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... fox-hunting Squire Groom in Love-a-la Mode or Lord Lumbercourt in The Man of the World. But Macklin's usual good ear for dialogue is missing from this play, nor is any character except his own as Pasquin followed long enough to make his characteristic speech identifiable. Since plot is absent too, all that remains is the wealth of topical and personal satire which in itself is interesting to the historian of the mid-eighteenth-century theatre. If THE COVENT GARDEN ...

— The Covent Garden Theatre, or Pasquin Turn'd Drawcansir • Charles Macklin