"Lear" Quotes from Famous Books
 ... he was brought by Thetis, whose mother's prayer had moved the Heart of Zeus, to dwell with Cadmus and Peleus, is Achilles' true home; or the isle of the heroes of all time, described by Carducci, where King Lear sits telling OEdipus of his sufferings, and Cordelia calls to Antigone, "Come, my Greek sister! We will sing of peace to our fathers." Helen and Iseult, silent and thoughtful, roam under the shade of the myrtles, while the setting sun ...
— Greek and Roman Ghost Stories • Lacy Collison-Morley
... other printing terminal, thereby combining the disadvantages of both: like a printing terminal, it can't do fancy display hacks, and like a display terminal, it doesn't produce hard copy. An example is the early 'dumb' version of Lear-Siegler ADM 3 (without cursor control). See {tube}, {tty}; compare {dumb terminal}, {smart terminal}. See "{TV Typewriters}" (Appendix A) for an interesting true story ...
— The Jargon File, Version 4.0.0
... old lass," said Will to himself; "ye little ken that the Laird o' Gilnockie, whom ye tried to deprive of his birthright, sits afore ye; and will a' the lear 'neath that big wig tell ye that that same Laird o' Gilnockie sits here contriving a plan to run awa wi' ye? Faith, an' it's a bauld project; but the baulder the bonnier, as we say in Liddesdale. I only wish I could tak her wig and ...
— Wilson's Tales of the Borders and of Scotland, Volume 2 - Historical, Traditional, and Imaginative • Alexander Leighton
... English ground now; of course, it is wet weather. The phenomena of the British climate have not changed much since the time when the rains "let fall their horrible pleasure" upon the head of the poor, drenched outcast, Lear. Thunder and lightning, however, which belonged to that particular war of the elements, are rare in England. The rain is quiet, fine, insinuating, constant as a lover,—not wasting its ...
— Atlantic Monthly, Volume 12, No. 73, November, 1863 • Various
... means to talk with entire sincerity,—I said,—always feels himself in danger of two things, namely,—an affectation of bluntness, like that of which Cornwall accuses Kent in "Lear," and actual rudeness. What a man wants to do, in talking with a stranger, is to get and to give as much of the best and most real life that belongs to the two talkers as the time will let him. Life is short, and conversation apt ...
— The Autocrat of the Breakfast-Table • Oliver Wendell Holmes, Sr. (The Physician and Poet not the Jurist)
... and abroad; and after attributing the founding of all the principal cities to some ruler of this line, the historian relates the story of King Leir, the founder of Leicester. As this monarch's life has been used by Shakespeare for one of his dramas,—the tragedy of "King Lear,"—and is familiar to all students of English literature, there is no need to outline Geoffrey of Monmouth's version of ...
— Legends of the Middle Ages - Narrated with Special Reference to Literature and Art • H.A. Guerber
... overwhelmed her, and she lay insensible across his arms, her fair head hanging back, her white garments streaming in the air, her golden locks floating, her witching eyes closed, and her blue lips apart and rigid on her glistening teeth—so she lay like dead Cordelia in the arms of old Lear. ...
— The Missing Bride • Mrs. E. D. E. N. Southworth
... his fancied security have wholly encased him round, and then coming and boring with a little pin through his castle wall. And these feelings, though their predominance is subdued in the mightiest tragedies, remain powerful there. In the figure of the maddened Lear we see ...
— Shakespearean Tragedy - Lectures on Hamlet, Othello, King Lear, Macbeth • A. C. Bradley
... in the following terms: "How little Shakspeare was once read, may be understood from Tate, who, in his dedication to the altered play of King Lear, speaks of the original as an obscure piece, recommended to his notice by a friend; and the author of the Tatler, having occasion to quote a few lines out of Macbeth, was content to receive them from Davenant's alteration ...
— Biographical Essays • Thomas de Quincey
... moment, however, many of those difficulties still exist and may be seen all about us. In order to illustrate the situation baldly, and at the same time to put it dramatically, it may be well to take an instance concerning which we have no personal feeling. The tragedy of King Lear has been selected, although we have been accustomed so long to give him our sympathy as the victim of the ingratitude of his two older daughters, and of the apparent coldness of Cordelia, that we have not sufficiently considered the weakness of his fatherhood, revealed by the fact that he should ...
— Democracy and Social Ethics • Jane Addams
... very courteous towards the worsted gentry; had he lived in our times, they might have worsted him for a libel: he says in King Lear, "A base, proud, shallow, beggarly, three suited, hundred pound, filthy, worsted ...
— The Mirror Of Literature, Amusement, And Instruction, No. 391 - Vol. 14, No. 391, Saturday, September 26, 1829 • Various
... ta'en to makin' sangs himsel'; no 'at there was ony ill i' that, she said, gien there wasna ony ill i' the sangs themsel's; but it was jist some trifflin' like, she said, an' they luikit for better frae Donal, wi' a' his buik lear, an' his Euclid—or what ca' ...
— Sir Gibbie • George MacDonald
... of revenge, though the Dummy could have no knowledge of his words, he gestured with a dignity that conveyed all the meaning of Lying Bill's relation of the incident. In the expression and motion of the dramatic mute the aged uncle had the sublimity of Lear. For Vava, in a mask and an attitude, by some cryptic understanding encompassed the resignation and appeal ...
— Mystic Isles of the South Seas. • Frederick O'Brien
... end of the north choir aisle and not far from its former magnificent shrine. The chief beauty of the Lady Chapel consists in the slender shafts of Purbeck marble that support the roof. The tryptych altarpiece is modern, also the east window in memory of Dean Lear. Opinion will be divided as to the merit of the roof decoration, but time will lend its aid in the colour scheme. In this connexion may be mentioned the means taken here as elsewhere to remove the curious "bloom," that comes in ...
— Wanderings in Wessex - An Exploration of the Southern Realm from Itchen to Otter • Edric Holmes
... female heart a palpitating. When he made his first appearance, there was just such a humming and clapping of hands as you may have heard when the celebrated Garrick comes upon the stage in King Lear, or King Richard, or any other top character. But how agreeably were we disappointed, when our young gentleman made such an oration as would not have disgraced a Pitt, an Egmont, or a Murray! while he spoke, all was hushed in admiration and ...
— The Adventures of Sir Launcelot Greaves • Tobias Smollett
... exclaiming, "I will trust my resolution and my good hands." With the same swift instinct, Cassius trusts to his hands when he stabs Caesar: "Speak, hands, for me!" "Let me kiss your hand," says the blind Gloster to Lear. "Let me wipe it first," replies the broken old king; "it smells of mortality." How charged is this single touch with sad meaning! How it opens our eyes to the fearful purging Lear has undergone, to learn that royalty is no defence against ingratitude and cruelty! Gloster's exclamation ...
— The World I Live In • Helen Keller
... attended with displeasure at the same, the slight being put upon self, or upon some dear one, unbefittingly. The vengeance that the angry man craves is a vengeance that all shall see. "No, ye unnatural hags," cries Lear in his fury, "I will do such things,—what they shall be yet I know not, but they shall be the terror of the earth." When we are angry, we talk of "making an example" of the offender. The idea is that, as all the world has seen us slighted and set ...
— Moral Philosophy • Joseph Rickaby, S. J.
... with him, and the deplorable length of dialogue to the small amount of action in their plays making them sadly tiresome. The first that he saw at the principal theatre was a version of Balzac's Pere Goriot. "The domestic Lear I thought at first was going to be very clever. But he was too pitiful—perhaps the Italian reality would be. He was immensely applauded, though." He afterwards saw a version of Dumas' preposterous play of Kean, in which most of the representatives of English actors wore red hats with steeple ...
— The Life of Charles Dickens, Vol. I-III, Complete • John Forster
... mother's letters as they were written, omitting only the purely family matter which is of no interest to the public. Edward Lear's drawing of Luxor was printed in 'Three Generations of Englishwomen,' edited by Mrs. Ross, but the other illustrations are now reproduced for the ...
— Letters from Egypt • Lucie Duff Gordon
... more than the highest degree of perfection which prevails widely around it, and forms the environment in which it grows. No such single mind in single contact with the facts of nature could have created a Pallas, a Madonna, or a Lear; such vast conceptions are the growth of ages, the creation of a nation's spirit; and the artist and poet, filled full with the power of that spirit, but gave it form, and nothing but form. Nor would the form itself ...
— Christianity and Greek Philosophy • Benjamin Franklin Cocker
... society, and M. Egiste Brancadori, who kept the Marzocco, was one of those unconscious buffoons of whom he was continually in search in real life, one of those whom he called his "Thebans", in reference to King Lear. "I'll talk a word with this same learned Theban," cried the mad king, one knows not why, when he meets "poor ...
— Cosmopolis, Complete • Paul Bourget
... rest, to try and arrange my scattered ideas into some sort of connection and order. Mad! I clasped my aching head between my hands, and brooded on the fearful prospect looming before me, and in the words of poor King Lear, I prayed ...
— A Romance of Two Worlds • Marie Corelli
... far to justify this contention. We may be sure that Shakespeare, then at the zenith of his power, would not have stinted the measure of a work which seems to have taken more of his time than any previous play. Following closely upon "Macbeth" came "King Lear," produced at Whitehall for the Christmas festivities of 1606, and founded, like several of ...
— William Shakespeare - His Homes and Haunts • Samuel Levy Bensusan
... the drift of Lethe in the darkness, but never for long together. Once he woke uneasily with a start and saw a flash. The crash followed as in one beat, and the rain was like the rain in King Lear. He was broadly awake now. Two carriers were nestling near him. He felt fearfully for his pipe, and almost mourned for it as washed away. He found it, and turned over with a happy sigh. 'Man's airy notions!' ...
— Cinderella in the South - Twenty-Five South African Tales • Arthur Shearly Cripps
... the Court had considered it as being nos poma natamus. I kept our friends quiet by declining to move in a matter which was to expose us to the insult of a certain refusal. Clerk, with his usual felicity of quotation, said they should have remembered the Clown's exhortation to Lear, "Good nuncle, tarry and take ...
— The Journal of Sir Walter Scott - From the Original Manuscript at Abbotsford • Walter Scott
... prince of optimists. His tragedies are a revelation of moral order. In "Lear" and "Hamlet" there is a looking forward to something better, some one is left at the end of the play to right wrong, restore society and build the state anew. The later plays, "The Tempest" and "Cymbeline," show a beautiful, placid optimism ...
— Optimism - An Essay • Helen Keller
... Spanish Literature' may be found his touching letter to De Guzman at the Moorish court. He is, like Lear, poor and discrowned, but not like him, weak. His prelates have stirred up strife, his nobles have betrayed him. If Heaven wills, he is ready to pay generously for help. If not, says the royal philosopher, still, generosity and loyalty exalt ...
— Library of the World's Best Literature, Ancient and Modern, Vol. 1 • Charles Dudley Warner
... followed, were written by both Charles Lamb and his sister: indeed the work seems at first to have been intended for Mary's hand alone, but her brother undertook the telling of the stories of the tragedies, and to use his own words, out of the twenty tales he was "responsible for Lear, Macbeth, Timon, Romeo, Hamlet, Othello, for occasionally a tail-piece or correction of grammar, for none of the cuts, and for all of the spelling." When the work was originally produced it had illustrations to which Lamb objected. His reference ...
— Charles Lamb • Walter Jerrold
... fortune to see, I must think, in an impressionable hour, played by Mrs. Scott Siddons. Nothing has ever more moved, more delighted, more refreshed me; nor has the influence quite passed away. Kent's brief speech over the dying Lear had a great effect upon my mind, and was the burthen of my reflections for long, so profoundly, so touchingly generous did it appear in sense, so overpowering in expression. Perhaps my dearest and best friend outside of Shakespeare is D'Artagnan—the elderly D'Artagnan of the ...
— The Art of Writing and Other Essays • Robert Louis Stevenson
... stage, in L'Allegro, for comedy, and the buskin, in Il Penseroso, for tragedy. Milton seems to think the comic drama in England needs no apology, but he hesitates at the tragic. The poet of King Lear is named for his sweetness ...
— Flower of the Mind • Alice Meynell
... soul to a cinder with that odious drug," said Wingfold. "'Tis true, as Edgar in King Lear says: ...
— Thomas Wingfold, Curate • George MacDonald
... of his innate force. Three things, however, had attracted me to him in our brief meeting at Topeka: his voice, though low, had a thrill of power in it; his hand-clasp was firm and full of meaning; and when I looked into his blue eyes I recalled the words which the Earl of Kent said to King Lear: ...
— The Price of the Prairie - A Story of Kansas • Margaret Hill McCarter
... that stormy sky. All doom and destiny and wrath of avenging deities and days of judgment seemed concentrated in that frown of gigantic darkness. Beneath it the landscape seemed to grow livid as a corpse, and terror to fill with trembling the very trees and grasses. Oedipus and Orestes and King Lear rolled into one could hardly have accounted for that angry sky. Such a sky it must have been that carried doom to the cities of the plain. And, after all, it was only Colin and I innocently making haste ...
— October Vagabonds • Richard Le Gallienne
... story of a feud greater than that of the Verona houses. There is always feud where there is not understanding. There is eternal feud between those two camps of misunderstanding, age and youth. This play, written by a young man, shows the feud from the point of view of youth. The play of King Lear shows it from the point of view of age. This play of youth is as lovely and as feverish as love itself. Youth is bright and beautiful, like the animals. Age is too tired to care for brightness, too cold to care for beauty. The bright, beautiful creatures dash ...
— William Shakespeare • John Masefield
... Burbadge) was the first of the great English tragic actors, and was the original of the greater number of Shakespeare's heroes—Hamlet, Othello, Lear, Shylock, Macbeth, Richard III., Romeo, Brutus, etc. Dick Tarleton, one of the privileged scapegraces of social life, was regarded by his contemporaries as the most witty of clowns and comedians. The clown was a permitted character in the ...
— Baddeck and That Sort of Thing • Charles Dudley Warner
... paradoxical, the fact is that all this scenery is in the way. I have seen King Lear in Paris, at the Theatre Antoine, where it was presented with very nearly perfect scenery. When the King and the fool roamed about the heath in the third act, amid thunder and lightning, everybody was gazing at the clouds in the flies and watching for the lightning, ...
— Youth and Egolatry • Pio Baroja
... this is the earliest use of the word in the modern meaning I have found. Richardson has it in both its modern meanings, "vigorous," or "sensitive in nerves, and consequently weak, diseased." Hysteria is not in the Bible, and is found once in Shakespeare; as, "Hysterica passio, down," Lear ii. 4. It was common in Sydenham's day,—i.e., Charles II. and Cromwell's time,—but he classified under hysteria many disorders no longer considered as of ...
— Doctor and Patient • S. Weir Mitchell
... most striking example of this method is the 'Pere Goriot.' The general situation may be described in two words, by saying that Goriot is the modern King Lear. Mesdames de Restaud and de Nucingen are the representatives of Regan and Goneril; but the Parisian Lear is not allowed the consolation of a Cordelia; the cup of misery is measured out to him drop by drop, and the bitterness ...
— Hours in a Library, Volume I. (of III.) • Leslie Stephen
... and tones, the expression and character are always such as support vigorously the action of his group. We say vigorously; for Mr. Rothermel, in his Italian pictures, revealed an artistic nature related to humanity in its most agitated moods, as in the "Lear," and in the "Saint Agnese,"—this beautiful picture being, however, a higher conception, inasmuch as in it the spirit might find some rest in the stillness of the maiden Agnese, already saint and about to be martyr, and in the deep blue sky, on whose field linger white ...
— Atlantic Monthly, Vol. 9, No. 52, February, 1862 • Various
... tempest. And all the while the worldly-wise, to whom the tempest is only a matter of the machineries of a theatre—of painted clouds, electric lights, and sheets of copper—the world-wise govern the storm as they choose and leave you in it defenceless and lonely as old Lear. To put your heart into life is the most fatal of errors; it is to give a hostage to your enemies whom you can only ransom at the price of your ruin. But what is the use of talking? To you, life will be always Alastor and Epipsychidion, ...
— Wisdom, Wit, and Pathos of Ouida - Selected from the Works of Ouida • Ouida
... no trace of exaggeration in saying: Many people frequent theaters ostensibly for the purpose of understanding the great dramatists, and, leading thereto, seeing noted tragedians act Lear, Richard III, Julius Caesar, Hamlet, and at the end of years of attendance have no conception of these dramas as a whole. They had heard one voice among the many; but when the many voices blended, what all meant they can not begin to guess. What playgoer will give a valid analysis of King ...
— A Hero and Some Other Folks • William A. Quayle
... almost like copper-plate, in its precision and elegance, we shall understand what a task it must have been for him to keep up his correspondence. A little later he employed a young New Hampshire graduate of Harvard, Tobias Lear, who graduated in 1783, who served him as secretary until his death, and undoubtedly lightened the epistolary cares of the General. But Washington continued to carry on much of the letter-writing, especially ...
— George Washington • William Roscoe Thayer
... to know what are the events which cast their shadow over the hell of time of King Lear, Othello, Hamlet, Troilus and Cressida, look to see when and how the shadow lifts. What softens the heart of a man, shipwrecked in storms dire, Tried, like another Ulysses, Pericles, prince ...
— Ulysses • James Joyce
... iche as a dissyllable; vide his Poems passim. Ch'am, is I am, that is, ich am; ch'ill, is I will, ich will. See Shakespeare's King Lear, Act IV., Scene IV. What is very remarkable, and which confirms me greatly in the opinion which I here state, upon examining the first folio edition of Shakespeare, at the London Institution, I find that ch is printed, in one instance, with a mark of ...
— The Dialect of the West of England Particularly Somersetshire • James Jennings
... doth protest too much.' I was already blushing deeply at the unwonted vehemence of my own words, although I had spoken only as I felt—the very, very truth. But his laugh and his test so increased my confusion that, in fine, that was the first and last time I ever did protest! Like Lear's Cordelia, I was tongue-tied—I had no words to assure him. Sometimes I wept to think how poor I was in resources to make him happy. Then came another annoyance—my name and fame were ...
— Hidden Hand • Emma Dorothy Eliza Nevitte Southworth
... Thou art incestuous: caitiff, to pieces shake, That under covert and convenient seeming Hast practised on man's life: close pent-up guilts, Rive your concealing continents, and cry These dreadful summoners grace. — Lear. ...
— Alvira: the Heroine of Vesuvius • A. J. O'Reilly
... mostly to William Pearce, his manager at Mount Vernon during a portion of his presidency, were bought from the heirs of Pearce by the celebrated Edward Everett and now belong to the Long Island Historical Society. These have been published. His correspondence with Tobias Lear, for many years his private secretary, are now in the collection of Thomas K. Bixby, a wealthy bibliophile of St. Louis. These also have been published. The one greatest repository of papers is the Library of Congress. ...
— George Washington: Farmer • Paul Leland Haworth
... channels,—and to cause all things necessary for his people to be borne by the earth.' '(They told me I was everything. But when the rain came to wet me once, when the wind would not peace at my bidding,' says Lear, 'there I found them, there I smelt them out.)' This, in connection with the preceding anecdote, to which, in the opinion of this author, it comes properly so very near, may be classed of itself among the suggestive stories above referred to; but the ...
— The Philosophy of the Plays of Shakspere Unfolded • Delia Bacon
... the fret of heart and soul, The loneliness and passion of King Lear; No more bewilderment and broken words Of wild despair ...
— The Miracle and Other Poems • Virna Sheard
... sacred lore;" This fancy realiz'd, the bard shall see, And his best commentator breathe in thee. She spoke: her magic powers the actor tried; Then Hamlet moraliz'd and Richard died; The dagger gleam'd before the murderer's eye, And for old Lear each bosom heav'd sigh; Then Romeo drew the sympathetic tear, With him and Cibber Love lay bleeding here. Enchanting Cibber! from that warbling throat No more pale Sorrow pours the liquid note. Her voice suppress'd, and Garrick's genius fled, Melpomene declined ...
— The Mirror of Taste, and Dramatic Censor - Vol I, No. 2, February 1810 • Samuel James Arnold
... delight in an utter perversion of all moral, intellectual, and religious qualities. It gluts over the monstrous deformities of nature; finds gratification in proportion to the magnitude of the crime it extolls; and sees no virtue but in vice; no sin, but in true feeling. Like poor Tom, in Lear, whom the foul fiend has possessed for many a day, it will run through ditches, through quagmires, and through bogs, to see a man stand on his head for the exact space of half an hour. Ask the reason of this raging appetite for eccentricity, ...
— Early Reviews of English Poets • John Louis Haney
... in us by similar dramas in our own language. Few, I trust, would be rash or ignorant enough to compare Schiller with Shakspeare; yet, merely as illustration, I would say that we should proceed to the perusal of Wallenstein, not from Lear or Othello, but from Richard II., or the three parts of Henry VI. We scarcely expect rapidity in an historical drama; and many prolix speeches are pardoned from characters whose names and actions have formed the most amusing tales of our early life. On the other hand, there ...
— The Works of Frederich Schiller in English • Frederich Schiller
... took delight In LEAR'S immortal Dong, Whose nose was luminously bright, Who sang a silvery song. He did not terrify the birds With strange and unpropitious words Of double-edged ontong; I'm sure he hailed ...
— Punch, or the London Charivari, Vol. 153, Sept. 19, 1917 • Various
... of comparing was introduced into English, both methods were often used with the same adjective; and, for a time, double comparatives and double superlatives were common; as, worser, most boldest. In "King Lear" Shakespeare uses the double comparative a dozen times.]; as, valuable, less valuable, least valuable. Most definitive and many descriptive adjectives cannot be compared, as their meaning will ...
— Higher Lessons in English • Alonzo Reed and Brainerd Kellogg
... regretful cry. "We stayed with the Southards, Mrs. Gray, Anne, Miriam and I. Anne, Miss Southard and Mr. Southard left New York City for California last week. Mr. Southard and Anne are to appear as joint stars in film productions of 'As You Like It,' 'Hamlet,' 'King Lear' and possibly other Shakespearian plays. It is their first experience in posing before the camera. Anne sent you her love. She will write you as ...
— Grace Harlowe's Return to Overton Campus • Jessie Graham Flower
... the old Puritan commentators has it: 'The tower is so deep that no pioneer can undermine it, so thick that no cannon can breach it, so high that no ladder can scale it.' 'The righteous runneth into it,' and is perched up there; and can look down like Lear from his cliff, and all the troubles that afflict the lower levels shall 'show scarce so gross as beetles' from the height where he stands, safe and high, hidden in the name of ...
— Expositions Of Holy Scripture - Volume I: St. Luke, Chaps. I to XII • Alexander Maclaren
... Edward Lear, the artist, traveling in Greece, says that "he was one day jogging along with an Albanian peasant, who said to him, 'Women are really better than donkeys for carrying burdens, but not so good as mules.'" This was the honest opinion ...
— History of Woman Suffrage, Volume II • Elizabeth Cady Stanton, Susan B. Anthony, and Matilda Joslyn Gage
... how she bullies a poor old man, Jim. I'm worse than that Lear fellow in the play—most henpecked father ...
— Oh, You Tex! • William Macleod Raine
... his conduct, finds no countenance in the plays of Shakespeare. There man appears as he is, made up of a crowd of passions, which contend for the mastery over him, and govern him in turn. What is Hamlet's ruling passion? Or Othello's? Or Harry the Fifth's? Or Wolsey's? Or Lear's? Or Shylock's? Or Benedick's? Or Macbeth's? Or that of Cassius? Or that of Falconbridge? But we might go on for ever. Take a single example—Shylock. Is he so eager for money as to be indifferent to revenge? Or so eager for revenge as to be indifferent to money? Or so bent on both together as ...
— Famous Reviews • Editor: R. Brimley Johnson
... intelligence and a great beauty in her time. She was once taken out to dinner by General Washington when he was President. Madam Hancock, whose husband had been President of the Continental Congress and Governor of Massachusetts, complained to General Washington's Secretary, Mr. Lear, that that honor belonged to her. The Secretary told General Washington, the next day, what she said. The General answered that it was his privilege to give his arm to the handsomest woman in the room. Whether the reply was communicated to Mrs. Hancock, or whether she was comforted ...
— Autobiography of Seventy Years, Vol. 1-2 • George Hoar
... short time! Wielded the sceptre of the Atheist crew. When the calamity spread far and wide— And this same city, that did then appear To outrun the rest in exultation, groaned 505 Under the vengeance of her cruel son, As Lear reproached the winds—I could almost Have quarrelled with that blameless spectacle For lingering yet an image in my mind To mock me under such a ...
— The Poetical Works of William Wordsworth, Vol. III • William Wordsworth
... these in date of composition, and in popular estimation at least among English readers, comes, 'Le Pere Goriot.' It is certainly trite to call the book a French "Lear," but the expression emphasizes the supreme artistic power that could treat the motif of one of Shakespeare's plays in a manner that never forces a disadvantageous comparison with the great tragedy. The retired vermicelli-maker is not as grand a figure as the ...
— Library Of The World's Best Literature, Ancient And Modern, Vol 3 • Various
... countries, or dwindle in numbers, or both. Dynasties and aristocracies which have disregarded the laws of nature have decreased in numbers and degenerated in stature; 'mariages de convenance' leave their enfeebling stamp on the offspring of them (King Lear). The marriage of near relations, or the marrying in and in of the same family tends constantly to weakness or idiocy in the children, sometimes assuming the form as they grow older of passionate licentiousness. The common prostitute ...
— The Republic • Plato
... Diuision (which yet were neuer taught by any man as farre as I do knowe) I wyll enstruct you after the treatyse of fractions. And now for this tyme fare well, and loke that you cease not to practyse that you haue lear ned. S. Syr, with moste harty mynde I thanke you, bothe for your good learnyng, {and} also your good cou{ns}el, which (god wyllyng) I truste ...
— The Earliest Arithmetics in English • Anonymous
... few meagre suggestions a vital and impressive work of art. One thinks instinctively, in seeking for some adequate parallel, of what Goethe did with the materials of the Faust legend, or of what Shakespeare did with the indications offered for 'King Lear' and 'Cymbeline' by Holinshed's chronicle-history. And the two greatest names in modern literature are suggested not only by this general fact of creative power, but also more specifically by certain characters ...
— Library Of The World's Best Literature, Ancient And Modern, Vol. 5 • Various
... unimaginative, but that when struck with a great sorrow, or moved by a great passion, he is endowed for a moment with the poet's speech. A poetic fact, one may almost say, is just any fact at its best. Art, it is true, looks at its object through a medium, but it always seems its inmost meaning. In Lear, Othello, Hamlet, in Falstaff and Touchstone, there is a revelation of the inner truth of human life beyond the power of moral science to bestow. We do well to seek philosophy in the poets, for though they teach only by hints and parables, they nevertheless reflect the concrete truth of life, ...
— Browning as a Philosophical and Religious Teacher • Henry Jones
... walk; thick clouds made the atmosphere dark, though it was as yet only early afternoon; and the wind howled dismally over the hills of the heath—not improbably the same heath which had witnessed the agony of the Wessex King Ina, presented to after-ages as Lear. Gertrude Lodge talked most, Rhoda replying with monosyllabic preoccupation. She had a strange dislike to walking on the side of her companion where hung the afflicted arm, moving round to the other when inadvertently near it. Much heather had been brushed by their feet ...
— Wessex Tales • Thomas Hardy
... feature of the forest primeval presents itself, not less striking and unfamiliar. From the dead branches of those skeleton pines and hemlocks, these rampikes, hang masses of white moss, snow-white, amid the dark verdure. An actor might wear such a beard in the play of King Lear. Acadian children wore such to imitate "grandpere," centuries ago; Cowley's trees are "Patricians," these ...
— Acadia - or, A Month with the Blue Noses • Frederic S. Cozzens
... ye gaun, ye broken men?" Quo fause Sakelde; "come tell to me?" Now Dickie of Dryhope led that band, And the nevir a word o lear ...
— A Collection of Ballads • Andrew Lang
... Butler's division; Lieutenant-Colonels Garland and Wilson, commanding brigades in General Twiggs' division; Colonels Mitchell, Campbell, Davis, and Wood, commanding the Ohio, Tennessee, Mississippi, and 2d Texas regiments, respectively; and Majors Lear, Allen, and Abercrombie, commanding the 3d, 4th, and 1st regiments of infantry; all of whom served under my eye, and conducted their commands with coolness and gallantry against the enemy. Colonel Mitchell, Lieutenant-Colonel McClung, Mississippi regiment, Major ...
— The Medallic History of the United States of America 1776-1876 • J. F. Loubat
... we know it so well and feel so much with Caesar or with Lear or with Othello or with Macbeth, that we instinctively take it all for true psychology, while it after all covers just the exceptional cases ...
— Psychology and Social Sanity • Hugo Muensterberg
... Bodb Dearg was given to him as his wife. On her death, he married her sister, who transformed her step-children into swans.[304] Ler is the equivalent of the Brythonic Llyr, later immortalised by Shakespeare as King Lear. ...
— The Religion of the Ancient Celts • J. A. MacCulloch
... learned that his Ariel—otherwise Marie Moke—had forsaken him and had married Pleyel. In a wild state of frenzy he would go to Paris at once and seek revenge. He started, got as far as Nice, grew calmer, remained at Nice for a month, during which time the Overture to "King Lear" was written, then returned to Rome by the ...
— The World's Great Men of Music - Story-Lives of Master Musicians • Harriette Brower
... Whatever form his verse takes,—sonnet, song, or dramatic poetry,—it shows the touch of the master hand, the inspiration of the master mind. Of his plays those which are still most frequently acted are the tragedies "Hamlet," "Macbeth," "King Lear," and "Othello," the comedies "Midsummer-night's Dream," "The Merchant of Venice," "As You Like It," and "The Comedy of Errors," and the historical plays "Julius Caesar," "King Henry IV," "King Henry V," and ...
— Graded Poetry: Seventh Year - Edited by Katherine D. Blake and Georgia Alexander • Various
... luvit ilk ither weel, 'Twas then we twa did part; Sweet time—sad time! twa bairns at schule, Twa bairns, and but ae heart! 'Twas then we sat on ae laigh bink, To leir ilk ither lear; And tones, and looks, and smiles ...
— The Modern Scottish Minstrel, Volumes I-VI. - The Songs of Scotland of the Past Half Century • Various
... and reading, and the culture coming of a few years' association with the primitive English stage and its hangers-on, was capable of broadening and deepening, with vital experience and vital culture, into the poet of LEAR and MACBETH. But the vital culture must come to it, like the experience: this was not a man who would go out of his way to seek the culture. A man so minded, a man who would bear hardship in order to win knowledge, would not have settled down so ...
— Montaigne and Shakspere • John M. Robertson
... not therefore less bitter—the tragedy of ingratitude. At stupendous cost I have supported, educated, clothed you. You turn upon me for more. How sharper than a serpent's tooth it is to have a thankless child! I am Lear." ...
— Once Aboard The Lugger • Arthur Stuart-Menteth Hutchinson
... and nature. It is the privilege of art to dispense with explanations and extenuations; for if it be true to itself it is sufficient in itself, and anything added to it or taken from it is an impertinence or a deformity. When we read 'Hamlet' and 'Lear,' or 'As You Like It' and 'Much Ado About Nothing,' we do not ask ourselves what Shakespeare meant by them,—why some scenes were written in verse and other scenes in prose,—for it is not of Shakespeare that we are thinking as we read, but of his characters, for whom we feel ...
— Library of the World's Best Literature, Ancient and Modern, Vol. 7 • Various
... personification. Thus at one time*1* he likens men to clover-leaves and the Course-of-things to the browsing ox, which makes way with the clover-heads; while at another he addresses an old red hill of Georgia as "Thou gashed and hairy Lear Whom the divine Cordelia of the year, E'en pitying Spring, will vainly strive to cheer."*2* Like other Southern poets,*3* Lanier sometimes fails to check his imagination, and in consequence leaves his readers "bramble-tangled in a brilliant maze," ...
— Select Poems of Sidney Lanier • Sidney Lanier
... I do not at all believe in the painful pinching and pulling together of a particular bit of work. That sort of process is excellent practice, but it seems to me like the receipt in one of Edwin Lear's Nonsense Books for making some noisome dish, into which all sorts of ingredients of a loathsome kind were to be put; and the directions end with the words: 'Serve up in a cloth, and throw all out of the window as soon as possible.' It is an excellent thing to take all the trouble, ...
— At Large • Arthur Christopher Benson
... character; for we no more expect to see the true Antonio on the stage than to see the true moonlight shimmering on the trees in Belmont Park. But sometimes the play will transcend the limits of stage expression by being too purely and perfectly dramatic, as in "Lear." For not only is it, as Lamb points out,[3] impossible for the actor to give the convulsions of the father's grief, and yet preserve the dignity of the king, but the sustained intensity of passion fatigues both voice and ear when they should be most impressive and impressed. ...
— The Contemporary Review, January 1883 - Vol 43, No. 1 • Various
... which Michael Angelo, Beethoven, Goethe, and the antique Athenian stage poets are great. He would really not be great at all if it were not that he had religion enough to be aware that his religionless condition was one of despair. His towering King Lear would be only a melodrama were it not for its express admission that if there is nothing more to be said of the universe than Hamlet has to say, then 'as flies to wanton boys are we to the gods: they kill us ...
— Back to Methuselah • George Bernard Shaw
... or three walms on the fire in the broth; then dish the chines in thin slices of fine French bread, broth them, and lay on them some boiled beef-marrow, boil'd in strong broth, some slic't lemon, and run all over with a lear made of beaten butter, the yolk of an egg or two, the juyce of two or three oranges, and some ...
— The accomplisht cook - or, The art & mystery of cookery • Robert May
... angrily exclaimed the aged and venerable King Lear, whose nasal organ exhibited signs of its having sustained a violent contusion—"I haven't closed an eye during the whole night, and now you keep me awake with your infernal jabbering. ...
— My Life: or the Adventures of Geo. Thompson - Being the Auto-Biography of an Author. Written by Himself. • George Thompson
... same dimensions. The intensity of the feeling makes up for the disproportion of the objects. Things are equal to the imagination, which have the power of affecting the mind with an equal degree of terror, admiration, delight, or love. When Lear calls upon the heavens to avenge his cause, "for they are old like him," there is nothing extravagant or impious in this sublime identification of his age with theirs; for there is no other image which could do justice to the agonising ...
— Lectures on the English Poets - Delivered at the Surrey Institution • William Hazlitt
... the display of his declamatory powers, on the speech-days, he selected always the most vehement passages,—such as the speech of Zanga over the body of Alonzo, and Lear's address to the storm. On one of these public occasions, when it was arranged that he should take the part of Drances, and young Peel that of Turnus, Lord Byron suddenly changed his mind, and preferred the speech of Latinus,—fearing, it was supposed, some ridicule from the inappropriate taunt ...
— Life of Lord Byron, Vol. I. (of VI.) - With his Letters and Journals. • Thomas Moore
... day, if we may judge from the accounts which we have of their poor commons, would have used far different words, in addressing the Faculty, from King Lear, who, speaking to ...
— A Collection of College Words and Customs • Benjamin Homer Hall
... "fourscore and upwards," like Lear, and like Lear, too, "mightily abused," about five feet seven, a little stooping, but still vigorous and alert; with a pleasant, fresh countenance, and the complexion of a middle-aged, plump, healthy woman, such as Rubens or Gilbert Stuart would gloat over in portraiture, and love to paint ...
— The Atlantic Monthly, Volume 16, No. 97, November, 1865 • Various
... harns, Nae college lear had reached her, An' a' she kent aboot her job Her ain experience ...
— The Auld Doctor and other Poems and Songs in Scots • David Rorie
... best play, practically considered. The plot is simple, the handling of it direct and skilful, there is no propaganda to interfere with the characters, who are few, interesting, and admirably drawn. The contrast between the lion of Albrit (so often compared to King Lear) and the playful children is a master-stroke. Free from effectism, dealing only with inner values of the heart and morals, El abuelo can properly rank as one of the masterpieces of modern drama. Its theme is diametrically opposed to the traditional Spanish conception of family honor ...
— Heath's Modern Language Series: Mariucha • Benito Perez Galdos
... There is a loud hammering against the door. I go to open the door, and all of you rush right by me." Then Mr. Irving opens the door to his murderers, and is borne back by the crowd of terrified monks. Five minutes afterwards, he has returned to life, and is rehearsing a scene from "King Lear," with Miss Ellen Terry's understudy, in as natural and unembarrassed a manner as if he had not been working ...
— The Idler Magazine, Volume III, March 1893 - An Illustrated Monthly • Various
... these more significant words are found in a letter which he wrote to Hackett, the player: "Some of Shakespeare's plays I have never read, while others I have gone over perhaps as frequently as any unprofessional reader. Among the latter are 'Lear,' 'Richard III,' 'Henry ...
— The Guide to Reading - The Pocket University Volume XXIII • Edited by Dr. Lyman Abbott, Asa Don Dickenson, and Others
... revising my edition of Shakspeare, and remember that I formerly misrepresented your opinion of Lear. Be pleased to write the paragraph as you would have it, and send it[335]. If you have any remarks of your own upon that or any other play, ...
— Life Of Johnson, Vol. 2 • Boswell
... has been blamed by some few critical asses for the raillery of Mercutio, and the humor of the nurse, in "Romeo and Juliet;" for the fool in "Lear;" for the porter in "Macbeth;" the grave-diggers in "Hamlet," etc.; because, it is said, these bits interrupt the tragic feeling. No such thing; they enhance it to an incalculable extent; they deepen its degree, though they diminish its duration. And what is the result? ...
— The Poetry of Architecture • John Ruskin
... second term, in the concrete, was duped by men who hate liberty every way. He is the cat's-paw. By much dragging of chestnuts from the fire for others to eat, his claws are burnt off to the gristle, and he is thrown aside as unfit for further use. As the fool said of King Lear, when his daughters had turned him out of doors, "He's ...
— Modern Eloquence: Vol II, After-Dinner Speeches E-O • Various
... skilful writers it will much import, Whence spring their scenes, from common life or Court; Whether they seek applause by smile or tear, To draw a Lying Valet, [12] or a Lear, [13] A sage, or rakish youngster wild from school, A wandering Peregrine, or plain John Bull; All persons please when Nature's voice prevails, Scottish or Irish, born in Wilts ...
— Byron's Poetical Works, Vol. 1 • Byron
... a bad woman. Let people overburdened with credulity believe that she is bad," cried Doederlein, with the expression and in the tone and gesture of the royal Lear, and shook his Olympian locks. "The fact is that violence has been practised on her; she has been driven into ruin! Men have stolen the sweet love of my dearly beloved daughter through the use of vile tricks and artifices. Where ...
— The Goose Man • Jacob Wassermann
... as to her brilliant husband. The friendship of David Garrick was also one of the most delightful features in the life of the admirable Hannah More. A letter written by Hannah on seeing him play Lear, greatly pleased him, and led to their acquaintance. Acquaintance soon ripened into a warm esteem, and produced a friendship of the most cordial—and intimate character, which lasted until death. He declared that the nine muses had ...
— The Friendships of Women • William Rounseville Alger
... elder ones vied with one another in attempts to set her mind at rest by undertaking everything, and promising for themselves and the children perfect regularity and harmony. Sophy, with a bluntness that King Lear would have highly disapproved, said, 'She was glad mamma was going, but she knew they should be all at sixes and sevens. She would do her best, and very bad ...
— The Young Step-Mother • Charlotte M. Yonge
... distressed she was that Elizabeth should have so treated her, and as I didn't sleep any more than she did, though, owing to very different feelings about Elizabeth, I made up my mind as to some things I would say to her when she got back. And if she has never read "King Lear" I will see that she hears it read before very long with a glossary, and comments of my own on ingratitude and things of that sort. Also she may hear ...
— Kitty Canary • Kate Langley Bosher
... Tenses, he adopts the Part of the Verb now described, employing it in an impersonal acceptation, without a Nominative to it expressed. One or two examples will serve to exhibit the use and effect of this anomalous Tense:—Shuidh an ['o]g bhean air sgeir, is a s['u]il air an lear. Chunnaic i long a' teachd air barraibh nan tonn. Dh' aithnich i aogas a leannain, is chlisg a cridhe 'n a com. Gun mhoille gun tamh, buailear dh' fhios na traighe; agus faighear an laoch, 's a dhaoine m' a thimchioll. In English thus: ...
— Elements of Gaelic Grammar • Alexander Stewart
... Falstaff, all Shakespeare's characters are what we call marrying men. Mercutio, as he was own cousin to Benedick and Biron, would have come to the same end in the long run. Even Iago had a wife, and, what is far stranger, he was jealous. People like Jacques and the Fool in LEAR, although we can hardly imagine they would ever marry, kept single out of a cynical humour or for a broken heart, and not, as we do nowadays, from a spirit of incredulity and preference for the single state. For that matter, if you turn to George Sand's French version of AS YOU ...
— Virginibus Puerisque • Robert Louis Stevenson
... all this in "King Lear." Avarice closes the palace doors against the white-haired King. Greed pushes him into the night to wander o'er the wasted moor, an exiled king, uncrowned and uncared for. In such hours garden becomes ...
— The Investment of Influence - A Study of Social Sympathy and Service • Newell Dwight Hillis
... giants of the dawn of time. For mighty exceedingly were these men. At the noise of them running to battle all Ireland shook, and the illimitable Lir [Footnote: Lir was the sea-god, the Oceanns of the Celt; no doubt the same as the British Lear, the wild, white-headed old king, who had such singular daughters; two, monsters of cruelty, and one, exquisitely sweet, kind, and serene, viz.: Storm, Hurricane, and Calm.] trembled in his watery halls; the roar of their brazen chariots reverberated from the ...
— The Coming of Cuculain • Standish O'Grady
... drive like a Jehu, and there's no your equal in these parts with a gun or a fishing-rod. Forbye, I would rather walk ae mile on the hill wi' ye than twae, for ye gang up a brae-face like a mawkin! God! There's no a single man's trade that ye're no brawly fitted for. And then ye've a heap o' book-lear that folk learned ye away about England, though I cannot speak muckle on that, no ...
— The Half-Hearted • John Buchan
... cried the Captain, throwing off his assumption of the tragic father. The Oedipus Coloneus, the Lear—the venerable victim of winter winds and men's ingratitude—was transformed in a moment into an elderly Jeremy Diddler, lined with Lord Foppington. "He shall repeat it; I will have him at your feet to-morrow. Yes, Di, my love, I pledge ...
— Charlotte's Inheritance • M. E. Braddon
... restrained for evil or for good his half-barbaric genius. He flung himself upon life with the irresponsible ardour of the discoverer of a new continent; shaped and re-shaped it as he chose; carved from it now the cynicism of Measure for Measure, now the despair of Hamlet and of Lear, now the radiant magnanimity of the Tempest, and departed leaving behind him not a map or chart, but a series ...
— The Greek View of Life • Goldsworthy Lowes Dickinson
... would become of this plan depended upon the changing fortunes of the men concerned. Kosciuszko died in 1817; and as Thomas Jefferson refused to take out letters testamentary under this will, Benjamin Lincoln Lear, a trustee of the African Education Society, who intended to apply for the whole fund, was appointed administrator of it. The fund amounted to about $16,000. Later Kosciuszko Armstrong demanded of the administrator $3704 bequeathed to him by ...
— The Education Of The Negro Prior To 1861 • Carter Godwin Woodson
... Devereux's benefit is actually fixed for the Christmas holidays, when his cousin undertakes to die for positively the last time, and his uncle will play in the most natural manner conceivable, the last act of "King Lear."' In fact, this family calamity was rather a cheerful subject among Devereux's friends; and certainly Devereux had no reason to love that vicious, selfish old lunatic, Lord Athenry, who in his prodigal and heartless reign, before straw and ...
— The House by the Church-Yard • J. Sheridan Le Fanu
... Shakespere's plays?... We had ever so much about Shakespere. Weren't you perfectly astonished when you found out how many other plays there were of his? I always thought there was nothing but "Hamlet," and "Romeo and Juliet," and "Macbeth," and "Richard III.," and "King Lear," and that one that Robson and Crane have—oh, ...
— Letters to a Daughter and A Little Sermon to School Girls • Helen Ekin Starrett
... good madam; the great rage, You see is cured in him: and yet it is danger To make him even o'er the time he has lost. Desire him to go in: trouble him no more, Till further settling. KING LEAR. ...
— Waverley Volume XII • Sir Walter Scott
... tattered robe and forehead bare, That challenge all the torments of the air, Goes by! And the pent feelings choke in one long sigh, While, as the mimic thunder rolls, you hear The noble wreck of Lear Reproach like things of life the ancient skies, And commune with the storm! Lo! next a dim and silent chamber, where Wrapt in glad dreams, in which, perchance, the Moor Tells his strange story o'er, The gentle Desdemona chastely lies, Unconscious of the loving ...
— War Poetry of the South • Various
... effect had been lessened by the fact that nothing has been left to the imagination. On the other hand there has, since Shakespeare, been nothing so fine as the treatment of Pere Fouan, that peasant King Lear, by his ungrateful family. It has been urged that Zola overdid the horrors of the situation and that no parent would have been so treated by his children. By a singular chance a complete answer to this objection may be ...
— A Zola Dictionary • J. G. Patterson
... within a foot Of the extreme verge; for all beneath the moon Would I not leap upright! KING LEAR. ...
— An Old Sailor's Yarns • Nathaniel Ames
... enough to puzzle a Celtic scholar, and more than enough to puzzle Lord Macaulay, who, like the still more ignorant Doctor Samuel Johnson, knew nothing of the venerable language of the first inhabitants of the British Isles, and of all Western Europe, resolve themselves into Li! Li Beur! Lear-a! Buille na la, which signify, "Light! Light! on the sea, beyond the promontory! 'Tis the stroke (or dawn) of the day!" Like all the choruses previously cited, these words are part of a hymn to the sun, ...
— The Celtic Magazine, Vol. 1, No. 2, December 1875 • Various
... bitter, and in such sardonic phrases—as when he says: "Sincerity is met with in very few people, and is usually nothing but a delicate dissimulation to attract the confidence of others"—that the more timid of his auditors shrank from him, as if he had been Hamlet or Lear. When he dared to suggest that none of these maxims were intended to refer to the reader himself, but only to all other persons, he invited the reaction which led Huet, Bishop of Avranches, to appeal against the morality of the "Maximes," ...
— Three French Moralists and The Gallantry of France • Edmund Gosse
... that gars the gear Is gone where glint the pawky een. And aye the stound is birkin lear Where sconnered yowies wheeped yestreen, The creeshie rax wi' skelpin' kaes Nae mair the howdie bicker whangs, Nor weanies in their wee bit claes Glour light as ...
— The Book of Humorous Verse • Various
... titles nor in rank; It's no in wealth like Lon'on bank, To purchase peace and rest. It's no in makin' muckle mair; It's no in books; it's no in lear; To make ...
— The End of the Rainbow • Marian Keith
... am, alas! without Instruction in the art of fippling, Though something may be found about It in the works of LEAR or KIPLING. ...
— Punch, or the London Charivari, Volume 159, August 11, 1920 • Various
... favourite pickle; hence the "dangerous trade" of the samphire gatherer ("King Lear," act iv. sc. 6) who supplied the demand. It was sold in the streets, and one of the old London cries was "I ha' ...
— Diary of Samuel Pepys, Complete • Samuel Pepys
... husband in Tennessee, in order to be with the Mormon people); twelfth, Polly V. Young; thirteenth, Louisa Young (these two were sisters). Next, I was sealed to my fourteenth wife, Emeline Vaughn. In 1851 I was sealed to my fifteenth wife, Mary Lear Groves. In 1856 I was sealed to my sixteenth wife, Mary Ann Williams. In 1858 Brigham gave me my seventeenth wife, Emma Batchelder. I was sealed to her while a member of the Territorial Legislature. In 1859 I was sealed to my ...
— The Mormon Menace - The Confessions of John Doyle Lee, Danite • John Doyle Lee
... never been on the water before, and could not know whether she were a good or a bad sailor. Aunt Sara and Elinor had told her unpleasant anecdotes of voyages; but when Dover Castle on its gray height, and white Shakespeare Cliff with its memories of "Lear," had faded from her following eyes, still she would hardly have known that the vessel was moving. The purring turbines scarcely thrilled the deck; and presently Mary ate sandwiches and drank a decoction of coffee, brought by her new friend. He laughed when she started ...
— The Guests Of Hercules • C. N. Williamson and A. M. Williamson
... course all Shakespeare's plays that it was possible to read with any hope of attracting or interesting an audience. My father had limited his range to a few of the most frequently acted plays. I delivered the following twenty-four: King Lear, Macbeth, Cymbeline, King John, Richard II., two parts of Henry IV., Henry V., Richard III., Henry VIII., Coriolanus, Julius Caesar, Anthony and Cleopatra, Hamlet, Othello, Romeo and Juliet, The Merchant of Venice, The Winter's Tale, Measure for Measure, ...
— Records of Later Life • Frances Anne Kemble
... needs woldst vnderstand my sham Which I did grieue and blush to ope to thee, And had lear di'd then told thee of the same, Now be not slacke to lend thy helpe to me, Thou forst me for to open my disgrace, Then lend thy help ...
— Seven Minor Epics of the English Renaissance (1596-1624) • Dunstan Gale
... impending crag which rose near it, had acquired the name of St. Swithin's Chair. it was the scene of a peculiar superstition, of which Mr. Rubrick mentioned some curious particulars, which reminded Waverley of a rhyme quoted By Edgar in KING LEAR; and Rose was called upon to sing a little legend, in which they had been interwoven by ...
— Waverley • Sir Walter Scott
... That virtue ought not to suffer in a tragedy, is not well considered: Monimia in the Orphean, Belvidera in Venice Preserved, Athenais in Theodosius, Cordelia in Shakespeare's King Lear, Desdemona in Othello, Hamlet, (to name no more,) are instances that a tragedy could hardly be justly called a tragedy, if virtue did not temporarily suffer, and vice for a while triumph. But he recovers himself in the same paragraph; and leads us to look up to the FUTURE for ...
— Clarissa, Or The History Of A Young Lady, Volume 8 • Samuel Richardson
... it noted, a student of Bergson at the Ecole Normale—found his ideal in the great story of the young girl of Domremy who saved France when all the pomp and wisdom of generals had broken down. And in our own poetry has not Mr. Bottomley rewritten the Lear story, with the focus of power and interest transferred from the old king—left with not an inch of king in him—to a ...
— Recent Developments in European Thought • Various
... Castlewood could not operate upon the said eyes then and there, like the barbarous monsters in the stage-direction in King Lear. When her ladyship was going to tear out her daughter's eyes, she would retire smiling, with an arm round her dear child's waist, and ...
— The Virginians • William Makepeace Thackeray
... fount of Castaly. The Philadelphia school board has declared itself an aggregation of asses. "Les Miserables" is the greatest poem of divine humanity that this world has known since Shakespeare wrote "Lear." But I suppose "Lear," too, is immoral. I suppose everything is immoral, from "Oedipus, the Tyrant," to Hall Caine's "Christian," that teaches that men are born of woman, and that love will have its way, even unto all bitterness. It is eminently fitting that "Les Miserables" ...
— Volume 1 of Brann The Iconoclast • William Cowper Brann
... is informed through the channel of a letter from yourself to Mr. Lear, that M. Duplaine, Consul of France at Boston, has lately, with an armed force, seized and rescued a vessel from the officer of a court of justice, by process from which she was under arrest in his custody: and that he has in like manner, with an armed force, opposed and prevented the officer, ...
— Memoir, Correspondence, And Miscellanies, From The Papers Of Thomas Jefferson - Volume I • Thomas Jefferson
... settle down comfortably in lodgings, in Dove Court, Mansion House. He was soon hard at work upon 'The Death of Rizzio,' adorning his walls with pictures he had brought with him or sent for afterwards from Kendal, such as 'King Lear,' 'Elfrida,' 'The Death of Lefevre,' and a few portraits of friends. The Rizzio picture has been represented as 'a work of extraordinary merit, combining energetic action with strong expression.' Its fate was sad ...
— Art in England - Notes and Studies • Dutton Cook
... allusion to the line, "Nothing can come of nothing." from Shakespeare's "King Lear," ...
— Beethoven: the Man and the Artist - As Revealed in his own Words • Ludwig van Beethoven
... been insulting us. Ancient Father of Christendom, under whose sheltering shadow once slept in peace for near a thousand years the now storm-tossed nations of Western and Central Christendom, couldst thou indeed, when turned out a houseless[47] fugitive like Lear upon a night of tempest, still retain aught of thy ancient prestige, and through the might of belief rule over those who ...
— The Posthumous Works of Thomas De Quincey, Vol. II (2 vols) • Thomas De Quincey
... delight of the Washington playgoers in the Jackson Administration. His wonderful impersonations of Richard III., Iago, King Lear, Othello, Shylock, and Sir Giles Overreach were as grand as his private life was intemperate and eccentric. He was a short, dumpy man, with features resembling those of the Roman Emperors, before his nose was broken in a quarrel, ...
— Perley's Reminiscences, Vol. 1-2 - of Sixty Years in the National Metropolis • Benjamin Perley Poore
... position, as compared with that of others infinitely your inferiors—that shows you at once the man of genius and the gentleman. Macready, you acknowledge, is perhaps your superior in such parts as Lear and Hamlet; but did he ever paint a single side-scene in his life? Beverley, they say, is equal to Stanfield in the poetry of his landscapes; and you confess that in his airs and distances he surpasses your noblest efforts. Ask yourself, my dear friend, if he ever fought ...
— Blackwood's Edinburgh Magazine, Volume 59, No. 367, May 1846 • Various
... rhymed poems are his Sonnets, in which he chronicles many of the various moods of his mind. The plays consist of tragedies, historical plays, and comedies. The greatest of his tragedies are probably Hamlet and King Lear; the best of his historical plays, Richard III. and Julius Csar; and his finest comedies, Midsummer Night's Dream and As You Like It. He wrote in the reign of Elizabeth as well as in that of James; but his greatest works belong to the ...
— A Brief History of the English Language and Literature, Vol. 2 (of 2) • John Miller Dow Meiklejohn
... have seen a farmer's dog bark at a beggar, and the creature run from the cur. There thou might'st behold the great image of authority: a dog's obeyed in office." You have—very well. Take crazy King Lear's words as a text for a sermon against legislative inconsistencies, and come back ...
— The Gaming Table: Its Votaries and Victims - Volume I (of II) • Andrew Steinmetz
... for you, George, there's no end to your softness. You're that green, that the very cows would eat you." Was it not well said by Mr. Robinson in his preface to these memoirs, that the poor old commercial Lear, whose name stood at the head of the firm, was cursed with a Goneril,—and with ...
— The Struggles of Brown, Jones, and Robinson - By One of the Firm • Anthony Trollope
... are individualities instead of individuals. They do not exhibit an agglomeration of many different but consistent traits rendered unified and single by a dominant and informing characteristic, such as ambition in Macbeth, senility in Lear, or irresoluteness in Hamlet. A great fictitious character must be at once generic and specific; it must give concrete expression to an abstract idea; it must be an individualized representation of the typical qualities of a class. It is only figures of this sort that ...
— A Manual of the Art of Fiction • Clayton Hamilton
... LEAR, EDWARD (1812-1888).—Artist and miscellaneous author, b. in London, and settled in Rome as a landscape painter. He was an indefatigable traveller, and wrote accounts, finely illustrated, of his journeys in Italy, ...
— A Short Biographical Dictionary of English Literature • John W. Cousin
... me deeply," said Cutts, applying himself diligently to the decanter; "but you don't drink. Do you know you put me a good deal in mind of Macready? Did you ever hear him in Lear, ...
— Blackwoods Edinburgh Magazine, Volume 59, No. 366, April, 1846 • Various
... show those at home how easy it was to get there; how easy to get home again. Moreover, though going to sea in the Shannon was not quite the same 'as going to sea in a sieve,' our stay-at-home friends were of the same mind as those of the dear little Jumblies, whom Mr. Lear has made immortal in his New Book of Nonsense; and we were bound to come back as soon as possible, and not 'in twenty years or more,' if ...
— At Last • Charles Kingsley
... impersonation on the stage, minutely from some living model? Surely observation and natural originality is more than the photographic copying of your "conscientious" artist! Worse feebleness still it is when an artist has to paint a well-known character, say King Lear or Mary Queen of Scots, and goes about hunting for a living person as near as possible in appearance to the original, and then costumes and slavishly reproduces him or her, without any show of judgment or ...
— The Confessions of a Caricaturist, Vol. 1 (of 2) • Harry Furniss
... girl said, "without you cutting up crazy and making folks talk. If you want to dance, for goodness' sake hire somebody to lear—to teach you, ...
— Flowing Gold • Rex Beach
... still retained his violent and intractable temper; in his home there was much to excite his leonine wrath and sense of intolerable wrong. Three times he had quitted his villa, with vows never to return to it, and three times he had been led back. When for a fourth time—like a feeble yet majestic Lear—one hot summer day, toward noon, he flung himself, or was flung, out of doors with only a few pauls in his pocket, it was to Casa Guidi that he made his way broken-hearted, yet breathing forth wrath.[73] Browning had often ...
— Robert Browning • Edward Dowden
... chief, 'my worthy arch and patron.'—King Lear; or from the Teutonic 'arg,' a rogue. It usually denotes roguish, ...
— The Works of John Bunyan • John Bunyan
... the world in thin disguise much of his own life-story? Shakespeare alone, of men of genius of the first rank, seems to have learned comparatively few of his lessons in the school of suffering. But, possibly, if more were known of Shakespeare, it would be found that Lear, Macbeth, and Hamlet are but the expressions of lessons learned ...
— The Ascent of the Soul • Amory H. Bradford
... see Lear acted—to see an old man tottering about the stage with a walking-stick, turned out of doors by his daughters in a rainy night, has nothing in it but what is painful and disgusting. We want to take him into shelter and relieve him. ...
— English Critical Essays - Nineteenth Century • Various
... of a poet myself, you see! Well,—there's your property. And with what your Mother left you will buy books and writing paper! As for my property—that's going to Jack. I've got the papers for that too. Not being an idiot I've saved out enough for myself—no Lear business for mine! Well, boy—I'm sorry you're a fool. But you've got what ...
— The Forerunner, Volume 1 (1909-1910) • Charlotte Perkins Gilman
... Wright brothers to bother; but when he got as far as London from Bath the wing-strings broke and he fell, plop! on a particularly hard temple of Apollo. After him reigned his son, no less a person than King Lear. I got this out of a queer little old book I bought the first day we came, but I assumed the air of having known it since childhood. There's another legend, it seems, about Bladud and a swine, but it's less esoteric than this, and ...
— Set in Silver • Charles Norris Williamson and Alice Muriel Williamson
... who in 1711 and 1712 appeared in such characters as Falstaff, Lear, and Cortez in 'the Indian Emperor,' now and then also played the part of the favourite stage hero, Alexander the Great in Lee's Rival Queens. He was a good actor, spoilt by intemperance, who came on the stage sometimes ...
— The Spectator, Volumes 1, 2 and 3 - With Translations and Index for the Series • Joseph Addison and Richard Steele
... vice are exhibited in daily, homespun dress, and stalking abroad through the centuries, the generous and brave nobility of King Lear, Caesar, Othello, and Hamlet, will be seen in marked contrast to Shylock, Brutus, Cassius, Iago, Gloster and Macbeth. His fools and wits were philosophers, while many of his kings, queens, dukes, lords and ladies were ...
— Shakspere, Personal Recollections • John A. Joyce |
