"Realist" Quotes from Famous Books
 ... comedies of London life, despite his trend towards caricature, Jonson has shown himself a genuine realist, drawing from the life about him with an experience and insight rare in any generation. A happy comparison has been suggested between Ben Jonson and Charles Dickens. Both were men of the people, lowly born and hardly bred. Each ...
— Sejanus: His Fall • Ben Jonson
... Strong, of Rochester Seminary, which has won for itself very unusual and wide respect. Exceptional for ability, as well as for its originality of conception, is "The Republic of God: An Institute of Theology," by Elisha Mulford, a disciple of Maurice and of the realist philosophy, the thought of whose whole life is contained in this and his kindred ...
— A History of American Christianity • Leonard Woolsey Bacon
... essentially a Realist, in his use of the novel as a vehicle for the description of real struggling life; with money and position, the principal desiderata of modern civilisation, powerful as determining factors in the moulding of men's actions. ...
— Honore de Balzac, His Life and Writings • Mary F. Sandars
... realist and not the idealist who is generally justified by events. We forget that the human spirit, the spirit of goodness and truth in the world, is still only an infant crying in the night, and that the struggle with darkness is as yet ...
— Woodrow Wilson's Administration and Achievements • Frank B. Lord and James William Bryan
... looked back and forth over the whole extent, a half dozen times, and found nothing to break the continuity. Hope that the warriors of Tandakora were not coming sprang up in his breast, but he put it down again. Although imagination was so strong in him he was nevertheless, in moments of peril, a realist. Hard experience had taught him long since that when his life was in danger he must ...
— The Lords of the Wild - A Story of the Old New York Border • Joseph A. Altsheler
... of novelty, experiment, "strangeness added to beauty," contrast with the classical respect for rules, models, formulae, precedents, conventions; so, in another way, its discontent with things as they are, its idealism, aspiration, mysticism contrast with the realist's conscientious adherence to fact. "Ivanhoe" is one kind of romance; "The Marble Faun" ...
— A History of English Romanticism in the Eighteenth Century • Henry A. Beers
... problem is to know why and how reality submits itself to an order, it is because the absence of every kind of order appears possible or conceivable. It is this absence of order that realists and idealists alike believe they are thinking of—the realist when he speaks of the regularity that "objective" laws actually impose on a virtual disorder of nature, the idealist when he supposes a "sensuous manifold" which is coordinated (and consequently itself without order) under ...
— Creative Evolution • Henri Bergson
... after the man, who was a born realist, had tried to snatch a kiss from the skipper on the threshold. Fortunately for the success of the venture, it was pelting with rain, and, though a few people gazed curiously at the couple as they went hastily along, they were unmolested, and gained ...
— Many Cargoes • W.W. Jacobs
... fiction may have seemed before this evening a wilderness without a chart. We are fortunate in having with us a man who has left the 'main travelled roads' of fiction and, to mix metaphors a little, a man who can tell us whether the 'idols' that are 'crumbling' are those of the realist or those ...
— Modern Eloquence: Vol II, After-Dinner Speeches E-O • Various
... different times in Russian literature. Believe it not! The Russian author who is at all worth classifying is slave of no school; he is free, for he is a worshipper of the truth which alone maketh men free, he is a school unto himself. Is Gogol a realist? He gives you indeed the reality, but he breathes into it a beauty only visible to idealizing eyes. Is Turgenef a realist? When thrilled with the unspeakable beauty of the sky, he depicts it so as to realize for you the ideal. And when Tolstoy is thrilled ...
— Lectures on Russian Literature - Pushkin, Gogol, Turgenef, Tolstoy • Ivan Panin
... in the woodlands, In God's Way, of passages of pure idealism." Yes, he returns—"in measure." He is "capable of idyllic passages." In other words, his nature reasserts itself, and he remains an imperfect convert. "He has striven hard to be a realist, and at times he has seemed to acquiesce altogether in the naturalistic formula, but in truth he has never had anything essential in common with M. Zola." In other words, he has fallen between two stools. He has tried to expel nature with a pitchfork and still she runs back ...
— Adventures in Criticism • Sir Arthur Thomas Quiller-Couch
... called "a Virginia realist." To him, receiving his first views of life from the foot of the Blue Ridge, one realism of the external world was too beautiful to admit of his finding in the ideal anything that could more nearly meet his fancy-picture of loveliness than the scenes which opened daily before his eyes. Years ...
— Literary Hearthstones of Dixie • La Salle Corbell Pickett
... illustrates one effect of the War on Paul's mind: he was becoming less of an idealist and more of a realist. ...
— War Letters of a Public-School Boy • Henry Paul Mainwaring Jones
... this question is a new one will now see what is the point of view of the realist or euhemerist with regard to such traditions. He sees here and there in the past, through much intervening mist, something that looks like a real object, and he tries to define its outlines. He has no intention of denying, as some have ...
— Fians, Fairies and Picts • David MacRitchie
... his opinions on the question of industrial slavery or antipaedobaptism. Still the market for his wares is steadier than the market for any other kind of literary wares, and the prices are better. The historian, who is a kind of inferior realist, has something like the same steadiness in the market, but the prices he can command are much lower, and the two branches of the novelist's trade are not to be compared in a business way. As for the essayist, the poet, the traveller, the popular ...
— Henry James, Jr. • William Dean Howells
... artist he is everything except articulate. Somebody in Shakespeare—Touchstone, I think—talks about a man who is always breaking his shins over his own wit, and it seems to me that this might serve as the basis for a criticism of Meredith's method. But whatever he is, he is not a realist. Or rather I would say that he is a child of realism who is not on speaking terms with his father. By deliberate choice he has made himself a romanticist. He has refused to bow the knee to Baal, and ...
— Selected Prose of Oscar Wilde - with a Preface by Robert Ross • Oscar Wilde
... by the author of Swings and Roundabouts is something of an event; and in Bottles and Jugs Mr. Ughtred Biggs makes another fascinating raid on the garbage-bins of London's underworld. Mr. Biggs is a stark realist, and his unminced meat may prove too strong for some stomachs; but those who can digest the fare he offers will find it wonderfully sustaining. Here is no condiment of verbiage, no dressing of the picturesque. ...
— Punch, or the London Charivari, Vol. CLVIII, January 7, 1920 • Various
... The habit of a realist to find things the reverse of their appearance inclined him to put every statement in a paradox. A certain habit of antagonism defaced his earlier writings—a trick of rhetoric not quite outgrown in his later, of substituting for ...
— The Best of the World's Classics, Restricted to Prose, Vol. IX (of X) - America - I • Various
... hair of a dark brown, with a regular, rather long, oval-shaped face, and wide-set dark gray, shining eyes; he was very thoughtful, and apparently very serene. I shall be told, perhaps, that red cheeks are not incompatible with fanaticism and mysticism; but I fancy that Alyosha was more of a realist than any one. Oh! no doubt, in the monastery he fully believed in miracles, but, to my thinking, miracles are never a stumbling-block to the realist. It is not miracles that dispose realists to belief. The genuine realist, if he is an unbeliever, ...
— The Brothers Karamazov • Fyodor Dostoyevsky
... not as wide. That delicacy of sentiment which is inseparable from Ingeborg and guides her right in the great crisis is not, he maintains, a trait merely of the woman of ancient Scandinavia but is inherent in each noble female, no matter when or where she lives. And Tegnr, who surely was no realist after the fashion of Strindberg, chooses to picture woman as she appears in her ...
— Fritiofs Saga • Esaias Tegner
... strain proving too great for his physical strength. On his return, after 1108, he found William lecturing no longer at Notre-Dame, but in a monastic retreat outside the city, and there battle was again joined between them. Forcing upon the Realist a material change of doctrine, he was once more victorious, and thenceforth he stood supreme. His discomfited rival still had power to keep him from lecturing in Paris, hut soon failed in this last effort also. From Melun, where he had resumed teaching, ...
— Project Gutenberg Encyclopedia
... family with some fortune, glad to use every resource of a disordered time for securing education and money, patriotic at heart but willing to profit from France, or indeed from Russia, England, the Orient; wherever material advantage was to be found. This boy was both idealist and realist, each in the high degree corresponding to his great abilities. He shone neither as a scholar nor as an officer, being obdurate to all training,—but by independent exertions and desultory reading of a high class he formed an ideal of society in which there prevailed ...
— The Life of Napoleon Bonaparte - Vol. I. (of IV.) • William Milligan Sloane
... like at the time, within limits; but I never had the heart—or the stomach—to be a realist. Feebly as I dared to paint it, I had to re-form it in fancy before the book was finished. The original horror stands there, pretty much unreformed; though I dare say its walls get a coat or two more whitewash than they did when I was intimate ...
— The Making Of A Novelist - An Experiment In Autobiography • David Christie Murray
... said, "Let us pass on. He is the realist, who turns his back on the whole he cannot grasp, and busies himself ...
— The Madman • Kahlil Gibran
... writings of all three an element of the grotesque is observable, tempered, however, in the case of Mahony, with a vein of tender pathos which emerges in his delightful "Bells of Shandon." Maginn was a wit, Mahony was the hedge-schoolmaster in excelsis, and Carleton was the first realist in Irish peasant fiction. But all alike drew their best inspiration from essentially Irish themes. The pendulum has swung back slowly but steadily since the days when Irish men of letters found it necessary to accommodate their genius to purely English literary standards. ...
— The Glories of Ireland • Edited by Joseph Dunn and P.J. Lennox
... picture as M. Edouard Detaille's "Le Reve," which won him so much applause a few years ago. M. Detaille is an irreproachable realist, and may do what he likes in the way of the materially impossible with impunity. Sleeping soldiers, without a gaiter-button lacking, bivouacking on the ground amid stacked arms whose bayonets would prick; above them in the heavens the clash of contending ghostly ...
— French Art - Classic and Contemporary Painting and Sculpture • W. C. Brownell
... agreement between the speaker and the listener that certain objections shall not be raised. The most realistic art in the world is open to realistic objection. Against the most exact and everyday drama that ever came out of Norway it is still possible for the realist to raise the objection that the hero who starts a subject and drops it, who runs out of a room and runs back again for his hat, is all the time behaving in a most eccentric manner, considering that he is doing these things in a room in which one of the four walls ...
— Robert Browning • G. K. Chesterton
... which are always the literature of reason, or the statements of an absolute truth without qualification. Proverbs, like the sacred books of each nation, are the sanctuary of the intuitions. That which the droning world, chained to appearances, will not allow the realist to say in his own words, it will suffer him to say in proverbs without contradiction. And this law of laws, which the pulpit, the senate and the college deny, is hourly preached in all markets and workshops by flights of proverbs, ...
— Essays, First Series • Ralph Waldo Emerson
... enhance the congruity or variety of what was already given. Perhaps it was never a prime object with Duerer to conceive the event, it was rather the picture that he attempted to conceive; it is Rembrandt who attempts to conceive events, not Duerer. He is very far from being a realist in this sense: though certain of his etchings possess a considerable degree of such realism, it is not what characterises him as a creator or inventor. But a "profound realistic perception" almost unequalled he did possess; what he saw he painted not as he saw it, not where ...
— Albert Durer • T. Sturge Moore
... degrees—I count myself among this tardy company—to realize their truth, sincerity, and humanity, in spite of the pessimism with which so many of them are tinged; their beauty also, notwithstanding the clashing discords that a poet, who is also a realist, cannot fail to strike; their permanence in English literature; and the greatness of Mr. Hardy's genius! Personally, I would make only one exception. I wish Mr. Hardy had not written Jude the Obscure! On the other hand, in the three volumes of The Dynasts he has given us one of the noblest, ...
— A Writer's Recollections (In Two Volumes), Volume II • Mrs. Humphry Ward
... the taste and discernment that Hugo lacks, and he is an artist which Balzac was not.—Is he then more than both? Chi lo sa?—He hasn't let himself out yet. The enormous volume of his brain troubles him. He doesn't know if he is a poet or a realist; and the fact that he is both, hinders him.—He must get straightened out in his different lines of effort. He sees everything and wants to grasp everything at once.—He is not the cut of the public that wants to eat in little mouthfuls, whom large ...
— The George Sand-Gustave Flaubert Letters • George Sand, Gustave Flaubert
... Franco Sacchetti[124] earlier in Italy, using language even more violent than that of Vicente, we need not doubt the truth of his sketches. He was perhaps more vivid than the other critics and his satire penetrated deeply for the very reason that he was a realist. There was no doubt some professional exaggeration in the language of his beir[a]o rustics, but his sympathy with the peasants and his wide knowledge of the province of Beira prove that his object was not merely mockery: zombar da gente da Beira[125]. Many of ...
— Four Plays of Gil Vicente • Gil Vicente
... why a Realist or an Idealist, a Monist or a Dualist, one who holds to an immediate perception of an external world or one who regards our acquaintance with it as a matter of inference, should refuse to go with me so far. Nor do I see any reason why a believer in God, one who bows ...
— A Handbook of Ethical Theory • George Stuart Fullerton
... ought to be the home of the ideal; in a word, the imagination should have full sway. The great dramatist is a creator; he is the sovereign, and governs his own world. The realist is only a copyist. He does not need genius. All he wants is industry and the trick of imitation. On the stage, the real should be idealized, the ordinary should be transfigured; that is, the deeper meaning of things should be given. As we make music of common air, and statues of stone, ...
— The Works of Robert G. Ingersoll, Volume VIII. - Interviews • Robert Green Ingersoll
... Every realist knows that the democratic way of life is at this moment being directly assailed in every part of the world—assailed either by arms, or by secret spreading of poisonous propaganda by those who seek ...
— Complete State of the Union Addresses from 1790 to the Present • Various
... opinion—almost as great in literature as Conrad Lagrange, himself. By those in authority who pronounce upon the worthiness or the unworthiness of writer folk, he is, to-day, said to be one of the greatest writers of his generation. He is a realist—a modern of the moderns. His pen has never been debased by an inartistic and antiquated idealism. His claim to genius rests securely upon the fact that he has no ideals. He writes for that select circle of leaders who, like the Taines and the Rutlidges, are capable ...
— The Eyes of the World • Harold Bell Wright
... that all the personages in this story are models of virtue. To some of them has been given a part which severe morality reproves. But I am a realist and not an idealist, and for that I beg the reader a thousand pardons. I have tried to paint what I saw and not that of which I dreamed. If my figures are not chaste, the fault is not mine, but of those who passed before me ...
— The Grip of Desire • Hector France
... meekness, and dignity. The charges brought against him were various; some so far-fetched as that urged by a Nominalist from the University of Paris—for Paris was Nominalist now—namely, that as a Realist he could not be sound on the doctrine of the eucharist. Others were vague enough, as that he had sown discord between the church and the state. Nor were accusations wanting which touched a really weak point in his ...
— The Great Events by Famous Historians, Volume 07 • Various
... is true that it is still not real enough. The dresses are too beautiful—everything is conventional. We have here not the real Christ, the Jew, the outcast and the vagabond. For him we must wait till Vereschagin or some other realist painter may bring us reality. But even behind all the despisers of conventional Christian art, we have at least a sufficiently human figure to elicit sympathy, compassion and love. We get near enough to Christ to hear the blows that fall upon his face, to appreciate the superior ...
— King of the Jews - A story of Christ's last days on Earth • William T. Stead
... cries in the sphere of catharised clear air; and the people there, men resting on their staves, women at their but-and-ben doors, spoke with magnificent calm, as if they had exhausted all their violence on certain specific occasions. But this plain was like a realist mind with an intense consciousness of cause and effect. There would blow a warning wind before the storm. It would be visible afar off in its coming, as a darkness, a flaw on the horizon; and when it had scourged the plain it would be seen for long travelling on towards ...
— The Judge • Rebecca West
... to the fair Parisians, whom his admirers christened "a Watteau realist" and his detractors a "photographer of gowns and mantles," often received at breakfast or at dinner the beautiful persons whose feature he had reproduced, as well as the celebrated and the well known, who found very amusing these little entertainments ...
— Strong as Death • Guy de Maupassant
... idealistic novels, and one of these I have read, and it tired me very much. It was called "Marianela," and it surprised me the more because I was already acquainted with his later work, which is all realistic. But one does not turn realist in a single night, and although the change in Galdos was rapid it was not quite a lightning change; perhaps because it was not merely an outward change, but artistically a change of heart. His acceptance in his quality of realist was much more instant than his conversion, and vastly ...
— Dona Perfecta • B. Perez Galdos
... The realist, if he is an artist, will endeavor not to show us a commonplace photograph of life, but to give us a presentment of it which shall be more complete, more striking, more cogent than reality itself. To tell everything is out of the question; it would require at least a ...
— The Works of Guy de Maupassant, Volume VIII. • Guy de Maupassant
... incense? Modern man, take him in the large, does not believe in salvation to beat of drum; or that, by leaning up against another person, however idolised and mystical, he can gain support. He is a realist with too romantic a sense, perhaps, of the mystery which surrounds existence to pry into it. And, like modern civilisation itself, he is the creature of West and North, of atmospheres, climates, manners of life which foster neither ...
— Another Sheaf • John Galsworthy
... Little Fiery Gizzard Creek, let us say, for love of the name, you may very soon precipitate yourself into such a maze of coves, such a tangle of tough, tearing shrubbery (the term "laurel hell" is the mountaineer as realist), that you will regret, perhaps, the day you abandoned what in this region is euphemistically called a road. But you will hardly forget the view from some inland point, where you look, not out over the Tennessee plains, but over a branching canyon of ...
— Penguin Persons & Peppermints • Walter Prichard Eaton
... fast became what was then called, without any circumlocution, an "old maid," and an uninteresting one, whose days were occupied by church and gossip, and who went over and over the threadbare family tradition. Old Mrs. Clark, her mother, was a realist and never forgot the farm days. She was enough of a woman to regret sincerely the fatal mistake that the family had made in trying to become something other than their destiny had fitted them to be. She was a thorn in the sentimental flesh of Addie, whose thoughts preferred to ...
— Clark's Field • Robert Herrick
... good as Fanny's Smiths and Branghtons: but the whole book is far superior to Evelina. The extravagance of the fin-de-siecle society which it represents has probably disguised from not a few readers who do not know the facts, the other fact that it is a real attempt at realist observation of manners: and it has the narrative merit which was Miss Edgeworth's gift of nature. But the hero is patchy and improbable: the heroine, a good and quite possible girl, is not sufficiently ...
— The English Novel • George Saintsbury
... the "Nominalist and Realist" that will prove all sums. It runs something like this: No matter how sincere and confidential men are in trying to know or assuming that they do know each other's mood and habits of thought, the net result leaves a feeling that all is ...
— Essays Before a Sonata • Charles Ives
... and his descriptions in the "Blithedale Romance" of the life at Brook Farm that the principal interest of most readers centres. This work has come to be regarded as the epic of the community, and it is now generally conceded that Hawthorne was in this novel far more of a realist than was at first admitted. He did not avoid the impulse to tell the happenings of life at the farm pretty nearly as he found them, and substantial as the characters may or may not be, the daily life and doings, the scenery, the surroundings, and ...
— The Romance of Old New England Rooftrees • Mary Caroline Crawford
... Briggs had told me of them. Would not they be watching for him? I began to be anxious. Not once, but several times, I had heard of the wounded soldier returning to his home and finding no home: both home and wife had gone. (Those are bitterly tragic tales, which a realist must write some day.) Still, as we came nearer, I saw nobody at the cottage door. "Is th' door open?" asked Briggs. Yes, it was open. When we were at the end of the cabbage-patch, and I could discern the interior of the cottage ...
— Observations of an Orderly - Some Glimpses of Life and Work in an English War Hospital • Ward Muir
... above line of argument can be used by the Realist who believes matter to be a thing-in-itself; but it fits in much better with the Idealistic view of the relations between mind and matter, and with the tendency of modern physics to resolve matter into Force, ...
— Philosophy and Religion - Six Lectures Delivered at Cambridge • Hastings Rashdall
... Picasso and Kandinsky make an interesting parallel, in that they have developed the art respectively of Cezanne and Gauguin, in a similar direction. On the decision of Picasso's failure or success rests the distinction between Cezanne and Gauguin, the realist and the symbolist, the painter of externals and the painter of religious feeling. Unless a spiritual value is accorded to Cezanne's work, unless he is believed to be a religious painter (and religious painters need not paint Madonnas), ...
— Concerning the Spiritual in Art • Wassily Kandinsky
... of the scholastic method landed its advocates perhaps justified the rigid theologians in the general distrust of the exercise of reason on such subjects. St. Bernard did not hesitate to attack even Gilbert de la Porree, Bishop of Poictiers, an avowed Realist, who attempted to explain the Trinity. In fact, St. Bernard represents the reaction from Scholasticism, which took the form of Mysticism, that is, the purely contemplative attitude towards the verities of ...
— The Church and the Empire - Being an Outline of the History of the Church - from A.D. 1003 to A.D. 1304 • D. J. Medley
... Maupassant is the greatest realist that ever lived. All other realists seem idealists in comparison. Many of the situations he describes are situations doubtless in which he himself "had a hand." Others are situations which he came across, in his enterprising debouchings ...
— Suspended Judgments - Essays on Books and Sensations • John Cowper Powys
... who considers herself a Realist says in a story published recently: "I found a letter in my mail and read it as I prepared my morning coffee." This is an impossible feat. She may have prepared the coffee and then read the letter, or read the letter and then prepared the coffee, but ...
— The Onlooker, Volume 1, Part 2 • Various
... jesting," croaked Monsieur Valentin; "but when I hear men of your school talk so much about the Ideal, I (as a realist) always want to know what they ...
— In the Days of My Youth • Amelia Ann Blandford Edwards
... Reston-Farrell. Joe had been right, Reston-Farrell was a medical doctor. Brett-James evidently had something to do with the process that had enabled them to bring Joe from the past. Joe didn't know how they'd done it, and he didn't care. Joe was a realist. He was here. The thing ...
— Gun for Hire • Dallas McCord Reynolds
... pictures are well composed, without showing the consciousness of it, as does Whistler. Fine in colour and handling, beside the idealization of everything he includes in his work he achieves a certain something which we recognize as style. He may be a realist in every sense, but he shows how to deal arbitrarily with his figures in such a way as to endow them with admirable distinction, without losing the expression of reality. His recent outdoor work has not the unity of expression of his indoor subjects. It is difficult, and not really necessary, to ...
— The Galleries of the Exposition • Eugen Neuhaus
... "Give me the novel of an idealist that has a purpose. Colonel Ingersol spoke the truth in a recent lecture when he said that a realist can be no more than an imitator or a copyist. His philosophy makes the wax that receives and retains an image of an artist. Realism degrades and impoverishes. The real sustains the same relation to ideal that a stone does to a statue, or that paint ...
— The Harris-Ingram Experiment • Charles E. Bolton
... successfully handled. And although there is, by measure, much serious talk, yet so skilfully does he bring in minor characters, with their transient sidelights, that the total impression is that of a book in which much happens. No realist could exceed the fidelity with which Signor Fogazzaro outlines a landscape, or fixes a passing scene; yet being an idealist through and through, he has produced a masterpiece in which ...
— The Saint • Antonio Fogazzaro
... doctrine of heredity in the case of this master of romance. George Eliot's dictum that we are, each one of us, but an omnibus carrying down the traits of our ancestors, does not appear at all to hold here. This fanciful realist, this naive-wistful humorist, this dreamy mystical casuist, crossed by the innocent bohemian, this serious and genial essayist, in whom the deep thought was hidden by the gracious play of wit and phantasy, ...
— Robert Louis Stevenson - a Record, an Estimate, and a Memorial • Alexander H. Japp
... Realist as he professed to be, Machiavelli divorced politics from morality. Whereas for Aristotle[1] and Aquinas alike the science of politics is a branch of ethics, for Machiavelli it is an abstract science as totally dissociated from morality as is mathematics or surgery. The prince, according ...
— The Age of the Reformation • Preserved Smith
... right in so far as he denies that law as an abstract thing (considered apart from a person—as his thought) is anything: the realist is right in so far as he affirms that law, apart from {64} any particular manifestation, is an eternal reality. The reconciliation of nominalism and realism is found in God. Applying this to the case in hand—you admit ...
— Letters to His Friends • Forbes Robinson
... has no suspicion of deeper waters. Through the whole course of the present story, he never attempts to fathom Crosbie's feelings, to retrace his motives, to refine upon his character. Mr. Trollope has learned much in what is called the realist school; but he has not taken lessons in psychology. Even while looking into Crosbie's heart, we never lose sight of Courcy Castle, of his Club, of his London life; we cross the threshold of his inner being, we knock at the door of his soul, but we remain within call of Lily Dale and the Lady Alexandrina. ...
— Atlantic Monthly,Volume 14, No. 82, August, 1864 - A Magazine Of Literature, Art, And Politics • Various
... schools." For six or eight years, said Comenius, the scholar must hear no language but his own; and his whole attention must be concentrated, not on learning words like a parrot, but on the direct study of nature. Comenius has been called the great Sense-Realist. He had no belief in learning second-hand. He illustrated his books with pictures. He gave his scholars object lessons. He taught them, not about words, but about things. "The foundation of all learning consists," he said, "in representing clearly to the senses sensible ...
— History of the Moravian Church • J. E. Hutton
... perversions of the true form. But we cannot read the Politics without recognising and profiting from the insight into the nature of the state which is revealed throughout. Aristotle's failure does not lie in this, that he is both idealist and realist, but that he keeps these two tendencies too far apart. He thinks too much of his ideal state, as something to be reached once for all by knowledge, as a fixed type to which actual states approximate or from which they are perversions. But if we are to think ...
— Politics - A Treatise on Government • Aristotle
... Veritable hallucinations are the seascapes and landscapes in the South Sea stories, veritable hallucinations are the quotidian gestures and speech of his anarchists and souls sailing on the winds of noble and sinister passions. For Conrad is on one side an implacable realist.... Unforgetable are his delineations of sudden little rivers never charted and their shallow, turbid waters, the sombre flux of immemorial forests under the crescent cone of night, and undergrowth overlapping the banks, the tragic chaos of rising storms, hordes of clouds sailing ...
— Ivory Apes and Peacocks • James Huneker
... O. Henry is romantic; in his settings he is a realist. Della and Jim are romantic lovers, they are not prudent nor calculating, but act upon impulse. In his descriptions, however, he is a realist. The eight-dollar-a-week flat, the frying pan on the back of the stove, the description ...
— Americans All - Stories of American Life of To-Day • Various
... gout de la coiffure de Camille Desmoulins.' And having seen for himself, he could judge for himself as well. From first to last he showed himself to be out of sympathy with the ambitions and effects of romanticism. He was born a humourist and an observer, and he became a 'realist' as soon as ...
— Views and Reviews - Essays in appreciation • William Ernest Henley
... rather than spring, failure rather than hope, the riddle of the painful earth rather than any joy of living. Attempts have been made to vindicate Crabbe from the charge of being a gloomy poet, but I cannot think them successful; I can hardly think that they have been quite serious. Crabbe, our chief realist poet, has an altogether astonishing likeness to the chief prose realist of France, Gustave Flaubert, so far as his manner of view goes, for in point of style the two have small resemblance. One of the most striking things in Crabbe's biography is his remembrance ...
— Essays in English Literature, 1780-1860 • George Saintsbury
... of Philosophy was designed as a contribution to the History of Modern Philosophy under the heads: first of Different Schools of Thought—Sensationalist, Realist, Idealist, Intuitivist; secondly of different Subjects—Psychology, Ethics, Aesthetics, Political Philosophy, Theology. While much had been done in England in tracing the course of evolution in nature, history, ...
— The Analysis of Mind • Bertrand Russell
... badly mauled by the church). But let us be careful not to see in all this anything more than symbolical language, semantics[6] an opportunity to speak in parables. It is only on the theory that no work is to be taken literally that this anti-realist is able to speak at all. Set down among Hindus he would have made use of the concepts of Sankhya,[7] and among Chinese he would have employed those of Lao-tse[8]—and in neither case would it have made any difference to him.—With a little freedom in the ...
— The Antichrist • F. W. Nietzsche
... of his chapters in "Hunting the Grizzly" and ask yourself wherein its animation and attraction lie, you will find that it is because every sentence and every line report things seen. He does not, like the Realist, try to get a specious lifelikeness by heaping up banal and commonplace facts; he selects. His imagination reminds one of the traveling spark which used to run along the great chandelier in the theatre, and light each jet, so that its passage seemed a flight from point to point of brilliance. ...
— Theodore Roosevelt; An Intimate Biography, • William Roscoe Thayer
... a purely personal feeling—his own enjoyment in the weaving of the unsubstantial webs of improbable adventure that fill the preceding pages. With an ironic satisfaction was it that a writer who is not unaccustomed to be called a mere realist here attempted fantasy, even though the results of his effort may reveal invention only and not imagination. It may even be that it was memory (mother of the muses) rather than invention (daughter of necessity) which inspired the 'Primer ...
— Tales of Fantasy and Fact • Brander Matthews
... the piano-organ the music of the day, and the hideous voice of the vendor of half-penny papers the music of the night; could anything be less promising than such a row of houses for the theatre of romance? Set a realist to walk down one of these streets: he will inquire about milk-bills and servants' wages, latch-keys and Sunday avocations, and come back with a tale of small meannesses and petty respectabilities, written in the approved modern fashion. Yet Stevenson, it ...
— Robert Louis Stevenson • Walter Raleigh
... of the century there emerged from the older schools two others which may be called the Realist and Idealist, and indeed there were those to whom both these terms could be applied, both methods being united in their remarkable works. Of the Realists Corot and Courbet are distinguished, as were Puvis de Chavannes and Gustave Moreau among ...
— Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D. • Clara Erskine Clement
... is indisputably a woman of genius. Not that her genius is distinctively feminine, though she is in matters historical a passionate partisan. Most of the critics who approve her work agree that in the main she views life with somewhat of the masculine spirit of liberality. She is as much the realist as one can be who is saturated with the romance that is California, her birthplace and her home, if such a true cosmopolite as she can be said to have a home. In all she has written there is abounding life; her grasp of character is firm; her style has ...
— Rezanov • Gertrude Atherton
... book. "There's some fine seas in that. Have you read it? But I'd like to know where that ocean is he pretends to have seen. I do believe the realists are no more reliable than the romanticists. Here we are a thousand miles out, and none of us has seen the sea yet. Tell me, does not a realist have to magnify his awful billows just to get them ...
— Old Junk • H. M. Tomlinson
... influence that has affected his work. I have heard him declare many times how much he was inspired by Crabbe, whereas the later French realists had no influence upon him whatever. "Crabbe was our first great English realist" Mr. Hardy would tell you if only we could persuade him to speak from this platform, ...
— Immortal Memories • Clement Shorter
... realism photographic? Consider in this connection his own statement: "There are two types of realist—the one who offers a good deal of dirt with his potato to show that it is a real one; and the one who is satisfied with the potato brushed clean.... To me the thing that art does for life is to ...
— Contemporary American Literature - Bibliographies and Study Outlines • John Matthews Manly and Edith Rickert
... the best definition of an artist, namely, one who can put his own values upon the things that come up for representation on his paper. By his insistence upon certain pleasant things he helped to establish them in the ideal, which, on the morrow, always tends to become the real. He was a realist only to the extent of their possibility. It gave him no pleasure whatever to enumerate, and represent over again, the many times in which the beautiful intentions of nature had gone astray. He liked to be upon ...
— George Du Maurier, the Satirist of the Victorians • T. Martin Wood
... effect, I repeat. If you remember anything of the Lectures I gave you through last year, you must be gradually getting accustomed to my definition of the Greek school in art, as one essentially Chiaroscurist, as opposed to Gothic color; Realist, as opposed to Gothic imagination; and Despairing, as opposed to Gothic hope. And you are prepared to recognize it by any one of these three conditions. Only, observe, the chiaroscuro is simply the technical result of the two others: a Greek painter likes light ...
— Lectures on Landscape - Delivered at Oxford in Lent Term, 1871 • John Ruskin
... abundant. Mysteries should be sedate and sober. There should be a pervasive atmosphere of horror and awe such as Poe manages to create. Humor is out of tone; it would be more artistic to preserve a somber note throughout. But I was a realist in those days, and in real life mysteries occur to real persons with their individual humors, and mysterious circumstances are apt to be complicated by comic. The indispensable condition of a good mystery is that it should be able and unable ...
— The Big Bow Mystery • I. Zangwill
... one bed to another until he reached the one where the cries and contortions were the most frightful. Such a scene he has reproduced. No hospital physician would have pictured the straggle in such colors. In the same way, that other realist, M. Zola, has painted a patient suffering from delirium tremens, the disease known to common speech as "the horrors." In describing this case he does all that language can do to make it more horrible than the reality. He gives ...
— The Autocrat of the Breakfast-Table • Oliver Wendell Holmes, Sr. (The Physician and Poet not the Jurist)
... the actual world. In the latter case he is generally more or less unhappy, for he is compelled to see the world as it really is, and he finds it not all nice. The realistic small boy can have very little true happiness. Fancy M. Zola's childhood: assuming, of course, that he was then a Realist, which he probably was not, judging from the fact that he is only a Realist professionally at the present day. To the childish Zola, life must have presented itself as a series of human documents. He saw things as they were, not as a small boy should see them. ...
— The Idler Magazine, Volume III, March 1893 - An Illustrated Monthly • Various
... banker Ruberto Martelli, who was the firm friend of the sculptor for life, and when he died he provided in his will that the works by Donatello which he bequeathed to his family should never be pledged, sold, or given away, but kept as a perpetual inheritance for his heirs. Donatello was a realist, and followed nature with great exactness. This was not always productive of beauty in his works; indeed, some of them are very ugly, and a story which illustrates this is told of himself and Brunelleschi. Donatello had made a crucifix, carved from wood, for the Church of Santa Croce, and when it ...
— A History of Art for Beginners and Students - Painting, Sculpture, Architecture • Clara Erskine Clement
... with them, and allowed them no manner of influence over him; even his much-censured relation to queen Cleopatra was only contrived to mask a weak point in his political position.(1) Caesar was thoroughly a realist and a man of sense; and whatever he undertook and achieved was pervaded and guided by the cool sobriety which constitutes the most marked peculiarity of his genius. To this he owed the power of living energetically in the present, undisturbed either by recollection or by expectation; to this he ...
— The History of Rome (Volumes 1-5) • Theodor Mommsen |
