"Orpheus" Quotes from Famous Books
 ... not all her blandishments can dazzle, divert, or melt me! Were mountains to be moved, dragons to be slain, or lakes of liquid fire to be traversed, I would encounter all to attain my end!—Yes—My romance shall equal hers. No epic hero, not Orpheus, Aeneas, or Milton's Lucifer himself, was ever more determined. I could plunge into Erebus, and give battle to the legion phantoms of hell, to accomplish my fixed purpose!—Fixed!—Fixed!—Hoot me, hiss at me, despise me if I turn ...
— Anna St. Ives • Thomas Holcroft
... "Rather an Orpheus," said the King; "and what is worse, one that is already provided with a Eurydice—She is clinging ...
— Peveril of the Peak • Sir Walter Scott
... temple at Phigalia, in Arcadia, used by Pausanias, the Spartan commander;[53] or the [Greek: nekyomanteion], the oracle of the dead, by the River Acheron, in Threspotia, to which Periander, the famous tyrant of Corinth, had recourse;[54] and it was here, according to Pausanias, that Orpheus went down to the lower world in ...
— Greek and Roman Ghost Stories • Lacy Collison-Morley
... into two parts, from the roof to the floor; the lower part being first discovered, there appeared a wood in perspective, the innermost part being of "releeve or whole round," the rest painted. On the left a cave, and on the right a thicket, from which issued Orpheus. At the back part of the scene, at the sudden fall of a curtain, the upper part broke on the spectators, a heaven of clouds of all hues; the stars suddenly vanished, the clouds dispersed; an element of artificial fire played ...
— Curiosities of Literature, Vol. 3 (of 3) • Isaac D'Israeli
... rightly," replied the praetor. "But when Orpheus sings the trees dance, the Muse can turn dull, motionless stones into a Bacchante, and when Balbilla appears Timon is at once ...
— Uarda • Georg Ebers
... since Friday that there was a fiddler aboard, who lay sick and unmelodious in Steerage No. 1; and on the Monday forenoon, as I came down the companion, I was saluted by something in Strathspey time. A white-faced Orpheus was cheerily playing to an audience of white-faced women. It was as much as he could do to play, and some of his hearers were scarce able to sit; yet they had crawled from their bunks at the first experimental flourish, and found ...
— Essays of Travel • Robert Louis Stevenson
... him over. Indeed, according to M. Cousin, as I am credibly informed, he is the Greek philosopher; the flower and crown of all its schools; in whom, says the learned Frenchman, "are combined, and from whom shine forth, in no irregular or uncertain rays, Orpheus, Pythagoras, Plato, Aristotle, Zeno, Plotinus, Porphyry, and Iamblichus;" and who "had so comprehended all religions in his mind, and paid them such equal reverence, that he was, as it were, the ...
— Alexandria and her Schools • Charles Kingsley
... sacrifices or charms with rejoicings and games; and they promise to harm an enemy whether just or unjust, at a small charge; with magic arts and incantations binding the will of heaven, as they say, to do their work.... And they produce a host of books written by Musaeus and Orpheus, who were children of the Moon and the Muses—that is what they say—according to which they perform their ritual, and persuade not only individuals, but whole cities, that expiations and atonements for sin may be made by sacrifices and amusements which fill a ...
— The Greek View of Life • Goldsworthy Lowes Dickinson
... now to human proofs of the dignity of learning, we find that among the heathen the inventors of new arts, such as Ceres, Bacchus, and Apollo, were consecrated among the gods themselves by apotheosis. The fable of Orpheus, wherein quarrelsome beasts stood sociably listening to the harp, aptly described the nature of men among whom peace is maintained so long as they give ear to precepts, laws, and religion. It has been said that people would then be happy, when kings were philosophers, or philosophers ...
— The Worlds Greatest Books, Volume XIII. - Religion and Philosophy • Various
... awakens! Amidst what awful mysteries it hangs! The subject of the derivation of the soul has been copiously discussed by hundreds of philosophers, physicians, and poets, from Vyasa to Des Cartes, from Galen to Ennemoser, from Orpheus to Henry More, from Aristotle to Frohschammer. German literature during the last hundred years has teemed with works treating of this question from various points of view. The present chapter will present a sketch of these ...
— The Destiny of the Soul - A Critical History of the Doctrine of a Future Life • William Rounseville Alger
... will make this matter clear. Let us take the Greek myth of Orpheus and Eurydice, which has been utilized by many artists during more than two thousand years assuredly, and how much longer no one knows. Virgil told it in the Georgics and Ovid in the Metamorphoses. It became a favorite theme of medieval romance, and ...
— A Study of Poetry • Bliss Perry
... smirching half-sorrows of actual life. Some of the listening faces smiled; some were sodden, stupefied rather than enlightened; some showed a sensual rudimentary gratification; some, lapped in the tide, yet unaware of its significance, were merely silly. But no Orpheus, wildly harping through the woods, ever led more enthralled ...
— Tante • Anne Douglas Sedgwick
... the Minotaur, and Lynceus, with his wonderfully sharp eyes, which could see through a millstone, or look right down into the depths of the earth, and discover the treasures that were there; and Orpheus, the very best of harpers, who sang and played upon his lyre so sweetly, that the brute beasts stood upon their hind legs, and capered merrily to the music. Yes, and at some of his more moving tunes, ...
— Tanglewood Tales • Nathaniel Hawthorne
... are true judges, and who are said to judge there, Minos and Rhadamanthus, AEacus and Triptolemus, and such others of the demi-gods as were just during their own life, would this be a sad removal? At what price would you not estimate a conference with Orpheus and Musaeus, Hesiod and Homer? I indeed should be willing to die often, if this be true. For to me the sojourn there would be admirable, when I should meet with Palamedes, and Ajax, son of Telamon, and any other of the ancients who has died by an unjust ...
— Apology, Crito, and Phaedo of Socrates • Plato
... agreeably to what we have above observed, be ineffable also in a secondary degree. But as this is by no means the case, it principally derives its immediate subsistence from a deity of a fabricative characteristic, whom Plato calls Jupiter, conformably to the theology of Orpheus. The intelligent reader will readily admit that this dogmas is so far from being derogatory to the dignity of the Supreme, that on the contrary it exalts that dignity, and, preserves in a becoming manner the exempt transcendency of the ineffable. If ...
— Introduction to the Philosophy and Writings of Plato • Thomas Taylor
... belabour over the head with his fiddle. In this manner he is said to have broken scores of violins, and one unlucky clarionet-player, in particular, who was never either in time or tune, cost him a vast number of instruments. They shivered like glass upon the obdurate noddle of the faulty Orpheus, and Lully swore he had never met with so vile a musician, or so hard a head. After a time it was discovered that the offender wore a leaden lining to his periwig. Louis XIV. never ceased to take a most paternal ...
— Blackwood's Edinburgh Magazine, No. CCCLXXVI. February, 1847. Vol. LXI. • Various
... rencontre as that between Duke Miltiades of Athens and King Darius upon the plains of Attics." The procession entered the Louvain gate, through a splendid triumphal arch, filled with a band of invisible musicians. "I believe that Orpheus had never played so melodiously on his harp," says the same authority, "nor Apollo on his lyre, nor Pan on his lute, as the city waits then performed." On entering the gates, Matthias was at once delivered over to the hands of mythology, the burghers and rhetoricians ...
— The Rise of the Dutch Republic, 1555-1566 • John Lothrop Motley
... harassed in his last retreat, raises his petition again to the Muse whom he had invoked at the beginning of his task,—not Clio nor her sisters, but the spirit of heavenly power and heavenly wisdom; his mind reverts to that story of Orpheus which had always had so singular and personal a fascination for him; of Orpheus, who, holding himself aloof from the mad amorists of Thrace, was by them torn to pieces during the orgy of the Dionysia, and sent rolling down the ...
— Milton • Sir Walter Alexander Raleigh
... portraits; did one of the frescoes in the Poets' Hall of the Houses of Parliament and the cartoon of "Caractacus led in Triumph through the Streets of Rome"; has, as a "poet-painter," by his "Love and Death," "Hope," and "Orpheus and Eurydice," achieved a world-wide fame; he was twice over offered a baronetcy, but on both ...
— The Nuttall Encyclopaedia - Being a Concise and Comprehensive Dictionary of General Knowledge • Edited by Rev. James Wood
... Syrinx wooed the shy Euterpe; the maidens went in woven paces: a medley of masques flamed by; and the great god Pan breathed into his pipes. Stannum saw Bacchus pursued by the ravening Maenads; saw Lamia and her ophidian flute; and sorrowfully sped Orpheus searching for his Eurydice. Neptune blew his wreathed horn, the Tritons gambolled in the waves, Cybele clanged her cymbals; and with his music Amphion summoned rocks to Thebes. Jephtha's daughter danced to her death before the Ark of the Covenant, praising ...
— Melomaniacs • James Huneker
... Orpheus he went, as poets tell, To fetch Eurydice from hell; And had her, but it was upon This short, but strict condition; Backward he should not look, while he Led her through hell's obscurity. But ah! it happen'd, as he made His passage through ...
— A Selection From The Lyrical Poems Of Robert Herrick • Robert Herrick
... to go to Cuckoo. Julian's descent must be stayed, before he went down, like a new Orpheus without a mission, into Hades. Valentine's influence, whether mad or sane, must be fought. It was to be a struggle, a battle of wills, of what Valentine chose to consider souls. And some prompting led the doctor to think of Cuckoo as a possible weapon. Why? Because ...
— Flames • Robert Smythe Hichens
... in the vacancy of the abbot, was now in charge of the house, was a man skilled in all the arts of his day. In sweetness of voice, in knowledge of sacred song, his eulogists pronounced him the superior of Orpheus, of Nero, of one yet more illustrious but, save in the Bury cloisters, more obscure, the Breton Belgabred. He was a man "industrious and subtle;" and subtlety and industry found their scope in suit ...
— Stray Studies from England and Italy • John Richard Green
... AEacus, Triptolemus—and to meet with those who have lived with justice and probity![23] Can this change of abode appear otherwise than great to you? What bounds can you set to the value of conversing with Orpheus, and Musaeus, and Homer, and Hesiod? I would even, were it possible, willingly die often, in order to prove the certainty of what I speak of. What delight must it be to meet with Palamedes, and Ajax, and others, who have been betrayed by the iniquity of their judges! Then, also, should I experience ...
— Cicero's Tusculan Disputations - Also, Treatises On The Nature Of The Gods, And On The Commonwealth • Marcus Tullius Cicero
... these persons were picked people of her own choice—brilliant persons in their various capacities, each bringing a store of wit or some accomplishment to swell the general gaiety. Artists, dilettanti noblemen, epicures, and persons who would have accompanied Orpheus in all his explorations for the music ...
— The Old Countess; or, The Two Proposals • Ann S. Stephens
... to repress his ardor at present. The Doctor pondered, said he would take the matter into consideration,—it were a pity to nip any wholesome enthusiasm i' the bud,—"but it is very apparent, Mr. Blount, that the young man, if he goes on, will experience the fate of Orpheus, and so needs to be curbed in time. 'Medio tutissimus ibis', saith Naso,—a maxim the non-observance of which cost him the pain and disgrace of exile. And you should strive to impress the truth of it upon Clarian; spare no ...
— Atlantic Monthly, Vol. 5, No. 32, June, 1860 • Various
... for shrimp and prawn, Or the mellifluous chaunt from the black gorge Of Orpheus inside a murky skin, Who looked the gold sun in the eye While garden mists grew thin, And intoned ...
— Carolina Chansons - Legends of the Low Country • DuBose Heyward and Hervey Allen
... his fellow-servants. When, therefore, Aristophanes speaks of the [185]Delian and Pythian swans, they are the priests of those places, to whom he alludes. And when it is said by Plato, that the soul of Orpheus, out of disgust to womankind, led the life of a [186]swan, the meaning certainly is, that he retired from the world to some cloister, and lived a life of celibacy, like a priest. For the priests of many countries, ...
— A New System; or, an Analysis of Antient Mythology. Volume II. (of VI.) • Jacob Bryant
... am of the generations of Orpheus, and have in me the breed of his master! And of Raftery and Carolan and O'Daly and all that made sounds of music from this back to the foundations of the earth! And as to the rich of the world, I would not humble my head to them. Let them have their ...
— New Irish Comedies • Lady Augusta Gregory
... contrary, the music and poetry give them such reality as they possess. We could not endure the interminable utterances of the mournful Wotan, if it were not for the wonderful music that accompanies them. Orpheus weeping over Eurydice would not move us greatly, if Gluck had not known how to captivate us by his first notes. If it were not for Mozart's music, the puppets of the Magic Flute would amount ...
— Musical Memories • Camille Saint-Saens
... Like Orpheus, he is said to draw storks &c, after him. A picked raisin for a sweet banquet of sounds; but I affect not these exotics. Nos DURUM genus, as mellifluous Ovid ...
— The Works of Charles and Mary Lamb (Vol. 6) - Letters 1821-1842 • Charles and Mary Lamb
... shoved in from behind, and the key turned upon me: there I was all alone, and, I must acknowledge, very much frightened, as I thought that the vengeance of the women would be wreaked upon me. I considered that my death was certain, and that, like the man Orpheus I had read of in my books, I should be torn to pieces by these Bacchanals. However, I reflected that I was an officer in his Majesty's service, and that it was my duty, if necessary, to sacrifice my life for my king ...
— Peter Simple and The Three Cutters, Vol. 1-2 • Frederick Marryat
... pleyen on an harpe That souned bothe wel and sharpe, Orpheus ful craftely, And on his syde, faste by, Sat the harper Orion, And Eacides Chiron, And other harpers many oon, ...
— Ballads of Romance and Chivalry - Popular Ballads of the Olden Times - First Series • Frank Sidgwick
... evinced. She saved him the trouble of long cogitation, an exercise of intellect to which he was never too ardently inclined. There was a gentleman of the court, celebrated for his sedateness and solemnity; my aunt was piqued into emulating Orpheus, and, six weeks after her confinement, she put this rock into motion,—they eloped. Poor gentleman! it must have been a severe trial of patience to a man never known before to transgress the very slowest of all possible walks, to have ...
— Devereux, Complete • Edward Bulwer-Lytton
... they had gleaned in the bosom of polished nations, carried to savages without industry, needing assistance, those arts, of which, until then, these rude people were ignorant: such were the Bacchus's, the Orpheus's, the Triptolemus's, the Numa's, the Zamolixis's; in short, all those who first gave to nations their gods—their worship—the rudiments of agriculture, of science, of superstition, of ...
— The System of Nature, Vol. 2 • Baron D'Holbach
... (mighty subject!) of a Mushroom sing, Fair to the eye, and pleasant to the taste; Charm'd by the note, a pigmy group, in haste, Lay down their grainy loads, as slow they move Thro' lanes of reed and grass, to them a grove! As if an Orpheus thou, they gather round, Erect their tiny ears, and drink the sound. Gray was the sky, save where the eastern ray O'er fragrant hills proclaim'd th' approaching day; Rurilla, loveliest virgin of the plain, With spirits light, and mind without a stain, ...
— Poems • Sir John Carr
... Old Homer sang, accompanying himself upon his rustic lyre. His eyes were closed, but divine images shone upon his lips. I saw Solon, Democritus, and Pythagoras watching the games of the young men in the meadow, and, through the foliage of an ancient laurel, I perceived also Hesiod, Orpheus, the melancholy Euripides, and the masculine Sappho. I passed and recognised, as they sat on the bank of a fresh rivulet, the poet Horace, Varius, Gallus, and Lycoris. A little apart, leaning against the trunk of a dark ...
— Penguin Island • Anatole France
... vpon the altar of her beauty You sacrifice your teares, your sighes, your heart: Write till your inke be dry: and with your teares Moist it againe: and frame some feeling line, That may discouer such integrity: For Orpheus Lute, was strung with Poets sinewes, Whose golden touch could soften steele and stones; Make Tygers tame, and huge Leuiathans Forsake vnsounded deepes, to dance on Sands. After your dire-lamenting Elegies, Visit by night your Ladies chamber-window With some sweet Consort; To their Instruments ...
— The First Folio [35 Plays] • William Shakespeare
... show me one book, before Musaeus, Homer, and Hesiodus, all three nothing else but poets. Nay, let any history be brought, that can say any writers were there before them, if they were not men of the same skill, as Orpheus, Linus, and some other are named: who having been the first of that country, that made pens deliverers of their knowledge to their posterity, may justly challenge to be called their fathers in learning: for not only in time they had this priority (although ...
— English literary criticism • Various
... an Orpheus to soften the brute; With the fire of Prometheus to kindle mankind; Even Tyranny, listening, sate melted or mute, And corruption shrunk scorched from the glance ...
— Library of the World's Best Literature, Ancient and Modern, Vol. 7 • Various
... but half obeyed? infernal gods, Must you have musick too? then tune your voices, And let them have such sounds as hell ne'er heard, Since Orpheus bribed ...
— The Works of John Dryden, Vol. 6 (of 18) - Limberham; Oedipus; Troilus and Cressida; The Spanish Friar • John Dryden
... this leg. The girls are gone to bed? Why here is some wine too! Fill up your cup, boy. A libation to the God! Glory to Dionysus!" The two men poured the libation on the floor and drank; then the father thrust his knife into the breast of the bird and began his meal with a will, while Orpheus, the son, went ...
— Uarda • Georg Ebers
... Hildebrand responded, with glib emphasis. "The glory of Solomon, the sword of Caesar, the beauty of Adonis, the lyre of Orpheus, the strength of Hercules, the grace of Apollo, the sum of all possibilities—God-man, or man-God, what shall our poor lips call you?" He made the monarch a profound obeisance, too profound to permit Robert to see the mockery ...
— The Proud Prince • Justin Huntly McCarthy
... aside, sayeth, Fair fell good Orpheus, that would rather be King of a molehill than a keisar's slave: Better it is 'mongst fiddlers to be chief, Than at [a] player's trencher beg relief. But is't not strange, this mimic ape should prize Unhappy scholars at a hireling rate? Vile world, that ...
— A Select Collection of Old English Plays, Vol. IX • Various
... was the glass. At St Albans the twelve windows contained figures illustrating the subjects of the books placed near them. For instance, the second window represented Rhetoric and Poetry; and the figures selected were those of Cicero, Sallust, Musaeus, Orpheus. Appropriate verses were inscribed beneath each. The whole scheme recalls the library of Isidore, Bishop of Seville, which I have already described[426]. In the library of Jesus College, Cambridge, each light contains a cock standing on a globe, ...
— The Care of Books • John Willis Clark
... of 1827, came on, Hector tried again, and this time passed the preliminary test. The task set for the general competition was to write music for Orpheus torn by the Bacchantes. An incompetent pianist, whose duty it was to play over the compositions, for the judges, could seem to make nothing of Hector's score. The six judges, headed by Cherubini, the Director of the Conservatoire, voted against the aspirant, and he was ...
— The World's Great Men of Music - Story-Lives of Master Musicians • Harriette Brower
... plastic genius of the Anglo-Saxon race. His technique may not have been equal to Flaxman's or St. Gaudens', but his designs have more of grandeur than the former, and he is more original than the latter. There are faults of modelling in his "Orpheus," and its attitude resembles that of the eldest son of Niobe in the Florentine gallery,— although the Niobe youth looks upward and Orpheus is peering into darkness,—its features are rather too pretty; but the statue has exactly what Powers' "Greek Slave" lacks, a definite motive,—that ...
— The Life and Genius of Nathaniel Hawthorne • Frank Preston Stearns
... could not breathe without seeming to sigh; and her most ordinary poses used to throw me into the deepest ecstasies of admiration. Whenever I gazed at her I fully agreed with Monsieur de Lessay that Jupiter had once reigned as a despot-king over the mountainous regions of Thessaly, and that Orpheus had committed the imprudence of leaving the teaching of philosophy to the clergy. I am not now quite sure whether I was a coward or a hero when I accorded al this ...
— The Crime of Sylvestre Bonnard • Anatole France
... the nature processes are but shadows and hints. In the former case he will be a pagan; in the latter, a spiritual idealist. In what remains of this lecture, we shall consider four of the most famous Greek legends—those of Prometheus, Medusa, Orpheus, and Apollo—in the light of what has just ...
— Among Famous Books • John Kelman
... passed through my mind. Orpheus—No, this was no Greek. Pan-yet again, No. Where were the pipes, the goat hoofs? The young Dionysos—No, there were strange jewels instead of his vines. And then Vanna's voice said as ...
— The Ninth Vibration And Other Stories • L. Adams Beck
... Let those adore The god Apollo, and his Nine, Parnassus' hill, And Orpheus' skill; But let ...
— The Poetical Works of Edward Young, Volume 2 • Edward Young
... Still quiring to the young-ey'd cherubins; Such harmony is in immortal souls; But, whil'st this muddy vesture of decay Doth grossly close it in, we cannot have it! By the sweet power of music; therefore, the poet Did feign that Orpheus drew trees, stones and floods. Since naught so stockish, hard and full of rage But music for the time doth change his nature, The man that hath no music in himself Nor is not moved with concord of sweet sounds, Is fit for treasons, stratagems and spoils; The motions of his spirit are ...
— Shakspere, Personal Recollections • John A. Joyce
... and conformed manner of living, and to write poems from the fancy, at a safe distance from their own experience. But the highest minds of the world have never ceased to explore the double meaning, or shall I say the quadruple or the centuple or much more manifold meaning, of every sensuous fact; Orpheus, Empedocles, Heraclitus, Plato, Plutarch, Dante, Swedenborg, and the masters of sculpture, picture, and poetry. For we are not pans and barrows, nor even porters of the fire and torch-bearers, but children of the fire, ...
— Essays, Second Series • Ralph Waldo Emerson
... "it is as realistic as in the old days of the Coliseum, where the actor who played Orpheus was torn to pieces by bears at the end of ...
— The Mystery of a Hansom Cab • Fergus Hume
... Alexander received into his chapel all the religions which prevailed in the empire; he admitted Jesus Christ, Abraham, Orpheus, Apollonius of Tyana, &c. It was almost certain that his mother Mamaea had instructed him in the morality of Christianity. Historians in general agree in calling her a Christian; there is reason to believe that she had begun ...
— The History of The Decline and Fall of the Roman Empire - Volume 1 • Edward Gibbon
... colours, representing the stories of the gods, the poetry of nature, and the legends of the heroes of his beloved native land. Here we see Perseus freeing Andromeda, Medusa's locks, Bacchus and his band of revellers, Orpheus with his lyre, by which he is attracting a monkey, a fox, a peacock, and other animals, Apollo singing to his lyre, Venus being loved by Mars, Neptune with his trident, attended by hosts of seamen. The seasons form an accustomed group, "Winter" being ...
— English Villages • P. H. Ditchfield
... make itself felt by others. With some unfixed, though real, place in the general scheme of Greek religion, this phase of the worship of Dionysus had its special development in the Orphic literature and mysteries. Obscure as are those followers of the mystical Orpheus, we yet certainly see them, moving, and playing their part, in the later ages of Greek religion. Old friends with new faces, though they had, as Plato witnesses, their less worthy aspect, in certain appeals to vulgar, superstitious fears, they seem to have been not without the ...
— Greek Studies: A Series of Essays • Walter Horatio Pater
... philosophers, and honoured by them all. Socrates and Plato were at his side. Among the rest was Democritus, who made the world a chance, and Diogenes, and Heraclitus, &c. and Dioscorides, the good gatherer of simples. Orpheus also he saw, and Cicero, and the moral Seneca, and Euclid, and Hippocrates, and Avicen, and Averroes, who wrote the great commentary, and others too numerous to mention. The company of six became diminished to two, and Virgil took him forth on a far different road, leaving that ...
— Stories from the Italian Poets: With Lives of the Writers, Volume 1 • Leigh Hunt
... conclusively that Orpheus, Homer, and Hesiod,[160] who are usually designated "the theologians" of Greece, but who were in fact the depravers and corrupters of pagan theology, do not teach the existence of a multitude of unmade, self-existent, and ...
— Christianity and Greek Philosophy • Benjamin Franklin Cocker
... "Orpheus, his weapon, is a harp, not a gun. Nevertheless, I am one of five, and shall yield me to a man's bidding for the sake of her, my mistress, to whose glory I have this day indited my ode, and into whose sweet ear I will even now go ...
— Sir Ludar - A Story of the Days of the Great Queen Bess • Talbot Baines Reed
... the axe, like Pandean pipes. Probably the musical forest-gods had not yet cast them aside; they never do till they are split or the bark is gone. It was a style of architecture not described by Vitruvius, I suspect, though possibly hinted at in the biography of Orpheus; none of your frilled or fluted columns, which have cut such a false swell, and support nothing but a gable end and their builder's pretensions,—that is, with the multitude; and as for "ornamentation," one of those words with a dead tail which architects ...
— The Atlantic Monthly, Volume 2, Number 9, July, 1858 • Various
... Italian score were also made by Gluck in the later French version. Here is an example; being the recitative immediately preceding the great air of Orpheus in the ...
— Style in Singing • W. E. Haslam
... "are the contemporaries of Orpheus; for in the memory of the dead all chronological differences are effaced; and I am dead, Professor; as much dead as those of your friends who are sleeping six ...
— Twenty Thousand Leagues under the Sea • Jules Verne
... I thank you. (He looks at them): Heavens! my cherished leaves! The poems of my friends! Torn, dismembered, to make bags for holding biscuits and cakes!. . .Ah, 'tis the old tale again. . .Orpheus and the Bacchantes! ...
— Cyrano de Bergerac • Edmond Rostand
... call those magicians who bestow unusual care on the investigation of the workings of providence and unusual devotion on their worship of the gods, as though, forsooth, they knew how to perform everything that they know actually to be performed. So Epimenides, Orpheus, Pythagoras, and Ostanes were regarded as magicians, while a similar suspicion attached to the 'purifications' of Empedocles, the 'demon' of Socrates and the 'good' of Plato. I congratulate myself therefore on being admitted to such ...
— The Apologia and Florida of Apuleius of Madaura • Lucius Apuleius
... showing them, on one hand, sunshine and beauty and joy, and all the pride of life; and on the other, darkness and cruelty, despair, and defiance, and death. It might have been, on the one hand, the music with which Orpheus tamed the beasts; and on the other, that which AEschylus arranged to accompany the last act of his tragedy of "Prometheus Bound." There was, however, no clear distinction between the joyous airs and the sombre: all were wrought and mingled into an exciting and ...
— Master of His Fate • J. Mclaren Cobban
... said, the lover quickly changed, Together with the fairy, as arranged; A pilgrim he, like Orpheus, piped and sang; While Manto, as a ...
— The Tales and Novels, Complete • Jean de La Fontaine
... like that of Orpheus in hades, seemed to soothe all unpropitious powers with a sudden spell. The Fire began to slacken, the kettles began to lull, the meat began to cook, the irons began to cool, the clothes began to behave, the ...
— A Modern Cinderella - or The Little Old Show and Other Stories • Louisa May Alcott
... And her whole upward soul in her countenance glistening, Eurydice stood—like a beacon unfired, Which, once touched with flame, will leap heav'nward inspired— And waited with answering kindle to mark The first gleam of Orpheus that pained the red Dark. Then painting, song, sculpture, did more than relieve the need that men feel to create and believe, And as, in all beauty, who listens with love Hears these words oft repeated—'beyond and above.' So these seemed to be but the visible sign Of the grasp of the soul after ...
— Selections From American Poetry • Various
... it Orpheus that his sire Was more than man; for though his songs restrain The wolves of Ismara, his love-lorn lyre Wails in the wildwood ...
— The Elegies of Tibullus • Tibullus
... in mysteries, His mind wrapp'd like his mantle, while her eyes Follow'd his steps, and her neck regal white Turn'd—syllabling thus, "Ah, Lycius bright, And will you leave me on the hills alone? Lycius, look back! and be some pity shown." He did; not with cold wonder fearingly, But Orpheus-like at an Eurydice; For so delicious were the words she sung, It seem'd he had lov'd them a whole summer long: And soon his eyes had drunk her beauty up, Leaving no drop in the bewildering cup, And still the cup was full,—while he afraid Lest she should ...
— Lamia • John Keats
... he has both three heads and three tongues: cui tres sint linguae tergeminumque caput. Virgil, in the AEneid, vi. 417, has huge Cerberus barking with triple jaws; his neck bristles with serpents. Ovid in his Metamorphoses, x. 21, makes Orpheus, looking for dear Eurydice in Tartarus, declare that he did not go down in order that he might chain the three necks, shaggy with serpents, of the monster begotten of Medusa. His business also is settled for all time; he is the terrible, ...
— Cerberus, The Dog of Hades - The History of an Idea • Maurice Bloomfield
... ugly enough to know that she is so, knows that she has nothing left for it but her understanding, which is consequently and probably (in more senses than one) her weak side. But these are secrets which you must keep inviolably, if you would not, like Orpheus, be torn to pieces by the whole sex; on the contrary, a man who thinks of living in the great world, must be gallant, polite, and attentive to please the women. They have, from the weakness of men, more ...
— The PG Edition of Chesterfield's Letters to His Son • The Earl of Chesterfield
... country. He had, after many misgivings, consented to appear in "vaudeville." The financial inducement was large, and he soothed his artistic conscience with the argument that his music would tend to elevate the vaudeville rather than that the vaudeville would tend to degrade him. It was at the Orpheus Theatre in San Francisco, and it was his first appearance. He played one or two selections, and being tremendously applauded, and correspondingly gratified, he returned and answered the encore with the well-known "Old Glory." He was in his best vein, ...
— Famous Violinists of To-day and Yesterday • Henry C. Lahee
... rather genius, in whose hand a jews-harp is the lyre of Orpheus, a fiddle the harp of David, a chisel a hewer of heroic forms, a brush or a pen the scepter of souls, and, ...
— Love Me Little, Love Me Long • Charles Reade
... shepherds piped and the stars sang, that was the day of musicians! But the triumph of Phoebus Apollo himself was not so wonderful as the triumph of a mortal man who lived on earth, though some say that he came of divine lineage. This was Orpheus, that best of harpers, who went with the Grecian heroes of the great ship Argo in search of the ...
— Old Greek Folk Stories Told Anew • Josephine Preston Peabody
... later, at the age of twenty-one, she published her second volume, "Admetus and Other Poems," which at once took rank as literature both in America and England, and challenged comparison with the work of established writers. Of classic themes we have "Admetus" and "Orpheus," and of romantic the legend of Tannhauser and of the saintly Lohengrin. All are treated with an artistic finish that shows perfect mastery of her craft, without detracting from the freshness and flow of her inspiration. While sounding no absolutely new note in the ...
— The Poems of Emma Lazarus - Vol. I (of II.), Narrative, Lyric, and Dramatic • Emma Lazarus
... of Lycurgus; and it exhibits one of the earliest and rudest phases in the history of mankind; disclosing in its full reality a period of which in Greece we have but traditions and names, such as Orpheus and Linus, and bringing us as near the beginnings in language, thought, and mythology as literary documents can ever bring us in the ...
— Chips From A German Workshop - Volume I - Essays on the Science of Religion • Friedrich Max Mueller
... Pan lay down to doze in Arcady, and the greater Gods withdrew to sleep in lotos-gardens beyond the lands of the Hesperides. In the subtle cadences and hidden melodies of the bard the spirit of the maiden has found rest at last, for there echo the divinest notes of Thracian Orpheus; notes that moved the very rocks and trees by Hebrus' banks. The singer ceases, and with eagerness asks a verdict, yet what can Marcia say but that the strain is "fit for ...
— Writings in the United Amateur, 1915-1922 • Howard Phillips Lovecraft
... exceptionally beautiful and fresh in color; and each separate design represented some scene in the story of Apollo. No Bacchus with his panther-skin and Maenads, no Triton and Nymphs, no loves of Mars and Venus, no Ganymede with the eagle, no Leda, no Orpheus, no Danae, no Europa—but always and only Apollo! He was guiding his car; he was singing among the Nine; he was drawing his bow; he was flaying Marsyas; above all—the only repeated picture—he was guiding the oxen of Admetus, goad in hand, with the glory yet vivid ...
— The Laird's Luck • Arthur Quiller-Couch
... thought our remembering Alcestis, for though women have not much of Ares in them, yet when possessed by Love they are bold even to the death, beyond what one would expect from their nature. For if we may credit legendary lore, the stories about Alcestis, and Protesilaus, and Eurydice the wife of Orpheus, show that the only one of the gods that Hades pays attention to is Love; although to everybody else, as Sophocles says, "he knows of no forbearance or favour, or anything but strict justice;" yet before lovers his genius stands rebuked, and they alone ...
— Plutarch's Morals • Plutarch
... impressed with the supreme genius of Schwanthaler. These chambers, eight in number, are painted in encaustic, with subjects from the Greek poets, of which Schwanthaler supplied the designs. The ante-chambers are devoted to Orpheus and Hesiod, and the ornaments are in the oldest Greek style; severely simple; archaic, but not rude; the figures of the friezes in outline, and without relief. The saloon of reception, on the contrary, ...
— Sketches • Benjamin Disraeli
... we will give, by an obscure observer of our own day and country, to draw some lines of the desired image. It was suggested by seeing the design of Crawford's Orpheus, and connecting with the circumstance of the American, in his garret at Rome, making choice of this subject, that of Americans here at home showing such ambition to represent the character, by ...
— Woman in the Ninteenth Century - and Kindred Papers Relating to the Sphere, Condition - and Duties, of Woman. • Margaret Fuller Ossoli
... bemoan in the ratio of a self-importance or a dejected mien. There is no more humorous reading, or more typical, than the ups and downs of office-seekers. Sometimes it is that of William the "Innocent," and often that of William the "Croker." The trials of "an unsuccessful," a prototype of "Orpheus C. Kerr," the nom de plume of that prince of writers, on ...
— Shadow and Light - An Autobiography with Reminiscences of the Last and Present Century • Mifflin Wistar Gibbs
... loftier Argo cleaves the main, Fraught with a later prize; Another Orpheus sings again, And loves, and weeps, and dies; A new Ulysses leaves once more Calypso for ...
— Astronomy of To-day - A Popular Introduction in Non-Technical Language • Cecil G. Dolmage
... tasteless meats, and joyless wines, And luxury with sighs her slave resigns. Approach, ye minstrels, try the soothing strain, [bb]Diffuse the tuneful lenitives of pain: No sounds, alas! would touch th' impervious ear, Though dancing mountains witness'd Orpheus near; Nor lute nor lyre his feeble pow'rs attend, Nor sweeter musick of a virtuous friend; But everlasting dictates crowd his tongue, Perversely grave, or positively wrong. The still returning tale, and ling'ring jest, Perplex the fawning niece and pamper'd guest, While growing ...
— Dr. Johnson's Works: Life, Poems, and Tales, Volume 1 - The Works Of Samuel Johnson, Ll.D., In Nine Volumes • Samuel Johnson
... Sweet Orpheus, lord of minstrelsy, For this with flute and pipe came nigh The danger of the dog's heads three That ravening at hell's door doth lie; Fain was Narcissus, fair and shy, For love's love lightly lost and won, In a deep well to drown and die; Good luck has he ...
— Poems & Ballads (Second Series) - Swinburne's Poems Volume III • Algernon Charles Swinburne
... to you before dinner." A concert following, Napoleon stood alone by the piano, but, not fancying the instrumental part of the performance, at the end of a piece by Jadin, he struck on the piano and cried, "Garat! Garat!" who then sang a scene from "Orpheus." Music always profoundly moved Madame Recamier, but whenever she raised her eyes she found those of the Consul fixed upon her with so much intensity that she became uncomfortable. After the concert, he came to her and said, "You are very fond of music, Madame," and would probably ...
— Atlantic Monthly, Volume 14, No. 84, October, 1864 - A Magazine Of Literature, Art, And Politics • Various
... chorus. Certainly I am no judge of music, but to my ear the discord was terrific,—to the ears of better informed amateurs it seemed ravishing. All were spellbound; even Mrs. Poyntz paused from her knitting, as the Fates paused from their web at the lyre of Orpheus. To this breathless delight, however, soon succeeded a general desire for movement. To my amazement, I beheld these formal matrons and sober fathers of families forming themselves into a dance, turbulent as a children's ball at Christmas; and when, suddenly desisting from his music, Margrave started ...
— A Strange Story, Complete • Edward Bulwer-Lytton
... "Orpheus, son of Oeagrus and Calliope, having lost his wife, Eurydice, followed her to Hades, where, by the charm of his music, he received permission to conduct her back to earth, on condition that he should not look behind him during the journey. This condition ...
— Boycotted - And Other Stories • Talbot Baines Reed
... not mistaken, you never met with any one among flute-players or harp-players or singers to the harp or rhapsodes who was able to discourse of Olympus or Thamyras or Orpheus, or Phemius the rhapsode of Ithaca, but was at a loss when he came to speak of Ion of Ephesus, and had no notion of ...
— Ion • Plato
... from the grey-green background of the walls beyond, there was a bronze statuette of Orpheus with his lute on a twisted Byzantine column of white and gold mosaic, and a long cushioned divan set on one side broke the long lines of light on ...
— Olive in Italy • Moray Dalton
... done, he lived there for some years, earning a bare subsistence by the production of second-rate portrait busts and copies of antique statuary. Then he attracted the attention of Charles Sumner, and with his help, was enabled, in 1839, to produce his first important work, the "Orpheus," now in the Boston Museum. Many others followed, but they were of that ideal and sentimental type, very foreign to ...
— American Men of Mind • Burton E. Stevenson
... nothing is done in England towards the advancement of music as a science. Is the world of sound and the soul of song exhausted? Why should we, who are marching in every other direction, stand still in this? But no; what Orpheus did with music, we are striving to accomplish by steam; what he effected by quietly touching his lyre, we study with the atmospheres and condensers of high and low ...
— The Mirror of Literature, Amusement, and Instruction - Vol. 12, Issue 330, September 6, 1828 • Various
... several instances, among these subterranean pictures, of a symbolic representation of the Saviour, drawn, not from Scripture, but from a heathen original. It is that of Orpheus playing upon his lyre, and drawing all creatures to him by the sweetness of his strains. It was a fiction widely spread soon after the introduction of Christianity among the Gentiles, that Orpheus, like the Sibyls and some other of the characters of mythology, had had ...
— The Atlantic Monthly, Vol. II, No. 8, June 1858 • Various
... so charming thy song, As had drawn both the beasts and their Orpheus along; But such is thy avarice, and such is thy pride. That the beasts must have starved, and ...
— The Humourous Poetry of the English Language • James Parton
... sung, or would, or could, or should have sung, The modern Greek, in tolerable verse; If not like Orpheus quite, when Greece was young, Yet in these times he might have done much worse: His strain displayed some feeling—right or wrong; And feeling,[203] in a poet, is the source Of others' feeling; but they are such liars, And take all colours—like ...
— The Works of Lord Byron, Volume 6 • Lord Byron
... gloom breaks into bloom, The Temple's arch cracks as we sigh, A clashing sound above that spoke Blind wrath unto each Wizard's rage, Revealed the chasm of stark Doom. Unto the peaks and gables black, Syrian airs like Orpheus Lull sequestered afrites to sleep, A witch smites her high biforous— A symbol of king Typhon's wrack! Where crystal lamps shine most glorious, Twin legions lie in cajons bleak,— Tokens of Hell invidious! Then fades the burnished light on high; ...
— Betelguese - A Trip Through Hell • Jean Louis de Esque
... appeared with the golden fleece, Phoebus Apollo brought in a calf stolen from the herds of Admetus, Diana led Actaeon in the form of a stag, Atalanta followed with the wild boar of Calydon, Iris came with a peacock from the car of Juno, and Orpheus carried in the birds whom he had charmed with his lute. Hebe poured out the wines, Vertumnus and Pomona handed round apples and grapes, Thetis and her sea-nymphs brought every variety of fish, and shepherds crowned with chaplets of ivy arrived from the hills of Arcady, bearing jars of milk and ...
— Beatrice d'Este, Duchess of Milan, 1475-1497 • Julia Mary Cartwright
... intrinsic character from the sacred plays, and was moreover far from that second form of tragedy which was later given to it, not by the author himself, but probably by Tebaldeo, to serve the dramatic tastes of Ferrara. So then the 'Fable of Orpheus' is a prelude, a passage, an attempt at the transformation of the dramatic spectacle so dear to the people, and while it detaches itself in subject from the religious tradition, it is not yet involved in the meshes of classic imitation. If, indeed, from the stage ...
— Some Forerunners of Italian Opera • William James Henderson
... on the following day in the southern passage, to prevent their falling into the hands of the enemy. The vessels destroyed, in addition to those mentioned in the last chapter, were, the Juno, Lark, Orpheus, and Flora of thirty-two guns, and ...
— Memoirs and Correspondence of Admiral Lord de Saumarez, Vol. I • Sir John Ross
... This, which is now called the Balkan range, was a lofty chain of mountains running through Thrace. Orpheus, the son of Oeagrus and Calliope, was there torn in pieces by the Maenades, or Bacchanalian women, whence the mountain ...
— The Metamorphoses of Ovid - Vol. I, Books I-VII • Publius Ovidius Naso
... homines sacer interpresque Deorum Caedibus et victu foedo deterruit Orpheus; Dictus ob hoc lenire tigres rabidosque leones. Dictus et Amphion, Thebanae conditor arcis, Saxa movere sono testudinis, et prece blanda. And why not? he's a Gentleman, with clear Good forty thousand sesterces a year; A freeman too; and all the world allows, "As honest ...
— The Art Of Poetry An Epistle To The Pisos - Q. Horatii Flacci Epistola Ad Pisones, De Arte Poetica. • Horace
... "Thou shalt not kill," "Thou shalt not steal." Formerly it was assumed that this similarity was the result of borrowing between groups. When Bastian recorded a Hawaiian myth resembling the one of Orpheus and Eurydice, there was speculation as to how this story had been carried so far from Greece. But it is now recognized that similarities of culture are due, in the main, not to imitation, but to parallel ...
— Introduction to the Science of Sociology • Robert E. Park
... oft forget their Rulers' faults, And waste in ancient lore the midnight taper, Inquire if Orpheus first produced the Waltz, How Gas-lights differ from the Delphic Vapor. Whether Hippocrates gave Glauber's Salts, And what the Romans wrote on ere obey'd paper,— This night the subject of their disquisitions Was Ghosts, Hobgoblins, ...
— The Humourous Poetry of the English Language • James Parton
... Halcyone led him to each of the favorite points of view, and he became acquainted with the great serpent, and so vivid was her picturing that he almost fancied he saw the Golden Fleece, nailed to the tree beyond, and heard Orpheus' exquisite melodies charming the reptile to sleep while Jason stepped over his ...
— Halcyone • Elinor Glyn
... much of Vaeinaemoeinen's playing and singing in the Kalevala, especially in Runo 46, where he charms all nature by his playing and singing, like Orpheus. In Runo 50 he is described as leaving Finland on account of his authority departing at the coming of Christ; though it is said by an old writer that the favourite deities of the Finns in his time were Vaeinaemoeinen and ...
— The Hero of Esthonia and Other Studies in the Romantic Literature of That Country • William Forsell Kirby
... said that Orpheus made such sweet music on his golden harp that wild beasts, trees, and rocks followed him as he moved. By his playing he even prevailed upon Pluto to give back his dead ...
— Ritchie's Fabulae Faciles - A First Latin Reader • John Kirtland, ed.
... is a genuine reality to these men. We feel this in nearly all the work of that sort—least, in the archaeological Mantegna's. We see it beginning in the mere single figures—the various drawings of Orpheus, "Orpheus le doux menestrier jouant de flutes et de musettes," as Villon called him, much about that time—piping or fiddling among little toy animals out of a Nuremberg box; the drawing of fauns carrying sheep, some with a queer ...
— Renaissance Fancies and Studies - Being a Sequel to Euphorion • Violet Paget (AKA Vernon Lee)
... immortality for the lowest, the vastness in humility, the kindness of the human heart, man's noblest strength, and he knows that God is nothing—nothing but love! Whence cometh the wonder of a moment? From sources we know not. But we do know that from obscurity, and from this higher Orpheus come measures of sphere melodies [note: Paraphrased from a passage in Sartor Resartus.] flowing in wild, native tones, ravaging the souls of men, flowing now with thousand-fold accompaniments and rich symphonies through all our hearts; ...
— Essays Before a Sonata • Charles Ives
... shores, Proud Jason starts, confounded in his might, Leads back his peers, and dares no more the fight. But the sly Priestess brings her opiate spell, Soft charms that hush the triple hound of hell, Bids Orpheus tune his all-enchanting lyre, And join to calm the guardian's sleepless ire. Soon from the tepid ground blue vapors rise, And sounds melodious move along the skies; A settling tremor thro his folds extends, ...
— The Columbiad • Joel Barlow
... "Eurydice!" "Eurydice!" so beseeching, so passionate, so exhausted by longing, drew me with an irresistible power. Gluck certainly achieved the effect he attempted, and showed us what the fabled power of Orpheus was. ...
— Lippincott's Magazine, September, 1885 • Various
... the poet's wand above all, that, like the marble at Pygmalion's breast, she grows warm and breathes and answers to his charm; as in that symbolic saga, the listening woods and waters and the creatures followed Orpheus with his lute. Scientific knowledge, optical, acoustical, meteorological, geological, only widens and deepens love for her and increases and refines the sense of her beauty. In short, deep feeling for Nature always proves considerable culture ...
— The Development of the Feeling for Nature in the Middle Ages and - Modern Times • Alfred Biese
... well, but would not luxuriate in it; he took the beauty of the universe more seriously than himself. To him wickedness was a matter of imps and monsters rather than of villains, and of imps and monsters that could be exorcized by music. He was the Orpheus of the world who might tame the beast in all of us if we would listen to him, the wandering minstrel whom the world left to play out in the street. And yet his ultimate seriousness and the last secret of his beauty ...
— Essays on Art • A. Clutton-Brock
... distinguishes and elevates man, and lifts him to a degree of social morality to which the beast is powerless to attain. Hercules destroying the monsters and punishing brigands for the safety of Greece, Orpheus teaching the rough and wild Pelasgians,—neither of them putting a price upon their services,—there we see the noblest creations of poetry, the loftiest expression of ...
— What is Property? - An Inquiry into the Principle of Right and of Government • P. J. Proudhon
... the voice of a Circe. They never noticed Amanda's silence. She could lean back in her chair and dream. She remembered the story of Ulysses and his wax-filled ears that saved him from the sirens; the tale of Orpheus, who drowned their alluring voices by playing on his instrument a music sweeter than theirs—ah, that was her only hope! That somewhere, deep in the heart of the man she loved was a music surpassing in sweetness the music of the ...
— Amanda - A Daughter of the Mennonites • Anna Balmer Myers
... feelings and affections. In Hesiod and Homer, they are coarsely delineated by some of their actions and adventures, and introduced to us merely as the agents in those particular transactions; while in the Hymns, from those ascribed to Orpheus and Homer, down to those of Callimachus, we have little but pompous epithets and invocations, with a flattering commemoration of their most famous exploits—and are never allowed to enter into their bosoms, or follow out the train of their feelings, with the presumption of ...
— Famous Reviews • Editor: R. Brimley Johnson
... upon it and take it seriously, an outrage upon our understandings which common sense alone enables us to brook; granted that it carries with it a distinctly miraculous element which should vitiate the whole process ab initio, still, if we have faith we can so work these miracles as Orpheus-like to charm denizens of the unseen world into the seen again—provided we do not look back, and provided also we do not try to charm half a dozen Eurydices at a time. To think is to fuse and diffuse ideas, and to fuse and diffuse ideas is to feed. We can ...
— Luck or Cunning? • Samuel Butler
... Virey,[FN367] Rosenbaum[FN368] and M. H. E. Meier.[FN369] The ancient Greeks who, like the modern Germans, invented nothing but were great improvers of what other races invented, attributed the formal apostolate of Sotadism to Orpheus, whose stigmata were worn by the ...
— The Book of the Thousand Nights and a Night, Volume 10 • Richard F. Burton
... attentive: For do but note a wild and wanton herd, If any air of music touch their ears, You shall perceive them make a mutual stand, Their savage eyes turn'd to a modest gaze, By the sweet power of music. Therefore, the poet Did feign that Orpheus drew trees, stones, and floods; Since nought so stockish, hard, and full of rage, But music for the time doth change his nature: The man that hath no music in himself, Nor is not mov'd with concord of sweet sounds, Is fit for treasons, stratagems, and spoils; The motions of his spirit ...
— The Merchant of Venice [liberally edited by Charles Kean] • William Shakespeare
... old man, that lead to tears! Thou hast an opposite to Orpheus' tongue, Who chained all things with his enchanting song, For thy mad noise will put the chains on thee. Enough! Once ...
— Agamemnon • Aeschylus
... whoever comes, But hugs the fire in graceful idleness? Birds of a glittering gilt, that lack a tongue, Are shamed to drooping with the euphony Of fond expression, and the voice beneath The russet jacket of the soul of song. What is that girdle of the Queen of Love, Wherewith, as with the shell of Orpheus, Things high and humble, the enthroned gods, And tenants of the far unvisited huts Of wildernesses, she alike subdues Unto the awe of perfect harmony? What else but sweetness tempered all one way, And looks of sociable benignity? Which when she chooseth to be all herself, She doth put on, and in ...
— The International Monthly Magazine, Volume 5, No. 1, January, 1852 • Various
... amusement was, to make some comparison between the two countries, which I knew would immediately bring on the conflict I desired; and not without danger, for I sometimes expected, in the ardour of their patriotism, to meet with the fate of Orpheus. ...
— Diary in America, Series Two • Frederick Marryat (AKA Captain Marryat)
... the growing countenance which was extended to these rites in the third century, Christianity came in for a share. The chapel of Alexander Severus contained statues of Abraham, Orpheus, Apollonius, Pythagoras, and our Lord. Here indeed, as in the case of Zenobia's Judaism, an eclectic philosophy aided the comprehension of religions. But, immediately before Alexander, Heliogabalus, who was no philosopher, while he ...
— The Great Events by Famous Historians, Volume 03 • Various
... floor; curios, ranging from mummied cats and ibises to Turkish yataghans and Zulu assegais, surrounded the place in riotous disorder. Beyond doubt this was the apartment of Sir Lionel Barton. A lamp burned upon a table near to the disordered bed, and a discolored Greek statuette of Orpheus lay overturned on the carpet close ...
— The Hand Of Fu-Manchu - Being a New Phase in the Activities of Fu-Manchu, the Devil Doctor • Sax Rohmer
... birth of the god of fire, which nearly destroyed the mother's life, Izanami fled to the land of roots or of darkness, that is into Hades. Izanagi, like a true Orpheus, followed his Eurydice and beseeched her to come back to earth to complete with him the work of creation. She parleyed so long with the gods of the underworld that her consort, breaking off a tooth of his comb, lighted it as a torch and rushed in. He found her putrefied body, out of which had ...
— The Religions of Japan - From the Dawn of History to the Era of Meiji • William Elliot Griffis
... the altar of her beauty You sacrifice your tears, your sighs, your heart: Write till your ink be dry, and with your tears 75 Moist it again; and frame some feeling line That may discover such integrity: For Orpheus' lute was strung with poets' sinews; Whose golden touch could soften steel and stones, Make tigers tame, and huge leviathans 80 Forsake unsounded deeps to dance on sands. After your dire-lamenting elegies, Visit ...
— Two Gentlemen of Verona - The Works of William Shakespeare [Cambridge Edition] [9 vols.] • William Shakespeare
... which they labour, and be so conscious that reformations are requisite in their manners, that they must be ready to adopt, with joy, every plan of improvement, and to receive every plausible proposal with implicit compliance. And we are thus inclined to believe, that the harp of Orpheus could effect, in one age, what the eloquence of Plato could not produce in another. We mistake, however, the characteristic of simple ages: mankind then appear to feel the fewest defects, and are then least desirous ...
— An Essay on the History of Civil Society, Eighth Edition • Adam Ferguson, L.L.D.
... Uffizi: Lucretia. London. Cornelia and her Children. Paris. Venus and Cupid. Rome. Villa Borghese: Toilet of Minerva. Venice. Academy: The Marriage of Cana; Madonna in Glory; Vanity, Orpheus, and Eurydice; Rape of Proserpine; Virgin in Glory. Verona. Man and Woman playing Chess; Triumph of Bacchus. Vienna. Woman taken ...
— The Venetian School of Painting • Evelyn March Phillipps
... old fiddler, a kind of Orpheus of the slums, who would sometimes creep in there and take his post in a corner and begin to play, happy if the mad lads threw him halfpence, or thrust a half-drained tankard under his tearful old nose: happy, too, if they did not—as they often did—toss the cannikin ...
— Marjorie • Justin Huntly McCarthy
... ceased the rival crew, when Purcell came; They sung no more, or only sung his fame: Struck dumb, they all admired the godlike man: The godlike man, Alas! too soon retired, As he too late began. We beg not hell our Orpheus to restore: Had he been there, Their sovereign's fear Had sent him back before. The power of harmony too well they knew: He long ere this had tuned their jarring sphere, ...
— The Poetical Works of John Dryden, Vol II - With Life, Critical Dissertation, and Explanatory Notes • John Dryden
... not yet easy to imagine the cause. Lucy's requests were laws to me, and Neb was ordered to sheer down on the quarter of this second sloop, as we had done on that of the first. As we drew near, her stern told us that she was called the "Orpheus of Sing-Sing," a combination of names that proved some wag had been connected with the christening. Her decks had also a party of both sexes on them, though neither carriage nor horses. All this time, Lucy stood quite ...
— Afloat And Ashore • James Fenimore Cooper
... suppliant, to thy door, And seek thee out: O holy one, cast thou thy pity o'er Father and son! All things thou canst, nor yet hath Hecate Set thee to rule Avernus' woods an empty Queen to be. Yea, Orpheus wrought with Thracian harp and strings of tuneful might To draw away his perished love from midmost of the night. 120 Yea, Pollux, dying turn for turn, his brother borrowed well, And went and came the road full oft—Of Theseus ...
— The AEneids of Virgil - Done into English Verse • Virgil
... lazuli. The staircase is divided from the hall by three arches, through which is seen the staircase-window, representing, in stained glass, the Earth, Air, and Water. Under the central arch is the fireplace, on the hood of which will eventually be a bronze figure of Orpheus, on a ground of mosaic. The floor is of marble mosaic, and round the border are the various beasts listening to the music, the trees and river, etc. Above the dado, and on the wooden panels of ceiling, ...
— Scientific American Supplement, No. 312, December 24, 1881 • Various
... Parliament to sit till a Protector turned it out of doors. He was, therefore, only acting upon his own theory, and he seems to us to have been acting wisely as well as courageously, when he consented to become a humble but necessary wheel of the machinery of administration, the Orpheus among ...
— Life of John Milton • Richard Garnett
... (and other countries) it is practiced, where, according to Herrera, one great market is supplied with human flesh alone, for the better sort of people; or because cannibalism was universal before the days of Orpheus. I almost fear lest the emancipationists, by adopting cannibalism as right, with such high authorities and precedents to support their position, may endeavor to palliate African cannibalism on the ground that it is not a ...
— The Right of American Slavery • True Worthy Hoit
... having related the story of Orpheus, who, when he had recovered his wife from the dominions of death, lost her again by looking back upon her in the confines of light, concludes with a very elegant and forcible application. "Whoever you are that endeavour to elevate your minds to the illuminations of Heaven, consider yourselves ...
— The Works of Samuel Johnson - Volume IV [The Rambler and The Adventurer] • Samuel Johnson
... back before," she breathlessly said, as she released Adelaide; "I felt as if your papa were Orpheus, when ...
— Countess Kate • Charlotte M. Yonge
... the Divine Law to love virtue, and be firm while he was forbearing. He loved virtue, but he did not accept the faith, and would only look upon our Blessed Lord as a sort of great philosopher, placing His statue with that of Abraham, Orpheus, and all whom he thought great teachers of mankind, in a private temple of his own, as if they were all on a level. He never came any nearer to the faith, and after thirteen years of good and firm government he was killed in a mutiny ...
— Young Folks' History of Rome • Charlotte Mary Yonge
... still another grows to wane again, Dead—thou art dead. Would that I too were gone And that the grass which rustles on thy grave Might also over mine forever wave Made living by the death it grew upon. I ask not Orpheus-like, that Pluto give Thy soul to earth. I would not ...
— Thoughts, Moods and Ideals: Crimes of Leisure • W.D. Lighthall
... back of his head with his hands. He positively laughed and cried at once; then, drawing a roll of bank-notes from his pocket-book, he threw it to the gypsies, and fell back in his chair, as if exhausted with so much enjoyment. And in this lies the triumph of the gypsy music; it is like that of Orpheus, which moved the rocks and trees. The soul of the Hungarian plunges, with a refinement of sensation that we can understand, but cannot follow, into this music, which, like the unrestrained indulgence of the imagination in fantasy and caprice, gives to the initiated all the intoxicating sensations ...
— The Gypsies • Charles G. Leland
... part of the back wall is represented, in the same precious stones, and in a graceful attitude, a European in a kind of Spanish costume, playing upon his guitar, and in the character of Orpheus charming the birds and beasts which he first taught the people of India so well to represent in this manner. This I have no doubt was intended by Austin de Bordeaux for himself. The man from Shiraz, Amanat Khan, who designed all the noble Tughra characters in which the passages from the Koran are ...
— Rambles and Recollections of an Indian Official • William Sleeman
... of things as they are, but will conduct them to a hill-side where he will point out to them "the right path of a virtuous and noble education, laborious indeed at the first ascent, but else so smooth, so green, so full of goodly prospect and melodious sounds on every side, that the Harp of Orpheus was not more charming." The rest of the tract is a redemption of this promise. To represent it by mere continued quotation would be of small use, and is perhaps unnecessary. We will, ...
— The Life of John Milton Vol. 3 1643-1649 • David Masson
... they expanded the original writings of such historians as Hecataeus, who had spoken in a commendatory way of the Jews. They even went so far as to insert long passages into the writings of the famous Greek poets, such as Orpheus, Hesiod, Aeschylus, Sophocles, and Menander, so as to transform them into ardent champions of the persecuted race. The culmination of this illegitimate form of defence was to insert in the famous Sibylline Books (III) a long passage describing the glories of the Jewish ...
— The Makers and Teachers of Judaism • Charles Foster Kent
... the "Treud-nan-Ron" and "The Woman at the Crossways"; and "The Man on the Moor," though its origin is far from their origins, is also a reweaving. In certain of his writing of this time Sharp passes over virtually into criticism or comparative mythology, as in "Queens of Beauty" and "Orpheus and Oisin," and in many of the papers of "Where the Forest Murmurs." These all have interest; but some smell much of the lamp; and none of them are to be compared to the best of his "Seanchas," to "The Harping of Cravetheen," ...
— Irish Plays and Playwrights • Cornelius Weygandt
... can draw, in less than a second, from one tiny convolution of my brain, from one corner of my mind. No wizard that ever lived had spells which could evoke such kingdoms and worlds as anyone of us can conjure up with certain words: Greece, the Middle Ages, Orpheus, Robin Hood, Mary Stuart, ...
— Laurus Nobilis - Chapters on Art and Life • Vernon Lee
... arise," the origin of the Pelasgians is conjectured to have been from—(a) swarthy Asiatics (Pellasici) or from some (b) mariners—from the Greek Pelagos, the sea; or again to be sought for in the (c) Biblical Peleg! The only divinity of their Pantheon well known to Western history is Orpheus, also the "swarthy," the "dark-skinned;" represented for the Pelasgians by Xoanon, their "Divine Image." Now if the Pelasgians were Asiatics, they must have been Turanians, Semites or Aryans. That they could not have been either of the two first, and ...
— Five Years Of Theosophy • Various
... Torrens went on:—"It doesn't matter. If you had ever done so, I believe you would confirm my experience of the position. If Orpheus had whistled, instead of singing to a lute, Eurydice would have stopped with Pluto, and Orpheus would have cut a very poor figure. I began to perceive that Achilles wasn't going to respond, and I knew the ...
— When Ghost Meets Ghost • William Frend De Morgan
... ours was done the Greek or Latin tongue, Thou hast redeem'd, and opened us a mine Of rich and pregnant fancy, drawn a line Of masculine expression, which, had good Old Orpheus seen, or all the ancient brood Our superstitious fools admire, and hold Their lead more precious than thy burnish'd gold, Thou hadst been their exchequer.... Let others carve the rest; it will suffice I on thy grave this epitaph incise:— ...
— Gossip in a Library • Edmund Gosse
... hear it; by turning the ring, the wearer is enabled to assume any form desired at will; by throwing it away he may summon the fairy herself to his aid. The Prince assumes the form of an old man, and, like Orpheus, softens the nature of the wild beasts that he meets in the forest. He even melts the heart of the magician himself, who admits him to his castle. Once he is within its walls, the inmates all yield ...
— A Book of Operas - Their Histories, Their Plots, and Their Music • Henry Edward Krehbiel
... temple to him, and his image was to be found in many other temples. [137] The emperor Adrian collected his letters, and treated them as an invaluable relic. Alexander Severus placed his statue in his oratory, together with those of Jesus Christ, Abraham and Orpheus, to whom he was accustomed daily to perform the ceremonies of religion. [138] Vopiscus, in his Life of Aurelian, [139] relates that this emperor had determined to rase the city of Tyana, but that ...
— Lives of the Necromancers • William Godwin
... passage, speaking of Poliziano's Orfeo, Symonds remarks that 'while Arcady became the local dreamland of the new ideal, Orpheus took the place of its hero.' Without inquiring too closely how far the writers of the renaissance actually connected the hero of music, as a power of civilization, with their newly discovered country, it is interesting to note that the ...
— Pastoral Poetry and Pastoral Drama - A Literary Inquiry, with Special Reference to the Pre-Restoration - Stage in England • Walter W. Greg
... where the subjects are taken from antiquity, rather in the framing than in the ground work, as in the titles "A Modern Sappho," "The New Sirens," "Stagyrus," and "In utrumque paratus." It is Homer and Epictetus and Sophocles who "prop his mind;" the immortal air which the poet breathes is "Where Orpheus and where Homer are;" and he addresses "Fausta" ...
— The Germ - Thoughts towards Nature in Poetry, Literature and Art • Various
... opportunities for him to indulge his fancy, and we have found him adapting themes derived from these sources to the decoration of cassoni, or marriage chests. Another typical example of this practice is afforded by his "Orpheus and Eurydice," in the gallery at Bergamo, a splendid little panel, probably, like the "Apollo and Daphne" in the Seminario at Venice, intended as a decorative piece of applied art. Although bearing Giorgione's name by tradition, modern critics have passed ...
— Giorgione • Herbert Cook
... Arion's music calm'd the floods And Orpheus ever drew the dancing woods! Why do not British trees and forest throng To hear the sweeter notes of Handel's song? This does the falsehood of the fable prove— Or seas and woods when Handel harps ...
— Sketch of Handel and Beethoven • Thomas Hanly Ball
... did you ever, hot in love, a little British middy see, Like Orpheus asking what the deuce to ...
— The Shaving of Shagpat • George Meredith
... business of life to good advantage, without learning.' JOHNSON. 'Why, Sir, that may be true in cases where learning cannot possibly be of any use; for instance, this boy rows us as well without learning, as if he could sing the song of Orpheus to the Argonauts, who were the first sailors.' He then called to the boy, 'What would you give, my lad, to know about the Argonauts?' 'Sir, (said the boy,) I would give what I have.' Johnson was much pleased with his answer, and we gave him a double fare. Dr. Johnson ...
— Life of Johnson - Abridged and Edited, with an Introduction by Charles Grosvenor Osgood • James Boswell
... palm at fiddle-playing to Castero. That one man was no other than Frederick Katwingen, the son of a rich brewer, whom his admirers—more numerous than those of his rival—had called the Dutch Orpheus. ...
— Blackwood's Edinburgh Magazine, Volume 54, No. 334, August 1843 • Various
... celebrities, forgetting their mollusks and glacial periods, gossiped about art, while devoting themselves to oysters and ices with characteristic energy; the young musician, who was charming the city like a second Orpheus, talked horses; and the specimen of the British nobility present happened to be the most ...
— Little Women • Louisa May Alcott |
