"Copyright" Quotes from Famous Books
 ... appeared that the author was Robert Paltock of Clement's Inn, and that he received for the copyright 20L., twelve copies of the book, and "the cuts of the first impression"(proof impressions of the illustrations). The writer's name shows him to have been, like his hero, of Cornish origin; but the authors of the admirable and exhaustive "Bibliotheca ...
— Life And Adventures Of Peter Wilkins, Vol. I. (of II.) • Robert Paltock
... from Astounding Stories March 1933. Extensive research did not uncover any evidence that the U.S. copyright on ...
— Wanderer of Infinity • Harl Vincent
... relieved of some portion of the domestic business. If the residue of the business of that kind—such as the distribution of Congressional documents, the keeping, publishing, and distribution of the laws of the United States, the execution of the copyright law, the subject of reprieves and pardons, and some other subjects relating to interior administration—should be transferred from the Department of State, it would unquestionably be for the benefit of the ...
— Complete State of the Union Addresses from 1790 to the Present • Various
... Woche have taken offense at the words "Copyright by ..." (in English) and demand that this English formula be rendered hereafter in German. This desire, springing from patriotic motives, is easily understood, but unfortunately cannot be carried out for the form "Copyright by ..." is demanded by the American ...
— New York Times Current History; The European War, Vol 2, No. 5, August, 1915 • Various
... the best tales scattered elsewhere. By this means I hope I have put together a volume, containing both the best, and the best known folk-tales of the Celts. I have only been enabled to do this by the courtesy of those who owned the copyright of these stories. Lady Wilde has kindly granted me the use of her effective version of "The Horned Women;" and I have specially to thank Messrs. Macmillan for right to use Kennedy's "Legendary Fictions," and Messrs. Sampson Low & Co., for the use of ...
— Celtic Fairy Tales • Joseph Jacobs (coll. & ed.)
... using Optical Character Recognition was printed in the 1888-92 period by John W. Lovell of 150 Worth St. New York. Lovell has been described as a book pirate who tried to form a monopoly in the cheap uncopyrighted book trade. The US copyright laws were rather weak in the nineteenth century, and Charles Dickens was particularly hurt by pirates. There was even a book war, with rival publishers of the same book undercutting each other on price. ...
— Tom Brown at Oxford • Thomas Hughes
... thesis that the last fifty years have witnessed a distinct reaction from Victorian Liberalism to Collectivism which has perceptibly strengthened the State Churches. Yet the fact remains that whereas Byron's Cain, published a century ago, is a leading case on the point that there is no copyright in a blasphemous book, the Salvation Army might now include it among its publications ...
— Preface to Androcles and the Lion - On the Prospects of Christianity • George Bernard Shaw
... "Boston as it was," and pay twenty-five cents to the Richmond schools. For all this is of the past; and in the same spot in space where once a month the Examiner Club now meets at Parker's, and discusses the difference between religion and superstition, the folly of copyright, and the origin of things, the boys who did not then belong to the Examiner Club, say Fox and Clarke and Furness and Waldo Emerson, thumbed their Greek Readers in "Boston as it was," and learned the truth about Sybaris! A long, narrow room, I say, whose walls, when I knew them first, were ...
— The Atlantic Monthly, Volume 20, No. 117, July, 1867. • Various
... Americans habitually steal the productions of British Authorship, and deliberately refuse them that protection to which all producers are justly entitled, I feel myself fairly indebted to the class, by the amount of my reading of their works to which Copyright in America is denied. I meant to have attended the first dramatic entertainment given at Devonshire House in aid of this enterprise, but I did not apply for a ticket (price L5) till too late; so I took care to be in season for next time—that ...
— Glances at Europe - In a Series of Letters from Great Britain, France, Italy, - Switzerland, &c. During the Summer of 1851. • Horace Greeley
... half pages in color and fifty black-and-white text pictures; special end sheets, title page, copyright page, book ...
— The Road to Oz • L. Frank Baum
... to the Local Councils of Girl Scouts. (2) To manufacture and copyright the badges. (3) To select uniforms ...
— How Girls Can Help Their Country • Juliette Low
... promote the progress of science and useful arts, by securing, for a limited time, to authors and inventors, the exclusive right to their respective writings and discoveries. ''The utility of this power will scarcely be questioned. The copyright of authors has been solemnly adjudged, in Great Britain, to be a right of common law. The right to useful inventions seems with equal reason to belong to the inventors. The public good fully coincides in both cases ...
— The Federalist Papers
... to use copyright stories in this volume, the editor and publishers wish to make special acknowledgments to Messrs Allen & Unwin, Mr Arnold Bennett, Mr E.H. Blakeney, Sir George Douglas, Bart., Dr Greville MacDonald, Mr Arthur Machen, and Mr ...
— The Haunters & The Haunted - Ghost Stories And Tales Of The Supernatural • Various
... "A Tour Through the Pyrenees." By special arrangement with, and by permission of, the publishers, Henry Holt & Co. Copyright, 1873.] ...
— Seeing Europe with Famous Authors, Volume 4 (of 10) • Various
... the decision of the public, since we cannot be umpires in our own cause, we proceed to detail such circumstances attending the writing and publication of our little work, as may literally meet the wishes of the present proprietor of the copyright, who has applied to us for a gossiping Preface. Were we disposed to be grave and didactic, which is as foreign to our mood as it was twenty years ago, we might draw the attention of the reader, in a fine sententious ...
— Rejected Addresses: or, The New Theatrum Poetarum • James and Horace Smith
... every novelist to-day who scores one success, Miss Owenson had formed a good idea of her value, and there is a letter to Johnson in which she admitted that Phillips's offer was a generous one. Johnson had offered her L300 for the copyright of The Wild Irish Girl. Phillips had offered only L200 down and L50 each for the second and third editions. When Phillips heard that Johnson had outbidden him, he described the offer as 'monstrous,' and that it was 'inspired ...
— George Borrow and His Circle - Wherein May Be Found Many Hitherto Unpublished Letters Of - Borrow And His Friends • Clement King Shorter
... the erasures and interlineations, read aloud the beautiful words—with a full sense of their beauty!—to ears that deemed them more beautiful even than they were. The owners of this now valuable copyright allow me to irradiate my prose with three ...
— Prose Fancies (Second Series) • Richard Le Gallienne
... that a Britisher named Prof. Bridger has been infringing my copyright by proclaiming, as an original discovery, that kissing is an excellent tonic and will cure dyspepsia. When the o'erbusy bacteriologists first announced that osculation was a dangerous pastime, that divers and sundry varieties of bacteria hopped blithely ...
— Volume 1 of Brann The Iconoclast • William Cowper Brann
... sole right of an author or his heirs to publish a work for a term of years fixed by statute, a book for 42 years, or the author's lifetime and 7 years after, whichever is longer; copyright covers literary, artistic, and musical property. By the Act an author must present one copy of his work, if published, to the British Museum, and one copy, if demanded, to the Bodleian Library, Oxford; the University Library, Cambridge; the Advocates' Library, ...
— The Nuttall Encyclopaedia - Being a Concise and Comprehensive Dictionary of General Knowledge • Edited by Rev. James Wood
... (Vol. viii., pp. 292. 375.).—In answer to these inquiries, the copyright of this united hexameter and pentameter belongs to Mr. De la Pryme, of Trin. Coll., Cambridge, who is also the author of another line which is ...
— Notes and Queries, Number 218, December 31, 1853 • Various
... been copyrighted, to prevent its republication elsewhere, and the copyright, like those of all the other works prepared for the Supreme Council, has been assigned to Trustees for that Body. Whatever profits may accrue from it will be ...
— Morals and Dogma of the Ancient and Accepted Scottish Rite of Freemasonry • Albert Pike
... predecessor of Lowell's Biglow Papers. Trumbull wrote his poem as a "weapon of warfare." The first part of M'Fingal passed through some forty editions, many of them printed without the author's consent. This fact is said to have led Connecticut to pass a copyright law in 1783, and to have thus constituted a landmark in American ...
— History of American Literature • Reuben Post Halleck
... York Copyright, 1907, by D. Appleton and Company All rights reserved. This book, or parts thereof, must not be reproduced in any form without permission of the publishers. Copyright 1934 by Sallie B. Altsheler Printed in the ...
— The Young Trailers - A Story of Early Kentucky • Joseph A. Altsheler
... the reality of the situation as above portrayed warrants him in publishing the present volume. Whether his criticism of poultry literature is founded on fact or fancy may, five years after the copyright date of this book, be ...
— The Dollar Hen • Milo M. Hastings
... linen a symphony en blanc majeur. To have seen Mr. Hall Caine is to have read his soul. His flowing, formless cloak is as one of his own novels, twenty-five editions latent in the folds of it. Melodrama crouches upon the brim of his sombrero. His tie is a Publisher's Announcement. His boots are Copyright. In his hand he holds the staff of ...
— The Works of Max Beerbohm • Max Beerbohm
... are hereby warned that "THE GHOST BREAKER," being fully protected under the copyright laws of the United States, the British Empire, and the other countries of the Copyright Union, is subject to a royalty, and anyone presenting the play without the consent of the owners or their authorized agents will be liable to the penalties by law provided. ...
— The Ghost Breaker - A Melodramatic Farce in Four Acts • Paul Dickey
... time before he could find a publisher bold enough to undertake a venture of so novel a character; and so little faith in it had Francisco Robles of Madrid, to whom at last he sold it, that he did not care to incur the expense of securing the copyright for Aragon or Portugal, contenting himself with that for Castile. The printing was finished in December, and the book came out with the new year, 1605. It is often said that "Don Quixote" was at first received coldly. The ...
— Don Quixote • Miguel de Cervantes Saavedra
... 2003 Joseph E. Loewenstein, M.D. This Introduction to Nina Balatka is protected by copyright and/or other applicable law. Any use of the work other than as authorized in "The Legal Small Print" section (found at the end of the book) ...
— Nina Balatka • Anthony Trollope
... has quite materially increased in volume. Inquiries from all parts of the Dominion for information as to the value of certain rare books, requests for assistance in literary matters, and on questions relative to the Copyright Act, have involved considerable work, Mr. W. F. Johnson having rendered valuable aid in assisting the ...
— Report of the Chief Librarian for the Year 1924-25 • General Assembly Library (New Zealand)
... executing his works) that he must absolutely take into consideration the size of the orchestra, which at grand concerts amounted to 700 performers. The Society only stipulated for the exclusive right to the work for one year, and did not purchase the copyright; they undertook the gratuity for the poem also, so they were obliged to consult their pecuniary resources, and informed the composer that they were prepared to give him 200 gold ducats for the use of the work for a year, as they had proposed. Beethoven was quite satisfied, and made no objection ...
— Beethoven's Letters 1790-1826, Volume 1 of 2 • Lady Wallace
... representatives have accordingly pursued a course which they conceived the best adapted to give effect to his wishes, by furnishing a separate edition for this country, without any reservation for their own advantage, beyond the transfer of the copyright as an indemnity for the expense ...
— Memoirs, Correspondence and Manuscripts of General Lafayette • Lafayette
... accordance with the description given by Bernadette; the amiable and smiling face, the extremely long veil, the blue sash, and the golden roses on the feet, there being, however, some slight modification in each model so as to guarantee the copyright. And there was another flood of other religious objects: a hundred varieties of scapularies, a thousand different sorts of sacred pictures: fine engravings, large chromo-lithographs in glaring colours, submerged beneath a mass of smaller pictures, ...
— The Three Cities Trilogy, Complete - Lourdes, Rome and Paris • Emile Zola
... wife's last article; capital thing!' and, vice versa, imagine the same thing said of me. Could I preserve amiability under such circumstances, and would not the result be, a divorce in a year, and a furious lawsuit as to the ownership of the copyright? John certainly is magnanimous, I thought, but no one cares for divided honors, and there is that middle-aged relation of his, with a figure like a vinegar cruet, and a voice as acid as its contents, who never comes here for a day without doing her best to set us by the ears, and who, in ...
— The Continental Monthly, Volume V. Issue I • Various
... Archibald Constable and Company in 1893 being out of print but still in demand, Mr. Humphrey Milford, the present owner of the copyright, has requested me to revise the book and bring ...
— Rambles and Recollections of an Indian Official • William Sleeman
... the actual work of this translation and interpretation was done in the summer of 1902 at Bayreuth, and in part at Nuremberg and Munich. It may also be stated that this version is issued with the kind permission of Messrs. Schott and Company of London, the owners of the copyright of Wagner's words ...
— Parsifal - A Drama by Wagner • Retold by Oliver Huckel
... are frequently bound two or three in a volume (Coleridge, Shelley, and Keats, for instance, is a favorite combination). Even bardlings like Pollok enjoy a large number of readers and editions. Nor is there—notwithstanding the much-complained-of absence of an international copyright law—any deficiency of home supply for the market. Writing English verses, indeed, is as much a part of an American's education, as writing Latin verses is of an Englishman's; recited "poems" always holding a prominent place among their public collegiate exercises; about every third man, and ...
— Harper's New Monthly Magazine, Volume 1, No. 3, August, 1850. • Various
... first published at threepence each by Richard Carlisle, of Fleet Street, who is said to have paid the artist fifteen shillings for each drawing on the stone. Carlisle falling into difficulties shortly before Seymour's death, sold the copyright and lithographic stones to Henry Wallis, who in turn parted with the latter to Mr. Tregear, of Cheapside, but retaining his property in the copyright, transferred the drawings to steel, and published ...
— English Caricaturists and Graphic Humourists of the Nineteenth Century. - How they Illustrated and Interpreted their Times. • Graham Everitt
... about the fair use and photocopying provisions of the copyright law. The Copyright Office cannot give legal advice or offer opinions on what is permitted or prohibited. However, we have published in this circular basic information on some of the most important legislative provisions and other documents dealing ...
— Reproduction of Copyrighted Works By Educators and Librarians • Library of Congress. Copyright Office.
... with a volume of stories for the press, and sold the copyright to the Messrs. Simpkin Marshall & Co., for L70. The work appeared in December 1826, under the title of "Hollandtide Tales." It was well received. The style was original, graceful and easy. The three novels, which comprised ...
— Donahoe's Magazine, Volume 15, No. 1, January 1886 • Various
... tenderly, both touch and tone reminding me of some beautiful verses in a book of poems I had recently read, called "Love-Letters of a Violinist," in which the poet [FOOTNOTE: Author of the equally beautiful idyl, "Gladys the Singer," included in the new American copyright edition just issued.] talks of his "loved Amati," and says: "I prayed my prayer. ...
— A Romance of Two Worlds • Marie Corelli
... vain for me to reason with this man of metres upon the unreasonableness of this despotic and exclusive assertion of copyright. I well remember his answer to me when, among other arguments, I urged the advisability of some care for the permanence of his reputation, as a motive to induce him to consent to have his poems written down, and thus reduced to ...
— The Purcell Papers - Volume II. (of III.) • Joseph Sheridan Le Fanu
... in the Copyright Series are by arrangement with the Authors, to whom a Royalty is paid, and no American reprints can lawfully be sold ...
— Brooke's Daughter - A Novel • Adeline Sergeant
... fear of impinging on Mr. Young's copyright that prevents me reprinting the graphic ballad of The Wanderer and the prologue of The Strollers, which reads like a page from the prelude to some Old-World miracle play. The setting of these things is frequently antique, but the thought is the thought of today. I think there is a new ...
— Ponkapog Papers • Thomas Bailey Aldrich
... Seward. Judge Douglas has been so much annoyed by the expression of that sentiment that he has constantly, I believe, in almost all his speeches since it was uttered, been referring to it. I find he alluded to it in his speech here, as well as in the copyright essay. I do not now enter upon this for the purpose of making an elaborate argument to show that we were right in the expression of that sentiment. In other words, I shall not stop to say all that might properly be ...
— The Papers And Writings Of Abraham Lincoln, Complete - Constitutional Edition • Abraham Lincoln
... to a piano—can be bought, vie with each other in selling the cheapest edition. One pirate put his price even so low as four cents—two pence!" (Those, it will be remembered, were the days before Anglo-American copyright.) ...
— A Writer's Recollections (In Two Volumes), Volume II • Mrs. Humphry Ward
... 2. A similar printout generated (typically on multiple pages of fan-fold paper) from user-specified text, e.g., by a program such as Unix's 'banner({1,6})'. 3. On interactive software, a first screen containing a logo and/or author credits and/or a copyright notice. ...
— The Jargon File, Version 4.0.0
... to leave you quite unsatisfied on another point, about which, for one who is not an author, you seem to be singularly excited. To waive my astonishment at the Benthamism of the phrase, pray what is "International Copyright" to Godfrey, that he should weep for such a Hecuba? I should have been as little surprised, had you asked me to inquire the opinion of the Indians as to the best regimen for infants. A veritable author, suffering by wholesale American rapine, would ...
— Blackwood's Edinburgh Magazine, Volume 62, Number 385. November, 1847. • Various
... session passed a bill providing for the construction of a building for the Library of Congress, but it failed to become a law. The provision of suitable protection for this great collection of books and for the copyright department connected with it has become a subject of national importance and should receive ...
— A Compilation of the Messages and Papers of the Presidents - Section 2 (of 2) of Volume 8: Chester A. Arthur • James D. Richardson
... were proud to claim him as a compatriot through his mother, and a nautical drama from his pen—The Ocean Wolf, or the Channel Outlaw—was performed at New York with acclamation. He had some squabbles with American publishers concerning copyright, and was clever enough to secure two thousand two hundred and fifty dollars from Messrs Carey & Hart for his forthcoming Diary in America and The Phantom Ship, which latter first appeared in ...
— Peter Simple and The Three Cutters, Vol. 1-2 • Frederick Marryat
... stocks, which he has laid and built himself, and even hopes to finish. Mr. M'Callum and I did not meet, but, like gallant troubadours, corresponded in verse. I hope he will not consider it a breach of copyright if I give here a specimen of his muse. He and Bishop Dordillon are the two European bards ...
— In the South Seas • Robert Louis Stevenson
... greater sensation than any book since 'Jane Eyre'; but probably she is a little or a good deal too emphatic in her representation of the matter. At any rate, she advises that the sheets of any future book be sent to Moxon, and such an arrangement made that a copyright may be secured in England as well as here. Could this be done with the Wonder-Book? And do you think it would be worth while? I must see the proof-sheets of this book. It is a cursed bore; for I want to be done with it from this moment. Can't you arrange it so that two or three ...
— Yesterdays with Authors • James T. Fields
... carefully-selected List of Copyright Works. Specially suitable for Gift-book, Lending Library, and ...
— Hunter's Marjory - A Story for Girls • Margaret Bruce Clarke
... library. The teacher accompanies them, and they come in school hours. The school reference librarian gives the lesson. For the eighth grade we consider the make-up of the book—the title-page in detail, the importance of noting the author, the significance of place and date and copyright, the origin of the dedication, the use of contents and index. This is followed by a description of bookmaking, folding, sewing and binding, illustrated by books pulled to pieces for the purpose. ...
— Library Work with Children • Alice I. Hazeltine
... "Dorothea," and afterwards in book form as "Dolly." For reasons not necessary to state here, all control over the book had passed from my hands. It has been for some time out of print; but, having at last obtained control of the copyright, I have made such corrections as seemed advisable, given it the name I originally intended for it, and now issue it through ...
— Vagabondia - 1884 • Frances Hodgson Burnett
... the government struck a blow at the very principle of literary property. The King's Council conferred upon the descendants of La Fontaine the exclusive privilege of publishing their ancestor's works. That is to say, the Council took away without compensation from La Fontaine's publishers a copyright for which they had paid in hard cash. The whole corporation naturally rose in arms, and in due time the lieutenant of police was obliged to take the whole matter into serious consideration—whether the maintenance of the guild of publishers was expedient; ...
— Diderot and the Encyclopaedists (Vol 1 of 2) • John Morley
... could not possibly write anything for him in less than two years; and I had rather not enter into any agreement. On reflection, I am satisfied that it would not answer my purpose to write a popular 'History of the French Revolution' for 100 L, and to surrender the copyright. An author never ought to surrender a copyright unless he is compelled to do so. If I wrote a History of the French Revolution which became a school book or an educational book, it might become a ...
— Memoirs of the Life and Correspondence of Henry Reeve, C.B., D.C.L. - In Two Volumes. VOL. II. • John Knox Laughton
... dear Lector, patience! I will tell it well. Besides which I promise you it shall never be told again. I will copyright it. ...
— The Path to Rome • Hilaire Belloc
... all these facts into consideration, it is apparent that the patent, trade-mark and copyright laws should be so interpreted and administered by the court that they will secure the greatest good to the greatest number, and aid in attaining the end of government, viz., 'moral, intellectual and physical perfection.' It is not the object of these laws to create odious monopolies, ...
— Alcohol: A Dangerous and Unnecessary Medicine, How and Why - What Medical Writers Say • Martha M. Allen
... galleries. Then with much pomp the favored student is conducted to the vice-chancellor to receive his first degree alone. The University Library is near by, and, as it gets a copy of every book entered for English copyright, it has become a large one. Some of the manuscripts it contains are very valuable, particularly the Codex Beza, a manuscript of the Gospels ...
— England, Picturesque and Descriptive - A Reminiscence of Foreign Travel • Joel Cook
... the copyright," retorted Shirley, "this is one of the chapters of my life that isn't going to be typewritten, much less the subject ...
— The Voice on the Wire • Eustace Hale Ball
... identifying the poet's house; he also warmly defends him from the charge that has been brought against him of servility in accepting it. He points out that it was only after the invention of printing that literature became a money-making profession, and that, as there was no copyright law at Rome to prevent books being pirated, patrons had to take the place that publishers hold, or should hold, nowadays. The Roman patron, in fact, kept the Roman poet alive, and we fancy that many of our modern bards rather regret the old ...
— Reviews • Oscar Wilde
... write three operas, one every eight months, to be performed either in Milan or in Vienna, where he was impressario of both the principal theaters. He promised to pay four thousand lire—about six hundred and seventy dollars—for each, and share the profits of the copyright. To young Verdi this seemed an excellent chance and he accepted at once. Rossi wrote a libretto, entitled "Proscritto," and work on the music was about to begin. In the spring of 1840, Merelli hurried from Vienna, saying he needed a comic opera for the autumn season, and wanted ...
— The World's Great Men of Music - Story-Lives of Master Musicians • Harriette Brower
... was produced from Amazing Stories, May 1957. Extensive research did not uncover any evidence that the copyright ...
— The Edge of the Knife • Henry Beam Piper
... Bok's plans arose from the soreness generated by the absence of copyright laws between the United States and Great Britain and Europe. The editor, who had been publishing a series of musical compositions, solicited the aid of Sir Arthur Sullivan. But it so happened that Sir Arthur's most famous composition, ...
— The Americanization of Edward Bok - The Autobiography of a Dutch Boy Fifty Years After • Edward William Bok (1863-1930)
... "are not as badly off as they were before they had the copyright. Their stories can no longer be stolen with impunity as in the past. They are better paid, too. Many an olden-time author received very scant remuneration for his labor; sometimes he received none ...
— Paul and the Printing Press • Sara Ware Bassett
... the particulars of it, and had promised him half-a-crown if he would do so. He had written some of them, but had never seen the gentleman again, so he did not get the half-crown; and now he would take sixpence for the copyright of his work. I gave him sixpence, and he drew out a manuscript from an inside pocket of his coat, and handed it to me. It was composed of small sheets of whitey-brown wrapping paper sewn together. He had ruled lines on it, and had written his biography with ...
— The Book of the Bush • George Dunderdale
... coarser edition of it for 18 cents, in all thoroughfares.—What to do with my sealed parcel of manuscripts and proofs? No bookseller would in these perilous circumstances offer a dollar for my precious parcel. I inquired of the lawyers whether I could not by a copyright protect my edition from piracy until an English copy arrived, and so secure a sale of a few weeks. They said, no; yet advised the taking a certificate of copyright, that we might try the case if we wished. After much consulting and balancing for a few hours, I decided ...
— The Correspondence of Thomas Carlyle and Ralph Waldo Emerson, 1834-1872, Vol II. • Thomas Carlyle and Ralph Waldo Emerson
... series of copyright titles telling of the adventures of three boys with the Forest Rangers in ...
— The Ranger Boys and the Border Smugglers • Claude A. Labelle
... b. Circular 15: Renewal of Copyright c. Circular 15t: Extension of Copyright Terms d. Circular 22: Highlights of Copyright Amendments Contained in the Uruguay Round Agreements Act ...
— Supplementary Copyright Statutes • Library of Congress. Copyright Office.
... you, miss," he said. "And, besides, mine is copyright—Jolly Jack Jenkins. I make a fiver ...
— The Grey Wig: Stories and Novelettes • Israel Zangwill
... 1960 by Katherine E. Wilkie. Copyright (C) 1961 by Scholastic Magazines, Inc. This Scholastic Book Services edition is published by arrangement with The Garrard ...
— Daniel Boone - Taming the Wilds • Katharine E. Wilkie
... 1912, and entered for copyright in February, 1913. I took the manuscript to a friend, Edwin Bjorkman, editor of the "Modern Drama Series," and the most widely read student of dramatic literature known to me; also to Edgar Selwyn and Margaret Mayo, who knew thoroughly ...
— The Pot Boiler • Upton Sinclair
... orders, and, as a university career was considered a necessary preliminary to this course, he was entered at Caius College, Cambridge. The second son, Frederick, Haydon fitted out for the navy, and in order to meet these heavy extra expenses, he was compelled to part with his copyright of the 'Duke at Waterloo' for ...
— Little Memoirs of the Nineteenth Century • George Paston
... of Charles and Mary Lamb contains 618 letters, of which 45 are by Mary Lamb alone. It is the only edition to contain all Mary Lamb's letters and also a reference to, or abstract of, every letter of Charles Lamb's that cannot, for reasons of copyright, be included. Canon Ainger's last edition contains 467 letters and the Every-man's Library Edition contains 572. In 1905 the Boston Bibliophile Society, a wealthy association of American collectors, issued privately—since privately one can do ...
— The Works of Charles and Mary Lamb, Vol. 5 • Edited by E. V. Lucas
... Film Corp. v. Doyal,[98] where a privilege tax based on gross income and applicable to royalties from copyrights was upheld. Likewise a State may lay a franchise tax on corporations, measured by the net income from all sources, and applicable to income from copyright royalties.[99] ...
— The Constitution of the United States of America: Analysis and Interpretation • Edward Corwin
... decision against Lord Rosebery and his publishers, while the Lords of Appeal went in his favour; but the House of Lords reaffirmed the decision of Mr Justice North and granted a perpetual injunction against this book. The copyright in his speech is Lord Rosebery's, but the copyright in the Times' report is the Times'. You see one of the ideas underlying the law is that no manner of speech is quite perfect as the man speaks it, or is beyond revision, improvement, or extension, ...
— Robert Louis Stevenson - a Record, an Estimate, and a Memorial • Alexander H. Japp
... day as "Common Sense". Thus Paine was as lucky in his time of publication as in his choice of a subject. All contemporaries admit that the pamphlet produced a prodigious effect. Paine himself says,—"The success it met with was beyond anything since the invention of printing. I gave the copyright up to every State in the Union, and the demand ran to not less than one hundred thousand copies." The authorship was attributed to Dr. Franklin, to Samuel Adams, ...
— Atlantic Monthly, Vol. 4, No. 25, November, 1859 • Various
... of driving it hard for support. Yet he was concerned about literature as a paying profession for others. On April 26, 1851, he wrote to Stoddard: "Alas! alas! Dick, is it not sad that an American author cannot live by magazine writing? And this is wholly owing to the want of our international copyright law. Of course it is little to me whether magazine writers get paid or not; but it is so much to you, and to a thousand others." The time, until 1847, was spent in foreign travel, but it is interesting to note, as indication of no mean literary attainment in ...
— Representative Plays by American Dramatists: 1856-1911: Francesca da Rimini • George Henry Boker
... it might infringe a copyright to tell the rest of the story. It would be insulting to say that the false minister, repenting, told the hero, who told the heroine after he rescued her from the satanic yacht and various other temptations. Of course she married the plain-clothes man and lived happily ever after in a sin-proof ...
— We Can't Have Everything • Rupert Hughes
... of children, dogs, and an international copyright. I remember his meeting me once on Broadway and he didn't recognize me. He never mentioned the incident afterward. It has been said that he was also fond of dress. I regret that I never asked him about this, though I recall the circumstance of my inquiring where he had his vests ...
— Punchinello, Vol. 2., No. 32, November 5, 1870 • Various
... to reveal all the clues to you now; partly because I might be infringing the copyright of another, partly because I have forgotten them. But the idea roughly is that if a man holds his cigar between his finger and thumb, he is courageous and kind to animals (or whatever it may be), and if he holds ...
— Not that it Matters • A. A. Milne
... the new book was in circulation among those who called themselves the author's friends, as was the custom of the age, before he found a patron and a publisher.[6] The publisher was got at last in Francisco Robles, the King's printer, to whom the copyright was sold for ten years.[7] The patron appeared in the person of the Duque de Bejar, a nobleman described by a writer of that age—Cristobal de Mesa—as himself both a poet and a valiant soldier. The choice was not altogether a happy one, for the Duke of Bejar might be said to have an ancestral claim ...
— The Great Events by Famous Historians, Vol. 1-20 • Various
... with full permission to perform it in his own theatre, and for his own benefit; only stipulating that he was not to give a copy to any one, in order that the author might afterwards be enabled to dispose of the copyright. The manager promised strict compliance with the condition. The opera was brought out, filled his theatre and his pockets, and, some short time afterwards, appeared at five or six different theatres, by means of copies received from ...
— Blackwood's Edinburgh Magazine, Volume 62, Number 361, November, 1845. • Various
... the best in modern play-writing has not been included in this volume. Because of copyright complications the works of Mr. Masefield, Mr. Shaw, Mr. Drinkwater, and Sir James Barrie are not here represented. The plays by these writers that seem best fitted to use by teachers and pupils in high schools, together with a large number of other dramas ...
— The Atlantic Book of Modern Plays • Various
... journey must have been heavy; and the gold-yielding vein of literary popularity, which he had for three years been working, had already begun to show signs of exhaustion. Tristram Shandy had lost its first vogue; and the fifth and sixth volumes, the copyright of which he does not seem to have disposed of, were "going ...
— Sterne • H.D. Traill
... a signed photograph of Professor Orlando Rollitt controlling himself in spite of having long white whiskers, and then some reading matter, printed between wide margins. One look at the book told me the professor's methods. To be brief, he had simply swiped Marcus Aurelius's best stuff, the copyright having expired some two thousand years ago, and was retailing it as his own. I did not mention this to Millicent. It was no affair of mine. Presumably, however obscure the necessity, ...
— The Clicking of Cuthbert • P. G. Wodehouse
... Publishing—that in which a Work is Published entirely for, and at the expense of the Author, who thus retains the Property of the Work; that in which the Publisher takes all or part of the risk, and divides the profit; and that in which the Publisher purchases the Copyright, and thus secures to himself the entire proceeds. The First of these is the basis on which many First Productions are Published; the Second, where a certain demand can be calculated upon; and the Third, where an Author has become so popular as to ...
— The Author's Printing and Publishing Assistant • Frederick Saunders
... place suggests the mention of another crying abuse connected with this subject. In the year 1811 or 1810 came under parliamentary notice and revision the law of copyright. In some excellent pamphlets drawn forth by the occasion, from Mr. Duppa, for instance, and several others, the whole subject was well probed, and many aspects, little noticed by the public, were exposed of that extreme injustice attached to the law as it then stood. The ...
— Autobiographic Sketches • Thomas de Quincey
... defending, was that it was "legalized theft." It was not that, because in civilized lands thievery cannot be made lawful. It was simply an appropriation of property for which the law, owing to the absence of a convention touching copyright and performing rights between Germany and the United States at the time, provided neither hindrance nor punishment. Under circumstances not at all favorable to success, had success been attainable (there was always something more than a suspicion that the proceedings ...
— Chapters of Opera • Henry Edward Krehbiel
... those days; perhaps they do still. And at least two such sets I provided to order, each of four volumes. Both of these, it so happens, have survived their day and generation—the Tiny books, we called them, and the Gypsy books. Only last year I was called upon to renew the copyright for Gypsy, a young person now thirty years ...
— McClure's Magazine, March, 1896, Vol. VI., No. 4. • Various
... time in magazines, newspapers and other productions, some of which are accompanied by more than one name as author of the same poem. In a number of instances it has been difficult to ascertain the name of the actual owner of the copyright, the poems having been printed in so many forms without the copyright ...
— The Poets' Lincoln - Tributes in Verse to the Martyred President • Various
... more inclined to put forth these ideas, at a time when reprints are the order of the day—when speculators, with a singular blindness, are ready to take hold of almost anything that comes in their way without the expense of copyright. It would be far more judicious to employ persons of a correct and elegant taste to separate the local and temporary from the universal and immortal part of our classics, and give us, in an independent form, what belongs to ourselves and to all time. A movement ...
— Chambers's Edinburgh Journal, No. 448 - Volume 18, New Series, July 31, 1852 • Various
... that of 1857, but Messrs. Macmillan, to whom I beg to express my hearty thanks, have most generously allowed me to record all the variants which are still protected by copyright. I have to thank them, too, for assistance in the Bibliography. I have also to thank Mr. J. T. Wise for his kindness in lending me the privately printed volume containing the 'Morte ...
— The Early Poems of Alfred Lord Tennyson • Tennyson
... President Garfield, and a sentimental application that made the Vicar wince. He went on to point out, not unimpressively, that Armageddon ("as you, sir, have so aptly and so strikingly termed it") had actually broken upon the world. Farmer Best, flattered by this acknowledgment of copyright ...
— Nicky-Nan, Reservist • Arthur Thomas Quiller-Couch (Q)
... for them, and the donkeys could defend themselves. The Armada was not a success, and after this frank avowal, it seems to me that Mr. FROUDE need render no further explanation. Surely the story of the Spanish Invasion is copyright. And if it is, Mr. FROUDE has no right to tamper with my work, the more especially as it is immediately appropriated by that model of modern ...
— Punch, Or The London Charivari, Vol. 101. October 3rd, 1891 • Various
... III, Chapter II, of "The Hunchback of Notre Dame." From an anonymous, non-copyright translation published ...
— The Best of the World's Classics, Restricted to Prose, Vol. VII (of X)—Continental Europe I • Various
... rattletraps, paraphernalia; equipage &c. 633. parcels, appurtenances. impedimenta; luggage, baggage; bag and baggage; pelf; cargo, lading. rent roll; income &c. (receipts) 810; maul and wedges [U.S.]. patent, copyright; chose in action; credit &c. 805; debt &c.806. V. possess &c. 777; be the possessor &c. 779 of; own; have for one's own, have for one's very own; come in for, inherit. savor of the realty. be one's property ...
— Roget's Thesaurus
... and will not accept shackles. The propaganda should be of the best productions of the highest intellects, independent of creed and party. A practical difficulty arises from the copyrights; you cannot reprint a book of which the copyright still exists without injury to the original publisher and the author. But there are many hundred books of the very best order of which the copyright has expired, and which can be reprinted without injury to any one. Then there ...
— The Life of the Fields • Richard Jefferies
... contained in this book have ever before appeared in print. Copyright matter has been procured at great expense from the greatest wits of the age. Such delightful entertainers as Ezra Kendall, Lew Dockstadter, Josh Billings, James Whitcomb Kiley, Marshall P. Wilder, Mark Twain, Bret Harte, Opie Read, Bill ...
— Not Like Other Girls • Rosa N. Carey
... registered in the Copyright Library, but it appears to have been a rather badly printed pirated version. It was not an easy job to create this e-book, but I believe the author would approve of what we have ...
— The King's Daughters • Emily Sarah Holt
... an English review attracted ten times the attention in America that the same article would attract in the North American. Habitually the American dailies reprinted such articles in full. Adams wanted to escape the terrors of copyright, his highest ambition was to be pirated and advertised free of charge, since in any case, his pay was nothing. Under the excitement of chase he was becoming a pirate himself, ...
— The Education of Henry Adams • Henry Adams
... was being discussed on another portion of the cliff by the curate and Constance. It referred to the tale she had written, which he had submitted to a publisher, who had offered a small sum for the copyright. The book, the publisher had said, was moderately good, but it formed only one volume; readers preferred their novels in three volumes, even if they had to put up with inferior quality. Besides, there was always ...
— Fan • Henry Harford
... 26 Mr. Lyttelton married a widow, a Mrs. Peach. He soon left his wife, and was abroad (with a barmaid) when his father died in 1773. In January 1774 he took his seat in the Lords. Though Fox thought him a bad man, his first speech was in favour of securing to authors a perpetual copyright in their own works. He repeated his arguments some months later; so authors, at least, have reason ...
— The Valet's Tragedy and Other Stories • Andrew Lang
... every country of Europe. The professional copyists made a great outcry against the innovation; presses were at first licensed and closely limited in number; in France the University of Paris was given the proceeds of a tax levied on all books printed; and in England the beginnings of the modern copyright are to be seen in the necessity of obtaining a license from the ecclesiastical authorities to be permitted to print ...
— THE HISTORY OF EDUCATION • ELLWOOD P. CUBBERLEY
... now began to thicken. During the year 1801, a Scotchman by the name of Wood was employed to write "A History of John Adams's Administration." Ward & Barlas, booksellers in New-York, were the proprietors of the copyright, and printed 1250 copies. William Duane, editor of the Aurora, furnished the author a portion of his materials, and became the agent to negotiate with a London bookseller for the publication of an edition in England. In the summer or autumn ...
— Memoirs of Aaron Burr, Complete • Matthew L. Davis
... of Good Housekeeping Magazine, Little, Brown & Company and Mrs. Velma Swanston Howard for her translation of "The Legend of the Christmas Rose," by Selma Lagerloef, taken from Good Housekeeping Magazine, copyright, 1907. Copyright, 1910, by ...
— Christmas in Legend and Story - A Book for Boys and Girls • Elva S. Smith
... Because of copyright restrictions, we often have been unable to present, in magazine form, verse of large popular appeal. By special arrangement, a number of such poems were included in Book One of Poems Teachers Ask ...
— Poems Teachers Ask For, Book Two • Various
... I have always wondered why so much is written on the doctrines and principles of Christianity and on good living, when we have it done long ago in a few books which we all refer to as our authority." And this is good: "I wish Euclid could have secured a perpetual copyright. It might have helped the finances of ...
— A Boswell of Baghdad - With Diversions • E. V. Lucas
... Bees and Other Poems," by Henry van Dyke, copyright, 1909, by Charles Scribner's Sons. By permission of Charles ...
— America First - Patriotic Readings • Various
... Inquiry into the Present State of Polite Learning in Europe." As the work grew on his hands his sanguine temper ran ahead of his labors. Feeling secure of success in England, he was anxious to forestall the piracy of the Irish press; for as yet, the Union not having taken place, the English law of copyright did not extend to the other side of the Irish Channel. He wrote, therefore, to his friends in Ireland, urging them to circulate his proposals for his contemplated work, and obtain subscriptions payable in advance; the money to be transmitted to a Mr. Bradley, an ...
— Oliver Goldsmith • Washington Irving
... I didn't tell you that I expect to make some? The publisher of one of grandfather's textbooks came to see me about the copyright, and there were some changes in the book that grandfather thought should be made and I'm going to make them. There's a chance of it's being adopted in one or two states. And then, I want to make a geometry of my own. ...
— A Hoosier Chronicle • Meredith Nicholson
... ingredients. Has a reporter any right to make such ideas appear as her own, without due credit to the authors? Whether this sort of work is done in newspapers, or appears in book form, or whether it is in direct violation of copyright laws or not, it is at least discourteous. Poems are sometimes stolen, but the literature of the ...
— The Writer, Volume VI, April 1892. - A Monthly Magazine to Interest and Help All Literary Workers • Various
... under the 5th & 6th Vic. c. 100, and the Public are hereby cautioned against making any of them for the purpose of Sale, without permission from the Authoress. Any person infringing upon the Copyright will be proceeded against, and, by sect. 8, they are liable to a penalty of from L5 ...
— Golden Stars in Tatting and Crochet • Eleonore Riego de la Branchardiere
... have endeavored to give full credit to every author quoted, and to accompany every citation with ample notice of copyright ownership. At the close of the work it is their purpose to express in a more formal way their sense of obligation to the many publishers who have so courteously given permission for this use of their property, and whose rights of ownership ...
— Library of the World's Best Literature, Ancient and Modern, Vol. 1 • Charles Dudley Warner
... contract or none. We protect women who are physically and economically weak in this manner, not so much for their own good as the good of the race. The state already puts literary property into a class apart by limiting its duration. At a certain point, which varies in different circumstances, copyright expires. It is possible for an author, whose fame comes late, to be present as a row of dainty volumes in half the comfortable homes in the world, while his grandchildren beg their bread. The author's blood is sacrificed to the need ...
— Mankind in the Making • H. G. Wells
... the knowledge that we are in the outer court of one of King Champagne's many palaces. Mem. Grand idea for a scene in a Drury Lane Pantomime. Visit to Palace of POPPIN THE FIRST, king of the Champagne country. Register copyright and suggest it to ...
— Punch, Volume 101, September 19, 1891 • Francis Burnand
... gin ye bring him when there's naethin' wrang," and Mrs. Macfadyen's face reflected another of Mr. Hopps' misadventures of which Hillocks held the copyright. ...
— Beside the Bonnie Brier Bush • Ian Maclaren
... to the following authors, publishers, and owners of copyright, who have courteously granted permission to use the selections which ...
— De La Salle Fifth Reader • Brothers of the Christian Schools
... 1921, by The Curtis Publishing Company. Copyright, 1922, by Stacy Aumonier. Reprinted by permission of the author and of Curtis Brown, Ltd. people were Mr. and Mrs. Dawes. Mr. Dawes was an entirely negative person, but Mrs. Dawes shone by virtue of a high, whining, insistent voice, ...
— The Best British Short Stories of 1922 • Various
... residence to the house of Peter Whitmer, who, with his sons, David, John, and Peter, Jr., lived at Fayette, Seneca County, New York, the Whitmers promising his board free and their assistance in the work of translation. There, Smith says, they resided "until the translation was finished and the copyright secured." ...
— The Story of the Mormons: • William Alexander Linn
... insight into the pilots and air battles of the war read "The Red Knight of Germany; The Story of Baron von Richthofen, Germany's Great War Bird" by Floyd Gibbons. This book is copyright 1927 and will not be freely available ...
— History of the World War - An Authentic Narrative of the World's Greatest War • Francis A. March and Richard J. Beamish
... quite as hostile to manliness as they were to unrefined vice—and were much more hostile to it than to the typical shortcomings of wealth and refinement. They favored Civil Service Reform; they favored copyright laws, and the removal of the tariff on works of art; they favored all the proper (and even more strongly all the improper) movements for international peace and arbitration; in short, they favored all good, and many goody-goody, measures so long as they did not cut deep into social wrong or make ...
— Theodore Roosevelt - An Autobiography by Theodore Roosevelt • Theodore Roosevelt
... seen the first representation of Column's Comedy of "John Bull" at Covent Garden Theatre, and was so fascinated by its "union of wit, sentiment, and humour," that the day after its representation he wrote to Mr. Colman, and offered him L300 for the copyright. No doubt Mr. Highley would have thought this ...
— A Publisher and His Friends • Samuel Smiles
... country. That's as plain as a pikestaff. I think, on the whole, that this idea is better than the other one about the Ten Tribes. At any rate they are both mine, and I warn all present to keep their hands off them, for on my return I intend to take out a copyright." ...
— A Strange Manuscript Found in a Copper Cylinder • James De Mille
... by Mr. Winsor in "The Narrative and Critical History of America," of which he was editor. By arrangement with the publishers, Houghton, Mifflin Co., Copyright 1889. For a long period Mr. Winsor was librarian of Harvard University. He wrote "From Cartier to Frontenac," "Christopher Columbus," "The Mississippi Basin," and made other important contributions to ...
— Great Epochs in American History, Volume I. - Voyages Of Discovery And Early Explorations: 1000 A.D.-1682 • Various
... (which differs only from that in more recent "Collected Works," and "Selections," in its lack of the three stanzas now numbered xxi., xxii., and xxiii.) was printed for limited private circulation, though primarily for the purpose of securing American copyright. Browning several times printed single poems thus, and for the same reasons—that is, either for transatlantic copyright, or when the verses were not likely to be included in any volume for a prolonged period. These leaflets or half-sheetlets ...
— Life of Robert Browning • William Sharp
... better the subject of cookery[20-] may be treated by a philosopher;[20-] but you shall see what a book of cookery I shall make, and shall agree with Mr. Dilly for the copyright." ...
— The Cook's Oracle; and Housekeeper's Manual • William Kitchiner
... volume as a book of ready reference would not have been achieved. But the difficulty has been to define the exact meaning of a pirate and of a buccaneer. In the dictionary a pirate is defined as "a sea-robber, marauder, one who infringes another's copyright"; while a buccaneer is described as "a sea-robber, a pirate, especially of the Spanish-American coasts." This seems explicit, but a pirate was not a pirate from the cradle to the gallows. He usually began his life at sea as an honest mariner in the merchant service. He perhaps mutinied with other ...
— The Pirates' Who's Who - Giving Particulars Of The Lives and Deaths Of The Pirates And Buccaneers • Philip Gosse
... Ottocar—that particular friend, who, in the prologue, tried to get a finis put to his mortal career. The jocose ruffians here enliven the scene—one by being cast into a dungeon for asking Ottocar (evidently the Colburn of his day), an exorbitant price for the copyright of a certain manuscript; the other, by calling the courtier a man of genius, and being taken into his service, as no doubt, "first robber." To support this character, a change of apparel is necessary: and no ...
— Punch, or the London Charivari, Volume 1, Complete • Various
... Manchester Guardian have kindly allowed me to make use of their copyright in the letters written by me to that newspaper during the first half of the year. The substance of the letters has been reproduced in the hope that home-staying folk may find in them something of the atmosphere that surrounds the collision ...
— The Relief of Mafeking • Filson Young
... in ten days, and one hundred and twenty editions, or more than 300,000 copies were sold in this country within one year. This astounding popularity was exceeded in Great Britain. Not being protected by copyright, eighteen publishing houses issued editions varying from 6d to 15s a copy, and in twelve months, more than a million and a half of copies had been sold in the British dominions. The book was also translated and published in nineteen European languages. It was dramatized and brought out in New ...
— Daughters of the Puritans - A Group of Brief Biographies • Seth Curtis Beach
... bosom of the shore," she sang out glibly; then agreed, with a wise shake of her head, that the phrase was impossible; and recurred to another point of interest, as was her wont—"What is copyright?" ...
— The Beth Book - Being a Study of the Life of Elizabeth Caldwell Maclure, a Woman of Genius • Sarah Grand
... that the first success of their publication occasioned any elation to the Essayists, and I cannot recollect any signs of it at the time. The Annual Report mentions that a substantial profit was realised on the first edition, and states that the authors had made over the copyright, "valued at about L200," to the Society; but these details are included in a paragraph headed "Publications," and the Essays are not mentioned in the general sketch of the ...
— The History of the Fabian Society • Edward R. Pease
... omit an opportunity of referring to a topic in which I and all others of my class on both sides of the water are equally interested—equally interested, there is no difference between us, I would beg leave to whisper in your ear two words: INTERNATIONAL COPYRIGHT. I use them in no sordid sense, believe me, and those who know me best, best know that. For myself, I would rather that my children, coming after me, trudged in the mud, and knew by the general feeling ...
— Speeches: Literary and Social • Charles Dickens
... American Publishing Co. a challenge in the shape of an advance notice of their publication. Clemens hurried back to San Francisco from the East, and soon convinced the proprietors of the 'Alta California' of the authenticity of his copyright. The paper-covered edition was ...
— Mark Twain • Archibald Henderson
... Simoom. Soon after his return to England an edict came, forbidding in the British provinces of America publications containing reprints of English works. Of the deeper matters connected with the copyright question I know not, but this I do know, that our long winter nights seemed doubly long and drear, with nothing to read but dark details of horrid murder, or deadly doings of Rebeccaite and Chartist. As yet, ...
— Sketches And Tales Illustrative Of Life In The Backwoods Of New Brunswick • Mrs. F. Beavan
... the extravagant price of music of every description in England. For a piece of four or five pages, the sum of 2s. is commonly demanded. Even where there has been an outlay in the purchase of the copyright, this sum can scarcely be considered reasonable; but when the same price is asked for music which has become common property, it is out of all reason. The expense of engraving four or five pages of music, the cost of the plates, together with the expense of paper and printing a hundred copies of ...
— Blackwood's Edinburgh Magazine—Vol. 54, No. 333, July 1843 • Various
... epoch of time can claim a copyright in these immortal fables. They seem never to have been made; and certainly, so long as man exists, they can ...
— A Mother's List of Books for Children • Gertrude Weld Arnold
... charm, and without which all life seemed to him flat, stale, and unprofitable. He could sympathise with Gilbert Fenton much more keenly than that gentleman would have supposed possible; for a man suffering from this kind of affliction is apt to imagine that he has a copyright in that species of grief, and that no other man ever did or ever can experience a like calamity. The same manner of trouble may come to others, of course, but not with a similar intensity. Others ...
— Fenton's Quest • M. E. Braddon
... have him. The truth is that their original proposal was made to him, not by him to them, the price named being fifteen guineas a letter. He asked permission to duplicate the arrangement with some New York periodical, so as to secure an American copyright. This they refused. I read the correspondence at the time. "Our aim," they said, "in making the engagement, had reference to our own circulation in the United States, which exceeds twenty-seven ...
— Marse Henry, Complete - An Autobiography • Henry Watterson
... it is true; but the copyright is still mine. The copyright of letters that I wrote to you is mine; and I believe the law of copyright is the same with regard to ...
— The Farringdons • Ellen Thorneycroft Fowler
... I said, with a smile. "I'll respect your copyright. I'll give you a royalty on what I get ...
— The Water Ghost and Others • John Kendrick Bangs
... of three thousand francs, which was punctually paid until the old lady's demise in 1854. Buisson the tailor, Dablin, Madame Delannoy, and the rest of the creditors, one after the other, were reimbursed the sums they had also advanced, the profits on unexhausted copyright aiding largely in the liberation of the estate. Before Eve's own death, every centime ...
— Balzac • Frederick Lawton
... certain persons, and of arranging for the publication of this important book. In order that her husband's original text might be copyrighted, she herself brought out an expurgated edition, which was called the "Household Edition." By this means she was enabled to copyright three thousand pages of her husband's original text, and only excluded two hundred and fifteen. She says, "Richard forbade me to read these pages until he blotted out with ink the worst words, and desired me to substitute not English but Arab society words, which I did to his ...
— The Romance of Isabel Lady Burton Volume II • Isabel Lady Burton & W. H. Wilkins
... Barbauld. The Lives of Dr. Chalmers, Southey, Chantrey, Mahomet, Tasso, Ochlenschlaeger, Plumer Ward, and Dr. A. Combe. The Report of the Commissioners on the British Museum and the present state of the Library Catalogue. On Prisons and Prison Discipline. On the Copyright of Foreigners and Translators. On the Primeval Antiquities of Denmark; with illustrations. On the Discovery of a singular Roman Temple at the source of the Seine. History of Pottery; with engravings. Villa and Tomb of a Female Gallo-Roman Artist. Full Reviews of Lord Campbell's Chief Justices; ...
— Notes & Queries, No. 40, Saturday, August 3, 1850 - A Medium Of Inter-Communication For Literary Men, Artists, Antiquaries, • Various
... Supplement is meant to carry out as far as possible the original project of its author. The whole of his narrative has been retained, and also what Sara Coleridge added to his writing; and all the non-copyright letters of Coleridge available from other sources have been inserted into the narrative, and additional biographical matter, explanatory of the letters, has been given. [1] By this retention of authentic sources I have produced as faithful a picture of the Poet-Philosopher ...
— Biographia Epistolaris, Volume 1. • Coleridge, ed. Turnbull
... the copyright of the maxim, he nevertheless had a high opinion of it, and frequently acted upon it in the ...
— Psmith in the City • P. G. Wodehouse
... CAPES, ESQ. N.B. The proprietorship of this Series is secured in all countries where the Copyright is protected. The authorities on which the History of St. Frances of Rome ...
— The Life of St. Frances of Rome, and Others • Georgiana Fullerton
... legislate or act, and of which it would be needless, strictly, to make any formal statutory exception in the case of Ireland, though the exception no doubt will be made in the Bill. Naturalization, Coinage, Copyright, Patents, Trademarks, are all matters in which the Colonies have local powers, whose existence, and the limitations attaching to them, are determined either solely by constitutional custom or with the addition of an implied or express statutory authority.[87] The two former would, I should think, ...
— The Framework of Home Rule • Erskine Childers
... having been soon exhausted, and the call for the "Book of Nonsense" continuing, I added a considerable number of subjects to those previously-published, and having caused the whole to be carefully reproduced in woodcuts by Messrs. Dalzell, I disposed of the copyright to Messrs. Routledge and Warne, by whom the volume was published in 1843. ...
— Nonsense Books • Edward Lear |
