"Spinet" Quotes from Famous Books
 ... brain; her thoughts unclouded, and she went up-stairs thinking clearly of her love of this old house. The old gentleman in the red coat, his hand on his sword, looked on her benignly; and the lady playing the spinet smiled as sweetly as was her wont. Emily held up the candle to the picture of the windmill. She had always loved that picture, and the sad thought came that she should never see it again. Dandy, who had galloped up-stairs, stood ...
— Vain Fortune • George Moore
... talking in guttural whispers. All operations appeared to have ceased in my establishment at the command of the far from idle rich. Two portly gentlemen in fedoras were standing in the middle of the great hall, discussing the merits of a dingy old spinet that had been carried out of the music room by two lusty porters from the hotel. From somewhere in the direction of the room where the porcelains and earthenware were stored came the shrill, excited voices of women. The ...
— A Fool and His Money • George Barr McCutcheon
... laughter, no cheerful singing resounded through these spacious halls; no pleasant ladies, in light, airy, summer costume swept through the fragrant apartments; M. d'Adhemar no longer sits at the spinet, and sings with his rich voice the beautiful arias from the opera "Richard of the Lion Heart," in which royalty had its apotheosis, and in which the singer Garat had excited all Paris to the wildest demonstrations of delight! ...
— Marie Antoinette And Her Son • Louise Muhlbach
... she found a harpsichord, a spinet, and a piano, all tuned expressly for her. This amused her, as she had never seen either of the two older instruments in her life. She played on ...
— Put Yourself in His Place • Charles Reade
... variety. In his "La Cofanaria" (1566) he used two gravicembali, four viols, two trombones, two straight flutes, one cornet, one traverso and two lutes, and in a motet composed in 1569 he had eight viols, eight trombones, eight flutes, an instrument of the spinet family and a large lute, together with voices. To delve backward from this point is not so easy as it looks, yet however far back we may choose to go we cannot fail to find evidences that assemblies of instruments were employed, sometimes to accompany ...
— Some Forerunners of Italian Opera • William James Henderson |
