"Lyric" Quotes from Famous Books
 ... Italian poetry, which now followed at the end of the fifteenth century, as well as the Latin poetry of the same period, is rich in proofs of the powerful effect of nature on the human mind. The first glance at the lyric poets of that time will suffice to convince us. Elaborate descriptions, it is true, of natural scenery are very rare, for the reason that, in this energetic age, the novels and the lyric or epic poetry had something else to deal with. Bojardo and Ariosto ...
— The Great Events by Famous Historians, Volume 07 • Various
... has probably lessened the vogue of Calderon in other countries. In the construction and conduct of his plots he showed great skill, yet the ingenuity expended in the management of the story did not restrain the fiery emotion and opulent imagination which mark his finest speeches and give them a lyric quality which some critics regard as his ...
— Life Is A Dream • Pedro Calderon de la Barca
... splendour or its terror in permanent images of tone. The melancholy beauty of the autumn woods, the loveliness of quiet waters under fading skies, the sapphire and emerald glories, or the ominous chantings, of the sea, the benign and mysterious majesty of summer stars, the lyric sweetness of a meadow: these things urged him to musical transcripts, notations of loving tenderness and sincerity. His music is redolent of the breath and odour of woodland places, of lanes and moors and gardens; or it is saturated with salt spray; or it communicates ...
— Edward MacDowell • Lawrence Gilman
... we have let the gift of lyric improvisation die out. Sitting islanded on some gray peak above the encompassing wood, the soul is lifted up to sing the Iliad of the pines. They have no voice but the wind, and no sound of them rises up ...
— The Land of Little Rain • Mary Austin
... shelves a little volume of Whittier, bound in calf, handling it as tenderly as if it were a priceless possession. Some pressed violets dropped out as she opened it, and she replaced them with devotional fingers. After some time she decided upon a lyric lament entitled "Eva." I was asked to run over the verses, and found them remarkably easy to learn; fatally impossible to forget. I presently arose and with an impish betrayal of the poverty of rhyme and the plethora of sentiment, repeated ...
— Painted Windows • Elia W. Peattie
... how or when Shall we, thy guests, Meet at those lyric feasts, Made at the "Sun," The "Dog," the "Triple Tun," Where we such clusters had As made us nobly wild, not mad? And yet each verse of thine Outdid the meat, outdid the frolic wine. My Ben! Or come again, Or send to us, Thy wit's great overplus. But teach us yet Wisely ...
— Specimens with Memoirs of the Less-known British Poets, Complete • George Gilfillan
... scourged them ever with hate's sanguineous rods; But who with hope and faith may live at odds? And then these jingling jays with plume-plucked wings, Compete, and laureate laurels are lovely things, Though crowing lyric ...
— Punch, or the London Charivari, Vol. 103, October 22, 1892 • Various
... was, in fact, the parent of the vaccination which has superseded it, and which is merely inoculation with matter derived from another source, the cow. She was also an authoress of considerable repute for lyric odes and vers de societe, &c., and, above all, for her letters, most of which are to her daughter, Lady Bute (as Mme. de Sevigne's are to her daughter, Mme. de Grignan), and which are in no respect inferior to those of the French lady in sprightly ...
— Letters of Horace Walpole - Volume I • Horace Walpole
... . Od in locos communes ad lyric poseos studiosorum utilitatem digest. Studio & oper Josephi Langii. Hanovi, typis Wechelianis, apud Claudium Marnium & heredes Joannis Aubrii, ...
— The Library of William Congreve • John C. Hodges
... band, playing tom-tomic strains—the lyric style of dinner-gong music that tears holes in the air. The leader was an imitator of Sousa and had his gymnastic eccentricities down to a fine point. He executed a fantasia on his horn of plenty that brought a shower of silver on the stage. We were told that the ...
— A Fantasy of Mediterranean Travel • S. G. Bayne
... black African slave captured in war; so was Aesop, the world's greatest fabulist; so was Terence, among the grandest of Rome's lyric poets; so was Pushkin, the national poet to-day of Russia; so was Alexander Dumas the first, the greatest, not only of French novelists, but of novelists of all times and the infinite storehouse from ...
— Twentieth Century Negro Literature - Or, A Cyclopedia of Thought on the Vital Topics Relating - to the American Negro • Various
... primarily to the Revolutionary epoch in modern history. Though he wrote several long narrative poems and one great tragedy, he was above all a lyric poet—according to some the greatest lyric poet of England. His life, like his poetry, was almost untrammelled by convention. Both gave great offence to the stricter elements of English society. In some respects Shelley was peculiarly unfortunate. ...
— A History of the Nineteenth Century, Year by Year - Volume Two (of Three) • Edwin Emerson
... lose my soul and lie Blind to the beauty of the earth, Deaf tho' a lyric wind goes by, Dumb in a storm ...
— Rivers to the Sea • Sara Teasdale
... that is the kind of thing they like). This she did let slip. Generally, throughout all the centuries, she kept up a pretence of thinking history the greatest of all the arts. She always held her head high among her Sisters. It was only on the sly that she was an omnivorous reader of dramatic and lyric poetry. She watched with keen interest the earliest developments of the prose romance in southern Europe; and after the publication of "Clarissa Harlowe" she spent practically all her time in reading novels. It was not until the ...
— Zuleika Dobson - or, An Oxford Love Story • Max Beerbohm
... neither the plastic effect of the sculpture nor the color of the painting. The essential features of the real model are left out. As an imitation it would fail disastrously. What is imitated in a lyric poem? Through more than two thousand years we have appreciated the works of the great dramatists who had their personages speak in the rhythms of metrical language. Every iambic verse is a deviation from reality. If they had tried to imitate nature Antigone and Hamlet would ...
— The Photoplay - A Psychological Study • Hugo Muensterberg
... at 'A New Blue Book,' at 'To a Boy-Poet of the Decadence,' and at 'To Julia in Shooting Togs.' But, after all, Mr. Seaman's masterpiece up to date is certainly 'To the Lord of Potsdam.' ... This will live, or we are greatly mistaken, among the most effective examples of historical satire-lyric."—The Saturday Review. ...
— The Battle of the Bays • Owen Seaman
... aspre et affreux." Even the early troubadours and trouveres, poets and rhapsodists, loving to admire and enlarge and extol, are silent concerning the mountains. Despourrins, the poet of the Pyrenees, sang of love and lyric inspiration; but he rarely looked up to seek the higher inspiration of their hills and snows. It is inexplicable that the power of the sublime should have been withheld from the age of romance and poetry ...
— A Midsummer Drive Through The Pyrenees • Edwin Asa Dix
... appear that in the three great departments of poetry,—the epic, the lyric, and the dramatic,—the old Greeks were great masters, and have been the teachers of all subsequent nations ...
— Beacon Lights of History, Volume I • John Lord
... word. He is said to have displayed both diligence and remarkable quickness of apprehension, combined too with the utmost gravity and modesty. He not only acquired great familiarity with the poets, but composed poetry of his own—dithyrambic, lyric, and tragic; and he is even reported to have prepared a tragic tetralogy, with the view of competing for victory at the Dionysian festival. We are told that he burned these poems, when he attached himself to the society of Socrates. No compositions in verse remain ...
— Great Men and Famous Women, Vol. 7 of 8 • Charles F. (Charles Francis) Horne
... I have some slight control, But deem her of a feeble soul That doth not love my naked sword Above my sweetest lyric word," ...
— Among My Books • James Russell Lowell
... musical accompaniment. Choirs of boys gathered and performed their dance to the sound of flute and lyre, and the best of them were chosen to act characters; the songs written for these occasions were known as chorales; and the ancient lyric poetry abounded ...
— Works, V2 • Lucian of Samosata
... good in quality, but then There's not sufficient of it for a queen Of the lyric stage. Yet such she claims to be, But is ...
— Punchinello, Vol. 1, No. 11, June 11, 1870 • Various
... the book, laid it back in her basket, and raising the lid of the piano, she sang that sad, wailing lyric ...
— St. Elmo • Augusta J. Evans
... A lyric conception—my friend, the Poet, said—hits me like a bullet in the forehead. I have often had the blood drop from my cheeks when it struck, and felt that I turned as white as death. Then comes a creeping as of centipedes running down the spine, —then a gasp and a great jump of the ...
— The Autocrat of the Breakfast-Table • Oliver Wendell Holmes, Sr. (The Physician and Poet not the Jurist)
... her before he saw her. The rhythms of a song, a tender and gay little lyric which she had sung to crowded drawing-rooms, but for him alone, long years past, floated out to him, clear and pure, through the clear, pure balm of the forest. He slipped quietly from his horse and saw her, through the window, seated at ...
— Success - A Novel • Samuel Hopkins Adams
... is successful, he's steeped in renown, His lyric effusions have tickled the town; Dukes, dowagers, dandies, are eager to trace The fountain of verse in the verse-maker's face: While, proud as Apollo, with peers tete-a-tete, From Monday till Saturday dining off plate, His heart full of hope, and his head full of gain, The Poet ...
— English Satires • Various
... that?" cried Soelling, amid the hearty laughter of the others. "Simsen's so lyric, he certainly must be drunk. I must have that arm at ...
— The Continental Classics, Volume XVIII., Mystery Tales • Various
... them in Sparta. Some others he rejected. Among the friends he gained in Crete was Thales, with whom he had interest enough to persuade him to go and settle at Sparta. Thales was famed for his wisdom and political abilities: he was withal a lyric poet, who under colour of exercising his art, performed as great things as the most excellent lawgivers. For his odes were so many persuasives to obedience and unanimity, as by means of melody and numbers they had great grace and power, ...
— Ideal Commonwealths • Various
... the lyrics, are of almost no importance. The business was to show a number of pretty scenes, and noble ladies, and to give them a chance of exhibiting their clothes, and their voices. The last gave Jonson his chance; the fine Horatian workman that he was could always produce a lyric that would fit any situation and give some dignity to any trivial personage. But the taint of vanity and fashion, pomp and externality, inevitably clung to the whole thing. Too many personages were introduced, probably because in such plays there were always a great ...
— Milton • John Bailey
... the string By lyric fingers crossed, To Laura Secord's praise and fame, When forty years ...
— Laura Secord, the heroine of 1812. - A Drama. And Other Poems. • Sarah Anne Curzon
... a contemporary of Pushkin and a lyric poet of some originality and talent. The "Feasts" is a short brilliant poem in praise of conviviality. Pushkin is therein praised as the best ...
— Eugene Oneguine [Onegin] - A Romance of Russian Life in Verse • Aleksandr Sergeevich Pushkin
... he that bent the lyric bow And laid the lord of darkness low And bade the fire of laughter glow Across his grave, And bade the tides above ...
— A Channel Passage and Other Poems - Taken from The Collected Poetical Works of Algernon Charles - Swinburne—Vol VI • Algernon Charles Swinburne
... civilisation in the world comes in; the dear old peuple de Paris, the most interesting people in the world, pass by. I have a little book in my pocket; it is exquisitely printed, a modern Elzevir. It is a lyric cry from the heart of young France, and is full of the sentiment of form. There is no form here, dear Harvard; I had no idea how little form there was. I don't know what I shall do; I feel so undraped, so ...
— The Point of View • Henry James
... 31) based on poems of Heine's are particularly successful, especially in the excellent opportunity of the lyric describing the wail of the Scottish woman who plays her harp on the cliff, and sings above the raging of sea and wind. The third catches most happily the whimsicality of the poet's reminiscences of childhood, ...
— Contemporary American Composers • Rupert Hughes
... This admirable lyric seemed to have perfect success, if one were only to judge from the thundering of voices, hands, and drinking vessels which followed; while a venerable, gray-haired sergeant rose to propose Mr. Free's health, ...
— Charles O'Malley, The Irish Dragoon, Volume 1 (of 2) • Charles Lever
... umpires animated snow-men, the heap of sawdust at either end a pyramid of powdered gold upon an emerald ground. And in the expectant hush before the appearance of the fielding side, I still recall the Yorkshire accent of the Surrey Poet, hawking his latest lyric on some "Great Stand by Mr. Webbe and Mr. Stoddart," and incidentally assuring the crowd that Cambridge was going to win because ...
— Mr. Justice Raffles • E. W. Hornung
... and councils of the Roman people is defaced by the inconsiderate levity of a few, who never recollect where they have been born, but who fall away into error and licentiousness, as if a perfect impunity were granted to vice. For as the lyric poet Simonides teaches us, the man who would live happily in accordance with perfect reason, ought above all things to have a ...
— The Roman History of Ammianus Marcellinus • Ammianus Marcellinus
... gets watching a handicraftsman at his work, a goldsmith hammering out his gold into those thin plates as delicate as the petals of a yellow rose, or drawing it out into the long wires like tangled sunbeams, so perfect and precious is the mere handling of it; or the little lyric interludes that break in here and there like the singing of a thrush, and are as swift and as sure as the beating of a bird's wing, as light and bright as the apple-blossoms that flutter fitfully down to the orchard grass after a spring shower, and look the lovelier for the rain's ...
— Miscellanies • Oscar Wilde
... realm of magic, into the upper air of spontaneous spiritual activity, his imagination has, for the romantic imagination which it is, a trifle too much self-possession—too much sanity, if one chooses. He has the ambitions, the faculties, of a lyric poet, and he gives us ...
— French Art - Classic and Contemporary Painting and Sculpture • W. C. Brownell
... This charming lyric, the pathetic tenderness of which commends it to every feeling heart, is all that Burns has left in evidence that the sea had to him, ...
— Chambers's Edinburgh Journal, No. 429 - Volume 17, New Series, March 20, 1852 • Various
... Lyric Hall lies just this side of the Forty-second Street station along the line of the Sixth Avenue Elevated road, and you can look into its windows from the passing train. It was after one o'clock when the invited guests and their friends pushed open the storm-doors and were recognized by the anxious ...
— Cinderella - And Other Stories • Richard Harding Davis
... little poems are less artificial than most French verse; they are the result of a less obvious effort. He lisped in numbers; and with him it was rather prose that had to be consciously acquired. His lyric note, although not keen and not deep, is heard again and again in his novels, and it sustains some of the most graceful and tender of his short stories,—"The Death of the Dauphin," for instance, and the "Sous-prefet ...
— The Nabob, Volume 1 (of 2) • Alphonse Daudet
... and landscape reveal a remarkably receptive artistic temperament; splendid and vigorous movement of lines shows that the artist is a poet. Then we are in a cul-de-sac. There is no hint of what kind of poet—too reserved to be consistently lyric, there is not sufficient evidence of the dramatic faculty to help us on to the true scent. All we can say is that we have before us a mind capable of very complete and real illusions, haunted by imagination, always ...
— Emily Bront • A. Mary F. (Agnes Mary Frances) Robinson
... Purcell's opera of King Arthur has been lately revived at Drury-Lane, where it has had a considerable run. The public prints have been loud in its praise; and this work has been styled "the perfect model of the lyric drama of England." The intervention of spoken dialogue, by many in their innocence hitherto supposed to be a defect in the construction of a musical drama, is strangely metamorphosed into a beauty in King Arthur. In short, from some of these critiques, ...
— Blackwood's Edinburgh Magazine—Vol. 54, No. 333, July 1843 • Various
... both in youth and maturer age, he seems to have indulged in conviviality. He liked choice wine, and in the society of friends scrupled not to enjoy the luxuries of his time. He was never married. The Odes of Horace want the higher inspirations of lyric verse. His amatory verses are exquisitely graceful, but they have no strong ardor, no deep tenderness, nor even much light and joyous gayety; but as works of refined art, of the most skillful felicities of language and ...
— A Smaller History of Rome • William Smith and Eugene Lawrence
... has been received into the circle of the gods. This at least is the case in Sanscrit as in Greek literature, where the hymn and ballad precede the epic. The epic poem becomes the stable form of poetry during the middle period in the history of literature, both in India and Greece. The union of the lyric and the epic produces the drama. The speeches uttered by the heroes in such poems as the "Iliad" are put into the mouths of real personages who appear in sight of the audience and represent with fitting gestures and costumes the characters of the story. The dialogue is interspersed ...
— Hindu Literature • Epiphanius Wilson
... when he was ask'd to sing, He gave the different nations something national; 'T was all the same to him—'God save the king,' Or 'Ca ira,' according to the fashion all: His muse made increment of any thing, From the high lyric down to the low rational: If Pindar sang horse-races, what should hinder Himself from being as pliable ...
— Don Juan • Lord Byron
... suddenly before the next episode, a languorous song of lower strings (molto appassionato), strangely broken into by sighing phrases in the high wood (flebile). After further interruption, the love song is crowned by a broad flowing melody (sehr getragen und ausdrucksvoll)—the main lyric utterance of all. It has a full length of extended song, proportioned to its distinguished beauty. The dual quality is very clear throughout the scene. Much of the song is on a kindred phrase of the lyric melody sung by the clarinet with dulcet ...
— Symphonies and Their Meaning; Third Series, Modern Symphonies • Philip H. Goepp
... the earlier years had almost entirely disappeared, and in its place appeared the perfect concerted music of the stanzas (from the sonnet and the Spenserian downwards), the infinite variety of the decasyllable, and the exquisite lyric snatches of song in the dramatists, pamphleteers, and music-book writers. Following the general law already indicated, the formal advance in prose was less, but an enormous stride was made in the direction of applying it to its various uses. ...
— A History of English Literature - Elizabethan Literature • George Saintsbury
... of a popular lyric may be, inevitable as may be the justice of its sentiment, unerring as may be its touch upon reality, still it lacks the note which marks it out for one man's utterance among a thousand. Composing it, the one ...
— Wine, Women, and Song - Mediaeval Latin Students' songs; Now first translated into English verse • Various
... children fragments and bits of verse and prose to commit to memory. One of the greatest services we can do the young mind is to accustom it to the perception of wholes, and whether this whole be a lyric or a narrative poem like Evangeline, it is almost equally important that the young reader should learn to hold it as such in his mind. To treat a poem as a mere quarry out of which a particularly smooth stone can be chipped is to misinterpret ...
— Verse and Prose for Beginners in Reading - Selected from English and American Literature • Horace Elisha Scudder, editor
... is idle to attempt to arrange the various forms of poetry in an order of absolute values; it is enough that each has its own quality, and, therefore, its own value. The drama, the epic, the ballad, the lyric, each strikes its note in the complete expression of human emotion and experience. Each belongs to a particular stage of development, and each has the authority and the enduring charm which attach to every authentic utterance of the spirit of man under the ...
— The Book of Old English Ballads • George Wharton Edwards
... with new surprise, Who seem'd of Love in choral notes to sing, While all around them breathed Elysian spring.— Here Alighieri, with his love I spied, Selvaggia, Guido, Cino, side by side— Guido, who mourn'd the lot that fix'd his name The second of his age in lyric fame.— Two other minstrels there I spied that bore His name, renown'd on Arno's tuneful shore. With them Sicilia's bards, in elder days Match'd with the foremost in poetic praise, Though now they ...
— The Sonnets, Triumphs, and Other Poems of Petrarch • Petrarch
... absurd to some who read these lines—some practical people!—but I cannot convey the pleasure I had in the very elusiveness and mystery of the sign, nor how I wished I might at the next turn come upon the poet himself. I decided that no one but a poet could have contented himself with a lyric in one word, unless it might have been a humourist, to whom sometimes a single small word is more blessed than all the verbal riches of Webster himself. For it is nothing short of genius that uses one word when twenty will say the ...
— The Friendly Road - New Adventures in Contentment • (AKA David Grayson) Ray Stannard Baker
... volume is a reprint of the 1891 volume; but it has been thought well to include, in an appendix, certain of the poems which appeared in one or other of the first two issues, but were omitted from the 1891 issue, together with a little Greek lyric, with its English equivalent, from ...
— Ionica • William Cory (AKA William Johnson)
... pagan folk-lore. Gabriel Maxenius, however, was the first to publish a work on Finnish national poetry, which brought to light the beauties of the Kalevala. It appeared in 1733, and bore the title: De Effectibus Naturalibus. The book contains a quaint collection of Finnish poems in lyric forms, chiefly incantations; but the author was entirely at a loss how to account for them, or how to appreciate them. He failed to see their intimate connection with the religious worship of the Finns ...
— The Kalevala (complete) • John Martin Crawford, trans.
... in repose. Once excited, he burst forth, a sort of mirth accentuated his enthusiasm, and he was at once both laughing and lyric. ...
— Les Miserables - Complete in Five Volumes • Victor Hugo
... respectively: The Colored Press, The New Era, The Negro's Reaction to the World War, The Negro's Grievances and Demands, Riots, Lynchings, The South and the Negro, The Negro and Labor Unionism and Bolshevism, Negro Progress, and The Lyric Cry,—a remarkable assortment of first-hand information concerning Negro thought with regard to ...
— The Journal of Negro History, Volume 6, 1921 • Various
... specially attracted by "The Buffalo Battery," a rollicking lyric known to all Anglo-India from Peshawur to Tuticorin. The air is the familiar one of the "Hen Convention," and the opening ...
— The Wings of the Morning • Louis Tracy
... sacred lyrics, and a lyric to be lyrical and heart appealing, must be inevitable. It must be the spontaneous expression of the heart of the author—an expression which had to come. It is the latent secret of the power of true hymns, for what must be uttered will assuredly, sooner or later, find its way to some heart. ...
— Hymns from the East - Being Centos and Suggestions from the Office Books of the - Holy Eastern Church • John Brownlie
... horses in the rapid career. [41] Ten, twenty, forty chariots were allowed to start at the same instant; a crown of leaves was the reward of the victor; and his fame, with that of his family and country, was chanted in lyric strains more durable than monuments of brass and marble. But a senator, or even a citizen, conscious of his dignity, would have blushed to expose his person, or his horses, in the circus of Rome. The games were exhibited at the expense of the republic, ...
— The History of The Decline and Fall of the Roman Empire - Volume 4 • Edward Gibbon
... In other cases, as in the few poems of shipwreck or of mental conflict, we can only wonder at the gift of vivid imagination by which this recluse woman can delineate, by a few touches, the very crises of physical or mental struggle. And sometimes again we catch glimpses of a lyric strain, sustained perhaps but for a line or two at a time, and making the reader regret its sudden cessation. But the main quality of these poems is that of extraordinary grasp and insight, uttered with ...
— Poems: Three Series, Complete • Emily Dickinson
... to Queen's Gate!" said Alexander, when Piers began to look at his watch. "No hurry, my boy! The night is young! 'And'"—he broke into lyric quotation—"'haply the Queen Moon is on her throne, clustered around with all her starry fays.'—I shall never forget this dinner; shall you, Biddy? We'll have a song ...
— The Crown of Life • George Gissing
... half-humorously disclaims the capacity for lofty themes, but, especially as he grows older and more philosophic, and perhaps less lyric, half-seriously attributes whatever he does ...
— Horace and His Influence • Grant Showerman
... more expansive, wholly given up to rapture, an impassioned painter of crude and dazzling pictures, a lyric prose-writer, omnipotent in laughter and tears, plunged into fantastic invention, painful sensibility, vehement buffoonery; and by the boldness of his style, the excess of his emotions, the grotesque familiarity of his caricatures, he has displayed all the forces and weaknesses of an artist, all ...
— The Best of the World's Classics, Restricted to Prose, Vol. VIII (of X) - Continental Europe II. • Various
... in those who believe it possible for music to drive away the pestilence. Antiquity, however, as mentioned above, relates that Thaletas, a famous lyric poet, contemporary with Solon, was gifted with this power; but it is impossible to render the fact credible, without qualifying it by several circumstances omitted in the relation. In the first place, it is certain, that this poet was received among the Lacedemonians ...
— Thaumaturgia • An Oxonian
... than the idea which fascinates. Professor Walker, speaking of the most exquisitely harmonious lyric ever written in English, or perhaps in any other language,[31] says with great truth: "The reader of Lycidas rises from it ready to grasp the 'two-handed engine' and smite; though he may be doubtful what the engine is, and ...
— Political and Literary essays, 1908-1913 • Evelyn Baring
... sensitive child, with strange reserves and reticences, not easily putting herself "en rapport" with those around her. Books were her world from her earliest years; in them she literally lost and found herself. She was eleven years old when the War of Succession broke out, which inspired her first lyric outbursts. Her poems and translations written between the ages of fourteen and seventeen were collected, and constituted her first published volume. Crude and immature as these productions naturally were, and utterly condemned by the writer's later judgment, they are, nevertheless, highly interesting ...
— The Poems of Emma Lazarus - Vol. I (of II.), Narrative, Lyric, and Dramatic • Emma Lazarus
... as one with you and me, being, in fact, the third canto cut into two, because I found it too long. Remember this, and don't imagine that there could be any other motive. The whole is about 225 stanzas, more or less, and a lyric of 96 lines, so that they are no longer than the first single cantos: but the truth is, that I made the first too long, and should have cut those down also had I thought better. Instead of saying in future ...
— Life of Lord Byron, Vol. IV - With His Letters and Journals • Thomas Moore
... caught the fragments of a song, so distantly and absently sung that she could not locate it. There were singers among the Israelites, but they sang with wild exultation and more care for the sense than the melody. They had cultivated the chant and forgotten the lyric, because they had more heart for prophecy than passion. Rachel had revered her people's song, but there was something in this half-heard music that touched her youth and her love of life. She stopped to hear ...
— The Yoke - A Romance of the Days when the Lord Redeemed the Children - of Israel from the Bondage of Egypt • Elizabeth Miller
... just like Barty to begin a lyric that will probably last as long as the English language with an innocent ...
— The Martian • George Du Maurier
... light The grey and sparkling crags. The breath of morn Still lingers in the valley; but the bee With restless passion hovers on the wing, Waiting the opening flower, of whose embrace The sun shall be the signal. Poised in air, The winged minstrel of the liquid dawn, The lark, pours forth his lyric, and responds To the fresh chorus of the sylvan doves, The stir of branches and the fall of ...
— Venetia • Benjamin Disraeli
... Olympiad, and the early inscriptions are rude and unskilfully executed; nor can we even assure ourselves whether Archilochus, Simonides of Amorgus, Kallinus, Tyrtaeus, Xanthus, and the other early elegiac and lyric poets, committed their compositions to writing, or at what time the practice of doing so became familiar. The first positive ground which authorizes us to presume the existence of a manuscript of Homer, ...
— The Iliad of Homer • Homer
... little love lyric which Baroni himself had set to music specially for the voice of his favourite pupil, and as Diana's low rich notes took up the plaintive melody, the audience settled itself down with a sigh of satisfaction to ...
— The Splendid Folly • Margaret Pedler
... inconceivable by him that New York could reject it. He spoke about the music, but he meant his "production." The man was a marvel in his own line, and such a worker as can rarely be found anywhere. He believed the opera was going to mark an epoch in the history of the lyric stage. And he said so, almost wildly, in late hours of the ...
— The Way of Ambition • Robert Hichens
... attempt in a new walk of poetry; but in the then barbarous state of our Theatre, such a performance as Gorboduc must have been hailed as not only a novelty but a wonder. It was the first piece composed in English on the ancient tragic model, with a regular division into five acts, closed by lyric choruses. ...
— Memoirs of the Court of Queen Elizabeth • Lucy Aikin
... obtained among them never altogether perfect, and dependent for its charm frequently on strange complexities and unexpected rising and falling of weight and accent in its marble syllables; bearing the same relation to a rigidly chiselled and proportioned architecture that the wild lyric rhythm of Aeschylus or Pindar bears to the finished measures ...
— Stones of Venice [introductions] • John Ruskin
... exciting occasions. A quadruple friendship ensued, and the Burtons, Drake and Palmer made several archaeological expeditions together. To Palmer's poetical eyes all the Lebanon region was enchanted ground. Here the lovely Shulamite of the lovelier Scripture lyric fed her flocks by the shepherd's tents. Hither came Solomon, first disguised as a shepherd, to win her love, and afterwards in his royal litter perfumed with myrrh and frankincense to take her to his Cedar House. This, too, was the country of Adonis. In Lebanon the wild boar slew him, and ...
— The Life of Sir Richard Burton • Thomas Wright
... the rhymes, passing as the subject or the accompaniment of the word-music may require, from the couplet to the quatrain, and from the quatrain to the irregularly rhymed 'Pindaric'; always, however, taking care that, except in the set lyric, the quatrain shall not fall too much into definite stanza, but be interlaced in sense or sound sufficiently to carry on the narrative. The result, to some tastes, is a medium quite unsurpassed for the particular purpose. The only objection to it at all capable of being maintained, that ...
— Sir Walter Scott - Famous Scots Series • George Saintsbury
... his Hound: Retrospections of Secundus Parnell, are an infliction upon the reader; and these, with two mediocre tales, and a sketch or two, make up the prose contents. The poetry has greater merit, though almost in one unvaried strain. Mr. Watts has contributed but one lyric, and Mrs. Watts a stirring ballad of Spanish revenge; Mary Howitt has contributed a fairy ballad, pretty enough; and the Sin of Earl Walter, a tale of olden popish times in England, of some 60 or 70 verses. We quote two specimens ...
— The Mirror of Literature, Amusement, and Instruction, Vol. 20, No. - 582, Saturday, December 22, 1832 • Various
... have to notice is the collected edition of Motherwell's Poems, which has just issued from the Glasgow Press, under the auspices of Mr James M'Conechy. William Motherwell must always stand very high in the list of the minor Scottish poets, and one lyric of his, "Jeanie Morrison," is as pathetic as any in the language. But of him so much has already been said in former numbers of MAGA, that we may dispense with present criticism: and we shall merely draw the attention of the lovers of the supernatural to a more terrific temptation of Saint ...
— Blackwood's Edinburgh Magazine, Volume 61, No. 379, May, 1847 • Various
... reading,—or trying to read. He was conscious of a great depression,—a 'fit of the blues,' which he attributed partly to the damp, lowering weather. Idly he turned over the leaves of a first edition of Tennyson's poems,—pausing here and there to glance at a favourite lyric or con over a well-remembered verse, when the echo of a silvery horn blown clear on the wintry silence startled him out of his semi-abstraction. Rising, he went instinctively to the window, though from that he could see nothing but ...
— God's Good Man • Marie Corelli
... mainly along the three straight lines of ascent, enjoyment, and fall, its literary fortunes express themselves, when we try to generalise, in a series of curves, alternate rises and declines, which may be repeated again and again. In English literature out of the unknown past rose the Anglo-Saxon lyric and epic, Deor's Complaint, Beowulf, and the poems of Caedmon and Cynewulf. From the death-like sleep of our language which followed the Norman Conquest rose the heights of thirteenth-century romance. From the dull poetic pedantries of the age ...
— Fifteenth Century Prose and Verse • Various
... of his musical genius led to his becoming the King's Superintendent of Music, and one of the most influential composers that has ever lived. He composed the occasional music for Moliere's comedies, besides about twenty lyric tragedies; which succeeded beyond all others in France, not only because of his dramatic genius, which enabled him to give to the persons of these operas a musical language fitted to their characters and expressive of the situations ...
— The Spectator, Volumes 1, 2 and 3 - With Translations and Index for the Series • Joseph Addison and Richard Steele
... not long ago befell The tear-compelling incident I now propose to tell; So come, my sweet collector friends, and listen while I sing Unto your delectation this brief, pathetic thing— No lyric pitched in vaunting key, but just a requiem Of blowing twenty dollars in by nine ...
— Songs and Other Verse • Eugene Field
... quatrains. Immortal they are, no doubt, and deserve to be by reason of their style—"fame's great antiseptic." But their philosophy is thin after all, and will not bear discussion. As exercise for a grown man's thought, I will back a lyric of Blake's or Wordsworth's, or a page of Ibsen's Peer Gynt against the whole of it, ...
— From a Cornish Window - A New Edition • Arthur Thomas Quiller-Couch
... none other than that illustrious personage, whose shining countenance may be beheld many a night, clouds and fogs permitting, beaming good-naturedly on the dark earth, and singing, in the language of a lyric bard, ...
— Moon Lore • Timothy Harley
... that "love" can rhyme to "prove" Requires some force of will, Yet in the ancient lyric groove ...
— New Collected Rhymes • Andrew Lang
... intelligence, a passionate theorist, and an ardent specialist in grammar and the use of words, Malherbe reacted violently both against the misplaced and artificial erudition of the Pleiade and their unforced outbursts of lyric song. His object was to purify the French tongue; to make it—even at the cost of diminishing its flavour and narrowing its range—strong, supple, accurate and correct; to create a language which, though it might be incapable of expressing the fervours of personal passion ...
— Landmarks in French Literature • G. Lytton Strachey
... in all only about thirty thousand lines; but it includes epic, lyric, didactic, elegiac, and allegorical poems, together with war-ballads, paraphrases, riddles, and charms. Of the five elegiac poems (Wanderer, Seafarer, Ruin, Wife's Complaint, and Husband's Message), the Wanderer is the most artistic, ...
— Anglo-Saxon Grammar and Exercise Book - with Inflections, Syntax, Selections for Reading, and Glossary • C. Alphonso Smith
... added attractions of closer intimacy. In its course, the shadows lifted from her eyes; and Maurice ceased to remember that he had made a mess of his affairs. But the very next one failed—as far as Louise was concerned—to reach the same level: it was like a flower ever so slightly overblown. The lyric charms that had so pleased her—the dewy freshness of the morning, the solitude, the unbroken sunshine—were frail things, and, snatched with too eager a hand, crumbled beneath the touch. They were not made to stand the wear and tear of repetition. ...
— Maurice Guest • Henry Handel Richardson
... Dryden himself, every line seems to flow in its natural and most simple order; and where the music required repetition of a line, or a word, the iteration seems to improve the sense and poetical effect. Neither is the piece deficient in the higher requisites of lyric poetry. When music is to be "married to immortal verse," the poet too commonly cares little with how indifferent a yoke-mate he provides her. But Dryden, probably less from a superior degree of care, ...
— The Works Of John Dryden, Vol. 7 (of 18) - The Duke of Guise; Albion and Albanius; Don Sebastian • John Dryden
... there's a pregnant phrase. Bravo! let me write it down; Hold it with a hopeful gaze, Gauge it with a fretful frown; Tune it to my lyric lyre . . . Ah! upon starvation's brink, How the words are dark and dire: It is later ...
— Ballads of a Bohemian • Robert W. Service
... I do claim some capacity in the diviner flights of lyric letters, friend. You are not to despise poetry. Nay—rather contemn those who bring scorn to the name of poet—vain writers for filthy pence—fellows like this ...
— The Panchronicon • Harold Steele Mackaye
... I have designedly omitted all special treatment of the lyric metres of Horace and Catullus, as well as of the measures of the comic poets. Our standard editions of these authors all give such thorough consideration to versification that repetition in a separate place ...
— New Latin Grammar • Charles E. Bennett
... Paris, he had eagerly sought an introduction to Boileau; but he seems not to have been at all aware that at Florence he was in the vicinity of a poet with whom Boileau could not sustain a comparison, of the greatest lyric poet of modern times, Vincenzio Filicaja. This is the more remarkable, because Filicaja was the favourite poet of the accomplished Somers, under whose protection Addison travelled, and to whom the account of the Travels is dedicated. The truth is, that Addison knew little, ...
— Critical and Historical Essays Volume 2 • Thomas Babington Macaulay
... stay on until the town becomes all in all to him; until the very streets are his chums and certain buildings and corners his best friends. Then he is hopeless, and to live elsewhere would be death. The Bowery will be his romance, Broadway his lyric, and the Park his pastoral, the river and the glory of it all his epic, and he will look down pityingly on all the rest ...
— The Sport of the Gods • Paul Laurence Dunbar
... of public interest, and constantly sends out bulletins for the benefit of anxious friends. His manuscript was poetical, but I took good care to hide it in the bottom of the basket. By the way, Sibyl, how did you like Graham Marr's Lyric? Pretty deep, ...
— The Old Stone House • Anne March
... difficult to say whether the paragraph of which these lines are the conclusion is a sketch of the history of poetry in general or of lyric poetry in particular. The former would be rather inartistic after the other historical notices of poetry that have occurred in the poem: the latter is not easily reconciled with the mention of Homer. On the other ...
— The Satires, Epistles, and Art of Poetry • Horace
... that something evaporates—some quite peculiar freshness, naivete, indiscreetness, which, can never be recaptured. Take a few typical instances. Coleridge lost the poetical gift altogether when he left his youth behind; Wordsworth wrote all his best poetry in a few early years; Milton lost his pure lyric gift. But the most salient instance of all is Tennyson; in the two earliest volumes there is a perfectly novel charm, a grace, a daring which he lost in later life. He became solemn, mannerised, conscious of responsibility. Sometimes, as in some of the lyrics ...
— The Silent Isle • Arthur Christopher Benson
... himself alone with his canvases and whole-hearted toward them. He recognized that he had been dividing his interest, that his ambition had suffered, that his hand did not leap as it had before at the suggestion of some lyric or dramatic possibility of color. He even fancied that his drawing, which was his vulnerable point, had worsened. He worked strenuously for days without satisfying himself that he had recovered ground appreciably, and then came desperately to the conclusion that he wanted ...
— A Daughter of To-Day • Sara Jeannette Duncan (aka Mrs. Everard Cotes)
... as possible—Pope introduced into a note his wicked little brazen solution of his own wicked and brazen conundrum. France, such was the proposition, had worked a miracle upon English ground; as if with some magician's rod, she had called up spawn innumerable of authors, lyric, epic, dramatic, pastoral, each after his kind. But by whom had France moved in this creation as the chief demi-urgus? By whom, Mr. Pope? Name, name, Mr. Pope! 'Ay,' we must suppose the unhappy man to reply, 'that's ...
— Theological Essays and Other Papers v2 • Thomas de Quincey
... "In a Gondola" is a lyric dialogue between two Venetian lovers who have stolen away in a gondola spite of "the three"—"Himself'," perhaps a husband, and "Paul" and "Gian," her brothers—whose vengeance discovers them at ...
— Dramatic Romances • Robert Browning
... their wisdom in state matters was one Thales, whom Lycurgus, by importunities and assurances of friendship, persuaded to go over to Lacedaemon; where, though by his outward appearance and his own profession he seemed to be no other than a lyric poet, in reality he performed the part of one of the ablest lawgivers in the world. The very songs which he composed were exhortations to obedience and concord, and the very measure and cadence of the verse, conveying impressions of order and tranquility, had so great an influence ...
— Plutarch's Lives • A.H. Clough
... successful in the delineation of character and in the description of actions as in the interpretation of feeling, being by nature a lyric rather than an epic poet. But his happy choice of subject,—for the Crusades were still fresh in the memory of the people, and chivalry was a thing of the present—his zeal for the Christian cause, his impassioned delineations of ...
— National Epics • Kate Milner Rabb
... song. Mrs. M'Cosh said, "Awa wi' ye, laddie," and "Sic havers," but after much urging owned that she knew a song which had been a favourite with her Andra. It was sung to the tune of "When the kye come hame," and was obviously a parody on that lyric, beginning: ...
— Penny Plain • Anna Buchan (writing as O. Douglas)
... division of the poetic realm. Beyond it lies still another; for there are spiritual harmonies which the mind alone cannot compass, and which the senses alone cannot interpret. The hand-books know little of spiritual harmonies, and do not go beyond their academic classifications of lyric and epic, and their catalogues of pentameters, hexameters, or alexandrines. But the student can for himself push his observation beyond, and come to the poetry of the higher imagination, where he can be ...
— The World's Best Poetry, Volume 8 • Various
... of technical elements, the precise tone and color of language employed to articulate impulse and mood, and the reproduction of objective substances for a clear visualization of character and scene, all tend by a sure and unfaltering composition, to present a lyric art unique in English poetry ...
— A Shropshire Lad • A. E. Housman
... fiery lyric breathe Above her hero-urns; And Scotland, with her holly, wreathe The flower ...
— The Complete Works of Whittier - The Standard Library Edition with a linked Index • John Greenleaf Whittier
... and their smiling valley under the blue canopy of heaven, and near the shimmering sea, form a picture of entrancing loveliness. It is the most peaceful spot on the Adriatic. It seems as if the breezes from sea and land wafted a lyric harmony over the valley, expanding the heart and filling the soul with visions of beauty and happiness. Pesaro is the birthplace of Rosini, and also of Terenzio Mamiani, the brilliant poet and statesman who devoted his great talents to ...
— Lucretia Borgia - According to Original Documents and Correspondence of Her Day • Ferdinand Gregorovius
... most exploited in literature was the romantic love of youth; this was the basis of nearly all novels and of most short stories; its presence was demanded for either primary or secondary interest in the drama; and it was the chief source of inspiration for the lyric. But within the last thirty years all sorts of other subjects have been opened up. To-day the writer's difficulty is, not that he is restricted by literary convention in his choice of material, but that he is so absolutely unrestricted that he may be in doubt where to make his choice. ...
— Modern American Prose Selections • Various
... I was much struck with his frequent happy application of quotations to the little events of the drive and phases of feeling that came up as the day went on. The sun set gloriously, "So stirbt ein Held," said Bancroft, as he burst with feeling into the beautiful lyric of which these words are a line. The best German poetry seemed to be at his tongue's end and he recited it with sympathy and accuracy which called out much admiration from the cultivated German ladies with whom we were driving. Most interesting of all was Bancroft's ...
— The Last Leaf - Observations, during Seventy-Five Years, of Men and Events in America - and Europe • James Kendall Hosmer
... meadows growing Up to birch pastures, where we heard the lowing Of one disconsolate cow. All the warm afternoon, Lulled in a reverie by the myriad tune Of insects, and the chirp of songless birds, Forgetful of the spring-time's lyric words, Drowsed round us while we tried to find the lane That to our coming feet had been so plain, And lost ourselves among the sweetfern's growth, And thickets of young pine-trees, nothing loath, Amidst the wilding loveliness to stray, And spend, if need were, looking ...
— The Daughter of the Storage - And Other Things in Prose and Verse • William Dean Howells
... Gipsy lyric then came another to which the captain especially directed my attention as being what Sam. Petalengro calls 'The girl in the red chemise'—as well as I can recall his words. A very sweet song, with a simple but spirited chorus, and as the sympathetic ...
— Gipsy Life - being an account of our Gipsies and their children • George Smith
... short, the embodiment of Moliere's Don Juan, Goethe's Faust, Byron's Manfred, and Maturin's Melmoth—grand pictures drawn by the greatest geniuses of Europe, and to which neither the harmonies of Mozart nor the lyric strains of Rossini are lacking. Terrible pictures in which the power of evil existing in man is immortalized, and which are repeated from one century to another, whether the type come to parley with mankind by incarnating itself in Mirabeau, or be ...
— International Short Stories: French • Various
... Potchefstroom, over a thousand Burghers packed the Lyric Hall on Friday, October 2, 1914, to hear General De Wet speak against the invasion of German South West Africa. Apparently this was an attempt by the Backvelders to challenge the enthusiasm of the townspeople in the various centres ...
— Native Life in South Africa, Before and Since • Solomon Tshekisho Plaatje
... and an accurate observation of her various feelings and sensations gave birth to art. But in verse the use of number is more obvious; though some particular species of it, without the assistance of music, have the air of harmonious prose, and especially the lyric poetry, and that even the best of the kind, which, if divested of the aid of music, would be almost as plain and naked as common language. We have several specimens of this nature in our own poets [Footnote: It must here be remarked, that the Romans had no lyric ...
— Cicero's Brutus or History of Famous Orators; also His Orator, or Accomplished Speaker. • Marcus Tullius Cicero
... swift to turn from him and to prefer to him not only foreigners, which would not necessarily be bad, but oftentimes the least respectable of musicians. The triumph of Rameau was of the briefest. Scarcely had his magnificent lyric tragedies established themselves when the Guerre des bouffons broke out, and popular taste, under the direction of Jean Jacques Rousseau and the other Encyclopedists, discovered the light Italian music of the day more "natural" and infinitely preferable to the severe and noble forms of ...
— Musical Portraits - Interpretations of Twenty Modern Composers • Paul Rosenfeld
... written too late. It included likewise a book of some hundred and thirty odd 'Epigrams', in which form of brief and pungent writing Jonson was an acknowledged master; "The Forest," a smaller collection of lyric and occasional verse and some ten 'Masques' and 'Entertainments'. In this same year Jonson was made poet laureate with a pension of one hundred marks a year. This, with his fees and returns from several noblemen, ...
— The Poetaster - Or, His Arraignment • Ben Jonson
... of lyric stuff; Her bows, I grant, are merely bluff, Her sternmost pile of windy fluff Would leave one cool; Yet never since the world was planned Was aught more lofty and more grand Regarded as a mother—and Such ...
— Punch, or the London Charivari, Vol. 146, February 18, 1914 • Various
... The Frenchified lyric poets of the school of Hagedorn and Gleim sing forest-songs, as though they longed after the forest from hearsay. Then, with the resurrected folk-song and the resuscitated Shakespeare, who has poetically explored ...
— The German Classics of The Nineteenth and Twentieth Centuries, Vol. VIII • Various
... life is wrought In movements of melodious thought; In symphony, great wave on wave— Or fugue, elusive, swift, and grave; A singing land, whose lyric rhymes Float on the air like village chimes: Music and Verse—the deepest part Of a whole nation's thinking heart! * * * * * Oh land of Now, oh land of Then! Dear God! the dreams, ...
— Punch, or the London Charivari, Vol. 153, Sept. 12, 1917 • Various
... which were set by that admirable composer, Mr. Henry James.' True it is, that the songs are excellent, as are all Cartwright's; for grace, simplicity, and sweetness, equal to any (save Shakspeare's) which the seventeenth century produced: but curiously enough, his lyric faculty seems to have exhausted itself in these half-dozen songs. His minor poems are utterly worthless, out Cowleying Cowley in frigid and fantastic conceits; and his varied addresses to the king and queen are as bombastic and stupid and artificial as anything which ...
— Plays and Puritans - from "Plays and Puritans and Other Historical Essays" • Charles Kingsley
... have been good friends at heart," she resumed, "because she used to sing his songs. Ah, how did it go?" and Mrs. Hilbery, who had a very sweet voice, trolled out a famous lyric of her father's which had been set to an absurdly and charmingly sentimental air ...
— Night and Day • Virginia Woolf
... extracts or by anybody's extracts from his last-published volume.[68] Do you remember his grand ode upon Childhood—worth, to my apprehension, just twenty of Dryden's 'St. Cecilia's Day'—his sonnet upon Westminster Bridge, his lyric on a lark, in which the lark's music swells and exults, and the many noble and glorious passages of his 'Excursion'? You must not indeed blame me for estimating Wordsworth at his height, and on the other side I readily confess to you that he is occasionally, and not unfrequently, heavy and ...
— The Letters of Elizabeth Barrett Browning (1 of 2) • Frederic G. Kenyon
... have summoned myself as a witness I take the stand once more to confess that Alan Seeger's lofty lyric, 'I have a rendezvous with Death' has a diminished appeal because of the foreign connotations of 'rendezvous'. The French noun was adopted into English more than three centuries ago; and it was used as a verb nearly three centuries ago; it does not interfere with the ...
— Society for Pure English, Tract 5 - The Englishing of French Words; The Dialectal Words in Blunden's Poems • Society for Pure English
... interlude, in prose or verse, representing the "talk by the way," of art-students, Austrian police, and poor girls, all bearing on some part of the action. Pippa's prologue and epilogue, like her songs, are in varied lyric verse. The blank verse throughout is the most vivid and dignified, the most coloured and yet restrained, that Browning ever wrote; and he never wrote anything better for singing than some ...
— An Introduction to the Study of Browning • Arthur Symons
... Song. Poets and critics have been unanimous in their praise of this exquisite lyric, which, had she written nothing more, would alone have been amply sufficient to vindicate Aphara Behn's genius and immortality. It was a great favourite with Swinburne, who terms it 'that melodious and magnificent song'; Mr. Bullen is warm in its praise, whilst Professor Saintsbury justly acknowledges ...
— The Works of Aphra Behn, Vol. II • Aphra Behn
... the most splendid ecclesiastical lyric ever poured forth by the genius of man. I give to every clause of it an implicit assent. It does not pretend to be divine; it is human, but the Church has hallowed it, and the Church ever acts under the influence ...
— Endymion • Benjamin Disraeli
... Climbing the staircase paths beside the falls in morning sunlight, or stationed on the points of vantage that command their successive cataracts, we enjoyed a spectacle which might be compared in its effect upon the mind to the impression left by a symphony or a tumultuous lyric. The turbulence and splendour, the swiftness and resonance, the veiling of the scene in smoke of shattered water-masses, the withdrawal of these veils according as the volume of the river slightly ...
— New Italian sketches • John Addington Symonds
... from 1150 to 1190. The lyric poets of this period were for the most part Austrian and Bavarian knights who lived remote from the French border and were little influenced by the now well-developed art of the troubadours and trouvres. They got their impulse rather from the simple love-messages ...
— An anthology of German literature • Calvin Thomas
... definition of a ballad,—is truly an epic in germ, lacking the finish of a miniature, but holding the promise of a seed. Where the narrative is highly colored by emotion, as in Helen of Kirconnell or Waly Waly, the ballad merges into the lyric. It is difficult here to draw the line of distinction. A Lyke-Wake Dirge is almost purely lyric in quality, while The Lawlands o' Holland, Gilderoy, The Twa Corbies, Bonny Barbara Allan, have each a pronounced lyric element. From the ballad of dialogue we look ...
— Ballad Book • Katherine Lee Bates (ed.)
... I perceive that Mr. Swinburne has dedicated a rousing lyric and some vigorous sonnets to the memory of Gondremark; that name appears twice at least in Victor Hugo's trumpet-blasts of patriot enumeration; and I came latterly, when I supposed my task already ended, on a trace of the fallen politician and his Countess. ...
— The Works of Robert Louis Stevenson - Swanston Edition Vol. 7 (of 25) • Robert Louis Stevenson
... forming the true musical climax of the oratorio, admits of a briefer description than the first part. The wave of emotion answering to the sensuously dramatic element having partly spent itself, the wave of lyric emotion gathers fresh strength, and one feels that one has reached the height of spiritual exaltation, while, nevertheless, there is not so much which one can describe to others who may not happen to ...
— The Unseen World and Other Essays • John Fiske
... Corot, and at moments I have thought of him as the heir and successor to some of Corot's haunting graces; but there was all the difference between them that there is between lyric pure and tragic pure. Ryder has for once transcribed all outer semblances by means of a personality unrelated to anything other than itself, an imagination belonging strictly to our soil and specifically to our Eastern geography. In his ...
— Adventures in the Arts - Informal Chapters on Painters, Vaudeville, and Poets • Marsden Hartley
... of public decorum, which was even already growing up in English society, should not be shocked by the too frequent reminder that the King had several children who were not born in wedlock. Beranger, the once popular French lyric poet, satirized a certain royal personage, a contemporary of William the Fourth, as the King of Yvetot. There was a French legend which told of the conditions under which the descendants of a certain lord of the manor in Brittany ...
— A History of the Four Georges and of William IV, Volume IV (of 4) • Justin McCarthy and Justin Huntly McCarthy
... verses are imitated in the Comedia de Rubena, 1521). We may note that the story of Troy is running in Vicente's head as in the Exhorta[c,][a]o of 1513 (he had probably just read the Cronica Troyana). The last lyric, A la guerra, caballeros, is out of keeping with the rest of the play, but fighting in Africa was so frequent that it cannot help to determine the play's date. It is in this period (1512-14) that it is customary ...
— Four Plays of Gil Vicente • Gil Vicente
... annuity, or small independent income, to some village or country town of which he was not a native, or in which he had not been accustomed to live. Such men having nothing to do become credulous and talkative from indolence'. But in a poem, still more in a lyric poem—and the Nurse in Shakespeare's Romeo and Juliet alone prevents me from extending the remark even to dramatic poetry, if indeed even the Nurse itself can be deemed altogether a case in point—it is not possible to imitate truly a dull and garrulous discourser, without repeating the effects ...
— English Critical Essays - Nineteenth Century • Various
... native to India. Although this discussion does not bear directly upon the {14} origin of our numerals, yet it is highly pertinent as showing the aptitude of the Hindu for mathematical and mental work, a fact further attested by the independent development of the drama and of epic and lyric poetry. ...
— The Hindu-Arabic Numerals • David Eugene Smith
... that the pleasure he would continue to give would remind people of his trivial personality, which indeed he never particularly celebrated and which had much better lie buried with his bones. He was thinking, of course, of that pleasure itself; thinking that the delight, half lyric, half sarcastic, which those delicate cameos had given him to carve would be perennially renewed in all who retraced them. Nay, perhaps we may not go too far in saying that even that impersonal satisfaction ...
— The Life of Reason • George Santayana
... knowledge with so much life and fancy. His prose is always intelligible and always entertaining. In poetry he has attempted almost every species of composition known before, and he has added new ones; and if we except the highest lyric,—(in which how few, how very few even of the greatest minds have been fortunate)—he has attempted every species successfully; from the political song of the day, thrown off in the playful overflow of honest joy and patriotic exultation, to the ...
— Biographia Literaria • Samuel Taylor Coleridge
... in spite of your caveat for the Gracioso. I have not wholly dropt the two Students, but kept them quite under: and brought out the religious character of the Piece into stronger Relief. But as I have thrown much, if not into Lyric, into Rhyme, which strikes a more Lyric Chord, I have found it much harder to satisfy myself than with the good old Blank Verse, which I used to manage easily enough. The 'Vida es Sueno' again, though blank Verse, has ...
— Letters of Edward FitzGerald - in two volumes, Vol. 1 • Edward FitzGerald
... Hasse, a man of true genius, who in his old age instructed some of the most splendid singers in the history of the lyric stage. He also married one of the most gifted and most beautiful divas of Europe, Faustina Bordoni. The following anecdote does equal credit to Hasse's heart and penetration: In after-years, when he had left England, he was again sent for to take Handel's place as conductor of opera and oratorio. ...
— The Great German Composers • George T. Ferris
... immortal lords of fame. So far from there being any lack of permanent value and power in his verse, any falling from his established rank, the most authoritative critics, more generally today than ever before, acknowledge him to be the greatest lyric poet that ever lived. One can hardly help being awed at the thought of the genius and fascination of the young man whom the ...
— The Friendships of Women • William Rounseville Alger
... he is very valuable to a collector of English sound sense.... Burns's 'Scots wha hae' is poor as a lyric composition. ...
— The Prose Works of William Wordsworth • William Wordsworth
... as an introduction to the reading and study of French lyric poetry. If it contributes toward making that poetry more widely known and more justly appreciated its purpose will have ...
— French Lyrics • Arthur Graves Canfield
... enjoyed his stay in Milan, and breathed with rapture the incense burned in abundance before him. The Italian Journal in its account of the coronation reached lyric heights: ...
— The Court of the Empress Josephine • Imbert de Saint-Amand
... I confess that this lyric, except for its penultimate verse, soon to be quoted, does not seem to me what Mr. Chesterton calls it—"delightful." Nothing, plainly, did bring these two together; she may have looked jealously at his models, and he at her piano-tuner (though even this, so far as ...
— Browning's Heroines • Ethel Colburn Mayne
... half lines of lyric—especially when it came to the last verse—here, there, and everywhere he scored them through with a ruthless hand; and with a renewed sense of usefulness, and a conscience well at ease, he returned the much deleted copy ...
— King John of Jingalo - The Story of a Monarch in Difficulties • Laurence Housman
... after another—was born. Athens was crowned with marvellous temples, whose exquisite proportions amaze and charm us to-day—inimitable creations of beauty. Homer came, and then epic poetry was born. AEschylus and tragedy came; Pindar and the lyric song; Theophrastus and pastoral music; Anacreon and the strain which bears his special name. And so Phidias and his companions created sculpture, Herodotus history, Demosthenes oratory, Plato and Aristotle philosophy, Zeuxis painting, and Pericles statesmanship. This was their election, ...
— Orthodoxy: Its Truths And Errors • James Freeman Clarke
... after the publication, in 1855, of the Poems, in two volumes, entitled "Men and Women," Browning reviewed his work and made an interesting reclassification of it. He separated the simpler pieces of a lyric or epic cast—such rhymed presentations of an emotional moment, for example, as "Mesmerism" and "A Woman's Last Word," or the picturesque rhymed verse telling a story of an experience, such as "Childe Roland" and "The Statue and the Bust"—from their more complex companions, which ...
— Men and Women • Robert Browning
... of epic should be included the half descriptive, half lyric poems which were popular among the English, dealing chiefly with nature, the seasons of the year, etc. There belong also to this division numerous didactic poems in which a prosaic content is dressed up in poetic form, such as compendiums ...
— An Estimate of the Value and Influence of Works of Fiction in Modern Times • Thomas Hill Green
... assertion, believed and affirmed by hundreds. The feelings of Great Britain on this awful event have been described well and worthily by a living poet, who has happily blended the passion and wild transitions of lyric song with the swell ...
— Confessions of an Inquiring Spirit etc. • by Samuel Taylor Coleridge
... accompany the villagers to their white-walled, green-domed church, and afterwards listen to the songs which the girls sing in the summer choral dances, or take part in the merriment of the social gatherings, which enliven the long nights of winter. Sometimes the quaint lyric drama of a peasant wedding is performed before our eyes, sometimes we follow a funeral party to one of those dismal and desolate nooks in which the Russian villagers deposit their dead. On working days ...
— Russian Fairy Tales - A Choice Collection of Muscovite Folk-lore • W. R. S. Ralston
... the earth And those who saw it wept with joy and fright. "Thou art Apollo, than the sun more bright!" They cried. "Our music is of little worth, But thrill our blood with thy creative mirth Thou god of song, thou lord of lyric might!" ...
— Main Street and Other Poems • Alfred Joyce Kilmer
... overflows the lips in song As sweet and limpid as a mountain spring; But—when it's bitter with base treachery— It dams itself against all utterance, And either mines the soul, or, breaking forth, Sweeps downward to destruction. Oh! 'tis true, Love is the lyric happiness of youth; And they, who sing its perfect melody, Do from the honest parish register Still take their tune. And so must you. For you Are now in the very period of youth When myriads of unborn beings knock loud and long Upon the willing portals of the heart For ...
— The Scarlet Stigma - A Drama in Four Acts • James Edgar Smith
... the piano rhapsodist, the piano mind, the piano soul is Chopin," said Rubinstein. "Tragic, romantic, lyric, heroic, dramatic, fantastic, soulful, sweet, dreamy, brilliant, grand, simple, all possible expressions are found in his compositions and all are sung by him on ...
— For Every Music Lover - A Series of Practical Essays on Music • Aubertine Woodward Moore
... than either of Wordsworth's, superior to Hogg's, and, though not so intellectual as Shelley's, rivals it in truth. Mackay's is the lark itself, Shelley's is himself listening, with unwearied ears and tightly-stretched imagination, to the lark. Who is surprised that Eric Mackay's lyric, 'The Waking of the Lark,' sent a thrill through the heart of America? This poem, which appeared in the New York Independent, is undoubtedly the lark-poem of the future. From the opening to the closing stanza there is not an imperfect verse, not a commonplace. The sentiment ...
— The Song of the Flag - A National Ode • Eric Mackay
... religion, morality, or good manners, or to the disturbance of the state, an absolute government will certainly more effectually prohibit them from, or punish them for publishing such thoughts, than a free one could do. But how does that cramp the genius of an epic, dramatic, or lyric poet? or how does it corrupt the eloquence of an orator in the pulpit or at the bar? The number of good French authors, such as Corneille, Racine, Moliere, Boileau, and La Fontaine, who seemed to dispute it with the Augustan age, flourished under the despotism of Lewis XIV.; ...
— The PG Edition of Chesterfield's Letters to His Son • The Earl of Chesterfield
... The lyric "The Voice of Spring" was written in 1823. It was followed by "Breathings of Spring." The season of spring had a marked influence upon her. It was, with all its joy and beauty, generally "a time of thoughtfulness rather than mirth." It has been well observed that autumn in one way is a more joyous ...
— Excellent Women • Various
... lunch with the curious other girls. Before fifteen-cent lunches of baked apples, greasy Napoleons, and cups of coffee, at a cheap restaurant, Miss Moynihan and she talked about the office-manager, the editors, the strain of copying all day, and they united in lyric hatred of the lieutenant of the girls, a satiric young woman who was a wonderful hater. Una had regarded Miss Moynihan as thick and stupid, but not when she had thought of falling in love with Charlie Martindale at ...
— The Job - An American Novel • Sinclair Lewis |
