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Brahms   /brɑmz/   Listen
Brahms

noun
1.
German composer who developed the romantic style of both lyrical and classical music (1833-1897).  Synonym: Johannes Brahms.
2.
The music of Brahms.






WordNet 3.0 © 2010 Princeton University








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"Brahms" Quotes from Famous Books



... magnetism, as it is often called. Seidl asserts[5] that Berlioz, Massenet, and Saint-Saens likewise failed as conductors, in spite of recognized musicianship; and it is of course well known that even Beethoven and Brahms could not conduct their own works as well as some of their contemporaries whose ...
— Essentials in Conducting • Karl Wilson Gehrkens

... sending the Bach Fugue, the 2 Etudes (separate edition) and the last volume of the Method, which I found to contain many, to me, new and praiseworthy items, among others the Etudes of Hiller and Brahms. ...
— Letters of Franz Liszt, Volume 2: "From Rome to the End" • Franz Liszt; letters collected by La Mara and translated

... fiddle seems possessed of an uncanny gift; but in that remote period of my fresh rescue from the gutter, an executant appeared something superhuman. I stared at him with stupid open mouth. He played what I afterwards learned was one of Brahms's Hungarian dances. His lank figure and long hair worked in unison with the music which filled the room with a wild tumult of movement. I had not heard anything like it in my life. It set every nerve of me dancing. I suppose Paragot found his interest in me because I was such an impressionable ...
— The Beloved Vagabond • William J. Locke

... affected, in a slight degree, by Cesar Franck; and there were moments—happily infrequent—during what one may call his middle period, when a whiff of the perfumed sentiment of Massenet blew disturbingly across his usually sincere and poetic pages. But for traces of Liszt, or Berlioz, or Brahms, one will search fruitlessly. That he does not, to-day, touch hands at any point with his brother musicians of the elder school in France—with such, for example, as the excellent and brilliant and superbly unimaginative Saint-Saens—goes almost without saying. With Vincent d'Indy, a musician of ...
— Debussy's Pelleas et Melisande - A Guide to the Opera with Musical Examples from the Score • Lawrence Gilman

... highest esteem. Sometimes, he admits, his ardor carried him too far in recognition of youthful talent, but in the main he was very just in his estimates. We do not forget how his quick commendation aided Brahms. ...
— The World's Great Men of Music - Story-Lives of Master Musicians • Harriette Brower

... I believe you. And I'll warrant you'd tackle this Brahms concerto as nonchalantly as you did those six hoodlums with the cat the other day—and expect to win ...
— Just David • Eleanor H. Porter

... The Germans have the convenient generic term "Clavier," which includes the old and the new instruments with hammer action; hence, they speak of a Clavier Sonate written, say, by Kuhnau, in the seventeenth, or of one by Brahms ...
— The Pianoforte Sonata - Its Origin and Development • J.S. Shedlock

... yet it was Brahms and Schumann that Mary sang; no pretty little English ballad, no French, ...
— The Martian • George Du Maurier

... the piano cannot have been more than ten feet from the reader's chair; and the strain of reading aloud for an hour against a powerful rendering of the most vigorous compositions of Liszt, Wagner, Beethoven, Brahms and Chopin was a most trying ordeal for voice, brain and nerves. Mr. Pulitzer could apparently enjoy the music and the reading at the same time. Often, when something was played of which he knew the air, he would follow the ...
— An Adventure With A Genius • Alleyne Ireland

... duke without the obbligato distribution of orders was inconceivable, even in democratic America, but the tongues of waggish gossips wagged so furiously that it was said only the stage manager was willing to accept his bauble. Brahms's bon mot touching the danger of criticizing the music of royalty, "because no one could tell who composed it," not being current at the time, the music of "Diana von Solange" was mercilessly faulted, as ...
— Chapters of Opera • Henry Edward Krehbiel

... certain names which stand out above all others and at the present writing appear destined for place among or very near the immortals of the first order. These great names are those of Johannes Brahms, Camille Saint-Saens, Peter Ilitsch Tschaikowsky, ...
— A Popular History of the Art of Music - From the Earliest Times Until the Present • W. S. B. Mathews

... been through the same hardening process and are weak, all this has fallen like an avalanche of snow, overwhelming them. Gnekker and the young ladies talk of fugues, of counterpoint, of singers and pianists, of Bach and Brahms, while my wife, afraid of their suspecting her of ignorance of music, smiles to them sympathetically and mutters: "That's exquisite... really! You don't say so!..." Gnekker eats with solid dignity, jests with solid dignity, and condescendingly ...
— The Wife and Other Stories • Anton Chekhov

... musical progress. He remained editor of this for ten years, writing there a great variety of articles, and in 1844 resigned the editor's chair to Brendel and removed to Duesseldorf. It was from Duesseldorf that he wrote his famous article about the newly-risen star of Johannes Brahms. ...
— The Masters and their Music - A series of illustrative programs with biographical, - esthetical, and critical annotations • W. S. B. Mathews

... bewildered Bok could not make out exactly what had happened to his preconceived notion about symphonic music. He attended the following Saturday evening concert; listened to a Brahms symphony that pleased him even more than had "The New World," and when, two weeks later, he heard the Tschaikowski "Pathetique" and later the "Unfinished" symphony, by Schubert, and a Beethoven symphony, attracted by each in turn, he realized that his ...
— The Americanization of Edward Bok - The Autobiography of a Dutch Boy Fifty Years After • Edward William Bok

... of a more unearthly triad. It was music from Parsifal. Through the mists that were gathering he savoured a fulminating bouquet of patchouli, musk, bergamot, and he recalled the music of Mascagni. Brahms strode stolidly on in company with new-mown hay, cologne, and sweet peas. Liszt was interpreted as ylang-ylang, myrrh, and marechale; Richard Strauss, by wistaria, oil of cloves, chypre, poppy, ...
— Visionaries • James Huneker



Words linked to "Brahms" :   composer, music



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