"Violoncello" Quotes from Famous Books
 ... disciples, brilliant virtuosi, play the most difficult piano compositions of Balakireff, etc., superbly. I shall recommend to them Cui's Suite (piano and violoncello). ...
— Letters of Franz Liszt, Volume 2: "From Rome to the End" • Franz Liszt; letters collected by La Mara and translated
... husband, Francis I., was also a lover of music, and her daughters were carefully instructed in singing, and often appeared in operatic performances at court. Maria Theresa's son, afterward the Emperor Joseph, also sang well, and played both the harpsichord and the violoncello. ...
— Among the Great Masters of Music - Scenes in the Lives of Famous Musicians • Walter Rowlands
... Venetian senators and ladies, clothed in the rich costume of the sixteenth century; monks, friars, poets, artists, all portraits of personages existing in his own time; while in a group of musicians he has introduced himself and Tintoretto playing the violoncello, while Titian plays the bass. The bride in this picture is said to be the portrait of Eleanor of Austria, the sister of Charles V, and ...
— The Old Masters and Their Pictures - For the Use of Schools and Learners in Art • Sarah Tytler
... death the poor cottager's family whom the doctor had given up; make 21 at the butts with the rifle, when the poor captain only scored 18; give him twenty in fifty at billiards and beat him; and draw tears from the professional Italian people by her exquisite performance (of voice and violoncello) in the evening;—I say, if a novelist would be popular with ladies—the great novel-readers of the world—this is the sort of heroine who would carry him through half a dozen editions. Suppose I had asked that Bearded Lady to sing? Confess, ...
— Roundabout Papers • William Makepeace Thackeray
... names of Messrs. Aldridge, Bartleman, Cooper, Greaves, Halewood, Hime, Jackson (a distinguished violoncello player, by the way), Langhorne, Maybrick, Tayleure (a distinguished double bass), and Vaughan. In "Bombastes Furioso," King Artaxomines was personated by Mr. Richmond; Fusbos by Mr. Clay; General Bombastes by Mr. J. H. ...
— Recollections of Old Liverpool • A Nonagenarian
... of Hanover, has promised me to play one or two violoncello solos, and the rest of the programme will be ...
— Letters of Franz Liszt, Volume 1, "From Paris to Rome: - Years of Travel as a Virtuoso" • Franz Liszt; Letters assembled by La Mara and translated
... setting on foot a scheme for bringing forward "my 'Don Giovanni,'" as he always called it. Crivelli was a second-rate tenor, and could not be trusted with the part of Don Ottavio, and a Frenchman named Milon, whom I conclude to have been a violoncello player, afterward identified with the organization of the Philharmonic Society, was engaged for that part. A Mme. Barbieri was cast for the part of Donna Anna, Mme. Garcia for that of Donna Elvira, Manuel Garcia, Jr. (who died in 1906 at ...
— A Book of Operas - Their Histories, Their Plots, and Their Music • Henry Edward Krehbiel
... and I were boy and girl together, of his exploits as a schoolboy. According to his account, not only he, but most of his schoolfellows, used to lead merry lives enough at school. They had what they called the "Academy Band," and grand music it made, with a hat-box for a drum, cricket-bat for violoncello, and paper flute and trumpets. You would not recognize Uncle John, whom you know only as a man six feet high, in that little lad on the left side of the picture with a battledore for a fiddle. They had a great deal of what he called excellent ...
— Happy Days for Boys and Girls • Various
... is larger than the violin, has heavier and thicker strings, and is pitched to a lower key; in all other respects the two are similar. The violoncello, because of the length and thickness of its strings, is pitched a whole octave lower than the violin; otherwise it is similar. The unusual length and thickness of the strings of the double bass make it produce very low notes, so that it is ordinarily looked upon as ...
— General Science • Bertha M. Clark
... pincushion on my table," she said; "but I think it's a black one. I dont know where the deuce all the pins go to." Then, casting off the subject, she whistled a long and florid cadenza, and added, by way of instrumental interlude, a remarkably close imitation of a violoncello. Meanwhile the man went into her room for the pin. On his return she suddenly became curious, and said, "Where are you going to-night, if ...
— The Irrational Knot - Being the Second Novel of His Nonage • George Bernard Shaw
... passed the reading desk ("The people hereabouts are truly respectful," whispered Christina to me, "they know their betters."), and take their seats in a long row against the wall. The choir clamber up into the gallery with their instruments—a violoncello, a clarinet and a trombone. I see them and soon I hear them, for there is a hymn before the service, a wild strain, a remnant, if I mistake not, of some pre-Reformation litany. I have heard what I believe was its remote musical ...
— The Way of All Flesh • Samuel Butler
... years Titus has served as assistant schoolmaster, and like his friend Daniel he takes part in the music of the sanctuary, having a good bass voice. Daniel sings tenor in the choir, or plays the violoncello. ...
— With the Harmony to Labrador - Notes Of A Visit To The Moravian Mission Stations On The North-East - Coast Of Labrador • Benjamin La Trobe
... ejaculation of respectful surprise, as I recognize no less a person than the Right Honorable the Countess of Knightsbridge, taking her tea, breaking up little bits of toast with her slim fingers, and sitting between a Belgian horse-dealer and a German violoncello-player who has a conge after the opera—like ...
— The Christmas Books • William Makepeace Thackeray
... man with large vague eyes, stepped forward and began to call the roll. He rattled off the names in a thin, piping voice, while the men, who had come up and ranged themselves in front of him, responded in accents of varying pitch, from the deep rumble of the violoncello to the shrill note of the piccolo. But there came a ...
— The Downfall • Emile Zola
... bird, or— anything that was hurt, in short. When that little beggar fell down the other day and barked his idiotic little shins, the way she took him up, and kissed him, and got him to laughing, while he, Geoffrey, plastered him up; and it hurt too, getting the gravel out. When that violoncello note gets into her voice—well, you know! Yes, she must certainly ride the bicycle! What could be more restoring, more delightful, than to ride along a country road like this, in the soft afternoon, when the heat of the day was over? The honey-clover ...
— Geoffrey Strong • Laura E. Richards
... wheels belonged to himself and to the wolf. Besides his house, his retort, and his wolf, he had a flute and a violoncello on which he played prettily. He concocted his own elixirs. His wits yielded him enough to sup on sometimes. In the top of his van was a hole, through which passed the pipe of a cast-iron stove; so close to his box as to scorch the wood of it. The stove had two compartments; in one of them Ursus ...
— The Man Who Laughs • Victor Hugo
... four, that Eleanor was accustomed to drive in the evening, and that he might therefore probably find Mr. Harding alone. It was between seven and eight when he reached the precentor's garden, and as he raised the latch he heard the notes of Mr. Harding's violoncello; advancing before the house and across the lawn, he found him playing, and not without an audience. The musician was seated in a garden chair, and around sat, and lay, ten of the twelve old men who dwelt with him ...
— The World's Greatest Books, Vol VIII • Arthur Mee and J.A. Hammerton, Eds.
... from Germany and one from Italy. The persons employed in the musical department of his household numbered 124. The principal band, conducted by Dobrzyrnski pere, a good violinist and conductor, consisted of four violins, one viola, one violoncello, one double bass, one flute, one oboe, one clarinet, and one bassoon. Villagers were trained by these players to assist them. Then there was yet another band, one of wind instruments, under the direction of Karelli, a pupil of the Russian composer Bartnianski [Footnote: The Russian Palestrina, ...
— Frederick Chopin as a Man and Musician - Volume 1-2, Complete • Frederick Niecks
... handed him the money, but the count said not a word about the quintet; and the composer soon afterwards had the satisfaction of seeing it published by Artaria, arranged as a quartet, for the pianoforte, violin, tenor, and violoncello. Mozart's quintets for wind instruments, published also as pianoforte quartets, are among the most charming and popular of his instrumental compositions for the chamber; and this anecdote is a specimen of the manner in which ...
— Blackwood's Edinburgh Magazine, Volume 62, Number 361, November, 1845. • Various
... gloom to monopolise his composition. The paradox of the pulpits consists in the frieze of putti above the reliefs: putti who dance, play, romp, and run about. Some of them are busily engaged in moving a heavy statue: others are pressing grapes into big cauldrons. The boy dragging along a violoncello as big as himself is delightful. The contrast afforded by this happy and buoyant throng to the unrelieved tragedy below is strikingly unconventional; and the spirit of both portions is so well maintained ...
— Donatello • David Lindsay, Earl of Crawford
... force of his deep, bass-like, violoncello notes, gathering up all the others and fusing them into a pealing strain, it was electin'. Everybody sang. Old voices, that had not sung for a quarter of a century or more, joined in. It was a furor: Dalgetty swung his tartan cap, ...
— Between Whiles • Helen Hunt Jackson |
