"Lear" Quotes from Famous Books
 ... difficulties still exist and may be seen all about us. In order to illustrate the situation baldly, and at the same time to put it dramatically, it may be well to take an instance concerning which we have no personal feeling. The tragedy of King Lear has been selected, although we have been accustomed so long to give him our sympathy as the victim of the ingratitude of his two older daughters, and of the apparent coldness of Cordelia, that we have not sufficiently considered the weakness of his fatherhood, revealed by the ...
— Democracy and Social Ethics • Jane Addams
... people and their enemies in many a fight, who had sought battle in their behalf and heaped them with favors. His eyes saw the depth of that resignation which gave to God the one jewel that would have atoned for the horrid sufferings of the past. If he were free! He thought of old Lear moaning ...
— The Art of Disappearing • John Talbot Smith
... individual genius, but greatness like theirs is never more than the highest degree of perfection which prevails widely around it, and forms the environment in which it grows. No such single mind in single contact with the facts of nature could have created a Pallas, a Madonna, or a Lear; such vast conceptions are the growth of ages, the creation of a nation's spirit; and the artist and poet, filled full with the power of that spirit, but gave it form, and nothing but form. Nor would the form itself have been attained by any isolated talent. No genius ...
— Christianity and Greek Philosophy • Benjamin Franklin Cocker
... resembling the Gregorian chant or the sequences of Notker of Tubilo), the other voices would sing songs in the vernacular, and, strangest of all, one voice would repeat some Latin word, or even a "nonsense word" (to use Edward Lear's term) but much more slowly than the other voices. Thus the needs of the Mystery were as well met by incipient counterpoint on the one hand, as, on the other, the secular song-play ...
— Critical & Historical Essays - Lectures delivered at Columbia University • Edward MacDowell
... Yet there are certain of his characters in which we feel that there is something of self-portraiture. And it is not so much in his grander, more subtle and ingenious creations that we feel this—in Hamlet and King Lear—as in those slighter and more spontaneously developed figures, who, while far from playing principal parts, are yet distinguished by a peculiar happiness and delicate ease in the drawing of them; figures which possess, above all, that winning attractiveness ...
— Appreciations, with an Essay on Style • Walter Horatio Pater
... sweet smell of the forest as it is borne down from the mountains and carried seaward, to gladden, it may be, the heart of some hard-worked, broken-spirited sailor, who, in a passing ship, sees from aloft this fair, fair island with its smiling green of lear, and soft, heaving valleys, above the long lines of curving beach, showing white and bright in the morning sun! And, as you walk, the surf upon the reef for ever calls and calk; sometimes loudly with ...
— "Martin Of Nitendi"; and The River Of Dreams - 1901 • Louis Becke
... with entire sincerity,—I said,—always feels himself in danger of two things, namely,—an affectation of bluntness, like that of which Cornwall accuses Kent in "Lear," and actual rudeness. What a man wants to do, in talking with a stranger, is to get and to give as much of the best and most real life that belongs to the two talkers as the time will let him. Life ...
— The Autocrat of the Breakfast-Table • Oliver Wendell Holmes, Sr. (The Physician and Poet not the Jurist)
... bad, eh? [Quickly] Wait, now, here's something from King Lear. The sky is black, see? Rain is pouring down, thunder roars, lightning—zzz zzz zzz—splits the ...
— Swan Song • Anton Checkov
... do better than follow Dr. Prior on this word: "Harlock, as usually printed in 'King Lear' ...
— The plant-lore & garden-craft of Shakespeare • Henry Nicholson Ellacombe
... nor in rank; It's no in wealth like Lon'on bank, To purchase peace and rest. It's no in makin' muckle mair; It's no in books; it's no in lear; ...
— The End of the Rainbow • Marian Keith
... huge offspring of the gods and giants of the dawn of time. For mighty exceedingly were these men. At the noise of them running to battle all Ireland shook, and the illimitable Lir [Footnote: Lir was the sea-god, the Oceanns of the Celt; no doubt the same as the British Lear, the wild, white-headed old king, who had such singular daughters; two, monsters of cruelty, and one, exquisitely sweet, kind, and serene, viz.: Storm, Hurricane, and Calm.] trembled in his watery halls; the roar of their brazen chariots reverberated ...
— The Coming of Cuculain • Standish O'Grady
... ruler of England wrung his hands. "I see you are resolved to drive me to distraction. This is the final stroke. My daughter wishes to desert me. Lear," he added, piteously, "was only a touch to me. You are Goneril and ...
— The King's Men - A Tale of To-morrow • Robert Grant, John Boyle O'Reilly, J. S. Dale, and John T.
... I have a letter in my pocket from a young friend in a country company, the ladies of which have their sensibility strung up to so fine a tone that he cannot take the tragedy of King Lear for his benefit, because not one of them will play either Regan or Goneril. If their feelings are so exquisite in the country, where our wise laws treat players as vagabonds, what must they be when loaded with all the legal, ...
— The Adventures of Hugh Trevor • Thomas Holcroft
... in titles nor in rank; It's no in wealth like Lon'on bank, To purchase peace and rest; It's no in makin muckle mair; It's no in books, it's no in lear, To make us truly blest; If happiness hae not her seat And centre in the breast, We may be wise, or rich, or great, But never can be blest: Nae treasures, nor pleasures, Could make us happy lang; The heart ay's the part ay That ...
— The Complete Works of Robert Burns: Containing his Poems, Songs, and Correspondence. • Robert Burns and Allan Cunningham
... the contrast there was between the small annoyances, the squalid cares of even the greatest leaders of men and the brave outward show of their reception by the masses. And the other scene of which I thought, was the appearance of Mr. Irving on a first night in some big play, say, like "Lear." All the public know is that the actor is there, on the stage, to pronounce his kingly speech; but, before he has got there, Mr. Irving, perhaps, has had the sleepless nights which are required in thinking out the smallest details of his business; perchance, the second before he looks down on ...
— Sketches In The House (1893) • T. P. O'Connor
... passionate conviction to support it. There is a passage in a letter of Branwell's to Leyland, the sculptor, written in 1845, where he says he is writing a three-volume novel of which the first volume is completed. He compares it with "Hamlet" and with "Lear". There is also Branwell's alleged statement to Mr. Grundy. And there is an obscure legend of manuscripts produced from Branwell's hat, before the eyes of Mr. Grundy, in an inn-parlour. Leyland argues freely from the antecedent probability ...
— The Three Brontes • May Sinclair
... Othello, and Lear were roles in which he [Burbage] gained especial renown. But Burbage and Shakespeare were popularly credited with co-operation in less solemn enterprises. They were reputed to be companions in many sportive adventures. The sole anecdote of ...
— Testimony of the Sonnets as to the Authorship of the Shakespearean Plays and Poems • Jesse Johnson
... "King Lear" soon after "Macbeth," and I shall never forget the feeling of horror when I came to the scene in which Gloster's eyes are put out. Anger seized me, my fingers refused to move, I sat rigid for one long moment, the blood throbbing in my temples, and all the hatred that a child can feel ...
— Story of My Life • Helen Keller
... } He who could tame his vast ambition down To please some scatter'd gleanings of a town, And, if some hundred auditors supplied Their meagre meed of claps, was satisfied, How had he felt, when that dread curse of Lear's Had burst tremendous on a thousand ears, While deep-struck wonder from applauding bands Return'd the tribute of as many hands! Rude were his guests; he never made his bow To such an audience as salutes us now. He lack'd the balm of labor, female praise. Few Ladies in his time frequented plays, ...
— The Works of Charles and Mary Lamb IV - Poems and Plays • Charles and Mary Lamb
... or read at many of the library story hours. Lear's nonsense rhymes and certain rhythmical story poems are especially enjoyed by the children. Outlines of stories or selections from books designed to lead to the reading of an entire book are mentioned in connection with Dickens, ...
— Library Work with Children • Alice I. Hazeltine
... and the denial of its omnipotence was powerfully accentuated in America by the very conditions of its colonization. The good yeomen of England who journeyed to America went in the spirit of the noble and intrepid Kent, when, turning his back upon King Lear's temporary injustice, he said that he would "shape his old course in a country new." Was it strange that the early colonists, as they braved the hardships and perils of a dangerous voyage, only to be confronted in the wilderness by disease, famine ...
— The Constitution of the United States - A Brief Study of the Genesis, Formulation and Political Philosophy of the Constitution • James M. Beck
... as to get what he could of power and wealth and dignity in the scramble, was, I think, Caesar's purpose. The rest grew upon him. As Shakspeare, sitting down to write a play that might serve his theatre, composed some Lear or Tempest—that has lived and will live forever, because of the genius which was unknown to himself—so did Caesar, by his genius, find his way to a power which he had not premeditated. A much longer time is necessary for ...
— Life of Cicero - Volume One • Anthony Trollope
... of "fourscore and upwards," like Lear, and who, like Lear, have been "mightily abused" in their day, are found, upon diligent inquiry, to have long outlived themselves, like the Archbishop of Granada; but here is a man, or was but the other day, in his eighty-second year, with the temper and ...
— The Atlantic Monthly, Volume 18, No. 110, December, 1866 - A Magazine of Literature, Science, Art, and Politics • Various
... matches Peter, 35 Though he took nineteen years, and she three days In dressing. Light the vest of flowing metre She wears; he, proud as dandy with his stays, Has hung upon his wiry limbs a dress Like King Lear's 'looped and windowed ...
— The Witch of Atlas • Percy Bysshe Shelley
... the most splendid poetry to be met with in Shakspeare, may be found in the parts of Juliet and Constance; the most splendid, perhaps, excepting only the parts of Lear and Othello; and for the same reason,—that Lear and Othello as men, and Juliet and Constance as women, are distinguished by the predominance of ...
— Characteristics of Women - Moral, Poetical, and Historical • Anna Jameson
... went at others because he wasn't. The Pudneys, who had taken him to Birmingham, had already got rid of him, and we had a horrible consciousness of his wandering roofless, in dishonour, about the smoky Midlands, almost as the injured Lear wandered on the storm-lashed heath. His room, upstairs, had been lately done up (I could hear the crackle of the new chintz) and the difference only made his smirches and bruises, his splendid tainted genius, the more tragic. If he wasn't barefoot in the mire he was sure to be unconventionally ...
— The Coxon Fund • Henry James
... latter class, who have been branded as traitors and villains, were single-minded, earnest, valiant men; and, as for even O'Flynn, and those worse than him, what was really the matter with them was, that they were too honest—they spoke out too much of their whole minds. Bewildered, like Lear, amid the social storm, they had determined, like him, to become "unsophisticated," "to owe the worm no silk, the cat no perfume"—seeing, indeed, that if they had, they could not have paid for them; so they tore off, of their own will, the peacock's feathers ...
— Alton Locke, Tailor And Poet • Rev. Charles Kingsley et al
... and she lay insensible across his arms, her fair head hanging back, her white garments streaming in the air, her golden locks floating, her witching eyes closed, and her blue lips apart and rigid on her glistening teeth—so she lay like dead Cordelia in the arms of old Lear. ...
— The Missing Bride • Mrs. E. D. E. N. Southworth
... are exhibited in daily, homespun dress, and stalking abroad through the centuries, the generous and brave nobility of King Lear, Caesar, Othello, and Hamlet, will be seen in marked contrast to Shylock, Brutus, Cassius, Iago, Gloster and Macbeth. His fools and wits were philosophers, while many of his kings, queens, dukes, lords and ladies were sneaks, ...
— Shakspere, Personal Recollections • John A. Joyce
... which followed, were written by both Charles Lamb and his sister: indeed the work seems at first to have been intended for Mary's hand alone, but her brother undertook the telling of the stories of the tragedies, and to use his own words, out of the twenty tales he was "responsible for Lear, Macbeth, Timon, Romeo, Hamlet, Othello, for occasionally a tail-piece or correction of grammar, for none of the cuts, and for all of the spelling." When the work was originally produced it had illustrations ...
— Charles Lamb • Walter Jerrold
... talk frankly enough to David. At such times his language took an exasperating Shakespearean turn. He was abominably fond of posing as Lear or Jaques—as a man much buffeted, and acquainted with all the ugly secrets of life. Purcell stood generally for 'the enemy;' and to Purcell his half-mad fancy attributed most of his misfortunes. It was Purcell who had undermined his business, taken away his character, ...
— The History of David Grieve • Mrs. Humphry Ward
... play, the deepest in meaning, the best knit from the first scene to the last. While 'Othello' centres on jealousy, 'Lear' on madness, 'Romeo and Juliet' on love, 'Macbeth' turns on fate, on the supernal influences which compel a man with good in him to a murderous course. The weird witches who surround the ...
— [19th Century Actor] Autobiographies • George Iles
... knew no peace. The elements were, and are now, and forever will be quarreling upon its worn and battered head; lightning and rain and snow and wind are forever hammering and beating it turn by turn. It is the Quasimodo and the Lear and the Gray Friar of mountains, all in one. And if, on some still and perfect day, its tonsured head emerges from the clouds, the watcher in the Park has but to turn his head a moment, and look again, and lo! it wears its gray cowl as before, and stoops ...
— The Heart of Thunder Mountain • Edfrid A. Bingham
... subjects, equally well-executed (which, however, rarely happens), are the best."[75] Though each is perfect in its kind, there can be no difficulty in deciding the question of greatness between "King Lear" and "The Comedy of Errors." "The greatest strength of genius is shewn in describing the strongest passions: for the power of imagination, in works of invention, must be in proportion to the force of the natural impressions, which are the subject of them."[76] One also finds ...
— Hazlitt on English Literature - An Introduction to the Appreciation of Literature • Jacob Zeitlin
... card-playing to take place, raffles, or St Leger sweeps to be held in his house. "You have seen a farmer's dog bark at a beggar, and the creature run from the cur. There thou might'st behold the great image of authority: a dog's obeyed in office." You have—very well. Take crazy King Lear's words as a text for a sermon against legislative inconsistencies, and come back with ...
— The Gaming Table: Its Votaries and Victims - Volume I (of II) • Andrew Steinmetz
... spell of these performers, I wrote a series of studies of the tragedian in his greatest roles. "Edwin Booth as Lear," "Edwin Booth as Hamlet," and so on, recording with minutest fidelity every gesture, every accent, till four of these impersonations were preserved on the page as if in amber. I re-read my Shakespeare in the light of ...
— A Son of the Middle Border • Hamlin Garland
... to; he is a real actor—of the traditional school, of course—but great, all the same. It has always seemed to me that his Lear was one of the fine performances of the stage to-day. But even Mantell has to travel halfway across the country every season; he couldn't stay in New York—no, nor in intellectual and appreciative Boston, either. ...
— White Ashes • Sidney R. Kennedy and Alden C. Noble
... being remediless,—I never saw parental love carried up so high, towering above the other loves,—Shakspeare had done something for the filial in Cordelia, and, by implication, for the fatherly too in Lear's resentment; he left it for you to explore the depths ...
— The Best Letters of Charles Lamb • Charles Lamb
... I h'ard my mither ance say she was some feared Donal micht hae ta'en to makin' sangs himsel'; no 'at there was ony ill i' that, she said, gien there wasna ony ill i' the sangs themsel's; but it was jist some trifflin' like, she said, an' they luikit for better frae Donal, wi' a' his buik lear, an' his Euclid—or what ...
— Sir Gibbie • George MacDonald
... houses. There is always feud where there is not understanding. There is eternal feud between those two camps of misunderstanding, age and youth. This play, written by a young man, shows the feud from the point of view of youth. The play of King Lear shows it from the point of view of age. This play of youth is as lovely and as feverish as love itself. Youth is bright and beautiful, like the animals. Age is too tired to care for brightness, too cold to care for beauty. The bright, beautiful creatures ...
— William Shakespeare • John Masefield
... to catch striking details and to present them vividly and interestingly. Examples: Hawthorne's "Sylph Etherege" and "Old Esther Dudley;" Poe's "The Man of the Crowd;" James' "Greville Fane" and "Sir Edmund Orme;" Stevenson's "Will o' the Mill;" Wilkins' "The Scent of the Roses" and "A Village Lear." ...
— Short Story Writing - A Practical Treatise on the Art of The Short Story • Charles Raymond Barrett
... de Lear's son, Calvin. He's going to succeed his venerable and pious poppy in Kensington pulpit. They'll let ...
— Bohemian Days - Three American Tales • Geo. Alfred Townsend
... the humblest; who sympathized with all classes and conditions of men, as readily with the sufferings of the tattered beggar and the poor chimney- sweeper's boy as with the starry contemplations of Hamlet "the Dane," or the eagle-flighted madness of Lear. ...
— Charles Lamb • Barry Cornwall
... persuasion, to join the rest of the party at dinner. In the evening, all (Fairthorn excepted) draw round the fire. Waife is entreated by George to read a scene or two out of Shakespeare. He selects the latter portion of "King Lear." Darrell, who never was a playgoer, and who, to his shame be it said, had looked very little into Shakespeare since he left college, was wonderstruck. He himself read beautifully—all great orators, I suppose, do; but ...
— What Will He Do With It, Complete • Edward Bulwer-Lytton
... angel ever since my blindness. She does all my writing, reads the plays and my notes to refresh my memory. She was reading King Lear this afternoon, and I was much stirred by the sad trials of the poor old king. I mentally compared my lot with his and found that the advantage is mine. He had no home, two ungrateful daughters, and, as far as I can learn, no 'shadow of a rock in a weary land.' I have a comfortable dwelling, ...
— The Unknown Wrestler • H. A. (Hiram Alfred) Cody
... dramatists; you have read Shakespeare?" "Yes, every play again and again." "Which do you like best?" "I like them all, the historical and the imaginative; I have never seen one acted, but to me King Lear is his masterpiece." ...
— London's Underworld • Thomas Holmes
... Metaphor to the Simile is ascribed by Dr. Whately to the fact that "all men are more gratified at catching the resemblance for themselves, than in having it pointed out to them." But after what has been said, the great economy it achieves will seem the more probable cause. Lear's exclamation— ...
— The Philosophy of Style • Herbert Spencer
... bad woman. Let people overburdened with credulity believe that she is bad," cried Doederlein, with the expression and in the tone and gesture of the royal Lear, and shook his Olympian locks. "The fact is that violence has been practised on her; she has been driven into ruin! Men have stolen the sweet love of my dearly beloved daughter through the use of vile tricks and artifices. Where is she, the unfortunate, betrayed child? With what is she clothing ...
— The Goose Man • Jacob Wassermann
... Junction City, Kansas, has written a series of short stories on the property rights of women in Kansas, a subject that was and is, still, of vital importance to the women of the state. "The Legal Status of Mrs. O'Rourke" and "King Lear in Kansas" ...
— Kansas Women in Literature • Nettie Garmer Barker
... veteran, groaning, and shaking his reverend head, "I have seen the day when there was not a lad in England forked so largely, so comprehensively-like, as I did. But, as King Lear says at Common Garden, 'I be's ...
— Paul Clifford, Complete • Edward Bulwer-Lytton
... something picturesque in the big, comfortable shoulders of the Cote. That delicate critic M. Emile Montegut, in a charming record of travel through this region published some years ago, praises Shakespeare for having talked (in "Lear") of "waterish Burgundy." Vinous Burgundy would surely be more to the point. I stopped at Beaune in pursuit of the picturesque, but I might almost have seen the little I discovered without stopping. It is a drowsy Burgundian town, very old ...
— A Little Tour in France • Henry James
... of Shakspeare, and remember that I formerly misrepresented your opinion of Lear. Be pleased to write the paragraph as you would have it, and send it[335]. If you have any remarks of your own upon that or any other play, I ...
— Life Of Johnson, Vol. 2 • Boswell
... who deal with human character, as all the greater do, continually suggest to us the purely phantasmal nature of life except as it is related to the world of ideas. For are not their personages more real than most of those in history? Is not Lear more authentic and permanent than Lord Raglan? Their realm is a purely spiritual one in which space and time and costume are nothing. What matters it that Shakespeare puts a seaport in Bohemia, and knew less geography than Tommy who goes to ...
— The Function Of The Poet And Other Essays • James Russell Lowell
... the tawse of old Bleach-the-boys. But if the business went on at this rate there would be little in it for the boy. Gourlay was not without a thought of his son's welfare when he packed him off to Skeighan. He would give him some book-lear, he said; let him make a kirk or a ...
— The House with the Green Shutters • George Douglas Brown
... lips, hesitating to reply. He wished to keep back as much of the dread truth as possible. He feared the effect upon his daughter of the startling announcement that young Massetti was wandering about amid the ruins of the Colosseum like a second King Lear on the blasted heath. But Maximilian ...
— Monte-Cristo's Daughter • Edmund Flagg
... Lear, Othello, Macbeth, Coriolanus, Antony, Timon, these are names indeed of something more than tragic purport. Only in the sunnier distance beyond, where the sunset of Shakespeare's imagination seems to melt or flow back into the sunrise, do we discern Prospero beside ...
— A Study of Shakespeare • Algernon Charles Swinburne
... has contrived(a) the Atlantic Cable, but I declare that it astonishes(b) me far more to think that for his mere amusement(c), that to entertain a mere idle hour(c'), he has created(a') 'Othello' and 'Lear,' and I am more than astonished, I am awe-struck(b'), at that inexplicable elasticity of his nature which enables him, instead of turning away(d) from calamity and grief(e), or instead of merely defying(d') them, actually to make them the material of his amusement(d''), and to draw ...
— How to Write Clearly - Rules and Exercises on English Composition • Edwin A. Abbott
... when there arises in their hearts a pleasure in the growing number of his years expressly as these constitute a deduction from the unknown sum total of those which have been appointed him; and when the utmost bravery of their affection must breathe, not Serus, but CITO in cadum redeas! O royal Lear of our literature, who have spurned from your love the dearest daughter of your thought, is it only left us to say, "How friendly is Death,—Death, who restores us to free relations with the whole, when our own fierce partialities have imprisoned and bound ...
— The Atlantic Monthly, Vol. 12, No. 72, October, 1863 • Various
... Lear, King of Britain, had three daughters; Goneril, wife to the Duke of Albany; Regan, wife to the Duke of Cornwall; and Cordelia, a young maid, for whose love the King of France and Duke of Burgundy were joint suitors, ...
— Tales from Shakespeare • Charles Lamb and Mary Lamb
... and her Young Ones, in Scudder, Book of Fables and Folk-Stories; The Monk and the Bird, in Scudder, Book of legends; The Owl and his School, in Ramaswami Raju, Indian Fables; The Owl and the Pussy-Cat, Lear (poem), in Story-Telling Poems; The Partridge and the Crow, in Dutton, The Tortoise and the Geese; The Pious Robin, in Brown, Curious Book of Birds; The Rustic and the Nightingale, in Dutton, The Tortoise and the Geese; The Sparrows, Thaxter (poem), in Story-Telling Poems; The ...
— Good Stories For Great Holidays - Arranged for Story-Telling and Reading Aloud and for the - Children's Own Reading • Frances Jenkins Olcott
... Santa Clans doings and the principal actor in them, and no end of speculations as to his inducements and purposes to be served in taking so much trouble. For Shampuashuh people were shrewd, and did not believe, any more than King Lear, that anything could come of nothing. That he was not moved by general benevolence, poured out upon the school of the white church, was generally agreed. "What's we to him?" asked pertinently one of ...
— Nobody • Susan Warner
... wonted light,—to drain the clouds at a fit season,—to confine rivers within their channels,—and to cause all things necessary for his people to be borne by the earth.' '(They told me I was everything. But when the rain came to wet me once, when the wind would not peace at my bidding,' says Lear, 'there I found them, there I smelt them out.)' This, in connection with the preceding anecdote, to which, in the opinion of this author, it comes properly so very near, may be classed of itself among the suggestive stories above referred to; but the bearing of these quotations upon the ...
— The Philosophy of the Plays of Shakspere Unfolded • Delia Bacon
... General Butler's division; Lieutenant-Colonels Garland and Wilson, commanding brigades in General Twiggs' division; Colonels Mitchell, Campbell, Davis, and Wood, commanding the Ohio, Tennessee, Mississippi, and 2d Texas regiments, respectively; and Majors Lear, Allen, and Abercrombie, commanding the 3d, 4th, and 1st regiments of infantry; all of whom served under my eye, and conducted their commands with coolness and gallantry against the enemy. Colonel Mitchell, Lieutenant-Colonel McClung, Mississippi regiment, Major Lear, 3d Infantry, and Major Alexander, ...
— The Medallic History of the United States of America 1776-1876 • J. F. Loubat
... long speeches quite beautiful; he is excessively graceful and all his actions and attitudes are good, though not at all good-looking in face... I came away just as Hamlet was over." Later on, she went to see Macready in King Lear. The story was new to her; she knew nothing about it, and at first she took very little interest in what was passing on the stage; she preferred to chatter and laugh with the Lord Chamberlain. But, as the ...
— Queen Victoria • Lytton Strachey
... of Brutus and Cato, the rapid and hurried vehemence of Hotspur, mark the class of characters I mean. But he fails where a ready and pliable yielding to the events and passions of life makes what may be termed a more natural personage. Accordingly I think his Macbeth, Lear, and especially his Richard, inferior in spirit and truth. In Hamlet, the natural fixed melancholy of the prince places him within Kemble's range;—yet many delicate and sudden turns of passion slip through ...
— Memoirs of the Life of Sir Walter Scott, Volume V (of 10) • John Gibson Lockhart
... he was able to settle down comfortably in lodgings, in Dove Court, Mansion House. He was soon hard at work upon 'The Death of Rizzio,' adorning his walls with pictures he had brought with him or sent for afterwards from Kendal, such as 'King Lear,' 'Elfrida,' 'The Death of Lefevre,' and a few portraits of friends. The Rizzio picture has been represented as 'a work of extraordinary merit, combining energetic action with strong expression.' Its fate was sad enough; attracting no notice, producing no profit, and at length becoming ...
— Art in England - Notes and Studies • Dutton Cook
... we find the fatality in "Hamlet," "King Lear," in "Macbeth"? Is its throne not erected in the very centre of the old king's madness, on the lowest degree of the young prince's imagination, at the very summit of the Thane's morbid cravings? Macbeth we may well pass by; not need we linger over ...
— Wisdom and Destiny • Maurice Maeterlinck
... principal cities to some ruler of this line, the historian relates the story of King Leir, the founder of Leicester. As this monarch's life has been used by Shakespeare for one of his dramas,—the tragedy of "King Lear,"—and is familiar to all students of English literature, there is no need to outline Geoffrey of Monmouth's ...
— Legends of the Middle Ages - Narrated with Special Reference to Literature and Art • H.A. Guerber
... "King Lear" is one of the most pitiful of Shakespeare's play. It is about the thanklessness of children to a father. Old King Lear had three daughters—Goneril, Regan, and Cordelia. He loved these daughters dearly and he believed that they loved him. As he grew old in life he thought ...
— The Children's Book of Celebrated Pictures • Lorinda Munson Bryant
... Screen was given as a memorial of the late Mr. Sidney Lear by his wife, to whom the cathedral is indebted for many of its modern enrichments. It is entirely of wrought metal, by Skidmore, of Coventry, and a good example of its class. It replaced the organ screen compiled by Wyatt from fragments of the ...
— Bell's Cathedrals: The Cathedral Church of Salisbury - A Description of its Fabric and a Brief History of the See of Sarum • Gleeson White
... power of wrath, inheriting the high, hasty temper of his mother. Tobias Lear, his intimate friend and private secretary, says that in the winter of 1791, an officer brought a letter telling of General St. Clair's disastrous defeat by the Indians. It must be delivered to the President himself. He left his family and guests at table, glanced over the contents, and, ...
— The True Citizen, How To Become One • W. F. Markwick, D. D. and W. A. Smith, A. B.
... virum. Your theory of poetry, if accepted, would make you (after the author of "Kubla Khan") the foremost of the poets of the world; at no long distance would come Mr. William Morris as he was when he wrote "Golden Wings," "The Blue Closet," and "The Sailing of the Sword;" and, close up, Mr. Lear, the author of "The Yongi Bongi Bo," an the lay of ...
— Letters to Dead Authors • Andrew Lang
... German, it will be remembered that the ladies ask Sanin to sing something in his mother tongue. "The ladies praised his voice and the music, but were more struck with the softness and sonorousness of the Russian language." I remember being similarly affected years ago when I heard "King Lear" read aloud in Russian. Baron von der Bruggen says,* "there is the wonderful wealth of the language, which, as a popular tongue, is more flexible, more expressive of thought than any other living tongue I know of." No one has paid a ...
— Essays on Russian Novelists • William Lyon Phelps
... what are the events which cast their shadow over the hell of time of King Lear, Othello, Hamlet, Troilus and Cressida, look to see when and how the shadow lifts. What softens the heart of a man, shipwrecked in storms dire, Tried, like another Ulysses, ...
— Ulysses • James Joyce
... and struck a vein of reminiscence of a very poignant kind. Browning told us that he did not know Landor very well, but that he saw him in the last years of his life under circumstances of a terribly pathetic kind. Landor played almost exactly the part of King Lear—though from a different reason—and got almost exactly King Lear's reward. Landor, it will be remembered, was originally a rich man. It will also be remembered that he was possessed of a very arbitrary and turbulent nature and quarrelled with many members of his family, and especially ...
— The Adventure of Living • John St. Loe Strachey
... 'History of Spanish Literature' may be found his touching letter to De Guzman at the Moorish court. He is, like Lear, poor and discrowned, but not like him, weak. His prelates have stirred up strife, his nobles have betrayed him. If Heaven wills, he is ready to pay generously for help. If not, says the royal philosopher, still, generosity and loyalty exalt the ...
— Library of the World's Best Literature, Ancient and Modern, Vol. 1 • Charles Dudley Warner
... grand Battalia Pie, in which the bodies of chickens, pigeons, and rabbits were embalmed in spices, cocks' combs, and savoury balls, and well bedewed with one of those rich sauces of claret, anchovy, and sweet herbs in which our grandfathers delighted, and which was technically termed a Lear. A Florentine tourte or tansy, an old English custard, a more refined blamango, and a riband jelly of many colours offered a pleasant relief after these vaster inventions, and the repast closed with a dish of oyster-loaves and a ...
— Collections and Recollections • George William Erskine Russell
... like in the unlike, the differences in things which are similar. Every little bird and every little flower are known to him. He contemplates Falstaff and Poor Tom with as much interest as though they were Hamlet and King Lear. In all original minds the power of observation is great. It is the chief source of our earliest knowledge, of that which touches us most nearly and most deeply colors the imagination. When the boy is wandering through fields, sitting in the shade ...
— Education and the Higher Life • J. L. Spalding
... intense power of invention and expression in domestic drama; (King Lear and Hamlet being essentially domestic in their strongest motives of interest). There is a tendency at this moment towards a noble development of our art in this direction, checked by many adverse conditions, ...
— Selections From the Works of John Ruskin • John Ruskin
... impetuous declamation of English poetry by Akshay Chowdhury, our initiator into English literature, there was the wildness of intoxication. The frenzy of Romeo's and Juliet's love, the fury of King Lear's impotent lamentation, the all-consuming fire of Othello's jealousy, these were the things that roused us to enthusiastic admiration. Our restricted social life, our narrower field of activity, was hedged in with such ...
— My Reminiscences • Rabindranath Tagore
... fairly on English ground now; of course, it is wet weather. The phenomena of the British climate have not changed much since the time when the rains "let fall their horrible pleasure" upon the head of the poor, drenched outcast, Lear. Thunder and lightning, however, which belonged to that particular war of the elements, are rare in England. The rain is quiet, fine, insinuating, constant as a lover,—not wasting its resources in ...
— Atlantic Monthly, Volume 12, No. 73, November, 1863 • Various
... Lear to whose limber tongue there was constantly leaping words unprintable and names of tar, deserves no soft pity at our hands. All his life he had been training his three daughters for exactly the treatment he was to receive. All his life Lear had been ...
— Love, Life & Work • Elbert Hubbard
... LEAR, EDWARD (1812-1888).—Artist and miscellaneous author, b. in London, and settled in Rome as a landscape painter. He was an indefatigable traveller, and wrote accounts, finely illustrated, of his journeys in Italy, Greece, and Corsica. His best known works are, however, his Book ...
— A Short Biographical Dictionary of English Literature • John W. Cousin
... material of a rakish Stratford lad's schooling and reading, and the culture coming of a few years' association with the primitive English stage and its hangers-on, was capable of broadening and deepening, with vital experience and vital culture, into the poet of LEAR and MACBETH. But the vital culture must come to it, like the experience: this was not a man who would go out of his way to seek the culture. A man so minded, a man who would bear hardship in order to win knowledge, would not have settled down so easily into the actor-manager with a good share ...
— Montaigne and Shakspere • John M. Robertson
... young man with a great mind and a great heart but with a feeble will which collapses under too heavy a task and comes to the verge of insanity; Cordelia, the English Antigone, the devoted daughter of the proscribed King Lear; Falstaff, glutton, coward, diverting and gay, a kind of Anglo-Saxon Panurge. A whole dramatic literature has come from Shakespeare. To France he was introduced by Voltaire and then scorned by him because he had succeeded ...
— Initiation into Literature • Emile Faguet
... the picture—a palace, a table abundantly spread, lights and music, delight and banqueting, gladness and fulness, society and sustenance. The guests sit close and all partake. To be within means food, shelter, warmth, festivity, society; to be without, like Lear on the moor, is to stand the pelting of the storm, weary, stumbling in the dark, starving, solitary, and sad. Within is brightness and good cheer; without is ...
— Expositions Of Holy Scripture - Volume I: St. Luke, Chaps. I to XII • Alexander Maclaren
... has it in both its modern meanings, "vigorous," or "sensitive in nerves, and consequently weak, diseased." Hysteria is not in the Bible, and is found once in Shakespeare; as, "Hysterica passio, down," Lear ii. 4. It was common in Sydenham's day,—i.e., Charles II. and Cromwell's time,—but he classified under hysteria many disorders no longer considered as of ...
— Doctor and Patient • S. Weir Mitchell
... it had a composing effect upon those who heard it. At least I know I found it dull, and half dozed during its monotonous delivery. Indeed, it was not till Thackeray reached his concluding words—which, by the way, were Shakspeare's, being an effective quotation from "King Lear"—that I was ...
— A Tale of One City: The New Birmingham - Papers Reprinted from the "Midland Counties Herald" • Thomas Anderton
... manner in which Shakspeare's fools and jesters—in some respects the wisest and thoughtfullest characters in his works—talk. If his words be "light as air," they vent "truths deep as the centre." If the Fool in "Lear" had written letters to his friends and acquaintances, I think they would have marvellously resembled this epistle to Patmore; and if, in saying this, I compliment the Fool, I hope I do not derogate from the genius of ...
— The Atlantic Monthly, Volume 14, No. 85, November, 1864 • Various
... outer skies and seas of fire and foam, From splendour soft as dew that sundawn thrills To gloom that shudders round the world it fills, From midnights murmuring round Titania's ear To midnights maddening round the rage of Lear, The wonder woven of storm and sun became One with the light that lightens from his name. The music moving on the sea that felt The storm-wind even as snows of springtide melt Was blithe as Ariel's hand ...
— Astrophel and Other Poems - Taken from The Collected Poetical Works of Algernon Charles - Swinburne, Vol. VI • Algernon Charles Swinburne
... Discoveries in Hieroglyphics and other Antiquities, 6 vols. 8vo. Lond. 1813,—which was suppressed by the author after a few copies had been sold. I have the second and third volumes, being all that relates to Shakspeare. They consist of an edition of Hamlet, Lear, Othello, Merchant of Venice, and the third satire of Horace, copiously illustrated with notes and woodcuts, intended to prove that in the works in question, in common with "all the classics and the different specimens of the arts which have come down to us ...
— Notes and Queries, Number 34, June 22, 1850 • Various
... depths of human depravity, discerning moral beauty even there; while with Virgil, Dante and Milton, we walk unscathed in Hell itself. The terribilita of Michaelangelo, the chaos and anarchy of Shakespeare at his greatest, as in Lear—these find expression in perfect rhythms, so potent that we recognize them as proceeding from a supernal beauty, the beauty of that soul "from which also cometh the life of man and of beast, and of the birds of the air and of ...
— Four-Dimensional Vistas • Claude Fayette Bragdon
... disguise much of his own life-story? Shakespeare alone, of men of genius of the first rank, seems to have learned comparatively few of his lessons in the school of suffering. But, possibly, if more were known of Shakespeare, it would be found that Lear, Macbeth, and Hamlet are but the expressions of lessons learned as ...
— The Ascent of the Soul • Amory H. Bradford
... cannot help feeling that Pindar's Isle of the Blest, whither he was brought by Thetis, whose mother's prayer had moved the Heart of Zeus, to dwell with Cadmus and Peleus, is Achilles' true home; or the isle of the heroes of all time, described by Carducci, where King Lear sits telling OEdipus of his sufferings, and Cordelia calls to Antigone, "Come, my Greek sister! We will sing of peace to our fathers." Helen and Iseult, silent and thoughtful, roam under the shade of the myrtles, while the setting sun kisses their golden hair with ...
— Greek and Roman Ghost Stories • Lacy Collison-Morley
... it to hide a blush? He looks delighted; and I almost fancy I see a proud colour on his brow. As I gaze, these young people make for me a perfect idyl. The generous, ungrudging sun, the melancholy ruin, decked, like mad Lear, with the flowers and ivies of forgetfulness and grief, and between them, sweet and ...
— Dreamthorp - A Book of Essays Written in the Country • Alexander Smith
... is not more admired for writing his plays, than Garrick for acting them. I think him a very good and very various player—but several have pleased me more, though I allow not in so many parts. Quin[3] in Falstaff, was as excellent as Garrick[4] in Lear. Old Johnson far more natural in everything he attempted. Mrs. Porter and your Dumesnil surpassed him in passionate tragedy; Cibber and O'Brien were what Garrick could never reach, coxcombs, and men of fashion. Mrs. Clive is at least as perfect ...
— Letters of Horace Walpole - Volume II • Horace Walpole
... fret of heart and soul, The loneliness and passion of King Lear; No more bewilderment and broken words Of wild ...
— The Miracle and Other Poems • Virna Sheard
... dilettantism liked nothing better than those sudden leaps from society, and M. Egiste Brancadori, who kept the Marzocco, was one of those unconscious buffoons of whom he was continually in search in real life, one of those whom he called his "Thebans", in reference to King Lear. "I'll talk a word with this same learned Theban," cried the mad king, one knows not why, when he meets ...
— Serge Panine • Georges Ohnet
... example, it was not the two last, but the two first volumes of "Clarissa" that he prized; "for give me a sick-bed and a dying lady," said he, "and I'll be pathetic myself. But Richardson had picked the kernel of life," he said, "while Fielding was contented with the husk." It was not King Lear cursing his daughters, or deprecating the storm, that I remember his commendations of; but Iago's ingenious malice and subtle revenge; or Prince Hal's gay compliance with the vices of Falstaff, whom he all along despised. Those plays had ...
— Anecdotes of the late Samuel Johnson, LL.D. - during the last twenty years of his life • Hester Lynch Piozzi
... Congreve a share in their theatre; and he promised in return to furnish them with a play every year, if his health would permit. Two years passed, however, before he produced the Mourning Bride, a play which, paltry as it is when compared, we do not say, with Lear or Macbeth, but with the best dramas of Massinger and Ford, stands very high among the tragedies of the age in which it was written. To find anything so good we must go twelve years back to Venice Preserved, or six years forward to the Fair ...
— Critical and Historical Essays, Volume III (of 3) • Thomas Babington Macaulay
... so harsh and bitter, and in such sardonic phrases—as when he says: "Sincerity is met with in very few people, and is usually nothing but a delicate dissimulation to attract the confidence of others"—that the more timid of his auditors shrank from him, as if he had been Hamlet or Lear. When he dared to suggest that none of these maxims were intended to refer to the reader himself, but only to all other persons, he invited the reaction which led Huet, Bishop of Avranches, to appeal against the morality of the "Maximes," as suited only to the vices of ...
— Three French Moralists and The Gallantry of France • Edmund Gosse
... home how easy it was to get there; how easy to get home again. Moreover, though going to sea in the Shannon was not quite the same 'as going to sea in a sieve,' our stay-at-home friends were of the same mind as those of the dear little Jumblies, whom Mr. Lear has made immortal in his New Book of Nonsense; and we were bound to come back as soon as possible, and not 'in twenty years or more,' if we wished them ...
— At Last • Charles Kingsley
... it in an impersonal acceptation, without a Nominative to it expressed. One or two examples will serve to exhibit the use and effect of this anomalous Tense:—Shuidh an ['o]g bhean air sgeir, is a s['u]il air an lear. Chunnaic i long a' teachd air barraibh nan tonn. Dh' aithnich i aogas a leannain, is chlisg a cridhe 'n a com. Gun mhoille gun tamh, buailear dh' fhios na traighe; agus faighear an laoch, 's a dhaoine m' a thimchioll. ...
— Elements of Gaelic Grammar • Alexander Stewart
... make their children blind; But fathers that wear bags Do make their children kind. —Shakespeare (King Lear, ii. 4). ...
— The Child and Childhood in Folk-Thought • Alexander F. Chamberlain
... I have directed Mr. Lear, my private secretary, to lay before you a copy of the adoption and ratification of the Constitution of the United States by the State of North Carolina, together with a copy of a letter from His Excellency Samuel Johnston, president ...
— A Compilation of the Messages and Papers of the Presidents - Section 1 (of 4) of Volume 1: George Washington • James D. Richardson
... translation of Letourneur. Before that translation began to appear, JEAN-FRANCOIS DUCIS (1733-1816), the patron of whose imagination was his "Saint Guillaume" of Stratford, though he knew no English, had in a fashion presented Hamlet (1769) and Romeo and Juliet to his countrymen; King Lear, Macbeth, King John, Othello (1792) followed. But Ducis came a generation too soon for a true Shakespearian rendering; simple and heroic in his character as a man, he belonged to an age of philosophers and sentimentalists, an age ...
— A History of French Literature - Short Histories of the Literatures of the World: II. • Edward Dowden
... Elizabeth should have so treated her, and as I didn't sleep any more than she did, though, owing to very different feelings about Elizabeth, I made up my mind as to some things I would say to her when she got back. And if she has never read "King Lear" I will see that she hears it read before very long with a glossary, and comments of my own on ingratitude and things of that sort. Also she may ...
— Kitty Canary • Kate Langley Bosher
... Paris like a disgusting wound. A few days later he became more enthusiastic, and wrote: "You will be very proud of 'Le Pere Goriot.' My friends insist that nothing is comparable to it, and that it is above all my other compositions."[*] Certainly the vivid portrait of old Goriot, that ignoble King Lear, who in his extraordinary passion of paternal love rouses our sympathy, in spite of his many absurdities and shortcomings, is a striking instance of Balzac's power in ...
— Honore de Balzac, His Life and Writings • Mary F. Sandars
... at Stratford they pointed out to her the desk at which Shakespeare sat as a lad, with all its boyish hieroglyphics, and her thought instinctively leaped across the years to "The Tempest," "King Lear," and "Hamlet." She pondered deeply the relation between the activities of the lad and the behavior of the man, wondering how much the school had to do with the plays that stand alone in literature, and whether ...
— The Vitalized School • Francis B. Pearson
... Tibbie's harns, Nae college lear had reached her, An' a' she kent aboot her job Her ain ...
— The Auld Doctor and other Poems and Songs in Scots • David Rorie
... poetry into drama, an epic and lyric poetry illustrated by tableaux against backgrounds out of faery. Let us not forget that there is one effect which is of "The Tempest," and another effect which is of "Lear," and that it is after all something of a convention to call the latter a success of drama and the former a success of something other than drama. Yet it is just as necessary to remember that drama does mean a definite sort of literature, and the success ...
— Irish Plays and Playwrights • Cornelius Weygandt
... the choice to tally greatest bards, To limn their portraits, stately, beautiful, and emulate at will, Homer with all his wars and warriors—Hector, Achilles, Ajax, Or Shakspere's woe-entangled Hamlet, Lear, Othello—Tennyson's fair ladies, Metre or wit the best, or choice conceit to wield in perfect rhyme, delight of singers; These, these, O sea, all these I'd gladly barter, Would you the undulation of one wave, its trick ...
— Leaves of Grass • Walt Whitman
... touched with the buoyant influences of the Muse. Shakspeare and Plato are lighter than levity; they are lifting forces, and weigh less than nothing. The novelette of the season, or any finest and flimsiest gossamer that is fabricated in our literary looms, compares with "Lear," with "Prometheus Bound," with any supreme work, only as cobwebs and thistle-down, that are easily borne by the breeze, may compare with sparrows and thrushes, that ...
— The Atlantic Monthly, Volume 09, No. 51, January, 1862 • Various
... were either the abode, or the educators, of such men as the Venerable Bede, Lanfranc and Anselm, Duns Scotius, William of Malmesbury, Geoffrey of Monmouth (who preserved the legends of Arthur, of King Lear, and Cymbeline), of Geraldus Cambrensis, of St. Thomas a Kempis, of Matthew Paris, a Benedictine monk, and of Roger Bacon, a Franciscan friar, who came very near guessing several important truths which have since been made known to ...
— The Interdependence of Literature • Georgina Pell Curtis
... expulsion, penury, and wanderings he has undergone, had deserted his cause—had looked with indifferent eyes on his awful woes—had joined with Creon to expel him from the Theban land. They are the Goneril and Regan of the classic Lear, as Antigone is the Cordelia on whom he leans—a Cordelia he has never thrust from him. "When," says Oedipus, in ...
— Athens: Its Rise and Fall, Complete • Edward Bulwer-Lytton
... other early chroniclers, interwoven with current legends and pieced together with additions from his own fertile imagination, the whole professing to be a translation of a chronicle found in Brittany; this remarkable history is the source of the stories of King Lear, Cymbeline, Merlin, and of Arthur and his knights as they have since taken shape in English literature; d. ...
— The Nuttall Encyclopaedia - Being a Concise and Comprehensive Dictionary of General Knowledge • Edited by Rev. James Wood
... She, if King Lear had had his last desire, might have sung the merry and strange tune of Bedlam, like the slighter Ophelia and ...
— Essays • Alice Meynell
... conscience scent everywhere allusions, references, and hints. Hence history is banished from the stage; for the history of the past constantly points with a menacing finger at the sore spots of the present. Shakespeare's 'King Lear' has been prohibited, because the public might believe princes would lose their heads if weighed down by misfortunes. 'Hamlet,' 'Richard the Third,' and 'Macbeth' must not be performed, because people might get accustomed to the dethronement and assassination of emperors and ...
— LOUISA OF PRUSSIA AND HER TIMES • Louise Muhlbach
... Edward Lear, the artist, traveling in Greece, says that "he was one day jogging along with an Albanian peasant, who said to him, 'Women are really better than donkeys for carrying burdens, but not so ...
— History of Woman Suffrage, Volume II • Elizabeth Cady Stanton, Susan B. Anthony, and Matilda Joslyn Gage
... role by noting that the scoring throughout tends to glutinousness, like that of the pre-war Carlsbad plum; further, that a solo on the muted viola against an accompaniment of sixteen sarrusophones is only effective if the sarrusophones are prepared to roar like sucking-doves, which, as LEAR would have said, "they seldom if ever do." Still, on the whole the ...
— Punch, or the London Charivari, Vol. 159, October 6, 1920 • Various
... happiness. There was a mixture of novelty, of joy, of patriotic enthusiasm, felt by every heart. A committee of twelve was appointed in town-meeting to superintend the reception. The president left his carriage at Greenland, at the residence of Colonel Tobias Lear, and mounted his favorite white horse; he was there met by Colonel Wentworth's troop, and on Portsmouth plains the president was saluted by Major General Cilly, and other officers in attendance. From the west end of the State House, on both sides of Congress Street, and into Middle ...
— Home Pastimes; or Tableaux Vivants • James H. Head
... objections, That virtue ought not to suffer in a tragedy, is not well considered: Monimia in the Orphean, Belvidera in Venice Preserved, Athenais in Theodosius, Cordelia in Shakespeare's King Lear, Desdemona in Othello, Hamlet, (to name no more,) are instances that a tragedy could hardly be justly called a tragedy, if virtue did not temporarily suffer, and vice for a while triumph. But he recovers himself in the same paragraph; and leads us to look up to the FUTURE for the reward of ...
— Clarissa, Or The History Of A Young Lady, Volume 8 • Samuel Richardson
... an old man tottering about the stage with a walking-stick, turned out of doors by his daughters in a rainy night, has nothing in it but what is painful and disgusting. We want to take him into shelter and relieve him. That is all the feeling which the acting of Lear ever produced in me. But the Lear of Shakespeare cannot be acted. The contemptible machinery by which they mimic the storm which he goes out in, is not more inadequate to represent the horrors of the real ...
— English Critical Essays - Nineteenth Century • Various
... extravagant praise, but for its justice we confidentially appeal to the record. The plays which have most severely tried the sagacity of Shakspeare's critics, are Hamlet, Macbeth, Lear, and Othello. We do not hesitate to say that Mr. Hudson's analysis and representation of these are the most thorough, accurate, and comprehensive which exist at present either in English or German. Compare him or these tragedies ...
— Graham's Magazine Vol XXXII No. 6 June 1848 • Various
... comforted, good madam; the great rage, You see is cured in him: and yet it is danger To make him even o'er the time he has lost. Desire him to go in: trouble him no more, Till further settling. KING LEAR. ...
— Waverley Volume XII • Sir Walter Scott
... humanity,—a humanity brilliant with virtues, dark with crimes, rich in tenderness, humor, loveliness, awe, yet almost unaffected by any consideration of the supernatural world. On Hamlet's brooding there breaks no ray from Christian revelation. No hope of a hereafter soothes Lear as he bends over dead Cordelia. Macbeth, hesitating on the verge of crime, throws out of the scale any dread of future retribution,—assure him only of ...
— The Chief End of Man • George S. Merriam
... talked freely enough now—of her school; of riding and motoring—she seemed to love going very fast; about Newmarket—which was 'perfect'; and theatres—plays of the type that Johnny Dromore might be expected to approve; these together with 'Hamlet' and 'King Lear' were all she had seen. Never was a girl so untouched by thought, or Art—yet not stupid, having, seemingly, a certain natural good taste; only, nothing, evidently, had come her way. How could it—'Johnny Dromore duce, et auspice Johnny Dromore!' She had been taken, indeed, to the National ...
— Forsyte Saga • John Galsworthy
... said he had "a very young look and an easy soldier-like air and gesture," and in the same year Curwen mentioned his "fine figure" and "easy and agreeable address." Nathaniel Lawrence noted in 1783 that "the General weighs commonly about 210 pounds." After death, Lear reports that "Doctor Dick measured the body, which was as follows—In length 6 ft. 3-1/2 inches exact. Across the shoulders 1.9. Across the elbows 2.1." The pleasantest description is Jefferson's: "His person, you know, was fine, his stature exactly what one would wish, his deportment ...
— The True George Washington [10th Ed.] • Paul Leicester Ford
... familiarity his caution vanished, and poor Cos lamentably disgraced himself at Sir Charles Mirabel's table, by premature inebriation. A carriage was called for him: the hospitable door was shut upon him. Often and sadly did he speak to his friends at the Kitchen of his resemblance to King Lear in the plee—of his having a thankless choild, bedad—of his being a pore worn-out lonely old man, dthriven to dthrinking by ingratitude, and seeking to ...
— The History of Pendennis • William Makepeace Thackeray
... combining the disadvantages of both: like a printing terminal, it can't do fancy display hacks, and like a display terminal, it doesn't produce hard copy. An example is the early 'dumb' version of Lear-Siegler ADM 3 (without cursor control). See {tube}, {tty}; compare {dumb terminal}, {smart terminal}. See "{TV Typewriters}" (Appendix A) for an interesting true story about ...
— The Jargon File, Version 4.0.0
... presents himself is the ruminative hermit already mentioned—a species of uninspired Thoreau. His name was Benjamin Lear. So far as his craziness went, he might have been a lineal descendant of that ancient king of Britain who figures on Shakespeare's page. Family dissensions made a recluse of King Lear; but in the case of Benjamin there were no mitigating circumstances. He had no family to trouble ...
— An Old Town By The Sea • Thomas Bailey Aldrich
... perjured, and thou simular man of virtue, Thou art incestuous: caitiff, to pieces shake, That under covert and convenient seeming Hast practised on man's life: close pent-up guilts, Rive your concealing continents, and cry These dreadful summoners grace. — Lear. ...
— Alvira: the Heroine of Vesuvius • A. J. O'Reilly
... indefinite and mysterious feelings which words cannot render." Berlioz was a passionate lover of German music and of the writings of Shakspere, Goethe, and Scott. He composed overtures to "Waverley," "King Lear," and "Rob Roy"; a cantata on "Sardanapalus," and music for the ghost scene in "Hamlet" and for Goethe's ballad, "The Fisher." He married an English actress whom he had seen in the parts of Ophelia, Portia, ...
— A History of English Romanticism in the Nineteenth Century • Henry A. Beers
... gracing Caesar's triumph, she snatches a dagger, exclaiming, "I will trust my resolution and my good hands." With the same swift instinct, Cassius trusts to his hands when he stabs Caesar: "Speak, hands, for me!" "Let me kiss your hand," says the blind Gloster to Lear. "Let me wipe it first," replies the broken old king; "it smells of mortality." How charged is this single touch with sad meaning! How it opens our eyes to the fearful purging Lear has undergone, to learn that royalty is no defence ...
— The World I Live In • Helen Keller
... Friederike Roberts (1825): "Das Ungeheuerste, das Ensetzlichste, das Schaudervollste, wenn es nicht unpoetisch werden soll, kann man auch nur in dem buntscheckigen Gewaende des Laecherlichen darstellen, gleichsam versoehnend—darum hat auch Shakespeare das Graesslichste im "Lear" durch den Narren sagen lassen, darum hat auch Goethe zu dem furchtbarsten Stoffe, zum "Faust," die Puppenspielform gewaehlt, darum hat auch der noch groessere Poet (der Urpoet, sagt Friederike), ...
— Types of Weltschmerz in German Poetry • Wilhelm Alfred Braun
... had left her first husband in Tennessee, in order to be with the Mormon people); twelfth, Polly V. Young; thirteenth, Louisa Young (these two were sisters). Next, I was sealed to my fourteenth wife, Emeline Vaughn. In 1851 I was sealed to my fifteenth wife, Mary Lear Groves. In 1856 I was sealed to my sixteenth wife, Mary Ann Williams. In 1858 Brigham gave me my seventeenth wife, Emma Batchelder. I was sealed to her while a member of the Territorial Legislature. In 1859 I was sealed to my eighteenth wife, Teressa Morse. I was sealed to her ...
— The Mormon Menace - The Confessions of John Doyle Lee, Danite • John Doyle Lee
... every [one] else so that looks at him. They have no speculation in them, as Shakespear says; what should be white is red, and there is no sight or crystal, only a black spot. It alters his countenance, and he looks like a man in a tragedy, as in K[ing] Lear, that has had his eyes put out ...
— George Selwyn: His Letters and His Life • E. S. Roscoe and Helen Clergue
... grew worse rapidly, and early in the morning Dr. Craik was sent for. Washington said to Mr. Lear, his private secretary: ...
— From Farm House to the White House • William M. Thayer
... presence of my mother and my regent aunt, but if my small cousin, the Most Christian King, should enter, I must be dethroned, and a succession of bows must ensue before we can either of us be seated. I always fear that I shall some day break out with the speech of King Lear's fool: 'Cry you mercy, I took you for a ...
— Stray Pearls • Charlotte M. Yonge
... affords the most extensive view, and it is one of the loveliest that can be imagined, too. Out of a billowy upheaval of vivid green foliage, a rifle-shot removed, rises the huge ruin of Heidelberg Castle, [2. See Appendix B] with empty window arches, ivy-mailed battlements, moldering towers—the Lear of inanimate nature—deserted, discrowned, beaten by the storms, but royal still, and beautiful. It is a fine sight to see the evening sunlight suddenly strike the leafy declivity at the Castle's base and dash up it and drench it as with a luminous spray, while the adjacent ...
— Innocents abroad • Mark Twain
... man "fourscore and upwards," like Lear, and like Lear, too, "mightily abused," about five feet seven, a little stooping, but still vigorous and alert; with a pleasant, fresh countenance, and the complexion of a middle-aged, plump, healthy woman, such as Rubens or Gilbert Stuart would gloat over in ...
— The Atlantic Monthly, Volume 16, No. 97, November, 1865 • Various
... Joseph Reinach has successfully passed off long extracts from my story as descriptions of the Tanks upon British officers who had just seen them. The filiation was indeed quite traceable. They were my grandchildren—I felt a little like King Lear when first I read about them. Yet let me state at once that I was certainly not their prime originator. I took up an idea, manipulated it slightly, and handed it on. The idea was suggested to me by the contrivances of a certain Mr. Diplock, whose ...
— War and the Future • H. G. Wells
... It may run very well in a tale, that "God will temper the winds to the shorn lamb!" but how can I expect that she will be shielded, when my naked bosom has had to brave continually the pitiless storm? Yes; I could add, with poor Lear—What is the war of elements to the pangs of disappointed affection, and the horror arising from a discovery of a breach of confidence, that snaps ...
— Posthumous Works - of the Author of A Vindication of the Rights of Woman • Mary Wollstonecraft
... (which yet were neuer taught by any man as farre as I do knowe) I wyll enstruct you after the treatyse of fractions. And now for this tyme fare well, and loke that you cease not to practyse that you haue lear ned. S. Syr, with moste harty mynde I thanke you, bothe for your good learnyng, {and} also your good cou{ns}el, which (god wyllyng) I ...
— The Earliest Arithmetics in English • Anonymous
... of poverty with the Strick family, and Loveday was sent to fetch the evening milk from the farm at the crest of the hill. On the way, she came upon Cherry Cotton and Primrose Lear, seated upon a granite stile, their heads together over something Cherry held in her lap. Cherry heard approaching footsteps, and whipped her apron over the object she and her friend had been so busily discussing. Loveday was hurt ...
— The White Riband - A Young Female's Folly • Fryniwyd Tennyson Jesse
... erudition we owe, I will not say the best, (for that would be saying little,) but a good, edition of Beaumont and Fletcher, has complimented the Philaster, which he himself describes as inferior to the Maid's Tragedy by the same writers, as but little below the noblest of Shakspeare's plays, Lear, Macbeth, Othello, &c. and consequently implying the equality, at least, of the Maid's Tragedy;—and an eminent living critic,—who in the manly wit, strong sterling sense, and robust style of his original works, had presented the best ...
— Literary Remains (1) • Coleridge
... Juliet leans her cheek upon her hand, And prattles to the night. Anon, a reverend form With tattered robe and forehead bare, That challenge all the torments of the air, Goes by! And the pent feelings choke in one long sigh, While, as the mimic thunder rolls, you hear The noble wreck of Lear Reproach like things of life the ancient skies, And commune with the storm! Lo! next a dim and silent chamber, where Wrapt in glad dreams, in which, perchance, the Moor Tells his strange story o'er, The gentle Desdemona ...
— War Poetry of the South • Various
... the wonders of an isle That in that fairest lake had placed been, I could e'en Dido of her grief beguile; Or rob from aged Lear his bitter teen: For sure so fair a place was never seen, Of all that ever charm'd romantic eye: It seem'd an emerald in the silver sheen Of the bright waters; or as when on high, Through clouds of fleecy white, laughs ...
— Poems 1817 • John Keats
... Lear, Macbeth, &c. were star height above what we see now, he lost by a comparison with Garrick. Here the latter showed the master in an uncommon degree; as he did in all the quick animated parts of tragedy. In the spritely, light kind of gentlemen, Garrick had likewise the advantage; and in ...
— The Mirror of Taste, and Dramatic Censor, Vol. I, No. 4, April 1810 • Various
... allusion to the line, "Nothing can come of nothing." from Shakespeare's "King Lear," Act 1, ...
— Beethoven: the Man and the Artist - As Revealed in his own Words • Ludwig van Beethoven
... shook like those of a palsied old man. I sank upon a stone to rest, to try and arrange my scattered ideas into some sort of connection and order. Mad! I clasped my aching head between my hands, and brooded on the fearful prospect looming before me, and in the words of poor King Lear, I ...
— A Romance of Two Worlds • Marie Corelli
... prologue an anachronism, quotha! The groundlings will never mark it. Think'st thou wisdom came to mankind with the stenchful rocket and the sundered atomy? More, the Bard himself was topfull of anachronism. He put spectacles on King Lear, had clocks tolling the hour in Caesar's Rome, buried that Roman 'stead o' burning him and gave Czechoslovakia a ...
— No Great Magic • Fritz Reuter Leiber
... as you know, wanted to alter Shakespeare. The French king, in "Lear," was to be got rid of; Cordelia was to marry Edgar, and Lear himself was to be rewarded for his sufferings by a golden old age. They could not bear that Hamlet should suffer for the sins of Claudius. The wicked king was to die, and the ...
— Prose Masterpieces from Modern Essayists • James Anthony Froude, Edward A. Freeman, William Ewart Gladstone, John Henry Newman and Leslie Steph |
