"Counterpoint" Quotes from Famous Books
... overthrows best, is passion.—We must try and be clear concerning this question of passion. Nothing is cheaper than passion! All the virtues of counterpoint may be dispensed with, there is no need to have learnt anything,—but passion is always within our reach! Beauty is difficult: let us beware of beauty!{HORIZONTAL ELLIPSIS} And also of melody! However much in earnest we may otherwise ... — The Case Of Wagner, Nietzsche Contra Wagner, and Selected Aphorisms. • Friedrich Nietzsche.
... stupid to pass adverse judgment on the early composers who did not use, and because they did not use, these guide-posts, which had not then been set up, though one by one they were being set up. For a very short time the rules of counterpoint were looked upon as eternal and immutable. During that period the early men were human-naturally looked upon as barbarians. But that period is long past. We know the laws of counterpoint to be not eternal, not immutable; but on the contrary to have ... — Old Scores and New Readings • John F. Runciman
... accordingly, on the morrow, meaning to send him away that same night, he let make, in a great hall of his palace, a very goodly and rich bed of mattresses, all, according to their usance, of velvet and cloth of gold and caused lay thereon a counterpoint curiously wrought in various figures with great pearls and jewels of great price (the which here in Italy was after esteemed an inestimable treasure) and two pillows such as sorted with a bed of ... — The Decameron of Giovanni Boccaccio • Giovanni Boccaccio
... homage and gratitude of a music-loving world. Of him an eminent musical writer says, "It is difficult to over-estimate his talent and influence over the art of music in his day. He was regarded as the great reformer of church music. His knowledge of counterpoint, and the elevation and nobility of his style, made his masses and other compositions, of which he wrote a great number, examples for all time of what ... — Music and Some Highly Musical People • James M. Trotter
... his Biographie universelle. In his early youth Josquin seems to have been a member of the choir of the collegiate church at St Quentin; when his voice changed he went (about 1455) to Ockenheim to take lessons in counterpoint; afterwards he again lived at his birthplace for some years, till Pope Sixtus IV. invited him to Rome to teach his art to the musicians of Italy, where musical knowledge at that time was at a low ebb. In Rome Des Prs lived till ... — Encyclopaedia Britannica, 11th Edition, Volume 8, Slice 2 - "Demijohn" to "Destructor" • Various
... will go blind like Milton and Homer, and deaf like Beethoven; and then, all in the stillness and the dark, all in the depths of his forlorn and lonely soul, he will make his best music, and out of the endless mazes of its counterpoint he will evolve a secret, as we did from the "Chant du Triste Commensal," but it will be a greater secret than ours. Others will have been very near this hidden treasure; but he will happen right on it, and unearth it, ... — Peter Ibbetson • George du Marier et al
... delicious meshes of sound, so in prose-writing there must be scales run, fingerings worked out, and harmonies mastered. For in a page of lo bello stile you will find trills and arpeggios, turns, grace notes, a main theme, a sub theme, thorough-bass, counterpoint, ... — IT and Other Stories • Gouverneur Morris
... well or ill. I cannot refrain from regretting these trios composed and sung in moments of pure joy, and which I left at Wootton, with all my music. Mademoiselle Davenport has perhaps curled her hair with them; but they are worthy of being preserved, and are, for the most part, of very good counterpoint. It was after one of these little excursions in which I had the pleasure of seeing the aunt at her ease and very cheerful, and in which my spirits were much enlivened, that I wrote to the vicar very rapidly and very ill, an epistle in verse which ... — The Confessions of J. J. Rousseau, Complete • Jean Jacques Rousseau
... to teach Butler counterpoint. See the Memoir. Taken by Butler at 15 Clifford's Inn, ... — The Samuel Butler Collection - at Saint John's College Cambridge • Henry Festing Jones
... leading in measures 34 and 35 to a last appearance of the subject, with a beautiful change in one of the intervals (E-flat-G-flat). The closing measures establish the main tonality of E-flat major, rendered still more expressive by the counterpoint associated with the last chord. As to the general structure of this fugue, it is evidently tripartite, the first part A presenting the material, the second part B affording variety by modulating into ... — Music: An Art and a Language • Walter Raymond Spalding
... any "institution of learning," and allowed him to do exactly as he chose, simply providing competent private instruction in whatever subject the youth expressed any interest. Thus he learned Greek, Latin, the modern languages, music (harmony and counterpoint, as well as piano and organ), chemistry (a private laboratory was fitted up in the house), history and art. Now every one knows that; so far as definite acquisition of knowledge is concerned, our schools and colleges-at least in America—leave much to be desired; our ... — Robert Browning: How To Know Him • William Lyon Phelps |