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Watteau   Listen
adjective
Watteau  adj.  (Art) Having the appearance of that which is seen in pictures by Antoine Watteau, a French painter of the eighteenth century; said esp. of women's garments; as, a Watteau bodice.






Collaborative International Dictionary of English 0.48








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"Watteau" Quotes from Famous Books



... into a berceau—and sitting upon a bench, bethought me of the strange visit I was about to make—as well as of all the pleasing pastoral poetry and painting which I had read in the pages of De Lille, or viewed upon the canvas of Watteau. The clock of the church of St. Gervais struck three; when, starting from my reverie, I knocked at the hall-door, and was announced to the family, (who had just risen from dinner) above stairs. A circle ...
— A Bibliographical, Antiquarian and Picturesque Tour in France and Germany, Volume One • Thomas Frognall Dibdin

... eminently reflects his own time, the gay, the light-hearted Gustavian era, with its classical fancies and rococo tastes. Venus and Bacchus, the Nymphs and the Dryads, Hebe and Amor are mixed up incongruously with the homely scenes of Scandinavian life. His Dutch pictures assume then a Watteau-like coloring of extraordinary effect, as fancy and contrast enhance the sharp outlines of his figures and give their vitality still greater relief. They are so lifelike and so various that the whole of the every-day life of Sweden, and more especially of Stockholm, of the eighteenth ...
— Norwegian Life • Ethlyn T. Clough

... Gawries wear mysterious things, That serve at once for jackets and for wings. Age, that enfeebles other men's designs, But heightens thine, and thy free draught refines. In several ways distinct you make us feel— Graceful as Raphael, as Watteau genteel. Your lights and shades, as Titianesque, we praise; And warmly wish you ...
— The Works of Charles Lamb in Four Volumes, Volume 4 • Charles Lamb

... Here the little steno in the green tarn is Lais of Corinth, the dowager alighting from the electric is Zenobia. Illusions dress the entire procession. Semiramis, Leda, and tailored nymphs; dryad eyes gleam from powder-white masks. Or, if the classics bore you, Watteau and the rococo pertness of the Grand Monarch. And there are Gothic noses, Moorish eyebrows, Byzantine slippers. Take your pick, walk up and down and ...
— A Thousand and One Afternoons in Chicago • Ben Hecht

... silver. The carpet is pink, and feels like moss, as you step. The wall is covered with pink and silver brocade, except where there are panels with Watteau-like pictures. The curtains are foamy lace, with the pink and silver brocade falling over them. The furniture looks as if it were made of ivory; there's a mirror in three parts, reaching from the floor half way to the ceiling, so that you see yourself in front, and two ...
— Lady Betty Across the Water • Charles Norris Williamson and Alice Muriel Williamson

... at the Park gates, in which each cottage is a gem, and seems transplanted from the last book on rural ornamentation. But the sight of the village oppresses one with a strange incongruity; the charm of realism is wanting; it needs a population out of one of Watteau's pictures,—clean and deft as the painted figures; flesh and blood are too gross, too prone to muddy shoes, and to—sneeze. The rock-work, also, is incongruous; it belongs on no such wavy roll of park-land; you see it a thousand times grander, a half-hour's drive away, toward Matlock. And the ...
— Atlantic Monthly, Volume 12, No. 73, November, 1863 • Various

... is a complete upset. It seems that the printing of the Louvre drawings [Footnote: Two drawings by Zucchero and Watteau. The latter was in black, red, and white chalk. The reproduction was printed from one plate, the different colored inks being rubbed in by the printer. Only about ten prints could be taken in a day.] will take ...
— Philip Gilbert Hamerton • Philip Gilbert Hamerton et al

... It was she who had pleaded most for the preservation of the empire grand piano. The one in the gold case with all the Watteau figures and garlands painted on it, that had been saved as one of the "white hyacinths" from the old home. After the day's work was over, it was always Helen who stole into the dim front room to listen while her mother played over favorite airs from the old ...
— Kit of Greenacre Farm • Izola Forrester

... as may have been seen by many readers in the famous old Philipse house,—Washington's headquarters,—in the town of Yonkers. The fireplaces, worthy of the wide-throated central chimney, were bordered by pictured tiles, some of them with Scripture stories, some with Watteau-like figures,—tall damsels in slim waists and with spread enough of skirt for a modern ballroom, with bowing, reclining, or musical swains of what everybody calls the "conventional" sort,—that is, the swain adapted ...
— Atlantic Monthly, Vol. 5, No. 31, May, 1860 • Various

... to imagine. It was small and octagonal, hung with lilac and silver, with furniture and portieres of tapestry. Buhl tables, covered with splendid china; a Persian carpet, and the ceiling painted by Watteau, who was then coming into fashion. At this sight, the chevalier found it difficult to believe that he had been summoned on grave matters, and almost returned to his ...
— The Conspirators - The Chevalier d'Harmental • Alexandre Dumas (Pere)

... collection of furniture, pictures, wood carvings, and faience. The Baron lived there alone, attended by three old servants. No one ever enters the place. No one had ever beheld the three Rubens that he possessed, his two Watteau, his Jean Goujon pulpit, and the many other treasures that he had acquired by a vast expenditure of money ...
— The Extraordinary Adventures of Arsene Lupin, Gentleman-Burglar • Maurice Leblanc

... had worn on, then the Seigneur, who had been to Montreal, came back with the news that Rosalie was looking as beautiful as a picture. "Grown a woman in beauty and in stature; comely—comely as a lady in a Watteau picture, my dear messieurs!" he had said to the Cure, standing in the ...
— The Judgment House • Gilbert Parker

... the fair Parisians, whom his admirers christened "a Watteau realist" and his detractors a "photographer of gowns and mantles," often received at breakfast or at dinner the beautiful persons whose feature he had reproduced, as well as the celebrated and the well known, who found very amusing these little ...
— Strong as Death • Guy de Maupassant

... large is the—Loomis calls it "Musical Symbolism," for Adelaide Ann Proctor's "The Story of the Faithful Soul." Of the greatest delicacy imaginable is the music (for piano, violin, and voice) to William Sharp's "Coming of the Prince." The "Watteau Pictures" are poems of Verlaine's variously treated: one as a head-piece to a wayward piano caprice, one to be recited during a picturesque waltz, the last a song with ...
— Contemporary American Composers • Rupert Hughes

... to a vast height with the woodbines, lilacs, and liburnums, and dignified by the tall shapely cypresses. On the descent of the hill were placed the French horns; the abigails, servants, and neighbours wandering below the river; in short, it was Parnassus, as Watteau would have painted it. Here we had a rural syllabub, and part of the company returned to town; but were replaced by Giardini and Onofrio, who, with Nivernois on he violin, an Lord Pembroke on the bass, accompanied Mrs. Pelham, Lady Rockingham, and the Duchess ...
— The Letters of Horace Walpole Volume 3 • Horace Walpole

... marvelously, and neither made love to her in earnest nor flirted with her in jest. Indeed, Leam was too intense to be approached at any time with levity. As well dress the Tragic Muse in the costume of a Watteau shepherdess as ply Leam Dundas with the pretty follies found so useful with other women. She did not understand them, and it seemed useless to try to make her. If Edgar paid her any of the trivial compliments always on his lips for women, Leam used to look at him with her ...
— Lippincott's Magazine, Vol. XVII, No. 99, March, 1876 • Various

... honeyed hour Spent with this unmanly male! Sommerville became a bow'r, Alston an Arcadian Vale, Breathing concentrated otto!— An existence la Watteau. ...
— The Complete Plays of Gilbert and Sullivan - The 14 Gilbert And Sullivan Plays • William Schwenk Gilbert and Arthur Sullivan

... unseemly length of thick ankle rising solidly above the old pair of men's side-boots that encased her feet. The battered hat perched rakishly atop her knob of gray-white hair gave her a jaunty, sporting look, as of a ponderous, burlesque Watteau. ...
— Cheerful—By Request • Edna Ferber

... holding up their frocks, and showing me their rosebuds of hairless slits, as they also rubbed and frigged their little cunts, smiling and telling me they could. They were exquisitely dressed in the Watteau style, looking almost like Dresden figures, being so chic and delicate; then, seating themselves one on each side me on the grass, they proceeded to handle and play with my great big prick, allowing me at the same time to frig their two little cunts for them, till the juice spurted ...
— Forbidden Fruit • Anonymous

... green grass formed a background against which the women, in their new Parisian toilets, under their bright parasols, stood out like wondrous bouquets of moving flowers. The whole atmosphere was a delightful mingling of idle gaiety, flirtation, and graceful sensuousness. A modern Watteau would have seized upon ...
— Idle Ideas in 1905 • Jerome K. Jerome

... came up to speak to her she was wondering if she should meet him in the gallery, and what he would think of the Greuse. He wouldn't care much about it. He didn't care much about the French eighteenth century, of course he admired Watteau, but it was an impersonal admiration, there was nothing of the Watteau, Greuse, Pater, or Lancret in him. He was purely English. He took no interest in the unreal charm that that head expressed. Of course, no ...
— Celibates • George Moore

... and for that! It is just as if I had spoken contemptuously of that Gallery I so love and so am grateful to—having been used to go there when a child, far under the age allowed by the regulations—those two Guidos, the wonderful Rembrandt of Jacob's vision, such a Watteau, the triumphant three Murillo pictures, a Giorgione music-lesson group, all the Poussins with the 'Armida' and 'Jupiter's nursing'—and—no end to 'ands'—I have sate before one, some one of those pictures I had predetermined to see, a good hour and then gone away ... it used ...
— The Letters of Robert Browning and Elizabeth Barrett Barrett, Vol. 1 (of 2) 1845-1846 • Robert Browning and Elizabeth Barrett Barrett

... red—not quite crimson, though near enough for the word; not quite scarlet either; only, a red gently enchanting, which turned one's thoughts toward tenderness—with a hint of desire. It was, too, a generous mouth, not too large; still, happily, not so small as those modeled by Watteau. It was altogether winsome—more, it was generous and true, desirable for kisses—yes!—more desirable for ...
— Within the Law - From the Play of Bayard Veiller • Marvin Dana

... written: "When the forehead alone contains the existence of a man, that man is enlightened only from above his head; then his jealous shadow, prostrate under him, draws him by the feet, that it may drag him down into the invisible." Like Watteau, Laforgue was "condemned" from the beginning to "a green thought in a green shade." The spirit in him, the "shadow," devoured his soul, pulverised his will, made of him a Hamlet without a propelling cause, a doubter in a world of cheap certitudes and insolent fatuities, but barred him proffering ...
— Ivory Apes and Peacocks • James Huneker

... characteristic of certain recurrent moods. That one on Denys L'Auxerrois, where the sweet, perilous legend of the exiled god—has he really been ever far from us, that treacherous Son of scorched white Flesh?—leads us so far, so strangely far. That one on Watteau, the Prince of Court Painters, where his passion for things faded and withdrawn reaches its climax. For Pater, like Antoine, is one of those always ready to turn a little wearily from the pressure of their ...
— Visions and Revisions - A Book of Literary Devotions • John Cowper Powys

... developed by visits to the Dulwich picture gallery, of which he afterwards wrote to Miss Barrett with "love and gratitude" because he had been allowed to go there before the age prescribed by the rules, and had thus learned to know "a wonderful Rembrandt," a Watteau, "three triumphant Murillos," a Giorgione Music Lesson, and various Poussins. His marked early susceptibility to music is evidenced by an incident narrated by Mr. Sharp: "One afternoon his mother was playing in the twilight to herself. She was startled to hear a sound behind ...
— Selections from the Poems and Plays of Robert Browning • Robert Browning

... at last presents us with a series of pictures having all the charm of tone and the minute fidelity to nature which were the praise of the Dutch school of painters, but with a higher sentiment, a more refined humor, and an airy elegance that recalls the better moods of Watteau. We do not remember any Italian studies so faithful or the result of such continuous opportunity, unless it be the "Roba di Roma" of Mr. Story, and what may be found scattered in the works of Henri Beyle. But Mr. Story's volumes recorded only the chance observations of a quick ...
— The Function Of The Poet And Other Essays • James Russell Lowell

... is called, and the magnificent brocades, all of which any enriched tradesman could have procured for money; but he also noted such treasures as only princes can select and find, can pay for and give away; two pictures by Greuze, two by Watteau, two heads by Vandyck, two landscapes by Ruysdael, and two by le Guaspre, a Rembrandt, a Holbein, a Murillo, and a Titian, two paintings, by Teniers, and a pair by Metzu, a Van Huysum, and an Abraham Mignon—in short, two hundred thousand francs' ...
— Poor Relations • Honore de Balzac

... side of the apartment. Facing it is a sideboard in sculptured ebony, enriched with bronze, by Gouthieres. There are only two pictures on the walls: "The Departure of the Newly Married Couple," exquisitely painted by Lancret; and "The Prediction," an adorable work by Watteau, bought at an incredible price at the Pourtales sale. Over the chimney-piece is a miniature by Pommayrac, representing Micheline as a little child—a treasure which Madame Desvarennes cannot behold without tears coming to her eyes. A door, ...
— Serge Panine, Complete • Georges Ohnet

... obtained an entrance when far under the age permitted by the rules; there he would sit for an hour before some chosen picture, and in later years he could recall the "wonderful Rembrandt of Jacob's vision," the Giorgione music-lesson, the "triumphant Murillo pictures," "such a Watteau," and "all the Poussins."[8] ...
— Robert Browning • Edward Dowden

... He presents his portraits in bal masqu['e], not always suggestive either of the rank or character of the person represented. There is about the same analogy between Watteau and Reynolds as between Claude Lorraine and Gaspar ...
— Character Sketches of Romance, Fiction and the Drama - A Revised American Edition of the Reader's Handbook, Vol. 3 • E. Cobham Brewer

... WATTEAU, ANTOINE, celebrated French painter and engraver, born at Valenciennes; his pictures were numerous and the subjects almost limited to pseudo-pastoral rural groups; the tone of the colouring is pleasing, and the ...
— The Nuttall Encyclopaedia - Being a Concise and Comprehensive Dictionary of General Knowledge • Edited by Rev. James Wood

... (abat-jour); this is used principally for a ground, covering the whole surface of the glass, within which (the necessary spaces having been previously cut out before it is stuck on the glass) are placed medallion centres of Watteau figures, perfectly transparent, which derive increased brilliancy from the semi-transparency of the surrounding ground. This is by far the cheapest method, though involving extra trouble, as the plain grounds printed in sheets are only a fourth the price of the sheets which contain the medallion ...
— Enquire Within Upon Everything - The Great Victorian Domestic Standby • Anonymous

... the ideals of those around them, and were recognized and patronized as such. Rembrandt's greatest contemporary, Rubens, was painter in ordinary to half the courts of Europe, and Velazquez was the friend and companion of his king. Watteau and Boucher and Fragonard painted for the frivolous nobility of the eighteenth century just what that nobility wanted, and even the precursors of the Revolution, sober and honest Chardin, Greuze ...
— Artist and Public - And Other Essays On Art Subjects • Kenyon Cox

... Mlle. Scudery, and Jean Jacques Rousseau, one of the sparks which were to ignite the French Revolution, writes his popular opera to the silly story of "The Village Soothsayer." Had not Gluck written to the classics he would have had to write "a la Watteau." ...
— Critical & Historical Essays - Lectures delivered at Columbia University • Edward MacDowell

... replied his friend. "Well, then, what do you say to fauns and dryads?" "Who in Paris cares for fauns and dryads?" "What shall I do, then?" said Millet in despair. "What does the public like?" "It likes Boucher's Cupids, Watteau's Pastorals, nudities, anecdotes, and copies of the past." It was hard for Millet, but hunger drove him. He would not appeal to his family, life was as difficult for them as for him. But before yielding he would make one more trial, painting ...
— Great Men and Famous Women, Vol. 8 (of 8) • Various

... But the boy contrived to support his mother and sister. That fellow, who is now as arrogant a stickler for the dignity of art as you or my Lord Chancellor may be for that of the bar, stooped then to deal clandestinely with fancy shops, and imitate Watteau on fans. I have two hand-screens that he painted for a shop in Rathbone Place. I suppose he may have got ten shillings for them, and now any admirer of Frank's would give L100 ...
— What Will He Do With It, Complete • Edward Bulwer-Lytton

... because, after he had left her, she sat some time in the empty, untidy little drawing-room and gazed straight before her at a painted screen on which shepherdesses and swains were dancing in a Watteau glade infested by ...
— The Head of the House of Coombe • Frances Hodgson Burnett

... portentous. The sun was low, and the long shadows of the trees were black on the dim lawn. People were assembling for supper, and passing to and fro under low-hanging branches; and the gaily-colored gowns of the women glimmered through a faint blue haze like that with which Boucher and Watteau and Fragonard loved to veil, and thereby to make wistful, somehow, the antics of those fine parroquet-like manikins who figure in their ...
— The Rivet in Grandfather's Neck - A Comedy of Limitations • James Branch Cabell

... gossip over each other's dresses, and each other's passions, in the self-same, self-satisfied chirp of contentment, and who never resent anything on earth, except any eccentric suggestion that life could be anything except a perpetual fete a la Watteau in ...
— Wisdom, Wit, and Pathos of Ouida - Selected from the Works of Ouida • Ouida

... the royal collections and art treasures of suppressed convents, was the beginning of a great movement in this direction. At Lille the municipal authorities first got together a few pictures in the convent of the Recollets, and Watteau the painter was deputed to draw up a catalogue. On the 12th May, 1795, the collection consisted of 583 pictures and 58 engravings. On the 1st September, 1801, the consuls decreed the formation of departmental ...
— In the Heart of the Vosges - And Other Sketches by a "Devious Traveller" • Matilda Betham-Edwards

... Renovales worked from morning till night changing subjects when it was demanded by what he called his impresario. "Enough ciociari, now for some Moors." Afterwards the Moors lost their market-value and the turn of the musketeers came, fencing a valiant duel; then pink shepherdesses in the style of Watteau or ladies in powdered wigs embarking in a golden gondola to the sound of lutes. To give freshness to his stock, he would interpolate a sacristy scene with much show of embroidered chasubles and golden incensaries, ...
— Woman Triumphant - (La Maja Desnuda) • Vicente Blasco Ibanez

... amazingly so this morning. She was standing by a rosebush again, and was dressed in a cashmere morning-robe of the finest texture and the faintest pink: it had a Watteau plait down the back, jabot of lace down the front, and the close, high frills of lace around the throat which seemed to be a weakness with her. Her hair was dressed high upon her head, and showed to advantage ...
— A Fair Barbarian • Frances Hodgson Burnett

... artists succeeded in carrying the elegance of the 18th century through the storm into the period beyond, notably Prud'hon, who has been called the Watteau of the Revolution. His portraits of the women of the Bonaparte family, Josephine, Hortense, Pauline, have all the grace and fascination of the earlier age, merge with it the abandon of the Directoire period, and touch the whole with the ...
— The French Revolution - A Short History • R. M. Johnston

... possible to trace the personal feelings and motives lying behind the artist's fictions; for the suffering soul covers its pains with subtle disguises; yet even when we do not know them, we can divine them. We are certain, for example, that Watteau's gay pictured visions were the projection—and confession—of his own disappointed dreams. The great advantage of art over ordinary expression, in this respect, is its universality. Art is the confessional of the race. The artist provides a medium through ...
— The Principles Of Aesthetics • Dewitt H. Parker

... brocades from a chest in the garret, the dowager Marquise of the proverb just played. And a little further, in the shadow of the doorway, stood Angelot in powdered wig, silk coat, and sword, looking like a handsome courtier from a group by Watteau, and his eyes showed plainly enough what woman, if not what cause, attracted him at the moment. As to causes, Monsieur Joseph and the Vicomte des Barres were deep in talk close by; two Chouans consulting in the very presence of ...
— Angelot - A Story of the First Empire • Eleanor Price

... costumes that she wishes a few particular friends to don, sufficient in number to form one or more quadrilles to open the ball. Each set must be carefully arranged as for instance, a court party, costumed after the time of Louis XIV. A group of Watteau Shepherds and shepherdesses, or a hunting party garbed after any chosen ...
— Social Life - or, The Manners and Customs of Polite Society • Maud C. Cooke

... Watteau-like groups were already couched in the shade. There were ladies of all sorts: town-bred and country-bred: farmers' daughters and daughters of peers: for this pic-nic, as Lady Jocelyn, disgusting the Countess, would call it, was in reality a 'fete ...
— The Shaving of Shagpat • George Meredith

... Andre Watteau, whose very name spells sophisticated pastorals of exceeding loveliness. Watteau worked with Audran when he was producing his most inspired set of tapestry, on which we must dwell for a bit for pure pleasure. This set is ...
— The Tapestry Book • Helen Churchill Candee

... frivolity thought it good taste to admire the rustic and naive. The idyls of Gessner and the pastorals of Florian were the favorite reading, and Watteau the popular painter. Gentlefolks, steeped in artifice, vice, and intrigue, masked their empty lives under the as sumption of Arcadian simplicity, and minced and ambled in the costumes of shepherds and shepherdesses. Marie Antoinette transformed her chalet of Petit Trianon into a farm, where she ...
— Great Italian and French Composers • George T. Ferris

... across the table. In the shaded light, her oval face with its little halo of deep brown hair seemed to him as though it might have belonged to some old miniature. She was delightful, like Watteau-work upon a piece of priceless porcelain—delightful when the lights played in her eyes and the smile quivered at the corner of her lips. Just now, however, she became ...
— Havoc • E. Phillips Oppenheim

... that was—now one of our most dashing—I should say, charitable, ladies. Plenty of men at Service's church now. She's dressed in Watteau-fashion to-night, so if you see any one skipping around, looking as though she had just stepped from the Embarkation for the Island of Venus, set her down for the minister's ...
— The Strollers • Frederic S. Isham

... some peculiar cult. She has very high-heeled boots; she shows a leg, she has a short skirt with a peculiar hang, due no doubt to mysteries about the waist; she wears a comic little hat over one brow; there is something of Columbine about her, something of the Watteau shepherdess, something of a vivandiere, something of every age but the present age. Her face, subject to the strange dictates of the mode, is smooth like the back of a spoon, with small features and little whisker-like curls before ...
— What is Coming? • H. G. Wells

... founding his claim upon these Virgin altar-pieces, I am your humble servant. Tom Moore painted altar-pieces as well as Milton, and warbled Sacred Songs and Loves of the Angels after his fashion. I wonder did Watteau ever try historical subjects? And as for Greuze, you know that his heads will fetch 1,000L., 1,500L., 2,000L.—as much as a Sevres "cabaret" of Rose du Barri. If cost price is to be your criterion of worth, what shall ...
— Roundabout Papers • William Makepeace Thackeray

... while underfoot the carpet was soft inches deep with fern and moss. As for the flowers—Jacqueline wanted to pluck them all, to wreathe the wondering fawns, as ladies with picture hats do in the old frivolous rococo fantasies. And as to that, she might have been one of those Watteau ladies herself, so rich was the coloring there, and she in the foreground so white, so soft of skin, so sylvan ...
— The Missourian • Eugene P. (Eugene Percy) Lyle

... material sensuousness of the eighteenth century with something new and thrilling and different has itself an appealing charm. The blending of a self-conscious artificial, pastoral sentiment, redolent of the sophisticated Arcadias of Poussin and Watteau, and suggestive of the dairy-maid masquerades of Marie Antoinette in the gardens of Versailles, with a direct passionate simplicity almost worthy of some modern Russian, produces a unique and memorable effect upon ...
— Suspended Judgments - Essays on Books and Sensations • John Cowper Powys

... (1368-1644) Asiatic art had reached much the same stage. The Ming picture in the British Museum known as The Earthly Paradise is inferior to the best work of Botticelli, with which it is commonly compared, but reminds us, in its finished grace and gaiety, of a painting by Watteau. Korin, towards the end of the Ming period, is about as empty as Velasquez and more brilliant than Frans Hals. The eighteenth century, one inclines to believe, was the same everywhere. Stylistic obsession and the taste ...
— Pot-Boilers • Clive Bell

... follows: (1) Religious, Allegorical and Mythical Pictures; (2) Portraits; (3) Genre; (4) Landscape. The historical pictures were so extremely few that they were included in the religious, as were also all the allegorical pictures containing Biblical persons. Some pictures, of which Watteau's are representative, which hovered between genre and landscape, were finally classified according as they seemed to owe their interest to the figures or to the scenery. A preliminary classification of space arrangements, still with reference to content, showed ...
— Harvard Psychological Studies, Volume 1 • Various

... is simple. In the beginning of this century the tradition of French art—the tradition of Boucher, Fragonard, and Watteau—had been completely lost; having produced genius, their art died. Ingres is the sublime flower of the classic art which succeeded the art of the palace and the boudoir: further than Ingres it was impossible to go, and his art died. Then ...
— Confessions of a Young Man • George Moore

... a little park like a clean handkerchief, streets with coloured shops, neat and fresh-painted like toys from a toy-shop, little blue trains, statues of bewigged eighteenth-century kings and dukes, and a restaurant, painted Watteau-fashion with bright green groves, ladies in hoops and powder, and long-legged sheep. Here we wandered, five of us. Nikitin told us that he would meet us at the station that evening. He had his own business in the place. The little town was delivered over to the Russian army but seemed happy ...
— The Dark Forest • Hugh Walpole

... the Book. In spite of the conventionality inseparable from the pastoral form, and the obvious artificiality of the style in which it is written, "Rosalynde" is really charming. Its charm is much like that of Watteau's landscapes. Like them, it is an idyll in court dress, a fete elegante, a kind of elegant picnic. Yet, like Watteau's pictures it is of more than merely historic interest, for it is far more than simply a reminder ...
— Rosalynde - or, Euphues' Golden Legacy • Thomas Lodge

... the Christmas Card Basket, and produces RAPHAEL TUCK AND SONS,—"Tuck," a schoolword dear to "our boys,"—who lead off the Christmas dance. Daintily and picturesquely got up, their Cards are quite full. Their Watteau Screens will serve as small ornaments afterwards. These "Correct Cards," with few exceptions, are not particularly for Christmas, but for all time. ...
— Punch, or the London Charivari, Volume 103, December 10, 1892 • Various

... Some Japanese Watteau must have mapped out this Donko-Tchaya, for it has rather an affected air of rurality, though very pretty. Well shaded, under a thick vault of large trees densely foliaged, a miniature lake hard by, the chosen residence of a few toads, has given ...
— Madame Chrysantheme • Pierre Loti

... and Cobden Sanderson have lived in our day, and have a fine house wherein to receive those same lady callers, who came in increasing flocks to his impromptu court where sat the prim, cherub-faced, elderly little printer. It is all very quaint, like a Watteau painting or a bit of Dresden china, as we look back upon it through the time-mists of a century and ...
— Masters of the English Novel - A Study Of Principles And Personalities • Richard Burton

... foliage? And the greensward, and the shadows, and the sunlight, and the atmosphere, and the mistiness—isn't it like pearl-dust and gold-dust floating in the air? It's all got up to imitate the background of a Watteau. We must do our best to be frivolous and ribald, and supply a proper foreground. How big and fleecy and white the clouds are. Do you think they're made of cotton-wood? And what do you suppose they paint the sky with? There never was such a brilliant, breath-taking blue. It's much too nice ...
— The Wit and Humor of America, Volume X (of X) • Various

... from that eventful date the gas-light of the Canadian Senate Chamber was falling upon my white brocaded Watteau train, as I advanced towards the throne where our courteous Governors stand every winter, with a patience and forbearance worthy of a better cause. An officer in glistening regimentals looked at my card through his eyeglass, and dutifully called out "Miss Hampden," while ...
— The Doctor's Daughter • "Vera"

... her wrist a velvet ribbon ornamented with a steel medallion. Madame Michon was on her knees arranging the three Watteau pleats of the pink dress, and, with her mouth full of pins, delivered herself from one corner of her lips of ...
— A Mummer's Tale • Anatole France

... among the painters who interpreted the refined sensuality and more pleasant vices of the age, yet not of them, was Antoine Watteau (1684-1721), the melancholy youth from French Flanders, who began by painting St. Nicholases at three francs a week and his board, but who soon invented a new manner and became famous as the Peintre des Scenes Galantes. These scenes of coquetry, frivolity and amorous dalliance, ...
— The Story of Paris • Thomas Okey

... works, four being representative, opened the eyes of critics and public alike. It was realised that Monticelli had not received his proper ranking in the nineteenth-century theatre of painting; that while he owed much to Watteau, to Turner, to Rousseau, he was a master who could stand or fall on his own merits. Since then the Monticelli pictures have been steadily growing ...
— Promenades of an Impressionist • James Huneker

... cabinet of gilt and glass, filled with Dresden-china figurines and toy tables and a carven Swiss musical powder-box. The fireplace was of smooth, chilly white marble, with an ormolu clock on the mantelpiece, and a fire-screen painted with Watteau shepherds and shepherdesses, making silken unreal love and scandalously neglecting silky unreal sheep. By the hearth were shiny fire-irons which looked as though they had never been used. The whole room looked as though it had never been used—except during the formal calls of overdressed ...
— The Trail of the Hawk - A Comedy of the Seriousness of Life • Sinclair Lewis

... back I was lying, gazing up at what, surprisingly, seemed to be a ceiling festooned with garlands of roses and painted with ladies and cavaliers, idling about a stretch of greensward, decidedly in the Watteau style. Where was I? What had happened to make me feel so helpless? It reminded me of an episode of my childhood, a day when my pony had fallen and rolled upon me, and I had been carried home with two crushed ...
— The Firefly Of France • Marion Polk Angellotti

... ornaments, were on a sudden despised; every thing which could add brilliancy and dignity to the toilet was banished, the greatest simplicity and nonchalance were now the fashion; every lady strove, if possible, to resemble a shepherdess of Watteau, and it was soon impossible to distinguish a duchess ...
— The Empress Josephine • Louise Muhlbach

... to Hades, and wander there for evermore distracted, in the land of shadows, where there is no light of the sun to show the way, no firm ground to stay the tottering feet and groping hands? As for these two fair sisters in Watteau style of blue and pink, and green and pink taffetas, lace, and pearls, and roses—surely the daintiest, most aristocratic shepherdesses ever beheld—one of them would have lost her graceful equanimity, reddened with ...
— Life of Her Most Gracious Majesty the Queen, (Victoria) Vol II • Sarah Tytler

... distinction ought to be seen. Would her ladyship not like to be present at the grand entertainment at Gaunt House? There was to be a very pretty breakfast ball at Viscount Marrowfat's, at Fulham. Everybody was to be there (including august personages of the highest rank), and there was to be a Watteau quadrille, in which Miss Amory would surely look charming. To these and other amusements the obsequious old gentleman kindly offered to conduct Lady Clavering, and was also ready to make himself useful to the Baronet in any way agreeable ...
— The History of Pendennis • William Makepeace Thackeray

... you proud and gay, With a patched and perfumed beau, Dancing through the summer day, Misty summer of Watteau? Nay, so sweet a maid as you Never walked a minuet With the splendid courtly crew; Nay, ...
— Ballads and Lyrics of Old France: with other Poems • Andrew Lang

... guilty of spying on Adam and Eve in their nuptial bower. Alas, if one could but muffle his speech with the unconscious lisp of infancy, or veil and tone his picture to correspond to the perspective of antiquity, he might feel at least that, like Watteau, he had dealt worthily, if not truly, with that ideal age which we ever think of ...
— Unwritten Literature of Hawaii - The Sacred Songs of the Hula • Nathaniel Bright Emerson

... to accept work in quite another style. But there is no more chance of there ever being another Keene than of there being another Rembrandt, or of there ever being another du Maurier than another Watteau. The next genius to whom it is given to illuminate the pages of the classic journal in a style that will rival the past is not likely to arise from among those who think that there is no other view of life than that which ...
— George Du Maurier, the Satirist of the Victorians • T. Martin Wood

... Watteau-like pictures of life in Ch'ang-an before the flight of the Emperor. The younger poet paints, with the brush of Verestchagin, the realism and horrors of civil war. In most of Tu Fu's work there is an underlying sadness which appears continually, sometimes in the vein that runs throughout ...
— A Lute of Jade/Being Selections from the Classical Poets of China • L. Cranmer-Byng

... Ogilvie, "you do look nice in that dress, it fits you very well. Turn round, and let me see how it is made at the back. Ah! I told Mademoiselle Leroe to make it in that style; that little watteau back is so very becoming to small girls. Turn round now slowly, and let me get the side view. Yes, it is a pretty dress; be sure you don't mess it. You are to come down with the other children to dessert. You had better ...
— Daddy's Girl • L. T. Meade

... the maid in the hall in a cute Watteau costume, a tiny lace cap on her head, and a kerchief over her flowered gown. She presented her salver, and each little guest laid a card upon it, with the name of the character which she represented. These were merely to be kept ...
— Dorothy Dainty's Gay Times • Amy Brooks

... a faltering outline or a hue grown dim, into words as exact and vivid as the objects which he beheld. If his imagination recomposed things, it was in the manner of some admired painter; he looked on nature through the medium of a Zurbaran or a Watteau. The dictionary for Gautier was a collection of gems that flashed or glowed; he chose and set them with the skill and precision of a goldsmith enamoured of his art. At Athens, in one of his latest wanderings, he stood in presence of the Parthenon, and found ...
— A History of French Literature - Short Histories of the Literatures of the World: II. • Edward Dowden

... in 1721, not in 1722," she replied. "The only date I can never remember is William the Conqueror. But of course you couldn't remember about Watteau. It's distance makes memory. ...
— In the Wilderness • Robert Hichens

... adopted by their painters. It will be seen that those placed on the line level with the eye have their horizon lines fairly high up, and are not suited to be placed any higher. The Giorgione in the centre, the Monna Lisa to the right, and the Velasquez and Watteau to the left, are all pictures that fit that position; whereas the grander compositions above them are so designed, and are so large in conception, that we gain in looking up ...
— The Theory and Practice of Perspective • George Adolphus Storey

... low life as well as high life in Pompey the Little, sketches after Hogarth, no less than studies a la Watteau. But the high life is by far the better described. Francis Coventry was the cousin of the Earl of that name, he who married the beautiful and silly Maria Gunning. When he painted the ladies of quality ...
— Gossip in a Library • Edmund Gosse

... elegance worthy of the great Mrs. Barry; the suitor bowing low, with his white hand pressed against that "odious proud heart" which is gently breaking at the thought of departing. What a nice painting it would make for a Watteau fan. ...
— The Palmy Days of Nance Oldfield • Edward Robins

... with her children. In the dining-room is a secretaire given to Louis XVI. by the States of Burgundy, and portraits of the King and Marie Antoinette. The Cabinet de Travail of the queen was a cabinet given to her on her marriage by the town of Paris; in the Salle de Rception are four pictures by Watteau; the Boudoir has a Svres bust of the queen; in the Chambre—coucher is the queen's bed, and a portrait of the Dauphin by Lebrun. These simple rooms are a standing defense of the queen from the ...
— Seeing Europe with Famous Authors, Volume 3 • Various

... eighteenth-century style; that is to say, a tall cane at the end of which opened a green sun-shade with a green fringe. When she walked about the terrace a stranger on the high-road, seeing her from afar, might have thought her one of Watteau's dames. ...
— Sons of the Soil • Honore de Balzac

... with our mind's eye, "fixing" a bait for one of the lovely young fisherwomen, while half a dozen of the others are engaged in fanning him and "Shoo-ing" the flies away from his expressive nose. The picture is a very pretty one, recalling to mind some brilliant pastoral by WATTEAU. There are numerous accessories arranged in the foreground, such as hampers of cold chicken pie, hams of the richest pink and yellow hues, and baskets of champagne, and it would be interesting to know who pays for all. "Spinning a minnow," as the ...
— Punchinello, Vol. 1, No. 15, July 9, 1870 • Various

... "this masquerade? Some figure for to-night's charade, A Watteau shepherdess or maid?" She smiled and begged my pardon: "Why, surely you must know the name,— That woman who was Shakespeare's flame Or Byron's,—well, it's all the same: Why, Lord! I'm ...
— Complete Poetical Works of Bret Harte • Bret Harte

... told us) had brought a sprinkling of fashion to town that day, and it was a fashion to astonish me. There were fine gentlemen with swords and silk waistcoats and silver shoe-buckles, and ladies in filmy summer gowns. Greuze ruled the mode in France then, but New Orleans had not got beyond Watteau. As for Nick and me, we knew nothing of Greuze and Watteau then, and we could only stare in astonishment. And for once we saw an officer of the Louisiana Regiment resplendent in a uniform that might have served ...
— The Crossing • Winston Churchill

... Turgot and M. de Malesherbes had not yet laid their enterprising hands upon the old fabric of French administration, and already painting, sculpture, architecture, and music had shaken off the shackles of the past. The conventional graces of Vanloo, of Watteau, of Boucher, of Fragonard, had given place to a severer school. Greuze was putting upon canvas the characters and ideas of Diderot's Drame naturel; but Vien, in France, was seconding the efforts of Winkelman and of Raphael Mengs ...
— A Popular History of France From The Earliest Times - Volume VI. of VI. • Francois Pierre Guillaume Guizot

... cemetery attached in 1727, his tomb, it is pretended, had certain convulsions in 1730, and was the origin of the sect called convulsionists, and the scenes which occurred caused the cemetery to be closed in 1732. A picture of St. Genenieve, by Watteau, in the chapel of that saint, must be admired, having much merit. In the Rue de l'Oursine, No. 95, is an hospital which is a refuge for sinning and afflicted females (something in the nature of the Magdalen, in London), containing 300 beds. To the fountain of Bacchus, at the corner of ...
— How to Enjoy Paris in 1842 • F. Herve

... originals we pass by as having no form or comeliness. Assuredly the mission of every thinking man and woman is to help build up forms of greater beauty, spiritual, intellectual, material, everywhere; but if we would make something grander than Watteau gardens or Dresden china shepherdesses, we must enter the great realistic school of Nature and learn to recognise the beauty that already surrounds us, although it may have a little dirt on the surface. Then, when ...
— The Hidden Power - And Other Papers upon Mental Science • Thomas Troward

... towers, after the manner of the Kistine Church at Falun. Outside the city wall were promenading gentlemen, in kneebreeches and buckled shoes, who carried Bengal canes. A coach was seen driving out of the gateway of the town, in which were seated ladies in powdered wigs and wearing Watteau hats. Beyond the wall were trees, with a profusion of dark green foliage; and on the ground, between patches of tall, waving grass, ran little shimmering brooklets. At the bottom of the picture was painted in large, ...
— Jerusalem • Selma Lagerlof

... and wilderness[3], brought up to one's very windows—which, since the days of the innovators, Kent, and his "bold associates," Capability Brown and Co., has obtained so largely—this was a garden! There might be seen the stately terraces, such as Watteau, and our own Wilson, in his earlier works, painted—the trim alleys exhibiting all the triumphs of ...
— Rookwood • William Harrison Ainsworth

... hope the reverse now; that she and her husband will philander along to the close of the chapter. But I prefer your word,—to the close of the "comedy," say. It implies something artificial. Mallinson and Clarice give me that impression,—as of Watteau figures mincing a gavotte, and made more unreal by the juxtaposition of a man. Let's hope they will never perceive the flimsiness of their pretty bows and ribbons! But I think of your one o'clock in the morning of the masquerade ball, and frankly I am afraid. I look at the three ...
— The Philanderers • A.E.W. Mason

... another method which has been adopted by many men of a very real poetical genius. It was the method of the old pastoral poets like Theocritus. It was in another way that adopted by the elegance and piety of Spenser. It was certainly expressed in the pictures of Watteau; and it had a very sympathetic and even manly expression in modern England in the decorative poetry of William Morris. These men of genius, from Theocritus to Morris, occupied themselves in endeavouring to describe happiness as a state of certain human beings, the atmosphere ...
— Appreciations and Criticisms of the Works of Charles Dickens • G. K. Chesterton

... pink corded silk swished disdainfully about, its Watteau pleat flashed out of sight through the door-day, and that portal was slammed in the speaker's face. The mover of multitudes found himself alone in the darkened hall, snubbed and wrathful. Cary's room was just above, and the tutor smiled ...
— A Tame Surrender, A Story of The Chicago Strike • Charles King

... grave head and beautiful neck held a little more erect than usual—was at first conscious of nothing but the dazzle of western light which flooded the room, striking the stands of Japanese lilies, and the white figure of a clown in the famous Watteau opposite the window. ...
— Robert Elsmere • Mrs. Humphry Ward

... disappointed; but in this instance it is safe to say that the reality exceeded the wildest dreams, for it was almost impossible to believe that this charming figure owed her attire to no more promising materials than ordinary bed-linen! Esmeralda had aimed at nothing less ambitious than a Watteau costume, and the rumbling of the machine was accounted for by one glance at the elaborately quilted petticoat. She had folded a blanket between the double sheet, so as to give the effect of wadding, and an ancient crinoline ...
— Pixie O'Shaughnessy • Mrs. George de Horne Vaizey

... rushing to her portmanteau, and tearing out its contents in a frantic way, shook out the laces and ribbons of a gracious Watteau-like arrangement in Madras muslin, while she ...
— The Golden Calf • M. E. Braddon

... we have here, nor Watteau: cosmetics and rosettes are far away; tunics are short, and cheeks are nut-brown. It is Teniers, rather:—boors, indeed; but they are live ...
— Atlantic Monthly, Vol. XI., April, 1863, No. LXVI. - A Magazine Of Literature, Art, And Politics. • Various

... cushions of gold brocade, cameo medallions, porcelain panels, plaques of lacquer and bronze were included on the list of articles to be disposed of. In the original inventory, discovered in the library at Versailles, were included pieces of Saxony ware, Watteau figures, Sevres vases, dishes and cups, Beauvais tapestries, clocks made by Robin and de Sotian, candelabra of crystal, chandeliers of silver—all from the apartments of the King, the Queen and the Dauphin. For 20,000 francs there was sold a tapestry emblematic of the American Revolution. ...
— The Story of Versailles • Francis Loring Payne

... empowered him. He was afraid of nothing. His face flushed and there were bright points of fire in his eyes. She saw what she had roused, and grew afraid herself. She pretended to become interested in the Watteau ...
— The Goose Girl • Harold MacGrath

... the awfulness, as well as of the mere beauty of wayside things, which invested these poems as wholes with a peculiar richness, depth, and majesty of tone, beside which both Keats's and Wordsworth's methods of handling pastoral subjects looked like the colouring of Julio Romano or Watteau by the side of Correggio ...
— Literary and General Lectures and Essays • Charles Kingsley

... events she wears no jacket with extravagant lappels, no Greco-Tallien sham chiton, nothing, indeed, that the Princesse de Lamballe might not have worn. Her dress of flowered silk is long waisted, with a Watteau pleat behind, but with the paniers reduced to mere rudiments, as she is too tall for them. It is cut low in the neck, where it is eked out by a creamy fichu. She is fair, with golden ...
— The Man of Destiny • George Bernard Shaw

... in the foreground a few peacocks languidly dragging their gorgeous tails, and you have a Watteau or a Fragonard—no, a Monticelli! Only, Monticelli would have made the peacocks the central motive with the women ...
— Visionaries • James Huneker

... breakfast bell, and on the staircase met Mrs. Hazeldean. He gave her back the book; and as he was about to speak, she beckoned to him to follow her into a little morning-room appropriated to herself. No boudoir of white and gold, with pictures by Watteau, but lined with walnut-tree presses, that held the old heir-loom linen strewed with lavender—stores for the housekeeper, ...
— The International Monthly Magazine, Volume 5, No. 1, January, 1852 • Various

... great drawing-room. Designed by Onigo Jones. Pictures by Watteau. Queen Elizabeth sat in that chair near the antique mantelpiece of lapis-lazuli; this chair is never moved. This, the adjoining room, is the ballroom. Pictures by Bouchier; notice the painted ceiling, ...
— Nell, of Shorne Mills - or, One Heart's Burden • Charles Garvice

... stranger over his helmets and gauntlets, his wooden carvings, his black-letter distich; and, although she was not overflowing in her praises, she had seen other family pictures by Greuze, and she herself possessed a fan painted by Watteau, to which he was vastly welcome if he cared for ...
— Girlhood and Womanhood - The Story of some Fortunes and Misfortunes • Sarah Tytler

... from the precincts of the chateau, are the Chaumiere and the Ermitage and they recall the background of a Fragonard or a Watteau. It is all very "stagy"—but, since it exists, can ...
— Royal Palaces and Parks of France • Milburg Francisco Mansfield

... between the pillars of this trellis were hung flowers and flags and lights, and all the trees about had coloured bulbs amid their leaves, so that at night it was an impression of Arcady as a modern Watteau might see it, with the crispness and the beauty of the women and the vivid dresses of the women giving the scene a quality peculiarly and ...
— Westward with the Prince of Wales • W. Douglas Newton

... you—at first?" she retorted laughingly. "After all that has taken place? Mon Dieu! You remember I advised you against this madness—I told you in the beginning it might not all be like Watteau's masterpiece—the ...
— A Man and His Money • Frederic Stewart Isham

... the little entertainment by themselves, but Mademoiselle was kind in this instance, and helped to coach them. The scene was to be a Fete Champetre, and the costumes were to be copied from some of Watteau's pictures. There were tremendous consultations over them. A dressmaking Bee was held every afternoon from four to five o'clock in the small lecture-room, Miss Bishop generously lending her sewing machine for the purpose. Here a band of willing ...
— The Luckiest Girl in the School • Angela Brazil

... celebrated artist Philibert Delorme. In 1630 the Gobelins was fully established as a larger plant, and has never made another move. The work has increased ever since those days, on much the same general lines. Celebrated French artists have designed tapestries: Watteau, Boucher, and others were interpreted by the brilliant manager whose signature appears on the works, Cozette, who was manager from 1736 until 1792. With this technical perfection came the death of the art of tapestry: the pictures might as ...
— Arts and Crafts in the Middle Ages • Julia De Wolf Addison

... recovers from his alarm] I understand. She has taken the costumes into her own hands. She is an expert in beautiful costumes. I venture to promise you, Mr Savoyard, that what you are about to see will be like a Louis Quatorze ballet painted by Watteau. The heroine will be an exquisite Columbine, her lover a dainty Harlequin, her father a picturesque Pantaloon, and the valet who hoodwinks the father and brings about the happiness of the lovers a grotesque but perfectly tasteful Punchinello or ...
— Fanny's First Play • George Bernard Shaw

... very well," said he. "And, you know, if Lady Adela and her sisters perform a piece like "The Chaplet"—well, that is a Watteau-like sort of thing—Sevres china—force or passion of any kind isn't wanted—it's all artificial, and confessedly so. And then, when the professional actor finds himself acting with amateurs, I dare say ...
— Prince Fortunatus • William Black

... hair fell over her white and well turned shoulders in long and luxuriant tresses. One has met something as brilliant and dainty in a medallion of old Sevres, or amid the terraces and gardens of Watteau. ...
— Coningsby • Benjamin Disraeli

... her complexion; one would say that she made up every morning with Watteau's palate, 'She is fair, and her conquering glances kindle love in every ...
— Bohemians of the Latin Quarter • Henry Murger

... lukewarm shade, the shops of the dealers in old books, engravings, and antiquated furniture drew my eyes and appealed to my fancy. Rummaging and idling among these, I hastily enjoyed some verses spiritedly thrown off by a poet of the Pleiad. I examined an elegant Masquerade by Watteau. I felt, with my eye, the weight of a two-handed sword, a steel gorgerin, a morion. What a thick helmet! What a ponderous breastplate— Seigneur! A giant's garb? No—the carapace of an insect. The men of those days were cuirassed like beetles; their weakness was within them. To-day, on the contrary, ...
— The Crime of Sylvestre Bonnard • Anatole France

... executed by the little couple was very pretty, for the childish faces were so earnest, the costumes so gay, and the steps so peculiar, that they looked like the dainty quaint figures painted on a Watteau fan. The Princess's train was very much in her way, and the sword of Prince Rob nearly tripped him up several times. But they overcame these obstacles remarkably well, and finished the dance with much grace and spirit, considering that neither knew ...
— Little Men - Life at Plumfield With Jo's Boys • Louisa May Alcott

... for the day. Outside, Knightsbridge was awake and active; inside, sleep reigned with quiet. The room was one of the best bedrooms in Paulo's Hotel; it was really tastefully furnished, soberly decorated, in the style of the fifteenth French Louis. A very good copy of Watteau was over the mantel-piece, the only picture in the room. There had been a fire in the hearth overnight, for a grey ash lay there. Outside on the ample balcony stood a laurel in a big blue pot, an emblematic ...
— The Dictator • Justin McCarthy

... summons to the meal that evening when Nancy entered; a new Nancy, and one so wondrous to behold that Sandy and I started at the sight of her. She wore a gown of yellow crepe embroidered in gold, low and sleeveless, with a fold in the back, after the fashion of the ladies of Watteau, and a long train falling far behind. Her hair was gathered high and dressed with jewels which sparkled as well upon her throat and hands. The thing that marked her most, an alluring touchableness, was doubly present as she came toward us, ...
— Nancy Stair - A Novel • Elinor Macartney Lane

... as from here to Easter." No; Jeannette has fulfilled her part, providing a whiff of marjoram and cottage flowers for the castle chambers. She has read, written and said her prayers. She has the firm outline, the rosy cheeks, the simplicity of a Watteau peasant-girl—nothing of the Greuze languish, with its hint of a cruche cassee. She is as fresh as a March wind. Let us believe that she found a true man to relish her prettiness ...
— In a Green Shade - A Country Commentary • Maurice Hewlett

... first series of L'Art du XVIII^e Siecle, out of which he has made certainly the most living of his Imaginary Portraits, that Prince of Court Painters which is supposed to be the journal of a sister of Jean-Baptiste Pater, whom we see in one of Watteau's portraits in the Louvre. As far back as 1889[4] Pater was working towards a second volume of Imaginary Portraits, of which Hippolytus Veiled was to have been one. He had another subject in Moroni's Portrait of a Tailor ...
— Figures of Several Centuries • Arthur Symons

... hung with French engravings mostly after Watteau, and boasted a faded Aubusson carpet, a tea-table was set out. Lord Buntingford, having pushed forward a seat for his guest, went towards the tea-table, and then thought ...
— Helena • Mrs. Humphry Ward

... sans contrainte.' No wonder that to Fontenelle Theocritus' shepherds 'sentent trop la campagne[4].' But the hour of pastoralism had come, and while the ladies and gallants of the court were playing the parts of Watteau swains and shepherdesses amid the trim hedges and smooth lawns of Versailles, the gates were already bursting before the flood, which was to sweep in devastation over the land, and to purge the ...
— Pastoral Poetry and Pastoral Drama - A Literary Inquiry, with Special Reference to the Pre-Restoration - Stage in England • Walter W. Greg

... for Boucher, Watteau, and all that school. It was a habit with him to tell her all these matters, and he continued to do it even now, talking for long spells at dinner, as though by the volubility of words he could conceal from himself ...
— Forsyte Saga • John Galsworthy

... her and realised once more the dainty Watteau—like grace of her oval face and slim, supple figure. He thought of the days when they had stolen out together on to the hillside, oftenest in the falling twilight, sometimes even in the grey dawn, and his heart beat regretfully. How was it that in those days he had ...
— The Survivor • E.Phillips Oppenheim

... sobering influence of these events, his class and his mother seemed for a time to recover him. He refurnished a certain number of rooms at Castle Luton, and made a special marvel of his own room, which was hung thick with Boucher, Greuze, and Watteau engravings, littered with miniatures and trinkets, and encumbered here and there with portfolios of drawings which he was not anxious to unlock in his ...
— Sir George Tressady, Vol. I • Mrs. Humphry Ward

... betokening perhaps a storm not far distant. Children were in the wood of Dunderave—ruddy, shy children, gathering nuts and blackberries, with merriment haunting the landscape as it were in a picture by Watteau or a tale of the classics, where such figures happily move for ever and for ever in the right golden glamour. Little elves they seemed to Count Victor as he came upon them over an eminence, and saw them for the first time through the trees under tall oaks and pines, among whose pillars they moved ...
— Doom Castle • Neil Munro

... population by witch-burning. Or yet again: the eighteenth century will present pictures that seem utterly opposite, and yet seem singularly typical of the time: the sack of Versailles and the "Vicar of Wakefield"; the pastorals of Watteau and the dynamite speeches of Danton. But we shall understand them all better if we once catch sight of the idea of tidying up which ran through the whole period, the quietest people being prouder of their ...
— Eugenics and Other Evils • G. K. Chesterton

... otherwise ...! They were quite certain in their own minds that poor Owen had been culpable, if not guilty. They were married six months later. The Directoire hats were out of date, of course, but Louis Quinze, with Watteau trimmings suited the six bridesmaids marvellously, and the "Non Angli sed Angeli" choir rendered the Anthem and the ...
— The Dop Doctor • Clotilde Inez Mary Graves

... Greatson," he said abstractedly, "do not want the real thing—from you. Every man to his metier. Yours is to sing of blue skies and west winds, of hay-scented meadows and Watteau-like revellers in a paradise as artificial as a Dutch garden. Take my advice, and keep your muse chained. The other worlds are for ...
— The Master Mummer • E. Phillips Oppenheim

... walls, its lofty cupola, and high, square portico, presents a properly imposing appearance. There are signs of social life about the mansion befitting its own style of conscious superiority. In the wide arched entrance hall stands a high-born dame attired in gay Watteau costume—red-heeled slippers, brocaded petticoat, and bodice and train of puce-colored satin. She is receiving the adieux of an elegant gentleman, hatted, booted, and spurred, who, with whip in hand and dog by his side, is about to descend the steps and mount his horse ...
— The Aldine, Vol. 5, No. 1., January, 1872 - A Typographic Art Journal • Various

... had, for Milly, beyond terrace and garden, as the centre of an almost extravagantly grand Watteau-composition, a tone as of old gold kept "down" by the quality of the air, summer full-flushed, but attuned to the general perfect taste. Much, by her measure, for the previous hour, appeared, in connection ...
— The Wings of the Dove, Volume 1 of 2 • Henry James

... murmured the countess, half to herself, as she picked out a veritable Watteau from the rich collection; "I am young and free, and abhor constraint, yet I ...
— A Cardinal Sin • Eugene Sue

... brightened, the wind had driven off the clouds and itself died fitfully away, when he came round again to the artificial lake in front of the house. For some reason it looked a very artificial lake; indeed, the whole scene was like a classical landscape with a touch of Watteau; the Palladian facade of the house pale in the moon, and the same silver touching the very pagan and naked marble nymph in the middle of the pond. Rather to his surprise, he found another figure there beside the statue, sitting almost ...
— The Man Who Knew Too Much • G.K. Chesterton

... proportions. The bony and scrawny, of the type of No. 58, seem to have a perverse desire to wear what makes their poverty in physical charms only more conspicuous. A woman of distinction in Boston, who is exceedingly thin and tall, wore Watteau pleats so frequently, even on reception and evening gowns that she was dubbed by a wag "the fire-escape," a title which so strikingly characterized her style, that the term was adopted by all her friends when ...
— What Dress Makes of Us • Dorothy Quigley

... and on the wall-hangings more fairies and nymphs, and all the charming figures of the pastoral mythology—the Corydons, the Phylises, the Rosalinds—animated with their sylvan loves one of those sunny Cytherean landscapes originated by the fanciful imagination of Antoine Watteau. ...
— The Child of Pleasure • Gabriele D'Annunzio

... way—sedan chairs and even snuff-boxes, until at last the supply became so great that the fashion died. There are many charming examples of it to be seen in museums and private collections, but the modern garish copies of it in many shops give no idea of the charm of the original. Watteau's delightful decorations also give the true spirit of the time, with their gayety and frivolity showing the Arcadian ...
— Furnishing the Home of Good Taste • Lucy Abbot Throop

... clad, and for the most part languorously calm, was in a state of excitement quite without her customary aplomb. She sank into a seat, fanning herself with a vigor which threatened ruin to the precious slats of a fan which bore the handiwork of Watteau. ...
— The Mississippi Bubble • Emerson Hough



Words linked to "Watteau" :   old master



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