"Tartufe" Quotes from Famous Books
 ... prove one thing only, it proves many things. Life is large, unlimited, and incessant; and the lessons of the finest art are those of life itself; they are not single but multiple. Who can declare what is the single moral contained in the "OEdipus" of Sophocles, the "Hamlet" of Shakespeare, the "Tartufe" of Moliere? No two spectators of these masterpieces would agree on the special morals to be isolated; and yet none of them would deny that the masterpieces are profoundly moral because of their essential truth. Morality, a specific moral—this is what the artist ...
— A Manual of the Art of Fiction • Clayton Hamilton
... belongs to you, as formerly the tithe belonged to the church, in memory of God from whom all things come, who makes all ripen, all mature! Some lumps of clay left by Moliere at the base of his statue of Tartufe have been molded by a hand more audacious than skilful. But, at whatever distance I may be below the greatest of humorists, I shall be satisfied to have utilized these little pieces of the stage-box of his work to show the modern hypocrite at work. That which most encouraged ...
— Women in the Life of Balzac • Juanita Helm Floyd
... necklace or a blushing bouquet excuses the liberal allowance of undisguised nature. We expect from the fine lady in her brocades and laces a generosity of display which we should reprimand with the virtuous severity of Tartuffe if ventured upon by the waiting-maid in her calicoes. So the poet reveals himself under the protection of his imaginative and melodious phrases,—the flowers and jewels ...
— The Autocrat of the Breakfast-Table • Oliver Wendell Holmes, Sr. (The Physician and Poet not the Jurist)
... the characters disclose themselves unconsciously by traits which involuntarily escape from them. To this species of comic element, the way in which Oronte introduces his sonnet, Orgon listens to the accounts respecting Tartuffe and his wife, and Vadius and Trissotin fall by the ears, undoubtedly belongs; but the endless disquisitions of Alceste and Philinte as to the manner in which we ought to behave amid the falsity and corruption of ...
— Lectures on Dramatic Art and Literature • August Wilhelm Schlegel
... priest, who refers her to a rich and apparently respectable man, but in reality the personification of hypocrisy. Of his character study of M. de Climal, Marivaux was justly proud. Few, if any, however, will justify him in rating it superior to Moliere's Tartuffe.[86] Throughout her trials and temptations Marianne preserves her innocence and her hand for M. de Valville, a handsome and wealthy young aristocrat, who is really enamoured of Marianne, despite certain infidelities of which he is guilty, and ...
— A Selection from the Comedies of Marivaux • Pierre Carlet de Chamblain de Marivaux
... Tartuffe (2 syl.). His credulity and faith in Tartuffe, like that of his mother, can scarcely be shaken even by the evidence of his senses. He hopes against hope, and fights every inch of ground in defence of the religious ...
— Character Sketches of Romance, Fiction and the Drama - A Revised American Edition of the Reader's Handbook, Vol. 3 • E. Cobham Brewer
... Macaire was so shocked at having killed a louse, that he endured seven years of penitence among the thorns and briars of a forest. A circumstance which seems to have reached Moliere, who gives this stroke to the character of his Tartuffe:— ...
— Curiosities of Literature, Vol. 1 (of 3) • Isaac D'Israeli
... sacrifice something of his principles to the service of Rome—and of himself. It is not necessary to regard him as wholly disinterested in his conduct; it is unjust and absurd to regard him as a glorified Tartuffe.[152] Such a supposition is adequately refuted by his writings. It is easy for a writer at once so fluent and so brilliant to give the impression of insincerity; but the philosophical works of Seneca ring surprisingly true. We cannot doubt his faith, though his life ...
— Post-Augustan Poetry - From Seneca to Juvenal • H.E. Butler
... nunnery, but could not converse with the sisters because they were in strict retreat. I was delighted with the red-nosed Padre, who showed us the place with a sort of proud, unctuous humiliation, and apparent dereliction of the world, that had to me the air of a complete Tartuffe; a strong, sanguine, square-shouldered son of the Church, whom a Protestant would be apt to warrant against any sufferings he was like to sustain by privation. My purpose, however, just now was to talk of the "strict retreat," which did not prevent the nuns from walking in their little ...
— The Journal of Sir Walter Scott - From the Original Manuscript at Abbotsford • Walter Scott
... exposing to ridicule the persons of any particular sect. Every one knows the reply of the great Prince of Conde to Louis XIV when this monarch expressed his surprize at the clamour excited by Moliere's Tartuffe, while a blasphemous farce called Scaramouche Hermite was performed without giving any scandal: "C'est parceque Scaramouche ne jouoit que le ciel et la religion, dont les devots se soucioient beaucoup moins que d'eux-memes." We believe, therefore, the best service ...
— Famous Reviews • Editor: R. Brimley Johnson
... absolution?" Afterward the people thought of burning the confessionals, or using them for barricades; but at the request of the Triumvirate they desisted, and even put them back into the churches. But it was from no reaction of feeling that they stopped short, only from respect for the government. The "Tartuffe" of Moliere has been translated into Italian, and was last night performed with great applause at the Valle. Can all this be forgotten? Never! Should guns and bayonets replace the Pope on the throne, he will find its foundations, once deep as modern civilization, now so undermined ...
— At Home And Abroad - Or, Things And Thoughts In America and Europe • Margaret Fuller Ossoli
... Orgon of his wife's illness, and the latter continually interrupts him with inquiries as to the health of Tartuffe, the question: "Et tartuffe?" repeated every few moments, affords us the distinct sensation of a spring being released. This spring Dorine delights in pushing back, each time she resumes her account of Elmire's illness. And when Scapin informs old ...
— Laughter: An Essay on the Meaning of the Comic • Henri Bergson
... affection. One can detect in the creation strong resemblances to Macklin's interpretation of Shylock, something of Sir Giles Overreach, who was also known to eighteenth-century play-goers, and possibly of Tartuffe. In his resolute defiance of the conventions of comedy of sensibility, Macklin resisted the pressure to allow Sir Pertinax to soften in the end and terminate the play on a note of happy ...
— The Man Of The World (1792) • Charles Macklin
... (2 syl.). His credulity and faith in Tartuffe, like that of his mother, can scarcely be shaken even by the evidence of his senses. He hopes against hope, and fights every inch of ground in defence of the religious hypocrite.—Moli['e]re, ...
— Character Sketches of Romance, Fiction and the Drama - A Revised American Edition of the Reader's Handbook, Vol. 3 • E. Cobham Brewer
... has a faded resemblance to Marly. Still the whole was effeminate, and Anne's Pere Tellier was called Sarah Jennings. However, there is an outline of incipient irony, which fifty years later was to turn to philosophy, in the literature of the age, and the Protestant Tartuffe is unmasked by Swift just in the same way as the Catholic Tartuffe is denounced by Moliere. Although the England of the period quarrels and fights France, she imitates her and draws enlightenment from her; and the light on the facade of England is ...
— The Man Who Laughs • Victor Hugo
... apt, great knowledge of the human heart, and perpetual raillery that yet is not devoid of delicacy and compassion. Moliere is a most charming man in every respect; I gave him a few hints for his 'Tartuffe,' and such is his gratitude that he wants to make out that, without me, he would never ...
— The Memoirs of Madame de Montespan, Complete • Madame La Marquise De Montespan |
