"Aesthetics" Quotes from Famous Books
 ... ethics cannot be put into words. Ethics is transcendental. (Ethics and aesthetics are one ...
— Tractatus Logico-Philosophicus • Ludwig Wittgenstein
... the wit of the Egyptian women, and their skill in double entendre; nor, I presume, did we lose much by our ignorance. What I would urge, humbly, however, is this—Do not let us be led away by German writers and aesthetics, Semilassoisms, Hahnhahnisms, and the like. The life of the East is a life of brutes. The much maligned Orient, I am confident, has not been maligned near enough; for the good reason that none of us can tell the amount of horrible ...
— Notes on a Journey from Cornhill to Grand Cairo • William Makepeace Thackeray
... of the steward and chaplain with a boat load of "marketing" was a welcome surprise. The parson, whose unquestionable taste in the aesthetics of eating had been wisely secured by the steward, dilated with great gusto upon the juicy beefsteaks, the freshness of the fish, and the richness of the fruit. When, at breakfast, we enjoyed as salt-sea voyagers only could, the stores ...
— Gifts of Genius - A Miscellany of Prose and Poetry by American Authors • Various
... new things, that is still worse. He is fair game for every body's criticism. He builds too high for one, too low for another; is too ornate for this, too plain for that; he sacrifices utility to aesthetics, or aesthetics to utility, and somebody is displeased either way. The duchess has been a sympathizing friend of the architect through this arduous ordeal. She took pleasure and pride in his work, and showed it to me as something in which she felt an ...
— Sunny Memories of Foreign Lands V2 • Harriet Beecher Stowe
... will be useful to our purpose here to confine the discussion to the neglected qualities. As a rule, a durable, useful, and comfortable article is a beautiful one. At least it has the beauty of "grace," by which terms the old writers on aesthetics characterized perfect adaptation to purpose, and the beauty of what they called "homeliness," or, as we would now say, since this term has been perverted, of "hominess," the suggestion of adding to the pleasure of ...
— Practical Suggestions for Mother and Housewife • Marion Mills Miller
... I first put it on, "It is plain to the veriest dunce That every beauty Will feel it her duty To yield to its glamor at once. They will see that I'm freely gold-laced In a uniform handsome and chaste— But the peripatetics Of long-haired aesthetics, Are very much more to their taste— Which I never counted upon When I ...
— Bab Ballads and Savoy Songs • W. S. Gilbert
... AEsthetik, 1901, p. 11) lays it down that psychology has nothing to do with good or bad taste. "The distinction between good and bad taste has no meaning for psychology. On this account, the fundamental conceptions of aesthetics cannot arise from psychology." It may be a question whether this view ...
— Studies in the Psychology of Sex, Volume 4 (of 6) • Havelock Ellis
... gives his work an elegant shape; he decorates it with rosettes, with twists, with scrolls. Phanaeus Milon is no stranger to these culinary aesthetics. She turns the crust of her meat-pie into a splendid gourd, ...
— The Glow-Worm and Other Beetles • Jean Henri Fabre
... of manhood in whose harness are no vulnerable parts. "The Palace of Art" presents the poet's perception of the failure of culture. Ethics, not aesthetics, compel manhood; and behind ethics, theology. God must live in life, if life shall put on ...
— A Hero and Some Other Folks • William A. Quayle
... mind becoming the object of our adoration, we must give up judging it in every particular, and suppress the rules of the ideal in art, as those of morals in the conduct, and truth in the intellect. We must form a system of aesthetics which accepts all, and finds equally legitimate whatever affords recreation to the Humanity-God, in the great variety of its tastes. Then high aspirations are extinguished, the beautiful gives place to the agreeable; and since the ugly and misshapen please a vicious taste, room must ...
— The Heavenly Father - Lectures on Modern Atheism • Ernest Naville
... over irrelevant subjects during tea. He held forth on the love of ornament—the cottage parlour moved him thereto—and its connection with aesthetics. She was cold and quiet. As they walked home, ...
— Sons and Lovers • David Herbert Lawrence
... as the prevailing taste has put these models before him, he is neither to take much blame to himself, nor to be in anywise disheartened for the future. That in as far as he shall utterly reverse his whole poetic method, whether in morals or in aesthetics, leave undone all that he has done, and do all that he has not done, he will become, what he evidently, by grace of God, can become if he will, namely, a lasting ...
— Literary and General Lectures and Essays • Charles Kingsley
... holy lands and spiritual history, seen beside so many houses, temples and monasteries in Japan. In their floral art, no people excels the Japanese in making leaf and bloom teach history, religion, philosophy, aesthetics and patriotism. ...
— The Religions of Japan - From the Dawn of History to the Era of Meiji • William Elliot Griffis
... this, if I have been correctly Informed, had been entertained for his future—a fact that provokes a smile now that his manifest destiny has been, or is in course of being, so very neatly accomplished. The spirit of modern aesthetics did not, at any rate, as I understand the matter, smile upon his cradle, and the circumstance only increases the interest of his having had from the earliest moment ...
— Picture and Text - 1893 • Henry James
... finally, the union of the subjective and objective mind, or the absolute mind. This last manifests itself again under three forms, representing the three degrees of the self-consciousness of the Spirit, as the eternal truth. These are, first, art, or the representation of beauty (aesthetics); secondly, religion, in the general acceptation of the term (philosophy of religion); and, thirdly, philosophy itself, as the purest and most perfect form of the scientific knowledge of truth. All ...
— Christianity and Greek Philosophy • Benjamin Franklin Cocker
... AM'IEL, a professor of aesthetics, and afterwards of ethics at Geneva, who is known to the outside world solely by the publication of selections from his Journal in 1882-84, which teems with suggestive thoughts bearing on the great vital issues of the day, and which ...
— The Nuttall Encyclopaedia - Being a Concise and Comprehensive Dictionary of General Knowledge • Edited by Rev. James Wood
... peasant whose enthusiasm for the beauty in Nature finds outward expression to compare with that of the city-man who comes out for a Sunday in the country, but Thoreau is that rare country-man and Debussy the city-man with his weekend flights into country-aesthetics. We would be inclined to say that Thoreau leaned towards substance ...
— Essays Before a Sonata • Charles Ives
... difficulties, moral and physical, of its surprising turns, of its unexpected contacts, of the choice and rare personalities that drift on it as if on the sea; of the distinction that letters and art gave to it, the nobility and consolations there are in aesthetics, of the privileges they confer on individuals and (this was the first connected statement I caught) that Mills agreed with her in the general point of view as to the inner worth of individualities and in the particular instance of it on which she had opened to him her innermost ...
— The Arrow of Gold - a story between two notes • Joseph Conrad
... proved that, in so doing, Wagner attempted the impossible, he would still only share the lot of all those who have meditated deeply on art; and even so he would be ahead of most of them in this, namely, that the strongest instinct for all arts harboured in him. I know of no written aesthetics that give more light than those of Wagner; all that can possibly be learnt concerning the origin of a work of art is to be found in them. He is one of the very great, who appeared amongst us a witness, and who is continually improving his testimony and making it ever clearer and freer; even ...
— Thoughts out of Season (Part One) • Friedrich Nietzsche
... appalled by their emptiness and shocked by the coarseness of the strings and pulleys. In a similar way, psychology itself, when pushed to any nicety, discovers an abhorrent baldness, but rather from the fault of our analysis than from any poverty native to the mind. And perhaps in aesthetics the reason is the same: those disclosures which seem fatal to the dignity of art seem so perhaps only in the proportion of our ignorance; and those conscious and unconscious artifices which it seems unworthy of the serious artist to employ were yet, if we had the power to ...
— The Works of Robert Louis Stevenson - Swanston Edition Vol. 16 (of 25) • Robert Louis Stevenson
... flesh too ailing: Even before the question grew to problem And drove you bickering into metaphysics, You met on lower planes the same great dragon, Seeking release, some fleeting satisfaction, In strange aesthetics . . . You tried, as I remember, One after one, strange cults, and some, too, morbid, The cruder first, more violent sensations, Gorgeously carnal things, conceived and acted With splendid animal thirst . . . Then, by degrees,— Savoring ...
— The House of Dust - A Symphony • Conrad Aiken
... James. Sensation and Intuition. Studies in psychology and aesthetics. Chap, iv, "Belief: Its Varieties and ...
— Introduction to the Science of Sociology • Robert E. Park
... word Pram[a]n[a]ni, which in a book of aesthetics means proportions, in a book of logic means the proofs by which the truth of a proposition is ascertained. All proofs of truth are credentials of relationship. Individual facts have to produce such passports to show that they are not expatriated, that they are not a break in the ...
— Creative Unity • Rabindranath Tagore
... belongs to Beethoven's epoch, and was used by him as frequently as was, for example, the expression 'poetic contents' by others—in opposition to works which only offer an harmonic and rhythmic play of tones. Writers on aesthetics of our day declaim against the latter term; with good reason, if it refer to programme-music; without reason, if they extend their negation to all Beethoven's music, and deny its poetic contents. Whence that tendency, which so frequently manifests ...
— The Pianoforte Sonata - Its Origin and Development • J.S. Shedlock
... and remains the glorified Russian peasant uttering his heart to the world. The voice of this man alone is sufficient to tell the outside world that the Russian democracy is a creation not of form and economics but of spirit and aesthetics. ...
— Defenders of Democracy • Militia of Mercy
... or of the exposition of the supposed Zoology, Botany, and Mineralogy of Aesthetic, and of universal history judged from the aesthetic standpoint. The whole history of concrete art and literature has also been dragged into those Aesthetics and generally mangled; they contain judgments upon Homer and Dante, upon Ariosto and Shakespeare, upon Beethoven and Rossini, Michelangelo and Raphael. When all this has been deducted from them, our treatise will no longer be held to be too meagre, but, on the ...
— Aesthetic as Science of Expression and General Linguistic • Benedetto Croce
... buildings, has its own architectural rules, rules as unchangeable as anatomical peculiarities. Each group builds according to the same set of principles, conforming to the laws of a very elementary system of aesthetics; but often circumstances beyond the architect's control—the space at her disposal, the unevenness of the site, the nature of the material and other accidental causes—interfere with the worker's plans and disturb the structure. Then virtual regularity is translated ...
— The Life of the Spider • J. Henri Fabre
... felt that something must be done to stem the tide, and again she fell back upon luncheon. They had bought some provisions on their way to the station in Paris. He might subsist on scenery and aesthetics if he pleased—as for her, she was a common person with ...
— The History of David Grieve • Mrs. Humphry Ward
... to everything. He dealt in logical, metaphysical, and ethical first principles, in cosmogony and geology, in physics, and chemistry after a fashion, in biology, psychology, sociology, politics, and aesthetics. Hardly any subject can be named which has not at least been touched on in some one of his many volumes. His erudition was prodigious. His civic conscience and his social courage both were admirable. His life was pure. He was devoted to truth and usefulness, and his character was wholly free ...
— Memories and Studies • William James
... relating to family organization form an integral part of the whole cult. The emotional elements play a large part in some cases, in the fanatical creeds of the Dervish and Mahdist and in the "revivals" under nearer observation. In Greek cosmology and worship, aesthetics figured to a large degree. Temperamental and other psychological characteristics have profound effects upon religions, which we may illustrate by such extreme examples as the austerities of New England and ...
— The Doctrine of Evolution - Its Basis and Its Scope • Henry Edward Crampton
... to the University of Jena, where the dignity of Professorship was associated with that of Member of the Council, he now commenced a course of lectures on Aesthetics, and joined his brother Frederick in the editorship of the Athenaeum, (3 vols., Berlin, 1796-1800,) an Aesthetico-critical journal, intended, while observing a rigorous but an impartial spirit of criticism, to discover and foster every ...
— Lectures on Dramatic Art and Literature • August Wilhelm Schlegel
... nothing that Wordsworth declares poetry to be "the breath and finer spirit of all knowledge." The student of poetry may doubtless be studying aesthetics, but he is not merely dallying with aesthetics. If he is communing thoughtfully with mighty spirits like these—the penetrators to the central deep—is he not gaining, by the most royal road known to humanity, the most liberal education for ...
— Platform Monologues • T. G. Tucker
... and lifting their common aspirations and sympathies (so first clearly revealed to themselves) on the wings of his song to a purer ether and a wider reach of view. We cannot, if we would, read the poetry of Wordsworth as mere poetry; at every other page we find ourselves entangled in a problem of aesthetics. The world-old question of matter and form, of whether nectar is of precisely the same flavour when served to us from a Grecian chalice or from any jug of ruder pottery, comes up for decision anew. The Teutonic nature ...
— English Critical Essays - Nineteenth Century • Various
... In aesthetics, the differences follow the same general law. Women express beauty in themselves; jewels are for their ornament; and rooms are furnished as a setting for themselves. The lives of millions of workers go to the adornment of women. In painting they ...
— Woman in Modern Society • Earl Barnes
... Manilla rope has in the American fishery almost entirely superseded hemp as a material for whale-lines; for, though not so durable as hemp, it is stronger, and far more soft and elastic; and I will add (since there is an aesthetics in all things), is much more handsome and becoming to the boat, than hemp. Hemp is a dusky, dark fellow, a sort of Indian; but Manilla is as a golden-haired ...
— Moby Dick; or The Whale • Herman Melville
... attraction for me. Nothing can intensify my passion more than tyranny, cruelty, and especially the faithlessness of a beautiful woman. And I cannot imagine this woman, this strange ideal derived from an aesthetics of ugliness, this soul of Nero in the body of a Phryne, except ...
— Venus in Furs • Leopold von Sacher-Masoch
... Sophocles, whose perfect form enshrined a noble and highly educated soul, so we gratefully accept Correggio for his grace, while we approach the consummate art of Michelangelo with reverent awe. It is necessary in aesthetics as elsewhere to recognise a hierarchy of excellence, the grades of which are determined by the greater or less comprehensiveness of the artist's nature expressed in his work. At the same time, the calibre of the artist's genius must be estimated; for eminent ...
— Sketches and Studies in Italy and Greece, Second Series • John Addington Symonds
... the youthful mind is itself service to human progress. But this human progress is not a mere growth of the animal race. It has its total meaning in the understanding of man as a soul, determined by purposes and ideals. Not the laws of physiology, but the demands of logic, ethics, aesthetics, and religion control the man who makes history and who serves civilization. He who says that the child's questions ought to be answered truthfully means in this connection that lowest truth of all, the truth ...
— Psychology and Social Sanity • Hugo Muensterberg
... settled on lofty moral grounds. An elevated morality is the professed aim of all enlightened lawgivers; and the prosperity of nations is built upon it, for it is righteousness which exalteth them. Culture is desirable; but the welfare of nations is based on morals rather than on aesthetics. On this point Moses, or even Epictetus, is a greater authority than Goethe. All the ordinances of Moses tend to this end. They are the publication of natural religion,—that God is a rewarder of virtuous actions, and punishes wicked deeds. Moses, from first to last, insists imperatively ...
— Beacon Lights of History, Volume II • John Lord
... with all its difficult forms to awaken and enchain the interest, and to inspire the love of the man of genius or the ambitious student of aesthetics, has also those more simple ones for the delight of the humbler mind. Even the babe that lies in its mother's arms has within the yet narrow confines of its new-born soul the germ of musical sympathy. Often, when it is in a state of disquiet, its mother sings to it a ...
— Music and Some Highly Musical People • James M. Trotter
... Macchia followed some years of apparent sterility, but later on, and especially during the last twenty years of his life, his literary activity became prodigious. Journalism, folklore, poetry, history, grammar, philology, ethnology, aesthetics, politics, morals—nothing came amiss to his gifted pen, and he was fruitful, say his admirers, even in his errors, Like other men inflamed with one single idea, he boldly ventured into domains of thought where specialists ...
— Old Calabria • Norman Douglas
... Petersburg like the giving way of the floor in a crowded ball-room. But a moment before, all had been animated, careless, and happy; now consternation was depicted on every face. The salons, that but yesterday had been ringing with lively discussions on morals, aesthetics, politics, and theology, were now silent and deserted. Many of those who had been wont to lead the causeries had been removed to the cells of the fortress, and those who had not been arrested trembled for themselves or their friends; for nearly all had of late dabbled more or less in the theory ...
— Russia • Donald Mackenzie Wallace
... spirit roams among unbridled emotions; art becomes impressionism. What it then produces may indeed be picturesque, melodramatic, sensual, but it will not be beautiful because there will be no imaginative wholeness in it. In other words, the artist who divorces aesthetics from ethics does gain creative license, but he gains it at the expense of a balanced and harmonious expression. If you do not believe it, compare the Venus de Milo with the Venus de Medici or a Rubens fleshy, spilling-out-of-her-clothes Magdalen ...
— Preaching and Paganism • Albert Parker Fitch
... and "if a book is bad, feel it is bad," without being able to refer to a critical principle in proof, but that many who write reviews have not formed opinions and have not felt at all, and have rather proceeded upon a prejudice, a supposed law of aesthetics applicable to every exigency of literary development. A sense of the inadequacy of criticism must trouble every honest man who sits down to examine a new book; and it might almost be said, that no books can be justly estimated by the critic except those which are unworthy of criticism. ...
— Atlantic Monthly, Volume 20, No. 118, August, 1867 • Various
... aversion to crude technique and barbarism, closer to truth's natural probabilities. Their literatures show fewer obvious falsities and monstrosities than that of Germany. Think of the german literature of aesthetics, with the preposterousness of such an unaesthetic personage as Immanuel Kant enthroned in its centre! Think of german books on religions-philosophie, with the heart's battles translated into conceptual jargon and made dialectic. The most persistent setter ...
— A Pluralistic Universe - Hibbert Lectures at Manchester College on the - Present Situation in Philosophy • William James
... appreciation of the poet,) being debarred by their alienage from the tempting parliament of verbal commentary and conflict, have made themselves such ample amends by expatiations in the unfenced field of aesthetics and of that constructive criticism which is too often confined to the architecture of Castles in Spain, that we feel as if Dogberry had charged us in relation to them with that hopelessly bewildering commission to "comprehend all vagrom ...
— Atlantic Monthly Vol. 3, No. 16, February, 1859 • Various
... our weak force still more available, we barricaded the approaches to the chief streets by constructing barriers or felling trees. It went to my heart to sacrifice, for this purpose, several of my beautiful lindens; but it was no time for aesthetics. As the giants lay on the ground, still scenting the air with their abundant bloom, I used to rein up my horse and watch the children playing hide-and-seek amongst their branches, or some quiet cow grazing at the foliage. Nothing impresses ...
— Army Life in a Black Regiment • Thomas Wentworth Higginson
... the unloading of these works. Editions de luxe ... were published and sold by the picture dealers; ...every crafty device known to the picture trade was resorted to in order to discredit and destroy the heretofore universally accepted standards of aesthetics."[756] ...
— Secret Societies And Subversive Movements • Nesta H. Webster
... learning of the Church was of pagan origin. St. Augustine was a professor of rhetoric and the author of a treatise on aesthetics before he wrote the City of God, and his Confessions. In fact, he never quite got over being a professor of rhetoric. Clement of Alexandria was a product of the same rhetoric schools and an excellent teacher of his subject before he recognized the divine origin of Christianity. St. Basil ...
— Rhetoric and Poetry in the Renaissance - A Study of Rhetorical Terms in English Renaissance Literary Criticism • Donald Lemen Clark
... the Classical school. Perceiving the beauty of clarity, order, refinement, and simplicity, he jumped to the conclusion that these were the characteristics of Nature herself, and that without them no beauty could exist. He was wrong. Nature is too large a thing to fit into a system of aesthetics; and beauty is often—perhaps more often than not—complex, obscure, fantastic, and strange. At the bottom of all Boileau's theories lay a hearty love of sound common sense. It was not, as has sometimes been asserted, imagination that he disliked, but singularity. He could write, for instance, ...
— Landmarks in French Literature • G. Lytton Strachey
... the bunk and spent a moment analyzing the aesthetics of the layout. It had a certain pleasing severity, the unconscious balance of complete functionalism. Soon Dalgetty went back ...
— The Sensitive Man • Poul William Anderson
... indefinite objects, which are none the less important, and which, for want of a better name, I shall call the Discard. Among these can be named the education of the imagination, having a good time generally, foolishness, mysticism, good fellowship, aesthetics, humanity, and humanities in general. The fact that many a man has thrown himself away by putting all his time into these things, and lived solely for good fellowship, for foolishness, or for imagination without attainment, is no reason why you should not ...
— A Jolly by Josh • "Josh"
... this not mere talk, charming and momentarily elating us like so much music; itself mere beauty which, because we like it, we half voluntarily confuse with truth? And, on the other hand, is not the truth of aesthetics, the bare, hard fact, a very different matter? For we have learned that we human creatures will never know the absolute or the essence, that notions, which Plato took for realities, are mere relative conceptions; ...
— Laurus Nobilis - Chapters on Art and Life • Vernon Lee
... over. There is no one else to please, and I fear that colonial girls are not of those who dress merely for themselves; they like to be admired, and they appreciate the value of dress from a flirtation point of view. Their taste is rather the outcome of a desire to please others than of a sense of aesthetics. It is relative, and not absolute. When once the finery has served its purpose, they are ready to renounce all the pomps and vanities of this wicked world. And if the moralist says that this argues some laxness of ideas before marriage, let him remember that it is equally ...
— Town Life in Australia - 1883 • R. E. N. (Richard) Twopeny
... consigned to the garret or be used for old paper and manure! O posterity, above all things do not forget our gothic salons, our Renaissance furniture, M. Pasquier's discourses, the shape of our hats, and the aesthetics of ...
— Over Strand and Field • Gustave Flaubert
... their passion. He, the good for nothing, has come to enjoy himself; he needs beauty, d'you see—aesthete that he is! But all these girls, these daughters of the simple, unpretentious, great Russian people—how do they regard aesthetics? 'What's sweet, that's tasty; what's red, that's handsome.' And so, there you are, receive, if you please, a beauty of antimony, white lead ...
— Yama (The Pit) • Alexandra Kuprin
... society—that lively, sparkling epitome and relic of the old regime. He has good letters and a fair name, and mingles in the Mystick Krewe, that curious club, possible nowhere else, that has raised mummery into the sphere of aesthetics. Perhaps he has worn the gray, perhaps the blue. It is only in the very arcana of exclusive passion it makes much difference. But gray or blue, or North or South in birth, he is in every essential a Southerner, as many, like ...
— Lippincott's Magazine of Popular Literature and Science, Vol. 11, - No. 22, January, 1873 • Various
... he went in for top-boots splendidly belegged and coquettishly beautified with what, had he been a lady, he might have described as an insertion of lace. At last came the boot-blacking parlor, late nineteenth century, commercial, practical, convenient, and an important factor in civic aesthetics. Not that the parlor is beautiful in itself. It is a cave without architectural pretensions, but it accomplishes unwittingly an important mission: it removes from public view the man who is having his ...
— The Perfect Gentleman • Ralph Bergengren
... second son, which had been the more disconcerting because they flowed from the young reactionary in such a gay flood of high spirits. Harry had no more shared the reverent attitude of his family toward household aesthetics than toward social values. A house was a place to keep the weather from you, he had said laughingly. If you could have it pretty and well-ordered without too much bother, well and good; but might the Lord protect him from everlastingly ...
— The Squirrel-Cage • Dorothy Canfield
... political, social, religious, literary, and artistic problems. Unless his own art was the subject, Chopin did not take part in discussions. And Liszt tells us that Chopin not only, like most artists, lacked a generalising mind [esprit generalisateur], but showed hardly any inclination for aesthetics, of which he had not even heard much. We may be sure that to Chopin to whom discussions of any kind were distasteful, those of a circle in which, as in that of George Sand, democratic and socialistic, theistic and atheistic ...
— Frederick Chopin as a Man and Musician - Volume 1-2, Complete • Frederick Niecks
... figures that you get with every pound of tea you buy; and this, this, THIS," he whimpered, waving his hands at the decorated sewer-pipe with its gilded cat-tails. "Oh, speak to me of this; speak to me of art; speak to me of aesthetics. Cat-tails, GILDED. Of course, why not GILDED!" He wrung his hands. "'Somewhere people are happy. Somewhere little ...
— Blix • Frank Norris
... Medical School of Paris, delivered a discursive lecture not long ago, in which he soared from the region of drugs, his well-known special province, into the thin atmosphere of aesthetics. It is the influence that surrounds his fortunate fellow-citizens, he declares, which alone preserves their intellectual supremacy. If a Parisian milliner, he says, remove to New York, she will so degenerate in the course of a couple of years that the squaw of a Choctaw ...
— Atlantic Monthly, Volume 11, Issue 67, May, 1863 • Various
... wake. He was a critic who wrote brilliantly of music in the terms of painting, of plastic arts in the technical phraseology of music, and by him the drama was discussed purely as literature. This deliberate and delicate confusion of aesthetics clouded the public mind. He described Sordello as a vast mural fresco, a Puvis de Chavannes in tone, a symphonic drama wherein agonized the shadowy AEschylean protagonist. Even sculpture was rifled for analogies, and Van Kuyp to ...
— Visionaries • James Huneker
... I said then, is intended to form part of a series, on which I have been engaged for many years. I am gradually working my way towards the concrete expression of a theory, or system of aesthetics, of all ...
— Plays, Acting and Music - A Book Of Theory • Arthur Symons
... from fainting by fanning herself vigorously, and was about to show the two ladies that they had a wrong idea of aesthetics, when a lady from the West Side, who had just been married, got up and said she felt that we were all too ignorant of aesthetics, and they should take every opportunity to become better informed. She said when she first went to ...
— Peck's Sunshine - Being a Collection of Articles Written for Peck's Sun, - Milwaukee, Wis. - 1882 • George W. Peck
... where the old mansions that had fallen to their use once stood, there towered aloft and abroad those heights and masses of many-storied brick- work for which architecture has yet no proper form and aesthetics no name. The trees and shrubs, all in their young spring green, blew briskly over the guarded turf in the south wind that came up over the water; and in the well-paved alleys the ghosts of eighteenth-century ...
— Henry James, Jr. • William Dean Howells
... of bordering, or page-edge, effects. Books and bound volumes that are placed on a photocopy machine or a scanner produce page-edge effects that are undesirable for two reasons: 1) the aesthetics of the image; after all, if the image is to be preserved, one does not necessarily want to keep all of its deficiencies; 2) compression (with the bordering problem THOMA illustrated, the compression ratio deteriorated ...
— LOC WORKSHOP ON ELECTRONIC TEXTS • James Daly
... befitting so delicate a subject. Would it not be possible for the cromlech-builder to take a pride in her work, to look upon it with some affection and to feel gratified by this evidence of her cleverness? Might there not be an insect science of aesthetics? I seem at least to catch a glimpse, in the Eumenes, of a propensity to beautify her work. The nest must be, before all, a solid habitation, an inviolable stronghold; but, should ornament intervene without jeopardizing the power of resistance, ...
— The Wonders of Instinct • J. H. Fabre
... showed a surprising brilliancy of expression and maturity of thought; and soon after he passed his examination for the doctorate of philosophy with the highest distinction. It is told that the old poet Hauch, who was then Professor of AEsthetics at the University, was so much impressed by the young doctor's ability that he hoped to make him his successor. And toward this end Dr. Brandes began to bend his energies. During the next five or six years ...
— Essays on Scandinavian Literature • Hjalmar Hjorth Boyesen
... but a paradox of language, and not of fact. Men made bridges before there was a science of bridge-building; they cured disease before they knew medicine. Art came before aesthetics, and righteousness before ethics. Conduct and theory react upon each other. Hypothesis is confirmed and modified by action, and action is guided by hypothesis. If it is a paradox to ask for a human politics before we understand humanity or ...
— A Preface to Politics • Walter Lippmann
... schemes which ought to have made every one's fortune, and projectors on the discoveries which ought to have set the Thames on fire. There cobblers lecture on orthopedy (whatsoever that may be) because they cannot sell their shoes; and poets on AEsthetics (whatsoever that may be) because they cannot sell their poetry. There philosophers demonstrate that England would be the freest and richest country in the world, if she would only turn Papist again; penny-a-liners abuse the Times, ...
— The Water-Babies - A Fairy Tale for a Land-Baby • Charles Kingsley
... as the succession of events or impressions might dictate. To collect beautiful things was a passion with him, and he was proud of the natural taste and instinct, which generally led him right. But for 'aesthetics'—the philosophy of art—he had nothing but contempt. The volatile, restless mind escaped at once from the concentration asked of it; and fell back on what the Buddhist calls 'Maia,' the gay and changing appearances of things, which were all he wanted. And it was because the war had interfered ...
— Elizabeth's Campaign • Mrs. Humphry Ward
... migratory inhabitants had flown to their hot-air registers in Boston and Providence, I breakfasted with one who had lingered. It was a certain Boston lawyer,—replete with principle, honesty, self-discipline, statistics, aesthetics, and a perfect consciousness of possessing all these virtues, and a full recognition of their market values. I think he tolerated me as a kind of foreigner, gently but firmly waiving all argument on any topic, frequently distrusting my facts, generally my deductions, and ...
— Drift from Two Shores • Bret Harte
... tone of the society around him, was making a bold stroke—had persuaded his kind-hearted, simple friend to believe him a sincere penitent, and to introduce him as such to the ladies at Gothlands, from whom he caught the talk most pleasing to them. At present it was all ecclesiastical aesthetics, and discontent with the existing system, especially as regarded penitence; by and by, when his hold should be secure, he would persuade the heiress that she had been the prime instrument in his conversion, and that ...
— Heartsease - or Brother's Wife • Charlotte M. Yonge
... crowd and the beautiful too, and who can have no honest or human pleasure in either of them except as they are being drawn together, are obliged to admit that living in a democratic country, a country where politics and aesthetics can no longer be kept apart, is an ordeal that can only be faced a large part of the time with heavy hearts. We are obliged to admit that it is a country where paintings have little but the Constitution of the United States wrought into them; where sculpture is voted and paid ...
— Crowds - A Moving-Picture of Democracy • Gerald Stanley Lee
... remembered, while he produced little else of mark or memorability. The twenty years which follow from 1798 to 1818 may with equal accuracy be styled the "critical period." It was during these years that he did his best work as a journalist, and all his work as a public lecturer on aesthetics. It was during them that he said his say, and even his final say, so far as any public modes of expression were concerned, on politics and on art. From 1818 to his death his life was devoted entirely to metaphysics and ...
— English Men of Letters: Coleridge • H. D. Traill
... is now preferred practice in Great Britain, though the older style (which became established for typographical reasons having to do with the aesthetics of comma and quotes in typeset text) is still accepted there. 'Hart's Rules' and the 'Oxford Dictionary for Writers and Editors' call the hacker-like style ...
— THE JARGON FILE, VERSION 2.9.10
... have to stick to the non-psychological point of view whenever man's life, his thoughts and feelings and volitions, are to be measured with reference to ideals; that is in ethics and aesthetics and logic, sciences which ask whether the volitions are good or bad, whether the feelings are valuable or worthless, whether the thoughts are true or false. The psychologist does not care; just as the botanist is interested in the weed as much as in the flower, the ...
— Psychotherapy • Hugo Muensterberg
... that nurtured by the Platonism of every age. Milton gave it the formulation most familiar to English ears, but Milton by no means originated it. Not only from his Greek studies, but from his knowledge of contemporary Italian aesthetics, he derived the idea of the harmony between the poet's life and his creations which led him to maintain that it is the poet's privilege to make of his ...
— The Poet's Poet • Elizabeth Atkins
... waves. Chevreul had continued on this path by establishing his beautiful theories on the analysis of the solar spectrum. M. Charles Henry, an original and remarkable spirit, occupied himself in his turn with these delicate problems by applying them directly to aesthetics, which Helmholtz and Chevreul had not thought of doing. M. Charles Henry had the idea of creating relations between this branch of science and the laws of painting. As a friend of several young painters he had a real influence over them, showing them that ...
— The French Impressionists (1860-1900) • Camille Mauclair
... of Taoism to Asiatic life has been in the realm of aesthetics. Chinese historians have always spoken of Taoism as the "art of being in the world," for it deals with the present—ourselves. It is in us that God meets with Nature, and yesterday parts from to-morrow. The Present is the moving Infinity, the legitimate sphere of ...
— The Book of Tea • Kakuzo Okakura
... loveliness, fairness, elegance, comeliness, pulchritude, grace, exquisiteness, charm, attraction. Associated Words: aesthetics, aesthetician, aestheticism, aesthete, aesthetic, esthetology, Apollo, Adonis, Venus, ...
— Putnam's Word Book • Louis A. Flemming
... essays of M. de Laprade, they may be read both with more pleasure and more profit than those in which he attempts to discuss the principles of aesthetics. "French Tradition in Literature," and "Poetry, and Industrialism," are full of suggestive thoughts, and, coming in the latter half of the volume, make us forget the pretentious ...
— Atlantic Monthly, Vol. 9, No. 54, April, 1862 • Various
... that two things are observable. One is that any distinction so far won by a member of the race in America has been almost always in some one of the arts; and the other is that any influence so far exerted by the Negro on American civilization has been primarily in the field of aesthetics. The reason is not far to seek, and is to be found in the artistic striving even of untutored Negroes. The instinct for beauty insists upon an outlet, and if one can find no better picture he will paste a circus poster or a flaring ...
— A Social History of the American Negro • Benjamin Brawley
... extends the consciousness. It is a platitude, of course. You will laugh when I tell you that afterwards I tried to reason it all out. I am not apparently intellectual. The books I read would fill your empty room—on aesthetics, art, and what not. I got no result from any of them, but rather a state of muddle that was, no doubt, congestion. None of the theories and explanations touched the root of the matter. I am evidently not "an artist"—that at any rate I gathered, and yet these learned ...
— The Garden of Survival • Algernon Blackwood
... Homeric grandeur of the mountains. Why are quiet rural beauty and illimitable freedom and lofty splendor not reflected in poem and novel and ballad and picture? The Canadian may answer—We go in more for athletics than aesthetics: we are living literature, not writing it. In our snow-covered prairies edged by the violet mist, lined in silver and pricked at night by the diamond light of a million stars, we are living art, not painting it. That our mountains are dumb and inarticulate, that our forests chant the litany ...
— The Canadian Commonwealth • Agnes C. Laut
... very walls; under the shed there were beegums alive with the nectar builders; along the garden walks were frames for freighted grape-vines. The work of regeneration had been pushed beyond the limits of utilitarianism over into a certain crude domain of aesthetics. On one front window-sill what had been the annual Christmas box of raisins had been turned into a little hot-bed of flowering plants; and under the panes of glass a dense forest of them, sun-drawn, looked like a harvest ...
— The Mettle of the Pasture • James Lane Allen
... their feeling to mental association; but it cannot fail to have a persuasive force for those who have faith in the instinctive utterances of the human soul: and the reliance upon it is not more extraordinary than that on which we depend in cognate subjects like aesthetics, where the taste of practical skill is trusted. Christian consciousness thus becomes a new source of facts in theological study; the living voice of the church for illustrating and confirming in some degree the utterance of men ...
— History of Free Thought in Reference to The Christian Religion • Adam Storey Farrar
... greatest refuge. They neither forgot nor deceived him. The souls which he cherished in them had risen above the flood of time. They were inscrutable, fixed for eternity in the love they inspired and seemed to feel, and gave forth once more to those who loved them. He was Professor of AEsthetics and the History of Music, and he was like an old wood quivering with the songs of birds. Some of these songs sounded very far away. They came from the depths of the ages. But they were not the least sweet and mysterious of all.—Others ...
— Jean-Christophe, Vol. I • Romain Rolland
... a whole comes under the head of Aesthetics, which may be defined as the philosophy of taste, the science of ...
— The Head Voice and Other Problems - Practical Talks on Singing • D. A. Clippinger
... to an end. I had long felt a deep desire to visit Munich, to study art, and to investigate fundamentally the wonderful and mysterious science of AEsthetics, of which I had heard so much. So I packed up and paid my bills, and passing through one town where there was in the hotel where I stopped, the last wolf ever killed in Germany, and freshly killed (I believe he has been slain two or three times since), ...
— Memoirs • Charles Godfrey Leland
... poetical has, must have, rotundity. No poet ever had a square head. Prose, in its naked quality, is to poetry what a skeleton is to a moving, flesh-and-spirit-endowed body. From the skeleton you can learn osteology, but neither aesthetics nor human nature. Imaginative prose partakes of the spiritual character of poetry. When a page is changed from poetry into prose it is flattened, deadened; when from prose into poetry it is uplifted, enlivened. You get a something else ...
— Essays AEsthetical • George Calvert
... civilization advances by building upon them, and to do away with these additions would be like destroying a city to get at its foundation, in the vain hope of securing some wide-reaching result in economics or aesthetics. Occupying a foremost place among these groupings is the large division embracing our educational activities. And these are social not only in the broad sense, but also in the narrower. The intercourse of student with student in the school and even of reader with reader in the library, especially ...
— A Librarian's Open Shelf • Arthur E. Bostwick
... employed in developing the resources of a great country, that little has been left to expend in creative imagination. The currents of genius have flowed toward trade, agriculture, and manufacturing, not aesthetics. ...
— Definitions • Henry Seidel Canby
... more nearly positive we mean the more nearly Organized. Everything merges away into everything else, but proportionately to its complexity, if unified, a thing seems strong, real, and distinct: so, in aesthetics, it is recognized that diversity in unity is higher beauty, or approximation to Beauty, than is simpler unity; so the logicians feel that agreement of diverse data constitute greater convincingness, or strength, than that of mere parallel ...
— The Book of the Damned • Charles Fort
... subject, though not affecting the degree of probability which may belong to this theory, seems to us to be very loose scientifically, and philosophically most misleading."—"Pall Mall Gazette.") This is not at all improbable, as it is almost a lifetime since I attended to the philosophy of aesthetics, and did not then think that I should ever make use of my conclusions. Can you refer me to any one or two books (for my power of reading is not great) which would illumine me? or can you explain in one or two sentences how I ...
— More Letters of Charles Darwin - Volume I (of II) • Charles Darwin
... goddess, each strong and perfect god, stood in its particular niche and indicated its penchant by a tripod, a peacock, an apple or a caduceus, as clue to the proper name. Such airy beauty, such dainty conception, makes of the gods rulers of aesthetics, if not of fate. This series of Mantegna was the inspiration two centuries later of the Triumphs of the Gods, and similar hangings ...
— The Tapestry Book • Helen Churchill Candee
... a Texas legislature, composed chiefly of illiterate jabber- whacks who string out the sessions interminably for the sake of the $2 a day—imagine these fellows, each with a large pendulous ear to the earth, listening for the approach of some Pegasus to carry him to Congress—teaching the aesthetics of civilization to the divine philosophers of Greece and the god-like senators of Rome! Think of Perry J. Lewis pulling the Conscript Fathers over the coals—of Senator Bowser pointing out civic duties to Socrates; ...
— Volume 12 of Brann The Iconoclast • William Cowper Brann
... the fall of Thiers, he was removed before he could complete his plan for establishing a museum of copies to reproduce the masterpieces of painting. One well-deserved satisfaction was granted him in 1878 by the creation of a chair of AEsthetics and Art History in the College of France, which he was called by special decree to fill; and there ...
— Library Of The World's Best Literature, Ancient And Modern, Vol. 5 • Various
... number, or time, and whether of colors or sounds, form what we may properly term the musical or harmonic element in every art; and the study of them is an entirely separate science. It is the branch of art-philosophy to which the word 'aesthetics' should be strictly limited, being the inquiry into the nature of things that in themselves are pleasant to the human senses or instincts, though they represent nothing, and serve for nothing, their only service being ...
— Aratra Pentelici, Seven Lectures on the Elements of Sculpture - Given before the University of Oxford in Michaelmas Term, 1870 • John Ruskin
... own taste and fancy. All was on the basis of personal preference. His chiefs learned early that so rare an organism was best left alone to function in harmony with its own nature. The Column had not only its own philosophy and its own aesthetics, but its own politics: if it seemed to contravene other and more representative departments of the paper, never mind. Its conductor had such confidence in the validity of his personal predilections and in their identity with those of "the ...
— The So-called Human Race • Bert Leston Taylor
... and old china, a "school" or "movement." It was aesthetic, and an early purchaser of Mr. William Morris's wall papers. It existed ten or twelve years before the public "caught on," as they say, to these delights. But, except one or two of the masters, the school were only playing at aesthetics, and laughing at their own performances. There was more fun than fashion in the cult, which was later revived, developed, and ...
— Adventures among Books • Andrew Lang
... boyhood are the most likely to cultivate pets of this kind. There is a rich variety of choice in the luxuriantly floral Gothic, the cold serene classic, and that prolific style combining both, which a popular writer on the AEsthetics of Art has stigmatised by the term "sensual," ordering all his votaries to abjure it accordingly. To intellects not far enough advanced to acknowledge the influence of such terms, or to comprehend their application to what we should or should not like and admire, there is a fortunate ...
— The Book-Hunter - A New Edition, with a Memoir of the Author • John Hill Burton
... ennobles it. The heroines are sketched with natural grace and spirit: it is the more to be regretted that their bearing in the last act should have less of delicacy or modesty than of ingenious audacity in contrivances for striking and daring stage effect; a fault as grave in aesthetics as in ethics, and one rather to have been expected from Fletcher than from Heywood. But the general grace and the occasional pathos of the writing may fairly be set against the gravest fault that can justly be found with so characteristic and so charming a work of Heywood's genius at its happiest ...
— The Age of Shakespeare • Algernon Charles Swinburne
... collecting the wealth of the world round the shrines of the gods. How many a man has since learned to regret the lost labor of his household; and yet what god has been the better? There may be a question of aesthetics, indeed, with ...
— The Life of Cicero - Volume II. • Anthony Trollope
... culture, always depends upon progress in two directions—the reason, and the feelings or emotions. Art is the expression of the latter, and science of the former. Every great period in the world's history, therefore, is marked by a high appreciation of aesthetics and an advance in knowledge. To this general rule, the sixteenth century was no exception, for it was distinguished not only by a wonderful development of architecture, sculpture, painting, engraving, music, and literature,—whether Roman, Greek, or ...
— A Political and Social History of Modern Europe V.1. • Carlton J. H. Hayes
... apt comparison raised no smile on his listeners' faces, only Nejdanov remarked that if young people were fools enough to interest themselves in aesthetics, they deserved no pity whatever, even if Skoropikin did ...
— Virgin Soil • Ivan S. Turgenev
... walks on Sunday, and part speechless with the anger of indefinable offences. Poor Marion! The things I tried to put before her, my fermenting ideas about theology, about Socialism, about aesthetics—the very words appalled her, gave her the faint chill of approaching impropriety, the terror of a very present intellectual impossibility. Then by an enormous effort I would suppress myself for a time and continue a talk that made her ...
— Tono Bungay • H. G. Wells
... for some power of apprehending at a glance—a power which dispenses with all process and gains its end by a flash. A higher stage is known as vision; the highest is known as ecstasy. Intuition has its own place in general psychology, and has acquired peculiar significance in the domains of aesthetics, ethics, and theology; and the same root idea is preserved throughout—that of immediacy of insight. The characteristic of passivity on which certain mystics would insist is subsidiary—even if it is to be allowed at all. Its claims will be ...
— Nature Mysticism • J. Edward Mercer
... his return—Hazlehurst gave himself very much to the study of aesthetics. The beautiful, the harmonious, alone attracted him; he could not endure anything approaching to coarseness. He wandered up and down the galleries of the Louvre, delighting more in the beautiful faces of ...
— Elinor Wyllys - Vol. I • Susan Fenimore Cooper
... author uses. Let us get at the exact value of each word by that severe induction of which Buttmann and the great Germans have set such noble examples; and then, and not till then, we may begin to talk about philosophy, and aesthetics, and the rest. Very Probably Aristarchus was right in his dislike of Crates's preference of what he called criticism, to grammar. Very probably he connected it with the other object of his especial hatred, that fashion of interpreting Homer allegorically, which was springing up in his time, ...
— Alexandria and her Schools • Charles Kingsley
... him, this force had been static; as supplied by a woman who lived and breathed, it became dynamic. That was all very well; if he could have let it rest at that, if he could have confined his interest in her, his feeling about her, to the plane of pure aesthetics, he would have had nothing to complain of. But the mischief was that he couldn't. The thing that perplexed and annoyed him,—and humiliated him too, in some measure,—was a craving that had sprung up over-night, and was now strong and constant, to get ...
— My Friend Prospero • Henry Harland
... of normal individuality, of character and mind as we know them in life. When we read Coleridge, Schlegel, and Gervinus, or even the admirable essay of Charles Lamb, or the eloquent appreciations of Mr. Swinburne, or such eulogists as Hazlitt and Knight, we are in a world of abstract aesthetics or of abstract ethics; we are not within sight of the man Shakspere, who became an actor for a livelihood in an age when the best actors played in inn-yards for rude audiences, mostly illiterate and not a little brutal; then added to his craft of acting the craft of play-patching ...
— Montaigne and Shakspere • John M. Robertson
... the arrangements of social life, e.g. for news, communications, supplies, discussion and entertainment, and demands will be made and complied with for greater convenience and comprehensiveness, for popular aesthetics and popular representation. In these arrangements and in these alone Art will have to find its functions and its home. Public buildings, gardens, sanatoriums, means of transit and exhibitions will be established at great cost. All the demands of the spirit and of the senses will seek ...
— The New Society • Walther Rathenau
... three times during that period he was tortured to the verge of dying; and at last he was released, while quite an old man, at the urgent request of the French Court. Not many years after his liberation Campanella died. The numerous philosophical works on metaphysics, mathematics, politics, and aesthetics which Campanella gave to the press, were composed during his long imprisonment. How they came to be printed, I do not know; but it is obvious that he cannot have been strictly debarred from writing by his jailors. In prison, too, he made both friends and converts. We have seen that ...
— Sonnets • Michael Angelo Buonarroti & Tommaso Campanella
... sculptors. It is true that love is the theme of western writers also but with them the idea of love is entirely free from divine signification. (As a corollary), the more the divine background disappears, the more the prudishness of the police becomes the standard of ethics and aesthetics alike. Under such an aegis the arts are necessarily degraded to the level of the merely sentimental or the merely sensual and while the sentimental is everywhere applauded, the sensual is ...
— The Loves of Krishna in Indian Painting and Poetry • W. G. Archer
... figures, bric-a-brac, draperies, houses and trees, skies and mountains, and every and any other natural fact, you may consider as so many bits of form and color with which you may work out a scheme on canvas; and how you do it is to consider them as pawns in your game of aesthetics. ...
— The Painter in Oil - A complete treatise on the principles and technique - necessary to the painting of pictures in oil colors • Daniel Burleigh Parkhurst
... Living,' collected and published in three years, are a proof of this. Besides this, he had exquisite artistic instincts, and his massive volume on 'The Power of Sound' was, when it appeared, the most important {308} work on aesthetics in the English language. He had also the tenderest heart and a mind of rare metaphysical power, as his volumes of essays, 'Tertium Quid,' will prove to any reader. Mr. Frederic Myers, already well known as one of the most brilliant of English essayists, is the ingenium ...
— The Will to Believe - and Other Essays in Popular Philosophy • William James
... new work with great ardor and entire devotion. With the founding of the department there were two distinct ideas to be carried out. First, to train musicians who would be able to teach and compose. Second, to teach musical history and aesthetics. ...
— The World's Great Men of Music - Story-Lives of Master Musicians • Harriette Brower
... sober moments "the beaters of the drum" scientific would appear to be well aware of the fact. For instance, Mr. Huxley himself, oblivious of all he had claimed in the name of physical science, asked with surprise, in what laboratory questions of aesthetics and historical truth could be tested? In what, indeed? we may well ask. And yet the physical science which is avowedly incapable of deciding the comparatively insignificant matters of taste and history is prepared to take over with the ...
— Morality as a Religion - An exposition of some first principles • W. R. Washington Sullivan
... soon time to drive home, and she traversed the distance with a preoccupied mind. The idea of so modern a man in science and aesthetics as the young surgeon springing out of relics so ancient was a kind of novelty she had never before experienced. The combination lent him a social and intellectual interest which she dreaded, so much weight did it add to ...
— The Woodlanders • Thomas Hardy
... was designed as a contribution to the History of Modern Philosophy under the heads: first of Different Schools of Thought—Sensationalist, Realist, Idealist, Intuitivist; secondly of different Subjects—Psychology, Ethics, Aesthetics, Political Philosophy, Theology. While much had been done in England in tracing the course of evolution in nature, history, economics, morals and religion, little had been done in tracing the development of thought on these subjects. Yet 'the ...
— The Analysis of Mind • Bertrand Russell
... Fortiguerri, Passeroni, G. Gozzi, Parini, Ginsti, and others. —7. Romances; Verri, Manzoni, D'Azeglio, Cantu, Guerrazzi, and others. —8. History; Muratori, Vico, Giannone, Botta, Colletta, Tiraboschi, and others.—9. Aesthetics, Criticism, Philology, and Philosophy; Baretti, Parini, Giordani, Gioja, Romagnosi, Gallupi, Roemini, ...
— Handbook of Universal Literature - From The Best and Latest Authorities • Anne C. Lynch Botta
... its promulgator, with living out of the world and knowing nothing of life and men. That great austere toiler, the editor of the Daily Telegraph, upbraids me,—but kindly, and more in sorrow than in anger,—for trifling with aesthetics and poetical fancies, while he himself, in that arsenal of his in Fleet Street, is bearing the burden and heat of the day. An intelligent American newspaper, the Nation, says that it is very easy to sit in one's ...
— Culture and Anarchy • Matthew Arnold
... we gave up our hunt for Sholto that night and saw Hilderman into the Baltimore II. at the landing-stage, the harvest moon had splashed the mountain side with patches of silver in reckless profusion. But we were in no mood for aesthetics. We applied the moonlight ...
— The Mystery of the Green Ray • William Le Queux
... history of the differentiation of classes; the history of the differentiation of political from religious law; the history of restraints, and of their influence upon custom; the history of regulative and cooperative conditions in the development of industry; the history of ethics and aesthetics,—all these and many ...
— Japan: An Attempt at Interpretation • Lafcadio Hearn
... work; but, as a judge of aesthetic works, he is one- sided, and even fanatically devoted to party spirit. He belongs, unfortunately, to the men of science, who are only one sixty-fourth of a poet, and who are the most incompetent judges of aesthetics. He has, for example, by his critiques on Ingemann's romances, shown how far he is below the poetry which he censures. He has himself published a volume of poems, which belong to the common run of books, "A Ramble through Denmark," written in the fade, flowery style of those times, and "A Journey ...
— The True Story of My Life • Hans Christian Andersen
... itself; the co-operative housing of New York is making a like history. It is true that the Philistines do not come in and dispossess the autochthonic groups; these will not sell to them; but they have imagined doing on a sophisticated and expensive scale what the aesthetics have done simply and cheaply. They are buying the pleasanter sites, and are building co-operatively; though they have already eliminated the studio and the central principle, and they build for the sole occupancy of the owners. But the cost of their housing then is such that it puts ...
— Imaginary Interviews • W. D. Howells
... in the natural sciences and also in aesthetics, because in both of these departments the sensuous is an essential element of the matter dealt with. In this respect we have made great progress in charts and maps. Sydow's hand and wall maps and Berghaus's physical atlas are most excellent means of illustrative ...
— Pedagogics as a System • Karl Rosenkranz
... feel slightly amateurish and fanciful in thinking of beauty apart from truth. A walk through the Louvre, however, suffices to restore one's confidence in his own convictions. The French rooms, at least until modern periods are reached, are a demonstration that in the sphere of aesthetics science does not produce the greatest artists—that something other than intelligent interest and technical accomplishment are requisite to that end, and that system is fatal to spontaneity. M. Eugene Veron is the mouthpiece of his countrymen in asserting absolute ...
— French Art - Classic and Contemporary Painting and Sculpture • W. C. Brownell
... out for lack of space. Such are: Demonism, Primitive Religion, and Witchcraft; The Status of Women; War; Evolution and the Mores; Usury; Gambling; Societal Organization and Classes; Mortuary Usages; Oaths; Taboos; Ethics; AEsthetics; and Democracy. The first four of these are written. I may be able to publish them soon, separately. My next task ...
— Folkways - A Study of the Sociological Importance of Usages, Manners, Customs, Mores, and Morals • William Graham Sumner
... been true since the earliest days. Emerson himself, though a man of unusual discernment and a diligent drinker from German spigots, nevertheless remained a dilettante in both aesthetics and metaphysics to the end of his days, and the incompleteness of his equipment never showed more plainly than in his criticism of books. Lowell, if anything, was even worse; his aesthetic theory, ...
— A Book of Prefaces • H. L. Mencken |
