"Caricaturist" Quotes from Famous Books
 ... history; because the author never stops short of those essential principles which lie at the bottom of all our actions, and in which we feel an immediate interest—intus et in cute. Smollett excels most as the lively caricaturist: Fielding as the exact painter and profound metaphysician. I am far from maintaining that this account applies uniformly to the productions of these two writers; but I think that, as far as they essentially differ, ...
— Hazlitt on English Literature - An Introduction to the Appreciation of Literature • Jacob Zeitlin
... doing justice to the superficial attractiveness of her cultivated physical beauty. He would show, as Ibsen shows, and with an equal lack of malice prepense, various detestable features which the mask of good manners had concealed. Each artist would be called a caricaturist because his instinctive penetration had taken him into regions where the powder-puff and the ...
— Henrik Ibsen • Edmund Gosse
... considerable stir last year it was generally understood that he was destined exclusively for caricature. But he was a man who could do several things very well indeed, and caricature was only one of these things. In Paris he would certainly have made a name and a fortune as a caricaturist. They have more liberty there. Witness Rouveyre's admirable and appalling sketch of Sarah Bernhardt in the current Mercure de France. I never met Ospovat, but I was intimate with some of his friends while he was at South Kensington. In those ...
— Books and Persons - Being Comments on a Past Epoch 1908-1911 • Arnold Bennett
... opinion about Hogarth and his art, despising both, no doubt, and agreeing with Fuseli in deeming him a caricaturist merely, and his works 'the chronicle of scandal and the history book of the vulgar.' It was so much nobler to portray wild-contortions from Ossian, demoniac nightmares and lower region revelations, than to paint simply the life ...
— Art in England - Notes and Studies • Dutton Cook
... corner of Titian's Peter Martyr. I cannot in any of his works trace the slightest influence of Salvator; and I am not surprised at it, for though Salvator was a man of far higher powers than either Vandevelde or Claude, he was a wilful and gross caricaturist. Turner would condescend to be helped by feeble men, but could not be corrupted by false men. Besides, he had never himself seen classical life, and Claude was represented to him as competent authority for it. But he had seen mountains ...
— The Crown of Wild Olive • John Ruskin
... Mr. Oranmore, who seemed as cool as a cucumber. Have you ever seen Oranmore in court? He is a character worthy of Dickens. His pronounced brogue, his fat, podgy, clean-shaven face, his not always immaculately clean large hands, have often delighted the caricaturist. As it very soon transpired during that memorable magisterial inquiry, he relied for a verdict in favour of his client upon two main points, and he had concentrated all his skill upon making these two points as telling as he ...
— The Old Man in the Corner • Baroness Orczy
... myself I would rather have Punch at my back in any political or social undertaking than half the politicians of the House of Commons," he was merely expressing a conviction on the part of statesmen that many of them have given evidence of. It is another proof of the power of the caricaturist—a very proper respect for the smile which brings popularity and for the ridicule ...
— The History of "Punch" • M. H. Spielmann
... human industry filters it ten times ere it enters the cut-glass decanters and sparkles pure and bright from the filth it has been. She is therefore a being who is truly original. Depicted scores of times by the painter's brush, the pencil of the caricaturist, the charcoal of the etcher, she still escapes analysis, because she cannot be caught and rendered in all her moods, like Nature, like this fantastic Paris itself. She holds to vice by one thread only, and she breaks away from it at a thousand other points of the social circumference. Besides, ...
— The Thirteen • Honore de Balzac
... the 18th of March. He had been journalist, working printer, a clerk at the Hotel de Ville, editor of a newspaper, pamphleteer, and cafe orator in turn, but always noisy and boastful. Andre Gill, the caricaturist, once drew him as an undertaker's dog, dragging a saucepan behind him, and the caricature told Valles' story well enough. In face he was ugly, but energetic in ...
— Paris under the Commune • John Leighton
... Walter Scott, should he appear in Ireland, would be apt to have a cold welcome. To write on anything connected with Irish history is inevitably to offend the Press of one party, and very probably of both. Lever is less of a caricaturist than Dickens, yet Dickens is idolised while Lever has been bitterly blamed for lowering Irish character in the eyes of the world; the charge is even repeated in the Dictionary of National Biography. That may be patriotic sentiment, but it is ...
— Irish Books and Irish People • Stephen Gwynn
... render service to any party for the sake of preferment. This is, indeed, a very distorted view of Temple's character. Yet a character, even in the most distorted view taken of it by the most angry and prejudiced minds, generally retains something of its outline. No caricaturist ever represented Mr. Pitt as a Falstaff, or Mr. Fox as a skeleton; nor did any libeller ever impute parsimony to Sheridan, or profusion to Marlborough. It must be allowed that the turn of mind which the eulogists of Temple have ...
— The Love Letters of Dorothy Osborne to Sir William Temple, 1652-54 • Edward Abbott Parry
... belonging exclusively to England. His originality is of English growth; his satire broad, bold, fair-play English. He was no screened assassin of character, either with pen or pencil; no journalist's hack to stab in secret—concealing his name, or assuming a forged one; no masked caricaturist, responsible to none. His philosophy was of the straightforward, clear-sighted English school; his theories—stern, simple, and unadorned—thoroughly English; his determination—proved in his love as well as in his hate—quite English; ...
— The International Monthly, Volume 3, No. 2, May, 1851 • Various
... Charles Keene, the famous caricaturist of Punch, who died about a year ago, is the subject of an article in Scribner's for April, illustrated with many ...
— The Writer, Volume VI, April 1892. - A Monthly Magazine to Interest and Help All Literary Workers • Various |
