"Rhythm" Quotes from Famous Books
 ... ceased for a month. A group of eight or ten men formed, as is shown in Pl. CXXXI, and danced contraclockwise around and around the small circle. Each dancer beat his blood and emotions into sympathetic rhythm on his gangsa, and each entered intently yet joyfully into the spirit of the occasion — they had defeated an enemy in the way they ...
— The Bontoc Igorot • Albert Ernest Jenks
... "Italian person of quality" who describes them—a petulant, humorous, easily angered, happy, observant, ignorant, poor gentleman—that Browning entirely disappears. The poem retains for us in its verse, and indeed in its light rhythm, the childlikeness, the naivete, the simple pleasures, the ignorance, and the honest boredom with the solitudes of nature—of a whole class of Italians, not only of the time when it was written, but of the present ...
— The Poetry Of Robert Browning • Stopford A. Brooke
... wonderfully, most of them, as only country-bred young people can, with free-limbed young bodies, more used to adventuring in the open air than to dancing, but attuned to the rhythm of the dance by right of their youth. The old-fashioned waltz, that our grandmothers lost their hearts to the time of, still prevailed in Green River; not the jerkier performance that was already opening the way for the one-step and the dance craze in larger ...
— The Wishing Moon • Louise Elizabeth Dutton
... a pause. Flute, pipe and wood-wind blend in a full, rich movement. There is no definite melody but full, powerful rhythm like soft but steady wind above forest trees. Into this, like rain, gradually creeps the ...
— Hymen • Hilda Doolittle
... Dynamos. At which Holroyd twisted his arm and kicked him as he turned to go away. As Azuma-zi presently stood behind the engine and glared at the back of the hated Holroyd, the noises of the machinery took a new rhythm, and sounded like four words ...
— The Country of the Blind, And Other Stories • H. G. Wells
... peruse, even if the version has not much charm, the long extract from Gottfried's Tristan, with an eye to the noble and knightly way in which the legend is conceived and taken up. Mr. Kroeger, who can give it no grace in translation, is a warm partisan in matters of melody and rhythm, appreciating Coleridge and Swinburne. Altogether, he is a sincere and useful interpreter between our public—rather careless of musty poetry—and the fine old ...
— Lippincott's Magazine of Popular Literature and Science, Volume 11, No. 24, March, 1873 • Various
... the other; hand, she chose to rush forward when he had his weight well on the end of his oar, he ran a serious risk of falling backwards after the manner of beginners who catch crabs. The side swoops of the Tortoise were equally trying. They seemed to Frank to disturb hopelessly the whole rhythm of the rowing. Nothing but the encouragement which came to him from Miss Rutherford's esoteric slang kept him from losing his temper. He could not have been greatly blamed if he had lost it. It was after three o'clock. He had breakfasted, ...
— Priscilla's Spies 1912 • George A. Birmingham
... through the telescope. The thing was visible to the naked eye. No power could save them! Carr hurled himself at the guard and tore at the hairy paw which gripped the lever. The throbbing of strange energies filled the air of the room, and Carr's brain pulsed with the maddening rhythm. The red discharge appeared at the projections of the control panels. He forgot the fleet of the Llotta, forgot the menace to his own world. Only Ora mattered now, and he had not the ...
— Astounding Stories of Super-Science, November, 1930 • Various
... utter silence there emerged a deep, regular pat-pat. It was the tread of some animal—the rhythm of soft but heavy pads placed cautiously upon the ground. It stole slowly round the camp, and then halted near our gateway. There was a low, sibilant rise and fall—the breathing of the creature. Only our feeble hedge separated ...
— The Lost World • Arthur Conan Doyle
... needs," "The Abundant Life Giving Spirit of Prosperity now leads and guides me into the paths of plenty, peace and power," "My mind is filled with prosperous thoughts, my being is pulsating in abundant rhythm, my soul is uplifted and sustained by a thousand thoughts of ever-present abundance, ...
— The Silence • David V. Bush
... Willard would never have made a dressmaker. It is said she did not know when her own dress fit, or whether becoming; she depended upon Anna Gordon to decide for her. But by the music of her eloquence and the rhythm of her rhetoric, she could send the truth echoing through the hearts of her hearers like the strain of a sweet melody. Worth, of Paris, France, would not have made an orator, but he could design a robe to please a princess and make ...
— Wit, Humor, Reason, Rhetoric, Prose, Poetry and Story Woven into Eight Popular Lectures • George W. Bain
... literature, the ancient Greek theatre, and the best Spanish and English dramatists, alter on purpose the natural current of human speech, and make their characters talk under all the restraints of rhyme and rhythm. But we pronounce this departure from literal truth a merit and not a defect. We consider Goethe's second "Iphigenie," written in verse, far preferable to the first one written in prose; nay, it is the rhythm or metre itself which communicates to the work its incomparable ...
— The Unseen World and Other Essays • John Fiske
... identify the part played by each flower; sometimes one became more prominent, sometimes another, but always through the changing harmonies we could distinguish the stately canto fermo of the roses, counterpointed with a florid rhythm from the zagara. If Flaubert had been writing in Sicilian, he could have said "una corona di zagara," or, in English, "a wreath of orange-blossoms," and he need not have worried himself to death by trying to elude the recurrent ...
— Castellinaria - and Other Sicilian Diversions • Henry Festing Jones
... it is no longer concealed, when we pass from the activity of understanding to that of contemplation, and behold that thought either developed before us, limpid, exact, well-shaped, without superfluous words, without lack of words, with appropriate rhythm and intonation; or confused, broken, embarrassed, tentative. Great thinkers are sometimes termed great writers, while other equally great thinkers remain more or less fragmentary writers, if indeed their fragments ...
— Aesthetic as Science of Expression and General Linguistic • Benedetto Croce
... natural (or may we not say sexual?) selection in virtue of their profound utility. They are called into play by a specialised presentation such as the sight or the scent of the female at, or a little in advance of, a critical period of the physiological rhythm. There is no necessity that the male should have any knowledge of the end to which his strenuous activity leads up. In presence of the female there is an elaborate application of all the energies of behaviour, ...
— Evolution in Modern Thought • Ernst Haeckel
... one instance (Trunks the forest yielded, with gums ambrosial oozing, &c.) combining legitimate quantity (in which accent and position are alike observed) with illegitimate (in which position is observed, but accent disregarded) into a not unpleasing rhythm, cannot be considered as more than imperfect realizations of the true positional principle. Tennyson's three specimens are, at least in English, still unique. It is to be hoped that he will not suffer them to remain so. Systems of Glyconics and Asclepiads are, if ...
— The Poems and Fragments of Catullus • Catullus
... great musician, not because he played the flute but because he did not have to go to Boston to hear "the Symphony." The rhythm of his prose, were there nothing else, would determine his value as a composer. He was divinely conscious of the enthusiasm of Nature, the emotion of her rhythms and the harmony of her solitude. In this consciousness he sang of the ...
— Essays Before a Sonata • Charles Ives
... problem, however, was left open, and that was why certain forms of the disease had their chills every fourth day and so were called quartan ague. This was quickly solved by the discovery of another form of the organism, which ripened its spores in three days instead of two. So the whole curious rhythm of the disease was established by the rate of breeding or ripening of the spores of the organism. Later still another form was discovered, which had no such regular period of incubation and gave rise to the so-called irregular, or autumnal, malarial fevers. That form of ...
— Preventable Diseases • Woods Hutchinson
... mysticism"[17] in English; a marvellous combination of flaming ardour and sensuousness of description with purity and austerity of tone. This latter effect is gained largely by the bare and irregular metre, which has a curiously compelling beauty of rhythm and dignity ...
— Mysticism in English Literature • Caroline F. E. Spurgeon
... vais de mieux en mieux." The English version which Coue considers most satisfactory is this: "Day by day, in every way, I'm getting better and better." This is very easy to say, the youngest child can understand it, and it possesses a rudimentary rhythm, which exerts a lulling effect on the mind and so aids in calling up the Unconscious. But if you are accustomed to any other version, such as that recommended by the translators of Baudouin, it would be ...
— The Practice of Autosuggestion • C. Harry Brooks
... the drum was in a slow, ponderous cadence, at first without time but presently settling into a heavy rhythm to which the apes kept time with measured tread and swaying bodies. Slowly the mass separated into two rings, the outer of which was composed of shes and the very young, the inner of mature bulls. The former ceased to move and squatted upon their ...
— Tarzan the Untamed • Edgar Rice Burroughs
... considerably from verse to verse, as indicated by the number of beats rest shown at the ends of the lines. Similar pauses are found in the Boys' Part of the same ceremony (see Record A). These beats rest or pauses are not to be taken as part of the legitimate rhythm, for it is more than likely that if the singers were giving their songs in their regular ceremonial and the performers unconscious of observation, ...
— The Tinguian - Social, Religious, and Economic Life of a Philippine Tribe • Fay-Cooper Cole
... of the moon."—"Hassan of Bassorah." [Shakespeare uses this word, Sonnet 21, for the sake of rhythm. Caliban, however, speaks of the "round ...
— The Life of Sir Richard Burton • Thomas Wright
... A shrivelled grey pope, Interrupting the speaker, "The harrow went smoothly Enough, till it happened To strike on a stone, Then it swerved of a sudden. In telling a story Don't leave an odd word out 620 And alter the rhythm! Now, if you knew Ermil You knew his young brother, ...
— Who Can Be Happy And Free In Russia? • Nicholas Nekrassov
... curiously rapid vibration thrilled through us, a wind arose and passed over our heads—a wind that grew and grew until it became a whistling shriek, then a roar and then a mighty humming, to which every atom in our bodies pulsed in rhythm painful ...
— The Moon Pool • A. Merritt
... magic-makers returned, chanting softly, as magic-makers should. Faint and far across the desert sounded the intriguing rhythm long before the three dark faces were caught by the firelight. When they finally appeared, Jonas was bearing ...
— The Enchanted Canyon • Honore Willsie Morrow
... and rhythm both, when repeated to him a few times with scanning emphasis, took root in that fertile brain which piled his compact forehead so powerfully above his piercing, deep-set eyes, and fell from his infant lips in silvery melody as effortless and spontaneous ...
— Miriam Monfort - A Novel • Catherine A. Warfield
... music are alike in that both obey absolute laws of time, and that the laws of time or rhythm in poetry are just as exact as the laws of time in music. He wrote an essay entitled "The Rationale of Verse," in which he demonstrated that all the rules for scanning poetry are defective. Every one knows that the ordinary rules for meter ...
— Four Famous American Writers: Washington Irving, Edgar Allan Poe, • Sherwin Cody
... the rude songs and epics in which they delighted. Monstrous barbarities are committed, but always to accomplish some stern purpose of duty. They are cruel in order to be just. This sluggish, ravenous, drinking brute, with no gleam of poetry, no light-hearted rhythm in his soul, has yet chaotic glimpses of the sublime in his earnest, gloomy nature. He gives little promise of culture, but much of heroism. There is, too, a reaching after something grand and invisible, which is a deep religious instinct. All these qualities had the future English nation slumbering ...
— The Evolution of an Empire • Mary Parmele
... Nature's manufacture—the horse. And, as a necessary consequence of any sort of perfection, of mechanical perfection as of others, you find that the horse is a beautiful creature, one of the most beautiful of all land animals. Look at the perfect balance of its form, and the rhythm and force of its action. The locomotive machinery is, as you are aware, resident in its slender fore and hind limbs; they are flexible and elastic levers, capable of being moved by very powerful muscles; and, in order ...
— Lectures and Essays • Thomas Henry Huxley
... ability, performed sacrifices and other rites, there is no fear in respect of next life in all the three worlds. Thus say the Vedas, and sages crowned with ascetic success, and the foremost of Rishis. He in whom are the Richs, the Yajuses, the Samans, and the expletives necessary for completing the rhythm of the Samans according to the rules laid down in Vedic grammars, is, indeed, a Brahmana.[1239] Thou knowest, O adorable Brahmana, what the fruits are of Agnihotra, of the Soma-sacrifice, and of the other great sacrifices. I say, ...
— The Mahabharata of Krishna-Dwaipayana Vyasa, Volume 3 - Books 8, 9, 10, 11 and 12 • Unknown
... hardships to any sympathetic ear that offered; by that same token, Brenton seemed to the girl to be the more in need of calm protection. Reed, shut away from all the clamour, was powerless to defend himself. Brenton, timing his steps to the rhythm of the chorus, even giving an occasional metronomic signal to that chorus, was equally powerless to suppress it. The fact that the lack of power was in himself, not in circumstance: this only made it the more piteous. And Olive, listening, did pity Brenton, pity him increasingly, albeit ...
— The Brentons • Anna Chapin Ray
... and mocked at the sharpness and futility of the grief which that farewell brought with it. For this was a grown woman who pleaded with him surely, acting as advocate? A child, compelled to treat such controversial, such debatable matters at all, would have done so to a different rhythm, in ...
— Deadham Hard • Lucas Malet
... unvalued art, because our translators have usually been the jobbers of booksellers; but no inglorious one among our French and Italian rivals. In this poem, if the reader's ear be guided by the compressed sense of the massive lines, he may feel a rhythm which, should they be read like our modern metre, he will find wanting; here the fulness of the thoughts forms their own cadences. The mind is musical as well as the ear. One verse running into another, and the sense often closing in the middle of a line, is the Club ...
— Curiosities of Literature, Vol. II (of 3) - Edited, With Memoir And Notes, By His Son, The Earl Of Beaconsfield • Isaac D'Israeli
... said the Professor, "that what we call music does not appear as such to savages. Noise and sound are not distinguished by them. The beating of their crude tom toms is the only thing that appeals to their ears. That is simply noise. Rhythm and time are recognized, principally because all their music is associated by some act ...
— The Wonder Island Boys: The Tribesmen • Roger Finlay
... song at his heart, tuned to the jolt and rhythm of the wheels. Ralston of Peshawur had asked for him. So much he had been told. His longing had explained to him why Ralston of Peshawur had asked for him, and easily he had believed the explanation. He was a Linforth, one of the Linforths of the Road. Great was his pride. He would not ...
— The Broken Road • A. E. W. Mason
... de Vigny does not equal the great poets of his time, if they are his superiors in distinction and brilliancy, in richness of vocabulary, freedom of movement, and variety of rhythm, the cause is to be ascribed less to any lack of poetic genius than to the nature of his inspiration, even to the laws of poesy, and to the secret and irreducible antinomy that exists between art and thought. When, for example, Theophile Gautier reproached ...
— Cinq Mars, Complete • Alfred de Vigny
... but soon, no one knew how, the whole crowd in the upper ranks joined in one huge chorus, giving free vent to their long-suppressed irritation with childish and increasing uproar, shouting the word with steady reiteration and a sort of involuntary rhythm. Before long it sounded as though the multitude must have practiced the mad chant which swelled ...
— Uarda • Georg Ebers
... eyes blind for such a one, A rogue of canzonets and serenades. I loved her. Peace be with her. She is dead. So they blaspheme the muse! But great is song Used to great ends: ourself have often tried Valkyrian hymns, or into rhythm have dashed The passion of the prophetess; for song Is duer unto freedom, force and growth Of spirit than to junketing and love. Love is it? Would this same mock-love, and this Mock-Hymen were laid up like winter bats, Till all men grew to rate us at our worth, ...
— The Princess • Alfred Lord Tennyson
... keen sense of the musical qualities of verse. The child of two years of age will give his attention to the rhythm of the nursery rhyme when the prose story will not interest him. The consideration and analysis of these musical qualities should be deferred for years; but it is probable that the foundation for a future appreciation of poetry is ...
— Ontario Teachers' Manuals: Literature • Ontario Ministry of Education
... catastrophes, we find in each of the great towns a population released from mental bondage and fitted to perform the work of intellectual emancipation for the rest of Europe. Thus the essential characteristic of Italy is diversity, controlled and harmonized by an ideal rhythm of progressive movement.[1] We who are mainly occupied in this book with the Italian genius as it expressed itself in society, scholarship, fine art, and literature, at its most brilliant period of renascence, may accept this fact of political dismemberment with acquiescence. ...
— Renaissance in Italy, Volume 1 (of 7) • John Addington Symonds
... night's climactic quality raised her spirits to the point where they were irrepressible, and she danced her garments off one by one, using each in turn as a foil for her art until there was nothing left with which to multiply rhythm and she danced before the long French mirrors yet more gracefully with nothing on ...
— Guns of the Gods • Talbot Mundy
... on to his fancy, Miss Gostrey and he, the image of the Babes in the Wood; they could trust the merciful elements to let them continue at peace. He had been great already, as he knew, at postponements; but he had only to get afresh into the rhythm of one to feel its fine attraction. It amused him to say to himself that he might for all the world have been going to die—die resignedly; the scene was filled for him with so deep a death-bed hush, so melancholy a charm. That meant the postponement of everything else—which made ...
— The Ambassadors • Henry James
... Nothing in the world would have induced them to poke their noses out of the window. And slowly, athwart the air, in which the shots had suddenly resounded, one of the cathedral bells began to ring the tocsin with so irregular, so strange a rhythm, that one might have thought the noise to be the hammering of an anvil or the echoes of a colossal kettle struck by a child in a fit of passion. This howling bell, whose sound the citizens did not recognise, terrified them yet ...
— The Fortune of the Rougons • Emile Zola
... state; a change of matter is a change of place. Moreover, every change of state in consciousness is related to vibrations of matter in its vehicle. When matter is examined, we find three fundamental qualities—rhythm, mobility, stability—sattva, rajas, tamas. Sattva is rhythm, vibration. It is more than; rajas, or mobility. It is a regulated movement, a swinging from one side to the other over a definite distance, a length of wave, ...
— An Introduction to Yoga • Annie Besant
... of their race. These Tsiganes are generally very attractive, and more than one of the great Russian nobles, who try to vie with the English in eccentricity, has not hesitated to choose his wife from among these gypsy girls. One of them was humming a song of strange rhythm, which might ...
— Michael Strogoff - or, The Courier of the Czar • Jules Verne
... felt the rhythm of the verse about him in the room. How melancholy it was! Could he, too, write like that, express the melancholy of his soul in verse? There were so many things he wanted to describe: his sensation of a few hours before on Grattan Bridge, for example. If he could get back ...
— Dubliners • James Joyce
... quickening leaven to the rather heavy and lumpy Saxon dough. It stirred the whole mass, gave new life to the language, a much higher and wider scope to the thoughts, much greater power and copiousness to the expression of our thoughts, and a finer and brighter rhythm to our English sentences. "To Chaucer," he says, in 'My Study Windows,' "French must have been almost as truly a mother tongue as English. In him we see the first result of the Norman yeast upon the home-baked Saxon loaf. The flour had been honest, the paste well kneaded, ...
— A Brief History of the English Language and Literature, Vol. 2 (of 2) • John Miller Dow Meiklejohn
... cried the April baby, as the horses scrunched it up with their feet. The June baby sat loudly singing "The King of Love my Shepherd is," and swinging her kitten round by its tail to emphasise the rhythm. ...
— Elizabeth and her German Garden • "Elizabeth", AKA Marie Annette Beauchamp
... feel as his director felt—the force we call magnetism. The firmness of mouth showed that the determination to dominate was still there, but the absence of that mental power left only the automatic rhythm and swing, sans heart, sans soul, sans feeling. The beat was the beat of the finely trained academic conductor, but the genius of it was gone. The ghost of a departed Von Barwig was beating time for the Von Barwig that had lived and ...
— The Music Master - Novelized from the Play • Charles Klein
... if awaiting some signal, and I listened in vain for that inarticulate and half-heard murmur of coming life which, day and night, had filled my thoughts these past weeks, and set the march of the hours to a sublime rhythm. ...
— Under the Trees and Elsewhere • Hamilton Wright Mabie
... are open, where amusements are still going on; here and there, from the sombre gardens, the sound of a guitar reaches our ears, playing some dance which gives in its weird rhythm ...
— Madame Chrysantheme Complete • Pierre Loti
... burying-ground, situated in the back-yard of the Hudson Street house, from which he was taken before he was nine years of age. The monument stood against the fence, and this is the legend it bore—rhyme, rhythm, metre, ...
— A Boy I Knew and Four Dogs • Laurence Hutton
... brother has the manner of Omniscience and the knowledge of a parish beadle. Nevertheless, though the strongest blood insurgent in the metropolitan heart is not that which is native to it, one might well be proud to have had one's atom-pulse atune from the first with the large rhythm of the national life at its turbulent, congested, but ever ebullient centre. Certainly Browning was not the man to be ashamed of his being a Londoner, much less to deny his natal place. He was proud of it: through good sense, ...
— Life of Robert Browning • William Sharp
... stretching far away in the distance, with snowy peaks gleaming here and there, like watch towers; while just before them, the shimmering cascades in the wondrous beauty of the moonlight, the deep, unceasing roar seeming to rise and fall with a rhythm ...
— The Award of Justice - Told in the Rockies • A. Maynard Barbour
... effuse, the glamour which envelops the commonplace incident as with an aura, is due to the poet's strategic selection of his terms, the one right word out of many words that offered, and his subtle combination of his terms into melody and rhythm. The wonder of the poet's craft is like ...
— The Gate of Appreciation - Studies in the Relation of Art to Life • Carleton Noyes
... had always stuck to the treadmill of virtue, and had never murdered a wife to get another with money, or had raised a check for a cool million or so without the formalities of a pious purloiner from the people's purse. No criminal in history had ever slept with a smoother rhythm to his heart-beat than this one, with the elite of New York's private detective bureaus hot upon his trail for a long chase. His sonorous snore might have sent a waver through the mind of the crafty Tescheron, and made the wily Smith feel that the case would dwindle to less than ...
— Cupid's Middleman • Edward B. Lent
... Lorenzo was at an age when his "fancy lightly turned to thoughts of love," and, being of a poetic temperament, he amused himself by writing amorous poetry which came from the head and not the heart. The characteristic traits of this poetry, then, are grace and elegance, sonority and rhythm; it lacks sincerity and that impetuous flow of sentiment which is generally indicative of intense feeling. It cannot be denied, however, that he often reached a high plane; perhaps the following lines show him ...
— Women of the Romance Countries • John R. Effinger
... swift recoil. So that was what war came to. Not just natty figures in khaki that girls cried over in saying good-by to, or smiled at and told how perfectly splendid they were to go; not just high adventure and martial music and the rhythm of swinging brown shoulders; not just surgical dressings and socks and sweaters; not even just homes broken up for a time and fathers sailing overseas. Of course one understood with one's brain, that made part of the thrill of their going, but one didn't realize ...
— The Camerons of Highboro • Beth B. Gilchrist
... social and esthetic. The clash of two generations became one of the most popular themes. Caesar Flaischlen, a Suabian, handled it most thoughtfully and effectively in Martin Lehnhardt. Though the author modestly called it "dramatic scenes," it was a play presenting with spirited rhythm a phase of the spiritual revolution and moral revaluation then taking place, and in the orthodox uncle and the radical nephew he created two figures full of real dramatic life. The well-to-do and well-satisfied ...
— The German Classics, v. 20 - Masterpieces of German Literature • Various
... her hand, though he wondered if it might not be possible; her hand lay so listlessly by her skirt, on the sand.... They rode back in twilight of early June. Carl was cheerful as their wheels crunched the dirt roads in a long, crisp hum. The stilly rhythm of frogs drowned the clank of their pedals, and the sky was ...
— The Trail of the Hawk - A Comedy of the Seriousness of Life • Sinclair Lewis
... all, he does not commit the prime historical error of "reading history backwards." He does not think of the past as a groping towards our own perfection of today. He has in his own nature the nature of its career: he feels the fall and the rise: the rhythm of a life which is ...
— Europe and the Faith - "Sine auctoritate nulla vita" • Hilaire Belloc
... especial pride the eurythmy of the action of the wrist. This is a term frequently used in regard to sculpture, and is somewhat difficult to explain. It means a harmony and proportion of action which corresponds to rhythm in music. When a statue has the effect it should have it appears as if the motion of the figure was arrested for a moment, and would be resumed immediately. That is what we mean when we say a statue has life; and, as in life, ...
— A History of Art for Beginners and Students - Painting, Sculpture, Architecture • Clara Erskine Clement
... Louise was fascinated. Old Mr. Bushrod Mosby she had known for years—a veritable rustic macaroni, a piece of tinselled flotsam floating on backwater. He had always called her M'Lou; later occasionally Miss M'Lou. Now the rhythm of some ancient rout was stirring old memories, and the obligations of host sat pleasantly heavy upon his befogged consciousness. ...
— Stubble • George Looms
... beauty, but something deeper and more prophetic, a passionate contemplation and expression of truth; though of course the truth in question is something felt rather than stated, something that pervades life, an eternal and majestic rhythm like the ...
— Agamemnon • Aeschylus
... beauties of creation. The aesthetic sentiment is acknowledged to be the most refining element of civilized life. Painting, sculpture, architecture, and all the scenes of nature, from a tiny way-side flower to a Niagara, are subjects in which the poet's eye sees rare beauties to mirror forth in the rhythm ...
— The People's Common Sense Medical Adviser in Plain English • R. V. Pierce
... which I almost think I personally composed, and to which I have attached a great many emotions and extraneous incidents known to nobody but myself. My old poetic favourites have been lying in various corners of my brain for forty or fifty years; I know every turn, rhyme and rhythm of them; and as they have served my need and alleviated my sorrow so long, I do not intend to give them many fellow-lodgers more. I do not know at what particular time literary nausea sets in, but Solomon had it when he said that of the making of books there was no end. No ...
— Literary Tours in The Highlands and Islands of Scotland • Daniel Turner Holmes
... fine melody enough in the old music, but its rhythm was very subtle, and there was no suggestion of catchiness in it. Melody of a familiar folk-song or dance type now came in, divided into regular periods with strongly-marked rhythms. This may be seen clearly in, for example, Morley's "ballets"—part-songs that could be danced to. Clear, easily ...
— Purcell • John F. Runciman
... which he is an accomplice in condemning those who minister to his needs and desires. Plato believed in the value of beauty and, being more than a mere modern aesthete, held no skindeep creed. He knew and understood the vital significance of rhythm and harmony, of grace and freedom, in the outward order of life as in the soul; and if he found himself plunged down in the centre of one of our modern hives of progress he would have some searching questions to ask. For 'absence of grace' ...
— The Legacy of Greece • Various
... themselves to the ecstasy of the rite. Half hidden in their heavy masses of raven hair, all dishevelled and falling to their waists, they slowly swayed to and fro, their forms rippling to an ever-changing rhythm. ...
— The Son of the Wolf • Jack London
... was the language of the people, purified and transfigured by passion. Germinie accentuated words according to their orthography; she uttered them with all their eloquence. The sentences came from her mouth with their proper rhythm, their heart-rending pathos and their tears, as from the mouth of an admirable actress. There were bursts of tenderness, interlarded with shrieks; then there were outbreaks of rebellion, fierce bursts of passion, ...
— Germinie Lacerteux • Edmond and Jules de Goncourt
... of craftsmanship in Rossetti's sonnets was early recognised; but the fertility of thought, and range of emotion compassed by this part of his work constitute an excellence far higher than any that belongs to perfection of form, rhythm, or metre. Mr. Palgrave has well said that a poet's story differs from a narrative in being in itself a creation; that it brings its own facts; that what we have to ask is not the true life of Laura, but how far Petrarch ...
— Recollections of Dante Gabriel Rossetti - 1883 • T. Hall Caine
... charm frequently on strange complexities and unexpected rising and falling of weight and accent in its marble syllables; bearing the same relation to a rigidly chiselled and proportioned architecture that the wild lyric rhythm of Aeschylus or Pindar bears to the finished ...
— The Stones of Venice, Volume II (of 3) • John Ruskin
... pity for outraged humanity, her anger at the cruelties of the slave-driver aye ready with knout or knife, are manifest in every line. Beyond the intense interest of the pure narrative we have passages of a rhythm that is lyric, exquisitely descriptive of the picturesque tropical scenery and exotic vegetations, fragrant and luxuriant; there are intimate accounts of adventuring and primitive life; there are personal touches which lend a colour only personal touches can, as Aphara tells her prose-epic ...
— The Works of Aphra Behn - Volume V • Aphra Behn
... quite white. Coupeau was continuing his breakdown from the window to the mattress and from the mattress to the window, perspiring, toiling, always beating the same rhythm. Then she hurried away. But though she scrambled down the stairs, she still heard her husband's confounded jig until she reached the bottom. Ah! Mon Dieu! how pleasant it was out of doors, ...
— L'Assommoir • Emile Zola
... above the heads of the crowd; it eddied and pushed before the doors of the high-roofed building, whence issued a shuffle and thumping of feet in time to the dance music vibrating and shrieking with a racking rhythm, overhung by the tremendous, sustained, hollow roar of the gombo. The barbarous and imposing noise of the big drum, that can madden a crowd, and that even Europeans cannot hear without a strange emotion, seemed to draw Nostromo on to its source, while a man, ...
— Nostromo: A Tale of the Seaboard • Joseph Conrad
... the throbbing rhythm, dancing and holding on to each other tightly. Hyrel could feel her hot breath through her veil upon his neck, adding to the headiness of the liquor. His feeling of depression and inferiority flowed suddenly from him. Once again ...
— A Bottle of Old Wine • Richard O. Lewis
... text, provides a remarkable instance of the loss a ballad sustained by falling into the hands of the broadside-printers. The present text, despite the unlucky hiatus after st. 35, is a splendid example of an English ballad, which cannot be earlier than the sixteenth century. There is a fine rhythm throughout, and, as Child says, 'not many better passages are met with in ballad poetry than that which tells of the three gallant attempts on the ...
— Ballads of Robin Hood and other Outlaws - Popular Ballads of the Olden Times - Fourth Series • Frank Sidgwick
... it should do so in verse that is musical, cadenced, rhythmical, instinct with grace, and reserved rather than boisterous. If any such there be, let them know at once that they are hopelessly old-fashioned. The New Poetry in its highest expression banishes form, regularity and rhythm, and treats rhyme with unexampled barbarity. Here and there, it is true, rhymes get paired off quite happily in the conventional manner, but directly afterwards you may come upon a poor weak little rhyme who will cry in vain for his mate through half a dozen ...
— Punch, or the London Charivari, Vol. 102, June 4, 1892 • Various
... you are irredeemably committed," replied Ralph, as the music, after some prefatory flourishes, broke into the delicious rhythm of a Strauss waltz, "then it is no use struggling against fate. Come, let us make the ...
— A Good-For-Nothing - 1876 • Hjalmar Hjorth Boyesen
... attention was fixed on driving, just on the manipulation of the swift machine. Exhaust and interplay, the rhythm of each whirling cam and shaft, the chatter of the cylinders, the droning diapason of the blades, all blent into one intricate yet perfect harmony of mechanism; and as a leader knows each instrument in the great orchestra and follows each, even as ...
— Darkness and Dawn • George Allan England
... time his appreciation of the merits of the property had been growing every minute. It was an exquisite autumn afternoon. From where they sat he could behold the line of shore on either side with its background of dark green woods. Below the wavelets lapped the shingle with melodious rhythm. As far as the eye could see lay the bosom of the ocean unruffled, and lustrous with the sheen of the dying day. Accustomed to prevail in buying his way, he could not resist saying, after a moment ...
— The Law-Breakers and Other Stories • Robert Grant
... Forms of Expression.—Rhythmical. Origin of meter. Poetry of primitive peoples. Rhythm and rhyme. Characters of prose. Relation of prose and poetry to national language and character. Dramatic. The ...
— Anthropology - As a Science and as a Branch of University Education in the United States • Daniel Garrison Brinton
... Value of Stage Conventions. The Supernatural Drama. The Irish National Theatre. The Personality of the Playwright. Themes and Stories of the Stage. Plausibility in Plays. Infirmity of Purpose. Where to Begin a Play. Continuity of Structure. Rhythm and Tempo. The Plays of Yesteryear. A New Defense of Melodrama. The Art of the Moving-Picture Play. The One-Act Play in America. Organizing an Audience. ...
— The Theory of the Theatre • Clayton Hamilton
... Monica might have some project of escape. His look was very bilious; trudging mechanically hither and thither where fewest people were to be met, he kept his eyes on the ground, and clumped to a dismal rhythm with the end of his walking-stick. In the three or four months since his marriage, he seemed to have grown older; he no longer ...
— The Odd Women • George Gissing
... to get interested in the noise of the guns. They developed a certain regular rhythm. I had to allow for it, and make it fit the time of what I was singing. And as I realized that probably this was just a part of the regular day's work, a bit of ordinary strafing, and not a feature of a grand attack, I took note of the rhythm. ...
— A Minstrel In France • Harry Lauder
... dance before the gods, flinging orbits of novel rhythm into space, Urvashi, the earth shivers, leaf and grass, and autumn fields heave and sway; the sea surges into a frenzy of rhyming waves; the stars drop into the sky—beads from the chain that leaps till it breaks on your breast; and the blood dances ...
— The Fugitive • Rabindranath Tagore
... calmed me." He was one of those who strongly recommended Coleridge to leave as a fragment what he had so beautifully begun. With the first edition of the Christabel was given Kubla Khan, the dream within a dream, written in harmonious and fluent rhythm. 'The Pains of Sleep' was also added. This is a poem communicating a portion of his personal sufferings. [6] All ...
— The Life of Samuel Taylor Coleridge - 1838 • James Gillman
... and upward movement imagination kept abreast of reason. His imagination was never more vivid, all-informing, and creative,—never penetrated with more unerring certainty to the inmost spiritual essence of whatever it touched,—never forced words and rhythm into more supple instruments of thought and feeling,—than when it miracled into form the terror and pity and ...
— Atlantic Monthly, Volume 20, No. 118, August, 1867 • Various
... must however be remembered, not only labour under the ordinary disadvantages of translations, but have been rendered from a language which, in its poetry, is one of the least transfusible in the world. Yet the effort which has been made to retain the spirit, and preserve the rhythm and manner of the originals, may be sufficient to establish that the honour of the Scottish Muse has not unworthily been supported among the mountains of the Gael. Some of the compositions are Jacobite, and ...
— The Modern Scottish Minstrel, Volume II. - The Songs of Scotland of the past half century • Various
... far away, up from under the ground, it seemed, chanting the monotonous cadence of a hoisting song: Oh ... oh ... isa! and a number of boys would tug at the mast they were stepping, pulling all together at the proper beat in the sleepy rhythm. It was dinner time; and tangle-haired women kept calling in shrill notes from the galley doors; for the "cats" were off gadding in the barn, looking at the oxen. In every direction the heavy mallets of calkers could be heard hammering away in deadening ...
— Mayflower (Flor de mayo) • Vicente Blasco Ibanez
... something to do with music. She could never quite say, though it was not for lack of trying. And she could not ask you back to her room, for it was "not very clean, I'm afraid," so she must catch you in the passage, or take a chair in Hyde Park to explain her philosophy. The rhythm of the soul depends on it— ("how rude the little boys are!" she would say), and Mr. Asquith's Irish policy, and Shakespeare comes in, "and Queen Alexandra most graciously once acknowledged a copy of my pamphlet," she would say, waving the little ...
— Jacob's Room • Virginia Woolf
... eye, and serving only to confuse the performer instead of giving him confidence. Moreover,—and this is of much more consequence,—the conductor, by uselessly making these four gestures in a quick movement, renders the pace of the rhythm awkward, and loses the freedom of gesture which a simple division of the time into its half would ...
— The Orchestral Conductor - Theory of His Art • Hector Berlioz
... order causes good conduct to become a habit. Children then work with order, perseverance, and discipline, persistently and naturally; the permanent, calm, and vivifying work of the physical organism resembles the respiratory rhythm. ...
— Spontaneous Activity in Education • Maria Montessori
... sound of the noon bell, the caressing call of the night bell—these he must know to be welcome. The morning clangour he must know to be a tragedy of foulest import. It is undeniably rung with a keener relish. There will be some effort at rhythm with the other bells, but that morning bell jangles in a broken frenzy of clangs, ruthlessly prolonged, devilish to the last insulting stroke. Surely one without malice could manage this waking bell ...
— Ma Pettengill • Harry Leon Wilson
... the time and leaving all the time. Scores of waitresses, in pale green and white, moved to and fro like an alien and mercenary population. The heat, the stir, the hum, and the clatter were terrific. And from on high descended thin, strident music in a rapid and monotonous rhythm. ...
— The Roll-Call • Arnold Bennett
... subserves the maintenance of the species or tribe. Recent writers have shown how the rude germs of aesthetic activity in primitive types of community would subserve necessary tribal ends—e.g. musical rhythm by exercising members of the tribe in concerted war-like action.36 Yet these interesting speculations have to do rather with the earlier stages of the evolution of the aesthetic faculty than with its functions in the higher ...
— Project Gutenberg Encyclopedia
... genius." The real Burns, though indeed a genius of song, was far better read than the expectant world wished to believe, particularly in those whom he called his "bosom favorites," the sentimentalists Mackenzie and Sterne; and his sense of rhythm and melody had been trained by his emulation of earlier Scotch lyricists, whose lilting cadences flow towards him as highland rills to the gathering torrent. Sung to the notes of his native tunes, and infused with the local color of Scotch life, the sentimental themes assumed the freshness ...
— English Poets of the Eighteenth Century • Selected and Edited with an Introduction by Ernest Bernbaum
... tenderness and pity; but it was too awful for pity and for tenderness; it aspired like a flame and lost itself in light; it grew like a wave till it was vaster than any tenderness or any pity. It was as if her heart rose on the swell of it and was carried away into a rhythm so tremendous that her own pulses of compassion were no longer felt, or felt only as the hushed and delicate vibration of the wave. She recognised her state. It was the blessed state desired as the condition of the working ...
— The Flaw in the Crystal • May Sinclair
... sang "Doan ye cry, mah honey." Her voice, rather coarse but melodious, lent itself to the negro rhythm, the swing and lilt of the lullaby. The little darkies, eyes rolling, preternaturally solemn, linked arms and swayed rhythmically, right, left, right, left. The glasses ceased clinking; sturdy citizens forgot their steak and beer for a moment and listened, knife and fork poised. ...
— The Street of Seven Stars • Mary Roberts Rinehart
... really astonished," he said, "(1) at the schoolboy, wretched, allegoric machinery; (2) at the transmogrification of the fanatic virago into a modern novel-pawing proselyte of the "Age of Reason,"—a Tom Paine in petticoats; (3) at the utter want of all rhythm in the verse, the monotony and dead plumb-down of the pauses, and the absence of all bone, muscle, and sinew in the ...
— The Best Letters of Charles Lamb • Charles Lamb
... House that night suspected that any swift cause of severance had come between them. Harry Feversham watched Ethne laugh and talk as though she had never a care, and was perpetually surprised, taking no thought that he wore the like mask of gaiety himself. When she swung past him the light rhythm of her feet almost persuaded him that her heart was in the dance. It seemed that she could even command the colour upon her cheeks. Thus they both wore brave faces as she had bidden. They even danced together. But all the while Ethne was conscious that she was holding up a great load ...
— The Four Feathers • A. E. W. Mason
... the grumbling mower back angrily, inspecting its mechanism in the manner of a mother with a wayward son and began again. There was desperate determination in his shoulders as he added his forward thrust to the protesting rhythm. The machine went at the grass like a bulldog attacking a borzoi: it bit, chewed, held on. It cut a new six inches readily, another foot slowly—and then with jolts and misfires and loud imprecations from the ...
— Greener Than You Think • Ward Moore
... getting you to shore, sir?" Chris enquired, pulling in rhythm so that the rope boat flew down the black ...
— Mr. Wicker's Window • Carley Dawson
... discovered, I suppose. Though I have taken all precautions not To sign my name to any verses wrought By my transcendent genius, yet, you see, Fame wrests my secret from me bodily; So I must needs confess I did this deed Of poetry red-handed, nor can plead One whit of unintention in my crime— My guilt of rhythm ...
— A Child-World • James Whitcomb Riley
... of all the different passions. For example, the dance of the Furies, so represented, would create complete terror among those who witnessed them. The Greek philosopher, Aristotle, ranked dancing with poetry, and said that certain dancers, with rhythm applied to gesture, could express manners, passions, and actions. The most eminent Greek sculptors studied the attitude of the dancers for their art of imitating the passions. In a classical Greek song, Apollo, one of the twelve greater gods, the son of Zeus ...
— Questionable Amusements and Worthy Substitutes • J. M. Judy
... strange new sense of the Presence was "the witness" here mentioned? He knew it like his sense of rhythm, or the look of his mother's face, or the joy of a summer morning. It was not anything he could analyze. One might argue that there was no such thing, science might prove there was not, but he knew it, had seen it, felt it! ...
— The Witness • Grace Livingston Hill Lutz
... sat upon a barrel-head sawing at a fiddle, and the shrill scream of it filled the barn. Tone he did not aspire to, but he played with Caledonian verve and swing, and kept the snapping time. It was mad, harsh music of the kind that sets the blood tingling and the feet to move in rhythm, though the exhilarating effect of it was rather spoiled by the efforts of the little French Canadian who had another fiddle and threw in clanging chords upon the ...
— Hawtrey's Deputy • Harold Bindloss
... may be excited by a small stimulant to see such pictures. This regimental drum is like a song of the flat-headed savage in man. It has no rise or fall, but leads to the bloody business with an unvarying note, and a savage's dance in the middle of the rhythm. Violetta listened to it until her heart quickened with alarm lest she should be going to have a fever. She thought of Carlo Ammiani, and of the name of Nagen; she had seen him at the Lenkensteins. Her instant supposition was that Anna had perhaps paid heavily for the secret ...
— The Shaving of Shagpat • George Meredith
... away then without another word beyond the ordinary adieu. Royston had a way of repeating poetry peculiar to himself—rather monotonous, perhaps, but effective from the depth and volume of his voice. You gained in rhythm what you lost in rhyme. The sound seemed to linger in their ears after he ...
— Sword and Gown - A Novel • George A. Lawrence
... general voice of mankind. These three noises appear to have an infinite capacity for giving us pleasure—a capacity, probably, beyond that of any music of instruments. It may be that on hearing them we become a part of some universal music, and that the rhythm of wave, bird and insect echoes in some way the rhythm of our own breath and blood. Man is in love with life and these are the millionfold chorus of life—the magnified echo of his own pleasure in being alive. At the same ...
— The Pleasures of Ignorance • Robert Lynd
... length we began to suspect, what we afterward learned to be true, that she talked as the birds talk, only in song. Whether she used her language or ours she would always sing or chant her words, and every expression was perfect in rhythm and melody. ...
— Daybreak: A Romance of an Old World • James Cowan
... the interrogations must be lavished, if one wishes to have liveliness; and all these things, in themselves, are very ugly." In other words, Flaubert was concerned with the rhetoric of the written word, and he had no relish for the rhythm of spoken dialog. ...
— Inquiries and Opinions • Brander Matthews
... have high aspirations. Their deportment is very nice, but it is not always genteel." Here Elizabeth had a real inspiration. A quotation from Shelley's "Skylark" came into her mind. John and Charles Stuart had memorized it one evening, and the glorious rhythm of it had sung itself into her soul. There were some things one could not help learning. Then, too, as it was from the Fourth Reader, Elizabeth felt that Miss Hillary would see that she was familiar with that book and feel assured she was ready ...
— 'Lizbeth of the Dale • Marian Keith
... II was flying as steady as a rock. All the bracing wires were tuned to a nicety, the wind humming through them and along the smooth sides of the great creature's body with a whistling monotone which arose and fell with bewitching rhythm as the force fluctuated. The varnish and fire-proofing compound glistened brightly in the sunshine, attracting the attention of numerous seabirds, mostly gulls and ospreys, which followed them at times for short distances, ...
— Around the World in Ten Days • Chelsea Curtis Fraser
... if at their comrade's wit, all save the women, whose tender faces spoke more of pity than of mirth. The wine flew to his brain as he drank it, and things about him seemed to reel and spin. Strains of fantastic music burst upon his ears: then, all in rhythm, the women joined their partners and whirled about him with a lightsome step. And, moving with it, his throbbing brain seemed dancing from his head. The room itself, all swaying and quivering with the melody, grew dim and stole from view. The music ...
— The Last American - A Fragment from The Journal of KHAN-LI, Prince of - Dimph-Yoo-Chur and Admiral in the Persian Navy • J. A. Mitchell
... odor of the perfumes, in the overheated atmosphere of the temple, Salome, her left arm outstretched in a gesture of command, her right arm drawn back and holding a large lotus on a level with her face, slowly advances on her toes, to the rhythm of a stringed instrument played by a woman ...
— Against The Grain • Joris-Karl Huysmans
... drops into the pail; from where she sat she could see out of the corner of her eye the fluff of snowy suds that foamed over the shining bucket as Hester rubbed the milky cake of soap with the bristles. Her strong strokes had a definite rhythm and set the time for the stern old hymn-tune she crooned. The listener on the balcony obeyed her growing interest and turned her chair to face into the room. The kilted Hester, on her knees, her brow bound with a glistening towel, threw ...
— The Strange Cases of Dr. Stanchon • Josephine Daskam Bacon
... an odd way of riming what she said. She was unaware of this peculiarity. The suggestion of sound by sound was as hidden from her as it was deep-seated in her and strong. And this was not all: the riming might have passed unperceived by others too, but for the accompanying tendency to rhythm as well. Nor was this by any means all yet: there was in her a great leaning to poetic utterance generally, and that arising from a poetic habit of thought. She had in her everything essential to the making of a poetess; yet of the whole she was profoundly ...
— Warlock o' Glenwarlock • George MacDonald
... method of softening skins by beating and treading upon them illustrates the common use of rhythm and song as a means of holding the attention to what otherwise would be ...
— The Later Cave-Men • Katharine Elizabeth Dopp
... endure my 'Cry of the Children' better than I had anticipated—just because I never anticipated your being able to read it to the end, and was over-delicate of placing it in your hands on that very account. My dearest Mr. Boyd, you are right in your complaint against the rhythm. The first stanza came into my head in a hurricane, and I was obliged to make the other stanzas like it—that is the whole mystery of the iniquity. If you look Mr. Lucas from head to foot, you will never ...
— The Letters of Elizabeth Barrett Browning (1 of 2) • Frederic G. Kenyon
... religious ballads have no rhyme; and, unlike the epic songs, no fixed rhythm. The presence of either rhyme or rhythm is an indication of comparatively recent origin or of reconstruction in the ...
— A Survey of Russian Literature, with Selections • Isabel Florence Hapgood
... to her brain like a heady wine, and suddenly, in the twinkling of an eye, all the repressed youth within her awoke with a sweet and terrible joy.... They danced madly, perfectly, the rhythm entering into them like something at once fluid and flaming. Her ecstasy awoke a vague response in her partner, who bent forward as he ...
— The Blood Red Dawn • Charles Caldwell Dobie
... ebb and flow of endless motion, The tones of unseen mystery, the vague and vast suggestions of the briny world, the liquid-flowing syllables, The perfume, the faint creaking of the cordage, the melancholy rhythm, The boundless vista and the horizon far and dim are all here, And this is ...
— Leaves of Grass • Walt Whitman
... Heger is represented as prohibiting the use of dictionary or grammar, refers, I imagine, to the time I have mentioned, when he determined to adopt a new method of instruction in the French language, of which they were to catch the spirit and rhythm rather from the ear and the heart, as its noblest accents fell upon them, than by over-careful and anxious study of its grammatical rules. It seems to me a daring experiment on the part of their teacher; but, doubtless, he knew his ground; and that it answered is evident in the composition of ...
— The Life of Charlotte Bronte - Volume 1 • Elizabeth Gaskell
... Sapphic choruses consist almost entirely of the lesser Sapphic varied by a very occasional Adonic. The continual succession of these lines without so much as an occasional change of caesura to diversify the rhythm is at times almost intolerable. At the close of such choruses we feel as though we had jogged at a rapid trot for long miles on a ...
— Post-Augustan Poetry - From Seneca to Juvenal • H.E. Butler
... older than the days he had seen and the breaths he had drawn. He linked the past with the present, and the eternity behind him throbbed through him in a mighty rhythm to which he swayed as the tides and seasons swayed. He sat by John Thornton's fire, a broad-breasted dog, white-fanged and long-furred; but behind him were the shades of all manner of dogs, half-wolves and wild wolves, urgent and prompting, tasting the savor of ...
— The Call of the Wild • Jack London
... think, Since first I heard the footsteps of thy soul Move still, oh, still, beside me, as they stole Betwixt me and the dreadful outer brink Of obvious death, where I, who thought to sink, Was caught up into love, and taught the whole Of life in a new rhythm. The cup of dole God gave for baptism, I am fain to drink, And praise its sweetness, Sweet, with thee anear. The name of country, heaven, are changed away For where thou art or shalt be, there or here; And this... this lute and song... loved yesterday, (The singing angels ...
— The Home Book of Verse, Vol. 2 (of 4) • Various
... In principle, it might be accomplished almost instantaneously, like releasing a spring. But the ascending movement, which corresponds to an inner work of ripening or creating, endures essentially, and imposes its rhythm on the first, which ...
— Creative Evolution • Henri Bergson
... breath. Out of the powdery, purple gloom across the bay floated a long line—the funeral canoes. In the blurred distance they took shape one by one, the paddles dipping in solemn rhythm. . . . Nearer they came, . . . and nearer. Then over the darkening water drifted the plaintive rise and fall of the funeral lament, faint and eerie as voices from ...
— Where the Sun Swings North • Barrett Willoughby
... versification, are as foreign to the usages of the Anglo-Saxon as so many samples of Orientalism. The transfusion of the Greek and Latin choral metres is a light effort to the difficulty of imitating the rhythm, or representing the peculiar vein of these song-enamoured mountaineers. Those who know how a favourite ode of Horace, or a lay of Catullus, is made to look, except in mere paraphrase, must not talk of the poorness or triteness of the Highlander's verses, till they ...
— The Modern Scottish Minstrel , Volume I. - The Songs of Scotland of the past half century • Various
... at her elbow, she watched the procession advance until it was at the foot of the drawbridge. Then, while the solemn rhythm of their feet sounded across the planks that spanned the moat, she turned, and, signing to the Seneschal to follow her, she went below to meet them. But when she reached the courtyard she was surprised to find they had not paused, as surely would have been ...
— St. Martin's Summer • Rafael Sabatini
... poem, the rhythm and the music, such as it is, are obvious—perhaps a little too obvious. In the following I see nothing but ingeniously printed prose. It is a description—and a very accurate one—of a scene in a hospital ...
— Reviews • Oscar Wilde
... he lay dipped and rose to a rhythm which he knew well enough. He had felt it when he and his mother went in a little boat from Keyhaven to Alum Bay in the Isle of Wight. There was no doubt in his mind. He was on a ship. But how, but why? Who could have carried him ...
— The Magic World • Edith Nesbit
... redolent of animal vigor and of coarse passions, a tune as unholy as the rites of a pagan festival. Ashe stood still as with flaring torches they drew nearer. The blare of the brass, the vibrant, tingling clangor of the cymbals, the high, penetrating voices of the women, the barbaric rhythm of the air, made him in his sensitive mood tremble like a tense string. He shivered with excitement, nervous tears coming into his eyes so thickly that he turned away blinded, and stumbled against ...
— The Puritans • Arlo Bates
... he was fingering and arranging dials and levers on the side of the contrivance. Suddenly an engine in the box began to throb with a steady rhythm. This gradually increased in tempo until the vibration of it ...
— The Seed of the Toc-Toc Birds • Francis Flagg
... figure for dancing," the teacher said confidingly, "and a sense for rhythm that most of these women haven't any idea of." He smiled down at her and ...
— His Second Wife • Ernest Poole
... have been high-souled men as well as artists, lovers of the really beautiful in life as well as masters of their medium. Their art has no conflict with morality; it is rather its greatest stimulus and stay. To the lesser brood with the gift of melody, of rhythm, with an eye for color or form, but without a true perspective of human values, we must repeat sadly, or even sternly, the poet's reproof: "Can'st thou from heaven, O child Of light, but ...
— Problems of Conduct • Durant Drake
... semblance. But when it is put on paper, it has neither hands nor feet, but lies there in a disorderly mass, as if a drunkard had spewed it up, as may be seen, in particular, in the writings of Doctor Schmid and Doctor Eck. For there is neither rhyme nor rhythm in whatsoever they are compelled to put into writing. Hence they are more sedulous to shout and prattle. Thus I have also learned that when our Confession was read, many of our opponents were astonished and confessed that it was the pure truth, ...
— Historical Introductions to the Symbolical Books of the Evangelical Lutheran Church • Friedrich Bente
... seems to be refuting the Academics, he is fighting the errors from which he, personally, had suffered so long. He clarified his new ideal. No; the search for truth, without hope of ever reaching it, cannot give happiness. And genuine happiness is only in God. And if a rhythm is to be found in things, then it is necessary to make the soul rhythmic also and so enable it to contemplate God. It is necessary to still within it the noise of the passions. Hence, the need of inward reformation, and, at a final ...
— Saint Augustin • Louis Bertrand
... flapping, and the clutter of white petticoats hindering the rhythm of her knees and ankles, Eileen sped down the middle of the road with the excited sophomore ...
— Peter the Brazen - A Mystery Story of Modern China • George F. Worts
... troops in the nights preceding the attack had pushed forward closer to the enemy and had assumed positions in readiness for the forward rush. In the night from May 1 to 2 the artillery fired in slow rhythm at the enemy's positions. Pauses in the fire served the pioneers for cutting the wire entanglements. On the 2d of May at 6 A.M. an overwhelming artillery fire, including field guns and running up to the heaviest calibres, was begun ...
— New York Times Current History; The European War, Vol 2, No. 4, July, 1915 - April-September, 1915 • Various
... of light, as men pray continually without reason for things that can but come in a due order. I still went forward a little, because when I sat down my loneliness oppressed me like a misfortune; and because my feet, going painfully and slowly, yet gave a little balance and rhythm to the ...
— The Path to Rome • Hilaire Belloc
... impetuous pupil and rival ever did. While preserving in the Danae his own true warmth and transparency of Venetian colour—now somewhat obscured yet not effaced—he combines unusual weightiness and majesty with voluptuousness in the nude, and successfully strives after a more studied rhythm in the harmony of the composition generally than the ...
— The Later works of Titian • Claude Phillips
... consisted; and to what degree they were to be trusted. The Helladians were much to be admired for the smoothness of their periods, and a happy collocation of their terms. They shewed a great propriety of diction; and a beautiful arrangement of their ideas: and the whole was attended with a rhythm, and harmony, no where else to be found. But they were at the same time under violent prejudices: and the subject matter of which they treated, was in general so brief, and limited, that very little could be obtained from it towards the history of other countries, or a knowledge of antient times. ...
— A New System; or, an Analysis of Antient Mythology. Volume I. • Jacob Bryant
... the merry Christmas bells, Their music all our pleasure tells. (Repeat, singing tra la la whenever necessary to give the rhythm. They pause in groups in center, right, and left; some sit, others stand, and change their positions ...
— Christmas Entertainments • Alice Maude Kellogg |
