"Texture" Quotes from Famous Books
 ... was alone this time. How like herself she looked, handsome and stately, in characteristic elegance of attire and manner both. Her white morning dress floated off in soft edges of lace from her white arms; a shawl of precious texture was gathered loosely about them; on her head a gossamer web of some fancy manufacture fell off on either side, a mock covering for it. She came up to Daisy and kissed her, and then examined into her various arrangements, to see that she was in all respects well and properly cared for. ...
— Melbourne House, Volume 1 • Susan Warner
... and trench-worn, were being tossed into great heaps on the beach and brand-new yellow khaki, clothes and cap, was buckled on. It was a transformation. We had learned to know that army, and their uniform had grown familiar and pleasant to us. The dirt, ground in till it became part of the texture; the worn cloth, shapeless, but yet molded to the man by long association—all was an expression of the stocky little soldier inside. The new khaki hung slack. Caps were overlarge for Flemish heads. To us, watching the change, it was the loss of the last possession that connected ...
— Golden Lads • Arthur Gleason and Helen Hayes Gleason
... up to the light the ragged tear in the Spanish lace, and noted the width and length of the gash in its delicate texture, her heart sank. She saw at a glance that she could not finish it before closing time, even if she devoted the whole day to its repair. Better complete, thought she, the other and smaller pieces—one a fichu ...
— Felix O'Day • F. Hopkinson Smith
... grand quality for the jury,—he speaks like one who thinks more of his argument than of his audience; he forgets the faces before him, and is evidently poring over the images within. Though with a visage of the colour, and seemingly of the texture of granite, he blushes at a misplaced word, and is evidently sensitive to the error of a comma. No man ever spoke with effect who cannot hesitate without being overwhelmed, blunder without a blush, or be bewildered by his own impetuosity, without ...
— Blackwoods Edinburgh Magazine, Volume 59, No. 366, April, 1846 • Various
... bright gold of his short hair, the scarlet of his cheeks, the vivid blue of his brooding eyes, made shocks of color against the prevailing whiteness. Even the indigo of his overalls and the dark gray of his shirt stood out with a curious value of tint and texture. His bare hands and forearms glowed. He was whistling with a boy's vigor and a ...
— Snow-Blind • Katharine Newlin Burt
... under the small and close-fitting hat of black was of a wonderful and contradictory colour. It was almost the shade, it occurred to Amy Mathewson, of that which thatched the head of Red Pepper Burns himself, but it was more picturesque hair than his, finer of texture, with a hint of curl. The mass of it which showed at the back as the stranger turned her head away for a moment, evidently hesitating over her next course of action, had in it tints of bronze which were more ...
— Red Pepper's Patients - With an Account of Anne Linton's Case in Particular • Grace S. Richmond
... roses was light, slow, soft, close to my eyes, roses so large and brilliant and palpable that I tried to touch them; the scent was overpowering, the petals perfect, with leaves peeping here and there, texture and motion all natural. They would stay a long time before the sparks came, and they occupied a large area in black space. Then the sparks came slowly flying, and generally, not always, effaced the roses at once, and every effort to ...
— Inquiries into Human Faculty and Its Development • Francis Galton
... contemporary recently remarked:—"These careless-looking creatures filling the air with delight, robbing tired brains of tiredness, are a delicate texture of coloured effort that has prevailed out of a thousand chances, aided in all that effort by man. Without man they would be but ...
— Punch, or the London Charivari, July 1, 1914 • Various
... patch of Canton flannel; in order to prevent the moisture from the hand it should have a thick, firm texture: with this rub the plate in circles across, then back covering one-half of the former row of circles in each crossing until you have gone over the plate and back to the point of beginning, occupying at least half a minute in the operation, ...
— American Handbook of the Daguerrotype • Samuel D. Humphrey
... next, as I said, I went to was a common swearer: never was creature so puzzled as myself when I came first to view his brain; half of it was worn out, and filled up with mere expletives, that had nothing to do with any other parts of the texture; therefore, when he called for his clothes in a morning, he would cry, 'John—?' John does not answer. 'What a plague! Nobody there? What the devil, and rot me! John, for a lazy dog as you are.' I knew no way to cure him, but by writing ...
— The Tatler, Volume 1, 1899 • George A. Aitken
... acute as that of other people; as women, and persons of a relaxed habit, are observed to be robust men, whose nerves are more firmly braced. But the constitution of the Americans is not so different in its texture, from that of the rest of the human species, as to account for this diversity in their behaviour. It flows from a principle of honour, instilled early and cultivated with such care, as to inspire him in his rudest state with a heroic magnanimity, to which philosophy hath endeavoured in vain to ...
— Mazelli, and Other Poems • George W. Sands
... to agricultural pursuits, and when properly understood will essentially aid and assist the farmer. In fact, a knowledge of these sciences is a sure key to wealth for any agriculturist. It gives the modes of preparation, and the effects of all kinds of manures; the origin, texture, divisions, and description of every variety of soil; the economy of sowing, reaping, and mowing, irrigation, and draining; cultivation of the grasses, clovers, grains, and roots; Southern and miscellaneous products, as cotton, hemp, flax, the sugar cane, rice, tobacco, hops, madder, ...
— Mysteries of Bee-keeping Explained • M. Quinby
... Evadne were rooted in the depths of her being, and were such in their growth as he had no means of understanding. Evadne loved Raymond. He was the hero of her imagination, the image carved by love in the unchanged texture of her heart. Seven years ago, in her youthful prime, she had become attached to him; he had served her country against the Turks; he had in her own land acquired that military glory peculiarly dear to the Greeks, since they were still ...
— The Last Man • Mary Shelley
... Roman robe, upper mantle, and sandals—the most common in colour and texture that she could find—and folding them up into the smallest compass, hid them under her own garments. Then, avoiding all those whom she met on her way, she returned in the direction of the king's tent; but when she approached it, branched off stealthily towards ...
— Antonina • Wilkie Collins
... that even a dramatically complete disaster (and the German armies have suffered none) might still leave the North German unshaken in his confidence. Defeats would still seem to him but episodes upon a general background, whose texture was the necessary predominance of his race above the lesser races of the world. This is the mood we shall discover in all that Germany does from that moment forward. It is of the first importance to realize it, because that ...
— A General Sketch of the European War - The First Phase • Hilaire Belloc
... the ante-room with his usual smile on his amiable pink face. His cassock of fine texture, and his sash of violet silk shone with discreet soft luxury. And he showed himself very amiable to Abbe Paparelli, who, accompanying him in all humility, begged him to be kind enough to wait until his Eminence should ...
— The Three Cities Trilogy, Complete - Lourdes, Rome and Paris • Emile Zola
... a brace of pistols and a strong dagger; the whole so disposed, however, as to be invisible when the outer garment was closed: this, again, was confined by a rude sash of worsted of different colours, not unlike, in texture and quality, what is worn by our sergeants at the present day. They were otherwise armed, however, and in a less secret manner. Across the right shoulder of each was thrown a belt of worsted also, to which were attached a rude powder horn and shot pouch, ...
— Wacousta: A Tale of the Pontiac Conspiracy (Complete) • John Richardson
... embryo. It had apparently become detached, or had detached itself, from the medium, and remained sufficiently solid to leave an impression of itself upon the plate, held about half a metre from it. It was, in fact, a form of materialization, but of so shadowy a texture that it remained often quite invisible to ...
— The Problems of Psychical Research - Experiments and Theories in the Realm of the Supernormal • Hereward Carrington
... very full and rich, and often fell in folds over the front of the waistcoat; the coat was usually gaily coloured. Swords were worn by the gallants, and the periwig was seen everywhere in high society. The dress of the lower ranks was of sober colour, and of stout but coarse texture. The women wore homespun, and sometimes home-woven linsey-woolsies. The use of linen and silk was coming in among those ...
— With Marlborough to Malplaquet • Herbert Strang and Richard Stead
... yellowish colour, and of the consistence and appearance of sail-cloth. The others gradually decrease in thickness, and become whiter and finer; so that the innermost is white and fine like cambric, but of a looser texture. The fibres of this natural cloth are strong and flexible, but harsher to the feel than those made from flax. This province produces great abundance of the opuntia, a species of the cactus, which nourishes the cochineal insect; but the natives are in use to string these insects ...
— A General History and Collection of Voyages and Travels, Vol. 5 • Robert Kerr
... sufficient to testify to the fragmentary nature of the Nibelungenlied. We can discern through the apparent unity of texture of the work as we now possess it the patchwork where scribe or minstrel has interpolated this incident or joined together these passages to secure the necessary unity of narrative. Moreover, in none of the several versions of the Siegfried epic do we get the 'whole story.' One ...
— Hero Tales and Legends of the Rhine • Lewis Spence
... The stone, of one piece of which it was wrought, was such as I had never seen before. At the base it was of a full green, the colour of emerald without, of course, its gleam. It was not by any means dull, however, either in colour or substance, and was of infinite hardness and fineness of texture. The surface was almost that of a jewel. The colour grew lighter as it rose, with gradation so fine as to be imperceptible, changing to a fine yellow almost of the colour of "mandarin" china. It was quite unlike anything ...
— The Jewel of Seven Stars • Bram Stoker
... the circulation of the blood had to await its Harvey. In like manner, it was not Milton but Newton who expounded the Cosmos; the great poet, like Dante before him, wove pre-existent cosmical ideas into the texture of his sublime epic, while the great scientist wove all the truth of them into the texture of his sublime theory. Let each receive his meed of reverent praise, but do not let us appeal to Newton on poetry or to Milton on physics. And when a Bishop of Carlisle, ...
— Arrows of Freethought • George W. Foote
... another emanated from Congress; and what had been a confused mass of weak resolves assumed shape as clear and legible statutes. It was generally said that Mr. Davis had reduced Congress to a pliable texture that his iron fingers could twist at will into any form they pleased. Newspaper correspondents wrote strange stories of the length to which that dignified body allowed him to carry his prerogative. They declared that frequently, the framing of a bill not suiting him, it was simply returned ...
— Four Years in Rebel Capitals - An Inside View of Life in the Southern Confederacy from Birth to Death • T. C. DeLeon
... last extreme. Besides her hat, she carried and now nonchalantly drew refreshment from a stick of spirally striped candy inserted for half its length through the end of a lemon. The candy was evidently of a porous texture, so that the juice of the fruit would reach the consumer's pursed lips charmingly modified by its passage along the length of the sweet. One needed but to approximate a vacuum at the upper end of the candy, and the ...
— The Wrong Twin • Harry Leon Wilson
... drawing-room door, where he stood as grave and silent as Banquo's ghost. Constance arose at sight of this fantastic figure, barked furiously and darted toward a pair of legs for which she seemed to share the irreverence of the liveried servants; but the texture of the blue stocking and the flesh which covered the tibia were rather too hard morsels for the dowager's teeth; she was obliged to give up the attack and content herself with impotent barks, while the old man, ...
— Gerfaut, Complete • Charles de Bernard
... is made after this fashion. He is all type; his expression is transcendent. His mind has the hand's pronounced anatomy,—its cords and sinews and multiform articulations and processes, its opposing and coordinating power. If his brain is small, its texture is fine and its convolutions are deep. There have been broader and more catholic natures, but few so towering and audacious in expression and so rich in characteristic traits. Every scrap and shred of him is important and related. Like the strongly aromatic herbs ...
— Birds and Poets • John Burroughs
... not as sweet as Chinese chestnut but is much finer in texture and richer in subtle pleasing flavor. We would say that the quality is higher. Castanea dentata has the most uniformly delicious nuts. It is excelled, however, by many individuals of C. pumila. ...
— Northern Nut Growers Association Report of the Proceedings at the 44th Annual Meeting • Various
... hills were utterly precipitous. I suppose a man might have made his way up the various knobs, ledges, and inequalities, but it would have required long study and a careful head. I, myself, later worked my way a short distance, merely to examine the texture ...
— The Mystery • Stewart Edward White and Samuel Hopkins Adams
... his assumption that the matter was a simple one. It was not the saintly, single-minded and sweet-natured C.O.'s of Christopher Sterling's type that made the chief difficulty. There were few of this literal interpretation and heroic texture. The real difficulty was created by men of a very different character and in much greater numbers, sincere in varying degrees, but deliberately, passionately and unscrupulously obstructive, bent on baulking the national will and making anything like reasonable treatment ...
— Punch, or the London Charivari, Vol. 156, May 28, 1919. • Various
... addictated to this kind, of locomotive prayer, collect together in various knots through the chapel, and amuse themselves by auditing or narrating anecdotes, discussing policy, or detraction; and in case it be summer, and the day of a fine texture, they scatter themselves into little crowds on the chapel-green, or lie at their length upon the grass in listless groups, giving ...
— The Ned M'Keown Stories - Traits And Stories Of The Irish Peasantry, The Works of - William Carleton, Volume Three • William Carleton
... he is, perhaps, superiour to any other writer of blank verse: his flow is smooth, and his pauses are musical; but the concatenation of his verses is commonly too long continued, and the full close does not recur with sufficient frequency. The sense is carried on through a long inter-texture of complicated clauses, and, as nothing is distinguished, ...
— The Works of Samuel Johnson, LL.D. in Nine Volumes - Volume the Eighth: The Lives of the Poets, Volume II • Samuel Johnson
... amount to anything like a general view of life's possibilities and issues; nor are those who cherish them most vividly, at all the most scrupulous of their personal safety. To be deeply interested in the accidents of our existence, to enjoy keenly the mixed texture of human experience, rather leads a man to disregard precautions, and risk his neck against a straw. For surely the love of living is stronger in an Alpine climber roping over a peril, or a hunter ...
— Virginibus Puerisque • Robert Louis Stevenson
... is better, if he can bridle himself, he will be a valuable creature directly. Otherwise, in a commercial point of view, his value is either nothing, or accidental only. Only, of course, the proper bridle of man is not a leathern one: what kind of texture it is rightly made of, we find from that command, "Be ye not as the horse or as the mule which have no understanding, whose mouths must be held in with bit and bridle." You are not to be without the reins, indeed; but they are to be of another kind: "I will guide thee with mine Eye." So ...
— A Joy For Ever - (And Its Price in the Market) • John Ruskin
... hand, so that a man skilled in palmistry may read the honest milkman's fortune off any cope of his butter. How he makes it, or of what materials, I dare not say. Many flavours mingle in it, some familiar enough, some unknown to me. Its texture varies too. Sometimes it is pasty, sometimes semi-fluid, sometimes sticky, following the knife. In colour it is bluish-white, unless dyed. All things considered, I refuse Gopal's butter, and have mine made at home. The process is very simple, and no churn is ...
— Behind the Bungalow • EHA
... the web the while, Reads, as it grows, thy figured story there; Now she explains the texture with a smile, And now the woof interprets with ...
— Wyandotte • James Fenimore Cooper
... terrible consequences of such conduct. It is because the conscience is the man himself as related to the consciousness of the divine will that the effects are so injurious. Conscience may be (a) Stained, defiled, and polluted in its very texture (1 Cor. viii. 7); (b) Branded or seared (1 Tim. iv. 2), rendered insensible to all feeling for good; (c) Perverted, in which the very light within becomes darkness. In this last stage the man calls evil good and good evil—the very springs of his nature are poisoned and the avenues ...
— Christianity and Ethics - A Handbook of Christian Ethics • Archibald B. C. Alexander
... enacted of a very different character from that just described. Over the waters of unknown seas a small, strange craft boldly made its way, manned by a crew of the hardiest and most vigorous men, driven by a single square sail, whose coarse woollen texture bellied deeply before the fierce ocean winds, which seemed at times as if they would drive that deckless vessel bodily beneath ...
— Historic Tales, Vol. 1 (of 15) - The Romance of Reality • Charles Morris
... quite plausible through the analogy that quicksilver has an affinity with gold but has no effect upon iron. Furthermore, a substance than can corrode a solid body may nevertheless be unable to "fret" a different body which is considerably softer and thinner, if the "texture" does not admit the small particles.[55] Reasoning by analogy served to explain the logical plausibility. In other words, he was very open-minded. He refused to dismiss all such claims, and provided analogy as a reason for keeping his mind open; yet ...
— Medical Investigation in Seventeenth Century England - Papers Read at a Clark Library Seminar, October 14, 1967 • Charles W. Bodemer
... by J. de Spira. 1469. Folio. EDITIO PRINCEPS:—but oh,! marvellous specimen—a copy UPON VELLUM! Fair is the colour and soft is the texture of this exquisite production—bound in two volumes. I examined both volumes thoroughly, and am not sure that I discovered what might be fairly called one discoloured leaf. It is with equal pain and difficulty that one withdraws one's ...
— A Bibliographical, Antiquarian and Picturesque Tour in France and Germany, Volume Two • Thomas Frognall Dibdin
... Faery Queen might have received, if the design had been carried out in the peace of England and in the society of London. But it is certain that the scene of trouble and danger in which it grew up greatly affected it. This may possibly account, though it is questionable, for the looseness of texture, and the want of accuracy and finish which is sometimes to be seen in it. Spenser was a learned poet; and his poem has the character of the work of a man of wide reading, but without books to verify or correct. It cannot be doubted that his life in Ireland added to the force ...
— Spenser - (English Men of Letters Series) • R. W. Church
... certainly wanted change. And then Nora's name came into his mind, and he meditated for a moment, seeing the colour of her hair and the vanishing expression of her eyes. Sometimes he could see her hand, the very texture of its skin, and the line of the thumb and the forefinger. A cat had once scratched her hand, and she had told him about it. That was about two months before Mrs. O'Mara had come to tell him that shocking story, two months before he ...
— The Lake • George Moore
... of Carlyle, when looked at from a certain side, must be admitted to be not wholly satisfactory, what shall be said of the portrait of Lady Meux? The dress is a luminous and harmonious piece of colouring, the material has its weight and its texture and its character of fold; but of the face it is difficult to say more than that it keeps its place in the picture. Very often the faces in Mr. Whistler's portraits are the least interesting part of ...
— Modern Painting • George Moore
... good luck to find myself opposite Lawrence's picture of Eden, afterwards Lord Auckland, the young diplomatist. He is dressed, if I remember rightly, in a green velvet coat of exquisite tint and texture. I daresay if by chance a reader looks up the two pictures he will find that under the spell of memory they have assumed beauties not their own. But what does that matter? They were to me, at twenty, an inspiration. They are still, at sixty, a ...
— The Adventure of Living • John St. Loe Strachey
... cannot fathom either the change or the continuity. What we know is that after the resurrection the body was not so subject as before to the laws of space. It was, it would seem, of finer atoms and subtler texture. It had reached the height of physical being, and development apparently had ceased. It was the entelechy of the human body. It was still real, though no longer normal. To employ paradox, it was natural of the species "supernatural." ...
— Monophysitism Past and Present - A Study in Christology • A. A. Luce
... storehouse on the mountain, There the finest chamber open. There are coffers piled on coffers, Chests in heaps on chests are loaded, 130 Open then the finest coffer, Raise the painted lid with clangour, There you'll find six golden girdles, Seven blue robes of finest texture, Woven by the Moon's own daughter, By the Sun's ...
— Kalevala, Volume I (of 2) - The Land of the Heroes • Anonymous
... grew upon it were oaks, and when they were bare of foliage, and the sand-hills and the pools had a deep covering of snow, the wind swept icily cold over its wide space. In September the oaks were still in leaf, and the grass green, and, though they were but stunted in size and coarse in texture, both were pleasant to look at. The sunshine was no longer hot, but it was serenely bright, and there was as lovely a blue overhead as if ...
— A Canadian Heroine, Volume 2 - A Novel • Mrs. Harry Coghill
... showing real boyhood with all the charm of its imperfections. The head is shown in profile, thus enabling us to judge the precise nature of all the features, each one of which bears the imprint of callow morbidezza. Even the hair has the dainty qualities of childhood: it has the texture of silk. It is a striking contrast to the life-sized Baptist who has just reached manhood. We see a St. John walking out into the desert. He looks downward to the scroll in his hand, trudging forward with a ...
— Donatello • David Lindsay, Earl of Crawford
... of the ground and develops magnificently, blooming the same as ever, and producing the same fruit as on the original stem. Modern cultivation and French gardening have pruned away but very few of its branches and blunted a few of its thorns: its original texture, inmost substance, and spontaneous development have not changed. The soil of France and of Europe, however, broken up by revolutionary tempests, is more favorable to its roots than the worn-out fields of the Middle Ages and there it grows by itself, without being subject, like ...
— The Origins of Contemporary France, Volume 5 (of 6) - The Modern Regime, Volume 1 (of 2)(Napoleon I.) • Hippolyte A. Taine
... possible in the orchard, which, with the shade of the trees, has caused much of the soil to become loose and mellow. Since our sandy soil is very low in calcium I applied limestone one time at the rate of about 1500 lbs. per acre. This I hoped would improve the texture of the soil and make better conditions for growing bur clover between the trees. Basic slag which contains about 10% phosphate was applied at the rate of about 600 lbs. per acre in the early '40's. For the last four or five years I applied about 200 ...
— Northern Nut Growers Association Incorporated 39th Annual Report - at Norris, Tenn. September 13-15 1948 • Various
... our filmy pinion We scorch amid the blaze of day, When Noontide's fiery-tressd minion Flashes the fervid ray. Aye from the sultry heat 25 We to the cave retreat O'ercanopied by huge roots intertwin'd With wildest texture, blacken'd o'er with age: Round them their mantle green the ivies bind, Beneath whose foliage pale 30 Fann'd by the unfrequent gale We shield us from the ...
— The Complete Poetical Works of Samuel Taylor Coleridge - Vol I and II • Samuel Taylor Coleridge
... to go. His men cast furtive glances at one another, looked at Lance from under their brows, noted the silk shirt and the low, tan Oxfords, and the texture and cut of his gray trousers with the tan leather belt that had a small silver buckle. Plain as it was they knew that buckle was silver. They saw how clean-cut was the hairline at the back of his head and over his ears—sure sign that he was "citified." And ...
— Rim o' the World • B. M. Bower
... ears than the last species; a shorter and much less bushy tail; and the fur shorter and coarser, though of finer texture than in the European badger, with much woolly hair at its base. Both the English badger and M. leucurus are black throated; this one is white throated. The English animal has a broad band of brownish-black, which begins between the ...
— Natural History of the Mammalia of India and Ceylon • Robert A. Sterndale
... outer surface. New masses of rocks are thus formed before our eyes, while the older ones are in their turn converted into other forms by the greater or lesser agency of Platonic forces. Even where no disruption takes place the crystalline moleculres are displaced, combining to form bodies of denser texture. The water presents structures of a totally different nature, as, for instance, concretions of animal and vegetable remains, of earthy, calcareous, or aluminous precipitates, agglomerations of finely-pulverized mineral bodies, covered with layers of the silicious shields of infusoria, and ...
— COSMOS: A Sketch of the Physical Description of the Universe, Vol. 1 • Alexander von Humboldt
... Creek at the town of Salesville. The leatherwood tree which gave this creek its name had a soft and pliable bark, which could be easily tied into knots, and was used as cordage by the pioneers; and the dwellers on Leatherwood Creek had a faith of much the same easy texture. Yet they were of rather more than the average intelligence, and they were so far from bigoted or intolerant that all sects among them worshiped in one sanctuary, a large cabin which they had built in ...
— Stories Of Ohio - 1897 • William Dean Howells
... knitting, and the wool which was a part of the blue-gray homespun for the wear of the men of the household. "One-third of white wool, one-third of indigo-dyed wool, and one-third of black sheep's wool," was the formula for this universal texture. Perhaps it was not too much to say that the gray days of the Pilgrim mother's life were enriched by ...
— The Development of Embroidery in America • Candace Wheeler
... instinct in the living creature there is some answer in the nature outside itself. There is no instinct known in plant, in animal, in man, to which nature does not answer; nature, which has woven the demand into the texture of the living creature, has always the supply ready to meet the demand; and strange indeed it would be, well-nigh incredible, if the profoundest instinct of all in nature's highest product on the physical plane, if that ineradicable ...
— London Lectures of 1907 • Annie Besant
... does not look closely. Her skin, too, showed her ruddy breed—for though it was tanned by her long journey in the sun and wind, there glowed in it, even through her paleness, a tinge of red blood—and her nose was freckled. Glimpses of her neck and bosom revealed a skin of the thinnest, whitest texture—quite milk-white, with pink showing through on account of the heat. She had little strong brown hands, and the foot which she put on the dashboard was a very trim and graceful foot like that of a thoroughbred mare, built for flight rather than work, and it swelled ...
— Vandemark's Folly • Herbert Quick
... writers wanted in that field the severe simplicity, that horror of the too much, belonging to Grecian architecture, which is essential to the perfection of a dream considered as a work of art. He was too elaborate, to realize the grandeur of the shadowy.] the texture of the composition: by altering, one makes it partly one's own; but it is right to mention, that the sublime turn at the end ...
— Narrative And Miscellaneous Papers • Thomas De Quincey
... was opened for him. The sudden rush of air had wafted her light, floating drapery of gauze and lace into the fire, and in a moment all was in a blaze. Fortunate was it for her, that under this light, flimsy drapery, was worn a dress of stouter texture and less combustible material—a rich satin. After the slight scream which had brought him to her side, Mary uttered no sound, and with his whole soul concentrated on action, he had been equally silent till the last spark was smothered. Then gazing wildly in her pallid face he exclaimed, ...
— Evenings at Donaldson Manor - Or, The Christmas Guest • Maria J. McIntosh
... beyond her years, perhaps—though in this day seventeen is not far from fully developed womanhood. But even had she been silly, men would have been glad to linger on and on under the spell of the sex call which nature had subtly woven into the texture of her voice, into the glance of her eyes, into the delicate ...
— Susan Lenox: Her Fall and Rise • David Graham Phillips
... much as 45 per cent., thus reducing the sailor's allowance by nearly one-half. [Footnote: Admiralty Records 1. 1495—Capt. Barrington, 23 Dec. 1770.] The residuum was often "mere carrion," totally unfit for human consumption. "Junk," the sailor contemptuously called it, likening it, in point of texture, digestibility and nutritive properties, to the product of picked oakum, which it in many respects strongly resembled. The pork, though it lost less in the cooking, was rancid, putrid stuff, repellent in odour and colour-particulars in which it found close competitors ...
— The Press-Gang Afloat and Ashore • John R. Hutchinson
... mass of black marble has a very disgusting appearance, from being entirely covered (except at one little corner, kept clean to show its texture) with the runnings of the countless candles perched upon it by the pilgrims, who arrive in such crowds at some periods of the year, that the vault becomes so hot and close as to be unsafe to remain ...
— Barn and the Pyrenees - A Legendary Tour to the Country of Henri Quatre • Louisa Stuart Costello
... cigar with a favoring eye; the aroma was rich, and through the smoke he detected that thin spiral, of a denser texture, which spoke of the presence, in a proper proportion, ...
— Ashton-Kirk, Criminologist • John T. McIntyre
... waited twenty; but, beyond that a quick look had been thrown upon him by every pair of eyes, the muscular performances were in no way interrupted: every one seemed oblivious of his presence, and absolutely regardless of his wish. In truth, the texture of that salmon-coloured skin could be seen to be aristocratic without a microscope, and the exceptious artizan has an offhand way when contrasts are made painfully strong by an idler of this kind coming, gloved and brushed, into the very den where ...
— The Hand of Ethelberta • Thomas Hardy
... The texture of the outer garments should take into account this same quality of warmth; in other respects in selecting them personal taste is an excellent guide. Outfitters carry a variety of maternity garments; patterns for such garments are also sold by dealers, ...
— The Prospective Mother - A Handbook for Women During Pregnancy • J. Morris Slemons
... not very decently attired. Their bodies and heads were enveloped in ample blue and white muslin drapery, embroidered with gold, and bordered with lace of the same material as broad as a man's hand, but the delicate texture {150} was so ethereal, that every outline of the body was visible beneath it. Besides this, whenever they moved their arms the muslin opened and displayed not only their arm, but a portion of their bosom and body. They appeared to pay a ...
— A Woman's Journey Round the World • Ida Pfeiffer
... leaving only a very small passage. In front of this path stood our challengers. Six worse-looking men, whether in form, dress, or feature, it would be difficult to imagine. Each man wore around his high, conical felt hat, a turban of handkerchiefs of every hue and texture; in his hand a long gun with short and narrow breech; and in his belt the universal Kurdish curved and two-edged dagger. The leader of the gang was a man of middle age, with black eyes and a grisly, untrimmed beard, and with half his front ...
— Thrilling Adventures by Land and Sea • James O. Brayman
... things. Just as the senses require sensible objects to stimulate them, so our powers of observation, recollection, and imagination do not work spontaneously, but are set in motion by the demands set up by current social occupations. The main texture of disposition is formed, independently of schooling, by such influences. What conscious, deliberate teaching can do is at most to free the capacities thus formed for fuller exercise, to purge them of some of their grossness, ...
— Democracy and Education • John Dewey
... as Hebe the golden-haired, as she sat in the arbor this morning. Her light morning dress of softest texture fell in graceful folds about her exquisite form. She held a Book of Hours in her hand, but she had not once opened it since she sat down. Her dark eyes looked not soft, nor kindly, but bright, defiant, wanton, and even wicked in their expression, like ...
— The Golden Dog - Le Chien d'Or • William Kirby
... down glorifying light, they would not be much to look at or talk about. The tree has a gnarled, grotesque trunk which divides into insignificant branches, bearing leaves mean in shape, harsh in texture, with a silvery underside. It gives but a quivering shade and has no massiveness, nor symmetry. Ay! but there are olives on the branches. And so the beauty of the humble tree is in what it grows for man's good. After all, it is the outcome in fruitfulness which is the ...
— Expositions of Holy Scripture - Ezekiel, Daniel, and the Minor Prophets. St Matthew Chapters I to VIII • Alexander Maclaren
... tiny holes, the lairs of a million crabs and sea insects. The beaches are covered with a wondrous diversity of animal and vegetable growths thrown up and discarded by the tide. Seaweed of strange varieties, and of every fantastic shape and texture, the round balls of fibrous grass, like gigantic thistledowns, which scurry before the light breeze, as though endued with life, the white oval shells of the cuttle-fish, and the shapeless hideous masses of dead medusae, all lie about in extricable confusion ...
— In Court and Kampong - Being Tales and Sketches of Native Life in the Malay Peninsula • Hugh Clifford
... of turpentine, and let it remain several hours, then rub it between the hands. It will crumble away, without injuring either the color or texture ...
— The American Housewife • Anonymous
... carefully along the skin, so as not to smirch the feathers at the edge; now it was passed along the thin stretched neck and up to the skull, which had been left whole all but the back, where brains and eyeballs had been carefully extracted, leaving nothing but the paper-like bone of wondrously delicate texture and strength. Here the brush was sedulously applied with more and more cream, which ...
— Fire Island - Being the Adventures of Uncertain Naturalists in an Unknown Track • G. Manville Fenn
... and fragrant was laid on her brow, and, thinking Sarah would not be satisfied without attending to her, she murmured thanks, without opening her eyes. But the hand that changed the cool handkerchief was of softer texture; and, looking up, she saw Theodora bending over her, with the face so like Arthur's, and making every demonstration of kindness and attention—drawing down blinds, administering sal volatile, and doing everything in ...
— Heartsease - or Brother's Wife • Charlotte M. Yonge
... examine him more closely. His body was a silky, dark, but exquisitely modulated gray, deepening to black in his paws and muzzle. His fur was excessively long, thick, and soft as eider-down, the cushions of flesh beneath perfectly infantine in their texture and contour. He was so very young that the palms of his half-human feet were still tender as a baby's. Except for the bright blue, steely hooks, half sheathed in his little toes, there was not a single harsh outline or detail ...
— Short Stories and Selections for Use in the Secondary Schools • Emilie Kip Baker
... heavy gale, the flying spray salted my saved rainwater, so that at times I was grievously put to live through till fresh rains fell unaccompanied by high winds. Aware that a continual dropping will wear a stone, I selected a large stone, fine and tight of texture and, by means of smaller stones, I proceeded to pound it hollow. In five weeks of most arduous toil I managed thus to make a jar which I estimated to hold a gallon and a half. Later, I similarly made a four-gallon jar. It took me nine ...
— The Jacket (The Star-Rover) • Jack London
... different lights and darkness to find them. He did not know their ways of play, but well knew he should like them when he learned, and that their play would prove prettier than any he had ever known.... And this tall, still woman beside him—almost as tall as he, of rarest texture, and with a voice sensuously soft, having that quality of softness which distinguishes a charcoal from a graphite line—this woman seemed identified in some remoteness of mind with long-ago rainy days, of which there had been ...
— Fate Knocks at the Door - A Novel • Will Levington Comfort
... fineness of texture in nature indicate coarse and fine-grained feelings and characters, and since black signifies power, and red ardor, therefore coarse black hair and skin signify great power of character of some kind, along with considerable tendency to the sensual; ...
— Searchlights on Health - The Science of Eugenics • B. G. Jefferis and J. L. Nichols
... colour in their faces was in his represented by the palest tinge of pink. His bare arms were soft and white and thin. Their abundant straw-coloured hair had in his case become palest gold, of silky texture, falling in curling locks almost on to his shoulders. He was, in short, a smaller, weaker, more delicate edition of these two elder ones. They looked the very embodiment of health and strength, he fragile, timid, and delicate. No wonder ...
— Little Folks (July 1884) - A Magazine for the Young • Various
... time the nut falls from the tree or it may become so only after curing for a time. Once it develops it may remain good as long as the kernel is usable or it may last for a short while only. In texture and in palatability, the kernel of the Chinese chestnut is not excelled by any other true chestnut. Individual nuts are sometimes sweet from the first but the great majority become so only after being cured for a week or 10 days. Very few nuts of the pure species ...
— Northern Nut Growers Association Report of the Proceedings at the Thirty-Seventh Annual Report • Various
... with caps made from the fur of the sea otter, and shod with sea boots of seal's skin, were dressed in clothes of a particular texture, which allowed free movement of the limbs. The taller of the two, evidently the chief on board, examined us with great attention, without saying a word; then, turning to his companion, talked with him in an unknown tongue. It was a sonorous, harmonious, ...
— Twenty Thousand Leagues under the Sea • Jules Verne
... indicated labour just forsaken; nor could one tell from his eyes, in which the light had all retreated inwards, whether his consciousness was absorbed in thought, or reverie only. The window curtains, which scarcely concealed the shutters, were of coarse texture, but of brilliant scarlet—for he loved bright colours; and the faint reflection they threw on his pale, thin face, made it look more delicate than it would have seemed in pure daylight. Two or three bookshelves, ...
— Adela Cathcart, Vol. 1 • George MacDonald
... been identified by Santayana as "normal madness." In its milder forms, the fallacy is now known by every one as the "personal equation"; in its pronounced, abnormal manifestations it is known by the psychoanalysts as "transference." It is a Protean fallacy woven into the emotional texture of the human mind. Nothing, for it, is sacred enough to be inviolate. For Spinoza discovered it sanctimoniously enshrined even in the Sacred Scriptures. As he brilliantly shows us in the Tractatus Theologico-Politicus, the prophets' ideas ...
— The Philosophy of Spinoza • Baruch de Spinoza
... coat, "to tell all I know of myself, and I shall not keep you long, I trust. My friend the baize gown and I had the same origin on the back of a sheep, only I was of a nicer texture, and had, from my earliest days, a more refined character; and, of course, was used for higher purposes. Major Sword there may know perhaps that I had as much to do with making the major of Cadets as he had, only I did not make people run when ...
— The Talkative Wig • Eliza Lee Follen
... firewood. The firewood was chiefly cut from a sort of low bush, like the sallow or willow, fit for making baskets, indeed fit for anything better than firewood; however, there were some bushes which were of a harder texture, and which burnt well. It was Jackson who told me that the former were called Willow and used for making baskets, and he also showed me how to tie the faggots up by twisting the sallows together. They were ...
— The Little Savage • Captain Frederick Marryat
... stopping, apparently with the view of ascertaining if he were quite correctly put together, while Gluck stood contemplating him in speechless amazement. He was dressed in a slashed doublet of spun gold, so fine in its texture, that the prismatic colours gleamed over it as if on a surface of mother of pearl; and, over this brilliant doublet, his hair and beard fell full half way to the ground in waving curls, so exquisitely ...
— Junior Classics, V6 • Various
... on the floor she turned and stood for an instant in the full tide of it; and it set all the loose tendrils of her pale yellow hair in a little flame, and gave the folds of the flesh-coloured sari that fell over her shoulder the texture of draperies so often depicted as celestial. The sun sought into her face, revealing nothing but great purity of line and a clear pallor except where below the wide light blue eyes two ethereal shadows ...
— The Path of a Star • Mrs. Everard Cotes (AKA Sara Jeannette Duncan)
... London his coats were cut by a good tailor in whatever was the prevailing fashion; the change was simply with him an incident of the situation. He had also a look of dainty cleanliness which was heightened by the smooth healthy texture of the skin, and in later life by the silvery whiteness of ...
— Life and Letters of Robert Browning • Mrs. Sutherland Orr
... "has thee seen," "does thee like"—that is the way they speak it; an unjustifiable way, I know, but it sounds pleasantly. I like the Quaker spirit and manners, at least as I have found them in my friends: sober but not sad, plain but very considerate, genuinely simple in the very texture of their thoughts and feelings, and not averse to that quiet mirth which leaves no bitter taste behind it. One thing that I cannot understand in Charles Lamb is his confession, in the essay on "Imperfect ...
— Days Off - And Other Digressions • Henry Van Dyke
... later existence. He will become, as always in later art and poetry, of dazzling whiteness; no longer dark with the air and sun, but like one eskiatrofekos—brought up under the shade of Eastern porticoes or pavilions, or in the light that has only reached him softened through the texture of green leaves; honey-pale, like the delicate people of the city, like the flesh of women, as those old vase-painters conceive of it, who leave their hands and faces untouched with the pencil on the white clay. The ruddy god of the ...
— Greek Studies: A Series of Essays • Walter Horatio Pater
... AND MATERIALS.—Paper.—The principal difficulty to be contended with in using paper, is the different power of imbibition which we often find possessed in the same sheet, owing to trifling inequalities in its texture. This is, to a certain extent, to be overcome by a careful examination of each sheet, by the light of a candle or lamp at night, or in the dark. By extending each sheet between the light and the eye, and slowly moving it up and down, and from left to right, the variations in its texture ...
— The History and Practice of the Art of Photography • Henry H. Snelling
... with that same gray car full of small fry from the Settlement or going about the business of the chapel. The car had always reminded me of his evening clothes, which were straight and simple in line with the black silk vest cut up around the collar buttoned in the back, but which were so fine in texture and perfect in cut and fit that they seemed to be some kind of super clothes that ought to be called by a name of their own, just as the people in the Settlement had decided to call the car the "Chariot" as soon as they had stopped resenting a parson's having it, from finding out ...
— The Heart's Kingdom • Maria Thompson Daviess
... thing we saw at Otaheite. The soil, about the low grounds, is a yellowish and pretty stiff mould; but, upon the lower hills, it is blacker and more loose; and the stone that composes the hills, is, when broken, of a blueish colour, but not very compact texture, with some particles of glimmer interspersed. These particles seem worthy of observation. Perhaps the reader will think differently of my judgment, when I add, that, near the station of our ships, were two large stones, or rather rocks, concerning which the natives have some superstitious ...
— A General History and Collection of Voyages and Travels, Volume 16 • Robert Kerr
... pleasure in your bones. And the bed,' he continued, carrying over the candle in that direction—'see what fine sheets—how soft, how smooth, smooth;' and he passed his hand again and again over their texture, and then laid down his head and rubbed his cheeks among them with a grossness of content that somehow offended me. I took the candle from his hand (for I feared he would set the bed on fire) and walked back to the supper-table, where, perceiving a measure ...
— The Merry Men - and Other Tales and Fables • Robert Louis Stevenson
... wearing a long train held up by two pages, and on the train, as if it were a couch, reclined a lovely girl, for in this way do aristocratic fairies travel about. She was dressed in golden rain, but the most enviable part of her was her neck, which was blue in colour and of a velvet texture, and of course showed off her diamond necklace as no white throat could have glorified it. The high-born fairies obtain this admired effect by pricking their skin, which lets the blue blood come through and dye them, ...
— Peter Pan in Kensington Gardens • J. M. Barrie
... and the other ingredients. Magnesia may replace lime to some extent in such marls, but the firing temperature must be higher when magnesia is present. Marls usually contract very little, if at all, in the burning, and generally produce a strong, square brick of fine texture and good colour. When under-fired, marl bricks are very liable to disintegrate under the action of the weather, and great care must be exercised in burning them at a sufficiently ...
— Encyclopaedia Britannica, 11th Edition, Volume 4, Part 3 - "Brescia" to "Bulgaria" • Various
... beginning to give us militarism stripped of romance, a grisly but (I suppose) useful picture. I have nowhere found it more horrible than in a story called The Secret Battle (METHUEN), written by Mr. A.P. HERBERT, whose initials are familiar to Punch readers under work of a lighter texture. This is an intimate study, inspired throughout by a cold fury of purpose that can be felt on every page, of the destruction of a young man's spirit in the insensate machinery of modern war. There is no other plot, no side issues, no relief. From the introduction ...
— Punch, or the London Charivari, Vol. 156, June 4, 1919. • Various
... painting, which was never made direct from the living model,—at any rate, until ready for the finishing touches. Drawn with a point which could give a line as bold or as almost impalpable as he wished, and modelled to the very texture of the surfaces, the carnations are so sufficiently indicated or rendered with red chalk as to serve every purpose. Sometimes notes are also added. Thus in the upper corner of the drawing for Meyer's head the artist has noted "eyebrows ...
— Holbein • Beatrice Fortescue
... compared to a precious Ointment,[2] and when we are praised with Skill and Decency, tis indeed the most agreeable Perfume, but if too strongly admitted into a Brain of a less vigorous and happy Texture, twill, like too strong an Odour, overcome the Senses, and prove pernicious to those Nerves twas intended to refresh. A generous Mind is of all others the most sensible of Praise and Dispraise; and a noble Spirit ...
— The Spectator, Volume 2. • Addison and Steele
... sun threw no reflected lights on the boy's skin, the texture of which was darker than that of a mulatto, and had a dead, opaque look, lacking the golden glow of mulatto skin. The lad's hair showed little hint of Bantu ancestry and his feet were small. True, all this might betoken any of the Creole combinations common in ...
— Plotting in Pirate Seas • Francis Rolt-Wheeler
... Abbot, all clothed in drab, but Of texture the coarsest, hair shirt and no shoes (His mitre and ring, and all that sort of thing Laid aside), in yon ...
— Library Of The World's Best Literature, Ancient And Modern, Vol 4 • Charles Dudley Warner
... just now? Was that a time to bethink thee of thy Dapple, or are these noble personages likely to let the beasts fare badly when they treat their owners in such elegant style? For God's sake, Sancho, restrain thyself, and don't show the thread so as to let them see what a coarse, boorish texture thou art of. Remember, sinner that thou art, the master is the more esteemed the more respectable and well-bred his servants are; and that one of the greatest advantages that princes have over other men is that they have servants as good ...
— Don Quixote • Miguel de Cervantes Saavedra
... figure of speech, but has its origin in the very texture of the human mind. The heavens, the upper regions, are in every religion the supposed abode of the divine. What is higher is always the stronger and the nobler; a superior is one who is better than we are, and therefore a chieftain in Algonkin is called oghee-ma, the higher ...
— The Myths of the New World - A Treatise on the Symbolism and Mythology of the Red Race of America • Daniel G. Brinton
... more free from blemishes, but it is not so fine and compact in its texture; the skies in particular exhibiting a minutely speckled appearance, and the whole picture admitting ...
— Notes and Queries, Number 216, December 17, 1853 • Various
... be allowed that no human character, which we have the opportunity of studying with equal minuteness, had fewer faults mixed up in its texture. The grand virtue of fortitude, the basis of all others, was never displayed in higher perfection than in him; and it was, as perhaps true courage always is, combined with an equally admirable spirit of kindness and humanity. His pride, if we must call it so, undebased by the least tincture of mere ...
— MacMillan's Reading Books - Book V • Anonymous
... oldest and most ragged monk's habit, and carried a staff. Over his threadbare dress he wore another of finer texture which it was his intention to discard ere entering before the shrine, in order to appear most lowly and humble in the eyes of the shrewd Tsaritza. We left Petrograd at night, that our departure should not be known and commented upon, but ere we did so ...
— The Minister of Evil - The Secret History of Rasputin's Betrayal of Russia • William Le Queux
... not what the world calls a young woman; yet thirty years—thirty summers—had not dim'd the lustre of her beauty. Truly, she was the VENUS OF BOSTON! A brow, expansive and intellectual—hair of silken texture, that fell in massive luxuriance from beneath a jewelled head-dress which resembled the coronet of a duchess—cheeks that glowed with the rosy hue of health and a thousand fiery passions—eyes that sparkled with that peculiar expression so often seen in women of an ardent, impetuous ...
— Venus in Boston; - A Romance of City Life • George Thompson
... fact that the flesh of the swordfish, though somewhat oily, is a very acceptable article of food. Its texture is coarse; the thick, fleshy, muscular layers cause it to resemble that of the halibut in constituency. Its flavor is by many considered fine, and is not unlike that of the bluefish. Its color is gray. The meat of the young fish is highly prized on the Mediterranean, ...
— Tales of Fishes • Zane Grey
... eyes could have enjoyed more thoroughly than she did the trivial amusement of unpacking my clothes. This time, however, her wonderful delicacy of touch proved to be at fault. Of two dresses of mine which happened to be exactly the same in texture, though widely different in color, she picked out the dark dress as being the light one. I saw that I disappointed her sadly when I told her of her mistake. The next guess she made, however, restored the tips of her fingers to their place in her estimation: she discovered the stripes in ...
— Poor Miss Finch • Wilkie Collins
... that involved the obtaining of another, had deeply impressed him. He might never again see Ida on earth, and upon the fidelity with which his memory retained every feature of her face, every line of her figure, his thoughts by day, and his dreams by night, might have to depend for their texture until he should ...
— Miss Ludington's Sister • Edward Bellamy
... Daphne! Set thyself in silver light, Take thy thoughts of fairest texture, weave them into words of white— Weave the rhyme of rose-lipped Daphne, nymph of wooded stream and shade, Flying love of bright Apollo,—fleeting type of faultless maid! She, when followed from the forelands by the lord ...
— The Poems of Henry Kendall • Henry Kendall
... much loose texture; there are wide-meshed chords, daring leaps and abrupt arpeggios. These have often been pointed out as faults, but such harmonious discords are now properly valued, and we see that Chopin's lapses all had meaning and purpose, ...
— Little Journeys to the Homes of the Great - Volume 14 - Little Journeys to the Homes of Great Musicians • Elbert Hubbard
... Zobeide commanded the mother of Mazin to fetch the flying robes, and as she dared not disobey the sultana of the caliph, she went home, and speedily returned with them. Zobeide took them into her hands, examined them, and was surprised at their fashion and texture. At length she gave them to the ...
— The Arabian Nights Entertainments vol. 4 • Anon.
... mysterious sonnets. Through all Lanier's productions we trace the influence of his early literary loves; but nowhere do the pithy quaintnesses of the old bards and chroniclers display themselves more effectively — not only in the illustrations, but through the innermost warp and woof of the texture of his ideas and his style — than in some ...
— Sidney Lanier • Edwin Mims
... amount of mental stimulus. Nor were his expectations disappointed. But he found the work to be unexpectedly hard, and very soon he had the sense of panting to keep pace with the demands of the lecturer. It was not merely that the texture of scientific reasoning in the lectures was so closely knit,—although that was a very palpable fact,—but the character of Huxley's terminology was entirely strange to him. It met him on his weakest side, for it presupposed a knowledge of Greek (being little else than Greek compounds ...
— The Life and Letters of Thomas Henry Huxley Volume 2 • Leonard Huxley
... and not our will: We once were friends,—I'll think we are so still, A form unmatch'd in nature's partial mould, A heart untainted, we in thee behold: Yet not the senate's thunder thou shalt wield, Nor seek for glory in the tented field; To minds of ruder texture these be given— Thy soul shall nearer soar its native heaven. Haply, in polish'd courts might be thy seat, But that thy tongue could never forge deceit: The courtier's supple bow and sneering smile, The flow of compliment, the slippery wile. Would make that breast with indignation ...
— My Recollections of Lord Byron • Teresa Guiccioli
... the great, soft grey eyes which were hot with fever as they gazed at him out of their hollow settings. Then the abundant dark hair, parted now in the centre, Indian fashion, and flooding the pillow with its masses. It was dull and lustreless, but all its beauty of texture remained. ...
— The Heart of Unaga • Ridgwell Cullum
... to Pythagoras, we could make Use of Change of Bodies, as we do of Apparel, it would be convenient to take a fat Body, and of a thick Texture, in Winter Time, and a thinner and ...
— Colloquies of Erasmus, Volume I. • Erasmus
... substance or texture in the body formed of various elements, such as cells, fibers, blood-vessels, ...
— A Practical Physiology • Albert F. Blaisdell
... mentioned in the Divine Comedy may appear a singular omission to the reader of Dante, who seems to have inwoven into the texture of his work whatever had impressed him as either effective in colour or spiritually significant among the recorded incidents of actual life. Nowhere in his great poem do we find the name, nor so much as an allusion to the story of [6] one who had left so deep a mark on the philosophy ...
— The Renaissance: Studies in Art and Poetry • Walter Horatio Pater
... grow with least success on soils of the prairie so light in texture as to lift with the winds, and in which the underlying clay is several feet from the surface, also in slough soils that are much saturated ...
— Clovers and How to Grow Them • Thomas Shaw
... tree bears nuts of different variety. The nuts differ from nuts of other trees in shape, hardness of shell, size, texture and flavor ...
— Northern Nut Growers Association Report of the Proceedings at the Twenty-Fifth Annual Meeting • Northern Nut Growers Association
... index may play freely through its whole range. On the edge of the slit is a graduation. The objection to this instrument is, that it is not fit for comparative observations, because no two pieces of wood being of the same texture exactly, no two will yield exactly alike to the same agent. However, it is less objectionable on this account, than most of the substances used. Mr. Rittenhouse had a thought of trying ivory; but I do not know whether he executed it. All these substances not only ...
— The Writings of Thomas Jefferson - Library Edition - Vol. 6 (of 20) • Thomas Jefferson
... qualities which in truth are nothing in the objects themselves, but powers to produce various sensations in us by their primary qualities, i.e., by the bulk, figure, texture, and motion of their insensible parts. These secondary qualities are colours, sounds, tastes, etc. From whence I think it is easy to draw this observation: that the ideas of primary qualities of bodies are resemblances of them, ...
— The World's Greatest Books—Volume 14—Philosophy and Economics • Various
... ghastly pallor of the skin, and the now miraculous lustre of the eye, above all things startled, and even awed me. The silken hair, too, had been suffered to grow all unheeded, and as, in its wild gossamer texture, it floated rather than fell about the face, I could not, even with effort, connect its arabesque expression with any ...
— Short-Stories • Various
... grislies with long fore-claws. These very large bears with short claws are very reluctant to climb a tree; and are almost as clumsy about it as is a young grisly. Among the grislies the fur varies much in color and texture even among bears of the same locality; it is of course richest in the deep forest, while the bears of the dry plains and mountains are of a lighter, ...
— Hunting the Grisly and Other Sketches • Theodore Roosevelt
... of eyes that had seen better days. His features were still good, and the complexion showed quality of texture: a bloom often seen upon the faces of middle-aged men who in youth have been fair. His figure was imposing. When he lounged into a room, even a bar-room, he took the stage, so to speak; you were bound to look at him. When he spoke you listened to ...
— Bunch Grass - A Chronicle of Life on a Cattle Ranch • Horace Annesley Vachell
... (De Vera Relig. xi): "The bodily food when corrupted, that is, having lost its form, is changed into the texture of the members." But the texture of the members belongs to true human nature. Therefore the food is changed into the reality ...
— Summa Theologica, Part I (Prima Pars) - From the Complete American Edition • Thomas Aquinas
... other directions, and never saw any of the petrifactions except in this part of it. As to its really being petrified wood there cannot be any reason to doubt it, after an inspection of the substance, in which the texture and fibres of the wood are clearly distinguishable, and perfectly resemble those of the date tree. I think it not improbable, that before Nechos dug the canal between the Nile and the Red sea, the ...
— Travels in Syria and the Holy Land • John Burckhardt
... close evergreen hedge of hemlock spruce. In its young way this hedge has been handsome from infancy; though still but a few years old it gives, the twelvemonth round, a note both virile and refined in color, texture and form, and if the art that planted it and the care that keeps it do not decay neither need the hedge for a century to come. Against the intensest cold this side of Labrador it is perfectly hardy, is trimmed with a sloping top to shed snows ...
— The Amateur Garden • George W. Cable
... filling the aisles, he began to see that this external splendour was but the veil before the sanctuary, and to realise what de Crucis meant when he spoke of the deep hold of the Church upon the people. Every colour, every gesture, every word and note of music that made up the texture of the gorgeous ceremonial might indeed seem part of a long-studied and astutely-planned effect. Yet each had its root in some instinct of the heart, some natural development of the inner life, so that they were in fact not the cunningly-adjusted fragments of an arbitrary pattern ...
— The Valley of Decision • Edith Wharton
... portion of the hemp stalk, broken into pieces and separated from the fiber in the processes of breaking and scutching, is called hemp hurds. These hurds correspond to shives in flax, but are much coarser and are usually softer in texture. ...
— Hemp Hurds as Paper-Making Material - United States Department of Agriculture, Bulletin No. 404 • Lyster H. Dewey and Jason L. Merrill
... look older than she really was. Her thick brown hair was smoothly taken off her broad forehead, and put in a very orderly fashion, under her linen cap; her face was a little square, and her complexion sallow, though the texture of her skin was fine. Her gray eyes were very pleasant, because they looked at you so honestly and kindly; her mouth was slightly compressed, as most have it who are in the habit of restraining their feelings; but when she spoke you did not perceive this, and her rare smile slowly breaking ...
— Sylvia's Lovers, Vol. I • Elizabeth Gaskell
... of carbon and giving-out of oxygen, which is to the vegetable exactly what the eating and digesting of food is to the animal organism. In their old age, however, the stems of the prickly pear display their true character by becoming woody in texture and losing ...
— Science in Arcady • Grant Allen
... the words, "This Car for the Poppy Fields," and they are a sight worth seeing. Mrs. Kellog describes this flower more perfectly than any artist could paint it: "Think of finest gold, of clearest lemon, of deepest orange on silkiest texture, just bedewed with a frost-like sheen, a silvery film, and you have a faint impression of what an eschscholtzia is. Multiply this impression by acres of waving color." And in February this may sometimes be seen. It has been well ...
— A Truthful Woman in Southern California • Kate Sanborn
... and utterly destitute of political or social influence, powerful only in the possession of a sublime and seminal thought,)—conceptions which, during these two centuries, have succeeded in overthrowing a doctrine as old as the human mind, closely interknit with the entire texture of opinions, authority, politics, and religion, and establishing a theory flatly contradicted by the universal dictates of experience and common sense, and true only to the transcendental ...
— Atlantic Monthly, Vol. 5, No. 30, April, 1860 • Various
... said with courage of the same texture as his own. "You've been walking too much. You must go back in the carriage with us. Can't you have it come here?" ...
— Henry James, Jr. • William Dean Howells
... the other hand, the garments worn by woodmen were far different from the fashion of to-day. They were tough and enduring, and the coarse texture next to the skin preserved its good appearance much longer than does the finer linen we wear. Often Jack Carleton had washed his, and frolicked in the water or lolled on the bank until it was given time to dry in the sun. He and Otto did not do so now, because their consciences would not ...
— Footprints in the Forest • Edward Sylvester Ellis
... Batangas and Cavite; the worst from Mindanao. The latter, in consequence of careless treatment, is very impure, and generally contains a quantity of bad beans. The coffee beans of Mindanao are of a yellowish-white color and flabby; those of Laguna are smaller, but much firmer in texture. ...
— The Former Philippines thru Foreign Eyes • Fedor Jagor; Tomas de Comyn; Chas. Wilkes; Rudolf Virchow.
... movable so much, Consist it must of seeds exceeding small And smooth and round. Which fact once known to thee, Good friend, will serve thee opportune in else. This also shows the nature of the same, How nice its texture, in how small a space 'Twould go, if once compacted as a pellet: When death's unvexed repose gets hold on man And mind and soul retire, thou markest there From the whole body nothing ta'en in form, Nothing in weight. Death grants ye everything, But vital ...
— Of The Nature of Things • [Titus Lucretius Carus] Lucretius
... empty, Rose ran to where a giant scallop shell was standing. It was formed of papier-mache, and decorated to look like the texture of ...
— Princess Polly's Gay Winter • Amy Brooks
... before us is merely a question between the old and the new theories of commerce. They cannot understand how any friend of free trade can wish the Legislature to interfere between the capitalist and the labourer. They say, "You do not make a law to settle the price of gloves, or the texture of gloves, or the length of credit which the glover shall give. You leave it to him to determine whether he will charge high or low prices, whether he will use strong or flimsy materials, whether he will trust or insist on ready money. You acknowledge ...
— The Miscellaneous Writings and Speeches of Lord Macaulay, Vol. 4 (of 4) - Lord Macaulay's Speeches • Thomas Babington Macaulay
... moment, with prayers for forgiveness and curses upon his stupidity for setting his foot upon a sharp stone. But he had put out his hand as he stumbled and that hand had run lightly down Shere Ali's coat and had felt the texture ...
— The Broken Road • A. E. W. Mason
... their impression upon his character at a period when the mind takes every new influence, and grows in accordance with it; and, to the last, the man remained simple, hearty, proud, courteous—the country Virginian in all the texture of his character. He always rejoiced to visit the country; loved horses; was an excellent rider; was fond of plain country talk, jests, humorous anecdote, and chit-chat—was the plain country gentleman, in a word, preferring grass and trees ...
— A Life of Gen. Robert E. Lee • John Esten Cooke |
