"Neolithic" Quotes from Famous Books
 ... Sylt tradition "is evidently one of those valuable legends which illuminate dark pages of history. It clearly bears testimony to the same small race having inhabited Friesland in times which we trace in the caves of the Neolithic age, and of which the Esquimaux are the only survivors." For many of the kindred traditions in that locality, one cannot do better than refer to Mr. Christian Jensen's Zwergsagen aus Nordfriesland, contributed ...
— Fians, Fairies and Picts • David MacRitchie
... After an at least long-continued study of existing evidence and information relating to the Stone Ages, the conviction grew upon him that the mysterious gap supposed by scientific teachers to divide Paleolithic from Neolithic man never really existed. No convulsion of nature, no new race of human beings is needed to explain the difference between the relics of Paleolithic and Neolithic strugglers. Growth, experiment, ...
— The Story of Ab - A Tale of the Time of the Cave Man • Stanley Waterloo
... some slight knowledge of its industrial value. Prehistoric excavations have been found in Monmouthshire, and at Stanley, in Derbyshire, and the flint axes there actually found imbedded in the layer of coal are reasonably held to indicate its excavation by neolithic or palaeolithic ...
— The Story of a Piece of Coal - What It Is, Whence It Comes, and Whither It Goes • Edward A. Martin
... running into a natural underground passage which had previously existed. But the more generally accepted theory was that the hut circles marked the site of a prehistoric village, and the deeper pit had been the quarry from which the Neolithic men had obtained the flints of which they made their implements. These flints were imbedded in the chalk a long way from the surface, and to obtain them the cave men burrowed deeply into the clay, ...
— The Shrieking Pit • Arthur J. Rees
... is therefore the most important aesthetic document in this exhibition besides being the best picture. Cezanne set modern art on the right road. The revolutionary doctrine he bequeathed to Post-Impressionism is a truth as old as the Neolithic Age—the truth that forms and colours are of themselves significant. The Italian Futurists are at the opposite pole to Post-Impressionists because they treat form and colour as vehicles for the transmission of facts and ideas. Polka and Valse by Severini are, in intention, ...
— Pot-Boilers • Clive Bell |
