Paris • Emile Zola
... Bok's plans arose from the soreness generated by the absence of copyright laws between the United States and Great Britain and Europe. The editor, who had been publishing a series of musical compositions, solicited the aid of Sir Arthur Sullivan. But it so happened that Sir Arthur's most famous composition, ...
— The Americanization of Edward Bok - The Autobiography of a Dutch Boy Fifty Years After • Edward William Bok
... he went on, "are not as badly off as they were before they had the copyright. Their stories can no longer be stolen with impunity as in the past. They are better paid, too. Many an olden-time author received very scant remuneration for his labor; sometimes he received none at all. Many had to beg the patronage of the rich in order to get their works ...
— Paul and the Printing Press • Sara Ware Bassett
... photocopy was made at BookLab. Inc. in compliance with copyright law. The paper meets the requirements of ...
— The Declaration of the Rights of Man and of Citizens • Georg Jellinek
... journal my thanks are due for permission so to do. I have also to express my gratitude to the Rev. A. H. COLLINS, and others to be referred to in due course, for permission here to reproduce illustrations of which they are the copyright holders. I have further to offer my hearty thanks to Mr B. R. ROWBOTTOM and my wife for valuable assistance in reading the proofs. ...
— Bygone Beliefs • H. Stanley Redgrove
... American literature has been greatly aided through the operation of laws based on this clause. Copyrights are secured from the Librarian of Congress. Any person obtaining a copyright has the sole right to print, copy, or sell the book, chart, engraving, music, etc., for a period of twenty-eight years. A copyright may be renewed for fourteen years longer. It may be sold or transferred providing a record of the transfer be made in the office of the Librarian ...
— Our Government: Local, State, and National: Idaho Edition • J.A. James
... the reality of the situation as above portrayed warrants him in publishing the present volume. Whether his criticism of poultry literature is founded on fact or fancy may, five years after the copyright date of this book, be ...
— The Dollar Hen • Milo M. Hastings
... was no international copyright, but Mr. Browning's Boston publishers needed no legal constraint to act with ideal honor. So on the appointed morning, a partie carre of artists—two poets, one sculptor, one painter—drove gayly through the Porta San Giovanni, on that road to Albano, with its wonderful views of the ...
— The Brownings - Their Life and Art • Lilian Whiting
... lay on his hands some time before he could find a publisher bold enough to undertake a venture of so novel a character; and so little faith in it had Francisco Robles of Madrid, to whom at last he sold it, that he did not care to incur the expense of securing the copyright for Aragon or Portugal, contenting himself with that for Castile. The printing was finished in December, and the book came out with the new year, 1605. It is often said that "Don Quixote" was at first received coldly. The facts show just the contrary. No ...
— Don Quixote • Miguel de Cervantes Saavedra
... Athenaeum, the same which still subsists, had been founded in those years by Mr. Buckingham; James Silk Buckingham, who has since continued notable under various figures. Mr. Buckingham's Athenaeum had not as yet got into a flourishing condition; and he was willing to sell the copyright of it for a consideration. Perhaps Sterling and old Cambridge friends of his had been already writing for it. At all events, Sterling, who had already privately begun writing a Novel, and was clearly looking towards Literature, ...
— The Life of John Sterling • Thomas Carlyle
... Supplement is meant to carry out as far as possible the original project of its author. The whole of his narrative has been retained, and also what Sara Coleridge added to his writing; and all the non-copyright letters of Coleridge available from other sources have been inserted into the narrative, and additional biographical matter, explanatory of the letters, has been given. [1] By this retention of authentic sources I have produced as faithful a picture of the Poet-Philosopher Coleridge as can ...
— Biographia Epistolaris, Volume 1. • Coleridge, ed. Turnbull
... only profit in a pecuniary sense that he ever obtained from any of his works was by the sale of what he called his Icosian Game. Some enterprising publisher, on the urgent representations of one of Hamilton's friends in London, bought the copyright of the Icosian Game for 25 pounds. Even this little speculation proved unfortunate for the purchaser, as the public could not be induced to take the ...
— Great Astronomers • R. S. Ball
... this is the money that has been invested in the publication of my operas. Can you get me such a sum? Have you got it yourself, or has some one else who would pay it for the love of you? Would it not be interesting if you were to become the owner of the copyright of my operas? My friend Meser would continue the business on your account as honestly as he has done on mine; and a lawyer could easily put the thing in order. And do you know what would be the result? ...
— Correspondence of Wagner and Liszt, Volume 1 • Francis Hueffer (translator)
... for sixty years afterward no townsman remembered to say anything about him or about his life in Stratford. When the inquirer came at last he got but one fact—no, legend—and got that one at second hand, from a person who had only heard it as a rumor, and didn't claim copyright in it as a production of his own. He couldn't, very well, for its date antedated his own birth-date. But necessarily a number of persons were still alive in Stratford who, in the days of their youth, had seen Shakespeare nearly every day in the last ...
— Is Shakespeare Dead? - from my Autobiography • Mark Twain
... Authorized Copyright Works. (Appleton's edition.) First Principles, 1 vol.; Principles of Biology, 2 vols.; Principles of Psychology, 2 vols.; Principles of Sociology, 3 vols.; Principles of Ethics, 2 vols. 8vo. 10 vols., cloth, new Published ...
— Mother Earth, Vol. 1 No. 1, March 1906 • Various
... of children, dogs, and an international copyright. I remember his meeting me once on Broadway and he didn't recognize me. He never mentioned the incident afterward. It has been said that he was also fond of dress. I regret that I never asked him about this, though I recall the circumstance of my inquiring ...
— Punchinello, Vol. 2., No. 32, November 5, 1870 • Various
... Ottocar—that particular friend, who, in the prologue, tried to get a finis put to his mortal career. The jocose ruffians here enliven the scene—one by being cast into a dungeon for asking Ottocar (evidently the Colburn of his day), an exorbitant price for the copyright of a certain manuscript; the other, by calling the courtier a man of genius, and being taken into his service, as no doubt, "first robber." To support this character, a change of apparel is necessary: and no wonder, for Wolfstein has on precisely the ...
— Punch, or the London Charivari, Volume 1, Complete • Various
... to the Senate, for its consideration with a view to ratification, an additional article to the convention for the establishment of international copyright, which was concluded at Washington on the 17th of February, 1853, between the United States of America and Her Britannic Majesty, extending the time limited in that convention for the exchange of the ratifications ...
— A Compilation of the Messages and Papers of the Presidents - Section 3 (of 4) of Volume 5: Franklin Pierce • James D. Richardson
... back the praise and bought the book in thousands. Publishers issued editions in Philadelphia and New York; but Borrow did not participate in the profits, as there was then no copyright protection for English books in the United States of America. The Athenaeum reported (27th May 1843) that 30,000 copies had been sold in America. "I really never heard of anything so infamous," wrote Borrow to his wife. The only thing that America gave him was praise and (in common with ...
— The Life of George Borrow • Herbert Jenkins
... N.B. The proprietorship of this Series is secured in all countries where the Copyright is protected. The authorities on which the History of St. Frances of Rome ...
— The Life of St. Frances of Rome, and Others • Georgiana Fullerton
... paid until the old lady's demise in 1854. Buisson the tailor, Dablin, Madame Delannoy, and the rest of the creditors, one after the other, were reimbursed the sums they had also advanced, the profits on unexhausted copyright aiding largely in the liberation of the estate. Before Eve's own death, every centime of debt ...
— Balzac • Frederick Lawton
... salary was at first L40, and he was passing rich on it; and it was soon raised to L79. We need trouble no further as to whether on such wages he was poor or rich: he evidently considered himself well-to-do. In fact, even in those days, when copyright practically did not exist, he continually made respectable sums by his compositions, and after he had been twice to England, ever the Hesperides' Garden of the German musician, he was a wealthy man, and was ...
— Haydn • John F. Runciman
... profit, and that of these only two had been printed, to wit the De Malo Medendi Usu and a tract on Simples. This advertisement had something of the character of a legal document, for it invoked the authority of the Emperor to protect the copyright of Cardan's books within the Duchy of Milan for ten years, and to prevent the introduction of them ...
— Jerome Cardan - A Biographical Study • William George Waters
... protected by Copyright and simultaneous publication in Great Britain, France, Germany, Russia and other countries. All foreign ...
— Reincarnation and the Law of Karma - A Study of the Old-New World-Doctrine of Rebirth, and Spiritual Cause and Effect • William Walker Atkinson
... all that is worthy of our own. He would make a very careful list of thoroughly modern encyclopaedias, atlases, and volumes of information, and a particularly complete catalogue of all literature that is still copyright; and then—with perhaps a secretary or so—he would revise all his lists and mark against every book whether he would have two, five or ten or twenty copies, or whatever number of copies of it he thought proper ...
— An Englishman Looks at the World • H. G. Wells
... dessert as simple and inexpensive as it is tasty," prescribes The Complete Manual of Cookery, p. 48, "take one cup of thick molasses—" But why should I infringe a copyright when the culinary reader may acquire the whole range of kitchen lore by expending eighty-nine cents plus postage on 39 T 337? Banneker had faithfully followed the prescribed instructions. The result had certainly been simple and inexpensive; presumably it would ...
— Success - A Novel • Samuel Hopkins Adams
... married Miss Catherine Hogarth when he was only twenty-four. He had just published his Sketches by Boz, the copyright of which he sold for one hundred pounds, and was beginning the Pickwick Papers. About this time his publisher brought N. P. Willis down to Furnival's Inn to see the man whom Willis called "a young paragraphist for the Morning Chronicle." Willis thus sketches ...
— Famous Affinities of History, Vol 1-4, Complete - The Romance of Devotion • Lyndon Orr
... me," he demanded with prompt interest, "who is this barbaric and regal creature in whose train I find you? Do you assert any claim of copyright—or prior discovery, or is it a clear field ...
— A Pagan of the Hills • Charles Neville Buck
... already got it, and he is quite right, for nearly three thousand copies have been sold at 27s.! There is no longer the high profit to be made on books there formerly was, as the rascals abroad pirate the good ones, and in the present state of copyright there is no help: we can, however, keep the American editions out of the ...
— Letters to his mother, Ann Borrow - and Other Correspondents • George Borrow
... The school reference librarian gives the lesson. For the eighth grade we consider the make-up of the book—the title-page in detail, the importance of noting the author, the significance of place and date and copyright, the origin of the dedication, the use of contents and index. This is followed by a description of bookmaking, folding, sewing and binding, illustrated by books pulled to pieces for the purpose. The ...
— Library Work with Children • Alice I. Hazeltine
... Environmental Agreements Appendix E: Weights and Measures Appendix F: Cross-Reference List of Country Data Codes Appendix G: Cross-Reference List of Hydrographic Codes Appendix H: Cross-Reference List of Geographic Names History Contributors and Copyright ...
— The 2000 CIA World Factbook • United States. Central Intelligence Agency.
... document it appears that Mr. Pultock received twenty pounds, twelve copies of the work, and 'the cuts of the first impression,' that is, a set of proof impressions of the fanciful engravings that professed to illustrate the first edition, as the price of the entire copyright. This curious document was sold to John Wilks, Esq., M.P. on the ...
— Notes and Queries, Number 62, January 4, 1851 • Various
... And as for Greuze, you know that his heads will fetch 1,000L., 1,500L., 2,000L.—as much as a Sevres "cabaret" of Rose du Barri. If cost price is to be your criterion of worth, what shall we say to that little receipt for 10L. for the copyright of "Paradise Lost," which used to hang in old Mr. Rogers's room? When living painters, as frequently happens in our days, see their pictures sold at auctions for four or five times the sums which they originally received, are they enraged or elated? A hundred years ...
— Roundabout Papers • William Makepeace Thackeray
... work. Putnam, to whom I am indebted for this story, says: "As far as I have been able to ascertain, this is the first instance which occurs in the history of European literature of a contention for a copyright." The conflict for this copyright afterwards developed into a civil war. The copy of the Latin Psalter "was enshrined in the base of a portable altar as the national relic of the O'Donnell clan," and was preserved by that family for thirteen hundred years. It was placed ...
— A Short History of Monks and Monasteries • Alfred Wesley Wishart
... man," he said repeatedly, with a tranquil smile. He then inquired if it was true that there were portraits of him in several of the papers, and was anxious to know if they were like him. He has executed his will, leaving the copyright of his manuscript, his sole assets, to his father, who has been in a comparatively humble position of life, but who will now be raised to a condition of affluence. The father has been interviewed, and stated to a reporter that he has been much gratified ...
— Punch, Or The London Charivari, Vol. 99., November 29, 1890 • Various
... have assumed this important part, notwithstanding the affection they professed for him. Left to himself, no sooner had his songs attained a marketable value than, pressed by hunger and the other necessaries of life, he consented to part with the copyright of the first twelve of his published songs—including in this number the 'Erl King' and the 'Wanderer'—for the sum of eight hundred silver gulden (equal to eighty pounds sterling), and this in face of the fact that more than eight hundred copies ...
— Story-Lives of Great Musicians • Francis Jameson Rowbotham
... four small books roughly bound in boards, the sides covered with paper. On the reverse of the title pages, two bear a copyright entry in the year 1836; the others were entered in 1837. They are the earliest editions of McGuffey's Eclectic Readers that have been found in ...
— A History of the McGuffey Readers • Henry H. Vail
... scene at the back of this case helped the effect wonderfully, as it usually does in good work. "Hooded Crows Tracking a Widgeon," and "Wounded Tern," fallen by its eggs, were two other clever groups—said to be "copyright," though how on earth such things can be copyright I do not know, especially as not one of the things exhibited could be called original; indeed, everything I saw at the "Fisheries," with the exception of the osprey mentioned above, had been done over and over again by German, ...
— Practical Taxidermy • Montagu Browne
... fifth Appendix was added by Einstein at the time of the fifteenth re-printing of this book; and as a result is still under copyright restrictions so cannot be added without the permission of ...
— Relativity: The Special and General Theory • Albert Einstein
... period (February, 1806) at work upon a farce, to be called "Mr. H.;" from which he says, "if it has a 'good run' I shall get two hundred pounds, and I hope one hundred pounds for the copyright." "Mr. H." (which rested solely upon the absurdity of a name, which after all was not irresistibly absurd) was accepted at the theatre, but unfortunately it had not "a good run." It failed, not quite undeservedly perhaps, for (although it has since had some success in America) ...
— Charles Lamb • Barry Cornwall
... the best of the three. On my way to Germany I passed through London, and there made the acquaintance of Henry S. King, the publisher, a charming but imprudent man, for he paid me one hundred pounds for the English copyright of my novel: and the moderate edition he printed is, I believe, still unexhausted. The book was received in a kindly manner by the press; but both in this country and in England some surprise and indignation were expressed that the son of ...
— Confessions and Criticisms • Julian Hawthorne
... in one of his lectures, afterward printed, made use of some of the thoughts that Comte had expressed, as if they were his own—and possibly they were. There is no copyright on an idea, no caveat can be filed on feeling, and at the last there is no such thing as originality, except as ...
— Little Journeys to the Homes of the Great Philosophers, Volume 8 • Elbert Hubbard
... must thank the publishers, Houghton Mifflin Company, for the use of selections from the copyright books of Mrs. Agassiz and Professor Shaler; these and all other obligations are, I trust, indicated in the proper places by footnotes. I owe a special debt of gratitude to Professor Burt G. Wilder for his interest and ...
— Louis Agassiz as a Teacher • Lane Cooper
... a modified kind, merely whistling in a soft way his original copyright tune. As the travellers had never seen Kempenfeldt Bay before, they admired it very much, and forgot their little misunderstanding, while arm in arm they leaned over the bulwarks, and quoted little snatches of poetry in one another's ears. The twinkling ...
— Two Knapsacks - A Novel of Canadian Summer Life • John Campbell
... grey tweed suit,'" repeated Spargo. "Good line. You haven't any copyright in it, remember. It would ...
— The Middle Temple Murder • J.S. Fletcher
... scanned using Optical Character Recognition was printed in the 1888-92 period by John W. Lovell of 150 Worth St. New York. Lovell has been described as a book pirate who tried to form a monopoly in the cheap uncopyrighted book trade. The US copyright laws were rather weak in the nineteenth century, and Charles Dickens was particularly hurt by pirates. There was even a book war, with rival publishers of the same book undercutting each other on price. Proof reading was done with ...
— Tom Brown at Oxford • Thomas Hughes
... reaction from Victorian Liberalism to Collectivism which has perceptibly strengthened the State Churches. Yet the fact remains that whereas Byron's Cain, published a century ago, is a leading case on the point that there is no copyright in a blasphemous book, the Salvation Army might now include it among its publications without ...
— Preface to Androcles and the Lion - On the Prospects of Christianity • George Bernard Shaw
... owners as distributers of books, and they mitigate the difficulty of dearness by subdividing the cost, and then selling such copies as are still in decent condition at a large reduction. It is this state of things, due, in my opinion, principally to the present form of the law of copyright, which perhaps may have helped to make way for the satirical (and sometimes untrue) remark that in times of distress or pressure men make their first economies on their charities, and their second ...
— On Books and the Housing of Them • William Ewart Gladstone
... to thank the contributors to this volume, and also their publishers, for the permission to reproduce copyright work. Special thanks are due to Mr. Richard Blakeborough, who has placed Yorkshiremen under a debt, by the great service which he has rendered in recovering much of the traditional poetry of Yorkshire and ...
— Yorkshire Dialect Poems • F.W. Moorman
... (after thirty years) and partly in collateral facts. The Sunday-school hymn-book was evidently The Signet Ring, which Bennett and Webster were at work upon and into which first went the "Sweet By and By"—whatever efforts may have been made to dispose of it elsewhere or whatever copyright arrangement could have warranted Mr. Healy in purchasing a song already printed. The Signet Ring did not begin to profit by the song until the next year, after a copy of it appeared in the publishers' ...
— The Story of the Hymns and Tunes • Theron Brown and Hezekiah Butterworth
... numerous illustrations upon this point—illustrations furnished by the copyright laws, illustrations furnished by patent laws. Let us take a case, one that appeals to us all. There lives now a man in England who from time to time sings to the enchanted ear of the civilized world strains of such melody that the charmed senses seem to abandon ...
— American Eloquence, Volume III. (of 4) - Studies In American Political History (1897) • Various
... From "A Winter in Russia." By permission of, and by arrangement with, the publishers, Henry Holt & Co. Copyright, 1874. Since Gautier wrote, Berlin has greatly increased in population and in general importance. What is known as "Greater Berlin" now embraces about 3,250,000 souls. Many of the quaint two-story houses, which formerly were characteristic of the city, have ...
— Seeing Europe with Famous Authors, Volume V (of X) • Various
... copyright," retorted Shirley, "this is one of the chapters of my life that isn't going to be typewritten, much ...
— The Voice on the Wire • Eustace Hale Ball
... which the editor "would not hesitate to adopt it he should ever find an ancient MS. to confirm them" and a final leaf with colophon and anchor. The Scholia, 24 unnumbered leaves, have a separate title, with notice of copyright granted by Paul III. (the fourth pope to grant this privilege) and the Venetian senate; colophon and anchor repeated on last leaf. Italic letter, 30 lines to the page, five-line spaces with guide-letters left for initials. Renouard, ...
— Catalogue of the William Loring Andrews Collection of Early Books in the Library of Yale University • Anonymous
... first book, I began to write a second, "Tender and True," of which Mr. Williams thought better, and recommended it to Smith, Elder, and Co., who published it in two volumes in 1856, and gave me 20 pounds for the copyright. This is the only one of my books that went through more than one edition. There were two or three large editions issued, but I never got a penny more. I was told that nothing could be made out of shilling editions; but that book was well ...
— An Autobiography • Catherine Helen Spence
... have L700 for 'the charge of paper, printing, and cutting of the maps, for 2000 copies of his History,' and the whole of the profits of that book. Morland's History of the Evangelical Churches of Piemont, which appeared in the following year, was therefore a State publication the copyright of which was made over to the author. More munificent still was the reward of the services of MEADOWS in Portugal. His special mission having been successfully accomplished, and ordinary consular ...
— The Life of John Milton, Volume 5 (of 7), 1654-1660 • David Masson
... one fourth of the copyright to Mr. Miller of Albemarle Street, and one fourth to Mr. Murray of Fleet Street (see line 173). Both publishers eagerly accepted the proposal." ... "A severe and unjust review of 'Marmion' by Jeffrey appeared ...
— Byron's Poetical Works, Vol. 1 • Byron
... fully protected under the copyright laws of the United States, is subject to royalty, and any one presenting the play without the consent of the author or his agents, will be liable to penalty under the law. All applications for amateur performances must be made to SAMUEL FRENCH, 28-30 West 38th ...
— Dolly Reforming Herself - A Comedy in Four Acts • Henry Arthur Jones
... art is simply a commodity; it may be exceedingly valuable to the consumer, very profitable to the producer, but it does not come within the domain of pure literature. It is said that some high legal authority on copyright thus cites a case: "One Moore had written a book which he called 'Irish Melodies,'" and so on. Now, as Aristotle defined the shipbuilder's art to be all of the ship but the wood, so the literary art displayed in Moore's Melodies was precisely the ...
— The Atlantic Monthly, Volume 20, No. 122, December, 1867 • Various
... Jerrold had long desiderated a "Punch"; but it is certain that the present famous periodical of that name was started by his son-in-law, Mr. Henry Mayhew. For a while it had no great success, and the copyright was sold for a small sum to Messrs. Bradbury and Evans. Success came, and such a success that "Punch" must always last as part of the comic literature of England. That literature is rich in political as well as other forms of satire; and from ...
— The Atlantic Monthly, Vol. I, No. 1, Nov. 1857 • Various
... North gave his decision against Lord Rosebery and his publishers, while the Lords of Appeal went in his favour; but the House of Lords reaffirmed the decision of Mr Justice North and granted a perpetual injunction against this book. The copyright in his speech is Lord Rosebery's, but the copyright in the Times' report is the Times'. You see one of the ideas underlying the law is that no manner of speech is quite perfect as the man speaks it, or is beyond revision, improvement, or extension, and, if there ...
— Robert Louis Stevenson - a Record, an Estimate, and a Memorial • Alexander H. Japp
... lease, and a schooner in the stocks, which he has laid and built himself, and even hopes to finish. Mr. M'Callum and I did not meet, but, like gallant troubadours, corresponded in verse. I hope he will not consider it a breach of copyright if I give here a specimen of his muse. He and Bishop Dordillon are the two European ...
— The Works of Robert Louis Stevenson - Swanston Edition Vol. 18 (of 25) • Robert Louis Stevenson
... we cannot maintain that Jaggard behaved well. On the other hand, it were foolish to judge his offence as if the man had committed it the day before yesterday. Conscience in matters of literary copyright has been a plant of slow growth. But a year or two ago respectable citizens of the United States were publishing our books "free of authorial expenses," and even corrected our imperfect works without consulting us. We must admit that ...
— Adventures in Criticism • Sir Arthur Thomas Quiller-Couch
... journalism, being now connected with the best papers in London. "The Deemster" was sold for one hundred and fifty pounds (six hundred dollars), the serial rights having produced four hundred pounds (two thousand dollars). He would be glad to-day to purchase the copyright back for one thousand pounds. He had great ...
— McClure's Magazine December, 1895 • Edited by Ida M. Tarbell
... Custody of Compensation for Injuries Compensation for Accident Compensation for Defamation Compensation for Loss of Employment, &c., &c. Confiscation by Landlords Contracts, Breach of Copyright, Infringement of County ...
— "In Darkest England and The Way Out" • General William Booth
... is precious. As a matter of fact, the author is cheating the reader as soon as he writes for the sake of filling up paper; because his pretext for writing is that he has something to impart. Writing for money and preservation of copyright are, at bottom, the ruin of literature. It is only the man who writes absolutely for the sake of the subject that writes anything worth writing. What an inestimable advantage it would be, if, in every branch ...
— Essays of Schopenhauer • Arthur Schopenhauer
... of this session, a bill for securing to authors, in certain cases, the benefit of international copyright passed the legislature, and which enabled her majesty in council to direct that the authors of books published abroad shall have a copyright here, provided there be a reciprocal protection in favour of this country in the state ...
— The History of England in Three Volumes, Vol.III. - From George III. to Victoria • E. Farr and E. H. Nolan
... a limited term of years. He was followed by Hannah Adams, the Massachusetts writer, Jedediah Morse, the geographer, and others. Instead of granting such petitions by individual bills, as the State Legislatures had done, Congress enacted a general copyright law which gave to any applicant exclusive control of his ...
— The United States of America Part I • Ediwn Erle Sparks
... of the anti-rent war. Ingres, Jean Auguste Dominique. Inman, Henry, artist. International copyright. Ioannides, Dr., in the Cretan insurrection. Irby, Miss. Isle of Wight. Ismael Pasha, Stillman's relations with, during his consulate at Crete; character of his rule; action during the insurrection; his dismissal. Italian politics. ...
— The Autobiography of a Journalist, Volume II • William James Stillman
... Publishers have endeavored to give full credit to every author quoted, and to accompany every citation with ample notice of copyright ownership. At the close of the work it is their purpose to express in a more formal way their sense of obligation to the many publishers who have so courteously given permission for this use of their property, and whose rights of ownership it ...
— Library of the World's Best Literature, Ancient and Modern, Vol. 1 • Charles Dudley Warner
... the more inclined to put forth these ideas, at a time when reprints are the order of the day—when speculators, with a singular blindness, are ready to take hold of almost anything that comes in their way without the expense of copyright. It would be far more judicious to employ persons of a correct and elegant taste to separate the local and temporary from the universal and immortal part of our classics, and give us, in an independent form, what belongs to ourselves and to all time. A movement ...
— Chambers's Edinburgh Journal, No. 448 - Volume 18, New Series, July 31, 1852 • Various
... further,' said Mr. Snyder, growing sarcastic, 'that in case Mr. Onions Winter chooses to copyright the book in America, you are to have half-royalties on all copies sold over there. Now about America,' Mark continued after an impressive pause, at the same time opening a drawer and dramatically producing several paper-covered volumes therefrom. 'See this—and this—and ...
— A Great Man - A Frolic • Arnold Bennett
... call old notions fudge And bend our conscience to our dealing, The Ten Commandments will not budge And stealing will continue stealing. Motto of American Copyright League, 1885. ...
— The World's Best Poetry — Volume 10 • Various
... separable. Such are rank and profession which entail specific obligations and rights—these are not property but conditions; as distinguished from other exclusive rights bestowed by the law, concerned with saleable articles (e.g., copyright), which convey not conditions, but property. So, naturalisation conveys the conditions of a natural ...
— The World's Greatest Books—Volume 14—Philosophy and Economics • Various
... but one answer to the suggestion of Mr. Coventry Patmore that his "Angel in the House" might usefully have a place in this "National Library." The suggestion was made with the belief that wide and cheap diffusion would not take from the value of a copyright library edition, while the best use of writing is fulfilled by the spreading of verse dedicated to the sacred love of home. The two parts of the Poem appeared in 1854 and 1856, were afterwards elaborately revised, and have since obtained a permanent place among the Home Books of the English ...
— The Angel in the House • Coventry Patmore
... That the copyright of the said work including the wood and other cuts therein and the designs therefore shall belong to the parties hereto and so also shall all perquisites such as Books or other articles sent for review Tickets for Theatres Exhibitions ...
— The History of "Punch" • M. H. Spielmann
... the poet's house; he also warmly defends him from the charge that has been brought against him of servility in accepting it. He points out that it was only after the invention of printing that literature became a money-making profession, and that, as there was no copyright law at Rome to prevent books being pirated, patrons had to take the place that publishers hold, or should hold, nowadays. The Roman patron, in fact, kept the Roman poet alive, and we fancy that many of our modern bards rather regret the old system. Better, surely, ...
— Reviews • Oscar Wilde
... 1877 the first edition of "The Golden Dog" (Le Chien d'Or) was brought out in the United States, entirely without my knowledge or sanction. Owing to the inadequacy of the then existing copyright laws, I have been powerless to prevent its continued publication, which I understand to have been a successful and profitable undertaking for all concerned, except the author, the book ...
— The Golden Dog - Le Chien d'Or • William Kirby
... effect that invention ought to be encouraged and protected bore fruit in this same year in patent and copyright laws, which became the foundation of our present system. The same good fortune befell the recommendation for a uniform rule for naturalization, and the law of 1790 was quietly enacted, no one then imagining that its alteration less than ten years later was destined to form part of a policy ...
— George Washington, Vol. II • Henry Cabot Lodge
... the text of A Voyage to Terra Australis. It was never meant to be a book for popular reading, though there is no lack of entertainment in it. It was a semi-official publication, in which the Admiralty claimed and retained copyright, and its author was perhaps a little hampered by that circumstance. Bligh asked that it should be dedicated to him, but "the honour was declined."* (* Flinders' Papers.) The book was produced under the direction of a committee appointed by the Admiralty, ...
— The Life of Captain Matthew Flinders • Ernest Scott
... Copyright, 1920, by Doubleday, Page & Company All Rights Reserved, Including That of Translation into ...
— Pipefuls • Christopher Morley
... editors of the Outlook for "The Haughty Aspen;" and the editors of Good Housekeeping Magazine, Little, Brown & Company and Mrs. Velma Swanston Howard for her translation of "The Legend of the Christmas Rose," by Selma Lagerloef, taken from Good Housekeeping Magazine, copyright, 1907. Copyright, 1910, ...
— Christmas in Legend and Story - A Book for Boys and Girls • Elva S. Smith
... this chapter is selected, by kind permission of Dr. Henry Smith Williams, from his "History of the Art of Writing," Copyright, 1902 ...
— History Of Egypt From 330 B.C. To The Present Time, Volume 12 (of 12) • S. Rappoport
... Originally published serially in All-Story Cavalier Weekly. Copyright (c) 1914, by The Frank ...
— The Mucker • Edgar Rice Burroughs
... With few exceptions, the volumes in this series are included in no similar series, while several are copyright. ...
— Sappho: One Hundred Lyrics • Bliss Carman
... laughed Ormsby. "Miss Portia has a copyright on that. But before you begin, I'd like to know if the newspapers have it straight as far as they have gone ...
— The Grafters • Francis Lynde
... A new copyright series of Girl Scouts stories by an author of wide experience in Scouts' craft, as Director ...
— A Modern Tomboy - A Story for Girls • L. T. Meade
... Tour Through the Pyrenees." By special arrangement with, and by permission of, the publishers, Henry Holt & Co. Copyright, 1873.] ...
— Seeing Europe with Famous Authors, Volume 4 (of 10) • Various
... Ballads," was so slow, and the severity of most of the reviews so great, that their progress to oblivion, notwithstanding the merit which I was quite sure they possessed, seemed ordained to be as rapid as it was certain. I had given thirty guineas for the copyright, as detailed in the preceding letters; but the heavy sale induced me at length, to part with, at a loss, the largest proportion of the impression of five hundred, to Mr. Arch, a London bookseller. After this transaction had occurred, I received a letter from Mr. Wordsworth, ...
— Reminiscences of Samuel Taylor Coleridge and Robert Southey • Joseph Cottle
... color fac-simile reproductions and advancement in legitimate lithography. The credit of improvements in materially reducing the number of printings, and still maintaining excellence in results, was conceded to them by the Judges.—This company kindly permitted the author to use their copyright of the revised and most correct Bird's Eye View of the Exposition Grounds extant, which gives the readers a very adequate conception of that marvelous creation that—while existing only for such a brief period—has accomplished its mission in the ...
— By Water to the Columbian Exposition • Johanna S. Wisthaler
... Harcourt Brace Jovanovich and included in Lewis' 1994 Collected Poems. It is the first of Lewis' major published works to enter the public domain in the United States. Readers should be aware that in other countries it may still be under copyright protection. ...
— Spirits in Bondage • (AKA Clive Hamilton) C. S. Lewis
... that we are in the outer court of one of King Champagne's many palaces. Mem. Grand idea for a scene in a Drury Lane Pantomime. Visit to Palace of POPPIN THE FIRST, king of the Champagne country. Register copyright and suggest it to ...
— Punch, Volume 101, September 19, 1891 • Francis Burnand
... work of this translation and interpretation was done in the summer of 1902 at Bayreuth, and in part at Nuremberg and Munich. It may also be stated that this version is issued with the kind permission of Messrs. Schott and Company of London, the owners of the copyright of Wagner's words ...
— Parsifal - A Drama by Wagner • Retold by Oliver Huckel
... support. Yet he was concerned about literature as a paying profession for others. On April 26, 1851, he wrote to Stoddard: "Alas! alas! Dick, is it not sad that an American author cannot live by magazine writing? And this is wholly owing to the want of our international copyright law. Of course it is little to me whether magazine writers get paid or not; but it is so much to you, and to a thousand others." The time, until 1847, was spent in foreign travel, but it is interesting to note, as indication ...
— Representative Plays by American Dramatists: 1856-1911: Francesca da Rimini • George Henry Boker
... first in order come the great libraries of a nation, such as the British Museum. These are supplied by means of the Copyright Law, but the librarians are not from this cause exonerated from the troubles attendant on the formation of a library. There are old books and privately printed and foreign books to be bought, and it is necessary that the most catholic spirit should be ...
— How to Form a Library, 2nd ed • H. B. Wheatley
... also intimate that for this purpose they have purchased of Mr. Hartley the copyright of the DITTIES, and other ...
— Yorkshire Ditties, First Series - To Which Is Added The Cream Of Wit And Humour From His Popular Writings • John Hartley
... thick octavo volume, dated 1805. The title-page is succeeded by an anonymous address to the reader, at the foot of which occurs a peremptory warning to pilferers of dishes or parts thereof; in other words, to piratical invaders of the copyright of Monsieur Barba. There is a preface equally unclaimed by signatures or initials, but as it is in the singular number the two hommes de bouche can scarcely have written it; perchance it was M. Barba aforesaid, lord-proprietor of these not-to-be-touched treasures; but anyhow the writer had ...
— Old Cookery Books and Ancient Cuisine • William Carew Hazlitt
... called Hortensias—among which little Loves were playing. The poor lover, to enable him to pay for the materials of the box, of which the panels were of malachite, had designed two candlesticks for Florent and Chanor, and sold them the copyright—two ...
— Poor Relations • Honore de Balzac
... person publicly performing or representing any dramatic or musical composition, for which copyright has been obtained, without the consent of the proprietor of the said dramatic or musical composition, or his heirs or assigns, shall be liable for damages therefor, such damages in all cases to be assessed at such sum, not less than one hundred dollars for the first and fifty dollars for every ...
— Her Own Way - A Play in Four Acts • Clyde Fitch
... essentials, as vital and original a work as the Puritan allegory. They both came out quietly and made little noise at first. But the Pilgrim's Progress got at once {180} into circulation, and not even a single copy of the first edition remains. Milton, too—who received 10 pounds for the copyright of Paradise Lost—seemingly found that "fit audience though few" for which he prayed, as his poem reached its second impression in five years (1672). Dryden visited him in his retirement and asked leave to turn it into rime and put ...
— Brief History of English and American Literature • Henry A. Beers
... Copyright publications which cannot be obtained elsewhere. Books that charm the hearts of the little ones, and of which ...
— Bunny Brown and His Sister Sue Playing Circus • Laura Lee Hope
... blessing, is not every human being as well entitled, in justice and humanity, to have the benefit of them, as those who are fighting for the succession? What have they ever done to deserve a monopoly? If there were a perpetual copyright, who at the present day would be the representatives of Shakspeare or Milton; and what right would they have to reap great rewards from the riches with which the illustrious dead desired to endow all mankind? The inventors ...
— Chambers's Edinburgh Journal, No. 440 - Volume 17, New Series, June 5, 1852 • Various
... dashes like the first draft of a composer's score, and the poet, deftly picking his way among the erasures and interlineations, read aloud the beautiful words—with a full sense of their beauty!—to ears that deemed them more beautiful even than they were. The owners of this now valuable copyright allow me to irradiate my prose with three of ...
— Prose Fancies (Second Series) • Richard Le Gallienne
... rights, both professional and amateur, are reserved in the United States, Great Britain, and all countries of the Copyright Union, by the author. Performances are forbidden and ...
— Three Wonder Plays • Lady I. A. Gregory
... much better the subject of cookery[20-] may be treated by a philosopher;[20-] but you shall see what a book of cookery I shall make, and shall agree with Mr. Dilly for the copyright." ...
— The Cook's Oracle; and Housekeeper's Manual • William Kitchiner
... proud to be Irving's publisher, undertook the publication of the two volumes of the "Sketch-Book," and also of the "Knickerbocker" history, which Mr. Lockhart had just been warmly praising in "Blackwood's." Indeed, he bought the copyright of the "Sketch-Book" for two hundred pounds. The time for the publisher's complaisance had arrived sooner even than Scott predicted in one of his kindly letters to ...
— Washington Irving • Charles Dudley Warner
... I'm the most frightful things. I'm just beginning to realise it. Yes, blood's mine, Nona. Copyright. All rights reserved. Blood." ...
— If Winter Comes • A.S.M. Hutchinson
... We both took great pains with this book, and it has had a large sale: but for some whimsical reason or other, he would not allow his name to appear, though particular in retaining a share in the copyright. ...
— Blackwood's Edinburgh Magazine, No. CCCLXXVI. February, 1847. Vol. LXI. • Various
... where previously published, are used by arrangement with the owners of the copyrights (as specified at the beginning of each story). Translations made especially for the series are covered by its general copyright. All rights in both classes ...
— Stories by Foreign Authors: German (V.2) • Various
... Company Boston New York Chicago San Francisco The Riverside Press Cambridge Copyright, 1910, by George Herbert Betts Copyright, ...
— The Recitation • George Herbert Betts
... MacDonald Alden's story is published with permission of the Bobbs-Merrill Company of Indianapolis, Indiana, the publishers of Professor Alden's story and the holders of the copyright. ...
— Why the Chimes Rang: A Play in One Act • Elizabeth Apthorp McFadden
... ROBERT BROWNING. (The Tauchnitz selection). Two vols., 8vo. Leipzig; "Collection of British Authors." As this is a "copyright edition," the selection must have been either made or sanctioned by ...
— A Handbook to the Works of Browning (6th ed.) • Mrs. Sutherland Orr
... the 1962 book publication of the story. Extensive research did not uncover any evidence that the copyright on this publication ...
— Brain Twister • Gordon Randall Garrett
... H. B. Stowe has received from her publishers the sum of ten thousand three hundred dollars, as her copyright premium on three months' sale of ...
— Chambers's Edinburgh Journal, No. 453 - Volume 18, New Series, September 4, 1852 • Various
... preface tracing the history of the blocks, which are said to be Bewick's first efforts to depict beasts and birds, undertaken at the request of the New castle printer, to illustrate a new edition of "Tommy Trip." As at this time copyright was unknown, and Newcastle or Glasgow pirated a London success (as New York did but lately), we must not be surprised to find that the text is said to be a reprint of a "Newbery" publication. But as Saint was called the Newbery of the ...
— Children's Books and Their Illustrators • Gleeson White
... Quincy, and Colonel Joseph May. In 1819 Dr. Worcester began the publication of The Friends of Peace, a small quarterly magazine, a large part of the contents of which he wrote himself. After the first number, having obtained the assistance of several wealthy Friends, he relinquished the copyright; and the numbers were republished in several parts of the country, thus obtaining a wide circulation. He devoted himself almost wholly to this publication and the advocacy of the cause of peace until 1829, when ...
— Unitarianism in America • George Willis Cooke
... Sabbath," which, printed at his own risk, was well received, and rapidly passed through two editions. On the recommendation of Sir Walter Scott, to whom the poem was made known by Joanna Baillie, Constable published a third edition in 1808, handing the author thirty pounds for the copyright. Actively employed in his trade, Struthers continued to devote his leisure hours to composition. In 1816 he published a pamphlet "On the State of the Labouring Poor." A more ambitious literary effort was carried out in 1819; he edited a collection of the national ...
— The Modern Scottish Minstrel, Volumes I-VI. - The Songs of Scotland of the Past Half Century • Various
... method by which a copyright is obtained under the revised acts of Congress is as simple and inexpensive as can be reasonably asked. All unnecessary red tape is dispensed with, and the cost to the author who is seeking thus to protect himself in the enjoyment of the profits ...
— One Thousand Secrets of Wise and Rich Men Revealed • C. A. Bogardus
... poems by the Rev. Maltbie D. Babcock on this and the following page are reprinted, by special permission, from "Thoughts for Every Day Living," copyright, 1901, ...
— Poems with Power to Strengthen the Soul • Various |
