Free Translator Free Translator
Translators Dictionaries Courses Other
Home
English Dictionary      examples: 'day', 'get rid of', 'New York Bay'




Classic   /klˈæsɪk/   Listen
Classic

noun
1.
A creation of the highest excellence.
2.
An artist who has created classic works.



Related searches:



WordNet 3.0 © 2010 Princeton University








Advanced search
     Find words:
Starting with
Ending with
Containing
Matching a pattern  

Synonyms
Antonyms
Quotes
Words linked to  

only single words



Share |





"Classic" Quotes from Famous Books



... nephritic colic and epilepsy, from their fathers, who received them from the women without husbands.) A taste for the marvellous, and a wish to invest the descriptions of the New Continent with some of the colouring of classic antiquity, no doubt contributed to give great importance to the first narratives of Orellana. In perusing the works of Vespucci, Fernando Columbus, Geraldini, Oviedo, and Pietro Martyr, we recognize this tendency of the writers of the ...
— Equinoctial Regions of America V2 • Alexander von Humboldt

... and in many instances, especially in the "Leading Case," entirely remodelled. Nor was he, with all this, so absorbed as to forget literature; for, amidst his piles of opened law-books, you might often see a well-used copy of some classic English, French, Spanish, or Italian author, either prose or poetry, which he would read with equal zest and attention, as his pencil-marks in such volumes even now attest. As for "Don Quixote", and "Gil Blas," I really think he knew them almost by heart, in the ...
— Blackwood's Edinburgh Magazine, No. CCCLXXVI. February, 1847. Vol. LXI. • Various

... of the three ancient castles,—- which at this point may be at once seen from the deck,—Dunolly, Duart, and Dunstaffnage; and enough left us as we entered the Sound, to show, and barely show, the Lady Rock, famous in tradition, and made classic by the pen of Campbell, raising its black back amid the tides, like a belated porpoise. And then twilight deepened into night, and we went snorting through the Strait with a stream of green light curling off from either bow in the calm, towards the high dim land, that seemed standing up on ...
— The Cruise of the Betsey • Hugh Miller

... Lexington yes'd'y. My Boozum hove with sollum emotions. "& this," I sed to a man who was drivin' a yoke of oxen, "this is where our revolutionary forefathers asserted their independence and spilt their Blud. Classic ground!" ...
— The Complete Works of Artemus Ward, Part 1 • Charles Farrar Browne

... In passing from Tarrytown to Mr. Bartlett's house, we drove through the Sleepy Hollow, the scene of one of Washington Irving's tales, and passed the old Dutch church, which is mentioned by him in the legend, as the place of sanctuary where Ichabod took refuge. In fact, the whole scenery is classic ground here; and Mr. Irving himself, who has rendered it so, lives only ...
— First Impressions of the New World - On Two Travellers from the Old in the Autumn of 1858 • Isabella Strange Trotter

... reconcile the pygmies of the classic writers with actual dwarfs of flesh and blood is outside my province. Moreover, this has been admirably, and, as it seems to me, successfully done quite recently by M. Paul Monceaux, in an article in the Revue Historique,[18] ...
— Fians, Fairies and Picts • David MacRitchie

... after a foreign fashion. Seen close at hand his face, which was impressive at a distance, lost a certain distinction of contour, as though the marks of experience had blurred, rather than accentuated, the original type. The bones of forehead and nose still showed classic in outline, but in moulding the mouth and chin nature had not adhered closely to the aristocratic structure beneath. The flesh sagged a little in places; the brow was a trifle too heavy, the jaw a trifle too prominent, the lips under the short dark moustache were a trifle ...
— The Miller Of Old Church • Ellen Glasgow

... delight in a flower at your feet in these days is to watch with it all alone, or keep still about it. The moment you speak of it, it becomes botany. It's a rare man who will not tell you all he knows about it. Love isn't worth anything without a classic name. It's a wonder we have any flowers left. Half the charm of a flower to me is that it looks demure and talks perfume and keeps its name so gently to itself. The man who always enjoys views by picking out the places ...
— The Lost Art of Reading • Gerald Stanley Lee

... of literature, and certainly no satire, could exist. Nevertheless, it was at this period that Gogol produced his best works. The two most important are, his comedy "The Revizor," where he stigmatizes the abuses of administration, and "Dead Souls," that classic work which de Voguee judges worthy of being given a place in universal literature, between "Don Quixote" and "Gil Blas," and which, in a series of immortal types, flagellates the moral emptiness and the mediocrity of life in high Russian society ...
— Contemporary Russian Novelists • Serge Persky

... passes through the spacious rooms. If a mummy trembled in an atom of its dusty covering, Inspector Field would say, 'Come out of that, Tom Green. I know you!' If the smallest 'Gonoph' about town were crouching at the bottom of a classic bath, Inspector Field would nose him with a finer scent than the ogre's, when adventurous Jack lay trembling in his kitchen copper. But all is quiet, and Inspector Field goes warily on, making little outward show of attending to ...
— Reprinted Pieces • Charles Dickens

... to. To have an educated man of the classic period of the Latin tongue, a friend of Caesar, an auditor of Cicero and a contemporary of Virgil, Horace and Ovid come back and speak in the accent he's contended for, make a powerful support for his theories. He's at work ...
— Average Jones • Samuel Hopkins Adams

... country, and retained it until his death, which, to the general regret, occurred in a few years after he had entered upon political life. Mr. Davis was a poet, although not of a high order; several specimens of good ballad composition are amongst his remains. He cultivated classic literature with success; as an antiquary and an historian acquired reputation; wrote energetically and fluently; spoke in public with earnestness and force, but had none of the graces of the finished orator, and he despised ...
— The History of England in Three Volumes, Vol.III. - From George III. to Victoria • E. Farr and E. H. Nolan

... two or at most three exquisitely wrought Bibles and prayer books for lectern and altar; the other showed severely, on green baize, school textbooks of every subject and degree grouped about superbly handsome prize volumes in blue calf displaying the classic arms ...
— If Winter Comes • A.S.M. Hutchinson

... ached. Symphonies of light were massed over the great high walls; glistening and pendulous, they illuminated remote ceilings. There was color and taunting gaiety in the decoration; the lofty panels contained pictures from the classic poets which seemed profane in so sacred an edifice, and just over the Throne gleamed the golden tubes of a mighty organ. Then Baruch Mendoza's eyes, half blinded by the strange glory of the place to which he had been haled, encountered the joyful and ...
— Melomaniacs • James Huneker

... or addition to the Odyssey, is found in the Telemachia, also a Greek poem, as well as in a far more modern work, the French classic, Telemaque, written by Fenelon for his pupil the Dauphin, in ...
— The Book of the Epic • Helene A. Guerber

... benefit of the bons gens de Paris—besides stuffing them with victuals. I wonder how such a civic festival would go off in London or Edinburgh, or especially in Dublin. To be sure, they would not introduce their shillelahs! But in the classic taste of the French, there were no such gladiatorial doings. To be sure, they have a natural good-humour and gaiety which inclines them to be pleased with ...
— The Journal of Sir Walter Scott - From the Original Manuscript at Abbotsford • Walter Scott

... Alice Johnston murmured to her husband. "It was never more attractive than to-day, as if it knew that it was marrying off an only daughter." To her, too, the Farm had memories, and no new villa spread out spaciously in Italian, Tudor, or Classic style could ever equal this white, four-chimneyed New ...
— Together • Robert Herrick (1868-1938)

... see and converse with supernatural powers more easily than others. In Ireland, evil relations caused Red Mike's downfall (q. v.). For Scotland Mary Avenel, in Scott's Monastery, is the classic example. ...
— The Book of Hallowe'en • Ruth Edna Kelley

... can conceive, may have been the particular combination of circumstances that were needed to bring to flower a germ of genius that, had it been planted in last century's Boston, might have given us but another Harvard classic—or environed in this century's Greenwich Village only another free-versifier of souls a-jaunt amid ...
— Volume 1 of Brann The Iconoclast • William Cowper Brann

... Bank of England, continued the classical traditions, but its full force came with Nash, "the apostle of plaster," who planned the Quadrant and Regent Street, from Carlton House to Regent's Park, and the terraces in that locality, in the tawdry pseudo-classic stuccoed style, applied indiscriminately to churches, shops, and what not. Not till the middle of the nineteenth century did the Gothic revival flourish. Pugin, Britton, and Sir John Barry then became prominent. The last named built the Houses ...
— Dickens' London • Francis Miltoun

... later days the quiet evenings when, after the rest of the household had retired, they read alone or discussed what stirred their hearts. Each gave the other what she could. The German governess went through our classic authors with her employer, and my mother read to her the works of Racine and Corneille, and urged her to speak French and English with her; for, like many natives of Holland, her mastery of both languages was as thorough as if she had grown up in Paris or London. The necessity of studying ...
— Uarda • Georg Ebers

... before he was ten had written several Latin odes, a history of the Jews and a series of homiletic outlines. After a peripatetic school course he went up to Cambridge in 1827 as a scholar of Trinity. In 1832 he was 34th wrangler and 8th classic, and in 1834 was made fellow of Trinity. He had already taken orders, and in 1835 began his eighteen years' tenure of the vicarage of Wymeswold in Leicestershire, from which seclusion the twice-repeated offer of a colonial bishopric failed to draw him. He was Hulsean lecturer at ...
— Project Gutenberg Encyclopedia

... respects the book may be regarded as a commentary on Light on the Path. The reader would do well to bear this in mind. Many things in that book will be made clear by the reading of this one, and one will be constantly reminded of that work, which has already become a classic in our literature. Through the Gates of Gold is a work to be kept constantly at hand for reference and study. It will surely take rank as one of the ...
— Light On The Path and Through the Gates of Gold • Mabel Collins

... away from pursuits which might have been better adapted to some of his characteristics than the one he had adopted. The priest gently felt and touched around his pursuits, and finding some remains of classic culture, he kept up a conversation on these points; showing him the possessions of the library in that department, where, indeed, were some treasures that he had discovered, and which seemed to have been collected at least a ...
— Doctor Grimshawe's Secret - A Romance • Nathaniel Hawthorne

... peasants' cottages were notably few; but there was here and there a classic or a gothic villa, which, at one point, an English- speaking young lady turned from her Tauchnitz novel to explain as the seat of some country gentleman; the land was in large holdings, and this accounted for the ...
— Henry James, Jr. • William Dean Howells

... written, however, in the Baron's manner. To the same ingenious person the public was indebted for the engravings with which the book was embellished. The seventh was the last edition by which the classic text of Munchausen was seriously modified. Even before this important consummation had been arrived at, a sequel, which was within a fraction as long as the original work (it occupies pp. 163-299 of this volume), had appeared under the title, "A Sequel to the Adventures ...
— The Surprising Adventures of Baron Munchausen • Rudolph Erich Raspe

... colonial school of adversity and who trained themselves until, in every contest of mind and wit, they could vie with the sons of Harvard or William and Mary or any other college. Such, for example, was Benjamin Franklin, whose charming autobiography, in addition to being an American classic, is a fine record of self-education. His formal training in the classroom was limited to a few years at a local school in Boston; but his self-education continued throughout his life. He early manifested ...
— History of the United States • Charles A. Beard and Mary R. Beard

... from the times of Roman greatness to the new birth of humanity in the fourteenth century, forgetting the many years during which Italy, like the rest of Europe, was buried in what our ancestors called Gothic barbarism. The illumination cast upon the classic period by the literature of Rome and by the memory of her great men is so vivid, that we feel the days of the Republic and the Empire to be near us; while the Italian Renaissance is so truly a revival of that former splendour, a resumption of the music interrupted for ...
— Sketches and Studies in Italy and Greece, Second Series • John Addington Symonds

... This beautiful classic tableau represents two figures, a youth and a maiden, supporting Cupid on their shoulders. The two persons who take these parts should be of good figure and of equal height. The maiden's costume consists of a white dress, cut low at the top, sleeves short; a gauze scarf ...
— Home Pastimes; or Tableaux Vivants • James H. Head

... in the town, "The British" in its old renown, Of our Hotels the ancient mother Had not one stone laid on another; Donald McArthur in a cavern Of wood sustained his ancient tavern, And there the best of cheer was found Within old Bytown's classic ground; And now I'll close my roll of fame With a most well-remember'd name, A man of dignity supreme Rises to view in memory's dream, Ultra in Toryism's tariff, Was Simon Fraser, Carleton's Sheriff, Personified by the third vowel, ...
— Recollections of Bytown and Its Old Inhabitants • William Pittman Lett

... carriage, this Roman made an impression on the courts of the east and even on the scoffing Alexandrians. His Hellenism was especially recognizable in the delicate irony of his discourse and in the classic purity of his Latin. Although not strictly an author, he yet, like Cato, committed to writing his political speeches—they were, like the letters of his adopted sister the mother of the Gracchi, esteemed by the later -litteratores- as masterpieces of model prose—and ...
— The History of Rome (Volumes 1-5) • Theodor Mommsen

... and Madame Marie Gaston, whose names were indicated on the hand-bills by stars only. In his younger days he had had a play of his put on at the Odeon, a romantic work after the style of "Pinto,"[*] at a time when the classic was dominant, and the stage had been so greatly stirred up for three days that the play was prohibited. At another time he presented at the Theatre-Francais a great drama that fell "with all the honors of war, amid the roar of newspaper cannon." In the winter of 1837-38, ...
— Repertory Of The Comedie Humaine, Complete, A — Z • Anatole Cerfberr and Jules Franois Christophe

... only annihilated the piety and wisdom of the classic past, from which the New Learning had drawn its larger views of life and of the world; it trampled in the dust reason itself, the very instrument by which More and Erasmus hoped to regenerate both knowledge and religion. ...
— The Great Events by Famous Historians, Volume 9 • Various

... do? I knew Latin and Greek as well as any man in France, but as far as anything else was concerned I was as ignorant as a schoolmaster. The same day I tried to make use of what I knew, and I went to a publisher of classic books, of whom I had heard my professor of Greek literature speak. After questioning me he gave me a copy of Pindar to prepare with Latin notes, and advanced me thirty francs, which lasted me a month. I came to Paris with ...
— Conscience, Complete • Hector Malot

... charm of his strictly personal compositions; and, generally, in such touches as he gives us of the soul, the life, of the [114] nineteenth century. Far greater, we think, than the charm of poems strictly classic in interest, such as the "Praise of Dionysus," exquisite as that is, is the charm of those pieces in which, so to speak, he transforms, by a kind of colour-change, classic forms and associations into those—say! of Thames-side—pieces which, though in manner or subject promising a classic ...
— Essays from 'The Guardian' • Walter Horatio Pater

... the room the prophet of Apollo slowly rose; and really it was like the rising of the sun. He filled that room with his light and life in such a manner that a man felt he could as easily have filled Salisbury Plain. His robed form seemed to hang the whole room with classic draperies; his epic gesture seemed to extend it into grander perspectives, till the little black figure of the modern cleric seemed to be a fault and an intrusion, a round, black blot ...
— The Innocence of Father Brown • G. K. Chesterton

... readers may not have studied Rousseau's Letters Written From The Mountain, which may be regarded as the classic work on miracles as credentials of divine mission. Rousseau shows, as Jesus foresaw, that the miracles are the main obstacle to the acceptance of Christianity, because their incredibility (if they were not incredible they ...
— Preface to Androcles and the Lion - On the Prospects of Christianity • George Bernard Shaw

... any social or literary influence whatever. But in the middle period of the Tokugawa Bakufu—the Genroku period, as it is commonly called—the tradesman became a comparatively conspicuous figure. For example, in the realm of poetry, hitherto strictly reserved for the upper classes, the classic verse called renga (linked song) was considered to be sullied by the introduction of any common or every-day word, and therefore could be composed only by highly educated persons. This now found a substitute in the haikai, which admitted language taken from purely Japanese sources and could ...
— A History of the Japanese People - From the Earliest Times to the End of the Meiji Era • Frank Brinkley and Dairoku Kikuchi

... language of Western Africa, the stars are termed woh-rabbah, from woh, "to breed, multiply, be fruitful," and abbah, "children." The South Australian natives thought the stars were groups of children, and even in the classic legends of Greece and Rome more than one child left earth to shine in heaven ...
— The Child and Childhood in Folk-Thought • Alexander F. Chamberlain

... An American Gentleman In accordance with whose classic taste The following narrative has been designed It is now, in return for numerous delightful hours And with the kindest wishes, dedicated By ...
— Treasure Island • Robert Louis Stevenson

... whether the result which Mr. Walker foretells would be regarded as a calamity by the 'uninformed public opinion of the West.' That Minnesota railroad commissioner was quite sure of the public applause before he made his classic declaration that he proposed to 'shake the railroads over hell' before he had done with them, and the Governor of Iowa, who announced that he did not care if 'every d—d railroad in the State went into bankruptcy' ...
— The Railroad Question - A historical and practical treatise on railroads, and - remedies for their abuses • William Larrabee

... any of this business of kissing, now. Here's to your health, old man ... Or here is another instance ... I read a certain French classic, describing the thoughts and sensations of a man condemned to capital punishment. He describes it all sonorously, powerfully, brilliantly, but I read and ... well, there is no impression of any sort; neither emotion nor indignation—just ENNUI. But then, within the last few days ...
— Yama (The Pit) • Alexandra Kuprin

... Saul. It was the clear-seeing eye of Isaiah and Jeremiah in the homeland, and of Ezekiel and Daniel among the weeping exiles, that kept the heart of the nation warm with the vision of what was surely coming. The thrill of expectancy runs through the pages of this old Hebrew classic. Its light is never out of the eye, nor ...
— Quiet Talks on the Crowned Christ of Revelation • S. D. Gordon

... your boost orations—say, that was a classic! He tells 'em confidential how Gopher is the comin' metropolis of the great West; how, "with its main boulevard laid out along the sinuous, lovely banks of the pellucid Pinto River, and its western boundaries stretching off to the sunset-tinted ...
— Shorty McCabe on the Job • Sewell Ford

... bower of Oak's new-found mistress, Bathsheba Everdene, presented itself as a hoary building, of the early stage of Classic Renaissance as regards its architecture, and of a proportion which told at a glance that, as is so frequently the case, it had once been the memorial hall upon a small estate around it, now altogether effaced as a distinct property, and merged in the vast tract of a non-resident landlord, ...
— Far from the Madding Crowd • Thomas Hardy

... ruins, yet dwarfed this symbol of immortality. At the intersection of the Wall and Broad Street canons they found an enormous steel edifice, which had been completed a short time before the deluge, tumbled in ruins upon the classic form of the old Stock Exchange, the main features of whose front were yet recognizable. The weight of the fallen building had been so great that it had crushed the roof of the treasure vaults which had occupied its ground floor, and the fragments of safes with ...
— The Second Deluge • Garrett P. Serviss

... who related to him the petty miseries of provincial life,—an egg ill-boiled for breakfast, coffee with feathered cream, burlesque details about health, disturbed sleep, dreams, visits. The chevalier could call up a languishing look, he could take on a classic attitude to feign compassion, which made him a most valuable listener; he could put in an "Ah!" and a "Bah!" and a "What DID you do?" with charming appropriateness. He died without any one suspecting him of even an allusion to the tender passages of his romance ...
— The Jealousies of a Country Town • Honore de Balzac

... as Isadora Duncan and Maude Allen. To inform Miss Duncan that she has been the means of making nudity popular in musical farce would beyond question incur the lady's very reasonable wrath. But it is none the less true. When the bare-legged classic dancer made her appearance in opera houses, and on concert platforms with symphony orchestras, it was the cue for every chorus girl with an ambition to undress in public. First of all we had a plague of Salomes. Then the musical comedy producers, following ...
— America Through the Spectacles of an Oriental Diplomat • Wu Tingfang

... began to wonder how she would look with their stately grace waving over her. Mrs. Sandford tried it. She arranged the plume on Daisy's head; and with a turn or two of a dark cashmere scarf imitated beautifully the classic folds of the drapery in the picture. Then she put Daisy in the attitude of the figure; and by that time Daisy felt so strange that her face was stern and grave enough to need no admonishing. Preston clapped ...
— Melbourne House, Volume 2 • Susan Warner

... Classic writers were pleased to describe the river as hurled into the gulfs of Syne with so great a roar that the people of the neighbourhood were deafened by it. Even a colony of Persians, sent thither by Cambyses, could not bear the noise of the falls, and went forth to seek a quieter situation. ...
— History Of Egypt, Chaldaea, Syria, Babylonia, and Assyria, Volume 1 (of 12) • G. Maspero

... Italian marked every point of this exquisite loveliness, ran admiringly over the outlines of the graceful figure, the delicate hands and little feet, the classic curve of the lips, the thin nostrils and tiny ears; then returned to the clear, full eyes, with their pencilled brows and heavy lashes, and smiled at the earnestness of the gaze that met his own. Then, from this lovely and patrician face, the Italian's eyes wandered to Teddy's ...
— Outpost • J.G. Austin

... without a parallel in history. An examination of what was accomplished at the very ends of the earth with a few soldiers and a small band of missionaries will it is believed reveal the reasons for this verdict. We are fortunate in possessing for this purpose, among other materials, a truly classic survey of the condition of the islands at the opening of the seventeenth century written by a man of scholarly training and philosophic mind, Dr. Antonio de Morga, who lived in the islands eight years in the government ...
— The Philippine Islands, 1493-1803 • Emma Helen Blair

... smile of Mona Lisa. Madame had the smile of Cleopatra, which, it is said, made Caesar mad, though in repose the beauty of Egypt's queen left him cold. A robe of Kashmiri silk, fine with a phantom fineness, draped her exquisite shape as the art of Cellini draped the classic figures which he wrought in gold and silver; it seemed incorporate ...
— Tales of Chinatown • Sax Rohmer

... marriage system which has prevailed in our world for several thousand years, a certain hierarchy, or sacred order in authority, has throughout been recognised. The family has been regarded as a small State of which the husband and father is head. Classic paganism and Christianity differed on many points, but they were completely at one on this. The Roman system was on a patriarchal basis and continued to be so theoretically even when in practise it came to allow great independence ...
— Little Essays of Love and Virtue • Havelock Ellis

... in the chapel of the Seminary. I have seen few more striking figures in my life than his, as I remember it. Tall, lean, with strong, bold features, a keen, scholarly, accipitrine nose, thin, expressive lips, great solemnity and impressiveness of voice and manner, he was my early model of a classic orator. His air was Roman, his neck long and bare like Cicero's, and his toga,—that is his broadcloth cloak,—was carried on his arm, whatever might have been the weather, with such a statue-like rigid grace that he might have been turned into marble as he stood, and looked ...
— The Autocrat of the Breakfast-Table • Oliver Wendell Holmes, Sr. (The Physician and Poet not the Jurist)

... arcade: the costumes of the figures introduced in the sea faade being purely Giottesque, correspondent with Giotto's work in the Arena Chapel at Padua, while the costume on the other capitals is Renaissance-Classic: and the lions' heads between the arches change at the same point. And there are a multitude of other evidences in the statues of the angels, with which I shall not at present trouble ...
— Stones of Venice [introductions] • John Ruskin

... summits and passes upon the trails of the interior. Aneroid B was a six-inch patent mountain aneroid, another invention of the same military genius, prompted by Mr. Whymper's experiments with the aneroid barometer after his return from his classic climbs to the summits of the Bolivian Andes. Colonel Watkins devised an instrument in which by a threaded post and a thumb-screw the spring may be relaxed or brought into play at will, and the instrument ...
— The Ascent of Denali (Mount McKinley) - A Narrative of the First Complete Ascent of the Highest - Peak in North America • Hudson Stuck

... [The classic legend of Prometheus underwent various changes in successive periods of Greek thought. In its main outline the story is the same: that Prometheus, whose name signifies Forethought, stole fire from Zeus, ...
— The Vision of Sir Launfal - And Other Poems • James Russell Lowell

... rapidity, using the most forcible expressions, the most emphatic ejaculations! Those unloose my tongue! My words hurl themselves impetuously forward, as zouaves in battle! Only, as you may conceive, this discourse is not of a very classic nature, and hardly suited to the drawing-room,—especially, as I receive great help, and rush on all the faster, for a few interjections that come under ...
— Fairy Fingers - A Novel • Anna Cora Mowatt Ritchie

... were," said Mr. Pennypacker in a judicial tone, "and I wish to add that I do not know three finer characters, somewhat eccentric perhaps, but with hearts in the right place, and with sound heads on strong shoulders. They are like some ancient classic figures of whom I have read, and they are fortunate, too, to live in the right time and ...
— The Border Watch - A Story of the Great Chief's Last Stand • Joseph A. Altsheler

... in the woman's arms. When at last Wilfrid got him free, the unsupported Tyrolese were giving ground before Carlo Ammiani and his followers. These fought with stern fury, keeping close up to their enemy, rarely shouting. They presented something like the line of a classic bow, with its arrow-head; while the Tyrolese were huddled in groups, and clubbed at them, and fell back for space, and ultimately crashed upon their betraying brothers in arms, swinging rifles and flying. The Austro-Italians ...
— The Shaving of Shagpat • George Meredith

... through the country far and wide that the Doctor had succeeded in this, as in every other enterprise that he had attempted. There had come a Rev. Mr. Peacocke and his wife. Six years since, Mr. Peacocke had been well known at Oxford as a Classic, and had become a Fellow of Trinity. Then he had taken orders, and had some time afterwards married, giving up his Fellowship as a matter of course. Mr. Peacocke, while living at Oxford, had been well known to a large Oxford circle, but he had suddenly disappeared from that ...
— Dr. Wortle's School • Anthony Trollope

... dearer to the scholar's eye than mine, (Albeit unlearned in ancient classic lore,) The daintie Poesie of days of yore— The choice old English rhyme—and over thine, Oh! "glorious John," delightedly I pore— Keen, vigorous, chaste, and full of harmony, Deep in the soil of our humanity It taketh root, until the goodly tree Of Poesy puts forth green branch ...
— Graham's Magazine Vol XXXII. No. 3. March 1848 • Various

... perused, and his lips mutely sealed—was easy enough to examine. Had he been a statue instead of a man, he could not have been easier. He was young—perhaps from twenty- eight to thirty—tall, slender; his face riveted the eye; it was like a Greek face, very pure in outline: quite a straight, classic nose; quite an Athenian mouth and chin. It is seldom, indeed, an English face comes so near the antique models as did his. He might well be a little shocked at the irregularity of my lineaments, his own ...
— Jane Eyre - an Autobiography • Charlotte Bronte

... current of religious evolution toward that spiritual aspect of the Infinite All which fascinated some of the Neo-Platonists, and received its most splendid exposition from Spinoza. But the conditions imposed by necessary brevity compel me to pass by those classic names with this acknowledgment, and to hasten toward the fuller revelation of Pantheism ...
— Pantheism, Its Story and Significance - Religions Ancient And Modern • J. Allanson Picton

... him like a great flame. The fire-marks of that flame could be found all over the Roman Empire. He made mistakes doubtless, but these but made the trend of his whole life stand out the more. Paul was a wonderful combination of brain and heart and will, held in remarkable poise. The finest classic on love is from his pen. John could love. Paul could love, and ...
— Quiet Talks on Following the Christ • S. D. Gordon

... that Snobs and Nobs, as used in vulgar parlance, are of classic derivation; and, most probably, originated at one of the Universities, where they still flourish. If a Nob be one who is nobilis, a Snob must be one who is s[ine] nob[ilitate]. Not that I mean to say that the s is literally a contraction ...
— Notes and Queries, Number 16, February 16, 1850 • Various

... sight,—sweet visions, sweetest in those Sunday walks which carried them by the peaceful common, through the solemn village lying in cataleptic stillness under the shadow of the rod of Moses, to the terminus of their harmless stroll,—the patulous fage, in the Professor's classic dialect,—the spreading beech, in more familiar phrase,—[stop and breathe here a moment, for the sentence is not done yet, and we have another ...
— The Autocrat of the Breakfast-Table • Oliver Wendell Holmes, Sr. (The Physician and Poet not the Jurist)

... until to-day, madame. You are doing miracles," he answered in a whisper. "And yet, look at his brow, how noble in shape! Isn't it like the classic or traditional brow given by sculptors to Lycurgus and the Greek sages? The revolution of July has an evidently retrograde tendency," said the doctor (who might in his student days have made a barricade himself), after ...
— The Village Rector • Honore de Balzac

... England friend in whose home she had been a guest, and to the Massachusetts girl, fresh from the rugged hills and more severe life of New England, Richmond was a fascinating spot, and the stately old mansion, which John Van Lew had recently bought, was a revelation of classic beauty ...
— Ten American Girls From History • Kate Dickinson Sweetser

... attention by the reproduction of the Olympic Games at Athens in 1896, for which purpose the long abandoned and ruined Stadion, or foot-race course, of that city was restored, and races and other athletic events were conducted on the ground made classic by the Athenian athletes, and within a marble-seated amphitheatre in which the plaudits of Athens in its days of glory might ...
— Historic Tales, vol 10 (of 15) - The Romance of Reality • Charles Morris

... Jonson's part towards Shakspere. There was probably no such ill-will in the matter, the burly scholar's habit of robust banter being enough to account for the form of his remark. As a matter of fact, his own plays are strewn with classic transcriptions; and though he evidently plumed himself on his power of "invention"[108] in the matter of plots—a faculty which he knew Shakspere to lack—he cannot conceivably have meant to charge his rival with having committed any discreditable plagiarism in drawing upon Montaigne. ...
— Montaigne and Shakspere • John M. Robertson

... to greet a young lady, tall, strong, and with the beauty of perfect health rather than of classic feature in her face. There was withal a careless disregard of the ...
— Corporal Cameron • Ralph Connor

... truly legends as the wonder-tales of saints and warriors; and anecdotes related of Caesar at patrician dinner-parties at Rome as little deserve attention as the information so freely given upon the habits of modern statesmen in the salons of London and Paris. They are read now by us in classic Latin, but they were recorded by men who hated Caesar and hated all that he had done; and that a poem has survived for two thousand years is no evidence that the author of it, even though he might be a Catullus, was uninfluenced by ...
— Caesar: A Sketch • James Anthony Froude

... unequally suggestive to me. Classic literature has only few paths outwards for me—Tacitus, Lucretius, Juvenal, Homer, and Saint-Simon excepted. I read the other authors of this class partly for themselves, without making a comparison. On the other hand, the reading of Dante, Shakespeare, St. ...
— Essay on the Creative Imagination • Th. Ribot

... she-creature, plumed And poised in air? Iris-illumed, She gleams, in borrowed glory, A portent of modernity, Out-marvelling strangest phantasy That chequered classic story. ...
— Punch, or the London Charivari, Vol. 102, May 14, 1892 • Various

... who to-day, in a palace car, surrounded by all the conveniences of our American railway service, commences his tour of the prairies at the Missouri River, enters classic ground the moment the train leaves the muddy flood of that stream on its swift flight toward the golden shores of ...
— The Old Santa Fe Trail - The Story of a Great Highway • Henry Inman

... about eating and drinking—one set Gives sponge-cake, a few kisses or so, And is cooled after dancing with classic sherbet "Sublimed" [see ...
— Masterpieces Of American Wit And Humor • Thomas L. Masson (Editor)

... take my own line upon the subject; and then I perceived that you did not ask for the mere celebration of an established doctrine, but were still prepared to join in pursuit, following the track of reason wherever it might lead, as became the traditions of this classic building, which I sometimes think of as reason's last lair. I perceived that what you demanded was not panegyric, or immutable commonplace, but, above all things, sincerity. And sincerity is a dog with nose to the ground, uncertain of the trail, often losing the scent, ...
— Essays in Rebellion • Henry W. Nevinson

... as to the nobility of a balky horse, and he found none as intolerant of ill-treatment toward any and every brute, as was he. Professor Swing had written and read at the Parliament of Religions an essay on the Humane Treatment of the Brutes, which became a classic before the ink was dry, and one day Field proposed to him and another clergyman that they begin a practical crusade. On those cold days, drivers were demanding impossible things of smooth-shod horses on icy streets, and he saw many a noble beast on his ...
— Songs and Other Verse • Eugene Field

... my nephew Henry Parker, an Oxford Classic, and Fellow of Oriel, came here this evening; and I asked him whether he knew who had written the little article in the "Saturday", smashing the [Edinburgh reviewer], which we liked; and after a little hesitation he owned he had. I never knew that he wrote ...
— The Life and Letters of Charles Darwin, Volume II • Francis Darwin

... three lovely female types he had chanced to meet in what was still the world's finest City of Opportunity, Washington, D.C. (latest female-to-male ratio, five-and-a-half to one). The party had been a classic of its kind, complete with hot and cold running ideas of all sorts, and lots and ...
— Brain Twister • Gordon Randall Garrett

... comment of Michelangelo that they were "worthy of being placed at the entrance of paradise." Slightly younger than Ghiberti was Donatello (1383-1466), who, among other triumphs, fashioned the realistic statue of St. Mark in Venice. Luca della Robbia (1400-1482), with a classic purity of style and simplicity of expression, founded a whole dynasty of sculptors in glazed terra-cotta. Elaborate tomb- monuments, the construction of which started in the fifteenth century, reached their highest magnificence ...
— A Political and Social History of Modern Europe V.1. • Carlton J. H. Hayes

... Goethe ever became, yet Goethe has also his measure of significance for our theme. If he steadied Herder in his religious experience, he steadied others in their poetical emotionalism and artistic sentimentality, which were fast becoming vices of the time. The classic repose of his spirit, his apparently unconscious illustration of the ancient maxim, 'nothing too much,' was the more remarkable, because there were few influences in the whole gamut of human life to which he did not sooner ...
— Edward Caldwell Moore - Outline of the History of Christian Thought Since Kant • Edward Moore

... also panelled and has narrow canopied slits on alternate sides, with four thin buttress-like projections on each face. These provide the slight entasis to the outline which is found in so many spires, as it is in classic columns, and is designed to correct the appearance of hollowness which would occur in so long a straight line. The upper two-thirds of the spire has triple angle rolls, and, just halfway in the total height, are eight canopied panels of which four are pierced. The beauty ...
— Bell's Cathedrals: The Churches of Coventry - A Short History of the City and Its Medieval Remains • Frederic W. Woodhouse

... used "cunnilingus" for the actor, but had no corresponding term for the action. Hirschfeld has lately used the term "cunnilinctio" in the same sense, but such a formation is quite inadmissible. For information on the classic terms for this perversion, see, e.g., Iwan Bloch, Ursprung der Syphilis, vol. ii, p. 612 ...
— Studies in the Psychology of Sex, Volume 2 (of 6) • Havelock Ellis

... "Certainly. The classic example is Lockyer's discovery of an orange line in the spectra of the sun in 1868. No known terrestrial element gave such a line and he named the new element which he deduced helium, from Helos, the ...
— Astounding Stories of Super-Science April 1930 • Various

... alteration for instruments, and so instrumental technique grew out of vocal technique, but—and this is important—retaining important rhythmic characteristics from the dance. Exactly as all stone architecture—Gothic, Classic, Saracenic—bears the features of its wooden parent, so does our modern instrumental music reproduce the physiognomy of its origin, uniting the flowing cantilene of the voice with the marked rhythm of the dance, and we may notice in any modern instrumental composition how the ...
— Wagner's Tristan und Isolde • George Ainslie Hight

... the use of the word in classic Greek, and of the corresponding term in the Hebrew Scriptures, we might assume that "hell" (Hades) only indicates generally the world of spirits, as distinguished from this life in the body; while ...
— The Parables of Our Lord • William Arnot

... he has grammatically arranged, but only whether (the context taken in) he has conveyed his meaning. "Deny" is here clearly equal to "withhold;" and the "it," quite in the genius of vehement conversation, which a syntaxist explains by ellipses and subauditurs in a Greek or Latin classic, yet triumphs over as ignorances in a contemporary, refers to accidental and artificial rank or elevation, implied in the verb "raise." Besides, does the word "denude" occur in any writer ...
— Shakespeare, Ben Jonson, Beaumont and Fletcher • S. T. Coleridge

... She affirms that Homer is the father of romance and thinks it astonishing that men of sense "should despise and ridicule romances, as the most contemptible of all kinds of writing, and yet expatiate in raptures on the beauties of the fables of the old classic poets—on stories far more wild and extravagant and infinitely more incredible." After reviewing the Greek romances, like Heliodorus' "Theagenes and Chariclea," she passes on to the chivalry tales of the Middle ...
— A History of English Romanticism in the Eighteenth Century • Henry A. Beers

... uttered the last word of human experience. To certain smoke-dried spirits matter and motion and elastic ethers, and the hypothesis of this or that other spectacled professor, tell a speaking story; but for youth and all ductile and congenial minds, Pan is not dead, but of all the classic hierarchy alone survives in triumph; goat-footed, with a gleeful and an angry look, the type of the shaggy world: and in every wood, if you go with a spirit properly prepared, you shall hear the ...
— The Pocket R.L.S. - Being Favourite Passages from the Works of Stevenson • Robert Louis Stevenson

... many a classic spoil CAM rolls his reverend stream along, I haste to urge the learnd toil That sternly chides my love-lorn song: Ah me! too mindful of the days 5 Illumed by Passion's orient rays, When Peace, and Cheerfulness and Health Enriched ...
— The Complete Poetical Works of Samuel Taylor Coleridge - Vol I and II • Samuel Taylor Coleridge

... clouds, yet far enough in the foreground of this picture to partly emerge from obscurity, stood, on an eminence, a white marble building, with columns of porticos, like a Grecian temple. Projected against the dark background were its classic outlines, looking more like a vision of the days of Pericles than ...
— The Good Time Coming • T. S. Arthur

... Oregon Trail," 1901, with preface by the author to the edition of 18991. This is a reprint of the edition published in 1857 under the title "Prairie and Rocky Mountain Life," or "The California and Oregon Trail," and has always been held as a classic in the literature of the West. It holds a certain amount of information regarding life on the Plains at the middle of the last century. The original title is more accurate than the more usual one "The Oregon Trail," as the book itself is in no sense an exclusive ...
— The Passing of the Frontier - A Chronicle of the Old West, Volume 26 in The Chronicles - Of America Series • Emerson Hough

... like the lady's improver—a fiction founded on fact, and that Paul and Virginia were at one time flesh and blood, and that their veritable dust was buried at Pamplemousses in a spot considered as one of the lions of the place, and visited as classic ground."] ...
— Autobiography and Selected Essays • Thomas Henry Huxley

... the scholar who knows this history becomes a teacher. We are not here going into the question as to whether higher education ought to be historical or not; but we may examine the second and ask: in how far is it classic? ...
— We Philologists, Volume 8 (of 18) • Friedrich Nietzsche

... travail—fin-de-siecle, "decadent," and all the rest of it—will pass away. A chubby, sleepy literature, large in aim, colossal in execution, rotund and tranquil will lift its head. And this Crichton will become a classic, Messrs. Mudie will sell surplus copies of his works at a reduction, and I shall cease to be ...
— Certain Personal Matters • H. G. Wells

... said a divekeeper who with others has since abandoned his loathsome business, "because you work in the rain and you work in the cold." I find it equally blessed to be Christ's witness by the Martyrs' Memorial in classic Oxford, on the hot sand beneath the palm trees of Ceylon and India, and on a snowbank among Chicago's red lights. Everywhere large audiences stand eagerly listening to the messengers of God. Our midnight street meetings continue three, four, five, and ...
— Fighting the Traffic in Young Girls - War on the White Slave Trade • Various

... assigned to St. Catherine or some other of the holy sisterhood of saints.[1] But there are hundreds of tiny springs in Britain still left as Nature made them, and not yet settled in trust on any of the modern successors to the water rights of classic nymphs and Celtic goddesses. He who discovers for himself one of these springs will visit it each time he passes near. Some are in the woods, known only to the birds and beasts which live in them, ...
— The Naturalist on the Thames • C. J. Cornish

... a phantom, vanished soon; What saw the teacher then? In classic gloom of alcoved room An ...
— Poems Teachers Ask For • Various

... the devotions of Spaniards, none is so general, none so fervent, none so varied in its forms and ceremonies, as that which has for its object the mother of the Saviour. All travellers know that Spain is the classic country of Mariolatry; and certainly, if we could divest it of the idea of intercession, which is its foundation, we should find in it much of the poetical, the affectionate, and much of analogy to the temper of a people in which ...
— Roman Catholicism in Spain • Anonymous

... Europe, which make up one of the great myth cycles of Western civilization, spring to life in The Children of Odin. This classic volume, first published in 1920 and reissued in 1962, is now available for the first time in paperback, illustrated with the original line drawings by Willy Pogany, to inspire a ...
— The Children of Odin - The Book of Northern Myths • Padraic Colum

... varieties of spice wood, and the never-failing persimmon tree, were objects of curiosity. It was hard to realize that we were marching through a country once considered the Garden of America, whose bountiful supplies and large plantations had become classic through the pen of an Irving and other famous writers. Fields princely in size, but barren as Sahara; buildings, once comfortable residences, but now tottering into ruin, are still there, but "all ...
— Red-Tape and Pigeon-Hole Generals - As Seen From the Ranks During a Campaign in the Army of the Potomac • William H. Armstrong

... recognized by Wroth, consisted mainly of tea gardens, among them Highbury Barn, The Canonbury House, Hornsey and Copenhagen House, Bagnigge Wells, and White Conduit House. The two last named were the classic tea gardens of the period. Both were provided with "long rooms" in case of rain, and for indoor promenades with organ music. Then there were the Adam and Eve tea gardens, with arbors for tea-drinking parties, ...
— All About Coffee • William H. Ukers

... added that of their graves, and, in the case of Petrarch, of the spot where he died. In memory of him Arqua became a favorite resort of the Paduans, and was dotted with graceful little villas. At this time there were no 'classic spots' in Northern Europe, and pilgrimages were only made to pictures and relics. It was a point of honour for the different cities to possess the bones of their own and foreign celebrities; and it is most remarkable how seriously the Florentines, even in the fourteenth ...
— The Civilization of the Renaissance in Italy • Jacob Burckhardt

... Butterfly Center, to do away with the street statues, the useless patches of flowers; tear down and rebuild the ridiculous classic architecture of many of the shops and substitute good solid livable houses for the castles and chateaux, the barracks and bungalows that adorned the ...
— Ptomaine Street • Carolyn Wells

... That march, a classic; let it go down into history as an emblem of the old Ten Hundred. Their last march together, their last foot chorus on the long trails. Square of shoulder, upright, I see even now those figures that have long since been still. Every yard a ...
— Norman Ten Hundred - A Record of the 1st (Service) Bn. Royal Guernsey Light Infantry • A. Stanley Blicq

... and the cup-noggin. Above, the log wall bristled with knives of varying edge, stuck in the cracks; with nails whereon hung flesh-forks, spoons, ladles, skimmers. These were for the most part hand-wrought, by the local blacksmith. The forks in particular were of a classic grace—so much so that when, in looking through my big sister's mythology I came upon a picture of Neptune with his trident, I called it his flesh-fork, and asked if he were about to take up meat with it, from the ...
— Dishes & Beverages of the Old South • Martha McCulloch Williams

... sketch I do not refer to the authorities, but see, who will, the classic passages and proof-texts in the well-known works of Grimm, Rogge, Biener, Michelsen, Moeser, ...
— The Trial of Theodore Parker • Theodore Parker

... campaign, says a French historian, is to be ranked among the classic tales of all time; and in this campaign the young Lafayette was the most notable leader. It was on the 6th of April, 1781, that General Washington wrote to Lafayette, giving him full instructions, which led him into the ...
— Lafayette • Martha Foote Crow

... Reformation might have been delayed for centuries had Erasmus and other moderate men been the only reformers. He will long be honored for his elegant, Latinity. In the republic of letters, his efforts to infuse a pure taste, a sound criticism, a love for the beautiful and the classic, in place of the owlish pedantry which had so long flapped and hooted through mediveval cloisters, will always be held in grateful reverence. In the history of the religious Reformation, his name seems hardly to deserve the commendations ...
— The Rise of the Dutch Republic, 1555-1566 • John Lothrop Motley

... work to the 17th-century "reforms" of verse and prose; the Classicism of Milton, and of the Augustans; Classic and Romantic schools contrasted in their descriptions; Milton's Chaos, Shakespeare's Dover Cliff; Johnson's comments; the besetting sins of the two schools; Milton's physical machinery justified; his use of abstract ...
— Milton • Sir Walter Alexander Raleigh

... against my use of the word incomparable that in the burglary business the name of Slith stands paramount and alone; and of this I am not ignorant; but Slith is a classic, and lived long ago, and knew nothing at all of modern competition; besides which the surprising nature of his doom has possibly cast a glamour upon Slith that exaggerates in our eyes his ...
— The Book of Wonder • Edward J. M. D. Plunkett, Lord Dunsany

... staying among the magnificent forests of Khroumiria, forests such as certainly never clothed these southern hills, I grew interested in this question of the old African water-supply. Comparing the accounts of classic authors with what has been written by modern students like Bourde, Carton and others, whose very names have faded from my memory, I remember coming to the conclusion—a very obvious one, no doubt—that supposing all the ruined Roman hydraulic contrivances were now in working order, supposing them ...
— Fountains In The Sand - Rambles Among The Oases Of Tunisia • Norman Douglas

... conceiving the law of inverse squares as in the demonstration of the law. He was led to this demonstration through considering the orbital motion of the moon. According to the familiar story, which has become one of the classic myths of science, Newton was led to take up the problem through observing the fall of an apple. Voltaire is responsible for the story, which serves as well as another; its truth or falsity need not in the least concern us. Suffice it that through pondering on the familiar fact of terrestrial gravitation, ...
— A History of Science, Volume 2(of 5) • Henry Smith Williams

... knowledge widened of other men, the faith and deeds of their forefathers would never lack interest for them, but would always be kept in remembrance. One cause after another has, however, aided in turning attention to classic men and lands at the cost of our own history. Among battles, "every schoolboy" knows the story of Marathon or Salamis, while it would be hard indeed to find one who did more than recognise the name, if even that, of the great fights of Hafrsfirth or Sticklestead. ...
— The Story of the Volsungs, (Volsunga Saga) - With Excerpts from the Poetic Edda • Anonymous

... said the Nevile, unconscious that he uttered a reply famous in classic history, as he sprang backward a step or so, and threw himself into an attitude of defence. The stranger slowly raised a rude kind of mace, or rather club, with a ball of iron at the end, garnished with long spikes, as he replied, "Art ...
— The Last Of The Barons, Complete • Edward Bulwer-Lytton

... virtue that very uxoriousness of the poor king which at last cost him his head. The 'Royal Slave,' too, is a gallant play, right-hearted and lofty from beginning to end, though enacted in an impossible court-cloud-world, akin to that in which the classic heroes and heroines of Corneille and Racine call each ...
— Plays and Puritans - from "Plays and Puritans and Other Historical Essays" • Charles Kingsley

... beside Lord Wyvelstoke to receive the many guests. And viewing her as I stood thus, myself unseen amid the crowd, beholding her serene and noble carriage, her vivid colouring, the classic mould of form and features, the grace and ease of her every movement, I saw she was indeed more beautiful than I dreamed and caught my breath in a very ecstasy. Here was Diana herself, yet a Diana glorified even as Lord Wyvelstoke had said, and with a thousand ...
— Peregrine's Progress • Jeffery Farnol

... away. Mrs. Sheldam aroused her husband as she cast a horrified glance at the classic prints he had been studying. The princess dismissed her two impressionists and came over to the poet. She, too plainly, did not care for his wife, and as the party broke up there was a sense of relief, though Ermentrude ...
— Visionaries • James Huneker

... city. Like most middle aged, well-to-do bourgeois his attire was composed of a pair of light trousers, slightly baggy at the knee, and a bit flappy about the leg; a black cutaway jacket and a white pique waistcoat. This classic costume usually comports a panama hat and an umbrella. Now Monsieur S. had the umbrella, but in place of the panama he had seen fit to substitute a blue steel soldier's helmet, which amazing military headgear made a strange combination with the remainder of his ...
— With Those Who Wait • Frances Wilson Huard

... desire to satisfy himself immediately. Nine o'clock had struck but a few minutes previously, he had the whole morning before him to repair to the Boccanera palace, so why should he not at once drive to the classic spot, the summit whence one perceives the whole of Rome spread out upon her seven hills? And when once this thought had entered into his mind it tortured him until he was at last compelled ...
— The Three Cities Trilogy, Complete - Lourdes, Rome and Paris • Emile Zola

... would be if ingratitude were not the proverbial failing of their country. The Austrians, whom it fights, are a thoroughly respectable regular army, well disciplined, commanded by gentlemen trained and versed in the art of war: at the head of them Beaulieu, practising the classic art of war under orders from Vienna, and getting horribly beaten by Napoleon, who acts on his own responsibility in defiance of professional precedents or orders from Paris. Even when the Austrians win a battle, all that is necessary is ...
— The Man of Destiny • George Bernard Shaw

... since Dr. Edward Everett Hale's classic, 'The Man without a Country,' has there been published a more stirring ...
— Admiral Farragut • A. T. Mahan

... and sparkling wit fires her genius. Her French is classic. The sealed book of her youth gives no hint of where her fine idiom came from. Merrily Marie Berard recounts to the luxurious social star the efforts of sly dames and soft-voiced messieurs to fathom the "De ...
— The Little Lady of Lagunitas • Richard Henry Savage

... inf. is poet. constr., found, however, in later prose writers, and once in Cic. (de Fin. 313: quaeris scire, enclosed in brackets in Tauchnitz's edition), to avoid repetition of cupio. Cupio or volo mutare would be regular classic prose. ...
— Germania and Agricola • Caius Cornelius Tacitus

... less formed than prose; Ronsard and his friends had received it from the hands of Marot, quite young, unsophisticated and undecided; they attempted, at the first effort, to raise it to the level of the great classic models of which their minds were full. The attempt was bold, and the Pleiad did not pretend to consult the taste of the vulgar. "The obscurity of Ronsard," says M. Guizot, in his Corneille et son Temps, "is not that of a subtle mind torturing itself to make something out of nothing; ...
— A Popular History of France From The Earliest Times - Volume V. of VI. • Francois Pierre Guillaume Guizot

... rises out of the sea like Tintagel—but a classic sea, a sea covered with broken blossoms. It was evening when I returned again to the Temple of Venus The moon was like a sickle of silver, far away the waves fawned along the shore as though to call the nymphs from the woods; the sun was set; out of the ...
— Florence and Northern Tuscany with Genoa • Edward Hutton

... certainly no monetary remuneration. It was because he so regarded it that he permitted the work to be first issued under the bolstering influence of a patron. It was, so he thought, an excellent opportunity to show his friends and acquaintances that his Pegasus was capable of soaring to classic heights, and he little dreamed that the paraphrasing of the Odes of Horace over which "Rose and I have been fooling" would be required for a popular edition. With the announcement of the Scribner edition of The Sabine Echoes came also the intelligence ...
— Echoes from the Sabine Farm • Roswell Martin Field and Eugene Field

... We all know the classic example of Queen Marie Antoinette, who, when told that the people were rioting for want of bread, exclaimed, "Why, let them eat cake instead!" Brought up in luxury, she could not realize what absolute want ...
— Your Child: Today and Tomorrow • Sidonie Matzner Gruenberg

... was at the height of his fame. His mission had been successful beyond the dreams of the most sanguine. His quick dramatic temper thrilled to the core at his reception. 'The father, in classic story, whose three sons had gained three Olympic prizes in the same day, felt it was time to die. But, {111} having gained the confidence of three noble provinces, I feel it is time ...
— The Tribune of Nova Scotia - A Chronicle of Joseph Howe • W. L. (William Lawson) Grant

... advertisements and the prices current were more closely allied to nature, and were respectable in some measure as tide and meteorological tables are; but the reading-matter, which I remembered was most prized down below, unless it was some humble record of science, or an extract from some old classic, struck me as strangely whimsical, and crude, and one-idea'd, like a school-boy's theme, such as youths write and after burn. The opinions were of that kind that are doomed to wear a different aspect to-morrow, like last year's fashions; as if mankind ...
— A Week on the Concord and Merrimack Rivers • Henry David Thoreau

... of a great lord could give him. She had laughed good naturedly as Warner flung himself at her feet in an agony of incredulous despair, and told him that no mood had become him so well, for hitherto he had never expressed himself fully save in verse. And Anne, neither classic nor modish, still vaguely resembled her! It was this suggestion of the woman whom at least he must always remember as the perfection of female beauty, that had tempted him to lurk in the darkness of the terrace and watch Anne through the windows ...
— The Gorgeous Isle - A Romance; Scene: Nevis, B.W.I. 1842 • Gertrude Atherton

... lack a comprehensive review of the Confederate episode set in proper perspective. Standard works such as the "History of the United States from the Compromise of 1850", by J. F. Rhodes (7 vols., 1893-1908), even when otherwise as near a classic as is the work of Mr. Rhodes, treat the Confederacy so externally as to have in this respect little value. The one searching study of the subject, "The Confederate States of America," by J. C. Schwab (1901), though admirable in its way, is wholly overshadowed by the point ...
— The Day of the Confederacy - A Chronicle of the Embattled South, Volume 30 In The - Chronicles Of America Series • Nathaniel W. Stephenson

... banks of Walden Pond, or where Whittier parted with his childhood's playmate on Ramoth Hill. It is not heights, or depths, or spaces that make the world worth living in; for the fairest landscape needs still to be garlanded by the imagination,—to become classic with noble deeds and ...
— Oldport Days • Thomas Wentworth Higginson

... in this ignoble and material nineteenth century, men have always worn precious stuffs and beautiful colors as well as women. A hundred years ago a gentleman in pink silk was a gentleman properly dressed. Fifteen hundred years ago the patricians of the classic times wore bracelets exactly like mine. I despise the brutish contempt for beauty and the mean dread of expense which degrade a gentleman's costume to black cloth, and limit a gentleman's ornaments to a finger-ring, in the age I live in. I like to be bright and I beautiful, ...
— The Law and the Lady • Wilkie Collins

... Tempe! thou art yet the same— Wild as when sung by bards of elder time: Years, that have changed thy river's classic name, [Footnote: The modern name of the Pene'us is Selembria or Salamvria.] Have left thee still in savage ...
— Mosaics of Grecian History • Marcius Willson and Robert Pierpont Willson

... that it was "Big" Bill to the front when trouble was brewing. From acting outraged feelings, Freddie Drummond, in the role of his other self, came to experience genuine outrage, and it was only when he returned to the classic atmosphere of the university that he was able, sanely and conservatively, to generalize upon his underworld experiences and put them down on paper as a trained sociologist should. That Bill Totts lacked the perspective to raise him above class-consciousness Freddie Drummond clearly saw. But Bill ...
— The Strength of the Strong • Jack London

... such as he could find at hand (and many a flower grew, wild and clustering, over that desolate spot), he again seated himself, and began weaving them into one of those garlands for which the southern peasantry still retain their ancient affection, and something of their classic skill. ...
— Rienzi • Edward Bulwer Lytton

... spiritual insulation of the single writer, there is the obvious fact that none of the arts, not even literature, and not all of them together, can furnish a wholly adequate representation of racial or national characteristics. It is well known to-day that the so-called "classic" examples of Greek art, most of which were brought to light and discoursed upon by critics from two to four centuries ago, represent but a single phase of Greek feeling; and that the Greeks, even in what we choose ...
— The American Mind - The E. T. Earl Lectures • Bliss Perry



Words linked to "Classic" :   fine arts, creative person, artist, nonclassical, creation, standard, beaux arts



Copyright © 2024 Free-Translator.com