"Adagio" Quotes from Famous Books
 ... The first adagio went fairly successfully though Panshin made more than one false note. His own compositions and what he had practised thoroughly he played very nicely, but he played at sight badly. So the second part of the sonata—a rather quick allegro—broke down completely; ...
— A House of Gentlefolk • Ivan Turgenev
... saloon below a violin sang its very soul out upon the summer night, weaving its plaint into the soft, adagio rippling of ...
— Blow The Man Down - A Romance Of The Coast - 1916 • Holman Day
... admitted calmly, "but not the way you did it. Kissing should be done upon the soft pedal mon ami, adagio, con amore. Your technique is rusty. Is it a wonder ...
— Madcap • George Gibbs
... rubato. Nevertheless, traces of it may be found in the rhythms of the classical school. Although Mozart's tempo in general was as strict and uniform as that of a waltz in the ball-room, in playing an adagio he appears to have allowed his left hand some freedom of movement for the sake of expression (see Jahn I., 134). Beethoven, according to Seyfried, "was very particular at rehearsals about the frequent passages in tempo rubato;" ...
— Chopin and Other Musical Essays • Henry T. Finck
... has gone out of his writing, and his form has grown definite. Often, indeed, his outlines are much too hard, as was natural at a time when he was with all his might trying to take his principles in a firm grip. If we take a typical symphony of this time, we find, first the adagio introduction. This feature, as we all know, was turned to noble use by Beethoven, notably in the seventh symphony; but it is not an essential. Mozart scarcely used it, and even with Haydn I fancy the Prince must have liked it, or we should not find it so ...
— Haydn • John F. Runciman
... bright, holy song it was, which at that time surged through my soul, I have never been able to discover. It must have been an old church hymn, like those which many a time stirred the rugged soul of our Luther. I never heard it again, but many a time even now when I hear an adagio of Beethoven's, or a psalm of Marcellus, or a chorus of Handel's, or a simple song in the Scotch Highlands or the Tyrol, it seems to me as if the lofty church windows again glistened and the organ-tones once more surged through my soul, and a new world revealed itself—more beautiful than ...
— Memories • Max Muller
... The music before and thro' this act, Haydn's Sieben Worte. No. 5. Adagio. Scene the same. The curtains are up. The landscape outside is in a grey light. There is a fire in the stove. The doors are closed. Eleonora is seated near the stove with a bunch of crocuses in her ...
— Plays: Comrades; Facing Death; Pariah; Easter • August Strindberg
... if he is as good-looking as Mr Forsyth. Mrs Jimson—I don't believe it sounds as nice as Mrs Forsyth; but then "Gideon" is so really odious! And here is some of his music too; this is delightful. Orange Pekoe—O, that's what he meant by some kind of tea.' And she trilled with laughter. 'Adagio molto espressivo, sempre legato,' she read next. (For the literary part of a composer's business Gideon was well equipped.) 'How very strange to have all these directions, and only three or four notes! O, here's another with some more. Andante patetico.' ...
— The Wrong Box • Robert Louis Stevenson and Lloyd Osbourne
... here and there all the same, and Weinlich, to whom I had already shown the beginning of my work on my return to Leipzig, praised me for the clearness and good vocal quality of the introduction I had composed to the first act; this was an Adagio for a vocal septette, in which I had tried to express the reconciliation of the hostile families, together with the emotions of the wedded couple and the sinister passion of the secret lover. My principal object was, all the same, ...
— My Life, Volume I • Richard Wagner
... the rain and made it fall on the earth; another seized the key of the thunder and touched it, fearful peals which frightened all the revellers and made them fly. But they returned again to continue their graceful play, beginning afresh their noisy games that the thunder had disturbed. And the Adagio! What do you say about that? Do you know anything softer, more loving or so divinely peaceful? Human beings will never speak like this again, however much progress they make. Hearing it, I thought of those fresco-painted ceilings with mythological ...
— The Shadow of the Cathedral • Vicente Blasco Ibanez |
